Nico Heinrich
No part of this publication may be duplicated or transmitted in any form ithout ritten permission from the author! All ri"hts reser#ed! $opyri"ht % &'()
*ear reader+ than, you so much for purchasin" my or,! I am sure you on-t re"ret it+ because this stuff is not only practical and fun to perform . the methods are also inno#ati#e and clean! There are no complicated set ups+ no "immic,s+ /ust pure and direct mentalism! is a re#ersed hich hand hand effe effect ct ith ith to to emot emotio ions ns!! 2ina 2inall lly y you you re#eal hat they here thin,in" of! All you need is to business cards and a pen! It-s (''3 impromptu! is so damn clean and fool fooliin" n"++ tha that I ca can n ima"ine "ine 5rea 5reall6 psy sycchics ics doin" it! 0ou as, them to thin, of a positi#e and then three ne"ati#e character traits! They are ritten on business cards+ hich are mi7ed and placed on the table! 0ou NE8ER see the ritin" . yet you are able to locate and re#eal the positi#e character trait ithout touchin"
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the card! It is N1T hat you e7pect! This loo,s and feels real! A"ain (''3 impromptu! is a techni:ue to A; create the illusion of bein" able to ma,e fears disa disapp ppea earr an and d 4; ac actu tual ally ly li"h li"hte ten n some someon ones es fear! is /ust fun to perf perfor orm m! ItIt-s a flirty rty fra frameor eor, , for for any mind readin" demo! 2urthermore it is an e7tr e7trem emel ely y ele" ele"an antt a ay y of "ett "ettin in"" some someon onee-ss phone number! is the the bolde oldest st pee, out there! 0ou can use it ith Later on they on-t e#en remember that they rote somethin"! I ,no you can-t ait+ so let us be"in !!!
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This is a #ariation of an effect I released in &'(?+ but since it as a limited under"round boo,+ hich as also ritten in 9erman+ you mi"ht ,no nothin" about it! This should not cause any problems for you+ because PH0SI$AL EM1TI1NS II can be performed as a stand alone piece! 1f course if you ,no the firs firstt #ers #ersio ion+ n+ hic hich h uses uses a total otally ly diff differ eren entt method+ feel free to combine them! =hile the ori"inal routine is much more emotional and intimate+ this #ariation is rather classic 5in your face6 mentalism . and there is a time and a place for both I thin,! 0ou as, your participant to thin, of to opposin" emotions+ li,e 5lo#e6 and 5hate6 for e7ample+ and to secretly rite them don on to business cards! Ne7t both billets are mi7ed so nobody ,nos hich one is hich! hich!
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0our 0our pa part rtic icip ipan antt ta,e ta,ess one one emot emotio ion n in each each hand and is as,ed to intuit hich hand holds the ne"ati#e emotion! She is ri"ht This test may be repeated ith the same result! The billet ith the ne"ati#e emotion is put aside+ lea#in" the participant ith the positi#e one! =ithout comin" near e are no able to re#eal the e7act feelin" she is thin,in" of! Since the first phase is actually noth nothiin" else else than than a re#e re#errsed sed 5hi hich hand hand66 effect+ there are tons of different techni:ues of cuin" the participa pan nt! Here are /ust a fe hich I li,e to use! 1h+ the billets are mar,ed by the ay+ and you ,no hich one is hich+ because you put them in her hands yourself As, her to hold out both hands in front of her! Then reach forard to ad/ust
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them sli"htly and ,eep holdin" on to them hile sayin"> 5=hat do you thin,+ here is the ne"ati#e oneC6 Dust hen you say the ord 5ne"ati#e6+ s:uee 5=hat do you thin,+ here is the ne"ati#e oneC6 =hile sayin" 5ne"ati#e one6 tal, past her head
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toards the side you ant to force! 1f course you can also combine these cuin" techni:ues or come up ith your on! After all you do not ha#e to be accurate e#ery sin"le time . because if she is ron"+ it is her fault! That is ob#iously not hat e are aimin" for+ so e ha#e "ot an out hich also may be used once ithout any cuin"! Let us assume she as ron" the first time> 5=ell+ that is hat you THINF . but I ant you to use your INTUITI1N here! So ithout thin,in" let one of your hands drop to the side!6 If she she drop dropss the the hand holdi oldin" n" the the ne" ne"ati#e ti#e emotion+ say> 5So this hand dropped as if ea,ened by the ne"ati#e ener"y! The ne"ati#e emotion must be there!6 If she drops the hand containin" the positi#e
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one+ say> 5=ell+ that lea#es /ust one option . the ne"ati#e emotion must be here6 This little e:ui#o:ue can be pretty con#incin"+ if presented properly! Remember> She does not ,no ,no ab abou outt the the mar, mar,in in"s "s++ so e seem seemin in"l "ly y ha#e no control either! Usin" the methods I /ust e7plained+ you can easily do the hand test once or tice ithout failin"! If she hits the first time+ tell her you ant to use another strate"y the second time and dont as, her to "uess+ but use the 5out6 instead! If she misses the first time use the out as described! That ay you cannot do it a"ain+ but since nobody ,nos hat you ha#e planned+ it doesnt matter! 2or the second phase+ here you are re#ealin" the positi#e emotion+ the ne"ati#e emotion is not needed anymore . so tear it up 0ou "uessed it> e use the center tear here .
