Des MegaDing Liederbuch Version04

DES MEGADING

STAND APRIL 2004 1000 UND 1 NACHT................................. ..........604 20th Century boy.............................................. ...426

a 176 A horse with no name...........................................10

Ab Auf Die Piste.................................... ..............601 Aber bitte mit Sahne...........................................583 ABER BITTE MIT SAHNE................................ ...673 Addictet to love...................................................357 Aeroplane............................................................ 320 After Dark...................................................... ......202 Ain't No Sunshine Bill Withers.........................64 Ain't Nobody................................................... .....462 ALICE...................................... ...........................393 Alkohol................................................ ................607 All along the watchtower.........................................6 ALL MY LOVING ( Beatles )................26 ALL RIGHT NOW....................................... .........425 All shook up................................ ........................127 Alle Jahre wieder................................................737 ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE ........................................................................ 278 Always on the run.......................................237, 528 Am Weihnachtsbaum die Lichter brennen..........737 AMERICAN PIE..................................................196 American Woman...............................................530 amore mio............................................... ............574 Angel.............................................................. .....335 Angie.............................................................. .....365 Aniitta........................................................ ..........734 Anita................................................................ ....572 Ankomme Freitag dem 13...................................675 Another brick int the wall.....................................294 Another Saturday Night - Cat Stevens..................78 Anton aus Tiroll................................ ...................735 Are You Gonna Go My Way?..............................240 ARE YOU LONESOME..................................... ..129 Auf 'ner einsamen Insel.................................... ...619 Auf der Reeperbahn nachts um halb eins...........586 AZURRO....................................................... ......645 Bacardi Rum..................................... ..................589 BACK FOR GOOD.......................................... ....399 BAD MOON RISING.............................................62 BAILA ME........................................................... .228 Bamboleo - Gipsy Kings.....................................227 BANKS OF OHIO............................................... ...93 Because I got high..............................................214 Beds Are Burning.................................. ..............269 Behind Blue Eyes............................................. ...327 Beinah, beinah....................................... .............702 BIKO (PETER GABRIEL).........................291 Bilder von dir.......................................... .............615 BLACK MAGIC WOMAN....................................380 BLACK OR WHITE, 1.........................................177 Blinded by the Light............................................262 Blowing in the wind...............................................70 BLUE SUEDE SHOES................................... .....131 BOBBY BROWN, Frank Zappa...........................198 Bohemian Like You.............................................212 Bolle.......................................................... ..........718 Bolle reiste jüngst zu Pfingsten...........................721 Born to be wild................................. ...................466 Breakfast in America.............................................88 BREAKING THE GIRL........................................322 Bridge Over Troubled Water...............................383 BRING ME SOME WATER.................................275 BROTHERS IN ARMS........................................424 Brown sugar................................................. .......367 BUONA SERA................................................... ..208 BURNING DOWN THE HOUSE.........................408 By the Way..................................................... .....315 California dreaming.................................... .........252 Version 04 /1.01 April 2004

Can't Help Falling In Love Elvis Presley..........132 Caravan Of Love - Housemartins........................392 Carbonara............................................... ............616 CECILIA................................................... ...........385 Change the World\..............................................143 CHARLY BROWN.................................... .............94 CHILD IN TIME................................... ................108 Chords.......................................... ......................758 COCAINE........................................................... .138 COME AS YOU ARE NIRVANA..................300 Come Together................................................. .....11 Come Undone.............................................. .......333 Connected.......................................................... .345 COULD YOU BE LOVED....................................511 COULD YOU BE LOVED BOB MARLEY.....510 Couldn't get it right..............................................442 Country Roads....................................... .............194 Cover Of The Rolling Stone................................120 Crazy......................................... ...........................58 Crazy Little Thing Called Love............................310 Crosstown Traffic}.............................. .................183 Dancing In The Moonlight...................................301 DÄNEN LÜGEN NICHT, Otto..............................729 Das hama uns verdient.......................................698 Das kann doch einen Seemann nicht erschüttern ........................................................................ 716 Davey's on the road again..................................260 DAY TRIPPER......................................................16 Dead or alive.................................................. .......92 Deeply Dippy}.....................................................156 DELILAH.................................................. ...........410 Der Berg.............................................................. 659 Der Mörder ist immer der Gärtner.......................683 Der Quintenzierkel..............................................757 Der Rattenfänger Hannes Wader........................565 Der Teufel hat den Schnaps gemacht.................717 DICKE...................................................... ...........621 Die alten Rittersleut......................................... ....732 Die Ballade vom Pfeifer......................................678 DIE BIENE MAJA Karel Gott...............................707 Die Hände Zum Himmel................................. .....719 Die heiße Schlacht am kalten Buffet...................680 Dock of the bay..................................... ..............286 Don't Cry Guns'N Roses.................................174 Don't Let Me Be Misunderstood..........................449 DOWN ON THE CORNER................................. ...95 DREADLOCK HOLIDAY.....................................521 DREAM A LITTLE DREAM.................................288 DREAM A LITTLE DREAM OF ME.....................255 Dreamer....................................................... ...........7 DREAMER................................................ ............90 DRIVE...................................................... ...........416 Dschingis Khan..................................... ..............596 Du willst immer nur f......,..................................... 670 DUST IN THE WIND...........................................203 Easy.......................................................... ..........161 Ein Bett im Kornfled Jürgen Drews.....................689 Ein bisschen Spass muß sein.............................652 Ein Loch in der Tasche................................. .......627 Ein Prosit............................................................. 724 Eine neue Liebe ist wie ein neues Leben............599 EISGEKÜHLTER BOMMERLUNDER.................654 El Condor pasa................................ ...................387 ENGLISHMAN IN NEW YORK STING.........302 Er gehört zu mir..................................................696 Es ist ein Ros' entsprungen................................737 Es lebe der Zentralfriedhof..................................660

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Es war Sommer..................................................605 Es wird Nacht Senorita.......................................598 EVERY BREATH YOU TAKE, Police..................304 Every rose has its thorn......................................474 EVERYBODY HURTS........................................210 Everybody Needs Somebody To Love................439 Eyes Without A Fac................................... ..........419 FATHER AND SON, Cat Stevens.........................79 Feel................................................. ............330, 495 Fever - Elvis Presley...........................................133 FIESTA MEXICANA............................................578 First Cut is The Deepest\....................................364 Flieger, grüß mir die Sonne.................................649 Flugzeuge im Bauch...........................................606 Fly away - Lenny Kravitz.....................................236 Fly Like An Eagle................................................271 FOREVER YOUNG DYLAN, BOB......................69 Fragile...................................................... ...........297 FREE FALLING................................................ ...429 Freedom ............................................................. 206 Für immer jung............................................ ........657 Für mich solls rote Rosen regnen.......................632 FÜRSTENFELD.......................................... ........602 Geiler is' schon...................................................623 Get Back The Beatles.........................................27 Get this party started....................................... ....444 Gimme hope Jo'anna..........................................519 GIMME SOME LOVIN........................................441 GIRL ( Beatles...................................... ....30 GIVE A LITTLE BIT................................ ...............89 Gone Till November............................................218 Griechischer Wein.......................................... .....580 Grund zumFeiern.................................. ..............642 Guantanamara....................................... .............289 Gute Nacht, Freunde..........................................685 GUTEN ABEND, GUTE NACHT.........................751 HANG ON SLOOPY...........................................390 HARD TO HANDLE............................................438 HARDROCK CAFE...................................... .........63 Hass mich oder lieb mich....................................624 HEAVEN HELP................................... ................244 HEDONISM........................................................ .463 Hello, goodbye......................................... .............45 HELP......................................... ...........................53 Here Comes the Sun............................................17 Heroes\......................................... ......................453 Heut Nacht.............................................. ............618 Heute blau, morgen blau................................ .....722 Heute hier, morgen dort Hannes Wader ........................................................................ 567 Hey hey Wickie................................ ...................695 Hey Joe.......................................................... .....182 Hey Jude (The Beatles)........................................32 Hey Sexy Lady............................................ ........514 Highway to hell.................................................. ..539 Hit the road,................................ ........................313 HOLE HEARTED................................ ................153 Honky tonk woman.............................................369 Hoochi Coochi man........................................ ....220 Hot In The City..................................... ...............417 Hot Stuff................................................. .............526 Hotel California...................................................124 Hound dog................................... .......................134 How bizarre.................................................. .......329 How deep is your love.................................... .....401 Humba Tätärä...................................... ...............722 Hurra, Hurra, die Schule brennt - Extrabreit........647 Version 04 /1.01 April 2004

Hurricaine.............................................................. 71 HUSH...................................................... ............110 I Am The Walrus................................................. ...46 I don´t wanna dance...........................................513 I Hear You Knocking...........................................492 I shot the sheriff..................................................507 I STILL HAVEN´T FOUND WHAT I´M LOOKING FOR................................................... .............430 I Wanna Be Like You................................... ........105 I Want To Hold Your Hand The Beatles..............34 I'm on Fire............................................ ...............346 ICH BRECH DIE HERZEN (HEINZ RÜHMANN ........................................................................ 614 Ich hab meinen Spaß................................ ..........623 Ich liebe dich.......................................... .............686 Ich weiss, es wird einmal ein Wunder gescheh'n 591 Ich wollt' ich wär ein Huhn............................... ....585 if I had a Hammer...............................................293 If You Want to Sing Out, Sing Out - Cat Stevens. .81 IHR KINDERLEIN KOMMET...............................739 Im Wagen vor mir......................................... .......581 IMAGINE......................................................... ......14 In einen Harung..................................................714 IN THE SUMMERTIME.............................. .........447 In the year 2525.................................... ..............558 IS THIS LOVE........................................... ..........504 It ain`t over `til it`s over.......................................531 It never rains in Southern California....................256 It's not unusual................................. ...................411 Ja 569 JACK AND DIANE (JOHN COUGAR MELLENCAMP)........................................ ......200 JAILHOUSE ROCK......................................... ....135 Jealous guy....................................................... ......9 Jesus just left Chicago........................................219 Jetzt trink'n ma noch a Flascherl Wein................728 Jingle Bells.................................................... ......752 Johnny B. Goode Chuck Berry...........................96 Johnny Walker....................................................625 Josephine............................................................ 448 Jumpin' Jack Flash............................................. .370 Junimond Echt...........................................637 Just A Gigolo David Lee Roth..........................107 Kaileigh............................................... ................267 Kann denn Liebe Sünde sein ?...........................590 Karl der Käfer............................................... .......662 Kaspar..................................... ...........................681 KEEP YOUR HANDS TO YOUR SELF...............150 Kein Schwein ruft mich an.................................. .692 Killer Queen...................................... ..................305 KILLING ME SOFTLY.........................................360 KISS PRINCE................................................299 Kling, Glöckchen, klingelingeling.........................740 Knocking on heavens door................................. .164 KOKAIN (HANNES WADER).......................570 Kommet, ihr Hirten............................... ...............741 KOMMET, IHR HIRTEN......................................754 Kornblumenblau.......................................... ........722 Kreuzberger Nächte.................................. ..........730 La Bamba............................................................ 247 Lady D'Arbanville Cat Stevens..........................82 Lady Madonna The Beatles.............................35 Lady Marmalade.............................. ...................477 Laßt uns froh und munter sein............................742 LAßT UNS FROH UND MUNTER SEIN.............755 LAYLA Eric....................................... ...............139 Leise rieselT der Schnee....................................743

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LET LOVE RULE................................................533 LET ME ENTERTAIN YOU.................................349 Let's spend the Night togheter............................371 Light my fire...................................................... ...118 LIKE A ROLLING STONE Bob Dylan....................77 Like the way i do.................................................273 Little Miss Can't be Wrong..................................494 Little Wing Jimi Hendrix.....................................187 LIVIN' LA VIDA LOCA.........................................225 Lola Kinks.................................... .......................204 Losing my religion................................. ..............209 Love and marriage............................... ...............485 Love is all around....................................... .........431 Love is da Shit....................................................265 Love me Tender..................................................137 Lustig ist das Zigeunerleben...............................713 Mackie Messer............................................ ........636 Mad World........................................................ ...285 Maggie May................................ ........................250 MAGIC BUS................................................. .......542 Major Tom........................................ ...................456 Mama Told Me Not To Come -............................412 MAMBO, Herbert Groenemeyer..........................612 Mamy Blue.............................................. ............639 Männer - Herbert Grönemeyer............................608 Marina...................................................... ...........652 Marmor, Stein und Eisen bricht...........................693 ME AND BOBBY MCGEE (JANIS JOPLIN)...178 Mei Alde Is' Im Playboy Drin...............................690 Mein kleiner grüner Kaktus - Comedian Harmonists ........................................................................ 674 Mein Vater war ein Wandersmann......................712 Mer losse d'r Dom in Kölle..................................723 MERCEDES BENZ.............................................181 Message in a bottle.................................... .........298 MfG...................................................... ...............697 Mir geht es wie dem Jesus................................. .655 Mit 18.................................................. ................628 mit Pfefferminz bin ich dein Prinz........................628 Monday, Monday............................................ .....257 Money for Nothing............................................ ...427 Moonshadow Cat Stevens...................................84 MORE THAN WORDS Extreme.........................151 MORGEN, KINDER, WIRD’S WAS GEBEN......744 MORNING HAS BROKEN, Cat Stevens...............86 MOTHERLESS CHILD.......................................140 Moviestar..................................... .......................575 Mr. Cab Driver............................................. ........529 MR. TAMBOURINE MAN......................................74 Mrs. Robbinson........................................... ........389 Music was my first love.......................................281 Muß i denn zum Städtele hinaus.........................710 Mustang Sally (The Commitments).....................106 MY GENERATION..............................................545 Nadine Chuck Berry................................. ..........102 NEEDLES AND PINS.........................................394 NELLIE THE ELEPHANT............................... ...397 No Particular Place To Go...................................103 NO WOMAN, NO CRY....................................... .509 Not That Kind......................................... ...............61 NOTHING ELSE MATTERS...............................450 November Rain..................................... ..............170 Nutbush City Limits.............................................405 O Tannenbaum..................................................746 O du fröhliche.................................................... ..745 Ode an die Freude............................... ...............709 Oh, Pretty Woman..............................................560 Version 04 /1.01 April 2004

One in a Million................................ ...................168 ONE LOVE......................................................... .508 Over my Shoulder................................ ...............276 Over the Rainbow...............................................303 Paint it black....................................................... .373 Papa Was a Rolling Stone..................................502 PATIENCE............................... ...........................166 People in da Middle............................................266 PIANO MAN................................................. .......323 Pinball Wizard........................................ .............549 Power of love................................... ...................282 Prince of Peace................................................ ...157 Probiers mal mit Gemütlichkeit...........................588 PROUD MARY................................................ ....488 PUFF, THE MAGIC DRAGON.....................117, 292 Purple haze.................................................. .......192 Purple Rain - Prince.................................. ..........471 Put your lights on................................................149 Quando Quando Caterina Valente & Silvio Francesco.............................................. .........644 Rebel Yell................................................. ...........422 Redemption Song...............................................505 RESPECT............................................... ............523 Riders on the storm......................................... ....496 RING OF FIRE.................................... ................119 River deep, mountain high..................................407 Rivers Of Babylon - Sublime...............................486 Rock DJ........................................ ......................351 Rock This Town............................................. ......231 Roxanne.............................................................. 296 Sabinchen war ein Frauenzimmer......................710 SAILING........................................................ ......362 Satisfaction.................................. .......................374 Save Tonight - Eagle-Eye Cherry........................123 Say it aint so............................... ........................280 Scarborough Fair................................................391 SCHIFOAN (WOLFGANG AMBROS)..........661 Schnaps, das war seIN letztes Wort...................725 Schneeflöckchen, Weißröckchen........................747 Seemann, deine Heimat ist das Meer.................592 Sex Machine..................................... ..................181 SEXBOMB........................................ ..................413 Sexy.......................................................... ..........630 Shame, shame, shame.......................................359 She bangs..................................................... ......223 She´s The One...................................... ......338, 353 Shiny happy people....................................... ......211 SHOUT......................................... ......................246 SKANDAL IM SPERRBEZIRK............................610 SLOOP JOHN B BEACH BOYS......................307 Smoke on the Water Deep Purple.......................109 So ein Tag so wunderschön wie heute................725 Something....................................................... ......29 Something Stupid............................................. ...325 Spiel nicht mit den Schmuddelkindern................672 Spuck den Schnuller aus....................................687 STAIRWAY TO HEAVEN............................... ......234 sTAND BY ME....................................................... 75 STAND BY ME........................................ ............437 Stayn' alive...................................................... ....489 Still got the blues.............................................. ...162 Stille Nacht, heilige Nacht...................................748 Stop,hey whats the sound...................................126 Stormy weather........................................... ........436 Strawberry Fields Forever............................... ......38 Strawberry Fields Forever The Beatles..........36 Stray Cats Strut................................................ ...233

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STREETS OF LONDON.....................................112 Strength Of A Woman.........................................516 Stuck in the middle of you...................................347 Summer in the City.............................................252 Summer of 69.....................................................159 Summertime....................................................... .179 Sunday Bloody Sunday.................................. .....479 SUNNY.............................................................. ..114 Supergirl.............................................................. 221 Supreme....................................... ......................355 Süßer die Glocken nie klingen............................749 Sweet child o` mine......................................... ....312 Sweet dreams........................................ .............261 SWEET HOME ALABAMA..................................251 SWEET HOME CHICAGO..................................440 Sympathie for the devil.......................................375 Sympathie für den Teufel....................................635 T.N.T.............................................. .....................538 Tag Am Meer................................................ .......700 Tainted Love....................................................... .263 Take A Message.......................................... ........400 TAKE GOOD CARE OF MY BABY.....................483 TANGO KORRUPTI – Austria3...........................650 Tanze Samba mit mir..................................576, 600 TEARS IN HEAVEN................................ ............141 Tequilla........................................................... .....522 THE BALLAD OF CHASEY LAIN.........................68 THE BOXER,................................... ...................381 The Great Pretender..............................(Buck Ram) ................................................................ ........311 THE JOKER................................................. .......395 The Lion Sleeps Tonight.................................... ..476 The Logical Song.................................... ..............91 THE PASSENGER........................................ ......473 the roof is on fire............................... ....................66 THOSE WERE THE DAYS.................................236 Three little birds..................................................506 Time Warp........................................................ ...362 To be a lover............................... ........................423 To be with you........................................ .............445 Turn on, tune in, cop out.....................................501 Turn the page................................................ ......490 TWIST AND SHOUT................................. ............52 Two princess.......................................... .............493 Über den Wolken................................................641 Über den Wolken Dieter Thomas Kuhn...........643 Über sieben Brücken mußt du gehen.................577 Unchain My Hear................................................415 Under The Bridge........................................... .....318 Universal Soldier.................................................111 Use Me................................... ............................556 VERDAMP LANG HER.......................................667 Viva Las Vegas...................................................128 Volare............................................................. .....230 VOLLMOND......................................... ...............611 Vom Himmel hoch, da komm ich her..................750 Von den blauen Bergen......................................706 VOODOO CHILD.................................. ..............184 Voulez Vous...................................... ..................669 Wahnsinn (................................................ ..........597 Waldfest............................................... ...............663

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Walk On The Wild Side\......................................248 WALKING BY MYSELF......................................548 Walking in Memphis - Marc Cohn.........................76 WANDERSMAN,.......................................... .......654 Wann wird`s mal wieder richtig Sommer.............594 Wannabe......................................................... ....562 Was soll das................................................... .....613 Was sollen wir trinken.........................................666 We are the Champions.......................................308 We Can Work It Out The Beatles...................47 We shall overcome.............................................289 We Will Rock You........................................... .....309 WEATHER WITH YOU.......................................435 Wenn das so weitergeht.................................... ..726 Wenn wir erklimmen............................................ 704 Wer soll das bezahlen.................................. .......726 Westerland.................................................. ........603 What a Wonderful World.....................................458 What I am........................................................... .460 What I Got.................................................... .......468 What is And What Should Never Be...................497 WHAT S UP, 4 non blondes.............................56 When I'm Sixty-Four............................................ ..25 When You're In Love With A Beautiful Woman....122 Where the Streets Have No Name......................534 While My Guitar Gently Weeps (George Harrison) ........................................................................ 164 WHIRLPOOL................................ ........................60 Whish you where here........................................295 WHISKEY IN THE JAR.......................................403 White Wedding................................................ ....421 WHOLE LOTTA LOVE........................................539 Whole lotta Rosie....................................... .........541 Why did you do it................................................245 Wild Horses........................................................ .377 WILD WORLD Cat Stevens................................87 Winter Wonderland.............................................756 Wir kommen alle in den Himmel.........................727 Wir lagen vor Madagaskar..................................704 Wir lieben die Stürme...................................... ....703 Wir versaufen unser Oma ihr klein Häuschen.....728 With a little help from my friends.........................193 With or without you.............................................481 Wochenend und Sonnenschein..........................720 Wochenend undSonnenschein...........................593 Wonderful Tonight Eric Clapton..........................147 WONDERWALL.................................... ..............432 Word up...................................... ........................339 Yellow Submarine The Beatles......................49 YESTERDAY.............................. ..........................13 Yesterday The Beatles......................................54 YMCA –.......................................................... .....451 YOU ARE THE SUNSHINE OF MY LIFE............113 You Can Leave Your Hat On (Joe Cocker)..........254 You Can't Always Get What You Want................379 You get what you give.........................................216 You really got me................................................536 You sexy thing Hot Chocolate............................175 You shook me all night long................................537 YOU'VE GOT TO HIDE YOUR LOVE AWAY........51 ZWEI KLEINE ITALIENER..................................694

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ALL ALONG THE WATCHTOWER Am G F -G 1. There must be some kind of way out of here, Am G F - G said the joker to the thief Am G - F–G Am G F -G There's too much confusion, I can't get no relief. Am G F - G Am G - F-G Business men, they drink my wine, plowmen dig my earth. Am G F - G Am G F -G None of them will ever own my mind, know what any of it is worth Am G F G Am G F G Am G F G Am G F G Am G F - G Am G -F-G 2. No reason to get excited, the thief, he kindly spoke. Am G F - G Am G F -G There are many here among us, who feel that life is but a joke. Am G F - G Am G F -G But you and I we've been through that, and this is not our place. Am G F - G Am G F -G So let us stop talking falsely now, the hour's getting late. Am G F G Am G F G Am G F G Am G F G Am G F - G Am G F -G 3. All along the watchtower, princes kept the view. Am G F - G Am G F -G While all the women came and went, barefoot servants too. Am G F - G Am G F -G Outside in the cold distance , a wild cat did growl. Am G - F -G Am G -F-G Two riders were approaching, and the wind began to howl. Am G F - G All along the watchtower...... (rep. and fade)

(capo 3rd) (Jimi Hendrix)

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DREAMER Ozzy Osbourne KAPO: 1. Bund

Intro: (piano)  C  C                                Am Gazing through the window at the world outside   C                              Am  Wondering will mother earth survive  F                              Dm             G   C G   Hoping that mankind will stop abusing her sometime 

C                                 Am  After all there's only just the two of us      C                                  Am  And here we are still fighting for our lives  F                       Dm          Watching all of history repeat itself             G   C  G   Time after time 

             C I'm just a dreamer      Am            Em  G I dream my life away               C I'm just a dreamer        Am              Em  G Who dreams of better days     C                              Am I watch the sun go down like everyone of us      C                                 Am  I'm hoping that the dawn will bring a sign     F                                   Dm A better place for those Who will come after us ...        G   C  G  This time  Your higher power may be God or Jesus Christ      Dm                            G

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It doesn't really matter much to me      Dm                                   G Without each others help there ain't no hope for us       Dm                        G I'm living in a dream of fantasy                   C Oh yeah, yeah, yeah

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JEALOUS GUY

G 1.

Em

D

Em

I was dreaming of the past, and my heart was beating fast, D

Em

C

I began to lose control, G

F

I began to lose control.

C G

F

I didn't mean to hurt you, G

D

I'm sorry that I made you cry.

Em C

G

I didn't mean to hurt you,

G 2.

Em

I'm just a jealous guy.

D

Em

I was feeling insecure, you might not love me any more. D

Em

C

I was shivering inside, G

F

I was shivering inside.

C G

F

I didn't mean to hurt you, G

D

G

Em C

Em

A#

I'm sorry that I made you cry. G

I didn't mean to hurt you,

3.

A#

I'm just a jealous guy. D

I was trying to catch your eyes , Em thought that you were trying to hide D

Em

I was swallowing my pain, G

F

C G

I didn't mean to hurt you, G

D

Em C

I didn't mean to hurt you, G – Em – D – Em

D – Em – C

C I was swallowing my pain. F

A#

I'm sorry that I made you cry. G I'm just a jealous guy. G – F – C – G – F – A# .....

(whistling) (Roxy Music)

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A HORSE WITH NO NAME / KANSAS Intro:Em

D6l9 Em D6l9 Em D6l9 On the first part of the journey I was looking at all the life, Em D6l9 there were plants and birds and rocks and things, Em D6l9 there were sand and hill and rings. Em D6l9 The first thing I met was a fly with a buzz and the sky with no Em D6l9 clouds, Em D6l9 Em the heat was hot and the ground was dry but the air was full of D6l9 sound Refr.

D6l9

Em

Em9 D7+|9 I've been thru the desert on a horse with no name, Em9 D7+|9 it felt good to be out of the rain, Em9 D7+|9 in the desert you can remember your name Em9 D7+|9 'cause there ain't no one for to give you no pain. Em9 D7+|9 Em9 D7+|9 La la la la la la la la la la la la.

After two days in the desert sun, my skin began to turn red, after three days in the desert sun, I was looking at a river bed. And the story it told of a river that flowed made me sad to think it was dead. Refr.

I've been thru the desert on a horse with no name...

After nine days I let the horse run free 'cause the desert had turned to sea. There were plants and birds and rocks and things, there were sand and hills and rings. The ocean is a desert with it's life underground and the perfect disguise above. Under the cities lies a heart made of ground, but the humans will give no love. Refr.

I've been thru the desert on a horse with no name...

-0-0-0-0-0-0--0-0-0-0-0-0-0-0-0-0-0-0--0-0-0-0-0-0-0-0-0-0-0-0--2-2-2-2-2-2-2-2-2-2-2-2--0-0-0-0-0-0-2-2-2-2-2-2--0-0-0-0-0-0-0-0-0-0-0-0--2-2-2-2-2-2- REPEAT

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-2-2-2-2-2-2--0-0-0-0-0-0-0-0-0-0-0-0--2-2-2-2-2-2-0-0-0-0-0-0--2-2-2-2-2-2-0-0-0-0-0-0--0-0-0-0-0-0-2-2-2-2-2-2--0-0-0-0-0-0-0-0-0-0-0-0--0-0-0-0-0-0- REPEAT

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COME TOGETHER (THE BEATLES) Dm Here come old flat top, He come grooving up slowly, Dm He got Joo Joo eyeball, He one holy roller  A7 He got  Hair down to his knee;   G7 Got to be a joker, he just do what he please. **Riff

RIFF: ­­­­­­­­ 1­­­­­­­ ­­­­­­­H 3­­­­­­­ ­­­­­­0­ 2­­­­­­­ 0­­ 0­­­­­­­ ­ ­­­­­­­­ ­­­­ ­­­­­­­­ ­­­­

Dm  He wear no shoe shine, he got toe jam football Dm He got monkey finger, he shoot co­ca cola         A7  He say, "I know you, you know me."   G7 One thing I can tell you is you got to be free      Bm              G Come Together, Right now, over me **Riff Dm He bag production, He got wal­rus gumboot Dm He got O­no sideboard, He one spinal cracker        A7 He got feet down below his knee G7 Hold you in his armchair, you can feel his disease       Bm              G Come together, right now,  over me **Riff Dm He roller coaster, he got early warning Dm He got muddy water, He one Mo­jo filter         A7 He say, " One and one and one is three." G7 Got to be good looking 'cause he so hard to see  Version 04 /1.01 April 2004

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     Bm Come together, Right now, over me

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YESTERDAY (BEATLES)

          C          E                         Am   G           Yesterday, all my troubles seemed so far away!           F      G                       C           Now it looks as though they're here to stay,           G  Am  D        F     C           oh I believe in yesterday!           C         E                      Am      G           Suddenly, I'm not half the man I used to be!           F         G              C           There's a shadow hanging over me,           G    Am  D        F     C           oh yesterday came suddenly!           E   E7  Am  G  F   Am      G                  C           Why she had to go? I don't know, she wouldn't say!           E E7   Am    G   F      Am    G              C           I said something wrong, now I long for yesterday!           C          E                     Am      G           Yesterday, love was such an easy game to play!           F     G               C           Now I need a place to hide away,           G  Am  D        F     C           oh I believe in yesterday!           E   E7  Am  G  F   Am      G                  C           Why she had to go? I don't know, she wouldn't say!           E E7   Am    G   F      Am    G              C           I said something wrong, now I long for yesterday!           C          E                     Am      G           Yesterday, love was such an easy game to play!           F     G               C           Now I need a place to hide away,           G  Am  D        F     C           oh I believe in yesterday!           Am  D  F   C           Hmmmmmmmmmmm

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IMAGINE

( John Lennon )

G                    C     G                 C Imagine there's no heaven. It's easy  if you try. G          C      G             C No hell below us. Above us only sky. C                  A   D            D7 Imagine all the people living for today. D    C       D         G Aha, you may say I'm a dreamer, C       D7           G   H7 but I'm not the only one C           D          G       H7 I hope some day you'll join us. C       D7         G And the world will be as one. G                  C          G                C Imagine there's no countries, it isn't hard to do. G                   C        G               C Nothing to kill and die for, and no religion too. C       Em         A    D              D7 Imagine all the people, living life in peace. D    C       D         G Aha, you may say I'm a dreamer, C       D7           G   H7 but I'm not the only one C           D          G       H7 I hope some day you'll join us. C       D7         G And the world will be as one. G               C        G               C Imagine no prossessions, I wonder if you can. G                    C         G              C No need for greed or hunger, a brotherhood of man. C       Em        A     D               D7 Imagine all the people, sharing all the world. D    C       D         G Aha, you may say I'm a dreamer, C       D7           G   H7 but I'm not the only one C           D          G       H7 Version 04 /1.01 April 2004

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I hope some day you'll join us. C       D7         G And the world will be as one.

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DAY TRIPPER BEATLES   riff 1:                               riff 2: |­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­ |­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­ |­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­2­0­­­­­4­­­­0­2­ |­­­­­­­­­­­2­­­0­­­4­­­0­2­­­|­­­­­­­­­2­­­­­­­2­­­­2­­­­­ |­­­­­­­­­2­­­­­­­2­­­2­­­­­­­|­0­­­3­4­­­­­­­­­­­­­­­­­­­­ |­0­­­3­4­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­  

play riff 1 2x, then riff 1 once, then riff 2 once   E7 Got a good reason, for taking the easy way out A7                 E7 Got a good reason, for taking the easy way out           F# She was a day____ tripper, one way ticket yeah            A7     G#7          C#               B It took me so____ long to find out, and I found out     She's a big teaser, she took me half the way there She's a big teaser, she took me half the way there She's a day tripper, one way ticket, yeah It took me so long to find out, and I found out  

Tried to please her, but she only played one night stands Tried to please her, but she only played one night stands She was a day tripper, Sunday driver, yeah It took me so long to find out, and I found out    

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HERE COMES THE SUN

G. HARRISON

     A                            E||­­­­­­9­­­­­­­7­­­9­­­­­­­­­­| B||­­­­­­10­­10­­10­­10­­­­­10­­| G||­­­­­­9­­­­­­­­­­­­­­­­­­9­­­| D||­­­­­­7­­­­­­­­­­­­­­­7­­­­­­| A||­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| E||­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|

                       D                                 ­­­­­­­9­­7­­­­­­­­­­­­­­­­|­­­­­­­­­­­7­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­10­­­­­7­­­|­­­­10­­­­­­­­­­­10­­­­­­­­| ­­­­­­­­­­­­­­­­9­­­­­­7­­­|­­­­­­­­­­­­­­­­­7­­­­­­­­­| ­­­­7­­­­­­­­7­­­­­­­­­7­­­|­­­­­­­­7­­­­­7­­­­­­7­­7­­| ­­­­­­­­­­­­­­­­­­­­7­­9­­­|­­­­­­­­9­­­­­9­­­­­­9­­­­­| ­­­­­­­­­­­­­­­­­­­­7­­10­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­|

  E7    E7SUS4    E7          A                             ­­­­­­­­­­­­­­­­­­7­­­­­­­­|­­­­­­­9­­­­­­­7­­­9­­­­­­­­­­| ­­9­­7­­9­­10­­­­­9­­­­­9­­|­­­­­­­10­­10­­10­­10­­­­­10­­| ­­7­­7­­7­­7­­­­­­7­­­­­­­­|­­9­­­­­­­­­­­­­­­­­­­­­­­9­­­| ­­9­­­­­9­­­­­­9­­­­­9­­­­­|­­7­­­­­­­­­­­­­­­­­­­­7­­­­­­| ­­7­­­­­7­­­­­­7­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|

                         D                            E7   ­­­­­­­9­­­7­­­­­­­­­­­­­­­­­|­­­­9­­­­­­7­­­­­­­­­­­­­­­| ­­­­­­­10­­10­­­­­10­­­­­7­­­|­­­­­­­­­­­­­­­­­10­­­­­9­­| ­­­­9­­­­­­­­­­­­­9­­­­­­7­­­|­­­­­­­­­­­­­­­­­­­­­­­­7­­| ­­­­­­­­­­­­­­­7­­­­­­­­­7­­­|­­­­­­­­­­­­­­­­­­­­­­­­9­­| ­­­­­­­­­­­­­­­­­­­­­­7­­9­­­|­­­­­­­­­­­­­­9­­­­­­7­­7­­| ­­­­­­­­­­­­­­­­­­­­­­7­­10­­|­­­­­­­10­­­­­­­­­­­­7­­7­­|

                     A                         ­­­­­­­­­­­­­­­­­­|­­­­­­9­­­7­­­­­9­­­­­­­­­| ­­­­­­­­­­­­­­­­­­|­­­­­­10­­10­­­­10­­­­10­­| ­­­­­­­­­­­­­­­­­­|­­­­­­9­­­­­­­­­­­­­­­9­­­| ­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­|

                                D                          ­­­­­­­9­­­­­­­7­­­9­­­­­­­­­|­­­­­­­­9­­7­­­­­9­­­­­­­­­| ­­­­­­­10­­10­­10­­10­­­­­7­­|­­­­­­­­7­­7­­­­­7­­­­­10­­| Version 04 /1.01 April 2004

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­­­­9­­­­­­­­­­­­­­­­­­­­­7­­|­­­­­­­­7­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­7­­­­­|­­­­­­­­­­­­­­7­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­9­­­­­7­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­10­­­­­­­­­­­­­­­­7­­­­­­|

  B7                      A                          ­­­­­­­­­­­­­­­­­­­­­­­|­­­­­9­­­­­­7­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­|­­­­­10­­­­­10­­­­10­­­­­­­| ­­8­­8­­8­­­­8­­­­8­­­­|­­9­­­­­­­­­­­­­­­­­­­­­9/­| ­­9­­9­­9­­­­9­­­­9­­­­|­­7­­­­­­7­­­­­­­­­­­­­­­­­| ­­9­­9­­9­­­­9­­­­9­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­7­­­­­7­­­­7­­­­7­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­|

  N.C.                          ­­­­­­­­­­7­­­­­­­­­7­­­­­­­­­| ­­­­­­10­­­­­­­­10­­­­­­­­10­­| ­­11­­­­­­­­­9­­­­­­­­­7­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|

                                A                            ­­7­­­­­­­­­7­­­­­­­­­­­­­­­­|­­­­­­­9­­­­­­­7­­­9­­­­­­­­­| ­­­­­­­­10­­­­­10P­9­­­­­­­­­|­­­­­­­10­­10­­10­­10­­­­10­­| ­­­­­9­­­­­­­­­­­­­­­­11P­9­­|­­9­­­­­­­­­­­­­­­­­­­­­­9­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­7­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|

                       D                                  ­­­­­­­9­­­7­­­­­­­­­­­­­­|­­­­­­­­­­­­­7­­­­­­­­­­­­­­­| ­­­­­­­10­­10­­­­10­­­­7­­|­­­­­­10­­­­­­­­­­­10­­­­­7­­| ­­­­9­­­­­­­­­­­­9­­­­­7­­|­­­­­­7­­­­­­­­­­­­7­­­­­­7­­| ­­­­­­­­­­­­­­­­­­­­­­­7­­|­­­­­­­­­­7­­­­­7­­­­­­7­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­9­­­­­­­9­­­­­9­­­­­­9­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­10­­­­­­­­­­­­­­­­­­­­­­­­­|

  E7       E7SUS4E7          A                            ­­­­­­­­­­­­­­­­­7­­­­­­­­|­­­­­­­9­­­­­­­7­­­9­­­­­­­­­| ­­9­­7­­9­­10­­­­9­­­­­9­­|­­­­­­­10­­10­­10­­10­­­­10­­| ­­7­­­­­7­­7­­­­­7­­­­­­­­|­­9­­­­­­­­­­­­­­­­­­­­­­9­­­| ­­9­­­­­9­­­­­­­­­­­­­­­­­|­­7­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­7­­­­­­­­­­­­­­­­­7­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|

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                       D                        E7   ­­­­­­­9­­­7­­­­­­­­­­­­­­|­­­­­­9­­7­­­­­­­­­­­­­­| ­­­­­­­10­­10­­­­10­­­­7­­|­­­­­­7­­7­­­­10­­­­­9­­| ­­­­9­­­­­­­­­­­­9­­­­­7­­|­­­­­­7­­­­­­­7­­­7­­7­­| ­­­­­­­­­­­­­­­­­­­­­­­7­­|­­­­­­­­­­­­­­­­­­7­­9­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­9­­7­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­|

               E7SUS4        A                          ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­9­­­7­­­­­9­­­­­­­­­| ­­­­7­­9­­­­­­­10­­­­­10­­|­­­­­­­10­­10­­­­10­­­­10­­| ­­­­7­­7­­­­7­­7­­­7­­7­­­|­­9­­­­9­­­­­­­­­­­­­­­9­­­| ­­­­­­­9­­­­9­­­­­­9­­­­­­|­­7­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­7­­­­7­­­­­­7­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­|                                 D                          ­­­­­­­9­­­­­­­7­­­9­­­­­­­­­|­­­­­­­­9­­7­­­­­9­­­­­­­­­| ­­­­­­­10­­10­­10­­10­­­­­7­­|­­­­­­­­7­­7­­­­­7­­­­­10­­| ­­­­9­­­­­­­­­­­­­­­­­­­­­7­­|­­­­­­­­7­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­7­­­­­|­­­­­­­­­­­­­­7­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­9­­­­­7­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­10­­­­­­­­­­­­­­­­7­­­­­­|

  B7                      A                          ­­­­­­­­­­­­­­­­­­­­­­­|­­­­­9­­­­­­7­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­|­­­­­10­­­­­10­­­­10­­­­­­­| ­­8­­8­­8­­­­8­­­­8­­­­|­­9­­­­­­­­­­­­­­­­­­­­­9H­| ­­9­­9­­9­­­­9­­­­9­­­­|­­7­­­­­­7­­­­­­­­­­­­­­­­­| ­­9­­9­­9­­­­9­­­­9­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­7­­­­­7­­­­7­­­­7­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­|

  N.C.                          ­­­­­­­­­­7­­­­­­­­­7­­­­­­­­­| ­­­­­­10­­­­­­­­10­­­­­­­­10­­| ­­11­­­­­­­­­9­­­­­­­­­7­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|

                                A                           ­­7­­­­­­­­­7­­­­­­­­­­­­­­­­|­­­­­­­9­­­­­­­7­­­9­­­­­­­­| ­­­­­­­­10­­­­­10P­9­­­­­­­­­|­­­­­­­10­­10­­10­­10­­­­7­­| ­­­­­9­­­­­­­­­­­­­­­­11P­9­­|­­9­­­­9­­­­­­­­­­­­­­­­­7­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­7­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­| Version 04 /1.01 April 2004

19

  E7       E7SUS4E7        A                            ­­­­­­­­­­­­­­­­­7­­­­­­|­­­­­­­9­­­­­­­7­­­9­­­­­­­­­| ­­9­­7­­9­­10­­­­9­­­­­­|­­­­­­­10­­10­­10­­10­­­­10­­| ­­7­­7­­7­­­­­­­­7­­­­­­|­­9­­­­­­­­­­­­­­­­­­­­­­9­­­| ­­9­­­­­9­­­­­­­­­­­­­­­|­­7­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­7­­­­­7­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|                        D                                  ­­­­­­­9­­­7­­­­­­­­­­­­­­|­­­­­­­­­­­­­7­­­­­­­­­­­­­­­| ­­­­­­­10­­10­­­­10­­­­7­­|­­­­­­10­­­­­­­­­­­10­­­­­7­­| ­­­­9­­­­­­­­­­­­9­­­­­7­­|­­­­­­7­­­­­­­­­­­­7­­­­­­7­­| ­­­­­­­­­­­­­­­­­­­­­­­7­­|­­­­­­­­­­7­­­­­7­­­­­­7­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­9­­­­­­­9­­­­­9­­­­­­9­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­10­­­­­­­­­­­­­­­­­­­­­­­­­|

  E7       E7SUS4E7          A                            ­­­­­­­­­­­­­­­­­7­­­­­­­­|­­­­­­­9­­­­­­­7­­­9­­­­­­­­­| ­­9­­7­­9­­10­­­­9­­­­­9­­|­­­­­­­10­­10­­10­­10­­­­10­­| ­­7­­­­­7­­7­­­­­7­­­­­­­­|­­9­­­­­­­­­­­­­­­­­­­­­­9­­­| ­­9­­­­­9­­­­­­­­­­­­­­­­­|­­7­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­7­­­­­­­­­­­­­­­­­7­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|                        D                             E7   ­­­­­­­9­­­7­­­­­­­­­­­­­­|­­­­­­9­­­­­­7­­­­­­­­­­­­­­­| ­­­­­­­10­­10­­­­10­­­­7­­|­­­­­­­­­­­­­­­­­­­10­­­­­9­­| ­­­­9­­­­­­­­­­­­9­­­­­7­­|­­­­­­­­­­­­­­­­­­­­­­­­­­7­­| ­­­­­­­­­­­­­­­­­­­­­­­7­­|­­­­­­­­­­­­­­­­­­­­­­­­­­9­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­9­­­­­­­­­­­­­9­­­­­­7­­7­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­10­­­­­10­­­­­­­­­­­­7­­7­­|

               E7SUS4        A                          ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­9­­­7­­­­­9­­­­­­­­­| ­­­­­­­9­­­­­­­10­­­­­10­­|­­­­­­­10­­10­­­­10­­­­10­­| ­­­­­­­7­­­­7­­7­­­7­­7­­­|­­9­­­­9­­­­­­­­­­­­­­­9­­­| ­­­­9­­9­­­­9­­­­­­9­­­­­­|­­7­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­7­­7­­­­7­­­­­­7­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­|

                                D                          ­­­­­­­9­­­­­­­7­­­9­­­­­­­­­|­­­­­­­­9­­7­­­­­9­­­­­­­­­| ­­­­­­­10­­10­­10­­10­­­­­7­­|­­­­­­­­7­­7­­­­­7­­­­­10­­| ­­­­9­­­­­­­­­­­­­­­­­­­­­7­­|­­­­­­­­7­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­7­­­­­|­­­­­­­­­­­­­­7­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­9­­­­­7­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­10­­­­­­­­­­­­­­­­7­­­­­­|

  B7                      A                          ­­­­­­­­­­­­­­­­­­­­­­­|­­­­­9­­­­­­7­­­­­­­­­­­­­­| Version 04 /1.01 April 2004

20

­­­­­­­­­­­­­­­­­­­­­­­|­­­­­10­­­­­10­­­­10­­­­­­­| ­­8­­8­­8­­­­8­­­­8­­­­|­­9­­­­­­­­­­­­­­­­­­­­­9H­| ­­9­­9­­9­­­­9­­­­9­­­­|­­7­­­­­­7­­­­­­­­­­­­­­­­­| ­­9­­9­­9­­­­9­­­­9­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­7­­­­­7­­­­7­­­­7­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­|

  N.C.                          ­­­­­­­­­­7­­­­­­­­­7­­­­­­­­­| ­­­­­­10­­­­­­­­10­­­­­­­­10­­| ­­11­­­­­­­­­9­­­­­­­­­7­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|

                                A                            ­­7­­­­­­­­­7­­­­­­­­­­­­­­­­|­­­­­­­9­­­­­­­7­­­9­­­­­­­­­| ­­­­­­­­10­­­­­10P­9­­­­­­­­­|­­­­­­­10­­10­­10­­10­­­­­7­­| ­­­­­9­­­­­­­­­­­­­­­­11P­9­­|­­9­­­­9­­­­­­­­­­­­­­­9­­7­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­7­­­­­­­­­­­­­­­­­­­­7­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|

  E7                              (G)         ­­7­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­| ­­9­­­­­­­­­­­­­­­­­­|­­­­­­­­­8­­­­­­­­­­­­| ­­7­­­­­­­­­­­­­­­­­­|­­­­­­9­­­­­­­­­­­­7­­| ­­9­­­­­­­­­­­­­­­9­­|­­10­­­­­­­­­­­­9­­­­­| ­­7­­­­­­­­7­­11­­­­­|­­­­­­­­­­­­10­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­|

  (D/F#)   (D)       A                    ­­­­­­­­­­­­­­­­­­|­­­­­­­9­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­|­­­­­­­10­­­­­­­­­­­­| ­­­­­­­­7­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­| ­­­­­7­­­­­­­­­­­­|­­7­­­­­­­­­­­­­­­­­­| ­­9­­­­­­­­­­­­9­­|­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­10­­­­­|­­­­­­­­­­­­­­­­­­­­­|

  E7                               (G)         ­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­| ­­9­­­­9­­­­­­­­­­­­­­|­­­­­­­­­8­­­­­­­­­­­­| ­­7­­­­7­­­­­­­­­­­­­­|­­­­­­9­­­­­­­­­­­­7­­| ­­9­­­­9­­­­­­­­­­­9­­|­­10­­­­­­­­­­­­9­­­­­| ­­7­­­­7­­­­7­­11­­­­­|­­­­­­­­­­­­10­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­|   (D/F#)   (D)       A                         Version 04 /1.01 April 2004

21

­­­­­­­­­­­­­­­­­­|­­­­­­­9­­­­­9­­­­­9­­­­­­| ­­­­­­­­­­­­­­­­­­|­­­­­­­10­­­­10­­­­10­­7­­| ­­­­­­­­7­­­­­­­­­|­­­­­­­9­­­­­9­­­­­9­­­7­­| ­­­­­7­­­­­­­­­­­­|­­7­­­­­­­­­­7­­­­­7­­­­­­| ­­9­­­­­­­­­­­­9­­|­­­­­­­­­­­­­­­­­­­7­­­­­­| ­­­­­­­­­­­10­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­|   E7                                 (G)         ­­­­­­­­­­­­­­­­­­­­­­||­­­­­­­­­­­­­­­­­­­­­­­| ­­9­­­­9­­­­­­­­­­­­­­||­­­­­­­­­­8­­­­­­­­­­­­| ­­7­­­­7­­­­­­­­­­­­­­||*­­­­­­9­­­­­­­­­­­­7­­| ­­9­­­­9­­­­­­­­­­­9­­||*­­10­­­­­­­­­­­­9­­­­­| ­­7­­­­7­­­­7­­11­­­­­||­­­­­­­­­­­­­10­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­||­­­­­­­­­­­­­­­­­­­­­­­|   (D/F#)       (D)   A                      E7   ­­­­­­­­­­­­­­­­­­|­­­­­­­9­­­­­­­7­­­9­­­­­­­­| ­­­­­­­­­­­­­­­­­­|­­­­­­­10­­10­­10­­10­­­­9­­| ­­­­­­­­7­­­­­­­­­|­­­­­­­9­­­­­­­­­­­­­­­­­7­­| ­­­­­7­­­­­­­­­­­­|­­7­­­­­­­­­­­­­­­­­­­­­­9­­| ­­9­­­­­­­­­­­­9­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­10­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­|                                       (G)         ­­­­­­­­­­­­­­­­­­­­­­­||­­­­­­­­­­­­­­­­­­­­­­­| ­­­­7­­9­­­­­­­­­­­­­­­||­­­­­­­­­­8­­­­­­­­­­­­| ­­­­7­­7­­­­­­­­­­­­­­*||*­­­­­­9­­­­­­­­­­­­7­­| ­­­­­­­9­­­­­­­­­­­9­­*||*­­10­­­­­­­­­­­­9­­­­­| ­­­­­­­­­­­­7­­11­­­­­­||­­­­­­­­­­­­­10­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­||­­­­­­­­­­­­­­­­­­­­­­­|

                     A                      E7   ­­­­­­­­­­­­­­­­­­|­­­­­­­9­­­­­­­7­­­9­­­­­­­­| ­­­­­­­­­­­­­­­­­­|­­­­­­­10­­10­­10­­10­­­­9­­| ­­­­­­­­7­­­­­­­­­|­­­­­­­9­­­­­­­­­­­­­­­­­7­­| ­­­­­7­­­­­­­­­­­­|­­7­­­­­­­­­­­­­­­­­­­­­­9­­| ­­9­­­­­­­­­­­­9­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­10­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­|

                                      (G)         ­­­­­­­­­­­­­­­­­­­­­­­||­­­­­­­­­­­­­­­­­­­­­­­| ­­­­7­­9­­­­­­­­­­­­­­­||­­­­­­­­­­8­­­­­­­­­­­­| ­­­­7­­7­­­­­­­­­­­­­­*||*­­­­­­9­­­­­­­­­­­­7­­| ­­­­­­­9­­­­­­­­­­­9­­*||*­­10­­­­­­­­­­­­9­­­­­| ­­­­­­­­­­­­7­­11­­­­­­||­­­­­­­­­­­­­10­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­||­­­­­­­­­­­­­­­­­­­­­­­|                      A                      E7   ­­­­­­­­­­­­­­­­­­|­­­­­­­9­­­­­­­7­­­9­­­­­­­­| ­­­­­­­­­­­­­­­­­­|­­­­­­­10­­10­­10­­10­­­­9­­| ­­­­­­­­7­­­­­­­­­|­­­­­­­9­­­­­­­­­­­­­­­­­7­­| ­­­­­7­­­­­­­­­­­­|­­7­­­­­­­­­­­­­­­­­­­­­­9­­| Version 04 /1.01 April 2004

22

­­9­­­­­­­­­­­­9­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­10­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­|                                                E7SUS ­­­­­­­­­­­­­­­­­­­­­­­||­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­7­­9­­­­­­­­­­­­­­­||­­­­9­­9­­9­­9­­7­­9­­10­­| ­­­­7­­7­­­­­­­­­­­­­­*||­­­­7­­7­­­­­7­­7­­7­­7­­­| ­­­­­­­9­­­­­­­­­­­9­­*||­­­­9­­9­­­­­9­­­­­­­­9­­­| ­­­­­­­­­­­­7­­11­­­­­­||­­­­­­­7­­­­­7­­­­­­­­7­­­| ­­­­­­­­­­­­­­­­­­­­­­­||­­­­­­­­­­­­­­­­­­­­­­­­­­|                      E7                             ­­­­­­­­­­­­­­­­­­­­­7­­|­­­­­­­­­­­7­­­­­­­­­10­­| ­­­­­­­­­­10­­9­­10­­9­­|­­­­­­9­­­­9­­10­­­­­9­­­| ­­­­­­­­­­7­­­7­­7­­­7­­|­­­­­­7­­­­7­­7­­­­­­7­­­| ­­­­­­­­­­9­­­9­­9­­­­­­|­­­­­­­­­­­­­­­­­­­­­9­­­| ­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­7­­7­­­| ­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­|                                 A                           ­­­­10­­10­­10­­10­­­­10­­9­­|­­­­­­­9­­­­­­­7­­­9­­­­­­­­| ­­­­9­­­9­­­9­­­9­­­­­9­­­­­­|­­­­­­­10­­10­­10­­10­­­­­­­| ­­­­7­­­7­­­7­­­7­­­­­7­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­9H­| ­­­­9­­­9­­­9­­­9­­­­­9­­­­­­|­­7­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­7­­­7­­­7­­­7­­­­­7­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­|

                                ­­­­­­­­­­7­­­­­­­­­7­­­­­­­­­| ­­­­­­10­­­­­­­­10­­­­­­­­10­­| ­­11­­­­­­­­­9­­­­­­­­­7­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|                                 (A7)     (G)         ­­7­­­­­­­­­7­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­| ­­­­­­­­10­­­­­10P­9­­­­­­­­­|­­­­­­­­8­­­­­­­­­­­­| ­­­­­9­­­­­­­­­­­­­­­­11P­9­­|­­­­­9­­­­­­­­­­­­7­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­7­­­­­­­­­­­­9­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­10­­­­­­­­| ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­|   (D/F#)   (D)       A                    ­­­­­­­­­­­­­­­­­­|­­9~­­­­­­­­­­­­­­­­|| ­­­­­­­­­­­­­­­­­­|­­10~­­­­­­­­­­­­­­­|| ­­­­­­­­7­­­­­­­­­|­­9~­­­­­­­­­­­­­­­­|| ­­­­­7­­­­­­­­­­­­|­­7~­­­­­­­­­­­­­­­­|| ­­9­­­­­­­­­­­­9­­|­­7~­­­­­­­­­­­­­­­­|| ­­­­­­­­­­­10­­­­­|­­­­­­­­­­­­­­­­­­­­||

Version 04 /1.01 April 2004

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HERE COMES THE SUN The Beatles

1. Strophe: A D Here comes the sun, here comes the sun, (and I say) A D A A E "It's allright." A D E Little darling, it's been a long cold lonely winter. A D E Little darling, it feels like years since it's been here. Refrain: A D A D A A E Here comes the sun, here comes the sun, (and I say) "It's allright." C G D A Sun, sun, sun, here it comes. A D A D A A E Here comes the sun, here comes the sun, (and I say) "It's allright." 2. Strophe: Here comes the sun, here comes the sun, (and I say) "It's allright." Little darling, the smiles returning to their faces. Little darling, it seems like years since it's been here. Refrain: 3. Strophe: Here comes the sun, here comes the sun, (and I say) "It's allright." Little darling, I feel that ice is slowly melting. Little darling, it seems like years since it's been clear. Refrain:

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WHEN I'M SIXTY-FOUR The Beatles G

D7

When I get older, losing my hair, many years from now, D7 G Will you still be sending me a Valentine, birthday greetings, bottle of wine? G7 C If I'd been out 'till quarter to three, would you lock the door? Eb7 G E7 Will you still need me, will you still feed me, A7 D7 G When I'm sixty-four? Chorus: Em D Em Hmm------mmm------mmmh. Em B7 You'll be older, too. Em Am Aaah, and if you say the word, C D7 G I could stay with you. G D7 I could be handy, mending a fuse, when your lights have gone. D7 G You can knit a sweater by the fireside, sunday mornings, go for a ride. G7 C Doing the garden, digging the weeds, who could ask for more? Eb7 G E7 Will you still need me, will you still feed me, A7 D7 G When I'm sixty four? Chorus: Em D Em B7 Every summer we can rent a cottage in the Isle of Wight if it's not to dear. Em Am C D7 G We shall scrimp and save. Ah, grandchildren on your knee, Vera, Chuck, and Dave. G D7 Send me a postcard, drop me a line stating point of view. D7 G Indicate precisely what you mean to say, yours sincerely wasting away. G7 C Give me your answer, fill in a form, mine forever more. Eb7 G E7 Will you still need me, will you still feed me, A7 D7 G When I'm sixty four?

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ALL MY LOVING

( BEATLES

)

Em                       A Close your eyes and I'll kiss you   D           Hm tomorrow I'll miss you   G           Em        C remember I'll always be true     Em             A And then while I'm away            D          Hm I'll write home every day          G           A         D and I'll send all my loving to you.        Hm       F#m          D All my loving I will send to you.        Hm       F#m          D All my loving I will send to you.         Em            A I'll pretend that I'm kissing     D         Hm the lips I am missing     G            Em               C and hope thet my dreams will come true.     Em             A And then while I'm away            D          Hm I'll write home every day          G           A         D and I'll send all my loving to you.        Hm       F#m          D All my loving I will send to you.        Hm       F#m          D All my loving I will send to you.

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GET BACK

THE BEATLES

A A7 Jojo was a man who thought he was a loner, D A G D But he knew it couldn't last. A A7 Jojo left his home in Tuscon, Arizona D A G D For some California grass Chorus: A (A7) A (A7) Get back, get back D A G D Get back to where you once belonged Get back, get back Back to where you once belonged - Get back Jojo!

Chorus Sweet Loretta Martin thought she was a woman, But she was another man. All the girls around her said she's got it comin', But she gets it while she can. Chorus  Spoken:   C    Get back Loretta   F    Your mommy is waiting for you   C    Wearin' her high heel shoes and her low neck sweater   F    Get back home Loretta

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 **Chorus  **Chorus

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SOMETHING Beatles (Abbey Road 1969)

C Cmaj7 Something in the way she moves C7 F Attracts me like no other lover D G Something in the way she woos me Am I don't want to leave her now C D F D# G You know I believe in how (sig riff) C Cmaj7 Somewhere in her smile she knows C7 F That I don't need no other lover D G Something in her style that shows me Am I don't want to leave her now C D F D# G You know I believe in how A C#m F#m ( You're asking me will my love grow A/E D G A G# G F# I don't know I don't know A C#m F#m You stick around and it may show A/E D G C I don't know I don't know ) C Cmaj7 Something in the way she knows C7 F And all I have to do is think of her D G Something in the things she shows me Am I don't want to leave her now C D F D# G You know I believe in how

C

A

F

E

C

Cmaj7 032000 D# 000343

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GIRL

( BEATLES )

         Am      E7              Am Is there anybody going to listen to my story Dm                             C    E7 all about the girl who came to stay.           Am               E7              Am She's the kind of girl you want so much it makes you sorry Dm                              Am  E still you don't regret a single day.     C  Em  Dm  G7  C  Em  Dm7  G7 Ah, girl      ­    girl        Am               E7               Am When I think of all the times I tried so hard to leave her Dm                               C   E7 she will turn to me and start to cry.         Am           E7              Am And she promised the earth to me and I believe her Dm                               Am  E after all this time I don't know why.     C  Em  Dm  G7  C  Em  Dm7  G7 Ah, girl      ­    girl Dm                                  A She's the kind of girl who puts you down when friends are there            Dm7   A you feel a fool. Dm7                                A When you say she's looking god she acts as if it's understood       Dm7             F she's cool      ooh   ooh   ooh     C  Em  Dm  G7  C  Em  Dm7  G7 Ah, girl      ­    girl         Am                E7                    Am Was she told when she was young that pain would lead to pleasure Dm                              C   E7 did she understand it when they said,        Am                 E7               Am that a man must break his back to earn his days of leasure, Dm                                  Am   E will she still believe it when he's dead.     C  Em  Dm  G7  C  Em  Dm7  G7 Ah, girl      ­    girl Dm                                  A She's the kind of girl who puts you down when friends are there            Dm7   A you feel a fool. Version 04 /1.01 April 2004

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Dm7                                A When you say she's looking god she acts as if it's understood       Dm7             F she's cool      ooh   ooh   ooh     C  Em  Dm  G7  C  Em  Dm7  G7 Ah, girl      ­    girl

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HEY JUDE (THE BEATLES)  

F                     C              C7sus4   C7      F Hey Jude don't make it bad take a sad song and make it better   Bb                          F                      C7               F Remember to let her into your heart and then you can start to make it  better       F              C             C7   C7sus4  C7      F Hey Jude don't be afraid you were made to go   out and get her     Bb                            F             C7               F The minute you let her under your skin then you begin to make it better

F7                       Bb                 Gm7   And anytime you feel the pain hey jude refrain             C7                       F Don't carry the world upon your shoulders F7                              Bb                For now you know that its a fool who plays it cool  Gm7                 C7            F By making his world  a little colder          F7      C7 Da da da da   Da da da da  Da

    F              C                     C7   C7sus4  C7      F Hey Jude don't let me down you have found her now go and get her     Bb                            F             C7               F Remember to let her into you heart then you can start to make it better F7                       Bb           Gm7 So let it out and let it in Hey Jude begin             C7                       F Your waiting for someone to perform with F7                                      Bb And dont you know that its just you Hey jude you'll do Gm7                 C7            F The movement you need is on your shoulders          F7      C7 Da da da da  Da da da da  Da

F                     C              C7sus4   C7      F Hey Jude don't make it bad take a sad song and make it better   Bb                          F                      C7               F Remember to let her into your heart and then you can start to make it  better Version 04 /1.01 April 2004

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             F Better, better, better, better, Ahhhhh

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I WANT TO HOLD YOUR HAND

THE BEATLES

            C             G          Am               Em     Oh, yeah, I'll tell you something, I think you'll understand,        C          G          Am                 E    Then I say that something: I want to hold your hand!    F        G7        C   Am     F         G7        C   I want to hold your hand!      I want to hold your hand!

     C             G          Am               Em    Oh, please, say to me, you'll let me be your man,        C          G          Am                 E    And please, say to me, you'll let me hold your hand.    F     G7        C   Am     F         G7       C   Now let me hold your hand, I want to hold your hand!

      Dm         C               F        Dm       And when I touch you I feel happy inside,   Dm          C               F          G       It's such a feeling that my love I can't hide,   F       G     F       G       I can't hide, I can't hide.                C             G          Am               Em   Yeah you, got that something, I think you'll understand.        C          G          Am                 E   When I feel that something, I want to hold your hand!    F      G7        C   Am     F      G7        C   I want to hold your hand! I want to hold your hand!

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LADY MADONNA

THE BEATLES

 E      A      E                A  Lady Madonna, children at your feet.  E              A      E      C     D     E  Wonder how you manage to make       ends meet.                A     E                A  Who finds the money when you pay the rent.  E                  A     E   C   D    E  Did you think that money was heaven sent?

 Am                             D  Friday night arrives without a suitcase.  G                             Em  Sunday morning creeping like a nun.  Am                                    D7  Monday's child has learned to tie his bootlace.  G    Am6       B7  See how they'll run.

 E      A      E                A  Lady Madonna, baby at your breast.  E              A      E      C     D     E  Wonder how you manage to    feet    the rest.          A     E           A  Lady Madonna, lying in your bed.  E                A     E   C   D    E  Listen to the music playing in your head.

 Am                             D  Tuesday afternoon is never ending,  G                             Em  Wednesday morning papers didn't come.  Am                                    D7  Thursday night your stockings needed mending.  G    Am6       B7  See how they'll run.

 E      A      E                A  Lady Madonna, children at your feet.  E              A      E      C     D     E  Wonder how you manage to make     ends meet.

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STRAWBERRY FIELDS FOREVER

THE BEATLES

Let me take you down, cos I'm going to Strawberry Fields Nothing is real, and nothing to get hung about Strawberry Fields forever

Living is easy with eyes closed,      misunderstanding all you see It's getting hard to be someone but it all works out It doesn't matter much to me

Chorus:

Let me take you down, cos I'm going to Strawberry Fields Nothing is real, and nothing to get hung about Strawberry Fields forever

Riff 2 No one I think is in my tree,        I mean it must be high or low That is, you can't you know tune in but it's all right That is, I think it's not too bad ...

**Chorus

Always know, sometimes think it's me But you know I know when it's a dream I think a "no" will be a "yes", but it's all wrong That is, I think I disagree ...

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**Chorus (Without Riff 1)

    Strawberry Fields forever Strawberry Fields forever

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STRAWBERRY FIELDS FOREVER Intro : ---------

    G    Gmaj7  G7           Am        G       F     C D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­3­­3­­3­­3­­3­­3­­1­­0­­­­­­­­1­­­­­­­­0­­­­­­­­­­­­­­­­­­ F­­­4­­4­­4­­4­­4­­4­­2­­1­­­­­­2­­­­­­­­0­­­­­­2­­­­0­­­­­­­­ C­­­5­­­­­4­­­­­3­­3­­­­­­­­­­2­­­­­­­­0­­­­­­­­3­­­­2­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ Chorus : ­­­­­­­­­­     C                                   Gm7 D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­3­­3­­ F­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­3­­3­­­­­­­­ C­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­ G­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­5­­­­­­­­­­­­3h5­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­     Let me take you down cos' I'm going to  Strawberry fields     A7 D­­­­­­­­­­­­­­­­0­­­­­­­­­­0­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­2­­2­­­­2­­­­­­­­­­­­­­­­­­2­­2­­­­­­­­­­­­­­­­­­­­­ F­­­0­­­­­­­­0­­­­­­­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­­­­­­­­­­­­­­­­­­0h2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­     Nothing is real        F               A7 D­­­­­­­1­­­­­­­­­­­­­­­­­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­1­­1­­­­­­­­­­­­­­­­­­­­­­­2­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­­2­­­­­­­­­­­­­­­­­­­­0­­­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­­3­­­­­­­­­­­­­­­0h2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­3­­­­­­­­­­­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­   And nothing to get hung about     F                 C D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­1­­­­­­­­­­­1­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­2­­­­­­­­­­­2­­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­3­­­­­­­­­­­3­­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ Version 04 /1.01 April 2004

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G­­­3­­­­­­­­­­­3­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­1­­­­­­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­     Strawberry fields forever

Verse 1: ­­­­­­­­­     G         Gmaj7     G7 D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­3­­3­­­­­­3­­3­­­­­3­­3­­­1­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­4­­4­­­­­­4­­4­­­­­4­­4­­­2­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­5­­­­­­­­­4­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­    Living is easy with eyes closed     Am      Am/G             F D­­­­­­­0­­­­­­­­­0­­­­­­­­­­­­­­­1­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­1­­­­­­­­­1­­­­­­­­­­­­­­­1­­­1­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­ F­­­­­­­2­­­­­­­­­2­­­­­­­­­­­­­2­­­­­­­­­­­­2­­­­­­­­­­­­­­­­­­­­­­ C­­­­­2­­­­­­­­­2­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­0­­­­­­0­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­3­­­­­­­­­­­­­0h1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­      Misunderstanding all you see     F            G               C         G/B      Am    Am/G D­­­­­­­­­1­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­0­­­­­­­­ A­­­­­­­­­1­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­1­­­­­­­­­­­ F­­­­­­­­­2­­­­­­­4­­­­­­­­­­­­­­­­0­­­­­­­­­0­­­­­­­­­­2­­­­­­­­­­ C­­­­­­3­­­­­­­­­­5­­­­­­­­­­­­­­­­2­­­­­­­­­0­­­­­­­­­­2­­­­­­­­­­ G­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­2­­­­­­­­­0­­­­­­­­­­­ D­­0h1­­­­­­­­1/3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­     It's getting hard to be someone but it all works out     F          G               F           C D­­­­­­­­1­­­­­­­­­­­3­­­­­­­­­­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­1­­­­­­­­­­­­­3­­­3­­­­­­­­­­­1­­1­­0h1­­­­­­­­­­­­­­­­­­­­­­­ F­­­­­­2­­­­­­­­­­­­­4­­­4­­­­­­­­­­­2­­2­­0­­­­­­­­­­­­­­­­­­­­­­­­ C­­­­­­3­­­­­­­­­­­­­­­­­5­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­0h1­­­­­­­­­­1/3­­­­­­­­­­­­­0h1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­       It doesn't matter much to me Chorus : ­­­­­­­­­    C                                   Gm               (no chord ) Version 04 /1.01 April 2004

39

D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­ C­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­5­­­­­­0­­­­­­­­­­­­­­­­­­ G­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­5­­­1­­­­­1­­­­­1­­­­­­1­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­3­­­­­­1­­­­­                                        Let me take you down cos' I'm going to  Strawberry fields   (no chord)

D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­7­­­­­­­­­­­­­­7­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­0­­­­­­­­­­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­        Nothing is real

      F          G     A7 D­­­­­1­­­­­­­­­­3­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­1­­­­­­­­­­3­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­­­2­­­­­­­­­­4­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­­­3­­­­­­­­­­5­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­3­­­­­­­­­­5­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­1­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­   And nothing to get hung about     F                 C D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­1­­­­­­­­­1­­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­2­­­­­­­­­2­­­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­3­­­­­­­­­3­­­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­3­­­­­­­­­3­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­1­­­­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­    Strawberry fields forever

Linking phrase : ­­­­­­­­­­­­­­­­­ This is the little downwards scale played on a harp­like instrument. Leave all strings to sustain as much as possible.

D­­­­1p0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ Version 04 /1.01 April 2004

40

F­­­­­­­­­­­3p0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­­­­­­­­­­­­­3p2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­

Verse 2: ­­­­­­­­­     G       Gmaj7     G7 D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­3­­­­­­­­3­­­­­­­­­3­­­­­1­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­4­­­­­­­­4­­­­­­­­­4­­­­­2­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­5­­­­­­­­4­­­­­­­­­3­­­­­3­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­    Noone I think is in my tree

    Am         Am7             F D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­1­­­­­­­­­­­1­­­­­­­­­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­2­­­­­­­­­­­0­­­­­­­­­­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­2­­­­­­­­­­­2­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­0­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­     I mean it must be high or low

    F              G                  C                 Am  Am/G D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­1­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­1­­­­­­­­­­­­­­­­1­­­­­­­­­­ F­­­2­­­­­­­­­­­­­­4­­­­­­­­­­­­­­­­­­0­­­­­­­­­­­­­­­­2­­­­­­­­­­ C­­­3­­­­­­­­­­­­­­5­­­­­­­­­­­­­­­­­­2­­­­­­­­­­­­­­­­2­­­­­­­­­­ G­­­3­­­­­­­­­­­­­­5­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­0­­­­­­­­­­­ D­­­1­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­       That is you can't you know tune in but it's alright     F               G                 F                C D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­0­­­­­­0­­­­­­­­­­­­­­­­ A­­­1­­­1­­­1­­­1­­­3­­­3­­­3­­­3­­­­­­1­­­­­­­1­­­­­­­1­­­­­­1­­­­­­­­­­­­­­­­ F­­­2­­­2­­­2­­­2­­­4­­­4­­­4­­­4­­­­­­2­­­­­­­2­­­­­­­0­­­­­­0­­­­­­­­­­­­­­­­­­ C­­­3­­­3­­­3­­­3­­­5­­­5­­­5­­­5­­­­­­3­­­­­­­3­­­­­­­2­­­2­­­­­2­­­­­­­­­­­­­­ G­­­3­­­3­­­3­­­3­­­5­­­5­­­5­­­5­­­­­­3­­­0­­­3­­­0­­­3­­­­­­­­­­­­­­­­­­­­­­ D­­­1­­­1­­­1­­­1­­­3­­­3­­­3­­­3­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­        That is I  think it's not too bad Version 04 /1.01 April 2004

41

Chorus : ­­­­­­­­­    C                                   Gm D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­6­6­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­3­­­­­­­­­­­­­ F­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­3­3­­­­­­­­­­­­­ C­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­5­­­­­­­­­­­­­­­­­­­­­­ G­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­5­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­      Let me take you down cos I'm going to                                   Gm/E D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­6­6­­­­­­­­­­­3­­3­­3­­3­­3­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­8­8­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­0­­0­­0­­0­­0­­­ C­­­­­­­­­­­­­­5­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­5­­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­3­­­­­­­1­­­­­0­­­­­­­­­­­­­0­­­­­­­­­­­­­­­­­­   Strawberry fields             Nothing is real          F         G        A D­­­­­­­­1­­­­­­­­­3­­­­­­­­5­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­1­­­­­­­­­3­­­­­­­­5­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­­­­­­2­­­­­­­­­4­­­­­­­­6­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­­­­­­3­­­­­­­­­5­­­­­­­­7­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­3­­­­­­­­­5­­­­­­­­7­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­1­­­­­­­­­3­­­­­­­­5­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­    And nothing to get hung about    F                   C D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­1­­­­­­­­­­­1­­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­2­­­­­­­­­­­2­­­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­3­­­­­­­­­­­3­­­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­3­­­­­­­­­­­3­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­1­­­­­­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­    Strawberry fields forever

Linking phrase : ­­­­­­­­­­­­­­­­­ D­­­­1p0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­­­­­­­­­3p0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­­­­­­­­­­­­­3p2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ Version 04 /1.01 April 2004

42

Verse 3: ­­­­­­­­­     G       Gmaj7     G7 D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­3­­3­­­­3­­­3­­­­­3­­­3­­­­­­­­1­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­4­­4­­­­4­­­4­­­­­4­­­4­­­­­­­­2­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­5­­5­­­­4­­­4­­­­­3­­­3­­­­­­­­3­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­    Always, no, sometimes think it's me     Am                Am7             F D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­1­­­­­­­­1­­­­­­­­1­­­­­­­1­­­­­­­1­­­­­­­­­­­­­­­­­­­­­­ F­­­2­­­­­­­­2­­­­­­­­0­­­­­­­0­­­­­­­2­­­­­­­­­­­­­­­­­­­­­­ C­­­2­­­­­­­­2­­­­­­­­2­­­­­­­2­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­0­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­      But you know I know when it's a dream    F           G           C              Am    Am/G D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­0­­­­­­­0­­­2­­­3­­­­­­­­­­­­­­­0­­­­­­­­­­­­­­­­­ D­­1­­­3­­­­­­­3­­­­­­­­­­­­­­­­3­­­­0­­­­­­­­­­3­­­­­­­­­­     I think a no I mean a yes but it's all wrong    F            G7          F            C D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­1­­1­­1­­1­­­3­­3­­3­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­2­­2­­2­­2­­­4­­4­­4­­4­­­­­­­­­­­­­­­­­­­0­­­­­­­­­­­­­­­­­­­­­­­ C­­3­­3­­3­­3­­­3­­3­­3­­3­­­3­­­­­­­­­­­­­2­­­­3p2p0­­­­­­­­­­­­­­­­­­­­­ G­­3­­3­­3­­3­­­5­­5­­5­­5­­­3­­0­­3­­0­­3­­­­­­­­­­­­­­3­­­­­­­­­­­­­­ D­­1­­1­­1­­1­­­3­­3­­3­­3­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­     That is I think I disagree Chorus :    C                                   Gm                   Gm7 D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­3­­­­­­3­­­­­ F­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­3­­­­­­3­­­­­­3 C­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­5­­­­­­­­­­­­­­5­­­­­­3­­­­­­3­­ G­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­5­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­                                        Let me take you down cos' I'm going to  Strawberry fields    A7/E D­­­0­­­­­­­­­­­­­­0­­0­­0­­0­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­2­­­­­­­­­­­­­­2­­2­­2­­2­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­0­­­­­­­­­­­­­­0­­0­­0­­0­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ Version 04 /1.01 April 2004

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       Nothing is real

      F          G     A7 D­­­­­1­­­­­­­­­­3­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­1­­­­­­­­­­3­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­­­2­­­­­­­­­­4­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­­­3­­­­­­­­­­5­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­3­­­­­­­­­­5­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­1­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­   And nothing to get hung about     F                 C       Am7      F                 C D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­1­­­­­­­­­1­­­­­­­1­­­­­­­­1­­­­­­­1­­­­­­­­­1­­­­­­­1­­­­­­­­ F­­­2­­­­­­­­­2­­­­­­­0­­­­­­­­0­­­­­­­2­­­­­­­­­2­­­­­­­0­­­­­­­­ C­­­3­­­­­­­­­3­­­­­­­2­­­­­­­­2­­­­­­­3­­­­­­­­­3­­­­­­­2­­­­­­­­ G­­­3­­­­­­­­­3­­­­­­­3­­­­­­­­0­­­­­­­3­­­­­­­­­3­­­­­­­3­­­­­­­ D­­­1­­­­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­1­­­­­­­­­1­­­­­­­­­­­­­­    Strawberry fields forever         Strawberry fields forever     F           G      F D­­­1­­­­­­­­­­­3­­­­­­1­­­­­­­­­­­5r3­­­1­­0h1p0h1p0­­­­­­­­ A­­­1­­­­­­­­­­­3­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­3­­ F­­­2­­­­­­­­­­­4­­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­3­­­­­­­­­­­5­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­3­­­­­­­­­­­5­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­1­­­­­­­­­­­3­­­­­­1­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­     Strawberry fields forever    Fade out over a chord of C (cellos)                     (elec. gtr) D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­1­­0h1p0h1p0h1p0h1p0­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ F­­­­­­­­­­­5­­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ C­­­­­­­­­­­­­­3­5­­­3­­­­2­3­5­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­3/1­­­3­­­­­­­­­­­­­­5­­­­­­­3­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ (harp­thing) D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­12­­­­­­­­­­­­­­13­­12­­12­­­­­­­­­15­­13­­ A­­­­­­­­­­­13­­11­­­­­11­­­­­­­­­­­13­­11­­­­­­­­­­­­­­­­­­11­­­­­­­­­­­­ F­­­10­­12­­­­­­­­­­­­­­­­­12­­­­­­­­­­­­­­­12­­­­­­­­­­­­­­­­­­12­­­ C­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­

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HELLO, GOODBYE

F6

C

G

Am

G

Am

You say yes, I say no, you say stop, I say go, go, go G

F/G

C

C/B

Am7

C/G

Oh no. You say goodbye and I say hello, hello, hello F

Fm

C

C/B

Am7

C/G

I don't know why you say goodbye, I say hello, hello, hello F

Fm

C

I don't know why you say goodbye, I say hello I say high, you say low, you say why, and I say I don't know Oh no. You say goodbye and I say hello, hello, hello I don't know why you say goodbye, I say hello, hello, hello I don't know why you say goodbye, I say hello Why, why, why, why, why, why, do you say goodbye, goodbye, bye, bye Oh no. You say goodbye and I say hello, hello, hello I don't know why you say goodbye, I say hello, hello, hello I don't know why you say goodbye, I say hello You say yes, I say no, you say stop, I say go, go, go. Oh, oh no. You say goodbye and I say hello, hello, hello I don't know why you say goodbye, I say hello, hello, hello I don't know why you say goodbye, I say hello, hello, hello I don't know why you say good]bye, I say hello, hello, hello I say hello, hello, hello )

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I AM THE WALRUS THE BEATLES Intro:

B

A

G

F

E

E7

D

D7

A A/G (3x222x) C D E A I am he as you are he as you are me and we are all together C D See how they run like pigs from a gun see how they fly A I'm crying

A/G

A A/G (3x222x) C D E A A/G Expert texpert choking smokers don't you think the joker laughs at you? C D See how they smile like pigs in a sty, see how they snied A I'm crying A A/G D/F# (2x023x) Fmaj7 G A A/G Sitting on a cornflake waiting for the van to come F Corporation tee shirt stupid bloody Tuesday man B You've been a naughty boy you let your face grow long A A/G D/F# (2x023x) Fmaj7 G A A/G Yellow matter custard dripping from a dead dog's eye F Crab a locker fishwife pornographic priestess B Boy you been a naughty girl you let your knickers down A A/G D/F# (2x023x) Fmaj7 G A A/G Semolina pilchards climbing up the Eiffel Tower F Element'ry penguin singing Hare Krishna. B Man you should have seen them kicking Edgar Allan Poe Chorus:

C I am the eggman,

D they are the eggmen,

E I am the Walrus

Goo goo

g' joob

A A/G C D E A Mister city p'liceman sitting pretty little p'lice men in a row C D See how they fly like Lucy in the Sky see how they run A Dsus4 A E D D7 I'm crying I'm cry ing I'm crying I'm cry ing Bridge:

E

B

A

G

F

A/G

E

B A G F E Sitting in an English garden waiting for the sun. F B7 If the sun don't come you get a tan from standing in the English rain C I am the eggman... Chorus:

C I am the eggman,

D they are the eggmen,

Version 04 /1.01 April 2004

E I am the Walrus

Goo goo

g' joob

46

WE CAN WORK IT OUT

THE BEATLES

G             C  G      Try to see it my way.   G            C               F               G Do I have to keep on talking till I can't go on G                C    G While you see it your way G               C                F                 G Run the risk of knowing that our love may soon be gone C              G    C              D We can work it out, we can work it out

G                    C  G Think of what you're saying G                C                   F                   G You can get it wrong and still you think that it's all right G                 C  G Think of what I'm saying G              C                F                 G We can work it out and get it straight or say goodnight C              G    C              D We can work it out, we can work it out Chorus: Em                                Am B Life is very short and there's no time B               Em          D  C  D For fussing and fighting my friend Em                                Am  B I have always thought that it's a crime B         Em      D     C    D So I will ask you once again G             C  G Try to see it my way G              C            F             G Only time will tell if I am right or I am wrong G                C    G While you see it your way G                     C              F               G There's a chance that we might fall apart before too long C              G    C              D We can work it out, we can work it out **Chorus G             C  G      Try to see it my way.   G            C               F               G Do I have to keep on talking till I can't go on G                C    G While you see it your way G               C                F                 G Run the risk of knowing that our love may soon be gone C              G    C              D         G Version 04 /1.01 April 2004

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We can work it out, we can work it out

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YELLOW SUBMARINE

THE BEATLES

 G      D         C      G In the town where I was born Em       Am        C       G Lived a man who sailed to sea G       D      C       G And he told us of his life  Em     Am      C      D In the land of submarines  G      D        C     G So we sailed up to the sun Em        Am        C      G Till we found the sea of green G        D       C         G And we lived beneath the waves Em       Am     C   D In our yellow submarine

Chorus:  G                  D We all live in a yellow submarine                      G Yellow submarine, yellow submarine G                  D We all live in a yellow submarine                       G Yellow submarine, yellow submarine

 G      D         C      G And our friends are all on board Em       Am        C       G Many more of them live next door G       D      C       G And the band begins to play 

**Chorus

 G      D        C     G As we live a life of ease Em        Am        C      G Everyone of us has all we need G        D       C         G Sky of blue and sea of green Version 04 /1.01 April 2004

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Em       Am     C   D In our yellow submarine 

**Chorus Twice

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YOU'VE GOT TO HIDE YOUR LOVE AWAY BEATLES

/D /A /C /D 1. Here I stand with head in hand /G /C /G Turn my face to the wall /D /A /C /D If she's gone I can't go on /G /C /G Feeling two feet small

2. Everywhere the people stare Each and every day I can see them laugh at me And I hear them say /A7

/D /G /A7 Ref.: Hey ! You've got to hide your love away /D /G /A7 Hey ! You've got to hide your love away

3. How can I even try I can never win Hearing them, seeing them In the state I'm in

4. How could she say to me "Love will find a way" Gather around all you clowns Let me hear you say

Ref.: Hey ! You've got ...

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TWIST AND SHOUT Beatles)

C

F

G

F

C

F

G

F

Well shake it up baby now, twist and shout Come on come on come on come on baby , now work it on out Well work it on out

, you know you look so good

You know you got me goin' now , just like you knew you would (break)

||:

G Ahh

C

Ahh

F

G

Ahh

F Ahh

:|| x4 Ahh

Well shake it up baby now, twist and shout Come on come on come on come on baby , now work it on out You know you twist it little girl , you know you twist so fine mine

Come on and twist a little closer now, and let me know that you're

(break) Well shake it up baby now, twist and shout Come on come on come on come on baby , now work it on out You know you twist it little girl , you know you twist so fine mine

Come on and twist a little closer now, and let me know that you're

(break) Well shake it shake it shake it baby now Well shake it shake it shake it baby now Well shake it shake it shake it baby now

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HELP

(Beatles)

G Hm When I was younger, so much younger than today, Em C F G I never needed anybody's help in any way. G Hm But now these days are gone, I`m not so self assured. Em C F G Now I find I've changed my mind, I`ve opened up the doors. Am Help me if you can, I`m feeling down. F And I do appreciate you being 'round. D7 Help me get my feet back on the ground. G Won't you please, please, help me G Hm And now my life has changed in, oh, so many ways, Em C F G my independence seems to vanish in the haze. G Hm But ev'ry now and than I feel so insecure, Em C F G I know that I just need you like I`ve never done before. Am Help me if you can, I`m feeling down. F And I do appreciate you being 'round. D7 Help me get my feet back on the ground. G Won't you please, please, help me G Hm When I was younger, so much younger than today, Em C F G I never needed anybody's help in any way. G Hm But now these days are gone, I`m not so self assured. Em C F G Now I find I've changed my mind, I`ve opened up the doors. Am Help me if you can, I`m feeling down. F And I do appreciate you being 'round. D7 Help me get my feet back on the ground. G Em G Won't you please, please, help me, Help me! Help me! oh. Version 04 /1.01 April 2004

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YESTERDAY

THE BEATLES

  C         E7                        Am  Yesterday, All my troubles seemed so far away,  F       G7                     C  Now it seems as though they're here to stay,      Am    F         C  Oh, I believe in yesterday.

  C         E7                        Am  Suddenly, I'm not half the man I used to be,  F       G7              C  There's a shadow hanging over me,      Am    F         C  Oh, yesterday came suddenly.

 E7   Am   G7   F  Why she had to go,         G7                  C  I don't know, she wouldn't say.  Am   E7   Am   E7    F  I said something wrong,         G7       C  Now I long for yesterday.

  C         E7                        Am  Yesterday, Love was such an easy game to play,  F       G7              C  Now I need a place to hide away,      Am    F         C  Oh, I believe in yesterday.

 E7   Am   G7   F  Why she had to go,         G7                  C  I don't know, she wouldn't say.  Am   E7   Am   E7    F  I said something wrong,         G7       C  Now I long for yesterday. Version 04 /1.01 April 2004

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  C         E7                        Am  Yesterday, Love was such an easy game to play,  F       G7             C  Now I need a place to hide away,      Am    F         C  Oh, I believe in yesterday.

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WHAT S UP,

4 NON BLONDES 1992

AhDA           A        1. Twenty five years of my life and still               h                                       D           I'm trying to get up that great big hill of hope                       A           for a destination               A           I realized quickly, as I knew I should,                     h                                         D           that this world was made up of this brotherhood of man,                              A           for whatever that means.                     A      Pre: And so I cry sometims when I'm lying in bed                   h           just to get it all out, what's in my head,               D                             A           and I ... I'm feeling a little peculiar.                     A           And so I wake every morning and I step outside                     h           just to take a deep breath and I get real high                  D                                             A           and I scream from the top of my lungs "what's goin' on?"                     A           h                 D                 A      Ref: And I say heyeyeyeyey heyeyeyey I said hey! What's goin' on? (2x)                 A                   h        2. And I try, oh my God do I try                         D                  A           I try all the time in this institution                   A                   h           and I pray, oh my God do I pray                               D              A           I pray every single day for a revolution.           PRE           REF           (leise)           A        3. Twenty five years of my life and still               h                                       D Version 04 /1.01 April 2004

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          I'm trying to get up that great big hill of hope                       A           for a destination

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CRAZY

eGA/2X e

G

A man decides after seventy years, A That what he goes there for, is to unlock the door. e

G

A

While those around him criticize and sleep. e

G

And through a fractal on a breaking wall, A I see you my friend, and touch your face again. e

G

Miracles will happen as we trip. C

G

D

But we're never gonna survive, unless. A We get a little crazy C

G

D

No we're never gonna survive, unless We are a little. A Cray...cray...cray Crazy yellow people walking through my head. One of them's got a gun, to shoot the other one. And yet together they were friends at school Ohh, get it, get it, get it, get it no no! If all were there when we first took the pill, Then maybe, then maybe, then maybe, then maybe. Miracles will happen as we speak. But we're never gonna survive unless. We get a little crazy. No we're never gonna survive unless. Version 04 /1.01 April 2004

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We are a little. Crazy. No no, never survive, unless we get a little... bit. Oh, a little bit. Oh darlin. Solo C

G

D

In a sky full of people, only some want to fly, Isn't that crazy? C

G

In a world full of people, only some want to fly,

D Isn't that crazy?

Crazy... C

G

D

In a heaven of people there's only some want to fly, Ain't that crazy? C

G

D

In a world full of people there's only some want to fly, Isn't that crazy? Isn't that crazy... crazy... crazy. Ohh...Love ..love, love But we're never gonna survive unless, we get a little crazy.. crazy No we're never gonna to survive unless we are a little... crazy But we're never gonna survive unless, we get a little crazy.. crazy No we're never gonna to survive unless, we are a little.. crazy No no, never survive unless, we get a little bit. And then you see things The size Of which you've never known before They'll break it Someday. Only child know. Them things The size Of which you've never known before Someday 7 X

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WHIRLPOOL -- By Sealhenri Samuel ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ INTRO Em

D

A

Asus4

Em

D

A

Asus4

.... (waterchild) E-groove thing

(I'll call it E(g))

make a Em chord and hammer-on a G-note (6th string, third fret) with the rhythm. This is the only wierd part to the song. E(g) E

G

I wake out of a whirlpool D and welocome to another day and then I feel better E(g) E Because you came and stayed I G almost threw my life away D

E(g)

thinking of what might be if I knew my destiny A7

F#7

wanna feel better... G, G#

A

whoa oh I - If I showed I love you angel... D Cmaj7 E (repeat) Cmaj7 (X32000)e------------------------------------------------------------

---|

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NOT THAT KIND Anastacia Chords:

F#

E

F# All the time that we spend together I won't fuss E I won't fight tryin to make you mine F# You know I'm not that kind F# I said I'll love you 'til the 12th of never But I won't run far ahead E Leaving you behind F# You know I'm not that kind F# 'Cause I'm not that kind of girl (Not that kind) (Not that kind of girl) And it's not my kind of world (Not that kind) (Not that kind of girl) E No it's not for me (Not that kind) F# Not where I wanna be (Uh, uh) (Not that kind of girl) F# Help me out Tell mw what you're thinkin If I rush, slow me down E You can take your time F# You know I'm not that kind (Not that kind) Yeah (No I'm not thay kind of girl) Woooh F# If you leave, I believe life will go on The wind will blow, water flow E And the sun will shine, yeah it will F# You know I'm not that kind Yeah

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F# 'Cause I'm not that kind of girl (Not that kind) (Not that kind of girl) And it's not my kind of world (Not that kind) (Not that kind of girl) E No it's not for me (Not that kind) F# So live and set you free Yeah Now what I say to you I would say to no other I've got my friends

E I won't look foranother in you, yeah So what you gonna do? F# Yeah yeah yeah 'Cause if you swing with me You soon wil discover I give you tenderness E Unlike any other can do Oah F# And what I saiy is true Yeah yeah yeah F# 'Cause I'm not that kind of girl (Not that kind) (Not that kind of girl) And it's not my kind of world E No it's not for me, not for me F# I said no where I wanna be Said not where I wanna be, yeah It's not my kinda thing It's not the way, way we wanna swing E It's not for you, it's not for me I said my baby I'm not that kind F# I'm not that kind, yeah No (not that kind) Not that kind of girl

61

BAD MOON RISING CREEDANCE CLEARWATER REVIVAL

Intro: G D C G (2x)

1.

G I G I G I G I

D C G see a bad moon rising D C G see troubles on the way D C G see earthquakes and lightning D C G see bad times today

C Ref.: Don't go 'round tonight G 'Cos it's bound to take your life D C G There's a bad moon on the rise Intro: G D C G (2x)

2.

G I G I G I G I

D C G hear the hurricanes a-blowing D C G know the end is coming soon D C G fear the rivers overflowing D C G hear the voice of rage and ruin

Ref.: Don't go 'round ... Intro: G D C G (2x)

3.

G D C G Hope you got your things together G D C G Hope you are quite prepared to die G D C G Looks like we're in for nasty weather G D C G One eye is taken for an eye

Ref.: Don't go 'round ... (2x) Intro: G D C G (2x) Version 04 /1.01 April 2004

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HARDROCK CAFE KING, CAROL

Intro: /G /C /F /G /F /C /F /G /F /C /F /G /F/C /F /G /F 1. Downtown anywhere in the USA /C /F /G /F /C /F /G /F You can find yourself a Hard Rock Cafe /C /F /G /F /C /F /G /F Put your money on a number anyone can play /Am /C /F /G Come on and tell us all about what happened to you today /C /F /G Ref.: At the Hard Rock Cafe /F /C /F /G /F Come to the Hard Rock Cafe /C /F /G I hope you can find your way /F /C /F /G /F To the Hard Rock Cafe 2. After a hard day's work I guarantee There just isn't anywhere better to be If you're unable to find good company You can always sit down and watch the color TV Ref.: At the Hard Rock Cafe Come to the Hard Rock Cafe The regulars can't keep away From the Hard Rock Cafe /C /F /G /F /C /F /G /F (4x) Intro: (Instrumental) /Am /C Intro: And if you feeling just a little bit lonely /Am /D Don't sit at home just hoping /F /C Come on down to where the spirit flows so free /Am /D /G You know that door is always open Ref.: At the Hard Rock Cafe Come to the Hard Rock Cafe They will help keep your blues at day At the Hard Rock Café Version 04 /1.01 April 2004

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AIN'T NO SUNSHINE

BILL WITHERS     Am   Em

Ain't no sunshine when she's gone      Am   Em Only darkness every day       Dm Ain't no sunshine when she's gone      F And this house just ain't no home, Am Anytime she goes away.

    Am   Em Wonder this time where she's gone        Am   Em Wonder if she's gone to stay      Dm Ain't no sunshine when she's gone      F And this house just ain't no home, Am Anytime she goes away.

a /// E7 ///D7 a / e / G   Gm      Am

       Gm Am

And I know I know I know I know I know I know I know I I know...      Dm Baby you're leaving me far behind Version 04 /1.01 April 2004

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        Am There ain't sunshine when she's gone

**Repeat 1st 

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THE ROOF IS ON FIRE BLOODHOUNDGANG G  Em  G  Em         G                Em |: The roof the roof the roof is on fire :|  3x D                             C We don't need no water let the motherfucker burn  Burn motherfucker burn G     Hm  Em  D  G  Hm  Em  D  G  Hm  Em  D  G  Hm  Em G                              Em Hello my name is Jimmy Pop and I'm a dumb white guy  G                                    Em I'm not old or new but middle school fifth grade like junior high I  G                                      Em don't know mofo if y'all peeps buggin' give me props to my ho cause she fly But I  can A                                    C                                 A  H F# take the heat cause I'm the other white meat known as 'Kid Funky Fried' Yea  G                                           Em I'm hung like planet Pluto hard to see with the naked eye But if I  G                                               Em crashed into Uranus I would stick it where the sun don't shine  G                                               Em Cause I'm kind of like Han Solo always stroking my own wookie               A                                              C                 A  H I'm the root of all that's evil yea but you can call me cookie  F#       G                         Em |: The roof the roof the roof is on fire :|  3x D                                                     C We don't need no water let the motherfucker burn                                    G     Hm  Em  D  G  Hm  Em  D  G  Hm  Em  D  G  Hm  Em Burn motherfucker burn                   G                                                        Em Yo yo this hard­core ghetto gangster image takes a lot of practice              G                                                   Em I'm not black like Barry White no I am white like Frank Black is So if  G                                                           Em man is five and the devil is six than you must make me seven  G                      Em This honkey's gone to heaven But if  G                                                          Em I go to hell yeah then I hope I burn well I'll spend my  G                                                                 Em days with J.F.K., Marvin Gaye, Martha Raye, and Lawrence Welk And Kurt  G                                                             Em Cobain, Kojak, Mark Twain and Jimi Hendrix's poltergeist And  A                                                               C            A  H Webster yea Emmanuel Lewis cause he's the anti­christ  F#       G                         Em |: The roof the roof the roof is on fire :|  3x D                                                     C We don't need no water let the motherfucker burn                                    G     Hm  Em  D  G  Hm  Em  D  G  Hm  Em  D  G  Hm  Em                                      D Version 04 /1.01 April 2004

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Burn motherfucker burn   Everybody here we go  G                                    Hm       Em                              D Ohh Ohh C'mon party people Ohh Ohh Throw your hands in the air 

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THE BALLAD OF CHASEY LAIN Am - C - F - E

Am - C - F - E

- - - - - - - - - Am

C

F

-E

1.Dear Chasey Lain, I wrote to explain, I'm your biggest fan, Am

C

I just wanted to ask,

could I eat your ass? F

-E

Write back as soon as you can ! Am

C

You've had a lotta dick, had a lotta dick, Dm

E

I've had a lotta time, had a lotta time. Am

-E

You've had a lotta dick, Chasey,

- - - - - - - - - - - - Am

-E

but you ain't had mine.

- - - - - - - - - Am

C

F

-E

2. Dear Chasey Lain, I wrote to complain, ya never wrote me back, Am

C

how could I ever eat your ass when ya treat F -E your biggest fan like that?

+ REFRAIN + E

- - - - - - - - - Am

C

F

-E

3. Dear Chasey Lain, I wrote to constrain, this letter is my last. Am

C

As your biggest fan, I must demand, F -E you let me eat your ass ---

+ CHORUS + E

G

Am

P.S. Mom and Dad this is Chasey, Chasey this is my mom and dad, --------------C

G

-d

now show ‘em them titties, now show ‘em them titties ! (2 x) --------------------

Am - C - F - E

Am - C - F - E

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FOREVER YOUNG DYLAN, BOB                /D     1. May god blessing keep you always                 /Fism        May your wishes all come true                /Em        May you always do for others                /G            /D        And let others do for you                /D        May you build a ladder to the stars           /Fism        To climb on every run                    /G  /A        And may you stay                /D        Forever young                /A             /Hm  Ref.: Forever young, forever young                /D /A         /D        May you stay, forever young        2. May you grow up to be righteous        May you grow up to be true        May you always know the truth        And see the lights surrounding you        May you always be couragous        Stand up right and be strong        And may you stay        Forever young    Ref.: Forever young ...        3. May your hands always be busy        May your feet always be swift        May you have a strong foundation        When the winds of changes shift        May your heart always be joyful        May your song always be sung        And may you stay        Forever young    Ref.: Forever young ...  Ref.: (Instrumental)   (3x)

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BLOWING IN THE WIND

BOB DYLAN

C F C C/H Am How many roads must a man walk down, C F G7 before you call him a man, Yes C F C C/H Am how many seas must a white dove sail, C F G7 before she sleeps in the sand, Yes C F C C/H Am how many times must a cannon ball fly, C F G7 before they forever banned ?

R:

F G7 C C/H Am The answer my friend, is blowing in the wind, F G7 C The answer is blowing in the wind.

C F C C/H Am How many times must a man look up, C F G7 before he can see the sky ? Yes C F C C/H Am how many ears must one man have, C F G7 before he can hear the people cry ? Yes C F C C/H Am how many death will it take, till he knows, C F G7 that too many peoples have died ? R: C F C C/H Am How many years can a mountain exist, C F G7 before it is washed to the sea ? Yes C F C C/H Am how many years can some people exist, C F G7 before they're allowed to be free ? Yes C F C C/H Am how many times can a man turn his head, C F G7 pretending he just didn't see ?

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HURRICAINE

Intro: Am

F

Am

F

Am F Pistol shots ring out in the bar room night Am F Enter Patty Valentine from the upper hall Am F She sees the bartender in a pool of blood Am F Cries out "My God they killed them all!" C F Here comes the story of the Hurricane, C F The man the authorities came to blame Dm C For something that he never done Dm C Put in a prison cell but one time Em Am F C G He could have been the champion of the world

Am

F

Am

F

Am F Three bodied lying there does Patty see Am F And another man named Bello moving mysteriously Am F "I didn't do it" he says, and he throws up his hands Am F "I was only robbin' the register, I hope you understand C F I saw them leavin'," he says and he stops C F One of us had better call the cops Dm C So Patty calls the cops Dm C And they arrive on the scene with their red lights flashin' Em Am F C G Am F Am F In the hot New Jersey night Am F Meanwhile somewhere in another part of town Am F Rubin Carter and a couple of friends are driving around Am F Number one contender for the middleweight crown Am F Had no idea what kind of shit was about to go down C F When a cop pulled him over on the side of the road C F Just like the time before and the time before that Dm C In Paterson that just the ways things go Dm C If you black you might as well not show up on the streets Em Am F C G Am F Am F Less you wanna draw the heat

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Am F Alfred Bello had a partner and he had a rap for the cops Am F Him and Arthur Dexter Bradley were just out prowlin' around Am F He said "I saw two men runnin out, they looked like middle-weights Am F They jumped into a white car with out of state plates" C F And Miss Patty Valentine just nodded her head C F Cop said "Wait a minute boys, this one's not dead" Dm C So they took him to the infirmary Dm C And although this man could hardly see Em Am F C G Am F Am F They told him that he could identify the guilty men Am F Four in the morning and they haul Rubin in Am F Take him to the hospital and bring him upstairs Am F The wounded man looks up though his one dying eye Am F Says "why'd you bring him here for? He ain't the guy!" C F Yes, here the story of the Hurricane C F The man the authorities came to blame Dm C For something that he never done Dm C Put in a prison cell but one time he could've been Em Am F C G Am F Am F The champion of the world Am F Four months later the ghetto's in flame Am F Rubin's in South America fightin' for his name Am F While Arthur Dexter Bradley's still in the robbery game Am F And the cops are puttin' the screw to him looking for somebody to blame C F "Remember that murder that happened in a bar?" C F "Remember you said you saw the getaway car?" Dm C "You think you'd like to play ball with the law?" Dm C "Think it might have been that fighter that you saw running that night?" Em Am F C G Am F Am F "Don't forget that you are white" Am F Arthur Dexter Bradley said "I'm really not sure" Am F Cops said "A poor boy like you could really use a break Am F We got you for the motel job and were talking to your friend Bello Am F Now you don't want to have to go back to jail, be a nice fellow C F You'll be doin' society a favor C F That son of a bitch is brave and getting braver Dm C We want to put his ass in the stir Dm C We want to pin this trip murder on him Em Am F C G Am F Am F He ain't no Gentleman Jim" Am F Rubin could take a man out with just one punch Am F He never did like to talk about it all that much Am F

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It's my work he'd say, I do it for pay Am F And when it's over I'd just as soon go on my way C F Up to some paradise C F Where the trout streams flow and the air is nice Dm C And ride a horse along a trail Dm C But then they took him to the jail house Em Am F C G Am F Where they try to make a man into a mouse

Am

F

Am F All of Rubin's card were marked in advance Am F The trial was a pig-circus, he never had a chance Am F The judge made Rubin's witnesses drunkards from the slums Am F To the white folks who watched he was a revolutionary bum C F but to the black folks he was a crazy nigger C F No one doubted that he pulled the trigger Dm C And though they could not produce the gun Dm C The D.A. said he was the one who did the deed Em Am F C G Am F Am F And the all-white jury agreed Am F Rubin Carter was falsely tried Am F The crime was murder "one", guess who testified? Am F Bello and Bradley and the both badly lied Am F And the newspapers all went along for the ride C F How can the life of such a man C F Be in the palm of some fool's hand? Dm C To see him obviously framed Dm C Couldn't help but be ashamed to live in a land Em Am F C G Am F Am F Where justice is a game Am F Now all the criminal in their coats and their ties Am F Are free to drink martinis and watch the sun rise Am F While Rubin sits like Buddha in a ten foot cell Am F And innocent man in a living hell C F That's the story of the Hurricane C F But it won't be over till they clear him name Dm C And give him back the time he's done Dm C Put in a prison cell but one time he could've been Em Am F C G Am F Am F The champion of the world

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MR. TAMBOURINE MAN

(BOB DYLAN)

F G C F Hey, Mr. Tambourine Man, play a song for me, F C F G I'm not sleepy and there is no place I'm going to. F G C F Hey, Mr. Tambourine Man, play a song for me, C F G C In the jingle jangle morning I'll come following you. F G C F Though I know that evenings empire has returned into sand, C F Vanished from my hand, C F G Left me blindly here to stand but still not sleeping. F G C F My weariness amazes me. I'm branded on my feet, C F I have no one to meet, C F G And the ancient empty street's too dead for dreaming. Take me on a trip upon your magic swirling ship. My senses have been stripped, My hands can't feel to grip, My toes too numb to step, Wait only for my bootheels to be wandering. I'm ready to go anywhere. I'm ready for to fade, Into my own parade. Cast your dancing spell my way, I promise to go under it. Though you might hear laughing, spinning, swinging madly across the sun, It's not aimed at anyone, It's just escaping on the run, And but for the sky there are no fences facing. And if you hear vague traces of skipping reels of rhyme, To your tambourine in time. It's just a ragged clown behind, I wouldn't pay it any mind, It's just a shadow you're seeing that he's chasing. Take me disappearing through the smoke rings of my mind. Down the foggy ruins of time, far past the frozen leaves, The haunted frightened trees, Out to the windy bench, Far from the twisted reach of crazy sorrow. Yes to dance beneath the diamond sky with one hand waving free, Silhouetted by the sea, Circled deep beneath the waves, Let me forget about today until tomorrow. Version 04 /1.01 April 2004

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STAND BY ME MINK DE VILLE {c: Intro, played by bass and the crrrrrrch} [G]/++++/++++[Em]/++++/++++[C]/++++[D]/++++[G]/++++/++++ [G] When the night has come [Em] And the land is dark And the [C]moon is the [D]only light we'll [G]see No, I won't be afraid, No, I won't be afraid Just as long, Just as long as you stand by me. {c: + drum with rim shot and muted guitar, on ...sky} If the sky that we look upon Should tumble and fall And the mountains should crumble to the sea, I won't cry, I won't cry, No, I won't shed a tear Just as long, Just as long as you stand by me. {soc:} {c: 2nd guitar played chords, drum plays snare on every 2nd} So, darling, darling, stand by me, Oh! stand, oh darling won't you stand now Stand by me. {eoc:} {c: Repeat Verse 1 and 2, drum plays the snare on every 4th} {c: Repeadt Verse 2 and 3, drum plays rim shot} {c: CHORUS} {c: Full instrumentation, as in Chorus + Hammond organ} When all your friends they have gone You just stand by me Oh darling, won't you stand now, stand by me. {c: Don't forget to stay on G, Markus!} [G]When ever you're in trouble You just stand, ohh stand. Won't you stand, won't you stand, won't you stand....

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WALKING IN MEMPHIS - MARC COHN

F G C Am F G C Am Put on my blue suede shoes and I boarded the plane F G C Am F G Touched down in the land of the Delta Blues, in the middle of the pouring C Am rain W.C. Handy, won't you look down over me? Yeah, I got a first class ticket but I'm as blue as a boy can be... Am F G C Then I'm walking in Memphis, Am F G C I was walking with my feet ten feet off Beale, Am F G C Walking in Memphis, Am F G Gsus C/G But do I really feel the way I feel? Saw the ghost of Elvis on Union avenue, followed him up to the gates of Graceland Then I watched him walk right through. Now, security they did not see him. They just hovered around his tomb. But there's a pretty little thing waiting for the King down in the jungle room Chorus Bridge

[Csus] Csus

[C]

[Csus] [C] C Csus C

They've got gospel in the air E7 F And Reverend Green be glad to see you F#dim G7 C/G C When you haven't got a prayer F But boy you got a prayer in Memphis...

G

C

Am

Now, Muriel plays piano every friday at the Hollywood And they brought me down to see her and they asked me if I would Do a little number and I sang with all my might She said "Tell me, are you a Christian, child?" And I said "Ma'am, I am tonight." Chorus Put on my blue suede shoes and I boarded the plane Touched down in the land of the Delta Blues in the middle of the pouring rain Touched down in the land of the Delta Blues in the middle of the pouring rain

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LIKE A ROLLING STONE BOB DYLAN 1. Strophe: C Dm Once upon a time you dressed so fine, C F G7 You threw the bums a dime in your prime, didn't you? C Dm People'd call, say "beware doll C F G7 You're bound to fall," you thought they were all, kiddin' you? F G You used to laugh about, F G Ev'rybody that was hangin' out', F C Dm C Now you don't talk so loud, F C Dm C Now you don't seem so proud. F G About having to be scrounging for your next meal. Refrain: G C F G How does it feel, F C F G How does it feel, F C F G To be without home, F C F G Like a complete unknown, F C F G Like a Rolling Stone?