and since the ne"ati#e emotion is the e7act opposite of the positi#e+ e ,no the latter too no Ho you re#eal the information is up to you! The ordin" is essential in this routine! At the be"innin" e let the participant thin, of to opposin" emotions+ but after she has ritten them don n++ e NE8ER say 5oppos posin"6 or similar ords a"ain! So hopefully by the end of the routine she doesnt remember the emotions ere not /ust different but e7actly contrastin"! If she does thou"h . so hatC It ould only be better if she didnt!
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This is the streamlined #ersion of the 5opposites techni:ue6 rapped up into a psychometry style routine! The participant /ots don one positi#e and three ne"ati#e emotions it also or,s ith character traits;+ you elim elimiina nate te the the ne" ne"ati ati#e ones ones an and d di#i di#ine ne the the positi#e! The basic idea is> If e can ma,e them for"et abou ab outt the the fa fact ct tha that to to emot emotiionsK onsKtr trai aits ts are opposin"+ e can more or less openly ! In this e7ample e do this usin" a soft pattern interrupt and time misdirection! 5Please thin, of a positi#e emotion and rite it don please . dont let me see it No thin, of the e7act opposite+ li,e if you thou"ht of pride thin, of humility+ yesC =rite this one don too+ please ait for them to finish; 0ou ,no hatC I ha#e an idea+ lets ma,e ('
this a little more interestin"! Please thin, of to more ne"ati#e emotions+ /ust any to So e-# e-#ee "ot "ot thre threee ne"a ne"ati ti#e #e emot emotio ions ns an and d one one positi#e 6 The participant /ots them all don on business cards+ hich are mar,ed of course . so you ,no hich one is the positi#e and hich one is its e7act opposite! The cards are mi7ed they dont ha#e to be folded in this case; and spread out on the table+ ritin" side don! No you ha#e to options> 0ou either turn o#er the ne"ati#e cards+ one by one+ so you can openly read them 1R+ and that is my fa#orite solution+ you eliminate the ne"ati#e cards and stac, them ritin" side don; puttin" ! Then you as, your participant to ta,e a loo, at the card left o#er positi#e one;+ hile puttin" the rest into your breast or inside /ac,et poc,et . and you + ho cool is that
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2inally I ould li,e to point out a fe thin"s concernin" opposites in "eneral> $hances are your participant is not able to find an accurate opposite to her emotionKtrait+ so atch her as she thin,s! If she ta,es too lon"+ she mi"ht ha#e ha#e diff diffic icul ulti ties es!! 4e prep prepar ared ed for for the the ors orstt case+ it ont happen too often thou"h! If you let her thin, of a positi#e emotion first+ she ill almost alays thin, of lo#e! If you name it as an e7ample yourself+ she ill pic, /oyKhappiness! There ARE more positi#e emot emotiions+ ons+ but nobo nobody dy rem remembe emberrs them them so :uic,ly! To "i#e your pa parrticipa pan nt more freedo edom of choice+ let her thin, of a positi#e cha charac racteri terist stic ic!! If you as, her to thi thin, of a positi#e character trait she thin,s she has or she ould li,e to ha#e;+ this routine can be pre pretty personal! 0ou can then easily do a readin" based on the information you "ot!