4. Strophe: Princess on the steeple And all the pretty people're drinkin', thinkin' that they got it made. Exchanging all kinds of precious gifts and things But you'd better lift your diamond ring, you'd better pawn it babe, You used to be amused At Napoleon in rags and the language that he used Go to him now, he calls you, you can't refuse When you got nothing, you got nothing to lose, You're invisible now, you got no secrets to conceal. Refrain:

2. Strophe: You've gone to the finest school all right Miss Lonely, But you know you only used to get, juiced in it. And nobody's ever taught you how to live on the street And now you're gonna have to get, used to it. You said you'd never, compromise With the mystery tramp, but now you realize He's not selling any alibis As you stare into the vacuum of his eyes And ask him do want to make a deal? Refrain: . Strophe: You never turned around to see the frowns on the Jugglers and the clowns, When they all come down, and did tricks for you. You never understood that it ain't no good You shouldn't let other people,get your kicks for you. You used ride on the chrome horse with your diplomat Who carried on his shoulder a Siamese cat, Ain't it hard when you discovered that He really wasn't where it's at After he took from you everything he could steal. Refrain:

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ANOTHER SATURDAY NIGHT - CAT STEVENS CHORUS    F                            Bb    Another Saturday night and I ain't got nobody,    F                        C    I got some money cause I just got paid,    F                    Bb    Oh, how I wish I had someone to talk to,    F         C     F    I'm in an awful way.    F                C7 1. I got in town a month ago, F7                                Bb And I seen a lot 'o girls since then, F                           F7 If I could meet 'em, I could get 'em,        Bb              But as yet I haven't met 'em, F               C       F       C7 That's how I'm in the state I'm in.        CHORUS 2. Another fella told me, He had a sister who looked just fine, Instead of bein' my deliverance, She had a strange resemblance, To a cat name of Frankenstein, Oh No­oh!    INSTRUMENTAL (Based on CHORUS) 3. It's hard on a fella, When he don't know his way around, If I don't find me a honey, To help me spend my money, I'm gonna have to blow this town.        CHORUS (repeat) fade             

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FATHER AND SON, CAT STEVENS          G              D            C                 Am7 It's not time to make a change, just relax and take it easy              G                 Em You're still young that's your fault,            Am               D there's so much you have to know        G            D            C                Am7 Find a girl, settle down, if you want to, you can marry         G        Em           Am     D Look at me, I am old, but I'm happy       G                 Bm7        C                 Am7 I was once like you are now, and I know that its not easy       G                 Em                    Am   D to be calm, when you've found something going on.               G             Bm7           C                Am7 But take your time, think a lot, think of everything you've got              G               Em               D          G For you will still be here tomorrow, but your dreams may not G­C G­C Chorus:         G          Bm             C                  Am7 How can I try to explain?  when I do he turns away again      G               Em             Am    D it's always been the same, same old story          G              Bm         C          Am7 From the moment I could talk I was ordered to listen               G         Em     D       G now there's a way and I know I have to go away       D      C       G    G­C  G­C and I know I have to go [Break.  Unsure of which chord of D, Bm7, or Bm is played.] Verse:                           (away)       (away) It's not time to make a change, just sit down and take it slowly                   (I)               (know)               (I have) You're still young, that's your fault, there's so much you have    (to    make    this)     to go through (decision)               (alone) Find a girl, settle down, if you want to you can marry          (know) [no?] Look at me, I am old, but I'm happy         (stay)       (stay, stay) All the times that I cried, keeping all the things I knew inside Version 04 /1.01 April 2004

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     (why?)      (must)                (you go and make this de­ It's hard, but it's harder to ignore it. cision)                     (alone?) If they were right, I'd agree, but it's them they know, not me

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IF YOU WANT TO SING OUT, SING OUT - CAT STEVENS   intro: C G6 Fmaj7 (G6) C G6 Fmaj7 (G6) (G) C G F(addG) (G) C G Am Well if you want to sing out, sing out. And if you want to be free,  be free. Dm Am G C G Cause there's a million things to be. You know that there are. C G F(addG) (G) C G Am And if you want to live high, live high. And if you want to live low,  live low. Dm Am G C G Cause there's a million ways to go. You know that there are.   Chorus: C F(addG) G C You can do what you want ­ The opportunity's on. And if you find a new way ­ You can do it today. You can make it all true ­ And you can make it undo Am Em Am Em Am Em G you see Ahhh it's easy, AAhhhh, you only need to know.   (G) C G F(addG) (G) C G Am Well if you want to say yes, say yes. And if you want to say no, say  no. Dm Am G C G Cause there's a million ways to go. You know that there are. C G F(addG) (G) C G Am And if you want to be me, be me. And if you want to be you, be you. Dm Am G C G Cause there's a million things to do. You know that there are. (repeat chorus) (G) C G F(addG) (G) C G Am Well if you want to sing out, sing out. And if you want to be free,  be free. Dm Am G C G Cause there's a million things to be . You know that there are. C G C G C G You know that there are.You know that there are. C G C G F(addG) G C G F(addG) You know that there are ahahah.... ­ You know that there are ahaha...

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LADY D'ARBANVILLE

CAT STEVENS

 Em(XII) 4x                        RIFF 1 My Lady D'Arbanville                               RIFF 2                         RIFF 1 Why do you sleep so still?        I'll wake you tomorrow                     Bm                      Em And you will be my fill, yes you will be my fill                   Em   D My Lady D'Arbanville                          D  Em                                 Em  D Why does it grieve me so        But your heart seems so silent                        Bm                         Em Why do you breathe so low, why do you breathe so low                   Em   D My Lady D'Arbanville                            D   Em                          Em  D Why do you sleep so still          I'll wake you tomorrow                     Bm                       RIFF 3 Four Times And you will be my fill, yes you will be my fill **RIFF 2                        RIFF 1 My Lady D'Arbanville                            RIFF 2                         RIFF 1 You look so cold tonight, your lips feel like winter                     Bm                      Em Your skin has turned to white, your skin has turned to white                   Em   D My Lady D'Arbanville                        D  Em                                 Em  D Why do you sleep so still?        I'll wake you tomorrow                     Bm                         Em And you will be my fill, yes you will be my fill                Em   D La la la la la la             D   Em                    Em  D La la la la la la, la la la la la la           Bm                       RIFF 3 Four Times La la la la la la, la la la la la la                   Em   D My Lady D'Arbanville                   D  Em                              Em  D Why do you grieve me so, but your heart seems so silent                      Bm                         Em Why do you breathe so low, why do you breathe so low                   Em   D I loved you my lady                      D  Em                            Em  D Though in your grave you lie, I'll always be with you                    Bm                         Em This rose will never die, this rose will never die                   Em   D I loved you my lady                      D  Em                            Em  D Version 04 /1.01 April 2004

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Though in your grave you lie, I'll always be with you                     Bm                       RIFF 3 Four Times This rose will never die, this rose will never die RIFF 1:            RIFF 2:            RIFF 3: E ­­­­­­­­­­­­­­­  ­­­­­­­­­­­­­­­­­  ­­­­­­­­­­­­­­­­­­­­­­­­­ B ­12­12­10­8­10­  ­­10­10­12­10­8­­  ­­­­­­­­­­­­­­­­­­­­­­­­­ G ­­­­­­­­­­­­­­­  ­­­­­­­­­­­­­­­­­  ­­­­­­­­­0­­­­­­­­­­­­­­­ D ­12­12­10­9­10­  ­­10­10­12­10­9­­  ­­­­­0H2­­­2­0­­­­­­­0­2­ A ­­­­­­­­­­­­­­­  ­­­­­­­­­­­­­­­­­  ­0H2­­­­­­­­­­­2­0H2­­­2­ E ­­­­­­­­­­­­­­­  ­­­­­­­­­­­­­­­­­  ­­­­­­­­­­­­­­­­­­­­­­­­­

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MOONSHADOW CAT STEVENS

Refrain:     D                       A7  D       G            A7 Oh, I'm bein' followed by a moonshadow, moon shadow, moonshadow­­­ D                       A7  D       G           A7  D Leapin and hoppin' on a moonshadow, moonshadow, moonshadow­­­ Verse 1: G         D        G    D    G       D            Em  A7 And if I ever lose my hands, lose my plough, lose my land,    G    D         G      D      Em A7 D F#m Bm   Em            A  D Oh if I ever lose my hands, Oh if­­­­­­­­­­­­­ I won't have to work  no more. Verse 2 (use same chords as Verse 1 for all verses): And if I ever lose my eyes, if my colours all run dry,  Yes if I ever lose my eyes, Oh if­­­­­­­­­­­­­ I won't have to cry no  more. Refain Verse 3: And if I ever lose my legs, I won't moan, and I won't beg, Yes if I ever lose my legs, Oh if­­­­­­­­­­­­­ I won't have to walk  no more. Verse 4: And if I ever lose my mouth, all my teeth, north and south,  Yes if I ever lose my mouth, Oh if­­­­­­­­­­­­­ I won't have to  talk... Verse 5: E7                    A       E                    A Did it take long to find me?  I asked the faithful light. E                     A       E7                   A Did it take long to find me?  And are you gonna stay the night?   Refrain G           A7  D       G           A7  D moonshadow, moonshadow, moonshadow, moonshadow. Version 04 /1.01 April 2004

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MORNING HAS BROKEN, CAT STEVENS           C            d G   F               C        1. Morning has broken like the first morning,           e             a  D     G           blackbird has spoken like the first bird.           C                F       C              a     D           Praise for them singing, praise for the morning,           G                C     F    G            C           praise for them springing fresh from the world.           2. Sweet the rains new fall, sunlight from  heaven,           like the first dewfall on the first grass.           Praise for the sweetness of the wet garden           sprung in completeness where his feet pass.           3. Mine is the sunlight, mine is the morning,           born of the one light Eden saw play.           Praise with elation, praise every morning,           gods recreation of the new day.           4. Morning has broken like the first morning,           blackbird has spoken like the first bird.           Praise for them singing, praise for the morning,           praise for them springing fresh from the world.

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WILD WORLD

CAT STEVENS

Vor- und Zwischenspiel: Am D7 G Cmaj7 F Dm E Am D7 G Cmaj7 F Dm E La la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la la 1. Strophe: Am D7 G Now that I've lost everything to you Cmaj7 F You say you wanna start something new Dm E And it's breaking my heart you're leaving. Baby I'm grievin'! Am D7 G But if you want to leave take good care, Cmaj7 F Hope you have a lot of nice things to wear Dm E G7 But then a lot of nice things turn bad out there. Refrain: C G F Oh, baby, baby it's a wild world. G F C It's hard to get by just upon a smile. C G F Oh, baby, baby it's a wild world. G F C Dm E I'll always remember you like a child, girl. 2. Strophe: You know I've seen a lot of what the world can do, And it's breaking my heart in two, Because I never want to see you sad girl. Don't be a bad girl. But if you want to leave take good care, Hope you make a lot of nice friends out there. But just remember there's a lot of bad and beware. Refrain: 3. Strophe: Am D7 G Cmaj7 F Dm E Instrumental: E Baby I love you, Am D7 G But if you want to leave take good care, Cmaj7 F Hope you make a lot of nice friends out there. Dm E G7 But just remember there's a lot of bad and beware. Refrain:

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BREAKFAST IN AMERICA Supertramp

am em F Take a look at my girlfriend, she's the only one I got am em F Not much of a girlfriend, I never seem to get a lot E am Take a jumbo 'cross the water, like to see America E dm G See the girls in California, I'm hoping it's going to come true dm G But there's not a lot I can do am em F Could we have kippers for breakfast, mummy dear, mummy dear am em F They got to have them in Texas, 'cause everyone's a millionaire E am I'm a winner, I'm a sinner, do you want my autograph E dm G I'm a looser, what a joker. I'm playing my jokes upon you dm G While there's nothing better to do E am Babadadow babadow babadow didow didow E am F dm G Babadadow babadow babadow didow didow nanana nanana nanana am em F Don't you look at my girlfriend, she's the only one I got am em F Not much of a girlfriend, I never seem to get a lot E am Take a jumbo 'cross the water, like to see America E dm G See the girls in California, I'm hoping it's going to come true dm G But there's not a lot I can do E am Babadadow babadow babadow didow didow E am F dm G Babadadow babadow babadow didow didow nanana nanana nanana

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GIVE A LITTLE BIT (SUPERTRAMP)

Intro A D-A D-G A-G A-G D D A D G A G A 1) give a little bit - give a little bit of your love to me. G D A D G A G A give a little bit - I'll give a little bit of my love to you. G Bm E4 E G A4 There's so much that we need to share so send a smile and show A D you care D A D G A G A 2)I'II give a little bit-I'll give a little bit of my life for you G D A D G A G A so give a little bit - give a little bit of your time to me. G Bm

E4 E G See the man with the lonely eyes, oh take his hands, you'll be A4 A surprised D A D G A G A give a little bit - give a little bit of your love to me. G D A D G A G A give a little bit - I'll give a little bit of my life for you

G

Bm E4 E G C Now's the time that we need to share so find yourself we're on G A Bm7 our way back home A A7 D G A-G D don't you need to feel at home - oh yeah, we gotta sing.

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DREAMER Supertramp 1. Strophe: D A7sus4 D A7sus4 Dreamer, you know you are a dreamer. C Fmaj7 G Well, you can put your hands in your head, oh no. D A7sus4 D A7sus4 I said dreamer, you’re nothing but a dreamer. C Fmaj7 G Fmaj7 G Well, you can put your hands in your head, oh no. Refrain: Ab B Gm C I said far out, what a day, a year, a life it is. Ab B Gm C You know, well you know, you had it coming to you. G Gm C Now, there’s not a lot I can do. 2. Strophe: Dreamer, you stupid little dreamer. So now you put your head in your hands, oh no. I said dreamer, you’re nothing but a dreamer. So now you put your head in your hands, oh no. Refrain: I said far out, what a day, a year, a life it is. You know, well you know, you had it coming to you. We’ll work it out someday.

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THE LOGICAL SONG Supertramp (F#dim

(C6

x 0 1 2 1 2)

0 3 2 2 1 0)

Am F E When I was young, it seemed that lilfe was so wonderful G F F#dim a miracle, oh it was beautiful, magical. Am F E And all the birds in the trees, well they'd be singing so happily, G F F#dim oh, joyfully, oh, playfully, watching me. But then they sent me away, to teach me how to be sensible, logicalm oh, responsible practical. And they showed me a world where I could be so dependable, oh, clinical, oh, intellectual, cynical. C C6 There are times when all the world's asleep, F Bb Dm Gm Dm the questions run too deep for such a simple man C C6 Won't you please, please tell me what we've learned F Bb Dm Gm Dm I know it sounds absurd. Please tell me who I am. I said, now watch what you say or they'll be calling you a radical, a liberal, oh fanatical, criminal. Oh, won't you sign up your name, we'd like to feel you're acceptable, respectable, oh, presentable, a vegetable! C C6 At night, when all the world's asleep... F Bb Dm Gm Dm the questions run too deep for such a simple man C C6 Won't you please, please tell me what we've learned F Bb Dm Gm Dm I know it sounds absurd. Please tell me who I am. Outro: F Bb Dm Gm Dm Bb Please tell me who I am, who I am, Bb Dm Gm Dm Bb Dm Gm Dm who I am, who I am, A7 - - Dm - C6 - A7 - Version 04 /1.01 April 2004

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Gm

Dm

Dm - C6 - F} 91

DEAD OR ALIVE D C G 1. It's all the same, only the names will change. C -G F C D every day it seems we're wasting away. C G Another place, where the faces are so cold. C G F C D I'd drive all night, just to get back home. C -G F D I'm a cowboy, on a steel horse I ride. C -G F D C -G F D I'm wanted, dead or alive, wanted, dead or alive. D C G 2. Sometimes I sleep, sometimes it's not for days, C -G F C D and the people I meet, always go their separate ways. C G Sometimes you tell the day, by the bottle that you drink, C G F C D and times when you're alone and all you do is think. + CHORUS

instrumental = verse 2

+ CHORUS

D C G 3. I walk these streets, a loaded six string on my back, C -G F C D I play for keeps, 'cause I might not make it back. C G I been everywhere, still I'm standing tall, C G F C D I've seen a million faces, and I've rocked them all. C -G F D I'm a cowboy, on a steel horse I ride. C -G F D I'm wanted, dead or alive. C - G F D I'm a cowboy, I got the night on my side, C -G F D C -G F D I'm wanted, dead or alive, wanted, dead or alive… (Jon Bon Jovi) Version 04 /1.01 April 2004

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BANKS OF OHIO JOAN BAEZ

1.

G D I asked my love to take a walk, Am D7 G To take a walk, just a little walk G7 C Down beside where the waters flow, G D G Down by the banks of the Ohio.

G Ref.: Then only say that Am D7 In no other's arms G7 Down beside where G D Down by the banks

2.

G D I held a knife against her breast Am D7 G As into my arms she pressed. G7 C She cried, "My Love, don't murder me ! G D G I'm not prepared for eternity."

G Ref.: Then only say that Am D7 In no other's arms G7 Down beside where G D Down by the banks

3.

D you'll be mine, G entwined, C the waters flow, G of the Ohio.

D you'll be mine, G entwined, C the waters flow, G of the Ohio.

G D I started home 'tween twelve and one. Am D7 G I cried, "My God, what have I done ? G7 C I Killed the only woman I loved G D G Because she would not be my bride.

Refrain Version 04 /1.01 April 2004

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CHARLY BROWN COASTERS

1.

D Fi, fi, fy, fy, fo, fo, fumm D I smell smoke in the auditorium

G Ref.: Charly Brown, Charly Brown D G D He's a clown, that Charly Brown A G He's gonna get caught, just you wait and see D Why is everybody always picking on me

2.

D That's him on his knees, I know that's him D Yeah, and seven comes eleven down in the boy's gym

Ref.: Charly Brown ... G Intro: Who's always writing on the wall F Who's always grooving in the hall G Who always throw a speed ball A Guess who - Who, me - Yeah, you

3.

D Who walks in the classroom cool and slow D Who calls the english-teacher "Daddy-O"

Ref.: Charly Brown ...

Intro: Who's always ...

3.

Who walks in ... Ref.:

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Charly Brown ... (2x)

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DOWN ON THE CORNER CREEDANCE CLEARWATER REVIVAL BAND

G D G Early in the evening, just about suppertime D G Over by the courthouse they're starting to unwind C G Four kids on the corner trying to bring you up D G Willy picks a tune out and he blows it on the harp C G D G ef.:Down on the corner, out in the street C G Willy and the poor boys are playing D G Bring a nickel, tap your feet G D G Rooster hits the washboard and people just got to smile G D G Blinky thumps the gutbass and solos for a while C G Poorboy twangs the rhythm out on his kalamazoo G D G Willy goes into a dance and doubles on kazoo C G D G Down on the corner, out in the street C G Willy and the poor boys are playing D G Bring a nickel, tap your feet G D G You don't need a penny just to hang around G D G But if you got a nickel won't you lay your money down C G Over on the corner there's a happy noise G D G People come from all around to see us magic boys C G D G Down on the corner, out in the street C G Willy and the poor boys are playing D G Bring a nickel, tap your feet Version 04 /1.01 April 2004

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JOHNNY B. GOODE

CHUCK BERRY

 A Deep down in Louisiana, close to New Orleans,  A Way back up in the woods among the evergreens,       D There stood a log cabin made of earth and wood       A Where lived a country boy named Johnny B. Goode     E Who never ever learned to read or write so well,              A But he could play the guitar just like a ringin' a bell.

Chorus: A  Go! Go! Go, Johnny, go! Go!                   D Go, Johnny, go! Go! A Go, Johnny, go! Go! A                   E Go, Johnny, go! Go! Johnny B. Goode       A He used to carry his guitar in a gunny sack,      A Go sit beneath the tree by the railroad track.       D Old engineers would see him sittin' in the shade,      A Strummin' with the rhythm that the drivers made.     E When people passed him by they would stop and say,      A 'Oh, my but that little country boy could play' **Chorus      A His mother told him, 'someday you will be a man,      A  You will be the leader of a big ol' band.       D Many people comin' from miles around      A Will hear you play your music when the sun go down. Version 04 /1.01 April 2004

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    E Maybe someday your name'll be in lights,      A Sayin' 'Johnny B. Goode tonight'' **Chorus

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Marty McFly & The Starlighters - Johnny B Goode --------------------------------------------------------------------------------Chords Used -------------Bb Eb F e|--------------------B|--------------------G|--------------------D|------8---10--------A|--8---6---8---------E|--6-----------------(All chords should be played in a blues shuffle) --------Intro --------NC Bb e|----------5/6-6-6-5/6-6-6-6-6-6-----------------------------------B|-------6--5/6-6-6-5/6-6-6-6-6-6-9-8-6-6---------------------------G|---6h7--------------------------------6h7-------------------------D|-8----------------------------------------8-6--8-8-8-8-8-8-8-8----A|-----------------------------------------------8-8-8-8-8-8-8-8----E|------------------------------------------------------------------Eb e|--------------------------------6---------------------------------B|-6-----6----------------6-------6-------6-------6-------6---------G|-6-7-8-6h7----8b9--8b10---8b10----8b10----8b10-----8b10-----------D|------------8-----------------------------------------------------A|------------------------------------------------------------------E|------------------------------------------------------------------Bb F Eb e|-------------------------------------------6---9-8-6-----------------------B|------6-------6------6------6------6---------6-------9-8-6-6---8---6-------G|-8b10---8b10----8b10---8b10---8b10---8b10------------------6h7-8---6h7-7---D|-----------------------------------------------------------------8-----8---A|---------------------------------------------------------------------------E|---------------------------------------------------------------------------Bb F e|-----------------------------------B|---6---8-6-------------------------G|---6h7-8-6h7-7/--------------------D|-8-----------8/---10-10-10-10-10---A|------------------8--8--8--8--8----E|-------------------------------------------Verse 1 ---------

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Bb Way down in Louisiana down to New Orleans Way back up in the woods among the evergreens Eb There stood a log cabin made of earth and wood Bb Where lived a country boy named Johnny B. Goode F Who never ever learned to read or write so well Bb But he could play a guitar just like he's ringin' a bell --------Chorus --------Bb Go Go

[Riff1] [Riff1]

Go Johnny Go Go

Eb [Riff1] Go Johnny Go Go Go Bb [Riff1] Go Johnny Go Go F [Riff1] Go Johnny Go Go Go Bb Johnny B. Goode (Riff1) e|--------------------B|-/9--9--9--11~\-----G|-/10-10-10-10~\-----D|--------------------A|--------------------E|--------------------Verse 2 (Play Like Verse 1) He used to carry his guitar in a gunny sack And sit beneath the trees by the railroad track The engineers would see him sittin' in the shade Strummin' to the rhythm that the driver made When people passed him by they would stop and say Oh my that little country boy sure can play --------Chorus --------Bb Go Go

[Riff1] [Riff1]

Go Johnny Go Go

Eb [Riff1] Go Johnny Go Go Go Bb [Riff1] Go Johnny Go Go F [Riff1] Go Johnny Go Go Go Bb Johnny B. Goode

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--------Solo --------Bb e|-----------------------------------------------------------6~~--B|-/9--9--9--11---6----------6------------8-------------6-8--6~~--G|-/10-10-10-10---8b10r8p6h8---6-----6----8-8-6h7---6h7-----------D|-------------------------------8-6---8----------8---------------A|----------------------------------------------------------------E|----------------------------------------------------------------Bb Eb e|-8b9--8p6-----6-------------------------------------------------B|----------8-6---8b9-8-6--------------------8-8-----8-8----------G|------------------------8p6-----------6----8-8-6---8-8-6--------D|----------------------------8-8~~---8---8--------8-------8------A|----------------------------------------------------------------E|----------------------------------------------------------------Eb Bb e|-----------------------6-------10-------13~~--15-13-15b17r15p13-15-13~-B|--8---8-8b9r8---------------------12/14--------------------------------G|--8-6-8-8b9r8-6---6-6/8---8/10-----------------------------------------D|----------------8------------------------------------------------------A|-----------------------------------------------------------------------E|-----------------------------------------------------------------------F Bb e|-15----13-1211------------------------------------------------------------------B|----15----------13b15r13p11--------11-------11-------9------6-----6-------------G|-----------------------------13b15----13b15----10b12----8b10---8b10--6----------D|------------------------------------------------------------------------8-68~~--A|--------------------------------------------------------------------------------E|--------------------------------------------------------------------------------Bb e|---------------6-------------------------------------------------------------B|---------------6----8-6----8-6-----8-6---------8-8-----8-8---------8-6-------G|-x-x-x-----6h7------8-6h7--8-6h7---8-6h7~~\----8-8-6---8-8-6h7-----8-6-7-7~--D|-x-x-x-8-8--------8--------------8-------------------8---------8-8-------8~--A|-----------------------------------------------------------------------------E|-----------------------------------------------------------------------------Eb Bb e|------------------------------------------------------------------B|-----6------6---6---6-------6------6---6---6---6------------------G|---6-8b10~~~b10-b10-b10r8-6-8b10~~~b10-b10-b10-10r8p6-------------D|-8----------------------------------------------------8p6-8~~~----A|------------------------------------------------------------------E|------------------------------------------------------------------F Bb e|------------------------------------------------------------------B|------------------------------------------------------------------G|----------------------------5-5-5---------------------------------D|-15\\\\\\\\\\\\\\\\\\\\\\\\-3-3-3-11\\\\\\\\\\\\\\\\\\\\\\\\\\----A|------------------------------------------------------------------E|------------------------------------------------------------------(Gradually slide down, picking palm muted) Version 04 /1.01 April 2004

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--------Chorus --------Bb Go Go

[Riff1]

Go Johnny Go Go

[Riff1]

Eb [Riff1] Go Johnny Go Go Go Bb [Riff1] Go Johnny Go Go F [Riff1] Go Johnny Go Go Go Bb Johnny B. Goode --------Verse 3 --------(Play Like Verse 1) Well his mama told him one day you will be a man You will be the leader of a big old band People gonna come from miles around To listen to your playin' till the sun goes down And one day maybe your name gonna be in lights Sayin' Johnny B Goode tonight --------Chorus --------Bb Go Go

[Riff1]

Go Johnny Go Go

[Riff1]

Eb [Riff1] Go Johnny Go Go Go Bb [Riff1] Go Johnny Go Go F [Riff1] Go Johnny Go Go Go Bb Johnny B. Goode (Repeat & Fade Out)

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NADINE CHUCK BERRY A I got on a city bus and found a vacant seat,  A Thought I saw my future bride walking up the street,    B9 I shouted to the driver h ey conductor, you must slow down.  A I think I see her please let me off this bus

Chorus:         A                A         B9                     A              E7 Nadine, honey is that you.  Oh, Nadine. Honey, is that you? Seems like  every                                                    A time I see you Darling you got something else to do

**Chorus

A Downtown searching for her, looking all around. Saw her getting in a yellow                          B9 cab heading up town. I caught  a loaded taxi, paid up everybody's tab. With  a      A twenty dollar bill, told him 'catch that yellow cab.'

**Chorus A She move around like a wave of summer breeze, go, driver, go, go, catch her                          B9 balmy breeze. Moving thru the traffic like a mounted cavalier. Leaning out      A the taxi window trying to make her hear.

**Chorus 

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NO PARTICULAR PLACE TO GO

CHUCK BERRY

Intro:  D+                       G Riding along in my automobile                    G My baby beside me at the wheel                                 C I stole a kiss at the turn of a mile                      G My curiosity running wild                          D Cruisin' and playin' the radio                             G With no particular place to go                    G Riding along in my automobile                    G I's anxious to tell her the way I feel                          C So I told her softly and sincere                                    G And she leaned and whispered in my ear                           D Cuddlin' more and drivin' slow                             G With no particular place to go Guitar Solo:  G, C, G, D, C, G  ( 12 Bars)                        G No particular place to go                    G So we parked way out on ko­ko­mo                                      C The night was young and the moon was gold                              G So we both decided to take a stroll                          D Can you image the way I felt                                G I couldn't unfasten her safety belt                    G Riding along in my calaboose                    G Still trying to get her belt a­loose                           C All the way home I held a grudge                                    G Version 04 /1.01 April 2004

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For the safety belt that wouldn't budge                          D Cruisin' and playing the radio                             G With no particular place to go GUITAR SOLO:   (12 BARS) G

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I WANNA BE LIKE YOU Jungle Book

Am

E7

Now I'm the king of the swingers, the jungle V. I. P. Am I've reached the top and had to stop and that's what's botherin' me E7 I wanna be a man, man-cub, and stroll right into town Am

G7

And be just like the other men, I'm tired of monkeyin' 'round, oh CHORUS: C

A7

Ooh,

ooh,

ooh,

I wanna be like you ooh ooh

D7

G7

C

A7

Dm7 I wanna walk like you, talk like you too, ooh, ooh G7

C

A7

You'll see it's true ooh, D7 D7

ooh,

an ape like me, ee, ee

G7

C

A7

G7

Can learn to be hu-ooh-ooh-man too, ooh, ooh Don't try to kid me man-cub and don't get in a stew What I desire is man's red fire so I can be like you Give me the secret man-cub, just clue me what to do Give me the pow'r of man's red flow'r and make my dreams come true CHORUS I like your mannerisms, we'll be a set of twins No one will know where man-cub ends and orangutan begins And when I eat bananas, I won't peel them with my feet 'Cause I'll become a man-cub and learn some etti - keet.

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MUSTANG SALLY (THE COMMITMENTS)

C

1. Mustang Sally, think you better slow your mustang down.   F C Mustang Sally, think you better slow your mustang down.          G G Fis F (Break) You been running all over the town now.  C Oh! I guess I'll have to put your flat feet on the ground. C Ref.: All you want to do is ride around Sally, ride, Sally, ride.   All you want to do is ride around Sally, ride, Sally, ride. F All you want to do is ride around Sally, ride, Sally, ride. C All you want to do is ride around Sally, ride, Sally, ride. G    G  Fis F     C One of these early mornings, oh, you gonna be wiping your weeping  eyes.  2. I bought you a brand new mustang 'bout nineteen sixty six. Now you come around signifying a woman, you don't wanna let me ride. Mustang Sally, think you better slow your mustang down.  You been running all over the town now. Oh! I guess I'll have to put your flat feet on the ground.  Ref.: All you want to do is ride around Sally,...

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JUST A GIGOLO

DAVID LEE ROTH

   G           Gmaj7          G7              G6       D7 Just a gigolo Everywhere I go People know the part I'm playing    D7                                                       C       G Paid for every dance Selling each romance Every night some heart betraying    G                    Dm7                 E7                     Amin There will come a day Youth will pass away Then what will they say About me   Amin                Cm6              G               D7             G When the end comes I know They'll say Just a gigolo as Life goes on without  me   (repeat)         G       F#       F        E         E      C      G         D7 'Cause I       Aint     Got      Nobody    Nobody Nobody cares for me G        F#       F         E       E              E I'm      So       Sad   And Lonely  Sad and lonely Sad and lonely A7                                                D7 D7   Db7        D7 Won't some sweet mama come and take a chance with me Cause I aint so bad  G Get along with me babe, been singin love songs C All off the time E Even only be, honey only, only be A7                       D7 Bop bozadee bozadee bop zitty bop   I ain't got nobody 'cept love songs in love NC Hummala bebhuhla zeebuhla boobuhla hummala bebhuhla zeebuhla bop   I ain't got nobody, nobody, nobody cares for me Nobody , nobody I'm so sad and lonely, sad and lonely, sad and lonely, Won't some sweet mama come and take a chance with me cause I aint so bad   Get along with me babe, been singin love songs All off the time Even only be, honey only, only be CHORDS USED: ~~~~~~~~~~~~ G Gmaj7  G7   G6   D7  C Dmin7 E7 Amin Cm6 F#  F  E A7  Db7 3­­­X­­­­3­­­­3­­­­0­­­0­­­5­­­­0­­­0­­­3­­­2­­1­­0­­0­­­0­­­­ 3­­­3­­­­3­­­­5­­­­3­­­1­­­6­­­­0­­­1­­­1­­­2­­1­­0­­2­­­2­­­­ 4­­­4­­­­4­­­­4­­­­5­­­0­­­5­­­­1­­­2­­­2­­­3­­2­­1­­0­­­4­­­­ 5­­­4­­­­3­­­­3­­­­4­­­2­­­7­­­­0­­­2­­­1­­­4­­3­­2­­2­­­3­­­­ 5­­­x­­­­5­­­­5­­­­5­­­3­­­5­­­­2­­­0­­­X­­­4­­3­­2­­0­­­4­­­­ 3­­­3­­­­3­­­­3­­­­X­­­0­­­5­­­­0­­­0­­­X­­­2­­1­­0­­X­­­X­­­­ Version 04 /1.01 April 2004

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  [hornz­lick] I tried to figure out the hornz, this is as far as I got: G                  C                   E                 A7      D7 ­­3­­­­­­­­3­­­­­­|­­­3­­0­­­­­­3­­0­­|­­0­­­­­­­­0­­­­­|­0­­­­­­0­ ­­3­­5­3­­­3­­5­3­|­­­1­­­­1­­­­1­­­­1|­­0­­3­0­­­0­­3­0|­1­­­­­­3­ ­­4­­­­­­­­4­­­­­­|­­­0­­­­0­­­­0­­­­0|­­1­­­­­­­­1­­­­­|­0­­­­­­5­ ­­5­­­­­­­­5­­­­­­|­­­2­­­­­­­­­2­­­­­|­ 2­­­­­­­­2­­­­­|­1­­­­­­4­ ­­5­­­­­­­­5­­­­­­|­3­3­­­­­­­3­3­­­­­|­­2­­­­­­­­2­­­­­|­0­­­­­­5­ 3­­­­­­­­3­­­­­­­­|­­­­­­­­­­­­­­­­­­­|0­­­­­­­­0­­­­­­­|­­­­­­­­X­

CHILD IN TIME

GGa    GGa    FFG    GGa  (3x)    GGa                        GGa                        FFG 1.      Sweet child in time,        you'll see the line,                                     GGa     the line that's drawn between         good and the bad. GGa                       GGa                         FFG       See the blind man,      shooting at the world,                      GGa      bullets flying,        oh, taking toll.   GGa                        GGa                         FFG 2.      If you've been bad,        Lord I bet you have,                               GGa          and you've not been hit         by flying lead. GGa                                  GGa         FFG       You'd better close your eyes,      ah,                    GGa     and bow your head,         wait for the ricochet.        GGa      GGa   FFG  GGa ­  GGa      GGa  FFG  Gga 3.      Hu.......................   Hu................... GGa      GGa  FFG  GGa                               GGa      Ah................      don`t wanna leave you, Baby,          GGa  FFG  GGa   ­  GGa       GGa  FFG  GGa       Ah................            Ah................. repeat 1. ­ 2.     GGa      GGa   FFG  GGa  ­  GGa      GGa  FFG  GGa 4.     Hu.................          Hu................    GGa        GGa  FFG  GGa                      GGa          Ah..............     I gotta hear you, Baby,        GGa  FFG  GGa  ­   GGa     GGa  FFG  GG­a       Ah..............           Ah...............  (Deep Purple)

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Smoke on the Water Deep Purple Intro:

E

G

A

E

G

B

A

E

G

A

G

E

E

1. Strophe: Gm

F

Gm

We All come out to Montreux, on the lake Geneva shoreline. Gm

F

Gm To make records with the mobile, we didn't have much time. Gm

F

Gm Frank Zappa and the mothers were at the best place around. Gm

F

Gm

But some stupid with a flare gun burned the place to the ground. Refrain: C

Ab

Gm

Smoke on the water, fire in the sky. C

Ab

Smoke on the water, C

Ab

Gm

Smoke on the water, fire in the sky. 2.

Strophe:

They burned the gambling house, it died with an awful sound. Funky Claude was running in and out, pulling kids out to the ground. When it all was over, we had to find another place. But Swiss time was running out, it seemed that we would loose the race. Refrain: 3.

Strophe:

We ended up at the Grand Hotel, it was empty, cold and bare, but the Rolling Truck Stones just outside. makin' our music there With a few red light, and afew old beds we made a place to sweet, No matter what we get out of this, I know we'll never forget.

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HUSH Kula Shaker (chords)

Ab Bb F Eb C C7#9 B* -

- 466544 - 113331 - 133211 - 668886 - 335553 - x3234x 15 15 17 x x x

B* Huh two three ha... Ab Eb Bb F C Na na na na na na na na na (2x) C Well, got a silly little girl, she's on my mind No doubt about it, she looks so fine She's the best girl that I ever had Except that she's gonna make me feel so sad Ab Eb Bb F C Na na na na na na na na na (2x) (chorus) C Hush, Hush, Hush, Hush,

F hush, hush, hush, hush,

Bb I thought I heard you calling my name now You broke my heart but that was a dream now I thought I heard you call my name now you broke my heart but that was a dream now.

C7#9 Early in the morning, Late in the evening Oh, you gotta believe me, honey I never was a-dreaming (chorus) C7#9 Early in the morning and late in the evening Narayan Na na na na na na na na na (3x)

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UNIVERSAL SOLDIER DONOVAN

1. Strophe: C F G7 C Am He's five foot two and he's six feet four F G7 C He fights with missiles and with spears. F G7 C Am He's all of thirty one and he's only seventeen F G7 Been a soldier for a thousand years. 2. Strophe: He's a catholic, a hindu, an atheist, a jain, A buddhist and a baptist and a jew, And he knows he shouldn't kill and he knows he always will Kill you for me my friend and me for you. 3. Strophe: And he's fighting for Canada, he's fighting for France, He's fighting for the USA And he's fighting for the Russians, and he's fighting for Japan, And he thinks we'll put an end to war this way. 4. Strophe: And he's fighting for democracy, he's fighting for the reds, He says it's for the peace of all, He's the one who must decide who's to live and who's to die, And he never sees the writing on the wall. 5. Strophe: But without him how would Hitler have condemned him at Dachau? Without him Cesar would have stood alone. He's the one who gives his body as a weapon of the war, And without him all killing can't go on. 6. Strophe: He's the universal soldier and he really is to blame His orders come from far away no more, They come from here and there, and you and me, and brothers, can't you see, This is not the way to put the end to war.

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STREETS OF LONDON RALPH MCTELL

1.

C G Am Em Have you seen the old man in the closed down market, F C Dm7 G G7 Kicking in the papers with his worn out shoes ? C G In his eyes you see no pride, Am Em Hand held loosely by his side F C G G7 C Yesterday's paper, telling yesterday's news.

F Em G G7 C Ref.: So, how can you tell me, you're lonely, Dm D7 G G7 And say for you that sun don't shine ? C G Let me take you by the hand, Am Em And lead you thru the streets of London. F C G G7 C I'll show you something, to make you change your mind.

2.

4.

5.

C G Am Em Have you seen the old girl, who walks the streets of London, F C Dm7 G G7 Dirt in her hair, and her clothes in rags ? C G She's no time for talking, Am Em She just keeps right on walking, F C G G7 C Carrying her home in two carrier bags. Ref.: So, how can you tell ... C G Am Em In the all-night cafe, at quarter past eleven, F C Dm7 G G7 Same old men are sitting there on his own. C G Am Em Looking at the world over the rim of his tea-cup. F C G G7 C Each tea lasts an hour, and he wanders home alone. Ref.: So, how can you tell ... C G Am Em Have you seen the old man outside the seaman's mission, F C Dm7 G G7 Memory fading with the medal ribbons that he wears ? C G Am Em In our winter city, the rain cries a little pity F C G G7 C For one more forgotten hero, and a world that doesn't care. Ref.: So, how can you tell ...

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YOU ARE THE SUNSHINE OF MY LIFE WONDER, STEVIE

Intro: /Cmaj7 /Gm7 /Cmaj7 /Gm7 /C /Dm7 /Em7 /A13 Ref.: You are the sunshine of my life /Dm7 /G7 /C /Dm7 /G7 That's why I'll always be around /C /Dm7 /Em7 /A13 You are the apple of my eye /Dm7 /G7 /C /Dm7 /G7 Forever you'll stay in my heart

/C /Dm7 /F /Cmaj7 /F 1. I feel like this is the beginning /Cmaj7 /F /E7 /Em /E+ /E Though I've loved you for a million years /A /D /E /Am And if I thought our love was ending /D7 /G7 I'd find myself drowning in my own tears Ref.: You are the sunshine ... 2. You must have known that I was lonely, Because you came to my rescue. And I know that this must be heaven. How could so much love be inside of you. Ref.: You are the sunshine ... 3. (Instrumental) /Gis7 /Cis /Dism7 /Fm7 /B13 Ref.: You are the sunshine of my life /Dism7 /Gis7 /Cis /Dism7/Gis7 That's why I'll always be around /Cis /Dism7 /Fm7 /B13 You are the apple of my eye /Dism7 /Gis7 /Cis /Dism7/Gis7 Forever you'll stay in my heart Ref.: You are the sunshine ...

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SUNNY HEBB, BOBBY

Cism E7 1. Sunny,

A Gis7 Yesterday my life was filled with rain Cism E7 Sunny, A Gis7 You smiled at me and really eased the pain Cism Cism7 Oh, the dark days are gone and the bright days are there A Am My sunny one shines so sincere Fism Gis7 Oh, Sunny one so true Cism I love you

2. Sunny, Thank you for the sunshine bouquet Sunny, Thank you for the love you've brought my way You gave to me your all and all Now I feel ten feet tall Oh, Sunny one so true I love you 3. (Instrumental)

4. Sunny, Thank you for the truth you've let me see Sunny, Thank you for the facts from A to Z My life was torn like a windblown sand The a rock was formed when we held hands Oh, Sunny one so true I love you

5. Sunny, Thank you for the smile upon your face Sunny, Thank you for the gleam that flows with grace You're my spark of nature's fire You're my sweet complete desire Oh, Sunny one so true I love you

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Am C Sunny, Am C Sunny,

F E yesterday my life was filled with rain, F E you smiled at me and really eased the pain. Am C Now the dark days are done and the bright days are here, F Dm my sunny one shines so sincere, E E7 Am -F-E Sunny, one so true, I love you. Am C F E Sunny, thank you for the sunshine bouquet, Am C F E Sunny, thank you for the love you brought my way. Am C You gave to me your one and all, F Dm and now I feel ten feet tall. E E7 Am -F-E Sunny, one so true, I love you. Am C F E Sunny, thank you for the truth you let me see, Am C F E Sunny, thank you for the facts from A to Z. Am C My life was torn like-a windblown sand, then F Dm a rock was formed when we held hands. E E7 Am -F-E Sunny, one so true, I love you. Am Sunny, Am Sunny, Am You're F you're E Sunny,

C

F E thank you for that smile upon your face, C F E thank you for that gleam that flows from grace. C my spark of nature's fire, Dm my sweet complete desire, E7 Am -F-E one so true, I love you.

Am C Sunny, Am C Sunny,

F E yesterday my life was filled with rain, F E you smiled at me and really eased the pain. Am C Now the dark days are done and the bright days are here, F Dm my sunny one shines so sincere, E E7 Am -F Sunny, one so true, I love you. E Am -FE Am F –E -Am Version 04 /1.01 April 2004

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I love you,

I love you

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PUFF, THE MAGIC DRAGON PETER, PAUL AND MARY /A /Cism /D /A 1. Puff, the magic dragon, lived by the sea, /D /A /Fism And frolicked in the autumn mist, /H /H7 /E /E7 In a land called Honah Lee. /A /Cism /D /A Little Jackie Paper loved the rascal Puff, /D /A /Fism And brought him strings and sealing wax /H7 /E7 /A /E7 And other fancy stuff.

Ref.: Puff, the magic dragon, lived by the sea, And frolicked in the autumn mist, In a land called Honah Lee. (2x) 2. Together, they would travel On a boat with billowed sail. Jacky kept a lookout, pearched On Puff's gigantic tail. Noble kings and princes Would bow whenever they came. Pirate ships would low'r their flag, When Puff roared out his name.

Ref.: Puff, the magic dragon ...

3. A dragon lives forever, But not so little boys. Painted wings and giant strings Make way for other toys. One grey night it happened, Jacky Paper came no more, And Puff that mighty dragon, He ceased his fearless roar. Ref.: Puff, the magic dragon ... 4. His head was bent in sorrow, Green scales fell like rain. Puff no longer went to play Along the cherry lane. Without his lifelong friend, Puff could not be brave, So Puff that mighty dragon Sadly slipped intohis cave.

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Ref.: Puff, the magic dragon ...

117

LIGHT MY FIRE

Am

G

F#m

1. You know that it would be untrue, Am

G

F#m

you know that it would be a lie, Am

G

F#m

if I was to say to you : Am

G

F#m

Girl we couldn't get much higher. G

A

D

- Bm

Come on baby light my fire, G

A

D

- Bm

Come on baby light my fire, G

D

E

Try to set the night on Am

G

fire. F#m

2. The time to hesitate is through, Am

G

F#m

no time to wallow in the mire. Am

G

F#m

Try now, we can only loose, Am

G

F#m

and our love become a funeral pyre. + CHORUS 3. = 1. + G

A

D - Bm

Try to set the night on fire, G

A

D - Bm

try to set the night on fire ... (rep. and fade) (The Doors)

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RING OF FIRE CASH, JOHNNY

/G /C /G 1. Love is burning thing /C /G It makes a firey ring /C /G Bound by a wild desire /D /G I fell into a ring of fire /D /C /G Ref.: I fell into a burning ring of fire /D /C /G I went down, down, down and the flames went higher /G And it burns, burns, burns /C /G /D /G The ring of fire, the ring of fire Ref.: I fell into ... 2. (Instrumental) Ref.: I fell into ...

(2x)

3. The taste of love is sweet When hearts like ours meet I fell for you just like a little child Oh, but the fire went wild Ref.: I fell into ...

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(2x)

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COVER OF THE ROLLING STONE

DR. HOOK

A                                                 Well we are big rock singers              A   We've got golden fingers                                                           E                                    And we're loved everywhere we go,                             E We sing about beauty and we sing about thruth     E7                        A                       At ten thousand dollars a show;                             A   We take all kind of pills                                   A   To give us all kind of thrills,                                              D                              But the thrill we've never known,                         E                                         Is the thrill that'll get you                            E   When you get your picture A                                                 On the cover of the Rolling Stone                   Chorus:                                                 A       E Rolling Stone                                             E               Wanna see my picture on the cover  A                                              Wanna buy five copies for my mother                                E                                              Wanna see my smilin' face         D                    A                       On the cover of the Rolling Stone                  A                             A I've got a freaky old lady On the cover of the Rolling Stone                A  **Chorus Called my Cocain Katy  A                  E We got a lot of Who embroiders on my jeans,          A             E Little teenage, blue­eyed groupies I've got my poor old gray­haired Daddy,                     E E7              A Who do anything we say, Drivin' my limousine               E            A We got a genuine Indian guru, Now it's all designed  E7                        A            A Who's teachin' us a better way, To blow our minds          A                                D We got all the friends But our minds won't really be blown,          A          E That money can buy, Like the blow that'll get you                         D          E So we never have to be alone, When you get your picture        E Version 04 /1.01 April 2004

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And we keep gettin' richer               E But we can't get our picture

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                        A On the cover of the Rolling Stone **CHORUS 2X

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WHEN YOU'RE IN LOVE WITH A BEAUTIFUL WOMAN ( Dr Hook ) C

G

When you're in love with a beautiful woman it's hard When you're in love with a beautiful woman you know it's hard Everybody wants her, everybody loves her Everybody wants to take your baby home When you're in love with a beautiful woman you watch your friends When you're in love with a beautiful woman it never ends You know that it's crazy, you want to trust her And then somebody hangs up when you answer the phone When you're in love with a beautiful woman you go it alone Maybe it's just an ego problem Problem is, I've been fooled before By fair weathered friends and faint hearted lovers And everytime it happens It just convinces me more When you're in love with a beautiful woman you watch her eyes When you're in love with a beautiful woman you look for lies Everybody tempts her, everybody tells her That she's the most beautiful woman they know When you're in love with a beautiful woman you go it alone [break] Everybody tempts her, everybody tells her That she's the most beautiful woman they know When you're in love with a beautiful woman you watch your friends When you're in love with a beautiful woman it never ends

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SAVE TONIGHT - EAGLE-EYE CHERRY

(Chords: a F C G) 1)

Go on and close the curtains 'cause all we need is candlelight You and me and the bottle of wine and hold you tonight

2)

Well, we know I'm going away And how I wish, I wish it weren't so so take this wine and drink with me let's delay our misery...

REF.: Save tonight Fight the break of dawn Come tomorrow Tomorrow I'll be gone 3)

There's a log on the fire and it burns like me for you Tomorrow comes with one desire.. to take me away

4)

It ain't easy to say goodbye darling please don't start to cry 'cause girl you know I've got to go and Lord I wish it wasn't so REFRAIN

Solo 5)

Tomorrow comes to take me away I wish that I, that I could stay but girl you know I've got to go, oh and Lord I wish it wasn't so

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HOTEL CALIFORNIA

THE EAGLES

  Bm                        F# On a dark desert highway, cool wind in my hair  A                     E Warm smell of colitas rising up through the air  G                         D Up ahead in the distance, I saw a shimmering light  Em My head grew heavy and my sight grew dim  F# I had to stop for the night  Bm                               F# There she stood in the doorway;  I heard the mission bell  A                                          E And I was thinking to myself this could be heaven or this could be  hell  G                        D Then she lit up a candle, and she showed me the way  Em                                   F# There were voices down the corridor, I thought I heard them say

Chorus:  G                        D Welcome to the Hotel California.         Em                   Bm7 Such a lovely place, such a lovely face     G                               D Plenty of room at the Hotel California         Em                                      F# Any time of year (any time of year) you can find it here

 Bm                               F# Her mind is Tiffany twisted, she got the Mercedes bends  A                                          E She got a lot of pretty, pretty boys that she calls friends  G                        D How they dance in the courtyard, sweet summer sweat  Em                                   F# Some dance to remember, some dance to forget

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 Bm                               F# So I called up the captain;  "Please bring me my wine."  A                                          E "We haven't had that spirit here since nineteen sixty­nine" G                                       D And still those voices are calling from far away  Em                                        F# Wake you up in the middle of the night, just to hear them say

Chorus:  G                        D Welcome to the Hotel California.         Em                   Bm7 Such a lovely place, such a lovely face     G                               D They livin' it up at the Hotel California       Em                                      F# What a nice surprise (what a nice surprise) bring your alibis

 Bm                               F# Mirrors on the ceiling, the pink champagne on ice  A                                                E And she said "We are all just prisoners here, of our own device"  G                                      D And in the master's chambers, they gathered for the feast  Em                                        F# They stab it with their steely knives, but they just can't kill the  beast

 Bm                               F# Last thing I remember, I was running for the door  A                                                E I had to find the passage back to the place I was before  G                                      D "Relax" said the nightman, "We are programmed to receive"  Em                                        F# "You can check out anytime you like, but you can never leave"

**Instrumental And Fade Version 04 /1.01 April 2004

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STOP,HEY WHATS THE SOUND Buffalo Springfield

E7 A7 There's something happening here E7 A7 And what it is ain't exactly clear E7 A7 There's a man with a gun over there E7 A7 Telling me that I've got to beware E7 D Think it's time we stop children, what's that sound A C(D) E E A E A Everybody look what goin' on There's battle lines being drawn And nobody's right, if everybody's wrong Young people speaking their minds Getting so much resistance from behind ...CHORUS CHORUS #2: E D It's time we stop, hey, what's that sound A C (D) E E A E A Everybody look what goin' down E A A G E What a field day for the heat ooooh E A A G E A thousand people in the street ooooh E A A G E Singin' songs, and carryin' signs ooooh E A A G E Mostly say "hooray for our side" ooooh ...CHORUS #2 Paranoia strikes deep Into your life it will creep It starts when you're always afraid Step outta line, the men come, and take you away CHORUS (REPEAT SEVERAL TIMES) RIFF: E A E -------------------------B -------------------------G --------------------2----D -------2--------2h4---4-2A ---2h4---4-2--0----------E -0------------------------

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ALL SHOOK UP - ELVIS PRESLEY

B Awella, bless my soul, what' s wrong with me ? I'm itching like a man on a fuzzy tree. My friends say I'm acting queer as a bug, I'm in love, Eb7 F7 B Eb7 B I'm all shook up - Mm mm - oh oh - yeah, - yeah; My hands are shaky and my knees are weak. I can't seem to stand on my own two feet. Who do you thank when you have such luck? I'm in love: I'm all shook up :Mm mm, mm, oh, oh, yeah, - yeah Eb7 Please don't ask what's on my mind, B I'm a little mixed up but I'm feelin' fine. Eb7 When I'm near that girl that I love best, F7 my heart beats so it scares me to death: She touched my hand, what a chill I got. Her kisses are like a volcano that's hot: I'm proud to say she's my buttercup,I'm in love! I'm all shook up: Mm mm, oh, oh: yeah, yeah: My tongue gets tied when I try to speak, My inside shakes like a leaf on a tree. There's only one cure for this soul of mine, that's to have that girl that I love so fine. She touched my hand, what a chill I got. Her kisses are like a volcano that's hot: I'm proud to say she's my buttercup,I'm in love! //:I'm all shook up: Mm mm, oh, oh: yeah, yeah:// ARE YOU LONESOME TONIGHT 1

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VIVA LAS VEGAS Elvis Presley

G Bright light city gonna set my soul Gonna set my soul on fire Got a whole lot of money that's ready to burn So get those stakes up higher H 7 Em There's a thousand pretty women waitin' out there And they're all livin' devil may care And I'm just the devil with love to spare C G C G Viva Las Vegas, Viva Las Vegas G How I wish that there were more Than the twenty four hours in the day Cos even if there wore many more I wouldn't sleep a minute away H7 Em Oh, there's black jack and poker and the roulette wheel A fortune won and lost on ev'ry deal All you need's a strong heart and a nerve of steel C G C G Viva Las Vegas, Viva Las Vegas C Viva Las and your G all your C Viva Las

Vegas with your neon flashin' one arm bandits crashin' hope right down the drain Vegas turning day into night time

turning night into daytime A7 D7 If you see it once you'll never be the same again G I'm gonna keep on the run, I'm gonna have me some fun And if it costs me my very last dime If I wind up broke, well, I'll always remember I had a swinging time H7 Em I'm gonna give it ev'ry thing I've got Lady luck, please let the dice stay hot Let me shoot a seven with ev'ry shot C G C G Viva Las Vegas, Viva Las Vegas C G C G Viva Las Vegas, Viva Las Vegas C G C D7 G Viva Las Vegas, Viva viva Las Vegas

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ARE YOU LONESOME    C ­ d ­ G ­ C ­ G7             C          e             a         1. Are you lonesome tonight, do you miss me tonight?              C         C7      F     Are you sorry we drifted apart?                G                  G7     Does your memory stray to a brighter sunny day,             G              G7              C          when I kissed you and called you sweetheart?              C7                        F              Do the chairs in your parlor seem empty and bare?             D             G           G7     Do you gaze at your doorstep and picture me there?              C                 e             D                Is your heart filled with pain, shall I come back again?              F            G7         C        ­ G7     Tell me dear are you lonesome tonight. (spoken : ) C         e          a I wonder if you are lonesome tonight.  You know someone said that the world is a stage,                C     C7 and you must play a part.                         F Fate had me playing in love with you as my sweetheart.                                G Act one was when I met you, I loved you at first glance.       G7                                   G You read your line so cleverly and never missed a cue.             G7 Then came act 2, you seemed to change and you acted strange,      C                    C7 and why I'll never know. ARE YOU LONESOME TONIGHT, 2                                    F Honey, you lied when you said you loved me,                                    D and I had no cause to doubt you.                                     G But I'd rather go on hearing your lies,             G7                   C than go on living without you.                                 e Now the stage is bare and I'm standing there        D                       F with emptiness all around.                         G7 Version 04 /1.01 April 2004

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And if you won't come back to me,                 C                     G7 then they can bring thecurtain down.               C                 e             D                 Is your heart filled with pain, shall I come back again?               F            G7         C              Tell me dear are you lovesome tonight.

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BLUE SUEDE SHOES

A 1. Well it's a one for the money, two for the show, A7 three to get ready now go, cat ,go, D A but don't you step on my blue suede shoes. E D A You can do anything, but lay off of my blue suede shoes. A 2. Well you can knock me down, step in my face, slander my name all over the place, and do anything that you want to do. But ah ah, honey, lay off of my shoes D A and don't you step on my blue suede shoes. E D A You can do anything, but lay off of my blue suede shoes. A 3. Well you can burn my house, steal my car, drink my liquor from an old fruit jar, and do anything that you want to do. A7 But ah ah, honey, lay off of my shoes, D A and don't you step on my blue suede shoes. E D A You can do anything but lay off of my blue suede shoes. A 4. = 1. + It`s blue blue, blue suede shoes, blue blue, blue suede shoes, D A blue blue, blue suede shoes, baby, blue blue, blue suede shoes. E D A Well, you can do anything but lay off of my blue suede shoes. (Elvis Presley)

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CAN'T HELP FALLING IN LOVE

C

G

C

F

Wise men say

C

ELVIS PRESLEY

G

G7

F G

only fools rush in Am

Dm

C

G

C

But I can't help falling in love with you C

G

C

Shall I stay F

G

F

C

G

G7

would it be a sin Am

Dm

C

G

C

If I can't help falling in love with you Bridge: Em

Am

Like a river flows Em

Am

Surely to the sea Em

Am

Darling so it goes Em

A7

Dm

G7

Some things were meant to be C

G

C

Take my hand F

G

F

C

G

G7

take my whole life too Am

Dm

C

G

C

Cause I can't help falling in love with you **Bridge C

G

C

Take my hand F

G

F

C

G

G7

take my whole life to Am

Dm

C

G

C

Cause I can't help falling in love with you F

G

Am

Dm

C

G

C

Cause I can't help falling in love with you

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FEVER - ELVIS PRESLEY a Never know how much I love you, never know how much I care.  E7                       a When you put your arms around me I get a fever that's so hard to bear.      [N.C.]             a                 F6                      a      You give me Fever, when you kiss me; Fever when you hold me tight   E7        a      Fever ­ in the morning; Fever all through the night Sun lights up the daytime, moon lights up the night. I light up when you call my name and you know I'm gonna treat you right.      You give me Fever, when you kiss me...  a  Ev'rybody's got the Fever that is something you all know        E7                   a  Fever isn't such a new thing. Fever started long ago Romeo loved Juliet, Juliet she felt the same. When he pout his arms around her, he said, "Julie, baby, you're my flame."      Thou givest Fever, when we kisseth. Fever when thy flaming youth.      Fever ­ I'm a fire. Fever, yea I burn forsooth. Captain Smith and Pocahantas had a very mad affair When her Daddy tried to kill him, she said, "Daddy­o don't you dare."      He gives me Fever, with his kisses. Fever when he holds me tight      Fever ­ I'm his Missus. Oh Daddy won't you treat him right Now you've listened to my story: Here's a point that I have made. Chicks were born to give you Fever, Be it Fahrenheit or Centigrade      They give you fever, when you kiss them, Fever if you live and learn.      Fever ­ 'til you sizzle. What a lovely way to burn      //:What a lovely way to burn://

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HOUND DOG                             C 1. You ain't nothing but a hound dog cryin all the time,                              F                       C     you ain't nothing but a hound dog cryin all the time.                   G                             F                  C   Well you ain't never caught a rabbit and you ain't no friend of mine.                            C 2. When they said you was high class, well that was just a lie,                             F                                C     when they said you was high class, well that was just a lie.                   G                             F                  C   Well you ain't never caught a rabbit and you ain't no friend of mine. 3. = 1.   +   Instrumental  (=vers 1)     C ­ F ­ C ­ G ­ F ­ C                            C 5. When they said you was high class, well that was just a lie,                             F                                C     when they said you was high class, well that was just a lie.                   G                             F                  C   Well you ain't never caught a rabbit and you ain't no friend of mine. 5. Instrumental      C ­ F ­ C ­ G ­ F ­ C                             C     When they said you was high class, well that was just a lie,                             F                                C     when they said you was high class, well that was just a lie.                   G                             F                  C   Well you ain't never caught a rabbit and you ain't no friend of mine.                             C 2. You ain't nothing but a hound dog cryin all the time,                              F                       C     you ain't nothing but a hound dog cryin all the time.                   G                          F                  C   Well you ain't never caught a rabbit, you ain't no friend of mine. (Elvis Presley)

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JAILHOUSE ROCK            D 1.    The warden threw a party in the county jail, A    D     prison band was there and they began to wail. A    D     Band was jumpin' and the joint began to swing, A      D     should've heard those kocked out jail birds sing.       G                     D                                      Lets Rock ! Everybody lets Rock !        A                       G Everybody in the whole cell block,        D              G          D was a­dancin' to the Jail­house Rock!   A    D 2.   Spider Murphy played the tenor saxophone, A    D     Little Joe was blowin' on the slide trombone. A         D     The drummer boy for Illinois went crash, boom, bang ! A         D     The whole rhythm section was the Purple Gang.  + REFRAIN   A  D                  3. Number forty seven said to Number Three: A     D     You're the cutest jailbird I ever did see. A      D     I sure would be delighted with your company, A         D     come on and do the jailhouse rock with me.   + REFRAIN 

   A       D 4.    The sad sack was a­sittin' on a block of stone, A    D     way over in the corner weeping all alone. A        D     The warden said: " Hey, buddy, don't you be no square. A           D     If you can't find a partner use a wooden chair !"  + REFRAIN     A   D 5.   Shifty Henry said to Bugs: "For Heaven's sakes, A       D     no one's lookin', now's our chance to make a break!" A    D     Bugsy turned to Shifty and he said, " Nix, nix, A      D     I wanna stick around a while and get my kicks."    + REFRAIN  Version 04 /1.01 April 2004

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A   D             G          D + dancin' to the Jail­house Rock....(rep. and fade) (Orig. = Capo 1)    (Elvis Presley)

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LOVE ME TENDER ELVIS PRESLEY       G              A7 1.   Love me tender, love me sweet,         D7           G      never let me go.         G                A7            You have made my life complete,       D7            G      and I love you so. (Chorus:)    G      B7       Em      G7   Love me tender, love me true,     C       Cm        G   all my dreams fulfilled.    Dm       E7    A7   For my darlin' I love you,    D7           G   and I always will. 2.   Love me tender, love me long,      take me to your heart.      For it's there that I belong,      and we'll never part. (repeat chorus) 3.   Love me tender, love me dear,      tell me you are mine.      I'll be yours through all the years,      till the end of time.

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COCAINE CALE, J.J. C

B

C

1. If you want to hang out, B You've got to take her out, C

B

C

B

Cocaine. C

B

C

If you want to get down, B Get down on the ground, C

B

C

B

Cocaine. C

Dis

She don't lie, she don't lie, Gis

G

She don't lie,

C

B

C

B

Cocaine.

2. If you got bad news, You want to kick them blues, Cocaine. When your day is done, And you want to ride on, Cocaine. She don't lie, she don't lie, She don't lie, Cocaine. 3. (Instrumental) 4. If your thing is gone, And you want to ride on, Cocaine. Don't forget this fact. You can't get back, Cocaine. She don't lie, she don't lie, She don't lie, Cocaine. She don't lie, she don't lie, Version 04 /1.01 April 2004

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LAYLA

ERIC CLAPTON

1. Strophe: C#m7

G#7

C#m7

C

D

E

What will you do when you get lonely, with nobody waiting by your side? F#m

H

E

A

F#m

H

E

You've been running and hiding much too long, you know it's just your foolish pride. Refrain: A Dm B

C

Dm

Layla, you got me on my knees. Dm B

C

Dm

Layla, I'm begging, darling, please. Dm B C

Dm

B C

Layla, darling, won't you ease my worried mind. 2. Strophe: Tried to give you consolation, your old man won't let you down. Like a fool I fell in love with you, turned the whole world upside down. Refrain: 3. Strophe: Let's make the best of the situation, before I fin'ly go insane. Please don't say we'll never find a way, and tell me all my love's in vain. Refrain:

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MOTHERLESS CHILD ERIC CLAPTON

Vorspiel:

H H H

1. Strophe: H E H If I mistreat you girl, I sure don’t mean no harm. H E H If I mistreat you girl, I sure don’t mean no harm. F# H Well, I’m a motherless child who don’t know right from wrong. 2. Strophe: Please tell me pretty mama, honey where’d you stay last night. (2 mal) Well, you didn’t come home till the sun was shining bright. 3. Strophe: I have to go so far gal, get my ham bones boiled. (2 mal) Well, these other lotta women gonna let my ham bones burn. 4. Strophe: Now I did more for you gal, than your daddy ever done. (2 mal) Well, I give you my jelly, he ain’t give you none. 5. Strophe: And when you see two women always runnin’ hand in hand. (2 mal) You can bet your bottom dollar one. 6. Strophe: Well, I’m goin’ to the river, get me tangled rocking chair. (2 mal) And if the Blues overtake me gonna rock away from there. Nachspiel:

E F# E H

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TEARS IN HEAVEN, ERIC CLAPTON '91         A         E       fis   E  D      1. Would you know my name              A           E  (E  fis  E)         if I saw you in heaven?         A         E        fis   E  D         Would you know the same              A           E  (E  fis  E)         if I saw you in heaven?         fis        E         I must be strong         A7        fis         and carry on                 D              E         cause I know I don't belong                 A         here in heaven         A         E       fis   E  D      2. Would you hold my hand              A           E  (E  fis  E)         if I saw you in heaven?         A         E        fis   E  D         Would you help me stand              A           E  (E  fis  E)         if I saw you in heaven?         fis        E         I'll find my way         A7        fis         through night and day                 D              E         cause I know I just can't stay                 A         here in heaven      3. A         E       fis   E  D              A           E  (E  fis  E)         A         E        fis   E  D              A           E  (E  fis  E)         fis        E         Beyond the door         A7                fis         there's peace I'm sure                 D              E         and I know there'll be no more Version 04 /1.01 April 2004

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                 A         tears in heaven      4. wie 1.

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CHANGE THE WORLD" INTRO: There is another guitar here that I haven't tabbed, but you can figure that one out. I think these two parts are actually two different guitars, but I'm not sure. E A E E A E + + + + + + + + + + + + + + + + e:-----------------|-----------------|-----------------|---0-----0-----0-| B:-----------------|-----------------|-----------------|-------0-----0---| G:---0h1---2-----4-|---2---4-----2-4-|---4-----2---0h1-|-----------------| D:---2-----2-----2-|-----------------|---2-----2---2---|-----------------| A:-----------------|-----------------|-----------------|-----------------| E:-----------------|-----------------|-----------------|-----------------| E A E E A B + + + + + + + + + + + + + + + + e:-------------0-----|-----------------|------------------------------|---------------------| B:-------0-----------|-----------------|------------------------------|---------------------| G:---0h1---2-----2/4-|-----------------|---2/4-----4\2p0-2--0------^4-|---------------------| D:---2-----2---------|-----------------|-----------------------2p0-^4-|-----------------4---| A:-------------------|-----------------|---------------------------^2-|-------------2h4-----| E:-------------------|-----------------|------------------------------|-------------------0-|

This is the basic part behind the verse: If I could reach the stars Pull one down for you E A E E A E + + + + + + + + + + + + + + + + e:-----------------|-----------------|-----------------|---0-----0-----0-| B:-----------------|-----------------|-----------------|-------0-----0---| G:---0h1---2-----4-|---2---4-----2-4-|---4-----2---0h1-|-----------------| D:---2-----2-----2-|-----------------|---2-----2---2---|-----------------| A:---------0-------|-----------------|---------0-------|-----------------| E:-0-------------0-|-----------------|---0---------0---|-----------------| Shining on my heart So you could see the truth E A E E A E + + + + + + + + + + + + + + + + e:-----------------|-----------------|-----------------|---0-----0-----0-| B:-----------------|-----------------|-----------------|-------0-----0---| G:---0h1---2-----4-|---2---4-----2-4-|---4-----2---0h1-|-----------------| D:---2-----2-----2-|-----------------|---2-----2---2---|-----------------| A:---------0-------|-----------------|---------0-------|-----------------| E:-0-------------0-|-----------------|---0---------0---|-----------------| Then this love I have inside is everything it seems A D E E D A + + + + + + + + + + + + + + + + e:-----------------|-----------------|-------------0---|-----------------| B:---2---2-3---3-5-|---------5-------|---5-----3-----2-|-------2---------| G:---2---2-2---2-4-|-----------------|---4---0-2-----2-|-------2---------| D:-----------------|-----------------|-----------------|-----------------| A:-0---------------|-----------------|-----------------|-----------------| E:-----------------|-----------------|-----------------|-----------------| But for now I find it's only in my dreams E A E E A G# + + + + + + + + + + + + + + + + e:-----------------|-----------------|-----------------|---4---------4---| B:-----------------|-----------------|-----------------|---------4-8-----| G:---0h1---2-----4-|---2---4-----2-4-|---4-----2-------|-------5---------| D:---2-----2-----2-|-----------------|---2-----2-----6-|-----6-----------| A:---------0-------|-----------------|---------0-----6-|-----------------| E:-0-------------0-|-----------------|---0-----------4-|-----------------|

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Here's the chorus.

There isn't much guitar, so just strum this:

F#m G# C#m That I can change the world F#m G# C#m I will be the sunlight in your universe F#m G# C#m Cm Bm You will think my love was really some - thing good A E G#m Gm F#m Baby if I could cha - nge the world Clapton does this after the chorus: E A E E A E + + + + + + + + + + + + + + + + e:-------------0-----|-------------|----------------------------|-----------------------------| B:-------0-----------|-------------|----------------------------|-----------------------------| G:---0h1---2-----2/4-|-------------|---2/4----4\2p0-2--0--------|-----------------------------| D:---2-----2---------|-------------|----------------------2p0-2-|----------2---------------2--| A:-------------------|-------------|----------------------------|------2h4-----0h2-0h2-0h2----| E:-------------------|-------------|----------------------------|-----------------------------|

He continues into another verse, and plays the same as the last verse Then a chorus, which has a bit added to the end: That I can change the world I will be the sunlight in your universe You will think my love was really something good A C#m Bm Bbm A E Baby if I could cha - nge the world A C#m Bm Bbm A Baby if I could cha - nge the world Here's the solo: + + + + + + + + e:--------------------------|------------.-----------.-----------| B:----/12-12-12-12-12-12-12-|-12\10----8-10--8-------10----------| G:--------13-13-13-13-13-13-|------------------------------------| D:--------------------------|------------------------------------| A:--------------------------|------------------------------------| E:--------------------------|------------------------------------| + + + + + + + + e:------------------------------------|---------------------------------| B:-10h8-----.-------------------------|---------------------8---11p10-8-| G:--------7h9------7h9-----7----------|-------------7---7h9---9---------| D:---------------------------9p7------|---------7h9---------------------| A:-------------------------------10---|------10-------------------------| E:------------------------------------|---------------------------------| + + + + + + + + e:-----------------10-12-10/12--10/12--10-----|---------------------------------------| B:-----------10/12-------------------------12-|-10------10h12p10----------------------| G:-9------------------------------------------|----12------------12-9-9---------------| D:--------------------------------------------|---------------------------------------| A:--------------------------------------------|---------------------------------------| E:--------------------------------------------|---------------------------------------|

That I can... + + + + + + + + e:---------15------12\-----12-11---|---------12-14-----12-11------| B:------12-------------/12----12---|------------------------------| G:---------------------------------|------------------------------| D:---------------------------------|------------------------------| A:---------------------------------|------------------------------| Version 04 /1.01 April 2004

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E:---------------------------------|------------------------------| Another chorus, with a bit added to the end: That I can change the world I will be the sunlight in your universe You will think my love was really something good A C#m Bm Bbm A Baby if I could cha - nge the world A C#m Bm Bbm A Baby if I could cha - nge the world A C#m Bm Bbm A Baby if I could cha - nge the world world E A E A + + + + + + + + + + + + e:-------------0-----|-------------|----------------------------------| B:-------0-----------|-------------|----------------------------------| G:---0h1---2-----2/4-|-------------|-----2/4----4\2p0-2---------------| D:---2-----2---------|-------------|----------------------------------| A:-------------------|-------------|----------------------------------| E:-------------------|-------------|----------------------------------| E (freely) e:-----------------------------------|-------------------------| B:-----------------------------------|-------------------------| G:-----------------------------------|-------------------------| D:-0h2-0-------------2-0-------------|-0-----------------------| A:-------2-0h2p0---------2-0h2p0-----|-------------------------| E:---------------3-0-------------3-0-|-------------------------| LYRICS: If I could reach the stars I'd pull one down for you Shine it on my heart so you could see the truth That this love I have inside is everything it seems But for now I find it's only in my dreams CHORUS That I can change the world I would be the sunlight in your universe You will think my love was really something good Baby if I could change the world If I could be king even for a day I'd take you as my queen I'd have it no other way And our love will rule in this kingdom we have made Till then I'd be a fool wishin' for the day CHORUS That I can change the world I would be the sunlight in your universe You will think my love was really something good Baby if I could change the world Baby if I could change the world GUITAR SOLO CHORUS That I can change the world I would be the sunlight in your universe You will think my love was really something good Baby if I could change the world Baby if I could change the world Version 04 /1.01 April 2004

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Baby if I could change the world

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WONDERFUL TONIGHT ERIC CLAPTON Intro: G D/F# C D G D/F# C D G                   D/F#    It's late in the evening C                         D    She's wondering what clothes to wear G                  D/F#    She puts on her make up C                   D    And brushes her long blonde hair C               D    And then she asks me G       Bm/F#   Em    Do I look alright               C             D           G     D/F#  C  D    And I say yes, you look wonderful tonight G           D/F# C                D    We go a party   And everyone turns to see G                 D/F# C                   D    This beautiful lady That's walking around with me     C               D G         Bm/F#   Em    And then she asks me   Do you feel alright               C           D           G    And I say yes, I feel wonderful tonight            C    I feel wonderful       D               G         Bm/F#   Em    Because I see the love light in your eyes             C           D    And the wonder of it all                 C             D    Is that you just don't realize                G        D/F#  C  D  G  D/F#  C  D    How much I love you G                   D/F#    It's time to go home now C                          D    And I've got an aching head G                     D/F#    So I give her the car keys C                   D    She helps me to bed C              D    And then I tell her G       Bm/F#         Em Version 04 /1.01 April 2004

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   As I turn out the light              C                 D           G     Bm/F#  Em Em/D    I say my darling, you were wonderful tonight           C                 D           G   D/F#  C  D  G  D/F#  C  D  G    Oh my darling, you were wonderful tonight

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PUT YOUR LIGHTS ON Everlast Intro: Am - Asus2 - C - Cadd9 - C - G - G6 - F - E (2x) Verse 1: Am C Hey now, all you sinners G F E Put your lights on, put your lights on Am C Hey now, all you lovers G F E Put your lights on, put your lights on Am C Hey now, all you killers G F E Put your lights on, put your lights on Am C Hey now, all you children G F E Leave your lights on you better leave your lights on Refrain: Am Asus2 Am E Because there's a monster living under my bed Am Asus2 Am E Whispering in my ear Am E There's an angel with a hand on my head Am E She says I've got nothing to fear Am E There's a darkness deep in my soul Am E I still got a purpose to serve Am E So let your light shine, deep into my home Am E God don't let me lose my nerve don't let me lose my nerve Solo: C - G - F - E (4X) F - E - F - E Übergang: Am - Asus2 - Am - C - Cadd9 - C - G - G6 F E Hey now, hey now, hey now, hey now Am - Asus2 - Am - C - Cadd9 - C G G6 F E Wo-oh hey now, hey now, hey now, hey now Verse 2: Am C Version 04 /1.01 April 2004

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Hey now, all you sinners G F E Put your lights on, put your lights on Am C Hey now, all you children G F E Leave your lights on you better leave your lights on Refrain: Am Asus2 Am E Because there's a monster living under my bed Am Asus2 Am E Whispering in my ear Am E There's an angel with a hand on my head Am E She says I've got nothing to fear Am C G F E She says, whooo-ahha hey la la, you shine like stars Am C G F E Am Whoo-aohaha hey la la, you shine like stars and you fade away

KEEP YOUR HANDS TO YOUR SELF

The Georgia Satellites -

A I got a little change in my pocket goin' jing a ling a ling Gonna call you on the telephone baby and give you a ring D But each time I try I get the same old thing always A no huggy no kissy till I get a wedding ring E A Now honny now baby don't put my love opon no shelf (no chord) don't hand me no lines and keep your hands to your self A Now baby baby baby why you treat me this way now I'm still your lover boy I still feel the same way D That's when she told me the story bout free milk and a cow A Now huggy no kissy till I get a wedding ring E A Now honny now baby don't put my love opon no shelf (no chord) don't hand me no lines and keep your hands to your self A Ya see I wanted real bad and I was about to give in that's when she started talkin about true love started talkin bout sin D I said honey I'll live with ya for the rest of my life A She said no huggy no kissy till you make me your wife E Now honny now baby don't put my love opon no shelf (no chord) A D A E A don't hand me no lines and keep your hands to your self

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MORE THAN WORDS EXTREME Vorspiel:

G5 Csus2 Am C D G5 Csus2 Am C D Em

1. Strophe: G5 Csus2 Am Sayin', "I love you" is not the words C D G5 I want to hear from you. G5 Csus2 Am It's not that I want you not to say. C D Em But if you only know. Em Am7 D G5 D/F# Em How easy it would be to show me how you feel, Em Am7 D G7 C More than words is all you have to do to make it real. C Cm G5 Em Then you wouldn't have to say that you love me, Am7 D7 G5 Cause I'd already know. G D/F# Em Hm C What would you do if my heart was torn in two? C Am7 More than words to show you feel, Am7 D G That your love for me is real. G D/F# Em Hm C What would you say if I took those words away? C Am7 Then you couldn't make things new, Am7 D7 G5 Just by sayin' "I love you." Zwischenspiel: Csus2 Am C D G5 La di da da da da di da da da, more than words. Csus2 Am7 D7 La da da da di da. 2. Strophe: Now that I have tried to talk to you And make you understand. All you have to do is close your eyes And just reach out your hands. And touch me, hold me close, don't ever let me go, More than words is all I ever needed you to show. Then you wouldn't have to say that you love me, Cause I'd already know. What would you do if my heart was torn in two? More than words to show you feel, That your love for me is real. What would you say if I took those words away? Version 04 /1.01 April 2004

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Then you couldn't make things new, Just by sayin' "I love you." Zwischenspiel: La di da da da da di da da da, more than words. Repet and Fade out: e:----0----------------------------------0-------------------------2----3----| B:---------0------------------------1---------1------------------------------| G:--------------2--------------0-------------------0-------------------------| D:------------------------2--------------------------------------------------| A:-------------------0----------------------------------2--------------------| E:---------------------------------------------------------------------------| Hammer on e:5----+17----5----3----2----3----5----+15---5--3--2--3--5--+17--5--3--2--3--| B:---------------------------------------------------------------------------| G:---------------------------------------------------------------------------| D:---------------------------------------------------------------------------| A:---------------------------------------------------------------------------| E:---------------------------------------------------------------------------| e:5--+15--5--3--2--3--5--+14--5--3--2--3--5--+15--5--3--2--3--5--+14--5--3--2| B:---------------------------------------------------------------------------| G:---------------------------------------------------------------------------| D:---------------------------------------------------------------------------| A:---------------------------------------------------------------------------| E:---------------------------------------------------------------------------| e:--3--5--+12--5--3--2--3--5--+8--5--3--2--3--5--+7--5--3--2--5--+7--5--2--0-| B:-----------------------------------------------------------------------slid| G:---------------------------------------------------------------------------| D:---------------------------------------------------------------------------| A:---------------------------------------------------------------------------| E:---------------------------------------------------------------------------| e:-2--0----------------------------------------------------------------------| B:e-up---3--0--3--0----------------------------------------------------------| G:-----slide-up------2--0----------------------------------------------------| D:-----------slide-down----0--2--0-------------------------------------------| A:--------------------slide-down----2--0-------------------------------------| E:----------------------------------------2--0----grab-headstock-and-wobble--| e:----------------------------3-------------------3-----------3-------------3| B:-------------------------3-----3----------3--------3--3--------3----3------| G:----------------------0-----------0----------0-----------------------------| D:-------------------0-------------------------------------0-------------0---| A:-------------------------------------2----3-----------2-------------1------| E:-it-for-tremolo.-------------------------------------------------------------| e:-------------------slide-up-0--3--5--3| B:--3-----------1-----------------------| G:-----------0--------------------------| D:--------2-----------------------------| A:-----0--------------------------------| E:--------------------------------------|

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HOLE HEARTED - EXTREME (From "Pornograffiti", 1990) Hole Hearted is not really that hard to play. The only tricky part is the following that I've given below. The rest, I'm sure you've figured or can figure out easily enough. This is a positively funky sound. Play it on the twelve string like Nuno and you get that full sound. ----------------------------------------------------------------------------------------------------------------------------------------------------2---5^6----7--5^6----7--5------5^7--7-7-7-5^0--------------2---5---7--7--5---7--7--5--5---0------0-0-----3(+bend1/4)--0-------0---------0---------------------------------------------------------------------Life's ambitions occupy my time Happiness one step be hind ------------------------------2------------------------------------------------------------------3--------------------------------x-0-------------------------------2---------0----------------------x-0---5^7--7-7-7-5^0-------------------0^2---------0---------------x-0---0------0-0-----3(+bend1/4)---------------3^5----2^3-2^0---0----------------------------------------------------------------3--------Priorities come to the mind This inner piece I've yet to find The words are something like this: Life's ambitions occupy my time Priorities come to the mind Happiness one step behind This inner peace I've yet to find Rivers flow into the sea But even the sea's not so full of me If I'm not blind why can't I see That circle can't fit where a square should be There's a hole in my heart that can only be filled by you And this hole in my heart can't be filled with the things I do Hole hearted Hole hearted This heart of stone is where I hide These feet of clay kept warm inside Day by day less satisfied Not fade away before I die Rivers flow.... There's a hole in my heart that can only be filled by you Should have known from the start I'd fall short with the things I do Hole hearted

HOLE HEARTED - Extreme (From "Pornograffiti", 1990) Written by Nuno Bettencourt and Gary Cherone. Performed by Extreme. Tab by Edwin ([email protected]) and Anand "Indy" Kumar ([email protected]) Here's the complete song (without the overdubs).

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The hard part was done by Edwin ([email protected]), to whom I send my special thanks. Wouldn't have tried this one without his encouraging words: "Hole Hearted is not really that hard to play." Didn't include the lyrics with all this copyright stuff going on. Verse A A ----------------------------------------------------------------------------------------------------------------------------------------------------------2---5^6----7--5^6----7--5------5^7--7-7-7-7^5^0--------------2---5---7--7--5---7--7--5--5---0------0-0-------3(+bend1/4)--0-------0---------0-----------------------------------------------------------------------A D --------------------------------2----------------------------------------------------------------------3----------------------------------x-0---------------------------------2---------0------------------------x-0---5^7--7-7-7-7^5^0-------------------0^2---------0-----------------x-0---0------0-0-------3(+bend1/4)---------------3^5----2^3-0^2^0---0--------------------------------------------------------------------3--------Quote: "The rest, I'm sure you've figured or can figure out easily enough." -Edwin Personally, I didn't find the rest that easy to figure, so I'll post it. If you're having a hard time too, I hope it serves you. Intro D E7(+sus4) F(+b3) --2--2--4------I--2--2--4--4------I--2--2--4----4--4-4--I--2--4--5--5--5-5--I --3--3--5------I--3--3--5----5----I--3--3--5----5--5-5--I--3--5--6--6--6-6--I --2--2--4------I--2--2--4------4--I--2--2--4----4--4-4--I--2--4--5--5--5-5--I --0--0--0------I--0--0--0---------I--0--0--0----0--0-0--I--0--0--0--0--0-0--I --0--0--0------I--0--0--0---------I--0--0--0----0--0-0--I--0--0--0--0--0-0--I ---------------I------------------I------------(4times)-I----------(4times)-I Chorus 1. part (play 2 times) D

A

Gsus2 Dmin7 D +sus2 --2--2-xxx--9--9--xxx--I--7---0---2----2----2------I --3--3-xxx-10-10--xxx--I--8---5---3----3----3---00-I --2--2-xxx--9--9--xxx--I--7---6---2----2-2--2---00-I --0--0------0--0-------I--0---0---0------0--0---00-I --0--0------0--0-------I--0---0---0------0--0------I -----------------------I---------------------------I * incredibly hard to figure! A Dsus2 A --0--0------0--0-------I--0---0---0----0-0--0-----I --2--2--xxx-7--7--xxx--I--5---7---5----5-5--5--xx-I --2--2--xxx-7--7--xxx--I--6---7---6----6-6--6--xx-I --2--2--xxx-7--7--xxx--I--7---7---7----7-7--7--xx-I --0--0------0--0-------I--0---0---0----0-0--0-----I -----------------------I--------------------------I Chorus 2. part

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G Csus2 G --3---3--3-3--3--3-------I--3---3--3-3--3--3-3--3--I --3---3--3-3--3--3-------I--3---3--3-3--3--3-3--3--I --0---0--0-0--0--0-0--0--I--0---0--0-0--0--0-0--0--I --0---0--0-0--0--0-0--0--I--2---2--2-2--2--2-2--0--I --2---2--2-2--2--2-0--2--I--3---3--3-3--3--3-3--0--I --3---3--3-3--3--3-3--3--I-------------------------I --2--2-xxx--4--4--xxx--I--2--2---2->-4--4--4-4--I --3--3-xxx--5--5--xxx--I--3--3---3->-5--5--5-5--I --2--2-xxx--4--4--xxx--I--2--2---2->-4--4--4-4--I --0--0------0--0-------I--0--0---0---0----------I --0--0------0--0-------I--0--0---0---0----------I -----------------------I------------------------I --3---3--3-3--3--3-------I--3---3--3-3--3--3-3--3--I --3---3--3-3--3--3-------I--3---3--3-3--3--3-3--3--I --0---0--0-0--0--0-0--0--I--0---0--0-0--0--0-0--0--I --0---0--0-0--0--0-0--0--I--2---2--2-2--2--2-2--0--I --2---2--2-2--2--2-0--2--I--3---3--3-3--3--3-3--0--I --3---3--3-3--3--3-3--3--I-------------------------I D/F D/E --2--2-xxx--4--4--xxx--I------------2----------------2------I --3--3-xxx--5--5--xxx--I--------------3----------------3----I --2--2-xxx--4--4--xxx--I----------------2----------------2--I --0--0------0--0-------I---------0----------------0---------I --0--0------0--0-------I------0----------------0------------I -----------------------I--1----------------0----------------I --2--2--4----I------------2----------------2------I --3--3--5----I--------------3----------------3----I --2--2--4----I----------------2----------------2--I --0--0--0----I---------0----------------0---------I --0--0--0----I------0----------------0------------I -------------I--1----------------0----------------I Outro Variation of 2.part --3---3--3-3--3--3-------I--3---3--3-3--3--3-3--3--I --3---3--3-3--3--3-------I--3---3--3-3--3--3-3--3--I --0---0--0-0--0--0-0--0--I--0---0--0-0--0--0-0--0--I --0---0--0-0--0--0-0--0--I--2---2--2-2--2--2-2--0--I --2---2--2-2--2--2-0--2--I--3---3--3-3--3--3-3--0--I --3---3--3-3--3--3-3--3--I-------------------------I --2--2-xxx---9--7--2-----I --3--3-xxx--10--8--3--00-I --2--2-xxx---9--7--2--00-I --0--0-------0--0--0--00-I --0--0-------------------I -------------------------I Intro Verse (8x) Chorus 1. part (2x) Chorus 2. part Verse (8x) Chorus 1. part (2x) Chorus 2. part (with variation) Chorus 2. part

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DEEPLY DIPPY} {st:Right Said Fred}

[G]Deeply dippy 'bout the [Em]curves you got [F]deeply hot [C]hot for the curves you got [G]Deeply dippy 'bout the [Em]fun we had [F]deeply mad [C]mad for the fun we had [G]Oh my [Em]love I [F]can't make head nor [C]tail of passion [G]Oh my [Em]love [F]let's set sail for the [C]seas of passion now [Bb]

[A]

[Ab]

[G]

Deeply dippy 'bout the way you walk contact sport let the neighbours talk Deeply dippy I'm your superman I'll explain you're my Lois Lane Oh my love I can't make head nor tail of passion Oh my love let's set sail for the seas of passion now Deeply dippy 'bout your spanish eyes sierra smile legs that go on for miles and miles Miles and miles I said oh my love I can't make head nor tail of passion Oh my love let's set sail for the seas of passion now

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PRINCE OF PEACE Galliano  Peace is so much more than astate without the war  Peace is a trust that we've never had before.  Run along a road not knowing where I'm going  Planting up the seeds not knowing what I'm sowing  Need sense and a direction adirection of sense.  sittin in the middle has broke up the fence  I want to run and hide, but the world is to small  So if I have to play we'll pass around the ball  The peace in the universe we need to rehearse  See our hearts make the world and the world is a curse  Now we need a rest from a world too good at killin'  The international arms dealer chillin and an willin'  The world she has enough für every mans need But , am's always kiled to satisfy a greed  Is there any way out or do the just drop it  Selling twisted technology für those who aint got it.  Prince of peace won't your hear our plea  Ring the bells of peace help loving never cease  Pushin' and shovin' is killin' all the lovin'  Earth is the power für asolid peace of war  With respect and overstanding help the waring to cease  Hatred, silence, Noise, violance  Seek another way more than missiles need guidance Peace is the way that  we're gone survive The choice is now! Or being alive  Leaders have no answers they're just as confused Rappin in ariddirn but the  riddim getin used  Thoughts need an amplifier to get alittle higher  Become uur own producer instead of just a buyer Call the grounation a  meeting of the people If it don't drop weil then we call asequel  Version 04 /1.01 April 2004

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Thoughts rain dowen to make acompilation  A universal label used für the occation  You say weather dreamers but not the only one  I' d rather had a dream than a nightmare to come 

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SUMMER OF 69 - Bryan Adams ==========================

Riff: Dsus2 D Dsus4 D Dsus2 D Asus2 A Asus4 A Asus2 A E|--0-----2-----3---|---2-----0---2---|------------------|-----------------| B|----3-----3-----3-|-----3-----------|--0-----2-----3---|---2-----0---2---| G|------2-----2-----|-2-----2---2---2-|----2-----2-----2-|-----2-----------| D|-(0)--------------|-----------------|------2-----2-----|-2-----2---2---2-| A|------------------|-----------------|-(0)--------------|-----------------| E|------------------|-----------------|------------------|-----------------|

Verse D I got my first real sixstring A bought it at the five and dime D played it ´til my fingers bled A was the summer of sixty nine D Me and some guys from school A had a band and we tried real hard D Jimmy quit, Jody got married A I should have known that we never´ll get far Refrain Hm A Oh, when I look back now D G that summer seemed to last forever Hm A and if I had the choice D G yeah, I´d always wanna be there Hm A D those where the best days of my life + RIFF

Verse D Ain´t no use in complaining A when you´ve got a job to do D spent my evenings down at the drive-in A and that´s when I met you yeah

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Refrain Hm A standing on your mama´s porch D G you told me that you wait forever Hm A oh, and when you hold my hand D G I knew that´s it now or never Hm A D those where the best days of my life - RIFF Oh yeah.. back in the summer of '69 - oooohhh Bridge F Bb Men we were killin times C we were young and restless Bb we needed to unwind F Bb C I guess nothing can last forever – forever .. no ! + RIFF D and now the time are chaning A look at everything that comes D gone sometimes when I play that old sixstring A I think about you wonder what went wrong Hm A standing on your mama´s porch D G you told me that you wait forever Hm A oh, and when you hold my hand D G I knew that´s it now or never Hm A D those where the best days of my life - RIFF Oh yeah.. back in the summer of '69 .... it was summer of 69 usw. (mehrmals zum Riff wiederholen ....... fade) Version 04 /1.01 April 2004

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EASY FAITH NO MORE

Vorspiel:

G# Cm Bm Eb

1. Strophe: G# Cm Bm Eb I know it’s sound funny but I just can’t stand the pain, G# Cm Bm Eb Girl, I’m leaving you tomorrow. G# Cm Bm Eb Seems to me girl you know I’m doin‘ all okay, G# Cm Bm Eb You see your big storm in the borrow. Refrain: G# Cm Bm That’s why I’m easy, Eb G# Cm Bm Eb I’m easy like Sunday morning. G# Cm Bm That’s why I’m easy, Eb G# Bm H G# I’m easy like Sunday moooooooooooorning. 2. Strophe: C# Bm I wanna be high, so high. C# Bm I wanna be free to know the things I do are right. C# Bm H F# H C# I wanna be free, just free, oh Baby, uh. Solo: G# Cm Bm Eb G# Cm Bm Eb Instrumental Refrain:

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STILL GOT THE BLUES Gary Moore Intro:    Dm7   F/G   Cmaj7   Fmaj7   Bm7b5   E   Am     Dm7           F/G  Cmaj7             Fmaj7  Used to be so easy to give my heart away Bm7b5                        E   Am   Bmadd4         Am/C     Am           But I've found that the hard way is a price you have to pay Dm7          F/G  Cmaj7            Fmaj7  I found that love was no friend of mine Bm7b5               Esus4      E  I should have known time after time    Am Em           Am      Dadd2    So long, it was so long ago             F7/9          E7#9      Am    But I've still got the blues for you

Used to be so easy to fall in love again I've found that the hard way, it's a way that leads to pain I've found that love was more than just a game To play and to win but to lose just the same        So long, it was so long ago    But I've still got the blues for you

Bm7     E     Am7        Bm7       C So many years since I've seen your face Bm7           E                 Fmaj7 Cadd2 Fmaj7 And now in my heart, there's an empty space             Am You used to be [solo 1]   Dm7    F/G    Cmaj7    Fmaj7    Bm7b5    E    Am Bmadd4 Am/C Am            Dm7    F/G    Cmaj7    Fmaj7    Bm7b5         Esus4     E

   Am Em           Am      Dadd2    So long, it was so long ago             F7/9          E7#9      Am    Em    But I've still got the blues for you               Am            Em          Am          Dadd2    Though the days come and go, there's one thing I know         F7/9          E7#9      Am    I've still got the blues for you ----------------------------------------Chords: Am     5 7 7 5 5 5   Bm7   x 2 4 2 3 2   Dadd2 x 9 7 7 5 5   E7#9  x 7 6 7 8 x Am/C   8 x 7 5 5 x   Bm7b5 x 2 0 2 3 1   Dm7   x x 0 2 1 1   F/G   3 x x 2 1 1

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Am7    x 0 2 0 1 0   Cadd2 x 7 5 5 3 3   E     0 2 2 1 0 0   Fmaj7 x x 3 2 1 0 Bmadd4 7 x 7 7 5 x   Cmaj7 x 3 2 0 0 0   Esus4 0 0 2 2 0 0   F7/9  x 8 7 8 8 

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WHILE MY GUITAR GENTLY WEEPS (GEORGE HARRISON) The Beatles   Am          Am/G        Am/F#             F I look at you all see the love there that's sleeping Am          G          D      E7 While my guitar gently weeps   Am           Am/G        Am/F#        F I look  at the floor and I see it needs sweeping Am          G          C     E7 Still my guitar gently weeps A            C#m  F#m    C#m      Bm                 E I don't know why  nobody told you how to unfold your love A            C#m  F#m        C#m          Bm                   E7 I don't know how  someone controlled you, they bought and sold you I look at the world and I notice it's turning While my guitar gently weeps With every mistake we must surely be learning Still my guitar gently weeps  I don't know how you were diverted, you were perverted too I don't know how you were inverted, no one alerted you. I look at you all see the love there that's sleeping While my guitar gently weeps ...Look at you all          Still my guitar gently weeps 

KNOCKING ON HEAVENS DOOR G    D                  am    D Ma, take this badge off me, G       D          am     D I can’t use it anymore. G             D                am   D It’s getting dark, to dark to see, G               D                   am    D Feels like I’m knocking on heavens door.    G               D                  am     D    Knock, knock, knocking on heavens door.    G               D                  C      D    Knock, knock, knocking on heavens door.    G               D                  am     D    Knock, knock, knocking on heavens door.    G               D                  C      D    Knock, knock, knocking on heavens door. Mama, put my guns in the ground, I can’t shoot them anymore That cold black cloud is comin’ down Feels like I’m knocking on heavens door    Knock, knock, knocking on heavens door... Mama, take this badge off me, Version 04 /1.01 April 2004

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I can’t use it anymore. It’s getting dark, to dark to see, Feels like I’m knocking on heavens door. Knock, knock, knocking on heavens door...

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PATIENCE (BY GUNS N ROSES) Intro: C G A D C G C Em

C G A D C G D D

C Shed a tear cause I'm missing you G I'm still allright to smile A D Girl I think about you every day now C Was a time when I wasn't sure G But you set my mind at ease A D There is no doubt, you're in my heart now C G Sad woman take it slow C Em It will work itself out fine C G D All we need is just a little patience C G Sad sugar make it slow and C Em It comes together fine C G D All we need is just a little patience Sit here on the stairs Cause I'd rather be alone If I can't have you right now I'll wait dear Sometimes I get so candescent But I can't speed up the time You know love, there's one more thing To consider Sad woman take it slow And things will be just fine You and I just use a little patience Sad sugar take the time Cause the lights are shining bright You and I got what it takes to make it

D We don't fake it D Ahh and never break it D Version 04 /1.01 April 2004

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Cause I can't take it

Solo G C A little patience G C Mhh Yeah G I've been walking the streets tonight C Just trying to get it right G It's hard to see with so many around C you know I don't like being stuck in a crowd G And the streets don't change but maybe the name C I ain't got time for the game G Cause I need you C Yeah Yeah cause I need you G Uh I need you D Woh I need you G C G Uhh this time

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ONE IN A MILLION Guns N' Roses GN'R Lies Acoustic guitar... [E-1] EADGBE 022100

[E-2] EADGBE x7990x

[D] EADGBE x5770x

[C#] EADGBE x4660x

[C] EADGBE x355xx

[G(2)] EADGBE XX000X

Beginning of song... Strum[E-1] (slide) [E-2] [D] [C#] twice) | | | |||| / || | | |||| || | | |||| || | | [C] || | | ||||||||||||||| ^ (slow distortion comes in)

(play ||||

second guitar... comes in after acoustic finishes. (fill) (Main guitar riff) |-------|----------------------------------------------------------| |-------|-2-2h3p2-2-2---1-1----------------------------------------| |-5-5-5-|-2-2-----2-2-2-0-0-0-0-3p0---0-0-0-0-----4-0--------------| |-5-5-5-|-2-2h4p2-2-2-2-2-2-2-2-2---2-0-0-0-0---3---0--------------| |-3-3-3-|---------------3-3-3-3-3---3-2-2-2-2-2-------3---3---3/5--| |-------|-----------------------------3-3-----3-------1-0-1-0-1/3--| ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ (accented notes) play it over and over until you're fingers bleed (this is distorted guitar..light distortion) that was how I played it....I don't know if it's right or not... Later, Merlin Correction (at the part you play the C chord in the verse it goes): |----------------------------------------------| |------1--1---1--1-----------------------------| |------0--0---0--0-----------------------------| |------2--2--h3--2-----------------------------| |------3--3---3--3-----------------------------| |----------------------------------------------| Addition: (the chorus) |----------------------------------------------| |----------------------------------------------| |---5-5-5--5---------7-7-----------------------| |---5-5-5--5-5-5--5--7-7-7-7-7-9-10------------| |---3-3-3--3-5-5--5--5-5-7-7-7-9-10------------| |------------3-3--3------5-5-5-7--8------------| it just kind of repeats until that little ending of the chorus, but that part is somewhere around these chords too. Chorus: C G You're one in a million A5 A6 A5

A6

C

G(2) D

A {1.3. yeah, that's what you are___} {2. you're a shooting star__}

G D A You're one in a million, babe {you're a shooting star________} { you know that you are__}

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C C

G G(2) D A A5 A6 A5 Maybe someday we'll see you before you make us cry G D E you know we tried to reach you but you were much to high_________

much to high

A6

{1.2. much too high___________________ much too high__ {3. much too high________________ yeah_ yeah_

Solo: |--------------------------------------------------------------| |--------------------------------------------------------------| |-9~~~~~~~~~~~--7~~~~~~~~(7)~~~~-6-----7-------(7)~~~~~-6-7----| |--------------------------------------------------------------| |--------------------------------------------------------------| |------------------------------------------7\---------------7\-| |------------------------------------------------------------------7h8p7\5-| |----------------------------------------------------------------8---------| |------5---(5)----7h8p7p5-8-7-(7)-5-7-7-5------------------5-7/9-----------| |-7---------------------------------------7-7~~~(7)~~~--7------------------| |--------------------------------------------------------------------------| |--------------------------------------------------------------------------| |---------8-10-10fb-10fbr--(10)-8-10-8-10h11p10p(8)-10-8-12-11-11qb-10-108-----------------| |-5--8/10--------------------------------------------------------------------1010-(10)--10-| |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |------------------------------------------------------------------------------------------| |-7h8p7-------------------------------------------------------------------| |-------10---8/10--6h8p6\5---6---5h6p5---5-----5--------------------------| |----------9---------------7---7-------7---7/8---8\7--8p7-5-8p7-5-7-------| |-------------------------------------------------------------------7-7-7-| |-------------------------------------------------------------------------| |-------------------------------------------------------------------------| |-----------------------------------------------------------------------| |-----------------------------------------------------------------------| |-5h7p5\4-5-4h5p4-4-----------------------------------------------------| |-------------------5-3---3-3--0h2-----0h2p0----------0--------2--------| |-----------------------------------3--------(0)-2-3-----3p2-----3p2----| |------------------------------------------------------------3-------3--| |--------------------------------------------5---7--------8-(8)---8-----| |------------------------------------------5---5---5------------5---5---| |----------------------------------------5-----------5------------------| |-----------------------------------5-7---------------------------------| |----3--5-3-5hb-5~~(5)~~-3-5-3-5/7--------------------------------------| |-/5--------------------------------------------------------------------| |-8/10-10-8-10/12--------------------------------------13--13---12---12---10-| |-----------------10-10-(10)~~~~~~~(10)~~~~~~~~~~~~~-------------------------| |----------------------------------------------------------------------------| |----------------------------------------------------------------------------| |----------------------------------------------------------------------------| |----------------------------------------------------------------------------|

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NOVEMBER RAIN Guns N' Roses Note: I didn't write the chords for any of the guitar solos, just where there were lyrics. For the solos, the chords are the same as during the previos verse section. Intro: E

Abm/Eb

C#m

B

E

C#m

B

B

E C#m When I look into your eyes B I can see a love restrained E C#m But darlin' when I hold you B Don't you know I feel the same C#m F# 'Cause nothin' lasts forever B And we both know hearts can change C#m F# And it's hard to hold a candle B In the cold November rain C#m F# We've been through this such a long long time B Just tryin' to kill the pain C#m But lovers always come and lovers always go F# B And no one's really sure who's lettin' go today Walking away C#m If we could take the time to lay it on the line F# I could rest my head B Just knowin' that you were mine Version 04 /1.01 April 2004

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All mine E C#m So if you want to love me B then darlin' don't refrain E C#m Or I'll just end up walkin' B In the cold November rain E F# Do you need some time...on your own E F# Do you need some time...all alone E Everybody needs some time... F# on their own E F# Don't you know you need some time...all alone Ebm E B I know it's hard to keep an open heart Ebm E C#m When even friends seem out to harm you Ebm E C#m But if you could heal a broken heart Ebm E F# Wouldn't time be out to charm you E F# Sometimes I need some time...on my own E F# Sometimes I need some time...all alone E Everybody needs some time... F# on their own E F# Don't you know you need some time...all alone And when your fears subside And shadows still remain I know that you can love me When there's no one left to blame So never mind the darkness We still can find a way 'Cause nothin' lasts forever Even cold November rain

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F* - Am/Em – Dm – C – F* - Dm – C Csus4 – C – F* C/E – Dm – C - Fmaj7 – Dm7/9 – C Csus4 – C(9) – Fmaj7 – Dm7/9 - C Csus4 – C Fmaj7 Dm7/9 C When I look into your eyes, I can see a love restrained Fmaj7 Dm7/9 C But darlin' when I hold you, don't you know I feel the same Dm G C Nothin' lasts forever, and we both know hearts can change Dm G C And it's hard to hold a candle in the cold November rain Fmaj7 Dm7/9 We've been through this such a long, long time just tryin' to Csus4- C oh yeah

Csus4- C Csus4- C Csus4- C Csus4- C C kill the pain,

Fmaj7 But lovers always come and lovers always go Dm7/9 C – Csus4 - C And no one's really sure who's lettin' it go today, walking away Fmaj7 Dm7/9 If we could take the time to lay it on the line, I could rest my head C –Csus4 C just knowin' that you were mine, all mine Dm G C Csus4 - C So if you want to love me, then darlin' don't refrain Dm G C Csus4 - C Or I'll just end up walkin' in the cold November rain F G Do you need some time on your own F G Do you need some time all alone F G Everybody needs some time on their own F G Don't you know you need some time all alone Em F C I know it's hard to keep an open heart Em F Dm when even friends seem out to harm you Em F C But if you could heal a broken heart Em F G wouldn't time be out to charm you [Guitar Solo] F G Sometimes I need some time on my own F G Sometimes I need some time all alone F G Everybody needs some time on their own F G Don't you know you need some time all alone [Guitar Solo] Fmaj7 Dm7/9 C Csus4 - C And when your fears subside, and shadows still remain Fmaj7 Dm7/9 C Csus4 - C I know that you can love me when there's no one left to blame Version 04 /1.01 April 2004

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Dm G C Csus4 - C So never mind the darkness, we still can find a way Dm G C Csus4 - C Nothin' lasts forever, even cold November rain C C

G/B – Am G/B – Am

G – F – G G – F – G – C

________________________ Chords: F*: XX3211 F: Am/Em: XX2310 G: Dm: XX0231 Em: C: X32010 G/B: C/E: XX2010 Am: Fmaj7: XX3210 Csus4: Dm7/9: XX0210

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133211 320003 022000 X20033 X02210 X33011

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DON'T CRY

GUNS' ROSES

 

Intro: Am  Dm  G  G/B  C   Am          Dm             G            G/B C Talk to me softly there's something in your eyes Am               Dm            G           G/B    C  Don't hang your head in sorrow and please don't cry Am              Dm              G          G/B     C  I know how you feel inside I've I've been there before Am         Dm                 G          G/B C   Somethin' changin' inside you and don't you know   F          G     Am   Don't you cry tonight I still love you baby F           G    Am  Don't you cry tonight F           G     C Don't you cry tonight                    Am There's a heaven above you baby F               G    Am  And don't you cry tonight   Give me a whisper and give me a sigh Give me a kiss before you tell me goodbye Don't you take it so hard now, and please don't take it so bad I'll still be thinking of you, and the times we had baby F          G     Am   Don't you cry tonight I still love you baby F           G    Am  Don't you cry tonight F           G     C Don't you cry tonight                    Am There's a heaven above you baby F               G    Am  And don't you cry tonight    G/B = 020003

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YOU SEXY THING

HOT CHOCOLATE

E I believe in miracles A E Where you from A You sexy thing E I believe in miracles A E Since you came along A You sexy thing How didya' know I needed you so badly How didya' know I gave my heart gladly Yesterday I was one of a lonely people Now you're lying next to me Making love to me I believe in miracles Where you from You sexy thing You sexy thing I believe in miracles Since you came along You sexy thing

B­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­| G­­­­­­­­­­­­­­­­­1­­­­­2­­­­4­­­­­­­­­­|­­­2­­­­­­­­­| D­­­­­­2­­­­­­­­2­­­­­­­­­­­­­­­­­­­2­­­|­­­­­­­­­­­­­| A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­| E­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­|   Count: 1   2      3          4              1  2  3  4 

Only yesterday I was on my own Just another day later my mind was blown You sexy thing come into my life Forever and a day it feels so right How didya' know that I'd be the one Been a long time coming only just begun Doing all the things that makes my heart sing Keep doing what you're doing you sexy thing How didya' know I needed you so badly How didya' know I gave my heart gladly Yesterday I was one of a lonely people Now you're lying next to me Making love to me I believe in miracles Where you from You sexy thing You sexy thing I believe in miracles Since you came along You sexy thing

You sexy thing You sexy thing Touch me baby You sexy thing You sexy thing

Kiss me baby

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EVERYONE'S A WINNER" BY HOT CHOCOLATE.

G /A / D

Never could believe the things you do to me Never could believe the way you are Every day I bless the day that you got through to me 'Cos baby I believe that you're a star.

Everyone's a winner baby that's the truth,That's the truth Making love to you is such a thrill Everyone's a winner baby that's no lie ,That's no lie You never fail to satisfy, to satisfy. Never could explain just what was happening to me Just one touch of you and I'm a flame Baby it's amazing just how wonderful it is That the things we like to do are just the same. Everyone's a winner baby that's the truth . . .

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BLACK OR WHITE, 1 DGGGDGGGD ~

(4 x)

D 1.

I took my baby on a Saturday bang, Boy is that girl with you ? Yes, we're one and the same. G Now I believe in miracles, DGGGDGGGD ~ and a miracle has happened tonight. A But, if you're thinkin' about my baby, G DGGGDGGGD ~ (2x) it don't matter if you're black or white. D

2.

They print my message in the Saturday Sun, I had to tell them, I ain't second to none. G And I told about equality, DGGGDGGGD ~ and it's true, either you're wrong or you're right. A But, if you're thinkin' about my baby, G DGGGDGGGD ~ (4x) it don't matter if you're black or white.

D I`m tired of this \ I`m tired of this D I ain't scared of \ I ain't scared of BLACK OR WHITE, 2

\ devil, I`m tired of this stuff, \ G D business, so when the going gets rough. \ your brother, I ain't scared of no sheets, \ G D nobody, girl when the goin' gets mean.

3. (rapping) in D Protection for gangs, clubs, and nations, causing grief in human relations. It's a turf war on a global scale, I'd rather hear both sides of the tale. See, it's not about races, just places, faces. Where your blood comes from is where your space is. I've seen the bright get duller, I'm not going to spend my life being a color. G Don't tell me you agree with me, DGGGDGGGD ~ when I saw you kicking dirt in my eye. A But, if you're thinkin' about my baby, G DGGGDGGGD ~ it don't matter if you're black or white. A I said, if you're thinkin' about my baby, G DGGGDGGGD ~ it don't matter if you're black or white. A I said, if you're thinkin' of being my brother, G DGGGDGGGD ~ it don't matter if you're black or white. DGGGDGGGD ~ .....