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4ein" a hypnotist for :uite some time no+ I ha#e been as,ed pretty often+ by friends and e#en stran"ers+ if I could uld ma,e their fear disappear! =ell+ since I am no hypnotherapist I ne#er ansered ith a clear 5yes6 and still ouldnt; . but I actually used my techni:ues to li"hten their fear or to help them handle it! Here is such a techni:ue . use it ith caution As, them to thin, of a certain fear they ha#e! 5In a fe moments you are "oin" to e7perience your fear a"ain . but to a de"ree you can handle! 2or that I ant you to close your eyes and ima"ine a situation here you ha#e that certain feelin" they close their eyes; you are feelin" it ri"ht no+ do youC 9ood! No ta,e that pen and send your emotions into the pen . /ust ima"ine doin" that they do so; 9reat+ ta,e the pen and manifest that feelin" on the paper by ritin" don the name of (?
your fear . one ord ill do I am not loo,in" by the ay!6 Here is a nice subtlety> =ait until they be"in to rite use sound readin" here or pee, throu"h the corner of your eye; and add 5If you dont find a ord+ dont orry . you can also dra a symbol or somethin"+ it doesnt matter6+ su""estin" a free choice! =hen they are done+ ha#e them close up the paper and turn bac, around! 5No+ this is not a /ust a piece of paper ith a symbol on it hich is completely true+ since they rote a ord; . this is 01UR 2EAR In a moment you ill let "o of it+ physically and mentally+ by throin" it o#er your shoulder! Let us tear it up first ta,e the billet from them+ e7ecute a center tear and put it bac, into their hand; 1n the count of three I ant you to thro your fear+ as far as you can+ o#er your shoulder! *ont thin,+ /ust do it . and feel ho
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somethin" chan"es ithin you one to THREE6 Loo, them strai"ht into the eyes+ be silent for a about tenty seconds and finally say ithout brea,in" eye contact;> 5I am "ettin" a feelin" that at least for no you ha#e lost your fear of their fear+ correctC 9reat I dont ,no ho lon" this is "oin" to last . maybe until tomorro+ maybe fore#er! Than, you so much for sharin" your feelin"s ith me6 There are se#eral thin"s "oin" on here> 2or the audience it loo,s li,e the participant is a"reein" to the fact that the fear is "one at least for no;+ hile she is /ust appro#in" that you re#ealed her thou"ht . at least on a conscious le#el! 1n a she is actually conf confir irmi min" n" that that ! At the same time =E are confirmin" it by seemin"ly sensin" it too! So presented correctly this piece
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has real impact on her future thou"hts and feelin"s! The more serious e ta,e it+ the hea#ier the force! I ha#e to say it a"ain> Use this ith caution 1f course you don-t ha#e to do the old $T . a different pee, or e#en an impression de#ice ou ould or, perfectly too! That hat ay they themsel#es could tear up the paper! This routine as definitely inspired by 4ARRIE Elimin inat atee the the Ne"a Ne"ati ti#e #e RI$HAR*S1N-S ef effect Elim from his onderful boo, Act To ! I didn-t li,e some aspects in his #ersion+ but lo#ed the idea of /ust /ustiifyin" yin" the the cente enterr tea tear usin" sin" a ritu rituaal! 4RU$E 4ERNSTEIN has a similar approach hich had some impact on my or, too! His effect The Ritual ca can n be foun found d in his his ama< ama
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This thou"ht re#elation is /ust different! It is not only une7pected+ but cle#er+ flirty+ amusin"+ memorable ble and fun to per perform! Althou"h it could be done on sta"e this is ideally lly suited for more casual settin"s! So ima"ine you-re in a bar seein" this beautiful oman! 0ou introduce yourself to her and as, her to THINF of her fa#orite drin,! Then you state> O=hat ould you say if I "i#e you a number to call+ and the person on the other end ould be able to describe e7actly hat you loo, li,e and hat drin, you are thin,in" of ri"ht noCO 1f course she doubts that+ but you insist on her to call a certain number that-s ritten on a file card! Abo#e that number it says Omind readerO! So she puts the number in her phone an presses
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the call button! After a fe seconds 01UR phone rin"s! OHey this is your name+ you-re earin" a blue dres dresss ith ith blac blac, , shoe shoes+ s+ you you ha#e ha#e shou should lder er len"th blond hair+ your eyes are bron ith a hint of "reen and your fa#orite drin, is !!! a $osmopolitan!O The "reat thin" about this concept is you ha#e lots of freedom be playful and impro#ise 1f course she doesn-t ha#e to thin, of a drin, it could be anythin"! Ha#e a boo, handyC *o a ord force! The playin" cards are alays at your fin"ertipsC 2orceKpee, a card! Use hate#er is around! If you can-t find anythin" ha#e her thin, of a pretty floer rose; and if the force fails> fuc, it you still "ot her number If you on the Para=allet by TH1MAS HEINE and RAINER MEES PARALA4S;+ there is a "reat ay a y of pee, pee,iin" the the inf nfor orma mati tio on+ usin" sin" the the
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concept /ust described> Stic, the monitor foil to the bac, of the file card ith the number on it! =hile they are readin" and typin" you ha#e plenty of time to pee,! Here are some subtleties you should consider> =hen you tell them hat to e7pect+ play it up so it sounds totally impossible+ but don-t lie to them by sayin" it-s Oa friendO of yours that they are "oin" to call or somethin" n"!! They must "enerate the false e7pectations themsel#es and then reali Ta,e three or e#en more file cards ith a different phone number on each one and force yours! 2or three to fi#e cards use e:ui#o:ue if you use a hole bunch of cards+
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do a riffle force for e7ample! So it seems e#en more more impo imposs ssib ible le an and d they they are are less less li,e li,ely ly to e7pect you on the other end!