(rep. and fade)

(Orig. = Capo 2) Version 04 /1.01 April 2004

(Michael Jackson) 177

ME AND BOBBY MCGEE

(JANIS JOPLIN)

intro: G  C  G  C  G  C  G  C

G               G          G                G  Busted flat in Baton Rouge, waitin' for a train          G                G        D7      D7  When l's feelin' near as faded as my jeans  D7               D7        D7               D7  Bobby thumbed a diesel down just before it rained      D7              D7            G ­ C    G  And rode us all the way into New Orleans

  G             G             G             G  I pulled my harpoon out of my dirty red bandanna     G                   G7              C    C  l's playin' soft while Bobby sang the blues  C                   C                 G                G  Windshield wipers slappin' time, I was holdin' Bobby's hand in mine  D7             D7               D7   D7  We sang every song that driver knew C                C             G                 G  Freedom's just another word for nothin' left to lose  D7                 D7                          G    G  Nothin', it ain't nothin' honey, if it ain't free      C                C              G                 G And feelin' good was easy, lord, oh, when he sang the blues          D7               D7               D7  D7  You know feelin' good was good enough for me  D7               D7               G    G    A    A  Good enough for me and my Bobby McGee          A        A                 A          A  From the Kentucky coal mines to the California sun      A                A          E7      E7  Yeah Bobby shared the secrets of my soul         E7            E7              E7             E7  Through all kinds of weather, through everything we done      E7         E7               A    A  Yeah Bobby baby kept me from the cold     A              A            A                 A  One day up near Salinas, lo­ord, I let him slip away      A                A7                 D        D  He's lookin' for that home and I hope he finds it          D               D              A            A  Well I'd trade all my tomorrows for one single yesterday       E7               E7           E7   E7  To be holdin' Bobby's body next to mine D                D             A                A  Version 04 /1.01 April 2004

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Freedom's just another word for nothin' left to lose  E7                   E7             A      A  Nothin', and that's all that Bobby left me        D                D          A                     A Well, feelin' good was easy, lo­o­ord, when he sang the blues     E7               E7               E7  E7  And feelin' good was good enough for me  E7               E7               A        A  Good enough for me and my Bobby McGee yeah       A         A          A              A  La da da, la da daa, la da daa da daa da daa  A              A              E7      E7   La da da da daa dadada Bobby McGee­ah  E7             E7     E7             E7  Laa li daa da daa daa, la da daa da daa  E7             E7           A       A  Laa la laa la daada Bobby McGee­ah yeah       A           A                A                A La di da, ladida LA dida LA di daa, ladida LA dida LA di daa  A          A                    E7       E7    Hey now Bobby now now Bobby McGee yeah         E7             E7         E7              E7 Lo lo Lo lolo Lo lo laa, lololo Lo lolo Lo lolo Lo lolo Lo la laa  E7         E7                    A    A    Hey now Bobby now now Bobby McGee yeah         A                      A Lord, I called him my lover, I called him my man          A                            A I said I called him my lover, did the best I can       A                  A                 E7       E7  C'mon, hey now Bobby now, hey now Bobby McGee, yeah         E7              E7              E7              E7 Lo lo lord, a lord, a lord, a lord, a lord, a lord, a lord oh  E7         E7           A        A  Hey, hey, hey, Bobby McGee, lord

SUMMERTIME Janis Joplin 

hm7         cism7b5   Fis7      hm7   H7 Summertime, ain't the living is easy          em7                          Fis7 Fish are jumping, ain't the cotton is high          hm7           cism7b5  Fis7       hm7 Oh, your daddy is rich and your ma is good locking    em7          Fis7            hm7  Fis7  So hush, little baby, don't you cry Version 04 /1.01 April 2004

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             hm7       cism7b5      Fis7    hm7     H7 One of these mornings, you going to rise up singing          em7                                   Fis7 Then you spread your wings and you'll take the sky               hm7      cism7b5         Fis7       hm7 But till that morning, there's nothing can harm you      em7             Fis7     hm7 With daddy and mummy standing by

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MERCEDES BENZ JOPLIN, JANIS

1. Oh Lord, won't you buy me a Mercedes Benz My friends all drive Porsches, I must make amends Worked hard all my lifetime, no help from my friends Oh Lord, won't you buy me a Mercedes Benz 2. Oh Lord, won't you buy me a color-TV Darling for Dollars is trying to find me I wait for delivery each day until three Oh Lord, won't you buy me a color-TV 3. Oh Lord, won't you buy me a night in the town I'm counting on you, Lord, please don't let me down Prove that you love me and buy the next round Oh Lord, won't you buy me a night in the town 4. Oh Lord, won't you buy me a Mercedes Benz My friends all drive Porsches, I must make amends Worked hard all my lifetime, no help from my friends Oh Lord, won't you buy me a Mercedes Benz

SEX MACHINE Words and Music by JAMES BROWN

Shout:Fellas, I'm ready to get up and do my thing I wanta get into it, man, you know.... Like a, like a sex machine, man, Movin'... doin' it, you know Can I count it off? (Go ahead) Spoken: One, two, three, four! Get up, get on up Get up, get on up Stay on the scene, like a sex machine Wait a minute! Shake your arm, then use your form Stay on the scene like a sex machine You got to have the feeling sure as you're born Get it together right on, right on. Get up, get on up...... I said the feeling you got to get Give me the fever in a cold sweat. The way i like it is the way it is; /I got mine and don't worry' bout his /Get on up and then shake your money maker, /Shake your money maker........ Version 04 /1.01 April 2004

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HEY JOE

[C]Hey [G]Joe where ya' [D]goin' with that [A]gun in your hand? [E] [E7] I said [C]hey [G]Joe [D]where ya [A]goin' with that [E]gun in your hand? [E7] [C]I'm goin' out to [G]find my woman now [D]she's been [A]runnin' round with some [E]other man [E7] [C]I said I'm goin' out to [G]find my woman now [D]she's been [A]runnin' 'round with some [E]other man [E7] Hey Joe tell me what are you gonna do? Hey Joe tell me what are you gonna do? Well I guess I'll shoot my woman that's what I'll do Well I guess I'll shoot them both before I'm through Hey Joe tell me where are you gonna go? Hey Joe tell me where are you gonna go? Well I think I'll go down to my favourite place Mexico Well I think I'll go down to where a man can be free And there ain't gonna be no hangmans ropes gonna be put around me

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CROSSTOWN TRAFFIC}

{st: Jimi Hendrix} {define: A7#9--| base-fret 4 frets 2 1 2 2 - -} {define: C#7#9-| base-fret 3 frets - 2 1 2 3 -} {define: G#7---|b5 base-fret 3 frets - 2 2 3 1 -} {sot} C#7#9 F#7 ------------------------9------ -----------------------------| ------9-9-9-9-9-9-9-9-9---11\\9- -----12-9-------------------| -11^^-------------------------- -/13------11\\9----11-9------| ------------------------------- ---------------11------------| ------------------------------- -----------------------------| ------------------------------- -----------------------------| {eot} [C#7#9]You jump in front of my car when you, [F#7]you know all the time, that a [C#7#9]Ninety mi-les an hour girl is the [F#7]speed I drive [Bm7]You tell me it's al-right, [E7b9]you don't mind a little pain [Am7]You say you just want me to [G#7b5]take you for a drive You're just like {soc} [C#7#9](Crosstown traffic) so hard to [F#7]get through to you [C#7#9](Crosstown traffic) I don't need to [F#7]run over you [C#7#9](Crosstown traffic) all you do is slow me down and I'm [Bsus4]trying to get to the other side of town {eoc} [C#7#9]I'm not the only soul who's [F#]accused of hit and run [C#7#9]Tyre tracks all across your back I can [F#](heh) I can see you had your fun But ah, [B7#9] darlin' can't you see my [E7b9]signals turn from green to red [A7#9]and with you I see a traffic jam [G#7b5]straight up ahead {c: Chorus (twice)}

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VOODOO CHILD (SLIGHT RETURN) (Album 'Electric Ladyland') Well, i stand up next to a mountain And i chop it down with the edge of my hand Yeah Well, i stand up next to a mountain And i chop it down with the edge of my hand Well, i pick up all the pieces and make an island Might even raise a little sand Yeah 'Cause i'm a voodoo child Lord knows i'm a voodoo child baby I want to say one more last thing I didn't mean to take up all your sweet time I'll give it right back to ya one of these days Hahaha I said i didn't mean to take up all your sweet time I'll give it right back one of these days Oh yeah If i don't meet you no more in this world then uh I'll meet ya on the next one And don't be late Don't be late 'Cause i'm a voodoo child voodoo child Lord knows i'm a voodoo child Hey hey hey I'm a voodoo child baby I don't take no for an answer Question no Yeah

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INTRO/MAIN RIFF E--------------------------------------------|-------------------------B------------11------------------------------|-------------------------G--------/12----12p10----10--8---------------|-------------------------D-10-10---------------10---------------------|-------------------------A-10-10-----------------------------8--------|8-8--8-8--8-8--8-8--8--8-E--8--8------------------------8h11---11p8-6-|6-6--6-6--6-6--6-6--6--6-E---------------------------B---------------------------G-8-8--8-8--8-8--8-8--8-----D------------------------10\A---------------------------E---------------------------VERSE x2 E|| ------------------|------------------- ||----------------------| B|| --4--4------------|------------------- ||----------------------| G||.--3--3------------|-2--2--------------.||----------------------| D||.--2--2------------|-1--1--------------.||-6--6-----------------| A|| --3--3------------|-3--3-------------- ||-8--8-----------------| E|| ------------------|-1--1-------------- ||-6--6-----------------| E-------------------|----------------------|------------------------| B-------------------|----------------------|------------------------| G-8--8--------------|----------------------|------------------------| D-8--8--------------|-4--4-----------------|-3--3-------------------| A-6--6--------------|-6--6-----------------|-5--5-------------------| E-------------------|-4--4-----------------|-3--3-------------------| E------------------------------------B-11-11--11-11--11-11--11-11--11--11\G------------------------------------D------------------------------------A------------------------------------E------------------------------------CHORUS BASE ON MAIN RIFF...I AIN'T Y'MUM, YOU CAN FIGURE IT OUT INTERLUDE E---------------------------|---------------------------------| B------------------8--------|---------------------------------| G-------/10--10------10-----|-------5b(6)--5b(6)--5b(6)r5p3p0-| D-5--5------------------10\-|-5--5----------------------------| A-5--5----------------------|-5--5----------------------------| E-3--3----------------------|-3--3----------------------------| >hold bend< E--------------------------------------------------------B--------------------------------------------------------G-------10b(12)--10b(12)-----10b(12)-(12)--10--8---------D-5--5-------------------------------------------10--8h10A-5--5---------------------------------------------------E-3--3----------------------------------------------------

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VOODOO CHILD Jimi Hendrix Yeh I'm a VOODOO CHILD Lord I'm a VOODOO CHILD On the night I was born Lord I swear the moon turned a fire red the night I was born I swear the moon turned a fire red well my poor mother cried out well the gypsy was right and she fell down right there well moantain lions found me there waiting and sent me off on a eagle's wing moantain lions found me there waiting and sent me off on a eagle's wing an eagle's wing baby he took me past the outskirts of infinity and when we came back he gave me Venus to sing hey and he said fly on fly on cause I'm a VOODOO CHILD VOODOO CHILD hey yeh Well I make love to you and the Lord knows you feel no pain Said I make love to you in your sleep and Lord knows you felt no pain (yeh that's what I say) 'cause I'm a million miles away and at the same time I'm in your picture frame (yeh tha's what I say now)

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LITTLE WING

JIMI HENDRIX

Em G WELL SHE'S WALKIN' THROUGH THE CLOUDS Am Em7(VII) WITH A CIRCUS MIND THAT'S RUNNING WILD. Bm Bb Am G BUTTERFLIES AND ZEBRAS AND MOONBEAMS AND, UH FAIRY TALES. (SPOKEN) Fadd9 C D THAT'S ALL SHE EVER THINKS ABOUT, RIDING WITH THE WIND.

D

Em G WHEN I'M SAD, SHE COMES TO ME Am Em7(VII) WITH A THOUSAND SMILES SHE GIVES TO ME FREE. Bm Bb Am IT'S ALRIGHT, SHE SAYS IT'S ALRIGHT, C G TAKE ANYTHING YOU WANT FROM ME (SPOKEN) Fadd9 C ANYTHING Em

.

D D ANYTHING

G Am7 FLY ON LITTLE WING

Em7(VII)

Bm7

Bb

Em

Am

C

G

Fadd9

C

D

D

G YEA, YEA, YEA, YEA

Am7

Em7(VII)

LITTLE BABY

(fade out)

Am=5775555

Em7=X79787

Am7=575555

Bm=799777

Bm7=797777

Bb=688766

C=335553

D=557775

Fadd9=1X3013

Em=022000

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Intro (transcribed by [email protected]) H e:---12\-------------------------------3-5-3-----------------------------| B:---12\----------------------5--------3-3-3-------3--3------------------| G:x--12\----x---------0-----5-5------0-----------4-5--5-4-5--4-----------| D:x---------x--x--------5---5-7\--------------5----------------5---------| A:x--12\----x--x--0-2---5-7------------------------------------------5--7| E:-------0-----x-----------------2\3-----------------------------5-------| e:------------------------------------------------------------------9-10-| B:----------5-5-------------------8-10-8----------------------------7-10-| G:--5-----5-7-5-7-----------------7------7--------7-7-7----7-----------7-| D:--5-----------7--5-7--5------------------9---7--7-9-7-7--7-----9-------| A:-----7-----------5-7--5------------------7-7-10-------10-7-------------| E:------------------------5-7\-0-----------------------------7-----------| e:-9--------7--------------------------------------------------------5/7-| B:-7--7-10--7--------------------------------------------------------3/5-| G:-7----------7------6---------5--5-5--5--------5-5--5------------0--0---| D:------------9------8\7-----5-7--9-7--5--5--5--5-7--5------------5--5/7-| A:------------------x---------------------8--7---------------------------| E:--------------7-6-------5-----------------------------5\7--2/3---------| e:-5--5\3-----------------------------------------------------------------| B:-3--5\1--1---1---1--------1-----1--3\1--------------------7-------------| G:-0--0----0---0---0--------0---0----2-------------------7--7-----7--7----| D:----5\3----3-3-3-3--3-----------------------7----7-----7--9-----7--7--7-| A:----------------------0-3---3----------3/5--5-5--5--5-----------------10| E:------------------------------------------------------------------------|

e:--------|--Drums--| B:--------|---------| G:----7---|---------| D:--7-7---|---------| A:--7-----|---------| E:--------|---------|

H P H H e:--12\------------------------------------------------------------------| B:--12\------------------------------------------------------------------| G:--12\----------------0-2-0--------------------------------------------7| D:---------------------2-------2-------------------------------5--7--5--7| A:---------------------2--------------------5-7--------------------------| E:-------0-----------------------0-0-0-0---------5-7--3------------------| Well she's walkin through the clouds

H P e:------------------------------------------------------------------------| B:-------------------------------------------------------------8--10--8--8| G:--7--7--7----------------------------------------------------7----------| D:--9--7--7-----------------------9--7--7------7---7----------------------| A:--------10----------------------7--7--10--7--10--7----------------------| E:------------7---------------------------------------0-------------------| with a circus mind that's running wild

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e:------------------------7--9--7----------------------------------------| B:----8-------------------7--------10--7--7----H-p-------------H--P------| G:------7---------------------------------7--7-9-7----------7--9--7------| D:--------9----------------------------------------9--8--8--8--------7---| A:-----------------------------------------------------------------------| E:------------7----------------------------------------------------------| butterflies and zebras and moonbeams P Tab e:------------------------------------3----3-3---------------------------| B:----------------------------------1-0----3-3---------------------------| G:5--5--5-----------------------------0-0--------5-4---------------------| D:9--7--5-----5-5-5-5-5-5\---------------------------5-------------------| A:------------8-7-8-7-8-8\-----------------------------------------------| E:-------------------------3---------------------------3-----------------| and, uh fairy tales that's all she ever think's about e:---------------------------------------------| B:---------------------------------------------| G:-----------------------------------------7---| D:---------(10)----------------------------7---| A:---------------------12---9------------------| E:------/8------/10---(10)-(10)-10--10-10------| riding with the wind H P H P e:--------------0--------0-----------------------------------------------| B:--------------0-2-0----12-14-12--------0-------------------------------| G:--------------------------------14-12--9-------------------------------| D:----------2-------------------------------12-9-------------------------| A:----------2------------------------------------------------------------| E:---/12\---0--------------------------------------------------------3---| When I'm sad She comes to me . . . . e:-----------------------------------------------------------------------| B:-----------------------------------------------------------------------| G:-7/9\7/9\7/9\7---------------------------------------------------------| D:-7/9\7/9\7/9\7---------------------------------------------------------| A:-------------------------------------------------------5--7--5---------| E:------------------12\--5-----------------------5-5--7-----------3--5--0| With a thousand smiles She gives to me H P H e:-------------------------------------------------------------------9--10| B:------------8--10--8-----------------------------------------------7--10| G:------------7------------------------------------------------------7--7-| D:------------------------------------------------------------------------| A:---------------------------------12--12--14--14-------------------------| E:----------------------12--12--0-------------------7---------------------| free It's alright, she H P e:---9--7------------------------------------------------------------------| B:---7--7--------------------5--7--5--5------------------------------------| G:---7--7--------------------4---------------------------------------------| D:------------9---------9--------------------7--9--7--7-------5-5-5-5-5-5-8| A:--------------9----9-----------------------7--7--7--10------7-8-7-8-7-8-7| E:----------------7--------------------------------------------------------| says it's alright Take anything

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e:--------------------5/7--5\3--3---------------------------------------| B:--------------------3/5--5\1--1---------------------------------------| G:------------2/4-----0----0----0---------------------------------------| D:--------------------5/7--5\3--3------------------------------12-12-12-| A:---------------------------------------------10--10----------12-12-12-| E:-------3---------3----------------------3/8----------8--/10--10-10-10-| you want from me anything anything Whammy Bar e:---------------------------12\------------| B:---------------------------12\------------| G:---------------------------12\------------| D:12-12--12--12-12--12-12-------------------| A:12-12--12--12-12--12-10-------------------| E:10-10--10--10-10--10-10-------------------|

Solo e:------------------------------------------------------------------------| B:-----15b(17)--15b(17)--15--12--12--15--12-----b(17)\15------------------| G:--------------------------------------------------------12-------14b(16)| D:------------------------------------------------------------------------| A:------------------------------------------------------------------------| E:13\---------------------------------------------------------------------| Fly on little wing e:--------------------------------------------------------------------| B:---14---------------------------------------------------------------| G:-b(16)--14b(16)-14---14b(16)\14--12--14--14b(16)\14b(16)---b(16)\14-| D:--------------------------------------------------------------------| A:--------------------------------------------------------------------| E:--------------------------------------------------------------------| P e:-----------------------------------------------------------------------| B:-------------------------------------------------10/12-----------------| G:12------12-14b(16)-12-14-----12-14-12/14--12/14--------10/12--14b(16)--| D:---14---------------------14-------------------------------------------| A:-----------------------------------------------------------------------| E:-----------------------------------------------------------------------|

H P e:--------------------------------------------------------15--15----------| B:12-13-12-13-12-13-12-----15b(17)--b(17)\15--12----------15--15----------| G:---------------------12-------------------------14b(16)---------14b(16)-| D:------------------------------------------------------------------------| A:------------------------------------------------------------------------| E:------------------------------------------------------------------------|

H P H P e:-15------13----------13------------------------------------------------| B:-15----------13------13----13------------------------------------------| G:-----12----------12----------------------------------------------------| D:-------------------------------12-14-12--------12-14-12----------------| Version 04 /1.01 April 2004

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A:-------------------------------12--------15----12--------15--15/17-----| E:-----------------------------------------------------------------------|

H P Whammy bar e:---------------------------------------12\-----------------12-----------| B:---------------------------------------12\---------15b(17)------15b(17)-| G:---------------------------------------12\------------------------------| D:12--14--16--14--12--14--14--12--12--------------------------------------| A:12--12--12--12--12--12--12--12--12--------------------------------------| E:------------------------------------------------------------------------| (with reverb or wah wah or something) Yeah, e:------------------------------15---15----------15----------15----------| B:15----------------------------15---15----------15----------15----------| G:----14b(16)--14--12---14b(16)----------14b(16)-----14b(16)-----14b(16)-| D:-----------------------------------------------------------------------| A:-----------------------------------------------------------------------| E:-----------------------------------------------------------------------| yeah, yeah, yeah ... little wing wing

e:15-------------------------------------------------------| B:15-------------------------------------------------------| G:----b(16)\14--12--14------12--14--14b(16)--12--14--12----| D:----------------------14-------------------------------14| A:---------------------------------------------------------| E:---------------------------------------------------------|

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PURPLE HAZE

    e­A­D­e   e­A­D­e e­A­D­e   e­A­D­e                e­G­A   e­G­A     e                  G            ­ A 1.    Purple haze all in my brain, e                             G              ­  A     lately things just don't seem the same. e                        G               ­ A     Actin' funny, but I don't know why. e   ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­        A ~     'Scuse me while I kiss the sky   e              G           ­ A 2.  Purple Haze all around,      e                        G             ­ A     don't know if I'm comin' up or down. e                     G      ­ A     Am I happy or in misery?         e  ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­       A ~     Whatever it is, that girl put a spell on me     e­A­D­e   e­A­D­e e­A­D­e   e­A­D­e    e                  G             ­ A 3.   Purple haze all in my eyes,  e                       G              ­ A     don't know if it`s day or night e                         G                 ­ A     You got me blowin', blowin' my mind. e   ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­     A ~     Is it tomorrow, or just the end of time?     e­A­D­e   e­A­D­e    e­A­D­e  ...... (Jimi Hendrix)

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WITH A LITTLE HELP FROM MY FRIENDS F-C-G

F-C-G

F-C-G

F-C-G

F-C-G~

G D Am 1. What would you do if I sang out of tune, D D7 G would you stand up and walk out on me ? D Am Lend me your ears and I'll sing you a song, D D7 G and I will try not to sing out of key. F C G Oh, I'm gonna get by with a little help from my friends ! F C G I just keep trying, high with a little help from my friends ! F C G I wanna get high, high with a little help from my friends! F C G I just hold on with my friends. U hu hu. G D Am 2. What do I do when my love is away? D D7 G Does it worry you to be alone ? Oh no! D Am How do I feel by the end of the day ? D D7 G Are you sad because you're on your own ? I don't get sad! + CHORUS Em G -----------------Do you need anybody? I need somebody to love ! Em D Could it be anybody? All I need is someone, D7 Lord, I need someone, I want somebody to love. + CHORUS G D Am 3. Would you believe in a love at first sight? D D7 G I'm certain that it happens all the time ! D Am What do you see when you turn out the light ? D D7 I don't see too much, but I know it's mine. + CHORUS Em G -----------------Do you need anybody? I need somebody to love ! Em D Could it be anybody? All I need is someone D7 Lord, I need someone, I want somebody to love. + CHORUS + CHORUS ....... (capo 2nd) (Joe Cocker)

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COUNTRY ROADS ( JOHN DENVER )

       G       Em Almost heaven, West Virginia, D                     C          G Blue Ridge Mountains, Shenandoah River.         G          Em Life is old there, older than the trees, D                          C                  G younger than the mountains growin' like a breeze.         G              D            Em        C Country roads, take me home, to the place I belong,         G               D              C             G West Virginia, mountain momma, take me home, country roads.        G        Em All my mem'ries gather round her, D             C                G miner's lady, stranger to blue water.          G      Em       Dark and dusty, painted on the sky, D                         C              G misty taste of moonshine, teardrop in my eye.         G              D            Em        C Country roads, take me home, to the place I belong,         G               D              C             G West Virginia, mountain momma, take me home, country roads. Em       D            G I hear a voice in the morning hour she calls me.     C       G              D The radio reminds me of my home far away.     Em               F            C And drivin' down the road I get a feelin' that I G                     D                D7 should have been home yesterday, yesterday.         G              D            Em        C Country roads, take me home, to the place I belong,         G               D              C             G West Virginia, mountain momma, take me home, country roads.         G              D            Em        C Version 04 /1.01 April 2004

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Country roads, take me home, to the place I belong,         G               D              C             G West Virginia, mountain momma, take me home, country roads.

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AMERICAN PIE Don McLean

G D Em Am C A long, long time ago, I can still remember how Em D - D7 that music used to make me smile. G D Em Am C I knew if I had my chance that I could make those people dance Em C D and maybe they'd be happy for a while. Em Am Em Am But February made me shiver, with every paper I'd deliver, C G Am C D Bad news on the doorstep, I couldn't take one more step. G D Em Am D I can't remember if I cried when I read about his widowed bride, G D Em C D7 G ~ Something touched me deep inside, the day, the music, died.

1.

G C G D So Bye - bye, Miss American Pie, G C G D drove my chevy to the levee but the levee was dry, G C G D Them good ole' boys were drinkin' whiskey and rye, singin' Em A7 Em D - D7 This'll be the day that I die, This'll be the day that I die. G

\ Am C Am Did you write the book of love and do you have faith in God above, D - D7 if the Bible tells you so? G D Em Now do you believe in rock and roll, Am C can music save your mortal soul and Em A7 D Can you teach me how to dance real slow? Em D Well, I know that you're in love with him, Em D `cause I saw you dancing in the gym. C G A7 C D7 You both kicked off your shoes, man I dig those rhythm and blues. G D Em I was a lonely teenage broncin' buck Am C with a pink carnation and a pick up truck, G D Em C D7 G - C - G but I kn w I was out of luck the day, the music, died. 2. Em

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Refrain G Am 3. Now for ten years we've been on our own, C Am and moss grows fat on a rollin' stone, Em D - D7 but that's not how it used to be. G D Em When the jester sang for the King and Queen, Am C in a coat he borrowed from James Dean, Em A7 D and a voice that came from you and me. Em D Oh and while the King was looking down, Em D the jester stole his thorny crown. C G A7 C D7 the courtroom was adjourned, no verdict was returned. G D Em Am C And while Lenin read a book on Marx, the quartet practised in the park, G D Em C D7 G - C - G and we sang dirges in the dark the day, the music, died. D We were singin'...

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BOBBY BROWN, FRANK ZAPPA C 1. Hey there people I'm Bobby Brown a They say I'm the cutest boy in town d7 My car is fast, my teeth are shiney G I tell all the girls they can kiss my hiney C Here I a at a famous school a I'm dressing sharp and I'm acting cool d7 I got a cheerleader here, wants to help with my paper G Let her do all the work and maybe later I'll rape her F Ref: Oh God I am the american dream e a I do not think I'm too extrem d7 G And I'm a handsome son of a bitch I'm gonna get a good job and be real rich (get a good, get a good, get a good, get a good job) C 2. Women's liberation a Came creeping all across the nation d7 I tell you people, I was not ready G When I fucked this dyke by the name of Freddy C She made a little speach then a uuh, she tried to make me say when d7 She had my balls in a vice, but she left the dick G I guess it's still hooked on but now it shoots too quick F Ref: Oh God I am the american dream e a But now I smell like vaseline d7 G I'm a miserable son of a bitch am I a boy or a lady, I don't know which ( I wonder, wonder, I wonder, wonder) C 3. So I went out and bought me a leisure suit a Version 04 /1.01 April 2004

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I jingle my change, but I'm still kinda cute d7 Got a job doing radio promo G And none of the jocks can even tell I'm a homo C Eventually me and a friend a Sort of drifted along into S&M d7 I can take about an hour on the tower of power G As long as I gets a little golden shower F Ref: Oh God, I am the american dream e a With a spindle up my butt 'till it makes me scream d7 G And I'll do anything to get ahead I lay awake nights saying "Thank you, Fred" F Oh God, oh God, I'm so fantastic e a Thanks to Freddie, I'm a sexual spastic F G And my name is Bobby Brown Watch me now, I'm going down F G And my name is Bobby Brown Watch me now, I'm going down

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JACK AND DIANE

(JOHN COUGAR MELLENCAMP)

A      E           D          E  Little ditty about Jack and Diane  A            E              D           A  Two american kids growin up in the heartland  A             E    D        E  Jacky's gonna be a football star  A         E                 D       A  Diane debutante backseat of Jacky's car

Suckin' on chili dogs outside the tastee freeze  Diane's sittin' on Jacky's lap, he's got his hand between her knees  Jacky say "Hey Diane lets run off behind a shady tree"  Dribble off those Bobby Brooks let me do what I please.  And Jacky says Refrain: A  E    D         E  Oh yeah life goes on  A              E         D        E  Long after the thrill of livin is gone  A  E        D         E  Oh yeah say life goes on  A              E         D        A  long after the thrill of livin is gone, they walk on Jacky sits back reflects his thoughts for the moment  Scratches his head and does his best James Dean.  Well you know Diane, we oughtta run of the city  Diane says "Baby, you aint missin' nothing"  Jacky says Refrain A            D     A      E  Gonna let it rock, let it roll  A             D                  A       E  Let the Bible Belt come down and save my soul  A          D     A           E  Hold on to 16 as long as you can  A             D                       E         A  Changes come around real soon make us women and men Version 04 /1.01 April 2004

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Little ditty about Jack and Diane  Two american kids doing the best they can

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AFTER DARK Tito & Tarantula B A B Watching her A B A B A Strolling in the night so white E5 Wondering why F#5 B A B A B A It's only After Dark B A B In her eyes A B A B A A distant fire light burns bright E5 Wondering why F#5 B A B A B A It's only After Dark E5 D E5 D I find myself in her room E5 D E5 D Feel the fever of my doom F# E F# E Falling falling through the floor F# B A I'm knocking on the Devils door [Solo]

B

A

B

A

B

B A

B A

B A

A

E5 D E5 D Burning burning in the flame E5 D E5 D Now I know her secret name F# E5 F# E5 You can tear her temple down F# But she'll be back and rule again B A B In my heart A B A B A A deep and dark and lonely part E5 Wants her and waits for B C D After Dark After Dark After Dark

E After Dark

F# After Daaaaark

Solo E B G D A E

:-------------------|------------------|-----------------------| :-------------------|------------------|-----------------------| :----11-9-----------|------11-p9-9-----|-------11^-9-11^-9-11^-| :---------9---------|--------------9-9-|12-9-------------------| :7-9----------------|7-7-9-------------|-----7*----------------| :-----------7-10-10-|------------------|-----------------------|

E B G D A E

:-----------------------|----7-10---------7-|h10-7~-11^-13^-7--------|------------------| :-----7-10^-------------|-------------------|------------------------|---9-12-9---------| :9-11-------11----------|9------------------|------------------------|9^----------------| :--------------9-h12-12-|--9------9-12-12---|-----------------9-12-9-|------------------| :-----------------------|-------------------|------------------------|------------------| :-----------------------|-------------------|------------------------|------------------|

-----------------------

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DUST IN THE WIND

Einleitung: C  Am  C  Am  G   C     G  Am     G          Dm             Am I close my eyes ­ only for a moment and the moment's gone C   G  Am       G              Dm         Am All my dreams ­ pass before my eyes a curiosity Dm   Em     Am     Dm              Em          Am Dust in the wind ­ all they are is dust in the wind C    G   Am     G              Dm                  Am Same old song ­ just a drop of water in an endless sea C   G  Am   G               Dm                  Am All we do ­ crumbles to the ground through we refuse to see Dm   Em     Am     Dm              Em          Am Dust in the wind ­ all they are is dust in the wind C     G    Am   G            Dm              Am Don't hang on ­ nothing last forever but the earth and sky C  G     Am     G              Dm            Am It slips away ­ all your money won't another minute buy. Dm   Em     Am     Dm              Em          Am Dust in the wind ­ all they are is dust in the wind

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LOLA KINKS )

Einleitung: C D E

   E                                     I met her in a club down in old Soho where you  A                      D                  E drink champagne and it tastes like Cherry Cola,             A see oh lay Cola.     E         She walked up to me and she ask me to dance   A                         D I ask her her name and in a dark brown voice she said: E               A     D           C      D  E Lola, el oh lay Lola, la la la la Lola.      E    Well I'm not the world's most physical guy,but when she A                            D                     E squeezed me tight she nearly broke my spine, oh my Lola             A la la la la Lola      E Well I'm not dumb but I can't understand she  A                           D                        E walked like a woman and she talked like a man, oh my Lola             A     D           C      D  E la la la la Lola, la la la la Lola         H7 Well we drank champagne and danced all night F#7 under electric candle light,     A she picked me up and sat me on her knee and said Dear boy, won't you come home with me?      E Well I'm not the world's most passionate guy, but when I A                         D                   E looked in her eyes well I almoust feel for my Lola,             A     D           C      D  E la la la la Lola, la la la la Lola.   A      E   H       A      E      H I pushed her away, I walked to the door,   A    E      H            E    G#    C#m I fell to the floor, I got down on my knees      H then I looked at her and she at me. Version 04 /1.01 April 2004

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      E             Well, that's the way that I want it to stay and I  A                 D                  E always want it to be that way for my Lola,             A la la la la Lola. E  Girls will be girls and boys will be boys, it's a A                     D                           E mixed up, muddled up, shock up world exept for my Lola             A la la la la Lola.

      H7 Well, I left home just a week before and  F# I'd never ever kissed a woman before     A but Lola smiled and took me by the hand and said: Dear boy I'm gonna make you a man      E Well I'm not the world's masculine man,but I  A                      D                        E know what I am and I'm glad I'm a man and so is Lola             A     D           C      D  E la la la la Lola, la la la la Lola.    E                  A     D           C    D  E  : Lola, la la la la  Lola, la la la la Lola       :

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FREEDOM Robbie Williams Intro: D C G I wo´nt let you down I will not give you up D Gotta have some faith in the sound it´s the one good thing that I´ve got D C G I won´t let you down So please don´t give me up D D | C | G | D | Because I would really really love to stick around Strophe: A G Heaven knows I was just a young boy D | D | Didn´t know what I wanted to be A I was every little hungry schoolgirls G D | D | Pride and joy And I guess it was enough for me A To win the race ? A prettier face ! G D | D | Brand new clothes and a big fat place On rock and roll TV A G But today the way I play the game is not the same D No way - think I´m gonna Get me some happy Bridge: Dm A7 I think there´s something you should know C I think it´s time I told you so G There´s something deep inside of me Dm There´s someone else I´ve got to be A7 Take back your picture in a frame C Take back your singing in the rain G G7 I just hope you understand Sometimes the clothes do not make the man Refrain: D C G C All we have to do know Is take these lies And make them true somehow D C G All we have to see Is that I don´t belong to you And you don´t belong to me yeah D C Freedom - I wont let you down G Freedom - I will not give you up D Freedom - Gotta have some faith in the sound it´s the one good thing that I´ve got D C Freedom - I won´t let you down G Freedom - So please don´t give me up D Freedom - Because I would really really love to stick around stick around Version 04 /1.01 April 2004

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Strophe: Heaven knows we sure had some fun, boy What a kick: Just a buddy and me We had every big shot good-time band on the run boy we were living in a fantasy We won the race Got out of the place I went back home Got a brand new face For the boys on MTV But today the way I play the game Has got to change Oh yeah - now I´m gonna get myself Happy Bridge: I think there's something you should know I think it's time I stopped the show There's something deep inside of me There's someone I forgot to be Take back your picture in a frame Don't think that I'll be back again I just hope you understand Sometimes the clothes do not make the man Refrain: All we have to do know Is take these lies And make them true somehow All we have to see Is that I don´t belong to you And you don´t belong to me yeah Freedom - I wont let you down Freedom - I will not give you up Freedom - Gotta have some faith in the sound it´s the one good thing that I ´ve got Freedom - I won´t let you down Freedom - So please don´t give me up Freedom - Because I would really really love to stick around stick around Freedom - I wont let you Freedom - So please dont let me Freedom - You gotta give, give give...

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BUONA SERA A– E – E –A ---- A 1. Buona sera signorina buona sera, E it is time to say goodnight to Napoli, E7 though it's hard for us to whisper buona sera, E E7 A with that old moon above the Mediterranean Sea. In the morning signorina we'll go walking, A7 D where the mountains help the moon come into sight, Dm A and by the little jewelry shop we'll stop and linger, E A while I buy a wedding ring for your finger. A7 D In the meantime let me tell you that I love you, A E A buona sera signorina kiss me goodnight, E A buona sera signorina kiss me goodnight. 2. = repeat everything (capo 1st) (Dean Martin)

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LOSING MY RELIGION G Am 1. Oh life

Em Am is bigger, it's bigger than you, and you are not me, Em Am the lengths that I will go to, the distance in your eyes. Em Dm G Oh now, I've said too much, I've said enough. Am Em Am 2. That's me in the corner, that's me in the spot light, losing my religion, \ Em Am \ trying to keep up with you, and I don't know if I can do it. Em Dm G Oh now, I've said too much, I haven't said enough. F I thought that I heard you laughing. Dm G Am F Dm G Am I thought that I heard you sing. I think I thought I saw you cry. G Am Em Am 3. Every whisper, every waking hour, I'm choosing my confessions, \ Em Am trying to keep an eye on you, like a hurt, lost and blinded fool, fool. Em Dm G Oh no, I've said too much, I've said enough. Am Em 4. Consider this, consider this hint of the century. Am \ Em Consider this, the slip, that brought me to my knees, pale. Am Em Dm G What if all these fantasies come flaming aground, Oh now, I said too much. + CHORUS

C Am C Am - G + That was just a dream, that was just a dream.

5. = 2. + REFRAIN F Dm Am But that was just a dream, try, cry, why try. F Dm G Am F G Am That was just a dream, just a dream, just a dream, dream. (R.E.M.) Version 04 /1.01 April 2004

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EVERYBODY HURTS DGDGD G D G D 1. When the day is long, and the night, the night is yours alone. G D G When you're sure you've had enough, of this life, well, hang on. Am A Em A Em Don't let yourself go, everybody cries, A D G and everybody hurts. ~ ~ Sometimes. D G D 2. Sometimes everything is wrong, now it's time to sing along. G D When your day is night alone, hold on, G D if you feel like letting go, hold on, G D G when you think you've had too much, of this life, well, hang on. Em A Em A Em Everybody hurts, take comfort in your friends,

A everybody hurts,

F# Bm F# Bm F# Bm Don't throw your hand, oh no, don't throw your hand. C G C Am when you feel like you're alone, no, no, no, you are not alone. ~ ~ D G D G 3. If you're on your own, in this life, the days and nights are long D G D G When you think you've had too much, of this life, to hang on Em A Em A Well everybody hurts, sometimes, everybody cries Em A D G everybody hurts. ~~ sometimes. D G D G D But everybody hurts, sometimes, so hold on, hold on, hold on..... (R.E.M.)

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SHINY HAPPY PEOPLE

F–Dm–Am–Bb (2x)

A–D–G–A

D–A-G

A D G A - D –A – G -A Shiny happy people laughing. Em G D 1. Meet me in the crowd, people, people. Em G D Throw your love around, love me, love me. Em G D Take it into town, happy, happy. Em G D Put it in the ground where the flowers grow. F D - D7 A – D – G –A Gold and silver shine. D A G A Shiny happy people holding (hands). D A G A Shiny happy people holding (hands). D A G A Shiny happy people laughing. Em G D 2. Everyone around, love them, love them. Em G D Put it in your hands, take it, take it. Em G D There's no time to cry, happy, happy. Em G D Put it in your heart where tomorrow shines. F D -D7 A–D–G–A Gold and silver shine. + CHORUS F–Dm–Am–Bb (2x) + CHORUS (3x)

A–D–G–A

D–A-G

A–D–G–A

.....

(capo 2nd) (R.E.M.)

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BOHEMIAN LIKE YOU Chords used: e|-7----7----10----10----5----5----12----12--| B|-7----7----10----10----5----5----12----12--| G|-8----9----11----12----6----7----13----14--| D|-x----x----x-----x-----x----x----x-----x---| A|-9----9----12----12----7----7----14----14--| E|-7----7----10----10----5----5----12----12--| B Bsus4 D Dsus4 A Asus4 E Esus4 e|-----------------------| B|-----------------------| G|-----------------------| D|-9----12----7----14----| A|-9----12----7----14----| E|-7----10----5----12----| (B) (D) (A) (E)

Note-When playing the barre chords in this song use your little finger to play the sus4's which 'go' with them. INTRO/CHORUS B B Bsus4 Bsus4 B D D Dsus4 Dsus4 D A A Asus4 Asus4 D EE Esus4 EE Esus4 B B D D A A EEE

Bsus4 Dsus4 Asus4 Esus4

(drums)

Bsus4 B Dsus4 D Asus4 A EE Esus4

Bass part(played in other parts of song aswell.usually played on the keyboard bass) G|-4/2--------------| D|------4-----------| A|---------2-2--(0)-| E|------------------|

x4

There are also chords played over this bassline when it is played between verses which go (B) (B) (B) then three B's played on the second fret -one string down (VERSE)(FILL bass part)x4 (Finish on two B's)e|----------------| B|----------------| G|-4--------------| D|-4--9-----------| A|-2--9-----------| E|----7-----------| Version 04 /1.01 April 2004

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(B) (D) You've got a great car,yeah whats wrong with it today? (A) (E) I used to have one too-maybe i'll come and have a look, (B) (D) (A) I really love...your hairdo yeah,i'm glad you like mine (E) too see what looking pretty cool will get-ya! (FILL Bass part) x4 (B) (D) So what do you do,oh yeah i wait tables too (A) (E) No i havent heard your band,-cause you guys are pretty new (B) (D) (A) But if you dig...on vegan food,well come over to my work (E) (B) i'll have them cook you something that you'll really love (D) (A) Cause i like you,yeah i like you,and i'm (B) (D) bohemian like you,yeah i like you,yeah i

(E) feeling so (A) (E) like you and i feel

WHOA HO WOO! (CHORUS-intro chords) ooh ooh oooh 4 X Wait! (VERSE)-play palm muted (B) (D) Whos that guy just hanging at your pad? (A) (E) He's looking kinda bummed-yeah you broke up thats too bad (B) (D) (A) I guess its fair...if he always pays the rent and he doesnt (E) (B)-play loud get bent about sleepin on the couch when i'm there (D) (A) Cause i like you,yeah i like you,and i'm (B) (D) bohemian like you,yeah i like you,yeah i

(E) feeling so (A) (E) like you and i feel

WHOA HO WOO! (CHORUS-intro chords) ooh ooh oooh

3 X

(B) (D) (A) I'm getting wise and i'm feeling so bohemian like you,its (E) (B) (D) (A) you that i want so please,just a casual,casual easy thing, (E) (B) is it,it is for me (D) (A) (E) And i like you,yeah i like you and i like you,i like you, i (B) (D) (A) like you,i like you, i like you, i like you,i like you, (E) and i feel WHOA HO WOO! /(CHORUS-intro chords) /ooh ooh oooh 4 X Version 04 /1.01 April 2004

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BECAUSE I GOT HIGH G C I was gonna clean my room until I got high D C G I gonna get up and find the broom but then I got high C my room is still messed up and I know why G D G cause I got high - cause I got high - cause I got high G C I was gonna go to class before I got high D C G I coulda cheated and I coulda passed but I got high C I am taking it next semester and I know why G D G cause I got high

-

cause I got high

-

cause I got high

G C I was gonna go to work but then I got high D C G I just got a new promotion but I got high C now I'm selling dope and I know why G D cause I got high

-

cause I got high

-

G

cause I got high

G C I was gonna go to court before I got high D C G I was gonna pay my child support but then I got high C they took my whole paycheck and I know why G D G cause I got high

-

cause I got high

-

cause I got high

G C I wasnt gonna run from the cops but I was high D C G I was gonna pull right over and stop but I was high C Now I am a paraplegic and I know why G because I got high

D -

cause I got high

G -

cause I got high

G C I was gonna pay my car note until I got high Version 04 /1.01 April 2004

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D C G I was gonna gamble on the boat but then I got high C now the tow truck is pulling away and I know why G D G because I got high

-

cause I got high

-

cause I got high

G

C

I was gonna make love to you but then I got high D C G I was gonna eat yo pussy too but then I got high C now I'm jacking off and I know why G D G cause I got high

-

cause I got high

-

cause I got high

G C I messed up my entire life because I got high D C G I lost my kids and wife because I got high C now I'm sleeping on the sidewalk and I know why -

G cause I got high

-

D cause I got high

-

G cause I got high

G

C

I'm gonna stop singing this song because I'm high D C G I'm singing this whole thing wrong because I'm high C and if I dont sell one copy I know why -

G cause I'm high

-

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D cause I got high

-

G cause I got high

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YOU GET WHAT YOU GIVE --------------------New Radicals Dmaj7 = x576xx, Cmaj7 = x354xx, Asus = x0223x : Cmaj7 Dmaj7 But hey we do it in style Wake up kids Dmaj7 Cmaj7 The bad rich We've got the dreamers disease Cmaj7 G Asus A Dmaj7 God's flying in for your trial Age fourteen Cmaj7 F# Bm A We got you down on your knees But when the night is falling Dmaj7 G D E So polite And you cannot find a friend (friend) Cmaj7 G Asus A F# Bm A You're busy still saying please You feel your dream is breaking Dmaj7 E Frienemies Just mend Cmaj7 A Who when you're down ain't your friend You got the music in you Dmaj7 D Every night Don't let go Cmaj7 Asus A We smash their Mercedes Benz You got the music in you Dmaj7 F# First we run One dance left Cmaj7 G Asus A Bm A And then we laugh till we cry This world is gonna pull through CHORUS: F# Bm A But when the night is falling G D E And you cannot find the light (light) F# Bm A If you feel your dreams are dying E Hold tight A You've got the music in you D Don't let go Asus A You've got the music in you F#m One dance left Bm A This world is gonna pull through D Don't give up Asus A You've got a reason to live F#m Bm A G Can't forget we only get what we give C G Dmaj7 Four a.m. Cmaj7 We ran a miracle mile Dmaj7 We're flat broke Version 04 /1.01 April 2004

D Don't give up Asus A You've got a reason to live F#m Bm A G Can't forget we only get what we give C G Dmaj7 Cmaj7 G This whole damn world can fall apart Dmaj Cmaj7 G You'll be ok follow your heart Dmaj7 Cmaj7 G You're in harms way I'm right behind Dmaj7 G A G Now say you're mine A You've got the music in you D Don't let go Asus A You got the music in you F# One dance left Bm A This world is gonna pull through D Don't give up Asus A You've got a reason to live F#m Bm A Can't forget we only get what we give

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D

Don't let go Asus A I feel the music in you F#m Bm A Don't let go D Fly F# High D What's real F# Can't die D F#m

Asus

A

Bm

A

Asus

A

Bm

A

Asus A You only get what you give Bm A You're gonna get what you

give D Asus A (Don't give up) Just dont be afraid to F#m Bm A leave

D Health insurance rip off lying Asus A Fda big bankers buying F#m Fake computer crashes dining Bm A Cloning while they're multiplying D Fashion shoots with Beck and Hanson Asus A Courtney Love and Marilyn Manson F#m You're all fakes - run to your mansions Bm A Come around we'll kick your ass in D Asus A Don't let go F#m Bm A One dance left D Asus A Don't give up F#m Bm A Can't forget

INTRO: E----9--9-----9--9-----9---|----17-17----17-17----17--| B---10-10----10-10----10---|----15-15----15-15----15--| G--------------------------|--------------------------| D--------------------------|--------------------------| A--------------------------|--------------------------| E--------------------------|--------------------------|

4x

bend E----10-10-10-10-10-10-10--|-10-10-10-10-10-10-10-10--|-10-10-10-10-10-10-10-10--| B----10-10-10-10-10-10-10--|-10-10-10-10-10-10-10-10--|-10-10-10-10-10-10-10-10--| G-10-----------------------|--------------------------|--------------------------| D--------------------------|--------------------------|--------------------------| A--------------------------|--------------------------|--------------------------| E--------------------------|--------------------------|--------------------------|

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GONE TILL NOVEMBER Artist: Wyclef Jean Album: The Carnival The Tabs below is continued with a few changes in the CHORUS *The 1. Chorus starts here e:-----------0------------0---------------0--------------0--B:---------0---0--------0---0-------2-3-----3--2-2-3---0---0G:-1-1-2-4-------2-2-4-1------3/4-4-----4------------4------D:----------------------------------------------------------A:----------------------------------------------------------E:----------------------------------------------------------e:-------------0-------------0-------------0----------------B:-------2-3-----3--2-2----0---0---------0---0--------------G:-3/4-4-----4-----------4-------2-2-4-1-------1-1-0--------D:---------------------------------------------------2------A:----------------------------------------------------------E:----------------------------------------------------------3/4 = slide from 3rd fret to 4th fret The song opens with the guitar and Wyclef gives a talking Intro/Dedication while this tab is played through for the first time. He starts the chorus on the 6th note in the tab (the open e) the second time the tab is played: CHORUS Everytime I make a run, girl you turn around and cry I ask myself, why o' why See you must understand, I can't work a 9 to 5 So I'll be gone, till november Said I'll be gone till november I'll gone till november Yo tell my girl yo I'll be gone till november I'll be gone till november I'll be gone till november Yo tell my girl yo I'll be gone till november January, February, March April May I see you cryin', but girl I can't stay I'll be gone till november I'll be gone till november And give a kiss to my mother VERSE 1 Girl I gotta leave, please don't cry When I come back you know the limit's the sky I'll take you out to dinner to your favorite spot Feed you an aphrodisiac just to get you high Drive by movies, by the cemetary If my corpse could talk then I would tell you I was sorry Lifestyles of the rich and famous Some die with the name some die nameless

CHORUS VERSE 2 Yeah mon, I had to do somethin' so I'm knockin' on Heaven's door Like a Bob Dylan Never contemplatin', the charges that I'm facin' My newborn son I hope I see his graduation Take him to a movie, by the cemetary If my corpse could talk then I would tell him I was sorry Lifestyles of the rich and famous Some die with the name some die nameless CHORUS Version 04 /1.01 April 2004

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JESUS JUST LEFT CHICAGO ZZ TOP Jesus Just Left Chicago –ZZ Top

G Gsus G Gsus G Gsus Jesus just left chicago and he’s bound for new orleans. C Csus C Csus G Gsus Well now, jesus just left chicago and he’s bound for new orleans. G Gsus Yeah, yeah. A C G Workin’ from one end to the other and all points in between. E-----|-3---3-----3-----3-----| B-----|-----------------------| G---0-|-----------------------| D-----|---3---3-2---2-1-------| A-1---|-------------------1---| E-----|---------------------3-|

G Gsus G Gsus G Gsus Took a jump through mississippi, well, muddy water turned to wine. C Csus C Csus G Gsus Took a jump through mississippi, muddy water turned to wine. G Gsus Yeah, yeah. A C G Then out to california through the forests and the pines. Ah, take me with you, jesus. Solo E-----|-3---3-----3-----3-----| B-----|-----------------------| G---0-|-----------------------| D-----|---3---3-2---2-1-------| A-1---|-------------------1---| E-----|---------------------3-|

G Gsus G Gsus G Gsus You might not see him in person but he’ll se you just the same. C Csus C Csus G Gsus You might not see him in person but he’ll se you just the same. G Gsus Yeah, yeah. A C G You don’t have to worry ’cause takin’ care of business is his name E-----|-3---3-----3-----3-----| B-----|-----------------------| G---0-|-----------------------| D-----|---3---3-2---2-1-------| A-1---|-------------------1---| E-----|---------------------3-|

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HOOCHI COOCHI MAN Gypsy woman told my mother Before I was born She said "You got a boy-child coming, Gonna be a son-of-a-gun He gonna make pretty women Jump and shout And the world's gonna know What's it all about Don't you know what I'm saying! Yeah, everybody knows I'm him I said I'm your hoochie coochie man You'd better believe I'm him! I've got a black cat bone I've got a mojo too I've got a little bottle of Johnny confidence I'm gonna mess with you Hey! I'll pick you up Lead you by the hand And the world's gonna know I'm your hoochie coochie man Refrain:

On the seventh hour Of the seventh day Of the seventh month Seven black girls say He was born for good luck And you will see I got seven hundred dollars, baby, Don't you mess with me! ! Version 04 /1.01 April 2004

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SUPERGIRL

Em - D - Am - C

Em - D - Am - C Em D 1. You can tell by the way she walks that she's my girl, Am C you can tell by the way she talks she rules the world. Em D You can see in her eyes that no one is her change, Am C she's my girl, my supergirl. G D And then she'd say, "It's ok, I got lost on the way, Em C but I'm a supergirl, and supergirls don't cry. G D And then she'd say, "It's alright, I got home late last night Em C but I'm a supergirl and supergirls just fly." Em D 2. And then she'd say that nothing can go wrong. Am C "When you're in love, what can be wrong?" Em D And then she'd laugh the night time into day, Am C pushing her fear further along. G D And then she'd say, "It's ok, I got lost on the way, Em C but I'm a supergirl, and supergirls don't cry. G D And then she'd say, "It's alright, I got home late last night Em C but I'm a supergirl and supergirls just fly." G D And then she'd shout down the line, tell me she's got no more time, Em C 'cause she's a supergirl and supergirls don't cry. G D And then she'd scream in my face, tell me to leave, leave this place, Em C cause she's a supergirl and supergirls just fly. G D Yes, she's a supergirl, a supergirl, Em she's sowing seeds, she's burning trees, C she's sowing seeds, she's burning trees. G D Em C - Em Yes, she's a supergirl, a supergirl, a supergirl, my supergirl. (capo 2nd) Version 04 /1.01 April 2004

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(Reamonn)

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SHE BANGS Em – B7 - Em Em - B7 1. Talk to me, tell me your name, you blow me off like it’s all the same, Em you lit a fuse, and now I’m tickin’ away, like a bomb, yeah baby Em - B7 Talk to me, tell me your sign, you’re switchin’ sides like a Gemini, Em you’re playin’ games and now you’re hittin’ my heart, like a drum, yeah baby ! Am Em Well if Lady Luck gets on my side, we’re gonna rock this town alive, F# I’ll let her rough me up, till she knocks me out, B7 she walks like she talks, and she talks like she walks. And Em She bangs, she bangs, oh baby, B7 when she moves, she moves, I go crazy, ‘cause she looks like a flower but she stings like a bee, Em like every girl in history. Em She bangs, she bangs, I’m wasted by the way she B7 moves, she moves, no one ever looked so fine, she reminds me that the woman’s got Em one thing on her mind. Em - B7 2. Talk to me, tell me your name, I'm just a link in your daisy chain, Em your rap sounds like a diamond map, to the stars, yeah baby ! Em - B7 Talk to me, tell me the news, you wear me out like a pair of shoes, Em we’ll dance until the band goes home, then you're gone, yeah baby !

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Am Well, if it looks like love should be a crime, Em you'd better lock me up for life. F# I’ll do the time with a smile on my face B7 thinkin' of her in her leather and lace + CHORUS

+ Em – B7 - Em

Am Em Well if Lady Luck gets on my side, we’re gonna rock this town alive, F# I’ll let her rough me up, till she knocks me out, B7 she walks like she talks, and she talks like she walks. And + CHORUS

+ CHORUS ….

(capo 2nd) (Ricky Martin)

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LIVIN' LA VIDA LOCA Am – G – Am – E - Am (2x) Am G Am E Am 1. She's into superstition, black cats and voodoo dolls. G Am E Am I feel a premonition, that girl's gonna make me fall. Am – G – Am – E - Am Am G Am E Am 2. She's into new sensation, new kicks and candle light, Am G Am E Am she's got a new addiction for every day and night. Dm Em She'll make you take your clothes off and go dancing in the rain. Dm G E She'll make you live the crazy life, as she'll take away your pain, like a bullet to your brain. Am E Am Upside, inside, out, livin' la vida loca, E Am She'll push and pull you down, livin' la vida loca. E AM Her lips are devil red, and her skin's the color mocha, \ E Am she will wear you out, - LIVIN' LA VIDA LOCA - (3x) Am – G – Am – E - Am (2x) Am G Am E Am 3. Woke up in New York City, in a funky cheap hotel, G Am she took my heart and she took my money, E Am she must have slipped me a sleeping pill. Dm Em She never drinks the water, makes you order French champagne, Dm G E and once you've had a taste of her, you'll never be the same, yes, she'll make you go insane + CHORUS Dm Em She'll make you take your clothes off and go dancing in the rain. Dm G E She'll make you live the crazy life, as she'll take away your pain, like a bullet to your brain. + CHORUS..... (capo 4th) Version 04 /1.01 April 2004

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(Ricky Martin)

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BAMBOLEO - GIPSY KINGS

Em B7 Em 1. Este Amor llega asi esta manera B7 Riff 2 No tiene la culpa B7 Caballo le ven sabana Porqué muy depreciado Em Em6(add9) Por eso no te perdo'n de llorar

Em

2. Este Amor llega asi esta manera No tiene la culpa Amor de comprementa Amor del mes pasado Bembele, bembele, bembele, Bem, bembele, bembele Ref.

Em Am B7 Bamboleo, bambolo, Porque mi vida, Em Em6(add9) yo la prefiero vivir asi

Em6(add9) Am7 D7 No tiene pardon de dios. Tu eres mi vida, Gmaj7 la fortuna del destino C Am7 Pero el destino tendressa parados B7 Em Em6(add9) Lo mismo que ayer Lo mismo soy yo Em Am7 No te encuentro a l'abandon D7 Gmaj7 Es imposible no te encuentro de verdad C Am Por eso un dia no cuento si de nada B7 Em Em6(add9) Lo mismo que ayer Yo pienso en ti

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BAILA ME Gipsy Kings Cuando se Cuando se Cuando se Cuando se

G D marea el dolores , cuando se quema d´ amore D7 G marea su vera , cuando se llama al dottore D marea el dolore , cuando se quema d´amore D7 G marea su vela, cuando se es mal el sabore

Intro: 4 x G D Baila baila baila, baila baila baila me ------------------------------------------------------------D7 G esta rumba tan gitana que yo siempre------------------------------cantaré ---------------------5--4-----D 5-----------------5--------5--Pero lo siempre cantaré pero lo siempre cantaré ---7--3-----3--7--------------7 D7 G esta rumba tan gitara que yo siempre cantaré Cuando se Cuando se Cuando se Cuando se

G D marea el dolores , cuando se quema d´ amore D7 G marea su vera , cuando se llama al dottore D marea el dolore , cuando se quema d´amore D7 G marea su vela, cuando se es mal el sabore

G C G Que sólo vive a enamor… ate que sólo vive a enamor ate D G Me enamoré de esta gitana , que ya se ponga a bailando. G D Baila baila baila, baila baila baila me D7 G esta rumba tan gitana que yo siempre cantaré D Pero lo siempre cantaré pero lo siempre cantaré D7 G esta rumba tan gitara que yo siempre cantaré G D Cuando se marea el dolores , cuando se quema d´ amore D7 G Cuando se marea su vera , cuando se llama al dottore D Cuando se marea el dolore , cuando se quema d´amore D7 G Cuando se marea su vela, cuando se es mal el sapore G D Pero yo sempre cantare, pero yo sempre cantare Version 04 /1.01 April 2004

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D7 G Este rumba ta gitara, que yo siempre cantare

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(3 x)

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VOLARE (Gipsy Kings)

Tempo: 116 / Tonart: E

[Intro:] E ----[Vers 1:] F#m Pienso que un sueno parecido no volvera mas ---E G#m7 y me pintaba las manos y la cara de azul y me improviso el viento F#m7/9 C#m7 B7 rapido me Ilevo ---y me hizo a volar en el cielo infinito. [Chorus:] F#m7 B7 E C#m F#m7 B7 E Volare, oh, oh, cantare, oh, oh, oh, oh. Nel blu dipinto di blu, F#m7 B7 E felice di stare lassu. [Bridge:] C#m G#m7 Y volando, volando feliz yo me encuentro mas alto, mas alto que el sol G#7 C#m Am7 y minestras que el mundo se aleja despacio de mi una musica dulce G B7 se ha tocada sol para mi. --> Chorus: ... [Solo:] ---- ---- ---[Vers 2:] E F#m B7 Pienso que un sueno parecido no volvera mas y me pintaba las manos E G#m7 F#m7 y la cara de azul y me improviso el viento rapido me Ilevo C#m B7 y me hizo a volar en el cielo infinito. --> Chorus: ... [Solo:] C#m G#m7 G#7 C#m Am7 G B7 ---- ---- ---- ---- ---- -----> Chorus: ... [Solo:] ---- ---- ---[Vers 3:] E F#m B7 Pienso que un sueno parecido no volvera mas y me pintaba las manos E G#m7 F#m7 y la cara de azul y me improviso el viento rapido me Ilevo C#m B7 y me hizo a volar en el cielo infinito. --> Chorus: ... [Ending:] F#m7 B7 E F#m7 B7 E F#m7 B7 E Nel blu dipinto di blu, felice di stare lassu. Nel blu dipinto di blu, F#m7 B7 E F#m7 B7 E F#m7 B7 E felice di stare lassu. Nel blu dipinto di blu, felice di stare lassu.

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ROCK THIS TOWN Stray Cats

Intro:

D//////

D Well, My baby and me went out late Saturday night A I had my hair piled high and my baby just looked so right D Well, pick you up at ten, gotta have you home at two G G7 Mama don't know what I catched off of you D A D But that's all right cause we're looking as cool as can be D Well, we found a little place that really didn't look half bad I had a whisky on the rocks A And change of a dollar for the jukebox D Well, I put the cold rock into that can G G7 But all they played was disco, man D A D Come on, baby, baby, let's get out of here right away Chorus: D We're gonna rock this town Rock it inside out We're gonna rock this town A Make'em scream and shout D D9 Let's rock, rock, rock, man, rock G We're gonna rock till you pop G7 We're gonna rock till you drop D We're gonna rock this town A D Rock it inside out

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Solo:

D~~~

A

D

G

D

A

D

D Well, we're having a ball just 'a bopping on the big dance floor A Well, there's a real square cat, he looks a 1974 D Well, he looked at me once, he looked at me twice G G7 Look at me again and there's gonna be fight D We're gonna rock this town A D We're gonna rip this place apart Chorus: D We're gonna rock this town Rock it inside out We're gonna rock this town A Make'em scream and shout D D9 Let's rock, rock, rock, man, rock G We're gonna rock till you pop G7 We're gonna rock till you drop D We're gonna rock this town A D Rock this place apart Solo: D~~~ A

D

G

D

A

D

Chorus: D We're gonna rock this town Rock it inside out We're gonna rock this town A Make'em scream and shout D D9 Let's rock, rock, rock, man, rock G We're gonna rock till you pop G7 We're gonna rock till you drop D We're gonna rock this town A D Rock it inside out

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STRAY CATS STRUT Stray Cats

Shuffle |Cm Bb Oooh

|Ab

G7

| cont. Oooh

|

|

Cm Bb Ab G7 Black and orange stray cat sittin' on a fence. Cm Bb Ab G7 Ain't got enough dough to pay the rent. Cm Bb Ab G7 I'm flat broke but I don't care, air.

G7 (tacet) I strut right by with my tail in the

Fm Eb Db C7 Fm Eb Db C7 Stray cat strut I'm a ladies cat, I'm a feline Casanova hey man that's that. Fm Eb Db C7 Get a shoe thrown at me from a mean old man. can. (instrumental) Cm Bb | Ab G7|Cm(tacet)|

Fm (tacet) Get my dinner from a garbage

|

Verse 2 Fm Fm7 Cm I don't bother chasing mice around. fight

Fm I slink down the alley looking for a

D7 G7 howlin' to the moonlight on a hot summer night. the Ab G7 lady cats cry. as

Cm Bb Ab G7 Wild stray cat you're a real gone guy.

Ab G7 care-free and wild, solo |Cm Bb

Cm Bb Singin' the blues while

|Ab

G7

Cm Bb I wish I could be

Cm(tacet) but I got cat class and I got cat style.

| etc.

repeat verse 2

|Cm

Bb

|Ab

G7

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|Cm (tacet) Cm |-8-------------------|------------------| |---------------------|------------------| |---11-10-8-10-8------|------------------| |----------------10-8-|---7-9-10---------| |---------------------|10----------------| |---------------------|------------------|

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STAIRWAY TO HEAVEN                  a               E         C          D 1.    There's a lady who's sure all that glitters is gold                F                    G  a     and she's buying a stairway to heaven.                               E            C              D     When she gets there she knows if the stores are all closed,             F                         G    a     with a word she can get what she came for.     C­D       F­a                 C         G          D     Oh ,      oh       and she's buying a stairway to heaven.                C           D            F           a     There's a sign on the wall but she wants to be sure,                  C             D              F     'cause you know sometimes words have two meanings.            a           E              C             D     In a tree by the brook there's a songbird who sings,                F                       G  a     sometimes all of her thoughts are misgiven                       C          G               a 2. There's a feeling I get when I look to the west ,                     C          G           F   a     and my spirit is crying for leaving.                   C                     G                    a     In my thoughts I have seen rings of smoke through the trees,                    C              G                      F    a     and the voices of those who stand looking                      C                   G             a     And it's whispered that soon if we all call the tune,                    C             G              F   a     then the piper will lead us to reason.                     C                 G             a     And the new day will dawn for those who stand long,                   C              G              F     a     and the forest will echo with laughter. C                     G                   a     If there's a bristle in your hedgerow don't be alarmed now, C                    G                           F       a     it's just a spring clean for the May queen. C                         G                           a     Yes there are two paths you can go by but in the long run, C                      G                           F       a     there's still time to change the road you're on. C                        G                        a     Your head is humming and it won't go in case you don't know, Version 04 /1.01 April 2004

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C                    G                   F     a     the pipers calling you to join him. C                   G                          a     Dear lady can you hear the wind blow and did you know, C                         G                 F      a  C ­ G ­ D     your stairway lies on the whispering wind. a                      G                          F     And as we wind on down the road, G­a                       G                     F       our shadows taller than our soul, G­a                           G                 F      There walks the lady we all know, G­a                             G                           F      who shines white light and wants to know, G­a                 G                         F      how everything still turns to gold. G­a                  G               F        And if you listen very hard, G­a                     G                     F      the time will come to you at last. G­a                      G                    F      When all are one and one is all, G­a             G                     F     a      to be a rock and not to roll. ­ ­                         F                             G    a     And she's buying a stairway to heaven. ()

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THOSE WERE THE DAYS

LENINGRAD COWBOYS

        Am                           Am7     1. Once upon a time there was a tavern         A7                                Dm        Where we used to raise a glass or two                                          Am7        Remember how we laughed away the hours             H7                                       E        And dreamed of all the great things we would do                        Am  Ref.: Those were the days my friend                           Dm        We thought they'd never end                       G        G7         C        We'd sing and dance forever and a day                       Dm        We'd live the live we choose                        Am        We'd fight and never lose                     E                          Am        For we were young and sure to have our way                             A7    Dm        La la la lalala, la la la lalala                        E                            Am        Those were the days, oh yes, those were the days     2. Then the busy years went rushing by us        We lost our starry notions on the way        If by chance I'd see you in the taven        We'd smile at one another and we'd say  Ref.: Those were the days ...     3. Just tonight I stood before that tavern        Nothing seemed the way it used to be        In the glass I saw a strange reflection        Was this lonely fellow really me

 Ref.: Those were the days ...     4. Thru the door there came familiar laughter        I saw you face and heard you call my name        Oh my friend, we're older but no wiser        For in our hearts the dreams are still the same  Ref.: Those were the days ...

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JUST

[:| G (A) | BB | F | C |:] (ALL THE TIME)

FLY AWAY

I want to get away I want to fly away

I wish that I could fly Into the sky So very high Just like a dragonfly I'd fly above the trees Over the seas in all degrees To anywhere I please Oh I want to get away I want to fly away Yeah yeah yeah Oh I want to get away I want to fly away Yeah yeah yeah Let's go and see the stars The milky way or even Mars Where it could just be ours Let's fade into the sun Let your spirit fly Where we are one Just for a little fun Oh oh oh yeah ! I want to get away I want to fly away Yeah yeah yeah

Yeah yeah yeah I got to get away Feel I got to get away Oh oh oh yeah I want to get away I want to fly away Yeah with you yeah yeah Oh Yeah ! I want to get away I want to fly away Yeah with you yeah yeah I got to get away I want to get away X4 Yeah I want to get away I want to fly away Yeah with you yeah yeah I got to get away I want to get away X4 Yeah I want to get away I want to fly away Yeah with you Yeah yeah yeah yeah yeah ^

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from the album "Mama Said" The main riff (Em): e B G D A E

P P H ----------------|----------------|----------------|----------------| ----------------|----------------|----------------|----------------| ----------------|----0-----------|----------------|----------------| ----2---0-------|0-----0---2-----|----2---0-------|0-0---------0^2-| ----------4-----|----------------|----------4-----|----4^0---------| 0-------------0-|0---------------|0-------------0-|0-------3^0-----| 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4

... while the second guitar is playing: e B G D A E

S 12----------------|----------------|----------------|--------11^12-12----| 12-x--x---x---x---|x---x-x-x-x-x---|x-x-x---x---x---|x---x-x-11^12-12----| 12-x--x---x---x---|x---x-x-x-x-x---|x-x-x---x---x---|x---x-x-11^12-12----| ---x--5---7---x---|x---x-5-x-x-x---|x-x-5---7---x---|x---x-x-------------| --------------5---|7---------5-7---|------------5---|7-------------------| ------------------|----------------|----------------|--------------------| 1 ' 2 3 4 1 2 3 4 1 2 3 4 1 2 3 ' 4

The x means: striking the strings while your index finger is muting the strings on the 4th fret (to create a scratch effect). Play the melody with your middle finger and little finger.

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2x riff [Em] 2x riff with bass and second guitar my mama said that your life is a gift and my mama said there's much weight you will lift and my mama said leave those bad boys alone and my mama said be home before the dawn and my mama said you can be rich or poor but my mama said you can be big or small choir: choir:

[G] but I'm [A] always on the run [Em] always on the run [G] but I'm [A] always on the run

2x riff my mama said that it's good to be but my mama said don't take more than and my mama said that it's good to be and my mama said that it's good to be choir: choir:

fruitful a mouthful natural factual

[G] but I'm [A] always on the run [Em] always on the run [G] but I'm [A] always on the run

2x riff guitar solo from Slash: [A] [Em] [B] [Em] (who can make a transcription of THIS for me ?) 1x riff my mama said baby don't ride that crazy horse and my mama said you must push with much force and my mama said go get all that you're after and my mama said that love's all that mathers choir: choir: choir: choir: 2x riff

[G] but I'm [A] always on the run [Em] always on the run [G] but I'm [A] always on the run [G] but I'm [A] always on the run [Em] always on the run [G] but I'm [A] always on the run (ah, what's that mama ? do you want...? right now ?

hold on !

yeah!)

5x riff (with brass)

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ARE YOU GONNA GO MY WAY? Tabs:

Lenny Kravitz Riff 1: ---- 2x ---|-------------------------------------------3----| |-------------------------------------------3----| G 1 |-2-^4-^2-p0-------------2-^4-^2-p0--------------| |------------2---0-2----------------2---0-2------| |------------------------------------------------| |--------------0-------0--------------0----------| Riff 2: ---- 6x ---|-------------------------------------------3----| |-------------------------------------------3----| G 1 |-2-^4-^2-p0-------------2-^4-^2-p0--------------| |------------2---0-2----------------2---0-2------| |------------------------------------------------| |--------------0-------0--------------0----------| | | | | |------------------------------------------------| |-10^12^10p8-------------10^12^10p8--------------| G 2 |------------9---7-9----------------9---7-9------| |------------------------------------------------| |------------------------------------------------| |------------------------------------------------|

|--------------------------------------------------------| Riff 3: ---- 4x ---| |------------------------------------------------| | |------------------------------------------------| | G 1 |-2-^4-^2-p0-------------2-^4-^2-p0--------------| | |------------2---0-2----------------2---0-2------| | |------------------------------------------------| | |--------------0-------0--------------0-------0--| | | I was born long ago | I am the chosen I'm the one | I have come to save the day | And I won't leave until I'm done |--------------------------------------------------------| -- 3x -|| | |-----------------------||-------------------| | |-----------------------||-------------------| | G 1 |-5-^7-^5-p3------------||--5---4---3--2--4--| | |------------5-0-3-5--0-||-------------------| | |-----------------------||-------------------| | |-----------------------||-------------------| | | | | | -- 3x -|| | | |-----------------------||-------------------| | |-13^15^13p11-----------||-------------------| | G 2 |------------12--10-12--||--12--10--9--10-12-| | |-----------------------||-------------------| | |-----------------------||-------------------| | |-----------------------||-------------------| | | So that's why you've got to try | You've got to breathe and have some fun |--------------------------------------------------------| Riff 3 2x | | Though I'm not paid I play this game | And I won't stop until I'm done |--------------------------------------------------------Version 04 /1.01 April 2004

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| | | | | | | |

Chorus: |----0-------------------0--------------------| |----0-------------------0--------------------| |----7-------------------6--------------------| |----9-------------------7--------------------| |---------------------------------------------| |---------------------------------------------| But what I really want to know is

| | | | | | |

|------------------------------------------| |-9-9-7-9---------------------9-9--12-9----| |-9-9-7-9---------------------9-9--12-9----| |-9-9-7-9---------------------9-9--12-9----| |------------------------------------------| |------------------------------------------| Are you gonna go my way

| |----0---------------0------------------------| | |----0---------------0------------------------| | |----7---------------6------------------------| | |----9---------------7------------------------| | |---------------------------------------------| | |---------------------------------------------| | And I got to got to know | |--------------------------------------------------------Riff 1 1x Riff 2 3x |--------------------------------------------------------Riff 3 4x I don't know why we always cry This we must leave and get undone We must engage and rearrange And turn this planet back to one |---------------------------------------------------------- 3x --------- || |-----------------------||-------------------| |-----------------------||-------------------| |-5-^7-^5-p3------------||--5---4---3--2--4--| |------------5-0-3-5--0-||-------------------| |-----------------------||-------------------| |-----------------------||-------------------| | | | -- 3x -------|| | |-----------------------||-------------------| |-13^15^13p11-----------||--13--12--11-10-12-| |------------12--10-12--||-------------------| |-----------------------||-------------------| |-----------------------||-------------------| |-----------------------||-------------------| So tell me why we got to die And kill each other one by one |--------------------------------------------------------Riff 3 2x We've got to love and rub-a-dub We've got to dance and be in love |--------------------------------------------------------Chorus |--------------------------------------------------------Solo: Version 04 /1.01 April 2004

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12x in total --- ending with: |---------------------------------||-----------------| |-9-----7-------7-------5-5-7-5---||-----------------| |-9-----7-------7-------6-6-7-6---||-----------------| |-9-----7-------7-------7-7-7-7---||-----0-1---------| |---------------------------------||---4-------------| |---------------------------------||-----------------| (repeat 4x by itself, then 8x under solo |--------------------------------------------------------Outro: Riff 2

4x

|-0----------0-------0-------------0-------| |-0----------0-------0-------------0-------| |-7----------6-------7-------------6-------| |-9----------7-------9-------------7-------| |------------------------------------------| |------------------------------------------| |--------------------------------------------------------|------------------------------------------| |-9-9-7-9---------------------9-9--7--9----| |-9-9-7-9---------------------9-9--7--9----| |-9-9-7-9---------------------9-9--7--9----| |------------------------------------------| |------------------------------------------| Are you gonna go my way |-0---------------0------------------------| |-8---------------7------------------------| |-7---------------6------------------------| |-9---------------8------------------------| |------------------------------------------| |------------------------------------------| 'cause Baby I got to know

--

Solo --

E-|--------------------------------------------------------------------| B-|--------------------------------------------------------------------| G-|----------12h14p12vvvbbb--------------------------------------------| D-|-14vvvv------------------14p12-12--14-------------------------------| A-|--------------------------------------12b14--12---------------------| E-|------------------------------------------------15---12-10-12-12sss-| E-|-----------------------------------------------------------------------| B-|------------------------------------------------------17----15s17vvvvv-| G-|-----------------------9h11b13----9h11p9----9h11sss16----16------------| D-|------9---11p9----9h11-------------------11----------------------------| A-|--s11----------11------------------------------------------------------| E-|-----------------------------------------------------------------------|

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E-|-----------------------------15--17b19vvv--17b19vv-17b19vv-17b19vvv-| B-|-17vvvvvvvvv19p17vvvv17vv17vvv--------------------------------------| G-|--------------------------------------------------------------------| D-|--------------------------------------------------------------------| A-|--------------------------------------------------------------------| E-|--------------------------------------------------------------------| E-|-17b19rb17p15-----------------------------| B-|--------------17vv-----17vv-----17b20vvv--| G-|------------------------------------------| D-|------------------------------------------| A-|------------------------------------------| E-|------------------------------------------| E-|-----------------------------------------------------------------| B-|--17b20v--17b20v--17b20v--17b20v--17b20v--17b20rb17p15----15--17-| G-|-------------------------------------------------------16--------| D-|-----------------------------------------------------------------| A-|-----------------------------------------------------------------| E-|-----------------------------------------------------------------| E-|---------------------------------12----------12----------------| B-|------------------------------------12-15b17----15p12----------| G-|-16p14p12----12h14p12-----14b16-----------------------14p12----| D-|----------14----------14------------------------------------14-| A-|---------------------------------------------------------------| E-|---------------------------------------------------------------| E-|-12----------12--------------------------| B-|----12-15b17----15p12--------------15p12-| G-|----------------------14p12--14b16-------| D-|-----------------------------------------| A-|-----------------------------------------| E-|-----------------------------------------| E-|-------12-------12--------15p12----12------------------------------| B-|-15b17----15b17----15b17--------15------15p12----15--12------------| G-|----------------------------------------------14---------14p12--14-| D-|-------------------------------------------------------------------| A-|-------------------------------------------------------------------| E-|-------------------------------------------------------------------| E-|-----------------------------| B-|-----------------------------| G-|-12b14rb12p9---12vvvvvvvvvv--| D-|-----------------------------| A-|-----------------------------| E-|-----------------------------| There you go. It isn't exact, but I think it's close. At the very least it should give you a place to start. Questions, comments, correct

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HEAVEN HELP Am – Em – D – C

Am – Em – D - C

Am Em 1. There comes a time to be free of the heart, Am Em I wanna be ready, ready to start, Am Em D C on a love journey, I got places to go. Made up my mind and I got to let you know. Am Em Am Em Heaven help the heart that lets me inside, Am Em Dm G heaven help the one who comes in my life. Am Em Am Em Heaven help the fool that walks through my door, Dm C - - - - - - - - - Am 'cause I decided right now : I'm ready for love. - Em – D - C

Am – Em – D - C

Am - Em 2. A funny feeling is coming over me, Am Em now I'm inspired and I'm open to be, yeah, Am Em D C in a love place but it's out of my hands, until you baby got to got to understand. + CHORUS +

- Em – D - C

Am – Em – Dm - G

C

B7 I can't see what's out there for me, Bm Em 'cause you know love offers no guarantee Dm G C I'll take chance and I'm telling you something, baby, I got to let you know. + CHORUS + (capo 2nd)

- Em – D - C

Am – Em – D – C …..

(Lenny Kravitz)

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WHY DID YOU DO IT Stretch

G 3 5 F# 2 4 A 5 7 G# 4 6 Bm 2 2 Badd9 2 2 Em 0 2 INTRO: G F# VERSE LYRICS :

5 4 7 6 4 4 2

4 3 6 5 4 4 0

3 2 5 4 3 2 0

3 2 5 4 2 2 0

A

G#

Bm

Badd9

Bm / Badd9 / Bm Bm / Badd 9 / Bm Bm / Badd9 / Bm I've been thinking 'bout what you have done to me Bm / Badd9 / Bm Bm / Badd 9 / Bm Bm / Badd9 / Bm The damage is much deeper than you'll ever see Bm / Badd9 / Bm Bm / Badd 9 / Bm Hit me like a hammer to my head

Bm / Badd9 / Bm

Bm / Badd9 / Bm Bm / Badd 9 / Bm Bm / Badd9 / Bm I wonder were you pushed or were you led? Chorus: Em Bm Why did you do it? Why did you do that thing to me? Em Bm Why did you do it? Why did you do that thing to me? Em The only one who knows the truth, F# Man it's him me and you. Bm / Badd9 / Bm Bm / Badd 9 / Bm Bm / Badd9 / Bm My friends they listen to the things i say Bm / Badd9 / Bm Bm / Badd 9 / Bm Bm / Badd9 / Bm They listen and they hear more everyday Bm / Badd9 / Bm Bm / Badd 9 / Bm But i know they never understand it

Bm / Badd9 / Bm

Bm / Badd9 / Bm Bm / Badd 9 / Bm Bm / Badd9 / Bm Because it was no accident you planned it. Chorus: (spoken: one, two)(instrumental) Em F# Bm Version 04 /1.01 April 2004

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SHOUT

CHORUS: Shout, shout, let it all out These are the things I can do without Come on, I'm talking to you, come on CHORUS In violent times, you shouldn't have to sell your soul In black and white, they really really ought to know Those one track minds, that took you for a working boy Kiss them goodbye, you shouldn't have to jump for joy You shouldn't have to jump for joy CHORUS They gave you life And in return you gave them hell As cold as ice I hope we live to tell the tale I hope we live to tell the tale CHORUS

3x

And when you've taken down your guard If I could change your mind I'd really love to break your heart I'd really love to break your heart CHORUS Repeat CHORUS to fade

CHORUS: G# (IV) Shout.. B (VII) these .., C# (IX) Come on,...

G# (IV)

VERSES: B (VII) In .. B (VII) I've .. C# (IX) I ...

C# (IX) C# (IX)

...Chorus: G# (IV) Shout, shout, ...

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LA BAMBA

1. Strophe: G7 C F Para baila la bamba, G7 C F Para bailar la bamba, se necesi G7 C F Una poca de gracia, G7 C F Una poca de gracia para mi, para ti. G7 C F Ya ariba, yariba. G7 C F Yariba, yariba. Porti sere, G7 C F Porti se re, porti sere. G7 C F Yo no soy mari nero, G7 C F You no soy marinero, soy capitan, G7 C F Soy capitan, soy capitan. G7 C F Bamba, bamba, G7 C F Bamba, bamba, G7 C F Bamba, bamba, G7 C F Bamba, bamba.

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WALK ON THE WILD SIDE" (LOU REED) Verse 1:  C                        F6  Holly came from Miami, FLA  C                               F6  Hitchhiked her way across the USA  C                    D  Plucked her eyebrows on the way  F                        D  Shaved her legs and then he was a she  She says  C                             F6 C                                   F6  Hey babe, take a walk on the wild side Said hey honey, take a walk on the wild  side Verse 2:  Candy came from out on the island  In the backroom she was everybody's darling  But she never lost her head  Even when she was giving head  She says  Hey babe, take a walk on the wild side  Said hey, babe, take a walk on the wild side  And the colored girls go  C                              F6   [L.R. 2X; colored girls 2X]  Do do­do   do­do do­do­do­do   Do do­do   do­do do­do­do­do  Dooo... Verse 3:  Little Joe never once gave it away  Everybody had to pay and pay  A hustle here and a hustle there  New York City is the place where  They say  Hey babe, take a walk on the wild side  Said hey Joe, take a walk on the wild side Verse 4:  Sugar Plum Fairy came and hit the streets  Looking for soul food and a place to eat  Went to the Apollo, you should have seen him go, go go  They said  Hey Sugar, take a walk on the wild side  I said hey babe, take a walk on the wild side  All right... huh Verse 5:  Jackie is just speeding away  Thought she was James Dean for a day  Then I guess she had to crash Version 04 /1.01 April 2004

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 Valium would have helped that fast  She said

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MAGGIE MAY

( live- unplugged ) Artist- Melissa Etheridge from: ( Klaus Kuchler )

Em G D Wake up Maggie I think I've got something to say to you Em G D It's late september and I really should be back at school G D G Em I know I keep you amused But I feel I'm being used Bm D Em Oh Maggie I couldn`t have tried any more Em A Em A You lured me away from home just to save you from being alone Em A D You stole my heart, and that's what really hurts Em G D The morning sun when it's in your face really shows your age Em G D But that don't worry me none , in my eyes you're everything G D G Em I laughed at all your jokes, my love you didn't need to coax Bm D Em Oh Maggie I couldn`t have tried any more Em A Em A You lured me away from home, just to save you from being alone Em A D You stole my sole that's a pain I can do without Em G D All I needed was was a friend to lend a guiding hand Em G D But you turned into a lover and Mother what a lover you wore me out G D G Em All you did was wreck my bed, and in the morning kick me in the head Bm D Em Oh Maggie I couldn`t have tried any more Em A Em A You lured me away from home 'cause you didn't want to be alone Em A D You stole my heart I couldn't leave you if I tried SOLO Em G D I suppose I could collect my books and get back to school Em G D Or steal my mama‘s cue make a living out of playing pool G D G Em Baby, find myself a rock and roll band that needs a helping hand Bm D Em Oh Maggie I, I couldn`t have tried any-more Em A Em A You made a first class fool out of me, I'm as blind as a fool can be Em G D You stole my sole I couldn‘d leave you I tried Em A D G I couldn’t leave yaa, I couldn’t leave yaa, Nah, Nah, Nahah Em A D I cou ld n’t leave yaa, Oh, Oh, Oh, Oh, Oh, Oh, Oh, Oh- Maggie

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SWEET HOME ALABAMA Lynyrd Skynyrd 1. Strophe: D C G D C G Big wheels keep on turning, carry me home to my kin. D C G D C G Singing songs about the southland, I miss olebamy once again (and I think it’s a sin) 2. Strophe: Well, I heard Mister Young sing about her, Well, I heard old Neil put her down. Well, I hope Neil Young will remember, A southern man don’t need him aroung anyhow. Refrain (Melodie wie Strophe): Sweet home Alabama, where the skies are blue. Sweet home Alabama, Lord, I’m coming home to you. 3. Strophe: In Birmingham they love the Gov’nor, Boo (F), hoo (C), hoo (D). Now we all did what we could do. Now Watergate does not bother me. Does your conscience bother you ? (tell the truth) Refrain: 4. Strophe: Now muscle shoals has got the swampers And they’ve been know to pick a tune or two. Lord they get me of so much. They pick me up when I’m feeling blue. (Now how about you ?) Refrain:

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CALIFORNIA DREAMING MAMAS AND THE PAPAS                      Em D C         D       F#m7  B7 All the leaves are brown,  and the sky is grey  C               G  B7 Em     (Am)    B7 Am6 B7 I've been for a walk,  on a winter's day                  Em D C      D      F#m7  B7 I'd be safe and warm,  if I was in L.A.                Em D C      D              F#m7  B7 California dreamin',  on such a winter's day Stopped into a church,  I passed along the way Oh, I got down on my knees,  and I pretend to pray You know the preacher likes the cold,  he knows I'm going to stay California dreamin',  on such a winter's day All the leaves are brown,  and the sky is grey I've been for a walk,  on a winter's day If I didn't tell her,  I could leave today                 Em D C    D              Em California dreamin', on such a winter's day       D       C           D             Em California dreamin', on such a winter's day       D       C           D             Cmaj7  Em California dreamin', on such a winter's day Am6: x x 2 2 1 2

SUMMER IN THE CITY 1. Strophe: Am Am7 Am+5 Am Hot town, summer in the city, back o' my neck gettin' dirt and gritty. Am Am7 Am+5 Am Been down, isn't it a pity, doesn't seem to be a shadow in the city. E E7 All around, people lookin' half dead, Am A Walkin' on a sidewalk hotter than a match head. Refrain: D G D G But tonight it's a diffrent world, come on go out and find a girl. D G D G Come on, come on and dance all night, despite the heat it'll be allright, Hm E Hm E And babe, don't you know it's a pity the days can't be like the nights, Hm E Hm E In the summer in the city, in the summer in the city. 2. Strophe: Cool town, evenin' in the city, dressed so fine and a-lookin' so pretty. Cool cat, lookin' for a kitty, gonna look in every corner of the city. Version 04 /1.01 April 2004

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Till I'm weezin' like a bus stop, Runnin' up the stairs gonna meet you at the roof-top. Refrain:

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YOU CAN LEAVE YOUR HAT ON (JOE COCKER) [C]Baby, take off your coat, real slow Take off your shoes, I'll take off your shoes Take off your dress, yes - yes - yes You can [C]leave your hat on[E] You can [F]leave your hat on[Bb] You can leave your hat on [C]Go over there, turn on the lights, all the lights Come back you, stand on that chair, yeah, woman, that's right Raise your arms in the air, and I shake 'em [C]You give You give me You give me You give me

me reason reason to reason to reason to

to [E]live [F]live [Bb]live live

Sweet [Bb]darlin' [F] on) Just leave your [Bb]hat on, [F]baby on) Just leave your [Bb]hat on [F] on) +sax [Bb] [F] on)

(You can leave your [C]hat (You can leave your [C]hat (You can leave your [C]hat (You can leave your [C]hat

[C]Suspicious minds keep talking They're trying to tear us apart They don't believe in this love of mine They don't know what love is They don't know what love is They don't know what love is They don't know what love is I know what love is Love's on the [Bb]way, ooooh[F] [C]hat on) Yes, leave your [Bb]hat on, sweet [F]woman [C]hat on) Yes, leave your [Bb]hat on [F] [C]hat on) +sax Do that to me, yeah [Bb] [F] [C]hat on)

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(You can leave your (You can leave your (You can leave your (You can leave your

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DREAM A LITTLE DREAM OF ME (

Intro: C   A  Ab7   G6    C      A              Ab7  G6  1. Stars shining bright above you,  C       C/B           A7        A        F  night breezes seem to whisper I love you,                      Fm birds singing in the sycamore tree,  C              Ab7      G6  Dream a little dream of me.  A      F#m        Bm       E7        A  Stars fading, but I linger on, dear,       F#m          Bm    E7  still craving your kiss; A    F#m        Bm           E7       A       F#m   Ab7    G6  I 'm longing to linger till dawn, dear, just saying this,  C              Ab7   G6  C  dream a little dream of me. 2. Say nightie night and kiss me, just hold me tight and tell me  you'll  miss me; while I'm alone and blue as can be, dream a little dream of  me.  Stars fading, but I linger on, dear, still craving your kiss; I'm  longing to linger till dawn, dear, just saying this, dream a little  dream of me. 3. Sweet dreams till sunbeams find you, sweet dreams that leave all  worries behind you, but in your dreams whatever they be, dream a  little  dream of me. 4 . + 5 . instrumental 6. Sweet dreams till sunbeams find you, sweet dreams that leave all  worries behind you, but in your dreams whatever they be, dream a  little  dream of me.

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IT NEVER RAINS IN SOUTHERN CALIFORNIAFEHLER! TEXTMARKE NICHT DEFINIERT.

1. Strophe: Am

D

G

Get on board a west bound seven forty seven, Am

D

G

Didn't think before deciding what to do. Am

D

G

All that talk of opportunities TV breaks and movies Am D

G

Rang true, sure rang true. Refrain: Am

D

G

Seems it never rains in Southern California, Am

D

G

Seems I've often heard that kind of talk before. Am

D

G

Em

It never rains in California, But girl, don't they warn ya, Am

D

G

It pours, man, it pours. 2. Strophe: Will you tell the folks back home I nearly made it, Had offers but don't know which one to take. Please don't tell them how you found me, don't tell them how you found me. Give me a break, give me a break. Refrain: 3. Strophe: Out of work, I'm out a' my head, out of self respect, I'm out a' bread. I'm underloved, I'm underfed. I wanna go home. It never rains in California, but girl, don't they warn ya, It pours, man, it pours. Refrain:

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MONDAY, MONDAY THE MAMAS AND THE PAPAS Intro (A Capella): Ba­da   ba­da­da­da Ba­da   ba­da­da­da **Harpsichord, Guitar, And Bass Enter F#    F#sus F# F#sus     Ba­da    ba­da­da­da

         F#       F#sus  F# F#sus Monday, Monday  (ba­da    ba­da­da­da)            F#    F#sus  F# F#sus So good to me  (ba­da    ba­da­da­da)         F#    F#sus    F#                   E Monday mornin', it was all I hoped it would be            A       A6     Amaj7             A6   C# Oh Monday mornin', Monday mornin' couldn't guarantee (ba­da ba­da­da­da)              F#               F#sus*             F# That Monday evenin' you would still be here with me * Vocal Harmonies Imply E/F#; Keyboard Plays F#sus4          F#       F#sus  F# F#sus Monday, Monday,             F#    F#sus  F# F#sus Can't trust that day         F#    F#sus    F#                   E Monday, Monday, sometimes it just turns out that way            A       A6     Amaj7             A6   C# Oh Monday mornin' you gave me no warnin' of what was to be              F#               F#sus*             F# Oh Monday, Monday, how could you leave and not take me Bridge 1:  G Every other day (every other day), every other day                                 E Every other day of the week is fine, yeah  G But whenever Monday comes, but whenever Monday comes                   F#                 D# A­you can find me cryin' all of the time

         G#       G#sus  G# G#sus Monday, Monday  (ba­da   ba­da­da­da)            G#    G#sus  G# G#sus So good to me  (ba­da   ba­da­da­da)         G#    G#sus    G#                   F# Version 04 /1.01 April 2004

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Monday mornin', it was all I hoped it would be            B       B6     Bmaj7             B6   D# Oh Monday mornin', Monday mornin' couldn't guarantee              G#               G#sus              G# That Monday evenin' you would still be here with me Bridge:  A Every other day, every other day                                 F# Every other day of the week is fine, yeah  A But whenever Monday comes, but whenever Monday comes                  F#                D# You can find me cryin' all of the time

         G#       G#sus  G# G#sus Monday, Monday  (ba­da   ba­da­da­da)            G#    G#sus  G# G#sus So good to me  (ba­da   ba­da­da­da)         G#    G#sus    G#                   F# Monday mornin', it was all I hoped it would be            B       B6     Bmaj7             B6   D# Oh Monday mornin', Monday mornin' couldn't guarantee              G#               G#sus              G# That Monday evenin' you would still be here with me Bridge 2:  A Every other day, every other day                                 F# Every other day of the week is fine, yeah  A But whenever Monday comes, but whenever Monday comes                  D#                G#    F# (N.C.) You can find me cryin' all of the time Coda: Bass (W/Tambourine And Woodblock):  v   v   v   v     v   v   v   v ­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­ ­­­­­­­­­­­­­13\­|­6­­­­­­­­­­­­­­­ ­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­ ­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­         (Monday...)          G#       G#sus  G# G#sus Monday, Monday  (ba­da ba­da­da­da)          G#       G#sus  G# G#sus Can't trust that day (ba­da ba­da­da­da) **Band Re­Enters On F#          G#       G#sus  G# G#sus Monday, Monday (ba­da   ba­da­da­da) Version 04 /1.01 April 2004

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         F#       F#sus F#  F#sus It just turns out that way (ba­da ba­da­da­da)          F#       F#sus F#  F#sus Whoa, Monday, Monday, won't go away (ba­da ba­da­da­da)          F#       F#sus F#  F#sus Monday, Monday, it's here to stay (ba­da ba­da­da­da)          F#       F#sus F#  F#sus Oh Monday, Monday (ba­da ba­da­da­da)          F#       F#sus F#  F#sus Oh Monday, Monday (ba­da ba­da­da­da)

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DAVEY'S ON THE ROAD AGAIN Gsus4 310023 INTRO C D F C D# (E,flat) F Gsus4 G G D Davey's on the road again F C wearing different clothes again D# G Em Davey's turing handouts down Am7 D to keep his pockets clean G D All his goods are sold again F C his world's as good as gold again D# G Em Says if you see Jean now ask her Am7 D7 G please to pity me D G Jean and I we moved along D G Since the day down in the hollow C G When the mind went driftin' on D and the fet were soon to follow Davey's o…. Saying his goodbye's again Wheels are in his eyes again Says if you see Jean now tell her please to pity me Downtown in the big town gonna set you back on your heels with a mouth ful of memories and a lot of stickers for your windshield G Bm Shut the door, cut the light G7 C Davey won't be home tonight G Bm you can wait till the dawn rolls in G7 C G D F C D# F Gsus4 G you won't see our Davey again G D F C Davey's on the road again again again again again

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SWEET DREAMS Eurythmics Em C Hm Sweet dreams are made of this Em C Hm Who am I to disagree? Em C Hm I travel the world and the seven seas Em C Hm Everybody's looking for something. Break C H Em C Am H Em C Hm Sweet dreams are made of this Em C Hm Who am I to disagree? Em C Hm I travel the world and the seven seas Em C Hm Everybody's looking for something. Em Some Em Some Em Some Em Some

C Hm of them want to use you C Hm of them want to get used by you C Hm of them want to abuse you C Hm of them want to be abused.

Break C H Em C Am H Em C D Hold your head up Em C D Hold your head up

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Em Keep your head up Em Keep your head up

C D MOVIN' ON C D MOVIN' ON

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BLINDED BY THE LIGHT MANFRED MANNS' EARTH BAND

Madman drummers bummers and Indians in the summer with a teenage diplomat In the dumps with the mumps as the adolescent pumps his way into his hat With a boulder on my shoulder, feelin' kinda older, I tripped the merry-go-round With this very unpleasing sneezing and wheezing, the calliope crashed to the ground Some all-hot half-shot was headin' for the hot spot, snappin' his fingers, clappin' his hands And some fleshpot mascot was tied into a lover's knot with a whatnot in her hand And now young Scott with a slingshot finally found a tender spot and throws his lover in the sand And some bloodshot forget-me-not whispers, "Daddy's within earshot, save the buckshot, turn up the band" And she was blinded by the light Cut loose like a deuce, another runner in the night Blinded by the light She got down but she never got tight, but she'll make it alright Some brimstone baritone anti-cyclone rolling stone preacher from the East He says, "Dethrone the dictaphone, hit it in its funny bone, that's where they expect it least" And some new-mown chaperone was standin' in the corner all alone, watchin' the young girls dance And some fresh-sown moonstone was messin' with his frozen zone to remind him of the feeling of romance Yeah, he was blinded by the light Cut loose like a deuce, another runner in the night Blinded by the light He got down but he never got tight, but he's gonna make it tonight Some silicone sister with her manager's mister told me I got what it takes She said, "I'll turn you on, sonny, to something strong if you play that song with the funky break" And Go-Cart Mozart was checkin' out the weather chart to see if it was safe to go outside And little Early-Pearly came by in her curly-wurly and asked me if I needed a ride Oh, some hazard from Harvard was skunked on beer, playin' backyard bombardier Yes, and Scotland Yard was trying hard, they sent some dude with a calling card, he said, "Do what you like, but don't do it here" Well, I jumped up, turned around, spit in the air, fell on the ground and asked him which was the way back home He said, "Take a right at the light, keep goin' straight until night, and then, boy, you're on your own" And now in Zanzibar, a shootin' star was ridin' in a side car, hummin' a lunar tune Yes, and the avatar said, "Blow the bar but first remove the cookie jar, we're gonna teach those boys to laugh too soon" And some kidnapped handicap was complainin' that he caught the clap from some mousetrap he bought last night Well, I unsnapped his skull cap and between his ears I saw a gap but figured he'd be all right He was just blinded by the light Cut loose like a deuce, another runner in the night Blinded by the light Mama always told me not to look into the sights of the sun Oh, but Mama, that's where the fun is I was blinded I was blinded I was blinded Version 04 /1.01 April 2004

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TAINTED LOVE

Intro/Verse: G A# D# A#-C Sometimes I feel I've got to G A# D# A#-C Run away I've got to G A# D# A#-C Get away from the pain you G A# D# A# - C drive into the heart of me G A# D# A# - C The love we share seems to G A# D# A#-C go nowhere and I've G A# D# A#-C lost my light for I G toss and turn I can't sleep at night G Once I ran to you (I ran) A# Now I run from you D# This tainted love you've given C I give you all a boy could give you C Take my tears and that's not nearly all G A# D# A#-C Oh...tainted love G D# Tainted love Now I know I've got to Run away I've got to Get away You don't really want any more from me To make things right You need someone to hold you tight And you think love is to pray But I'm sorry I don't pray that way Refr Don't touch me please I cannot stand the way you tease I love you though you hurt me so Now I'm going to pack my things and go Tainted love, tainted love (x2) Touch me baby, tainted love (x2) Version 04 /1.01 April 2004

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3 x G Once I ran to you (I ran) A# Now I run from you D# This tainted love you've given C I give you all a boy could give you C Take my tears and that's not nearly all G A# D# A#-C Oh...tainted love G D# Tainted love

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LOVE IS DA SHIT Spearhead Say when you called me that night to tell me that things they weren't goin' alright with your boyfriend was it me or did you just need somebody to talk to Say is it you or the fact that I can't be near you that keeps you in the front of my mind when your breath is the last thing that you say when your voice goes away and a breath is the last thing that you say But the warmth of your lips on my fingertips won't go away when I drop my head in my hands and play the memory of that might in L.A. again and again and again because I can't think straight and I can't sleep late the few times we shared I try to recreate I know this is wrong better stop this talk cause grass can grow up through a crack in the sidewalk and what I see when I look in your eyes grass that's truly greenest sprouting inside I wasn't even looking when I realized that you had the vibe that was my fertilizer thought love in this world was dead and buried and gone how could I be so cynical when I was so young you hit me in the chest like and 808 boom I found love is the shit that makes life bloom! (chorus) Love is the shit that makes life bloom and you never know when you might step in it! love is the shit that makes life bloom and you never know when you might... But fate is like a pigeon that follows me around sometimes he flies ahead and he brings me what he found then he'll drop it on my head leave me numb from the brain down that's the way it was when I walked upon your ground The irrepressible and impermissable are the two things that have made my life miserable 'cause spirits don't leave if you don't talk about 'em and memories come back when you don't think aabout 'em I wish I had an ocean of some magic potion I'd trade all this emotion for a few moments of motion I've never felt this way some things can't be rehearsed now I'm grindin' up my gearbox tryin' to find reverse because... (chorus) (bridge) But I want to keep on walkin' Right through And let this fellin' rock me ooh-oooh! (repeat) "ya know fallin' in love is like easing into a hot tub. Version 04 /1.01 April 2004

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it feels good on your feet but by the time you get to your mid section you know your either gonna get all the way in or all the way out!" But music brings me comfort in this grieving hour the Sade tape tells me it's all over for now I listen read hard but don't dare play it loud 'cause I don't wanna think what you might be doin' now sometimes it feels like a bad initiation but you woke my hear from a long hibernation you were worth every risk so I gave my hear room and now I'm deep in the doo-doo that makes life bloom because... (chorus) (bridge) See the flowers bloomin' in the springtime see the bees zoomin' in the sunshine (repeat)

PEOPLE IN DA MIDDLE Speadhead I am not a muslim but I read the final call because within its pages there is something for us all and I am not professional but I love basketball the squeaking of the sneakers they echo in the hall But if I don't have enemies I'm not doin' my job I might throw out a curve ball but I never throw a lob people criticize me but I know it's not the end I try to kick the truth not just to make friends (chorus) but hey diddle diddle to the people in the middle we got hot wax and it cookin' on the griddle Got the guitar strummin' the drummer drummin' the people all hummin' and the vibe was lovin' on and on and on 'til the breakadawn I am not a jerk although sometimes I act like one and I am deadly serious about us havin' fun well I go many places but I know I'm not with you and I am not a sucker even though I'm stuck on you each one- should teach one and share with one anotha so many is out there-that's livin undercover your motha your fatha your sista your brotha your friends and their enemies all have their lovers (chorus) So tell me- the definition of a sell-out / cast your first stone-but then get the hell out /people say they know me I can tell you that they don't /people say they own me I can tell you that they won't the left and the right they all try to use me /but I'll be in they faces before they can abuse meso roll down ya window and listen what I'm sayin' relax ya mind and let the band keep playin'on and on and on 'til the breakadawn (chorus) Version 04 /1.01 April 2004

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KAILEIGH  ( H =3D B ) INTRO: I: Hm A F#m G A:I   Hm          A       F#m                 G      A        Hm   Do you remember, chalk hearts melting on a playground wall?             A       F#m                 G        A       Hm   Do you remember, dawn escaped from moonwashed college halls?             A       F#m                 G     A      Hm   Do you remember, the cherry blossom in the market square?             A        F#m                G     A      Hm   Do you remember, I thought it was confetti in our hair   A          F#m        G   A     Hm   By the way didn't I break your heart?             A         F#m             G     A    Hm   Please excuse me, I never meant to break your heart.        A      F#m           G      A     Hm   A   So sorry I never meant to break your heart.            F#m  G   But you broke mine.   Chorus     D   Kayleigh is it too late to say I'm sorry.   G                        D   Kayleigh could we get it together again.      D                             G           D   I can't go on pretending that it came to a natural end.   D   Kayleigh I never thought I'd miss you,        G                             D   and Kayleigh I'd hoped that we'd always be friends.       D   We said our love would last forever,      G=7F   so how did it come to this bitter end.    C#m         H      G#m              A        H         C#m   Do you remember, barefoot on the lawn with shooting stars             H      G#m            A         H     C#m   Do you remember, loving on the floor in Belsize Park             H      G#m            A      H       C#m   Do you remember, dancing in stilletos in the snow             H          G#m        A       H       C#m   Do you remember, you never understood I had to go.   H             G#m     A    H    C#m   By the way, didn't I break your heart ?             H        G#m            A     H    C#m     D                                 G      D   Please excuse me I never meant to break your heart To find you've found another lover to patch up our broken        H       G#m           A          C#m     H home.   So sorry, I never meant to break your heart, D Kayleigh, I'm still trying to write that love song,       G#m        A G D   But you broke mine. Kayleigh it's more important to me now you're gone.    D Maybe it'll prove that we were right Version 04 /1.01 April 2004 267 G Or it will prove that I was wrong.

Chorus   D   Kayleigh, I just want to say I'm sorry,       G                          D   but Kayleigh I'm too scared to pick up the phone.  

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BEDS ARE BURNING MIDNIGHT OIL E­|­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­|

B­|­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­| G­|­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­| D­|­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­| A­|­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­| E­|­­0­­0­­6­­7­­0­­0­­6­­7­­|­­0­­0­­4­­5­­0­­0­­3­­2­­| VERSE 1: Out where the river broke The bloodwood and the desert oak Holden wrecks and boiling diesels Steam in forty five degrees        E     E      The time has come E    D/E   D/E     To say fair's fair D/E  A/E   A/E     To pay the rent A/E  E     E     To pay our share        E     E     The time has come E    D/E   D/E          A fact's a fact D/E  A/E   A/E     It belongs to them A/E       F#     Let's give it back   CHORUS:                                               (little riff) Em                        C                G          E ­­­­­3­­3­­3­­5­­­­3 How can we dance when our earth is turning             Em                        C                D          B/D# How do we sleep while our beds are burning Em                        C                G          E ­­­­­3­­3­­3­­5­­­­3 How can we dance when our earth is turning             Em                        C                D How do we sleep while our beds are burning   END­CHORUS: The western desert lives and breathes     Em               C In forty five degrees The time has come to say fairs fair      G                    D CHORUS: to pay the rent, now to pay our share END­CHORUS:   HALF of CHORUS: LAST VERSE: then horn solo over end­chorus chords: END: Four wheels scare the cockatoos E(no 3rd) G A ... E(no 3rd) G A (slide >From Kintore East to Yuendemu CHORDS: Version 04 /1.01 April 2004

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E(no 3rd): 079900 E        : 07999x D/E      : 0777xx A/E      : 077655 F#       : 244322 Em       : 022000

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C        : 032010 D        : xx0232 G        : 320003 A        : x02220 B/D#     : x6444x 

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FLY LIKE AN EAGLE Yeah, think I better get up Doo...doo...du du ... Yeah ... Doo...doo...du du ... Love, love, love ... Doo...doo...du du ... Don't it baby? ... Time keeps on slippin' Into the future... Said Time keeps on slippin', slippin', slippin' Into the future.........oohhh Said I wanna fly like an eagle... to the sea Fly like an eagle let my spirit carry me, I wanna... fly... Fly right into the future.... I wanna feed the babies... said, who can't get enough to eat Wanna shoe the children... no shoes on their feet I wanna house the people... livin' in the street Oh yeah there's a solution Let me fly like and eagle... to the sea Fly like an eagle let that spirit carry me, I wanna Fly right into the future Time keeps on slippin', slippin', slippin' Into the future... Time flies don't it baby? Time keeps on slippin', slippin', slippin' Into the future... ...Ohhh. Time flies don't it baby? Keep on flying... keep on flying, ohhh ... Oh yeah, yeah Think I better get up... Don't it baby? Hey hey hey hey hey hey hey hey hey... I wanna fly like an eagle... to the sea Fly like an eagle let my spirits carry me, I wanna fly... Fly right into the future Lemme fly like an eagle ... to the sea ... Fly............ like an ea.....gle.... we'll /…………fly... Fly like an eagle let that spirit carry me, I wanna...fly.... Fly............... like an ea.....gle.... we'll fly... Fly right into the future Lemme fly like an eagle ... ... to the sea In a sky full of people ... only some want to fly, isn't that... crazy? ... Ohh hho ...oohh fly.... Fly............ like an ea.....gle.... I'm gonna fly... Version 04 /1.01 April 2004

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Fly............ like an ea.....gle.... I'm gonna fly... Fly............ like an ea.....gle.... I'm gonna fly... Am ----- /

/

/

//

Am--- / D--- / F--- /Am---

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LIKE THE WAY I DO Melissa Ehteridge

A7 Bb C Dm INTRO Dm Dm Dm Dm

Bb Bb

E A D G B e --------------------x 0 2 0 2 0 x 1 3 3 3 1 x 3 2 0 1 0 x x 0 2 3 1

Bb

C

Bb C Is it so hard to satisfy your senses? Bb you found out to love me you have to climb some C Bb C fences. Scratching and crawling along the floor to touch you Bb and just when it feels right you say you found someone to A7 hold you. Does she like I do? Baby tell me does she Dm Bb love you like the way I love you? Does she stimulate you, C attract and captivate you? Tell me does she miss you, Dm existing just to kiss you, like the way I do? Tell me does she want you, infatuate and haunt you? Bb Does she know just how to shock you, electrify and rock you? C Dm Does she inject you, seduce you and affect you like the way I do? Bb C Like the way I do? Can I survive all the implications? Bb C Even if I tried, could you be less than an addiction? Bb C Don't you think I know there's so many others Bb who would beg steal and lie, fight kill and die A7 just to hold you, hold you like I do? Baby tell me does she Dm Bb love you like the way I love you? Does she stimulate you, C attract and captivate you? Tell me does she miss you, Dm existing just to kiss you, like the way I do?