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This is the boldest pee, in e7istence! It "oes li,e this> They /ot somethin" don on your business card+ you ta,e the latter and openly read hat they rote! Later on they on-t e#en e#en reme rememb mber er that that they they rot rotee some someth thin in"! "! Sounds cra
"i#e her the dead pen+ hich she cannot rite ith! Here is an important subtlety> As, her if she is ri"ht or left handed+ then put the ballpoint in her ritin" hand and the card in the opposite one . hile doin" so+ put a simple nail nic, into nto the card+ rd+ mar,i ar,in" n" its ori orienta entati tion on!! It is essential to "i#e her both ob/ects at the same time+ so that she on-t fiddle around ith the card! =ithin a fe moments she ill tell you+ that the pen doesn-t or, . but until then she ill already ha#e tried hard to scratch at least the first letter of her
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If e /ust hold out our hand at this point+ she ill "i#e us the card automatically! 4ecause nobody cares about a technically blan, card! 0es+ there is a sli"ht impression on it+ but as lon" as e don-t care they on-t either! No here comes the only real sli"ht> A top chan"e+ hich has ne#er been easier! Nobody e7pects you to sitch a blan, card for another blan, card+ ri"htC In our left hand e hold a small pac,et of busi busine ness ss ca card rdss bla blan, n, side side don don;; in deal dealer erss "rip "rip!! The The ri"h ri"htt hand hand hold holdss the the pa part rtic icip ipan antt-ss card ca rd 5bl 5blan an,6 ,6 side side don don;! ;! 4oth 4oth hand handss come come to"ether naturally . the left thumb pushes the dummy card o#er to the ri"ht+ and the participant-s card "oes on top of the pac,et! 1ur ri"ht hand ta,es hold of the dummy card and stays+ hile the left hand mo#es up . pointi pointin" n" toard toardss our our templ temple> e> 5Dust 5Dust TH THINF INF of it6 The "esture perfectly co#ers the sitch!
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=ithout sayin" a ord+ e rip the dummy in half and put it aside! *oin" so you can fearlessly sho the front of the card! E#en if they ,no that there should be some scratches . they don-t e7pect to spot them from a certain distance! I su"" su""es estt som some ,ind ,ind of ps psyc ych holo" olo"ic ical alKKtim time misdirection+ before e "et to the actual pee,! Then e /ust turn o#er the top card of the pac,et to 5ma,e some notes6! The nail nic, e made earlier ill help us ith the orientation of the impression! =e can no literally stare at hat the participant 5rote6! Sometimes it is only one letter+ sometimes there are more! 4ut since e limited the ran"e of possible outcomes at the be"innin"+ e FN1= it has to be a star si"n in this case;! If there is a 5T6 it must be 5Taurus6! If e see an 5L6+ e ,no it is 5Leo6 or 5Libra6! Sometimes you ha#e to do a one one step fishi shin" n"++ hic hich h cou couldnldn-tt be easi easier er++ before you re#eal her thou"ht!
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I on-t lie> on rare occasions the participant mana"es to dra /ust a sin"le line . the first line of the first letter! Not hat e anted+ but better than nothin" =or, ith hat you "et! =hen e#erythin" fails+ use the old branchin" ana"ram as an out! Needless to say+ you are not limited to the 0ou ill need specially printed business cards ith the same list on the bac,! That ay the participant his thou"ht! Here are some interestin" ideas> Ma,e a list of different aspects of life and do a close up QA!
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Print a calendar on the bac, and ha#e them circle an important date! As, them to choose a color and do a readin" based on its hidden meanin"! !!!
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