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Tell me does she want you, infatuate and haunt you? Bb Does she know just how to shock you, electrify and rock you? C Does she inject you, seduce you and affect you like the way I do? Bb Dm Oh, nobody loves you like the way I do. Bb Dm Nobody wants you like the way I do. Bb Dm Nobody needs you like the way I do. Bb Nobody aches, nobody aches just to hold you A7 like the way I do no no no no... Tell me does she Dm Bb love you like the way I love you? Does she stimulate you, C attract and captivate you? Tell me does she miss you, Dm existing just to kiss you like the way I do? Tell me does she want you, infatuate you and haunt you? Bb Does she know just how to shock you, electrify and rock you? C Dm Does she inject you, seduce you and affect you like the way I do no, Dm do? Dm Dm

like the way I Dm Bb Bb C Dm Dm

Bb Bb

C

Dm

Dm

Bb C C Dm Dm Bb C C Dm Dm ...fading........

Fingering| call this | 'real' name ---------|-----------------|--------------EADGBe | | x57555 | Dm (lo) | ? Dm(add7,9) ? x57765 | Dm (hi) | Dm | | xx3310 | F (lo) | ? Fsus4add7 xx3311 | F (hi) | ? Fsus4 | | x32010 | C (lo) | C x32030 | C (hi) | Cadd9 | | x02020 | A7 | A7 The intro and chorus follow one pattern of strumming & hi/lo fingering for each of the chords, the pattern is : -----o---o------------------o-o--------o-------o-x-x--o---o-o-o-----o-o-- pattern 1a, then ^ ^ ^ ^ ---o-o---o------------------o-o----------------o-x-x--o---o-o-o-----o-o-- pattern 1b The verse follows a second pattern : ^ ^ ^ ^ ---o--------------------------o--x-----------o----o--o---o---o------^ ^ ^ ^

pattern 2 and the bridge, a third:

-----o-------o----------------o)---------------------o------(o------^ ^ ^ ^

pattern 3

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BRING ME SOME WATER melissa etheridge

Am tonight I feel so weak but all in love is fair I turn the other cheek (stop) And I feel the slap and the sting of the foul night air D and I know you're only human Am And I haven't got talking room D But tonight while I'm makinng excuses Em (stop) Some other woman is making love to you (Chorus) Am G D Somebody bring me some water Am G D Can't you see I'm burning alive Am G D Can't you see my baby's got another lover Em I don't know how I'm gonna surive Am G D Somebody bring me some water Am G D Can't you see it's out of control Am G D Baby's got my heart baby's got my mind Em But tonight the sweet devil, sweet devil's got my soul when will this aching pass when will the night be through I want to hear the breaking glass I only feel the steel of the red hot truth And I'd do anything to get it out of my mind I need some insanity that temporary kind tell me how will I ever be the same when I know that woman is wispering you name Chorus Oh, devil's got my soul Chorus So I will. I think it sounds better when you play E instead of Em, and an A chord instead of Am. Play the A chord like this: E---|---|---|-X-|-A---|---|---|-X-|-D---|-X-|---|---|-G---|-X-|---|---|-B---|---|---|---|-E---|---|---|---|-Version 04 /1.01 April 2004

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OVER MY SHOULDER Mike & The Mechanics Intro:Am7 ­ D/D4  

           Am7  D       G        Am7            D            G 1. Looking back over my shoulder.I can see that look in your eyes    Am7             D           G    Am7           D            G    I never dreamed it could be over.I never wanted to say good bye              Am7  D       G        Am7            D          G 2. Looking back over my shoulder.With an aching deep in my heart    Am7       D             G    Am7                       D      G    I wish we were starting over.Oh instead we're drifting so far apart      F    C    Bb               C B: Everybody told me you were leaving    F     C        Bb             C    Funny I should be the last to know    F     C       Bb               C    Baby, please, tell me that I'm dreaming    Bb                           C    I just never want to let you go              Am7  D       G         Am7            D            G 3. Looking back over my shoulder. I can see that look in your eyes    Am7              D        G    Am7            D           G    Turning my heart over and over.I never wanted to say good bye      F       C    Bb        C B: I don't mind everybody laughing    F        C         Bb              C    But it's enough to make an old man cry     F           C           Bb                  C    'cause I can feel you're slipping through my fingers    Bb                           C    I don't even know the reason why    4. Whistle the melody      F    C   Bb            C B. Everyday it's a losing battle    F       C         Bb              C    Just to smile and hold my head up high    F        C  Bb          C    Could it be we belong together    Bb                               C    Baby, won't you give me one more try?             A Version 04 /1.01 April 2004

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   One more try              Am7  D       G 5. Looking back over my shoulder          Am7      D            G    I can see that look in your eyes            Am7     D           G    I never dreamed it could be over    Am7            D           G    I never wanted to say good bye  

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ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE --

(MONT I PYTHON)

     Am                 D            G               Em  Some things in life are bad they can really make you mad       Am                   D         G Other things just make you swear and curse              Am               D             G              Em When you're chewing a life's gristle don't grumble give a whistle     Am                                    D7  And this 'II help things turn out for the best      G      Em          Am     D7      G      Em   Am   D7 And always look on the bright side of life  G      Em          Am    D7      G     Em   Am   D7 Always look on the light side of life    Am               D              G                Em If life seems jolly rotten there's something you've forgotten     Am                  D                   G  and that's to laugh and smile and dance and sing.              Am             D     G              Em When you're feeling in the dumps don't be silly chumps       Am                                       D7  Just purse your lips and whistle ­ that's the thing     G      Em          Am     D7      G      Em   Am  D7 And always look on the bright side of life            G   Em          Am    D7        G     Em  Am  D7 Come on always look on the bright side of life     Am                D        G               Em  For life is quite absurd and death's the final word          Am              D              G  you must always face the curtain with a bow    Am             D              G          Em  Forget about your sin ­ give the audience a grin   Am                                D7  Enjoy it ­ it's your last chance anyhow.     G      Em          Am     D7      G      Em   Am  D7 So always look on the bright side of death  G      Em       Am           D7    G         Em   Am  D7 just before you draw your terminal breath  Am                D    G                Em  Life's a piece of shit when you look at it  Am                 D                   G  Life's a laugh and death's a joke it's true        Am             D             G               Em  You'll see it's all a show keep 'em laughing as you go      Am                                 D7  just remember that the last laugh is on you     G      Em          Am     D7      G     Em   Am  D7 And always look on the bright side of life  G      Em          Am    D7      G      Em   Am    D7  Always look on the right side of life  A      F#m         Bm    E7      A     F#m   Bm    E7  Version 04 /1.01 April 2004

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Always look on the right side of life  A      F#m         Bm    E7      A     F#m   Bm    E7  Always look on the right side of life ....

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SAY IT AINT SO MURRAY HEAD                                        

D                       Am7 Say it ain't so, Joe please, say it ain't so Em That's not what I wanna heard Joe          C               G Ain't I got a right to Know  D                     Am7 Say it ain't so, Joe please, say it ain't so Em I'm sure they telling us lies Joe,        C                  G Please tell us it ain't so.                     E They told us our hero has played his trump card Hm He doesn't know how to go on. F#m We're clinging to his charm and determined smile, D                       A But the good old days have gone.                     E The image and the empire may be failing apart Hm The money has gotten scarce F#m One man's world held to country together, D                      A But the truth is getting fierce                    D                       Am7 Say it ain't so, Joe please, say it ain't so Em We pinned our hope on you Joe         C                  G And they ruining our show.

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MUSIC WAS MY FIRST LOVE JOHN MILES Music was my first love And it will be my last, Music of the future And music of the past. To live without my music Would be impossible to do, In this world of troubles My music pulls me through. Music was my first love And it will be my last, Music of the future And music of the past. And music of the past. And music of the past Music was my first love And it will be my last, Music of the future And music of the past. To live without my music Would be impossible to do, 'Cause in this world of troubles My music pulls me through.

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POWER OF LOVE

Frankie goes to hollywood >From the single, also on Welcome to the Pleasuredome. The recording is in Eb (capo at 8th fret) Am^ I'll protect you from the Hooded Claw F^ Am^ keep the vampires from your door Am

aye

Am fire

ay

ye

ay

ye

F aye

F^

feels like

F I'm so in love with you

Am dreams are like angels

F they keep bad at bay (b.a.b)

Em F love is the light scaring darkness a away ye aaaa Am yay Em

F I'm so in love with you ?purge the soul Em

Em Em Em F Am make love your go--oal

[chorus]: Am F Em F the power of love a force from above ?cleaning my soul G F F[stop] flame on burn desire, love with tongues of G fire purge the soul F F [stop] make love

Am your goal

* e------------------0---------------5-0--------| B--3-3-1-3----3-1---------3-3-1-3------3--1---| G--------------------2---------------------2--| D---------------------------------------------| Am F I'll protect you from the Hooded Claw Em keep the vampires from your door F when the chips are down I'll be around Am with my undying death defying love for you Version 04 /1.01 April 2004

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F Em envy will hurt itself let yourself be beautiful F Am sparkling like flowers and pearls and pretty girls F love is like an energy Em F rushing in rushing inside of me hey yeah [chorus] [hold the last Am for a couple of extra bars] [bridge]: (c) F this time we go so blind Em lovers entwined divine, divine F love is danger, love is pleasure Em love is pure the only treasure (Am) (F) e--0-----------------------------------------| B-----10\-8\---------------1-----------------| G--------------------------------------------| D--------------------------------------------| I'm so in love with you, purge the soul (Em) (F) e-(8-7-----------------------------------------| B------8)------6-h8\-------1--------(1)---(3)--| G------------9---------------------------------| D----------------------------------------------| make love your go---oal Am F Em F the power of love a force from above ?cleaning my soul G F the power of love

G a force from above

F a skyscraping do---ove G F F flame on burn desire, love with tongues of G fire purge the soul F make love EADGBe xx2210 xx3211 x02210 x02230 133211 355433 022000

-

Am^ your goal

F^

Am^

F^

Am^ F^ Am Am(11) F G Em

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\ is a slide dowm p is a pull-off h is a hammer-on (c) at the beginning of the bridge is a single note, not the major chord *For the tab part between the first and second verses, you can play it over(/at the same time as) Am, G(III): Am(11) G G Am G Am e----------------------------------5-0---------| B--3-3-1-3----3----5------3-3-1-3--3---3-\1----| G--2-2---4----4--5---2----2-2---4--4-------2---| D--2-----5----5------2----2-----5--3-------2---| A--0-----5----5-----------0-----5--5-------0---| or over Am

G(0):

* Am(11)G Am G Am e--------3--------0----------------5p0---------| B--3-3-1-3----3-1---------3-3-1-3--3---3-\1----| G--2-2---0----------2-----2-2------0-------2---| D--2-----0----------2-----2-------(0)------2---| A--0-----2----------0-----0----------------0---| E--------3-------------------------------------| or forget the Gs completely and just play it over Am: * Am e-----------------0---------------/5p0---------| B--3-3-1-3----3-1---------3-3-1-3------3-p1----| G--2-2-2-2----2-2---2-----2-2-2------------2---| D--2-----2----2-----2-----2----------------2---| A--0-----0----------0-----0----------------0---| E----------------------------------------------|

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MAD WORLD Michael Andrews Fm, bB (2x) Fm G# D# bB 1. All around me are familiar faces, worn out places, worn out faces. Fm G# D# bB Right an’ early for the daily races, going nowhere, going nowhere. Fm G# D# bB The tears are filling up their glasses, no expression, no expression. Fm G# D# bB Hide my head I wanna drown my sorrow, no tomorrow, no tomorrow. Chorus: Fm bB Fm And I find it kind of funny, I find it kind of sad. bB Fm The dreams in which I’m dying all the best I’ve ever had. bB Fm I find it hard to tell you, I find it hard to take. bB When people run in circles, it’s a very very Fm bB Fm bB ...mad world ...mad world. 2. Children waiting for the day they feel good, happy birthday, happy birthday. When I feel the way that every child should sit and listen, sit and listen. Went to school and now is very nervous, no one knew me, no one knew me. Hallo teacher, tell me what’s my lesson, look right thru me, look right thru me. Chorus: Fm bB Fm And I find it kind of funny, I find it kind of sad. bB Fm The dreams in which I’m dying all the best I’ve ever had. bB Fm I find it hard to tell you, I find it hard to take. bB When people run in circles, it’s a very very Fm bB Fm bB ...mad world ...mad world. Fm bB Fm bB ...enlarging your ...mad world

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DOCK OF THE BAY OTIS REDDING G    VERSE 1:

G                      B7 Sittin' in the morning sun         C                      A I'll be sittin' in the evenin' calm G                       B7 Watchin' the ships roll in           C                    A Then I'll watch 'em roll away again, yeah G                           E Sittin' on the dock of the bay                G        E Watchin' the tide roll away G                           A Sittin' on the dock of the bay           G    E     G Wastin' time.     Verse 2: I left my home in Georgia, Headed for the Frisco Bay. Im have nothin' to live for, Look like nothin' gonna come my way So I'm just gonna sit on the dock of the bay, Watchin' the tide roll away. Sittin' on the dock of the bay, Wastin' time.   Tussenspel: G        D    C    Looks like nothin's gonna change G        D     C    Ev'ry thing still remains the same G    D                 C      G          F    I can't do what the people tell me to do                      D               G    So I guess I'll remain the same   Verse 3: Sittin' here restin' my bones, And this loneliness won't leave me alone. Two thousand miles I roam Just to make this dock my home, mmm Now I'm just sittin' on the dock of the bay, Version 04 /1.01 April 2004

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Watchin' the tide roll away Sittin' on the dock of the bay, Wastin' time.   G G G E G G G E

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DREAM A LITTLE DREAM MAMAS & PAPAS ( MAMA CASS )

I play this with Capo on 5 C Stars C Night F Birds C Dream

B7 Ao G7 shining bright above you B7 A7 breezes seem to whisper 'I love you' Fm singing in a sycamore tree G+ G7 a little dream of me

Say 'nighty-night' and kiss me Just hold me tight and tell me you'll miss me While I'm alone and blue as can be Dream a little dream of me A A6 E7 A A6 E7 Stars fading but I linger on dear, still craving your kiss A A6 E7 A G# G7 I'm longing to linger till dawn, dear, just saying this ... Sweet dreams till sunbeams find you Sweet dreams that leave all worries far behind you But in your dreams whatever they be Dream a little dream of me Ao=xx1212 G+=xx1003 G#=466544

or

xx5443

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GUANTANAMARA LYRICS: JOSE MARTI,  MUSIC ADAPTED BY PETE SEEGER)

INTRO: D EM A A (X2)           D         Em   A         D        Em   A Yo soy un hombre sincero, de donde crece la palma           D         Em A           G            A Yo soy un hombre sincero, de donde crece la palma            D       Em   A           D         Em A Y antes de morirme quiero echar mis versos de alma         G            A        D           A CHORUS: Guantanamera, guajira guantanamera         D       Em A          D       Em A         Guantanamera, guajira guantanamera Mi verso es de un verde claro y de un carmin encendido (words 2x) Mi verso es un ciervo herido que busca en el monte amparo

Con los pobres de la tierra quiero yo mi suerte echar (words 2x) El arroyo de la sierra me complace mas que el mar

WE SHALL OVERCOME Pete Seeger  

C        F   C We shall overcome          F   C    Am We shall overcome C        F G Am   Dm  G   Dm We shall overcome someday   Refrein: G  F          C Oh deep in my heart F C    Am         C        F   C    G   C    F C I do believe that we shall overcome someday     We'll walk hand in hand (2x) We are not afraid (2x) We'll walk hand in hand someday We are not afraid today     We shall live in peace (2x) Version 04 /1.01 April 2004

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We shall live in peace someday   ­ The truth will make us free ­ We shall brothers be

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­ We shall once be free ­ The whole wide world around ­ We shall see the Lord ­ We shall overcome

290

BIKO

(PETER GABRIEL)

A                   D  September '77, Port Elizabeth weather fine        A                    D  It was business as usual in police room 619    A                   D  Oh Biko, Biko, because Biko    A                   D  Oh Biko, Biko, because Biko  G         Bm  Hiromija, Hiromija     D                A  The man is dead, the man is dead.  A                                  D  When I try to sleep at night I can only dream in red     A                                          D  The outside world is black and white with only one colour dead    A                   D  Oh Biko, Biko, because Biko    A                   D  Oh Biko, Biko, because Biko  G         Bm  Hiromija, Hiromija     D                A  The man is dead, the man is dead  A                                     D  You can blow out a candle but you can never blow out a fire          A                         D  Once the flames begin to catch the wind will blow it higher    A                   D  Oh Biko, Biko, because Biko    A                   D  Oh Biko, Biko, because Biko  G         Bm  Hiromija, Hiromija     D                A  The man is dead, the man is dead  A                             D  And the eyes of the world are watching you now         A  They're watching you now.

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PUFF, THE MAGIC DRAGON Peter, Paul & Mary 1. STROPHE: G HM C G PUFF, THE MAGIC DRAGON LIVED BY THE SEA C G EM A D AND FROLICKED IN THE AUTUMN MIST IN A LAND CALLED HONAH LEE. G HM C G LITTLE JACKIE PAPER LOVED THAT RASCAL PUFF, C G EM A D G D7 AND BROUGHT HIM STRINGS AND SEALING WAX AND OTHER FANCY STUFF. REFRAIN (MELODIE WIE STROPHE): PUFF, THE MAGIC DRAGON LIVED BY THE SEA AND FROLICKED IN THE AUTUMN MIST IN A LAND CALLED HONAH LEE PUFF, THE MAGIC DRAGON LIVED BY THE SEA AND FROLICKED IN THE AUTUMN MIST IN A LAND CALLED HONAH LEE REFRAIN: 2. STROPHE: TOGETHER THEY WOULD TRAVEL ON A BOAT WITH BILLOWED SAIL, JACKIE KEPT A LOOKOUT PERCHED ON PUFF'S GIGANTIC TAIL, NOBLE KINGS AND PRINCES WOULD BOW WHENE'ER THEY CAME, PIRATE SHIPS WOULD LOW'R THEIR FLAG WHEN PUFF ROARED OUT HIS NAME. OH! REFRAIN: 3. STROPHE: A DRAGON LIVES FOREVER BUT NOT SO LITTLE BOYS. PAINTED WINGS AND GIANT RINGS MAKE WAY FOR OTHER TOYS. ONE GREY NIGHT IT HAPPENED, JACKIE PAPER CAME NO MORE AND PUFF THAT MIGHTY DRAGON, HE CEASED HIS FEARLESS ROAR. OH! REFRAIN: 4. STROPHE: HIS HEAD WAS BENT IN SORROW, GREEN SCALES FELL LIKE RAIN, PUFF NO LONGER WENT TO PLAY ALONG THE CHERRY LANE. WITHOUT HIS LIFE-LONG FRIED, PUFF COULD NOT BE BRAVE SO PUFF THAT MIGHTY DRAGON, SADLY SLIPPED INTO HIS CAVE. OH! REFRAIN:

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IF I HAD A HAMMER ( PETER, PAUL & MARY ) EINLEITUNG: C  AM  F  G

G          C    Am  F  G             C      Am  F   If I had a hammer, I'd hammer in the morning G                 C  Am F  G        F    G I'd hammer in the evening, all over this land G              C  Am  F    G          C      Am  F I'd hammer out danger, I'd hammer out warning G              F    C          F               C I'd hammer out love between my brothers and my sisters F   G         C   Am  F  G all over this land G          C  Am  F  G           C      Am  F If I had a bell, I'd ring in the morning G               C  Am F  G        F    G I'd ring in the evening, all over this land G            C  Am  F    G        C      Am  F I'd ring out danger, I'd ring out warning G            F    C          F               C I'd ring out love between my brothers and my sisters F   G         C   Am  F  G all over this land G          C  Am  F  G           C      Am  F If I had a song, I'd sing in the morning G               C  Am F  G        F    G I'd sing in the evening, all over this land G            C  Am  F    G        C      Am  F I'd sing out danger, I'd sing out warning G            F    C          F               C I'd sing out love between my brothers and my sisters F   G         C   Am  F  G all over this land G          C  Am  F   G       C   Am  F If I got a hammer and I got a bell G           C    Am F    G        F    G and I got a song to sing all over this land G                C  Am F  G              C      Am  F  It's a hammer of justice, it's a bell of freedom G                 F    C          F               C It's a song about love between my brothers and my sisters F   G         C  Am  F  G  F   G         C  Am  F  G  F   G all over this land,        all over this land,        all over

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ANOTHER BRICK INT THE WALL PINK FLOYD

   e 1. We don`t need no education,      We don`t need no thought control,     No dark sarcasm in the classroom                                       A     teacher, leave them kids alone !                                     e     Hey, teacher, leave them kids alone! G                          D                      e     All in all it`s just a ­ nother brick in the wall. G                            D                      e     All in all you`re just a ­ nother brick in the wall.     e 2. We don`t need no education,     we don`t need no thought control,     no dark sarcasm in the classroom,                                     A     teacher, leave us kids alone!                                   e     Hey, teacher, leave us kids alone! G                            D                      e     All in all you`re just a ­ nother brick in the wall. G                            D                      e     All in all you`re just a ­ nother brick in the wall.                           (Pink Floyd)

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WHISH YOU WHERE HERE WYCLEF JEAN

Em / G / Em / G / Em All song using acoustic guitars

/

Am7

/

Em

/

Am7

/

G

/

G

Intro: G e:----------------|--3---3-3-3--|-------------|--3---3-3-3----| B:----------------|--3---3-3-3--|-------------|--3---3-3-3----| G:----------------|--0---0-0-0--|-----0-------|--0---0-0-0----| D:----------0--2--|--2---2-2-2--|--2-----2--0-|--0---0-0-0----| A:-----0/2--------|-------------|-------------|---------------| E:--3-------------|-------------|-------------|---------------| e:----------------|--3---3-3-3--|--------------|--3--3-3-3--------| B:----------------|--3---3-3-3--|--------------|--3--3-3-3--------| G:----------------|--0---0-0-0--|--------------|--0--0-0-0--------| D:----------0--2--|--2---2-2-2--|--2--0--------|--0--0-0-0--------| A:-----0/2--------|-------------|--------2--0--|------------------| E:--3-------------|-------------|--------------|------------------| e:---------------3--3-3-3-3--3-3-3-3-3--| B:---------------3--3-3-3-3--3-3-3-3-3--| G:---------------0--0-0-0-0--0-0-0-0-0--| D:-------0-------0--0-0-0-0--0-0-0-0-0--| A:--0/2----------2--2-2-2-2--2-2-2-2-2--| E:----------3----3--3-3-3-3--3-3-3-3-3--| C D So, so you think you can tell, Am G heaven from hell? Blue skies from pain? D C Can you tell a green field, from a cold steel rail? Am G G C Do you think you can tell? Did they get you to trade, D Am your heroes for ghosts? Hot ashes for trees? G D Hot air for a cool breeze? Cold comfort for change C And did you exchange, a walk-on part in the war, Am G a walk-on part in the war, for a lead role in a cage... Play Intro.............. C D How I wish, how I wish you were here Am G D We're just two lost souls swimming in a fishbowl, year after year C Am Running over the same old ground, what have we found - the same old fears? G Wish you were here Play Intro................

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ROXANNE

Am

- Em

1. Roxanne,

F

- Em

you don't have to put on the red light,

Dm

G

Am

those days are over, you don't have to sell your body to the night. \

Em

Roxanne,

F

- Em

you don't have to wear that dress tonight,

Dm

G

Am

walk the streets for money, you don't care if it's wrong or if it's right. Dm

G

Roxanne, Dm

Am you don't have to put on the red light,

G

Roxanne,

Am you don't have to put on the red light.

G C

F G

Roxanne(put on the red light), Roxanne(put on the red light), G Am

F C

Roxanne(put on the red light), Roxanne(put on the red light), F G

Am

Roxanne(put on the red light). Oh! Am

Em

2. I loved you since I knew you, Dm

F

- Em

I wouldn't talk down to you,

G

Am

I have you to tell just how I feel, I won't share you with another boy. \

Em

F

- Em

I know my mind is made up, so put away your make up, Dm

G

Am

told you once I won't tell you again, it's a bad way. Dm

G

Roxanne, Dm

Am you don't have to put on the red light,

G

Roxanne,

Am you don't have to put on the red light

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+ CHORUS + CHORUS and fade.

FRAGILE

Em Am If blood will flow when flesh and steel are one H7 Em Drying in the color of the evening sun Em Am Tomorrow's rain will wash the stains away H7 But something in our minds will always stay Em Perhaps this final act was meant Am To clinch a lifetime's argument H7 That nothing comes from violence Em and nothing ever could Em For all those born beneath an angry star H7 Let's we forget how fragile we are

Em

Am Em

Am Em On and on the rain will fall Em Em Like tears from a star like tears from a star Am Em On and on the rain will say Em How fragile we are Em How fragile we are Intro/Thema - Solo Refrain 1 X

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MESSAGE IN A BOTTLE   e             D       A              e        D       A­e 1.  Just a castaway, on an island lost at sea,                   D        A            e           D          A­e     another lonely day, with no one here but me.               D       A              e      D             A­e     More loneliness, than any man could bear,                 D        A      e     D          A­e     rescue me before I fall into despair. G                     C­D               G                           C­D  G     I'll send an SOS to the world,  I'll send an SOS to the world,                      e                           G                      e I hope that someone gets my,    I hope that someone gets my, G                      e     I hope that someone gets my      h                     G      h­G    h                     G       h­G message in a bottle,       message in a bottle.    h                     G      h­G    h                     G       e message in a bottle,        message in a bottle.           D            A                       e            D ­ A ­ e 2.  A year has passed since I wrote my note,          D                        A             e                     D ­ A ­ e     but I should have known this right from the start.       D      A             e      D       A   e     Only hope can keep me together,                      D             A            e             D               A­e     love can mend your life, but love can break your heart. + REFR.                     D           A   e                  D                  A ­ e 3. Walked out this morning, don't believe what I saw,                       D        A            e              D          A ­ e     a hundred billion bottles, washed up on the shore.                       D      A          e        D­A­e     Seems I'm not alone at being alone,                       D        A       e                  D       A  e     a hundred billion castaways, looking for a home. + REFRAIN       e           C        D  e                  C       D  e     Sending out an SOS, Sending out an SOS.. (rep. and fade) (The Police)

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KISS

PRINCE

A7 U don't have to be beautiful, 2 turn me on I just need your body baby, from dusk till dawn D7 U don't need experience 2 turn me out A7 U just leave it all up to me I'm gonna show u what it's all about Refrain: E7 U don't have to be rich to be my girl D7 U don't have 2 be cool 2 rule my world E7 Ain't no particular sign I'm more compatible with D7 E9sus4 A7 I just want your extra time and your kiss ! U U I U

gotta not talk dirty baby, if U wanna impress me can't be 2 flirty mama, I know how 2 undress me want 2 be your fantasy, maybe U could be mine just leave it all up to me, we could have a good time

Refrain A7 Women, not girls, rule my world I said they rule my world Act your age mama, not your shoe size Maybe we could do the twirl D7 You don't have 2 watch Dynasty 2 have an attitude A7 U just leave it all up 2 me My love will be your food Refrain

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COME AS YOU ARE

NIRVANA

Main Riff: E---------------------------------------------| B---------------------------------------------| G---------------------------------------------| D---------------------------------------------| A---------------0-----0--------------2--------| E--0--0--1--2------2-----2--2--1--0-----0--0--|

F# A H D

244322 x02220 224442 x00232

Verse1: F# A Come as you are, as you were H D As I want you to be F# A As a friend, as a friend H D As an old enemy F# A Take your time, hurry up H D The choice is your F# A Don't be late, take a rest H D As a friend F# A As an old memoria F# A F# A F# A memoria , memoria , memoria Verse2: F# A Come dowsed in mud, soaked in bleach H D As I want you to be F# A As a trend, as a friend F# A As an old memoria F# A F# A F# A memoria , memoria , memoria Bridge: F# A H D And I swear that I don't have a gun H D No I don't have a gun H D No I don't have a gun F# A F# A F# A F# A memoria , memoria , memoria , memoria Outro: F# A H D And I swear that I don't have a gun H D No I don't have a gun

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H No I don't H No I don't H No I don't H No I don't F# A memoria

D have a gun D have a gun D have a gun D have a gun

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DANCING IN THE MOONLIGHT Toploader Chords: Fm 133111 Bb 113331 Eb x65343 Eb/D x55343 Cm x35543

Fm Bb Eb Eb/D Cm We get in on most every night when that moon is big and bright Fm Bb Eb Eb/D Cm It's a supernatural delight everybody's dancing in the moonlight Fm Bb Eb Eb/D Cm Everybody here is out of sight they don't bark and they don't bite Fm Bb Eb Eb/D Cm they keep things loose they keep it tight everybody's dancing in the moonlight Fm Bb Eb Eb/D Cm Dancing in the moonlight Everybody's feeling warm and bright Fm Bb Eb Eb/D Cm It's such a fine and natural sight everybody's dancing in the moonlight Fm Bb Eb Eb/D Cm We like our fun and we never fight you can dance and stay uptight Fm Bb Eb Eb/D Cm it's a supernatural delight everybody was dancing in the moonlight Fm Bb Eb Eb/D Cm Dancing in the moonlight Everybody's feeling warm and bright Fm Bb Eb Eb/D Cm It's such a fine and natural sight everybody's dancing in the moonlight Fm Bb Eb Eb/D Cm We get in on most every night when that moon is big and bright Fm Bb Eb Eb/D Cm It's a supernatural delight everybody's dancing in the moonlight Fm Bb Eb Eb/D Cm Dancing in the moonlight Everybody's feeling warm and bright Fm Bb Eb Eb/D Cm It's such a fine and natural sight everybody's dancing in the moonlight Fm Bb Eb Eb/D Cm Dancing in the moonlight Everybody's feeling warm and bright Fm Bb Eb Eb/D Cm It's such a fine and natural sight everybody's dancing in the moonlight Fm Bb Eb Eb/D Cm Dancing in the moonlight Everybody's feeling warm and bright Fm Bb Eb Eb/D Cm It's such a fine and natural sight everybody's dancing in the moonlight Fm Bb Eb Eb/D Cm Dancing in the moonlight Everybody's feeling warm and bright Fm Bb Eb Eb/D Cm It's such a fine and natural sight everybody's dancing in the moonlight Fm Bb Eb Eb/D Cm Dancing in the moonlight Everybody's feeling warm and bright Fm Bb Eb Eb/D Cm It's such a fine and natural sight everybody's dancing in the moonlight

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ENGLISHMAN IN NEW YORK

STING

G A Bm7 I don't drink coffee I take tea my dear G A Bm7 I like my toast done on the side G A Bm7 And you can hear it in my accent when I talk G A Bm7 I'm an Englishman in New York G A Bm7 G A Bm7 See me walking down Fifth Avenue, a walking cane here at my side G A Bm7 G A Bm7 I take it everywhere I walk, I'm an Englishman in New York Chorus G A O-ho I'm an alien, I'm a legal G A Bm7 I'm an Englishman in New York G A O-ho I'm an alien, I'm a legal G A Bm7 I'm an Englishman in New York

Bm7 alien Bm7 alien

G A Bm7 If "manners maketh man" as someone said G A Bm7 Then he's the hero of the day G A Bm7 It takes a man to suffer ignorance and smile G A Bm7 Be yourself no matter what they say ->Refrain D A A7 Modesty, propriety can lead to notoriety Bm7 F# You could end up as the only one G A Gentleness, sobriety are rare in this society G Bm7 At night a candle's brighter than the sun G A Bm7 Takes more than combat gear to make a man G A Bm7 Takes more than license for a gun G A Bm7 Confront your enemies, avoid them when you can G A Bm7 A gentleman will walk but never run repeat first verse & Chorus

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OVER THE RAINBOW Harold Arlen, E.Y.Harburg performed by Eva Cassidy (capo 1st fret) G >> Em Bm G7(III) C Cm(III) G G7 >> C Somewhere over the rainbow way up high C Cm(III) G >> Em Am7 D7sus D7 G C D7 There's a land that I heard of once in a lullaby G >> Em Bm G7(III) C Cm(III) G G7 >> C Somewhere over the rainbow skies are blue C Cm(III) G >> Em Am7 D7sus D7 G C D7 And the dreams that you dare to dream really do come true G C Someday I'll wish upon a star D G >> Em C D7sus D7 and wake up where the clouds are far behind me G F#7 Where troubles melt like lemon drops Bm D+ Am7 D7 away above the chimney tops, that's where you'll find me [break, then repeat second section] G >> Em Bm G7(III) C Cm(III) G G7 Somewhere over the rainbow skies are blue C Cm(III) G >> Em Am7 D7sus And the dreams that you dare to dream really C If happy little bluebirds fly D7 C5add9 Ab(IV) above the rainbow, why oh why can't I?

>> C D7 G do come true G(III)

--------------------------------------------------------------------Notes: The ">>" notation means to "walk" from the first chord to the second: G >> Em G7 >> C E---3--------0--|---1--------0--B---0--------0--|---0--1--3--1--G---0--------0--|---0--------0--D---0--------2--|---0--------2--A---2--------2--|---2--0--2--3--E---3---2----0--|---3-----------Unusual chords: D7sus D+ C5add9 E---3------2------3--B---1------3------3--G---2------3------5--D---0------X------5--A---0------1------3--E---X------X------3---

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EVERY BREATH YOU TAKE, POLICE          G                  G        1. Every breath you take                           e           Every move you make                            C           Every bond you break                           D           Every step you take                             G           I'll be watching you                         G        2. Every single day                               e           And every word you say                           C           Every game you play                            D           Every night you stay                           G           I'll be watching you                         C                 G      Ref: Oh can't you see, you belong to me                          e                           D           My poor heart aches, with every breath you take                               G        3. And every move you make                              e           And every vow you break                            C           Every smile you fake                            D           Every claim you stake                             e           I'll be watching you           REF          e                                                  G        4. Since you've being gone I've being lost without a trace                                                     e           All trough the night I can only see your face                                                 G           I look around but it's you I can't replace                                                e           I feel so lonely I long for your embrace                                         G           I keep callin' , baby, baby please        5. Strophe 3 wiederholen Version 04 /1.01 April 2004

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KILLER QUEEN QUEEN            Am             G She keeps Moet et Chandon in her pretty cabinet,  Am                           G              C Let them eat cake' she says, just like Marie Antoinette.             G            C7          F A built­in remedy  for Kruschev and Kennedy,      Fm       C           Dm           G At anytime an invitation you can't decline.  E          Am          G7              C             H7          Em Caviar and cigarettes, well versed in etiquette, extraordinarily nice.            G      Hm     Em         Hm She's a Killer Queen, gunpowder, gelatine  Em              Hm dynamite with a laser beam.   E             A             G Guaranteed to blow your mind. Anytime  F#         Hm               E          C          G Recommended at the price, insatiable an appetite. Wanna try?        Am                     G To avoid complications she never kept the same address, Am                     G                C in  conversation she spoke just like a baroness.                  G          C7             F Met a man from China, went down to Geisha Minah   Fm             C                    G Then again, incidentally, if you're that way inclined.                       E              Am Perfume came naturally from Paris.      G7                C             H7           Em For cars she couldn't care less, fastidious and precise.           G      Hm     Em         Hm She's a Killer Queen, gunpowder, gelatine  Em              Hm dynamite with a laser beam.   E             A             G Guaranteed to blow your mind. Anytime  F#         Hm               E          C          G Recommended at the price, insatiable an appetite. Wanna try?    Am­G­Am­G­C    G­C7­F­Fm­C­G            E            Am          E           Am Drop of a hat she's as willing as playful as a pussy cat,       G          C               G          C then momentarily out of action, temporarily out of gas.    H7           Em   D   G­D   G­D              Em To absolutely drive you wild, wild.  (She's all out to get you)             G      Hm     Em         Hm She's a Killer Queen, gunpowder, gelatine Version 04 /1.01 April 2004

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 Em              Hm dynamite with a laser beam.   E             A             G Guaranteed to blow your mind. Anytime  F#         Hm               E          C          G Recommended at the price, insatiable an appetite. Wanna try?

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SLOOP JOHN B

1.

Ref.:

BEACH BOYS

G We come out in the Sloop John B, my grandfather and me G D Around Nassau town we did roam, G C Am7 Drinking all night, got into a fight G D7 G Well I feel so broke up, I wanna go home G So hoist up the John B sail, G See how the main sail set G D Call for the Captain ashore, let me go home G C Am7 Let me go home, I wanna go home - oh yeah G D7 G Well, I feel so broke up, I wanna go home G The first mate he got drunk,he broke into the Captains trunk G D A constable had to come and take him away G C Am7 Sheriff John Stone, why don't you leave me alone G D7 G Well, I feel so broke up, I wanna go home

Ref.:

3.

Ref.:

G So hoist up the John B sail, G See how the main sail set G D Call for the Captain ashore, let me go home G C Am7 Let me go home, I wanna go home - oh yeah G D7 G Well, I feel so broke up, I wanna go home G The poor cook he got the fits, he G Then he took and ate up all of my G Let me go home, why don't you let G D7 This is the worst trip, I've ever

threw away all my grits D corn C Am7 me go home G been on

G So hoist up the John B sail, G See how the main sail set G D Call for the Captain ashore, let me go home G C Am7 Let me go home, I wanna go home - oh yeah G D7 G Well, I feel so broke up, I wanna go home

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WE ARE THE CHAMPIONS              Am    Em         Am I've paid my dues, time after timem Em           Am       Em              Am I've done my sentence but comitted no crime. G          C      F           C And bad mistakes, I've made a few. F           C             G            Am        D         G  Em C7 I've had my share of sand kicked in my face, but I've come through D          F#m                 Hm G A   D             F#m We are the champions, my friend.    And we'll keep on fighting          G H  Em              G                D till the end. We are the champions, we are the champions, D           Am7            F          G    Am          Dm No time the losers, 'cause we are the champions of the world.               Am   Em             Am     Em             Am I've taken my bows and my curtain calls, you brought me fame, Em           Am       Em              Am and fortune and everything that goes with it.I thank you all.                  Am     Em     Am          Em            C But it's been no bed of roses, no pleasure cruise.I consider F           C             G            Am        D         G  Em C7 it a challenge before the human race, and ain't gonna loose.

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WE WILL ROCK YOU Queen

Am Buddy, you`re a boy, make a big noise playing in the street, gonna be a big man someday. You got mud on your feet, you big disgrace, G

Am

kicking your can all over the place. Singing Am

G

Am

G

Am

We will, we will rock you, we will, we will rock you. Am Buddy, you`re a young man, hard man shouting in the street, gonna take on the world someday. You got blood on your face, you big disgrace, G

Am

waving your banner all over the place. Am

G

Am

G

Am

We will, we will rock you, singing we will, we will rock you. Am Buddy, you`re on old man, poor man pleading with your eyes, gonna make you some peace someday. You got mud on your face, you big disgrace, G

Am

somebody better take you back in your place. Am

G

Am

G

Am

We will, we will rock you, singing we will, we will rock you, Am

G

Am

everybody we will, we will rock you, come on G

F

D~

We will, we will rock you

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CRAZY LITTLE THING CALLED LOVE D*

G

This thing,

C

called love, I just

D*

can't

handle it,

G

this, thing,

G G

C

C G

called love, I must, get round to it,

D I anit ready,

x1333x

x3555x

D

Crazy little thing called love.

This thing, called love, it cries, in craddle at night, it swings, it jives, it shakes, all overlike a jelly-fish, I kinda like it, Crazy little thing called love. G

C

G

There goes my baby, she knows how to rock and roll, Bb

E

A

She drives me crazy, she gives me hot and cold fever, D---3--then she leaves me in a cool, cool sweat. A-5-4-3------------E-----------5-4-3---

A-------------EEEEEE

E-5-53--2--0---

I gotta be cool, relax, get hip, get on my tracks, take a back seat, hitch-hike And take a long ride on my motor bike until I'm ready, Crazy Little thing called love. during the guitar solo: Bb Bb

D/A D D/A E A

D---3---A-5-4-3-------------E------------5-4-3--EEEEEEA

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THE GREAT PRETENDER

(BUCK RAM)

as recorded by Freddie Mercury

Intro: G C G C G C D G G7 Oh yes, I'm the Great Pretender, C G G7 Pretending I'm doing well. C D G C C # My need is such, I pretend too much, G C D G I'm lonely but no one can tell G C D G G7 Oh yes, I'm the great pretender, C G G7 Adrift in a world of my own C D G C C # I play the game, but to my real shame G C D G You've left me to dream all alone. C G Too real is this feeling of make believe, C G D Too real when I feel what my heart can't conceal G C C G G7 Oh yes, I'm the great pretender C G G7 Just lauging and gay like a clown C D G C C # I seem to be, what I'm not, you see, G D Bmin C C # I'm wearing my heart like a crown, G C D G Pretending that you're still around C G D D # Too real when I fell what my heart can't conceal (everything moves up 1/2 step) G# C # C # G # G#7 Oh yes, I'm the great pretender C# G# G#7 Just lauging and gay like a clown C# D# G# C # C # I seem to be, what I'm not, you see, G# D# B#min C# D I'm wearing my heart like a crown, G# C# Pretending that you're... G# C# G# Pretending that your're.... still around... Outro: G# - C# - D# Version 04 /1.01 April 2004

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SWEET CHILD O` MINE

D–C–G–D D 1.

She's got a smile that it seems to me, C reminds me of childhood memories, G

D

where everything was as fresh as the bright blue sky. Now and then when I see her face, C she takes me away to that special place, G

D

and if I stay too long, I'd probably break down and cry. A

C

G

D

Oh oh oh oh, sweet child of mine. A

C

G

D

Oh oh oh oh, sweet love of mine. D

C

2. She's got eyes of the bluest sky, and if they thought of rain, G

D

I hate to look into those eyes, and see an ounce of pain. Her hair reminds me of a warm, safe place, C where as a child I'd hide, G

D

and pray for the thunder, and the rain to quietly pass me by. + CHORUS + CHORUS E - G - A - C - D E

G

A

-C-D

Where do we go, where do we go now, where do we go ? (5 x ) E

G

A

Sweet child,

C-D

E

sweet child of mine.

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HIT THE ROAD, JACK ­ RAY CHARLES 

Hit the [Am] Road Jack [G] and [F] don'tcha come [E] back No [Am] more no [G] more no [F] more no [E] more, Hit the [Am] Road Jack [G] and [F] don'tcha come [E] back No [Am] more  [G]  [F] [E]          "What'd you say"          ... Chorus ... Old [Am] woman old [G] woman, oh you [F] treat me so [E] mean, You're the [Am] meanest old [G] woman that I [F] ever have [E] seen, Well I [Am] guess if [G] you say [F] so [E] I'll [Am] have to pack my [G] things and [F] go [E] *that's right*          ... Chorus ...          "What'd you SAY?!?!"          ... Chorus ...    Now [Am] Baby, listen [G] Baby, don't you [F] treat me this­a [E]  way    'Cause [Am] I'll be [G] back on my [F] feet some[E]day,    *Don't [Am] care if you [G] do, cause it's [F] under[E]stood,*    *You [Am] got no [G] money, and you [F] just ain't no [E] good*    Well I [Am] guess if [G] you say [F] so [E]    I'll [Am] have to pack my [G] things and [F] go *that's [E] right*

         ... Chorus ...          "What'd you SAY?!?!"          ... Chorus ... Coda    Repeat [Am] [G] [F] [E] ...    "Well ...     Uh, whud jou say?     I didn't understand you. Version 04 /1.01 April 2004

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    You can't mean that ...     Aw now Baby, Please.     What you tryin to do to ME!?"     And Fade.

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BY THE WAY INTRO: (F)             (C)             (AM) E­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ H­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­5­5­5­5­5­5­5­5­5­5­5­5­5­5­5­5­2­2­2­2­2­2­2­2­­ D­3­3­3­3­3­3­3­3­2­2­2­2­2­2­2­2­2­2­2­2­2­2­2­2­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­0­0­0­0­0­0­0­0­­ E­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­   F            Standing in line to           C  see the show tonight                 Am   and there's a light of heavy glow   F             C by the way I tried to say       Am         I'd be there waiting for   F Dani's the girl is           C          singing songs to me              Am  beneath the marquee overload 

Dm steak knife  card shark  con job  boot cut  Skin that flick  she's such a little DJ  to get there quick  by street but not the freeway  turn that trick  to make a little leeway  beat that nic  but not the way that we play  dogtown  blood bath  rib cage  soft tal    F            Standing in line to           C  see the show tonight                 Am   and there's a light of heavy glow   F             C by the way I tried to say       Am       Bb I'd be there waiting for  Dm black jack   dope dick   pawn shop  quick pick  kiss that dyke  Version 04 /1.01 April 2004

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i know you want to hold one  not on strike  but I'm about to bowl one  bite that mic  I know you never stole one  girls that like  a story, so I told one  song bird  main line  cash back  hard top    F            Standing in line to           C  see the show tonight                 Am   and there's a light of heavy glow   F             C by the way I tried to say       Am         I'd be there waiting for   F Dani's the girl is           C          singing songs to me              Am  beneath the marquee overload  F             C by the way I tried to say       Am         I'd be there waiting for Dm …………

  F            Standing in line to           C  see the show tonight                 Dm   and there's a light of heavy glow   F             C by the way I tried to say       Am       Bb I'd be there waiting for   F Dani's the girl is           C          singing songs to me              Dm  beneath the marquee overload  F             C by the way I tried to say      Am     Bb    I know you  something for   F            Standing in line to Version 04 /1.01 April 2004

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          C  see the show tonight                 Dm   and there's a light of heavy glow   F             C by the way I tried to say       Am       Bb          Dm~ I'd be there waiting for

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UNDER THE BRIDGE RED HOT CHILI PEPPERS

1.STROPHE: (AKKORDE ARPEGGIO ANSCHLAGEN) E H C#M AB A SOMETIMES I FEEL LIKE I DON’T HAVE A PARTNER. E H C#M A* SOMETIMES I FEEL LIKE MY ONLY FRIEND. E H C#M AB A IS THE CITY I LIVE IN, THE CITY OF ANGELS. E H EJ7 LONELY AS I AM, TOGETHER WE CRY. EJ7 NUR BEI DER ERSTEN STROPHE, BEI DEN WEITEREN C#M – A*

SPIELEN.

2.STROPHE: (RHYTHMUS ANSCHLAGEN) I DRIVE ON HER STREETS, BECAUSE SHE’S MY COMPANION. I WALK THROUGH HER HILLS, BECAUSE SHE KNOWS WHO I AM. SHE SEES MY GOOD DEEDS AND SHE KISSES ME WINDY. I NEVER WORRY, NOW THAT IS A LIE. REFRAIN: (RHYTHMUS) F#M E* H* F#M I DON’T EVER WANT TO FEEL, LIKE I DID THAT DAY. F#M E* H* F#M TAKE ME TO THE PLACE I LOVE, TAKE ME ALL WAY. F#M E* H* F#M I DON’T EVER WANT TO FEEL, LIKE I DID THAT DAY. F#M E* H* F#M TAKE ME TO THE PLACE I LOVE, TAKE ME ALL WAY. ZWISCHENSPIEL:

E H C#M A E H C#M A EMAJ7

3.STROPHE: (RHYTHMUS) IT’S HARD TO BELIEVE THERE’S NOBODY OUT THERE. IT’S HARD TO BELIEVE THAT I’M ALL ALONE. AT LEAST I GOT HER LOVE THE CITY SHE LOVES ME. LONELY AS I AM, TOGETHER WE CRY. REFRAIN: (RHYTHMUS) F#M E* H* F#M I DON’T EVER WANT TO FEEL, LIKE I DID THAT DAY. F#M E* H* F#M TAKE ME TO THE PLACE I LOVE, TAKE ME ALL WAY. F#M E* H* F#M I DON’T EVER WANT TO FEEL, LIKE I DID THAT DAY. F#M E* H* F#M TAKE ME TO THE PLACE I LOVE, TAKE ME ALL WAY. A* C G6 FJ7 AH, AH, YEAH, YEAH. A* C G6 FJ7 OH NO, NO NO, YEAH, YEAH. A* C G6 FJ7 LOVE ME, I SAY YEAH, YEAH. FJ7 E7 INSTRUMENTAL

A* C G6 FJ7 UNDER THE BRIDGE DOWNTOWN, FORGOT ABOUT MY LOVE. A* C G6 FJ7 UNDER THE BRIDGE DOWNTOWN, I GAVE MY LIFE AWAY. OUTRO (EBENFALLS RHYTHMUS) (REPEAT AND FADE OUT) A* C G6 FJ7 AH, AH, YEAH, YEAH. A C G6 FJ7 OH NO, NO NO, YEAH, YEAH. A* C G6 FJ7 LOVE ME, I SAY YEAH, YEAH.

4.STROPHE: (RHYTHMUS) A* C G6 FJ7 A* C G6 UNDER THE BRIDGE DOWNTOWN, IS WHERE I DREW SOME BLOOD. UNDER THE BRIDGE DOWNTOWN, I COULD NOT GET ENOUGH.

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INTRO: (OHNE KAPO) E |­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ H |­­3­­­­­­­­­­­3­­­­­­­­­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3H5P3­­­­­­­­­­ G |­­­­­­­­­2­­­­­­­2­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­2­­­­­­­­­­2­­­­­­­­ D |­­­­­4­­­­­­4­­­­­­­4­2­­­­­­­­­­4­­­­­4­­4­2­­­­­­­­­­4­­­­­­4­­­­­­­­­­4S6­­­ A |­­5­­­­5­­­­­­­­­­­­­­­­5­4­­­­4­­­4­­­­­­­­­­5­2­4S5­­­­5­­­­­­­­­­­­­­­5S7­­­ E |­­­­­­­­­­­­­­­­­­­­­­­­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­     E |­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ H |­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G |­­­­­­­­­­­3­­­­­­­­­­­­­­­­­­­­­2­­­­­­­2­­­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­­­ D |­­­­­­­4­­­­­4­­4­2­­­­­­­­­­4­­­­­­4­­­­­­­­­­­­­­­­­­­­4­­­­­4­­4­2­­­­­­­­­­ A |­­­­­4­­­4­­­­­­­­­­5­2­4S5­­­­5­­­­­­­­­­­­4­2­­­­­­­­4­­­4­­­­­­­­­­5­2­4S5­­ E |­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­5­4­2­­­­­­­­­­­­­­­­­­­­­­­­­­    E |­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ H |­­­­­­2­­­­3H5P3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G |­­4­­­­­­4­­­­­­­2­­­­­­­­­­­­­­­­3­­­­­­3­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D |­­­­5­­­­­­­­­­­­­­­4S6­­­­­­4­­­­­­4­­­­­­4­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A |­­­­­­­­­­­­­­­­­­­­5S7­­­­4­­­4­­­­­­4­­­­­­4­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ E |­­­­­­­­­­­­­­­­­­­­­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­  AKKORDE:   ­­|­­E:­|­­H:­|­C#M:|­­A:­|­AB:­|­EJ7:|­F#M:|­­C:­|­G6:­|­FJ7:|­E7:­| E:|­­4­­|­­2­­|­­4­­|­­5­­|­­4­­|­­4­­|­­2­­|­­0­­|­­0­­|­­0­­|­­0­­| H:|­­5­­|­­4­­|­­5­­|­­5­­|­­4­­|­­4­­|­­2­­|­­1­­|­­0­­|­­1­­|­­3­­| G:|­­4­­|­­4­­|­­6­­|­­6­­|­­5­­|­­4­­|­­2­­|­­0­­|­­0­­|­­2­­|­­1­­| D:|­­X­­|­­4­­|­­6­­|­­7­­|­­6­­|­­3­­|­­4­­|­­2­­|­­0­­|­­3­­|­­2­­| A:|­­X­­|­­2­­|­­4­­|­­7­­|­­6­­|­­X­­|­­4­­|­­3­­|­­2­­|­­3­­|­­2­­| E:|­­X­­|­­X­­|­­X­­|­­5­­|­­4­­|­­X­­|­­2­­|­­X­­|­­3­­|­­0­­|­­0­­| MIT *

GEKENNZEICHNETE

AKKORDE

WIE FOLGT:

--|-E*:-|-A*:-|-H*:-| E:|--0--|--0--|--7--| H:|--0--|--2--|--7--| G:|--1--|--2--|--8--| D:|--2--|--2--|--9--| A:|--2--|--0--|--9--| E:|--0--|--X--|--7--|

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AEROPLANE The Red Hot Chili Peppers From: Daniel Routman ([email protected])

Lyrics: -chorusI like pleasure spiked with pain and music is my aeroplane it's my aeroplane Songbird sweet and sour Jane and music is my aeroplane it's my aeroplane pleasure spiked with pain that motherfucker's always spiked with pain Looking in my own eyes, hello I can find the love I want Someone better slap me before I start to rust before I start to decompose Looking in Looking in I can make I can make

my my it it

rear view mirror rear view mirror disapear disapear, have no fear

-repeat chorusSitting in my kitchen I'm turning into dust again My melancholy baby the star of mazy must push her voice inside of me I'm overcoming I'm overcoming It's easy when It's easy when Saddle up me

gravity gravity you're sad to be you're sad

-repeat chorusJust one note could make me float could make me float away One note from the song she wrote could fuck me where I lay Just one note could make me choke one note that's not a lie Just on enote could cut my throat one note could make me die -repeat chorus- Intro:

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|--3~~------3~~------5~~----6----------------------------| |--6~~------3~~------3~~-------------3------------5~~----| |--3~~------3~~------3~~-----------------3--------5~~----| |--3~~------5~~------3~~--------------------------5~~----| |--3~~------3~~------3~~--------------------------3~~----| |--------------------------------------------------------| |--6~~----5--------------3----3~~------------------------| |--3~~-----------6------------3~~----------3~~------5~~--| |--3~~---------------3--------5~~------5---3~~------5~~--| |--3~~------------------------5~~----------3~~------5~~--| |--3~~------------------------3~~----------3~~------3~~--| |--------------------------------------------------------| Chorus: |-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6| |-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-6-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5| |-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5|

Repeat X6

Verse: |--18---x--18------18---x--18------18--x--18------18---x--18---| |--18---x--18------18---x--18------17--x--17------17---x--17---| |--------------------------------------------------------------| Bridge: |----------------------------------------------------------------| |-6-6-6-6-6-6-6-6-6-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3---3-3-3-3-3-3| |-3-3-3-3-3-3-3-3-3-3-5-5-5-5-5-5-5-3-3-3-3-3-3-3-3---3-3-3-3-3-3| |-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-3-5-5-5-5-5-5-5| |----------------------------------------------------------------| |----------------------------------------------------------------| Solo: |---------------------------17^-----17--15----15-----------------| |--18^----(18)------18--15-----------------18----18^-------------| |-------------------------------------------------------17--17---|

Repeat X8

|----------------------------------------------------------------| |----------------------------------------------------------------| |--15------------------------------------------------------------| |-------17--15--17---15--17--------------------------------------| |---------------------------15---15--15--------15^------(15)~~~~-| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--15^~~~--15^~~~--15^~~~--15^~~~--15^~~~--15^~~~--15^~~~--15^~~-| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| |--15--13--15^---(16)---15^---15----------15--13^--------13-15-13| |---------------------------------15--13-----------13-15---------| D|----------------------------------------------------3--5--3--5--| A|------------13------13-15-13--------------3--1-1-3--------------| E|--15--13-15-----15------------15\-1^---3------------------------| e|-----------------------------------------------------------6----| h|--------------5-----------------6--8^----(8)------6--6--8-------| g|--3-----3-5^-----3--5--3---5\7----------------------------------| A|-----5----------------------------------------------------------| e|--8^----(8)--6--8-8^--8--6--8--6---6----------------------------| h|----------------------------------8--8-6-8-6---6----------------| g|---------------------------------------------7---7\5-3-5-3--3-3-| A|-----------------------------------------------------------5----| |---------------------------3-x----------------------------------| |----------------------5-3--3-x-5--x-x-x-x-5--5^--5~-------------| |----3-5------------3--5-3------5--x-x-x-x-5--5^--5~-5^--5-3--4~-| |--5-------5-3--5-5----------------------------------------------| |----------------------------------------------------------------| |----------------------------------------------------------------| G |-----------------------------------10---------------------------| D|--5--3--5--3--5~~~~~~~~~~~---------9----------------------------| A|-----------------------------------10---------------------------| |----------------------------------------------------------------|

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BREAKING THE GIRL Use capo on the fourth fret. Intro. -0-0-0-|-----0-0-0-0-|-0-0-0-|-----0-0-0-0-|-0-0-0-|-0-0-0-|-----0-0-0-0-|-0-0-0-|-----0-0-0-0-|-0-0-0-|-1-1-1-|-----1-1-1-1-|-3-4-4-|-----4-4-4-4-|-6-6-6-|-2-2-2-|-----2-2-2-2-|-4-5-5-|-----5-5-5-5-|-7-7-7-|-2-2-2-|-----2-2-2-2-|-4-5-5-|-----5-5-5-5-|-7-7-7-|-0-0-0-|-4\0-0-0-0-0-|-0-0-0-|-6\0-0-0-0-0-|-0-0-0-|-----0-0-0-0-|-0-----|---------| -----0-0-0-0-|-0-9-9-|-9-9-9-9-| -----6-6-6-6-|-8-9-9-|-9-9-9-9-| -----7-7-7-7-|-9-9-9-|-9-9-9-9-| -----7-7-7-7-|-9-7-7-|-7-7-7-7-| -8\0-0-0-0-0-|-0-0-0-|-0-0-0-0-|

VERSE I am a man cut from the know Rarely do friends come and then go She was a girl soft but estranged We were the two our lives rearranged G D/F# Em Feeling so good that day G D/F# C A feeling of love that day CHORUS Em D/F# G Am Twisting and turning your feelings are burning B B/E B/G B/F# You're Breaking The Girl Em D/F# G Am C She meant you no harm Em D/F# G Am Think you're so clever but now you must sever B B/E B/E B/F# You're Breaking The Girl Em D/F# G Am C He loves no one else Verse 2: Raised by my dad, girl of the day. He was my dad, that was the way. She was a girl left alone Feeling the need to make me her home. I don't know what or why the twilight of love had arrived

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PIANO MAN Billy Joel

INTRO:

C C C C

C/B Am Am/G F C/B Am Am/G F F G F F/E* Dm7 F G F F/E* Dm7

F/E F/G

D

G

C C/B Am Am/G It's nine o'clock on a Saturday F F/E D G The regular crowd shuffles in C C/B Am Am/G There's an old man sitting next to me F F/G C Makin' love to his tonic and gin HARMONICA:

C C

C/B F

Am

Am/G

F

G

C C/B Am Am/G He says, Son, can you play me a memory? F F/E D G I'm not really sure how it goes C C/B Am Am/G But it's sad and it's sweet and I knew it complete F F/G C When I wore a younger man's clothes Am Am/G Am/F# F La la la, de de da Am Am/G D7 G G/F La la, de de da da da

G/E

G/D

CHORUS 1: C Sing us a F Sing us a

C/B Am Am/G song, you're the piano man F/E D G song tonight C C/B Am Am/G Well, we're all in the mood for a melody F F/G C And you've got us feeling alright HARMONICA:

C C C

C/B Am Am/G F F G F F/E* Dm7 F G F F/E* Dm7

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C C/B Am Am/G Now John at the bar is a friend of mine F F/E D G He gets me my drinks for free C C/B Am Am/G And he's quick with a joke or to light up your smoke F F/G C F But there's some place that he'd rather be C C/B Am Am/G He says, Bill, I believe this is killing me F F/E D G As the smile ran away from his face C C/B Am Am/G Well I'm sure that I could be a movie star F F/G C If I could get out of this place Am Am/G Am/F# Oh, la la la, de de da Am Am/G D7 G G/F La la, de de da da da

F G/E

G/D

C C/B Am Am/G Now Paul is a real estate novelist F F/E D G Who never had time for a wife C C/B Am Am/G And he's talking with Davy who's still in the navy F F/G C And probably will be for life HARMONICA: CHORDS: C Am C/B G/D Am/F# F D7 Am7

C C/B Am Am/G F C F G F F/E* Dm7 C F G F F/E* Dm7 EADGBE -----X32010 X02210 X20010 XX0033 2X2210 133211 XX0212 X02010

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F/G C F/E G Dm7 G/F F/E* D F/G G/E Am/G

033211 320003 XX0221 120033 XX2011 XX0232 333211 022033 3X2210

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SOMETHING STUPID ROBBIE WILLIAMS & NICOLE KIDMAN

Intro:  Am – D    Am – D7    G        G              G6               G7+               G6  1. I know I stand in line, until you think you have the time                  Am7          D7­  Am7­ D7     to spend an evening with me.         Am7       D7                     Am7                 D7     And if we go someplace to dance, I know that there's a chance                   G            G6 – G7+ ­ G6     you won't be leaving with me.         G7+                                                       C            D#     And afterwards we drop into a quiet little place and have a drink or two.           Am7           D7              Am7               D7     And then I go and spoil it all, by saying something stupid               G    G6    G7+ ­ G6     like: "I love you".        G7+     I can see it in your eyes, that you despise the same old lies                    C          you heard the night before.           A7                                        And though it's just a line to you, for me it's true,                        D7         ­ Daug    it never seemed so right before.        G             G6                G7+            G6 3. I practice every day to find some clever lines to say,                  Am7           D7 ­  Am7 ­ D7     to make the meaning come true.           Am7              D7            Am7           D7      But then I think I'll wait until the evening gets late,                G          G6 – G7+ ­ G6      and I'm alone with you.          G7+     The time is right, your perfume fills my head, the stars get red,                   C                D#     and, oh, the night's so blue.           Am7           D7              Am7               D7     And then I go and spoil it all, by saying something stupid               G    G6 –G7+ ­G6         like: "I love you"      Instrumental:   G – G6 / G7 ­ G6 / Am7 – D7 – Am7 – D7 / Am7 – D7 – Am7 – D7    G – G6 / G7+ ­ G6                G7+     The time is right, your perfume fills my head, the stars get red,                   C                D#     and, oh, the night's so blue.           Am7           D7              Am7               D7     And then I go and spoil it all, by saying something stupid               G    G6   D#                                 like: "I love you" Version 04 /1.01 April 2004

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        G    G6    D#      "I love you"         G    G6    D#      "I love you"         G    G6    D#      "I love you"

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        G    G6    D#      "I love you"         G    G6    D#      "I love you"         G    G6    D#      "I love you"       fade…

326

BEHIND BLUE EYES Limp Bizkit Em7 G6 Dsus2 No one knows what it's like, to be the bad man, Cadd9 Asus2 To be the sad man, behind blue eyes Em7 G6 Dsus2 No one knows what it's like to be hated, Cadd9 Asus2 To be fated, to telling only lies Chorus: C D G But my dreams, they aren't as empty, C D E As my conscience seems to be Hm C I have hours, only lonely D A My love is vengeance that's never free Em7 G6 Dsus2 No one knows what it's like to feel these feelings Cadd9 Asus2 Like I do, and I blame you Em7 G6 Dsus2 No one bites back as hard on their anger Cadd9 Asus2 None of my pain and woe, can show through Chorus: C D G But my dreams, they aren't as empty, C D E As my conscience seems to be Hm C I have hours, only lonely D A My love is vengeance that's never free Em7 G6 Dsus2 Discover l. i. m. p. say it Cadd9 Asus2 Discover l. i. m. p. say it Em7 G6 Dsus2 Discover l. i. m. p. say it Cadd9 Asus2 Discover l. i. m. p. say it Em7 G6 Dsus2 No one knows what its like to be mistreated,

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Cadd9 Asus2 to be defeated behind blue eyes Em7 G6 Dsus2 And no one knows how to say that they’re sorry Cadd9 Asus2 and don’t worry i’m not telling lies

Chorus: C D G But my dreams, they aren't as empty, C D E As my conscience seems to be Hm C I have hours, only lonely D A My love is vengeance that's never free Em7 G6 Dsus2 No one knows what it's like, to be the bad man, Cadd9 Asus2 To be the sad man, behind blue eyes Intro + Verse = Fingerpicking mit folgenden Chords Dsus2=XX0230 Em7 =022030 G6 =320030 Cadd9=X32030 Asus2=x02200 Intro: + Verse-Picking Em7 G6 Dsus2 Dsus2 -------0------------0-------------0---------0-----------3------------3---------3---3-3----3--3-3-----0---0--------0---0-------2-2---2----2-2--2----2------2------0-----0-----0----------0---------2-------------2--------------------------------0-------------3--------------------------------Cadd9 Cadd9 Asus2 Asus2 -----0-----------0------------0-----------0------------3-3---------3-3-------0--0-0------0--0-0-----0----0------0----0------------2-----------2-----2-2---------2-2-----------2-----------2---------3-----------3-------------0-----------0------------------------------------------------------------

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HOW BIZARRE Artist

:

OMC

Acoustic Intro E|-12-12-12\10-10-10--8--8--8\7-7-7\5-5-5\3-3-3\1-1-1/3-3/5-| B|-13-13-13\12-12-12-10-10-10\8-8-8\6-6-6\5-5-5\3-3-3/5-5/6-| G|----------------------------------------------------------| E|-5\3-1-1-1-3-3----12-12-12\10-10-10--8--8--8\7-7-7\5-5-5-|| B|-6\5-3-3-3-5-5----13-13-13\12-12-12-10-10-10\8-8-8\6-6-6-|| G|---------------------------------------------------------|| Chorus Riff E|-12-12-12\10-10-10--8--8--8\7-7-7\5-5-5\3-3-3\1-1-1-------| B|-13-13-13\12-12-12-10-10-10\8-8-8\6-6-6\5-5-5\3-3-3-------| G|----------------------------------------------------------|

C G F Brother Pele's in the back, sweet Seena's in the front C G F Cruising down the freeway in the hot, hot sun Suddenly red blue lights flash us from behind Loud voice "all will please step out onto the line" Pele breathes words of comfort, Seena just hides her eyes Policeman taps his shades, Is that a chevy 69? How bizarre, how bizarre, how bizarre Destination unknown, as we pull in for some gas A freshly pasted poster reveals a smile from the pack Elephants and acrobats, lions next monkey Pele speaks righteous, Sister seena says funky How bizarre, how bizarre, how bizarre REFRAIN: Ooh baby, (ooh baby), it's making me crazy, (it's making me crazy) Everytime I look around, (look around) Everytime I look around, everytime i look around It's in my face Ringmaster steps up, says the elephants left town People jump and jive, and the clowns inch back around T.V. news and cameras, there's choppers in the sky Marines, police, reporters, ask the where, for and why Pele yells "we're outta here", Seena says "right on" Make your moves and starting grooves, before they knew we're gone Jump into the chevy, headed for big lights, Wanna know the rest? Hey, buy the rights How bizarre, how bizarre, how bizarre Refrain (3x)

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FEEL ROBBIE WILLIAMS INTRO: DM                   Dm Come and hold my hand F                     A    Asus4 A*  I wanna contact the living                   Gm Not sure I understand F                      A   Asus4 A*   This rope I've been given                    Dm I sit and talk to God F                           A  Asus4 A*  And he just laughs at my plans                   Gm My head speaks a language F               A   Asus4 A*   I don't understand

              Bb I just wanna feel       F                         C      Real love fill the home that I live  in                     Bb Cos I got too much life                  F Running thru my veins           C    Going to waste

               Dm I don't wanna die F                           A      Asus4 A*  But I ain't keen on living either                   Gm Before I fall in love                     A       Asus4 A*    I'm preparing to leave her                  Dm Scare myself to dead F                       A      Asus4 A*    That's why I keep on running               Gm  Version 04 /1.01 April 2004

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Before I roll eye F                   A     Asus4 A*    I can see myself coming

Chorus:               Bb I just wanna feel       F                         C      Real love fill the home that I live in                     Bb Cos I got too much life                  F Running thru my veins           C    Going to waste                Bb And I need to feel       F                     C  Real love and the love ever after                 Dm    F  Dm  F I can not get enough

Solo: Dm  F  Dm  F   (2x)         Chorus:               Bb  I just wanna feel       F                         C         Real love fill the home that I live  in F                       Dm   F                 Bb    This rope I've been given I got too much love                   F Running thru my veins            C       To go to waste                Bb I just wanna feel        F                     C          Real love and the love ever after                         Bb There's a hole  in my soul                        F You can see it in my face  Version 04 /1.01 April 2004

                  Dm  F Not sure I understand

                  Dm  F Not sure I understand                   Dm  F Not sure I understand                   Dm  F  Dm  Dm Not sure I understand A*     x02250 Asus4  x02230

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                  C       It's a real big place 

Bridge:  Dm    F    Dm    F                       Dm Come and hold my hand F                     Dm    F  I wanna contact the living                   Dm Not sure I understand

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COME UNDONE Robbie Williams Album: Escapology Intro: H E H E H So unimpressed but so in awe E Such a saint but such a whore H So self aware so full of shit E So indecisive so adamant F# E I’m conteplating thinking about thinking F# E It’s so frustrating just get another drink in H Wach me come undone E H They’re selling razor blades and mirrors in the street (come undone) H E H I Pray that when I’m coming down you’ll be asleep (come undone) H E If I ever hurt you your revenge will be so sweet C#m E Because I’m scum, and I’m your son H E H E I come undone, I come undone H So E So H So E So

rock and roll so corporate suit damn ugly so damn cute well trained so animal

need your love so fuck you all F# E I’m not scared of dying I just don’t want to F# E If I stopped lying I’d just disappoint you H I come undone E H They’re selling razor blades and mirrors in the street (come undone) H E H I Pray that when I’m coming down you’ll be asleep (come undone) H E If I ever hurt you your revenge will be so sweet C#m E Because I’m scum, and I’m your son H E H E I come undone, I come undone A So write another ballad, mix on the on Wednesday E Sell it on a Thursday, but a yacht by Saturday H It’s a love song, a love song A Do another interview, sing a bunch of lies Version 04 /1.01 April 2004

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E Tell about celebrities that I despise F# And sing love song, we sing love song H E H E H E C#m E H So sincere, so sincere come undone E H They’re selling razor blades and mirrors in the street (come undone) H E H Pray that when I’m coming down you’ll be asleep (come undone) H E A young pretender and my crowds above can see C#m E H I come undone, I’m scum, love your son, E H You’ve gotta love your son, E H You’ve gotta love your son, E H Yeah, Yeah, Yeah E H Love your son E H I’m scum I’m scum ... (fade)

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ANGEL ROBBIE WILLIAMS            CHORDS:    ­­­­­­­         EADGBE          EADGBE    E   (022100)    D   (xx0232)    A   (x02220)    F#m (244222)    B   (x2444x)    G#m (466444)    C#m (x46654)                  INTRO:    E    ­­­­­­                VERSE 1:    ­­­­­­­­              E    I sit and wait                         A             B    Does an angel, contemplate my fate                    E    And do they know, the places where we go                        A   B    When we're grey and old            PRE­CHORUS:    ­­­­­­­­­­­                   F#m    'Cos I've been told            A                 C#m          A    That salvation lets their wings unfold                D    So when I'm lying in my bed             A    Thoughts running through my head          E    And I feel that love is dead    D            A              E      I'm loving angels instead             CHORUS:    ­­­­­­­                   B                    C#m    And through it all she offers me protection                        A    A lot of love and affection                         E Version 04 /1.01 April 2004

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   Whether I'm right or wrong                      B    And down the waterfall                    C#m    Wherever it may take me                           A    I know that life won't break me                   G#m                F#m    When I come to call, she won't forsake me    D            A        E      I'm loving angels instead             VERSE 2:    ­­­­­­­­    E     When I'm feeling weak                             A              B    And my pain walks down a one way street            E    I look above                              A                 B    And I know I'll always be blessed with love            PRE­CHORUS:    ­­­­­­­­­­­        D    And as the feeling grows                 A    She breathes flesh to my bones        E    And when love is dead    D            A        E      I'm loving angels instead             CHORUS:    ­­­­­­­                   B                    C#m    And through it all she offers me protection                        A    A lot of love and affection                         E    Whether I'm right or wrong                      B    And down the waterfall                    C#m    Wherever it may take me                           A    I know that life won't break me                   G#m                F#m    When I come to call, she won't forsake me    D            A             E      I'm loving angels instead      Version 04 /1.01 April 2004

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       GUITAR­SOLO:    ­­­­­­­­­­­­    B = BEND NOTE UP    R = RELEASE BEND                     B                   A                   E    E|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|    B|­­­9­­­­­­­­­­­­­­­­­­­9­­­­­­­­­­­­­­­­­­­9­­­­­­­­­­­­­­­­­­­­­­|    G|­­­­­9B11R9­6­­9B11­­­­­­9B11R9­6­­9B11­­­­­­9B11R9­6­­4­­­­­­­­­­|    D|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|    A|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|    E|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|               |

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SHE´S THE ONE Robbie Williams

A D A D I was her, she was me, we were one, we were free. Hm E A D And if there's somebody calling me on, she's the one. Hm E A D If there's somebody calling me on, she's the one. A D A D We were young, we were wrong, we were fine, all along. Hm E A D And if there's somebody calling me on, she's the one. Hm E A D If there's somebody calling me on, she's the one. D When you get to where you wanna go, A And you know the things you're wanna know, you're smiling. D When you say what you wanna say, H m E And you know the way you wanna play, you'll be so high you'll be flying. A D A D For the sea, we'll be strong, I know we'll, carry on. Hm E A D Cause if there's somebody calling me on, she's the one. Hm E A D If there's somebody calling me on, she's the one. A D A D I was her, she was me, we were one, we were free. Hm E A D And if there's somebody calling me on, she's the one. Hm E A D If there's somebody calling me on, shes the one. Hm If there's somebody calling me one. Hm If there's somebody calling me Hm If there's somebody calling me A D A D She's the one, she's the one.

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E F#m on, she's the one, yeah she's the E on, she's the E on, she's the

F#m one, she's the F#m one, she's the

D

D one. D one.

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WORD UP GUN Yoh pretty ladies around the world Got a weird thing to show you So tell all the boys and girls Tell your brother, your sister and your momma too We're about to go down and you know just what to do Wave your hands in the air like you don't care Glide by the people as they stop to look and stare Do your dance, do your dance, do your dance, quick momma Come on baby tell me what's the word Word up, everybody say When you hear the call you've got to get it underway Word up, it's the code word No matter where you say it you know that you'll be heard Now all you sucker DJs who think you're fly There's got to be a reason and we know the reason why Why you put on those airs and you act real cool Got to realise that you're acting like fools If there's music we can use it, you're free to dance We don't have the time for psychological romance No romance, no romance, no romance, for me momma Come on baby tell me what's the word Word up everybody say When you hear the call you've got to get it underway Dial L for love, dial L for love, dial L for love W.O.R.D. Up W.O.R.D. Up W.O.R.D. Up W.O.R.D. Up

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Yeh you sucker DJs who think you're fly There's got to be a reason and we know the reason why Why you put on those airs and you act real cool Got to realise that you're acting like fools No romance, no romance, no romance, for me mamma Come on baby tell me what's the word Word up, everybody say When you hear the call you've got to get it underway Word up, it's the code word No matter where you say it you know that you'll be heard Word up, everybody say When you hear the call you've got to get it underway Word up, it's the code word No matter where you say it you know that you'll be heard FB -------------------------------------------------------------------------------------7~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~---------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------INTRO GUITAR:

SL --------------------------------|----------------------------------------------------------------------------|----------------------------------------------------11-----X-X--11------X-X-|-9---9--X---9--------X\-----X-----------------------11-----X-X--11------X-X-|-9---9--X---9--------X-\----X------------------------9-----X-X---9------X-X-|-7---7--X---7----7---X\-\---X-----------------------------------------------|-----------------------\-\------------------------------------------------------|----------------------------------------------------------------------------|-------------------------------------------------7-----X-X---7--9---X-X---9-|---11--11-----X-X------11------------------------7-----X-X---7--9---X-X---9-|---11--11-----X-X------11------------------------5-----X-X---5--7---X-X---7-|----9---9-----X-X-------9---------------------------------------------------|----------------------------------------MAIN GUITAR RIFF:

SL ------------------------------------|----------------------------------------------12-12-12-12--12----11---------|------10-10-10-10--10------9------------------11-11-11-11--11----11---------|-------9--9--9--9---9------9------------------14-14-14-14--14----14\--------|------12-12-12-12--12------9----------------------------------------\-------|---------------------------------------------------------------------\------|-----------------------------------------

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SL SL ------------------------------------|----------------------------------------------7---X-X---7-----9----X-X---9--|----11--11----------11------11----------------7---X-X---7-----9----X-X---9--|----11--11----------11------11----------------7---X-X---7-----9----X-X---9--|----11--11----------11------11\---------------------------------------------|-------------9--9--------------\------/9------------------------------------|--------------------------------\----/--------------------------------------|----------------------------------------------12-12-12-12--12----11----X----|------10-10-10-10--10------9-------------11---11-11-11-11--11----11----X----|-------9--9--9--9---9------9-------------11---14-14-14-14--14----14----X----|------12-12-12-12--12------9--------------9---------------------------------|----------------------------------------------------------------------------|----------------------------------------SL ------------------------------------|----------------------------------------------------------------------------|------14---14----------14--------------------7----X-X----7---9---X-X----9---|------14---14----------14--------------------7----X-X----7---9---X-X----9---|-----------------16--------------------------5----X-X----5---7---X-X----7---|-------------------------------/17\-----------------------------------------|------------------------------/----\--X-The Verse is played by 2 guitars , one playing the Main guitar riff and the second plays the same but an octave lower using a drop D tuning. GUITAR FILL ( CHORUS ) SL SL SL SL ------------------------------------|----------------------------------------------------------------------------|---------------------------------------------------14----------13-\--11-----|--14----11-/-13-\-11-----------9-/-11---------------X-----------X-----X-----|---X-----X----X----X-----------X----X--------------12----------11-\---9-----|--12-----9-/-11-\--9-----------7-/--9---------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|------------------------------------------(11)------------------------------|--(11)----14-------13-\-11-----------------(X)------------------------------|---(X)-----X-----X--X----X-----------------(9)------------------------------|---(9)----12----X--11-\--9--------------------------------------------------|----------------------------------------SL SL ------------------------------------|----------------------------------------------------------------------------|-------------------------------------------14---------13-\-11---------------|--------------------------------------------X------X---X----X---------------|-------------------------------------------12-----X---11-\--9---------------|-------------------------------------------------------------------17\------|----------------------------------------GUITAR 1 : VERSE 2 ( DROP D TUNING ) > > > > > > RPT X4 ------------------|-----------------|------------------|-----------------|---------------------|-----------------|------------------|-----------------|---------------------|-----------------|------------------|-----------------|-----4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-|--0------2--------|-4-4-4-4-4-4-4-4-|-----4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-|--0------2--------|-4-4-4-4-4-4-4-4-|-----4-4-4-4-4-4-4-4-|-2-2-2-2-2-2-2-2-|--0------2--------|-4-4-4-4-4-4-4-4-|---GUITAR 2 : VERSE 2 ------------------------|---------------------|---------------------|--------------------------------|---------------------|---------------------|----------------------------2'--|-----------------2'--|-----------------2'--|-------------4-----2--4---------|--4~~~--2--4---------|--4~~~--2-4-2--------|-------------------------4------|--------------4------|--------------4------|-------------------------------|---------------------|---------------------|---------

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SL RPT X4 ---------------5'------------|----------------------------------------------------------------7-5---------|---------------------------------------------------------/6---------6-5-4---|----------------------------------------------------4~~~------------------7-|----------------------------------------------------------------------------|----------------------------------------------------------------------------|-----------------------------------------------GUITAR 1 : MIDDLE 8 RPT X8 ------------------------------------|---------------------------------------------------------------------------|----------------------------------------------------------------------------|------------------------------------------------4---4-------4---4-------4---|----------------------------------------------------------------------------|--------------------------------------------4-----------4-----------4-------|----------------------------------------GUITAR 2 : MIDDLE 8 ------------|-----------|---------|-----------|------|------|-----------|----------------|-----------|---------|-----------|------|------|-----------|------11------9-|-9------\8-|-8-------|-7-------6-|--6---|--5---|-----------|-------X------X-|-X-------X-|-X-------|-X-------X-|--X---|--X---|-9-\7--\6--|--4----9------7-|-7------\6-|-6-------|-5-------4-|--4---|--3---|-X--X---X--|--X-------------|-----------|---------|-----------|------|------|-7-\5--\4--|--2-GUITAR 3 : MIDDLE 8 --------------|--------------|--------------|---------------|------------------------------|--------------|--------------|---------------|--------------------6------/9-|-(9)-------11-|-11--------14-|--14---------9-|---9----------------X-------X-|------------X-|--X---------X-|---X---------X-|---X----------------4------/7-|-(7)--------9-|--9--------12-|--12---------7-|---7--------------------------|--------------|--------------|---------------|----------------------------------|---------------------------|------------------------------------------------|---------------------------|----------------------------------8----------/7-|-7---------6---\4---4------|----------------------------------X-----------X-|-X---------X----X---X----7-|----7-----------------------------6----------/5-|-5---------4---\2---2----X-|----X-------------------------------------------|-------------------------5-|----5-------------------------GUITAR SOLO; BU LD ---------------|-------------------|--------------------(2)-|-------------------------------|--4'---4--(4')--4'-|--4'---4--(4')----------|---------------------4-(6)-4-2-|--4'---4--(4')--4'-|--4'---4--(4')----------|-------------------------------|-------------------|------------------------|-------------------------------|-------------------|------------------------|-------------------------------|-------------------|------------------------|----------------BU LD PO PH SL PH PH PH BU LD SL SL SL -------------------------------|--------------------------------|-------------------------------------------|--------------------------------|----------------4-(6)-4-2-----2'-----------|--------2--4--------------------|--------------------------4-2-----4--------|--2-----------4-(6)4/--X\----/X-|----------------------------------------2/4-|-----4-----------------X\----/X-|-------------------------------------------|-----------------------X\----/X-|------------BU BU SL SL -----------------------------|-----------------------------------|-------------14-------------------------|-16-(17)---------------------------|-------------14-(15)--------------------|-16-(18)--14-----------------14----|--------------------16---16~~~~~~-14----|--------------16~~~\---14-16----16-|-------------------------------------16-|-----------------------------------|----------------------------------------|-----------------------------------|------------

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BU BU BU LD BU ------------------------------------------|------------------------------14-------------17----------17-------17--------|--------------------------17 (19)----16-(18)----16-(18)-(18)--16-(18)-16-14-|-16----14'------14----------------------------------------------------------|----16-------14----16~~~\---------------------------------------------------|----------16----------------------------------------------------------------|----------------------------------LD BU MU BU LD --(14)-(14)----------------14---------|------------------------------14--------(19)-(17)--17-(19)~~~~~-----(17)-14-|--17-(21)--17-----17~~~~~--------17-----------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|--------------------------------------PO BU PO BU ---17-14----14-------14---------------------------------|-----------------------------17--17-(19)----17-14---------------------------|--------------------------------------------------17-16'14----16----14-(16)-|-----------------------------------------------------------16----16---------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|--------------------PS SL SL ---------------------------------------|--------------------------------------------(14)----14'------14-------------|---------------------------------------------14-----14'------14--------\----|--14\11-11-11----11/13---13---------------14-------------16-----16--16--\---|---X--X--X--X-----X--X----X------------16--------------------------------\--|--12\-9--9--9-----9/11---11-----------------------------------------------\-|-------------------------------------SL SL SL BU BU --------------------------------|----------------------------------------------------------------------------|-------------------------17---17--------------13\-9-----9/11\9--------------|---------14--16--16-(18)(18)--16-(18)----------x--X-----X--X-X--------------|-14--16----16--X------------------------------11\-7-----7/-9\7-----14-15-16-|---16--16-------------------------------------------------------------------|--------------------------------------------BU BU LD PO SL -------------------------------------------------------------------------------17---------17-------------------------------------------------------------------16-(18)----16-(18)-16-14------------------------------------------------------------------------------16---X\-----------------------------------------------------------------------------\-----------------------------------------------------------------------------\--------------------------------------GUITAR 1 : CHANT SECTION ( DROP D TUNING ) > > > RPT X8 ------------------------------|----------------------------------------------------------------------------|----------------------------------------------------------------------------|------------------------------------------------4-4-4-4-4-4---5-------------|------------------------------------------------4-4-4-4-4-4---5-------------|------------------------------------------------4-4-4-4-4-4---5-------------|----------------------------------------------GUITAR 2 : CHANT SECTION SL -------------------|--------------|--------------|----------------------------------------------|--------------|--------------|----------------------------------------------|--3-------/7--|--6-------4---|--3---------------3----------4---------5------|--X--------X--|--X-------X---|--X-----5---5-----X----------X---------X------|--1-------/5--|--4-------2---|--1-----X---X-----1----------2---------3------|--------------|--------------|--------3---3---------------------------------|--------------|--------------|----------------------------------------------|--------------|--------------|----------------------------------------------|---3------/7--|--6-------9---|---11-------------------------4-----------5---|---X-------X--|--X-------X---|----X-------------------------X-----------X---|---1------/5--|--4-------7---|----9-------------------------2-----------3---|--------------|--------------|---------------------------Version 04 /1.01 April 2004

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CONNECTED Ah Somethin' ain't right Gonna get myself, I'm gonna get myself Gonna get myself connected I ain't gonna go blind (yeah) for the light which is reflected I see thru you, I see thru you I see thru you, I see thru you Ya dirty tricks, ya make me sick (oh yeah) I see thru you, I see thru you Gonna do it again, gonna do it again I'm (gonna do it again, gonna do it again) Gotta do right (gonna do it again) 'Cause somethin' ain't right (gonna do it again) Gotta do right, come on (oh yeah) If you make sure you're connected, the writing's on the wall But if your mind's neglected, stumble you might fall Stumble you might fall Stumble you might fall I, ain't gonna go blind (ah, hey, oh yeah) Gonna get myself, I'm gonna get myself I'm gonna get myself connected I ain't gonna go blind for the light that is reflected Hear me out Hey yeah (oh yeah) yeah yeah yeah ah Do it again, do it again Do it again, do it again I wanna do it again, I wanna do it again I wanna thru it again Ya terrified (I wanna do it again) Ain't gonna go blind, ain't gonna go blind (I wanna do it again) here we go If you make sure you're connected, the writing's on the wall But if your mind's neglected, stumble you might fall Stumble you might fall, hear me out Stumble you might fall, yeah Interstate 5 stayin' alive (ow!) Won't someone try open up your eyes (ow!!) You must be blind if you can't see (oh yeah) The gapin' hole called reality (oh yeah) Ow, wanna do it again (ah), I know I'm gonna do it again I wanna do it again, come on, I'm gonna do it again Hear me out, terrified Somethin' ain't right, here we go If you make sure you're connected, the writing's on the wall But if your mind's neglected, stumble you might fall Stumble you might fall Stumble you might fall (REPEAT TO FADE) Version 04 /1.01 April 2004

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I'M ON FIRE

(

from the album "Born in the USA")----------CAPO on the 2nd FRET! INTRO: (repeat once)

E

E

E

E

C#m7

C#m7

C#m7

Hey little girl is your daddy home E Did he go away and leave you all alone I got a bad desire C#m7

A

Ohhhhhhhhh, I'm on fire A B E

Tell me now baby is he good to you E Can he do to you the things that I do I can take you higher C#m7

A

Ohhhhhhhhhh, I'm on fire A B E (Repeat intro)

Sometimes it's like someone took a knife baby edgy and dull and cut a A six-inch valley through the middle of my soul E C#m7 At night I wake up with the sheets soaking wet and a E Freight train running through the middle of my head Only you A

can cool my desire C#m7

CHORD FORMATIONS: ----------------E x x 2 4 5 2 C#m7 x x 2 4 2 4 A x 4 2 2 5 2 B x x 4 2 5 2

Ohhhhhhhhh, I'm on fire (Repeat twice) A B E

(CAPO on 2nd FRET!) (Like a D2 formation)

Picking pattern for the chords: E C#m7 A B E----------2-------------4---------------2-------------2---B------5-----5-------2-----2---------5-----5-------5-----5-G--------4-------------4---------------2-------------2-----D----2-------------2-----------------------------4---------A----------------------------------4-----------------------E----------------------------------------------------------

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STUCK IN THE MIDDLE OF YOU D Well I don't know why I came here tonight D I got the feeling that something ain't right G7 I'm so scared in case I fall off my chair D And I'm wondering how I'll get down the stairs A Clowns to the left of me C G D Jokers to the right, here I am Stuck in the middle with you Yes I'm stuck in the middle with you And I'm wondering what it is I should do It's so hard to keep this smile from my face Losing control, yeah, I'm all over the place Clowns to the left of me, Jokers to the right Here I am, Stuck in the middle with you. Bridge: G7 Well you started out with nothing and you're proud that you're a D ^^^^^^^ ^^^^^^^^^^^ Self made man G7 And your friends, they all come crawlin, slap you on the back and say ^^^^^^^^^^^^^^^^^^^^^^ D A7 ^^ Please.... Please..... Third Verse: Trying to make some sense of it all But I can see that it makes no sense at all Is it cool to go to sleep on the floor Cause I don't think that I can take anymore Clowns... (Intrumental Verse) (Bridge) (Repeat first verse) Chords Used (Low to High): D (xx0232) G7 (320001) Version 04 /1.01 April 2004

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A (x02220) C (x32010) G (320033) D7 (xx0212) A7 (x02020) Intro: U d U d U d U U d U d U d U D Rpt strum E|-2-2-0-0-0-x-0--0-0-0-0-0-0-0-x-2-2-0-0-0-x-0--0-0-0-0-0-0-0-| B|-3-3-0-1-1-x-3--3-3-3-1-1-1-0-x-3-3-0-1-1-x-3--3-3-3-1-1-1-0-| G|-2-2-0-2-2-x-4--4-4-4-2-2-2-0-x-2-2-0-2-2-x-4--4-4-4-2-2-2-0-| D|-0-0-0-0-0-x-0--0-0-0-0-0-0-0-x-0-0-0-0-0-x-0--0-0-0-0-0-0-0-| A|-0-0-0-0-0-x-0--0-0-0-0-0-0-0-x-0-0-0-0-0-x-0--0-0-0-0-0-0-0-| E|-------------------------------------------------------------| (

1st time ) ( main rhythm ) d U d U d U d d U d U d U d U E|-2-2-x-2-x-2-x-|-2-2-2-x-2-x-2-x-| B|-3-3-x-3-x-3-x-|-3-3-3-x-3-x-3-x-| G|-2-2-x-2-x-2-x-|-2-2-2-x-2-x-2-x-| D|-0-0-x-0-x-0-x-|-0-0-0-x-0-x-0-x-| A|-0-0-x-0-x-0-x-|-0-0-0-x-0-x-0-x-| E|---------------|-----------------| Use main rhythm over the G7. Chorus Strumming: d U d U d U d U d U d U d U d U E|-0-0-0-0-0-0-0-0-0-0-0-0-3-3-3-3-| B|-2-2-2-2-2-2-2-2-1-1-1-1-3-3-3-3-| G|-2-2-2-2-2-2-2-2-0-0-0-0-0-0-0-0-| D|-2-2-2-2-2-2-2-2-2-2-2-2-0-0-0-0-| A|-0-0-0-0-0-0-0-0-3-3-3-3-2-2-2-2-| E|-------------------------3-3-3-3-|

Second Verse: Yes I'm stuck... And I'm wondering... It's so hard to... Losing control, yeah, I'm... G Well you started out... and you're proud that... D G7 And your friends, they all... slap you on the back and say D7 A7 Please.... Please....

Third verse Repeat Verse 1 Steelers Wheels is/was Gerry Rafferty and Joe Egan.

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LET ME ENTERTAIN YOU ROBBIE WILLIAMS CHORDS:

(F) Hell is gone and heaven's here, There's (G#) nothing left for you to fear  (A#) Shake your arse come over here, Now (F) scream (F) I'm a burning effigy of (G#) everything I used to be (A#) You're my rock of empathy, my (F) dear

(F) So come on let me (G#) enter(A#)tain you (F) (F) Let me (G#) enter(A#)tain you (F)

(F) Life's too short for you to die, So (G#) grab yourself an alibi (A#) Heaven knows your mother lied, Mon (F) cher (F) Separate your right from wrongs, (G#) Come and sing a different song  The (A#) kettle's on so don't be long, Mon (F) cher

(F) So come on let me (G#) enter(A#)tain you (F) (F) Let me (G#) enter(A#)tain you (F)

(F) Look me up in the yellow pages, (G#) I will be your rock of ages (A#) You see through fads and your crazy phases, (F) yeah (F) Little Bo Peep has lost his sheep, He (G#) popped a pill and fell asleep  The (A#) dew is wet but the grass is sweet my (F) dear (F) Your mind gets burned With the (G#) habits you've learned But (A#) we're the generation that's got to be (F) heard You're (F) tired of your teachers and your (G#) School is a drag You're (A#) not going to end up like your (F) mum and dad

(F) So come on let me (G#) enter(A#)tain you (F) (F) Let me (G#) enter(A#)tain you (F) (F) So come on let me (G#) enter(A#)tain you (F) (F) Let me (G#) enter(A#)tain you (F)

(F) He may be good he may be (G#) outta sight But (A#) he can't be here so come around to(F)night (F) Here is the place where the (G#) feeling grows Version 04 /1.01 April 2004

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You (A#) gotta get high before you (F) taste the lows  So come on Ref: (F) Come on Come on Come on Come on (G#) Come on Come on Come on Come on  (A#) Come on Come on Come on Come on (F) on  2X

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ROCK DJ

Intro : Piano + Bass   C/D   Am7 Me with the floorshow kickin' with your torso D Boys getting high and the girls even more so Am7 Wave your hands if you're not with the man         D Can I kick it (yes you can) Am7                               D I got (funk) you got (soul) we got everybody C                                                           D    I've got the gift gonna stick it in the goal  It's time to move your  body C/D                     Bm7/D           Am7/D                   D Babylon back in business can I get a witness every girl every man C/D                             Bm7/D                      Am7/D Houston can you hear me ground­control can you feel me                           D Need permission to land                   C/D   D        I don't wanna rock, DJ                 C/D                     D But you're making me feel so nice                         C/D     D When's it gonna stop,     DJ                    C/D                  D7 Cause you're keepin' me up all night   Am7 Singin' in the classes music for your masses D Give no head no backstage passes Am7 Have a proper giggle I'll be quite polite D But when I rock the mike I rock the mike (right)   Am7 You got no love then you're with the wrong man   Version 04 /1.01 April 2004

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       D It's time to move your body      C If you can't get a girl but your best friend can         D It's time to move your body     I don't wanna be sleazy Baby just tease me Got no family planned Houston can you hear me Ground­control can you feel me Need permission to land   I don't wanna rock, DJ But you're making me feel so nice When's it gonna stop, DJ Cause you're keepin' me up all night   I don't wanna rock, DJ But you're making me feel so nice When's it gonna stop, DJ            D7 Cause you're keepin' me up all night D            C   G       C                      D Pimpin' ain't easy  most of them fleece me  C      G       C       D             C   G Every night             pimpin' ain't easy                    C      Cadd9         C/D But if you're sellin' it            It's alright   Come on I don't wanna rock, DJ But you're making me feel so nice When's it gonna to stop DJ 'Cause you're keepin' me up all night   I don't wanna rock, DJ But you're making me feel so nice When's it gonna stop, DJ 'Cause you're keepin' me up all 

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SHE´S THE ONE ROBBIE WILLIAMS

       A            D          A              D  I was her, she was me, we were one, we were free.                      Hm             E             A   D  And if there's somebody calling me on, she's the one.                  Hm             E             A     D  If there's somebody calling me on, she's the one.           A               D             A          D  We were young, we were wrong, we were fine, all along.                      Hm             E             A   D  And if there's somebody calling me on, she's the one.                  Hm             E             A     D  If there's somebody calling me on, she's the one.  D  When you get to where you wanna go,                                                    A  And you know the things you're wanna know, you're smiling.  D  When you say what you wanna say,                                                                     H m   E  And you know the way you wanna play, you'll be so high you'll be  flying.           A               D            A           D  For the sea, we'll be strong, I know we'll, carry on.                        Hm             E             A   D  Cause if there's somebody calling me on, she's the one.                  Hm             E             A   D  If there's somebody calling me on, she's the one.         A            D          A              D  I was her, she was me, we were one, we were free.                      Hm             E             A   D  And if there's somebody calling me on, she's the one.                  Hm             E            A   D  If there's somebody calling me on, shes the one.                  Hm             E             F#m                  D  If there's somebody calling me on, she's the one, yeah she's the  one.                  Hm             E             F#m            D  Version 04 /1.01 April 2004

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If there's somebody calling me on, she's the one, she's the one.                  Hm             E             F#m            D  If there's somebody calling me on, she's the one, she's the one.            A   D          A   D  She's the one, she's the one. 

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SUPREME Dm                    Gm7                                  C Oh, it seemed forever stopped today, all the lonely hearts in                                F                                             d London caught a plane and flew away. And all the best woman are                         E7                                           Asus4  A married, all the handsome men are gay, you feel deprived. d                      Gm7                                        C Yeah, are you questioning your size? Is there a tumor in your                              F                                                  d humour, are there bags under your eyes? Do you leave dents                                   E7                               Asus4 where you sit, are you getting on a bit, will you survive? You must  A survive.                                   d               Bb                   F Chorus:  When there´s no love in town this new century keeps                     A                   d                     Bb  F bringing you down. All the places you have been, trying to find                    A                    d a love supreme, a love supreme. d                         Gm7                                C Oh, what are you really looking for? Another partner in your life          F                                  d                                E7 to abuse and to adore? Is it lovely dovey stuff, do you need a                                     Asus4 A  d                          Gm7 bit of rough? Get on your knees. Yeah, turn down the love songs                                       C                                          F that you hear  ´cause you can´t avoid the sentiment that echoes                             d                                          E7 in your ear. Saying love will stop the pain, saying love will kill the                     Asus4                  A fear, do you believe? You must believe.                       d               Bb                     F When there´s no love in town this new century keeps bringing        A                   d                    Bb                  F you down. All the places you have been, trying to find a love          A                   d       Gm7   C  F Bb Gm7 Asus4  A supreme, a love supreme. Dm                              Gm7  C I spy with my little eye something beginning with. Got my back up                                     and now she´s screaming so I´ve got to turn the track up. F                                                           Dm Sit back and watch the royalties stack up. I know this girl, she                                 G#                likes to switch teams, and I´m a fiend but I´m living for a love Asus4                                            A                          Dm supreme. Chorus...  When theres no ...   a love supreme. Version 04 /1.01 April 2004

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                                            Bb                             F Come and live a love supreme, don´t let it get you down, every­                     Asus4  A body lives for love.

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ADDICTET TO LOVE   G                  F The lights are on, but you're not home C         G Your mind is not your own G                  F Your heart sweats, your body shakes C            G Another kiss is what it takes   G                F You can't sleep, you can't eat C                  G There's no doubt ­ you're in deep G                     F Your throat is tight, you can't breathe C            G Another kiss is all you need   Chorus:         Em                            C         You like to think that you're imune to the stuff         G         Oh yeah         Em                              C         It's closer to the truth to say you can't get enough                         G         You know you're gonna have to face it            You're addicted to love   You see the signs ­ but you can't read You're running at a different speed Your heart beats in double time nother kiss and you'll be mine A one­track mind; you can't be saved Oblivion is all you crave If there's some left over for you You don't mind if you do   Chorus:   Might as well face it: you're addicted to love     (repeated many times over the      same scheme as the refrains) (so G F C G)   Solo:   The light are on, but you're not home Your mind is not your own Your heart sweats your teeth grind Another kiss and you'll be mine   Version 04 /1.01 April 2004

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Chorus:   Might as well face it you're addicted to love (8x)

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SHAME, SHAME, SHAME Izabella G

Oh, it feels so good and I want you to know about it G See I want to feel it too. So just listen to me baby B7 Can't stop me now, hear what I say Em My feet want to move, so get out my A7 I'm gonna have my say, I'm going to D7 I'm gonna dance, dance, dance, ooh, C I say shame, shame, shame G Ah, shame on you if you can't dance C I say shame shame shame shame shame

way ev'ry discotheque till the break of day

too G shame shame shame on you

If you can't dance too Don't stop the motion if you get the notion You can't stop the groove 'cause you just won't move Got my sun roof down, got my diamond in the back Put on your shaky wig woman, if you don't I ain't comin' back I say shame, shame, shame Ah, shame on you if you can't dance too I say shame shame shame shame shame shame shame shame on you If you can't dance too If you don't want to go Remember one monkey don't stop no show My body needs action, ain't gonna blow Yes, I'm going out and find a dancin' man If you really think you're fast Try to catch me if you can G I say too C G Shame, shame, shame, shame on you If you can't dance too

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KILLING ME SOFTLY FLACK, ROBERTA        /Em                        /Am  Ref.: Strumming my pain with his fingers        /D7                      /G        Singing my life with his words        /Em                    /A        Killing me softly with his song                   /D          /C        Killing me softly with his song                    /G               /C        Telling the whole world with his words                   /Em             /E        Killing me softly with his song

       /Am7       /D     1. I heard he sang a good song.        /G         /C        I heard he had a style        /Am7     /D        And so I came to see him            /Em        And listen for a while        /Am7         /D        And there he was this young boy,        /G         /H7        A stranger to my eyes

 Ref.: Strumming my pain ...          2. I felt all flushed with fever        Embarassed by the crowd        I felt he found my letters        And read each one out loud        I prayed that he would finish        But he just kept right on  

 Ref.: Strumming my pain ...        3. He sang as if he knew me        In all my dark dispair        And then he looked right thru me        As if I wasn't there        But he was there this stranger        Singing clear and strong  

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TIME WARP

- ROCKY HORROR PICTURE SHOW

[E]It's astounding ­ Time is [F#]fleeting[E] ­ [D]Madness[A] takes its  [E]toll [E]But listen closely ­ And not for very much [F#]longer[E] ­ [D]I've got  to[A] keep con[E]trol [E]I remember ­ Doing the [F#]time warp[E] ­ [D]Reaching[A] those moments  [E]when [E]The blackness would hit me ­ And a voice would be [F#]calling ­ [C]Let's  [G]do the [D]time [A]warp [E]again It's just a jump to the [B]left ­ And then a step to the [E]right Put your hands on your [B]hips ­ You bring your knees in [E]tight But it's the pelvic [A]thrust ­ That really drives you in[E]sane [C]Let's [G]do the [D]time [A]warp [E]again [E]Well I was walking down the street just having a think When a hell of a guy gave me an evil wink It [A]shook me it took me by surprise He had a [E]pickup truck And a devil's eyes He [B]stared at me and I [A]felt ashamed [E]Time ain't nothing never was again [C]Let's [G]do the [D]time [A]warp [E]again

SAILING

( ROD STEWARD )

     C             Am            F                C I am sailing, I am sailing, home again, cross the sea      D               Am            Dm              C    G I am sailing, stormy waters, to be near you, to be free.      C            Am             F               C I am flying, I am flying, like a bird, cross the sky      D              Am                 Dm              C    G I am flying,passing high clouds, to be with you, to be free.         C                Am                   F              C Can you hear me, can you hear me, through the dark night far away      D              Am            Dm              C    G I am dying, forever trying, to be with you, to be free.        C               Am            F                C We are sailing, we are sailing, home again, cross the sea        D               Am            Dm              C    G Version 04 /1.01 April 2004

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We are sailing, stormy waters, to be near you, to be free.

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FIRST CUT IS THE DEEPEST" Intro: D –Dsus4-D

A

2x

D A G A 1. I would have given you all of my heart D A G A But there's someone who's torn it apart D A G A And she's taken just all that I have D A G But if you want I'll try to love again A D G A Baby, I'll try to love again but I know D A G A D Ref.: The first cut is the deepest, Baby I know A G A The first cut is the deepest D A G A But when it comes to being lucky, he's cursed D G A~~~~~~~ When it comes to loving me, he's worst D A G A 2. I still want you by my side D A G Just to help me dry the tears that I've cried D A G A 'Cos I'm sure gonna give you a trial D A G But if you want I'll try to love again try A D G A Baby, I'll try to love again but I know

A

Refrain: Solo:

D

A

D

A

D

A

D

A

D A G A 2. I still want you by my side D A G Just to help me dry the tears that I've cried D A G A but I'm sure gonna give you a trial D A G But if you want I'll try to love again try A D G A~~~ Baby, I'll try to love again but I know

A

Refrain:

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ANGIE ROLLING STONES (1973)

INTRO: AM E G F G C Am     E  Angie, Angie, G                F                    G C when will those dark clouds all disappear? Am     E Angie, Angie, G              F             C where will it lead us from here?            G  With no loving in our souls         Dm           Am  and no money in our coats C          F              G You can't say we're satisfied Am     E Angie, Angie, G          F               C  you can't say we never tried    Am            E Angie you're beautiful G             F                G C but ain't it time we said goodbye Am    E Angie I still love you G        F                      C    remember all those nights we cried          G                         All the dreams we held so close           Dm            Am seemed to all go up in smoke  C       F             G Let me whisper in your ear Am     E Angie, Angie,  G             F              C             where will it lead us from here?    Version 04 /1.01 April 2004

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   G                    Oh Angie don't you weep           Dm                 Am all your kisses still taste sweet C            F              G I hate that sadness in your eyes     Am     E But Angie, Angie G         F                G C ain't it time we said goodbye          G With no loving in our souls          Dm           Am and no money in our coats C          F              G You can't say we're satisfied   Dm                       Am Angie, I still love you baby Dm                            Am Ev'ry where I look I see your eyes Dm                              Am There ain't a woman that comes close to you  C       F            G Come on baby dry your eyes      Am    E But Angie Angie G         F           G C  Ain't it good to be alive   Am     E Angie, Angie G          F             G C You can't say we never tried

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BROWN SUGAR The Rolling Stones   intro: C­Bb­F­F­G­F (2x)                  Eb­Eb­C­C­Ab­Bb­C­C (2x)  (=B)        C    Gold Coast slave ship bound for cotton­fields      F     Sold in a market down in New Orleans         C Scarred old slaver knows he's doin' allright      Bb                     C Hear him whip the women just around midnight G               C     F      C     F   C   F   C   F C G Ah Brown Sugar, how come you taste so good?   (A­ ah)             C       F      C     F    C     F C F   (intro B) Brown Sugar, just like a young girl should a­huh   Drums beating Cold English blood runs hot Lady of the house wond'rin' Where it's gonna stop Houseboy knows That he's doing allright   Brown Sugar ....   I bet your mama was  A tent show queen And all her girlfriends Were sweet sixteen I'm no schoolboy But I know what I like You should have heard me Just around midnight   Brown Sugar ....   G                      I said yeah I said yeah I said Oh C    F    C       F    C              Just like a black girl should  G Version 04 /1.01 April 2004

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I said yeah .....(etc.)  

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HONKY TONK WOMAN

(

ROLLING STONES )

 G                                  C I met a gin soaked barroom queen in Memphis     G                               D she tried to take me upstairs for a ride     G                               C she had to have me right across the shoulder G                           D                G 'cause I just can't seem to drink you off my mind

         D              G                  D It's the ho ­ onky tonk woman, gimme gimme gimme                G the honky tonk blues.

  G                          C I laid a divorce in New York City   G                              D I had to pull out some kind of a fight     G                            C The lady there she covered me in roses     G                D                G she blew my nose and than she blew my mind.

         D              G                  D It's the ho ­ onky tonk woman, gimme gimme gimme                G the honky tonk blues.

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JUMPIN' JACK FLASH A ­ G ­ D       A ­ G ­ D           A          G        D    A       ­ G ­ D 1. I was born in a crossfire hurricane,            A            G          D      A  ­ G ­ D     and I howled at my ma in the driving rain.               A   G      D                   A     But it`s all right, now, in fact it`s a gas.                   G          D                          A     But it`s all right, I`m jumping Jack Flash, it`s a gas, gas, gas! A ­ G ­ D     A ­ G ­ D           A           G          D       A  ­ G ­ D 2. I was raised by a toothless, bearded hag,              A               G           D       A     ­ G ­ D     I was schooled with a strap right across my back.               A   G      D                   A     But it`s all right, now, in fact it`s a gas.                   G          D                          A     But it`s all right, I`m jumping Jack Flash, it`s a gas, gas, gas! A ­ G ­ D     A ­ G ­ D            A             G             D        A      ­ G ­ D 3. I was drowned, I was washed up and left for dead,             A          G          D         A   ­ G ­ D     I fell down to my feet and I saw they bled.         A              G           D        A      ­ G ­ D     I frowned at the crumbs of a crust of bread             A              G           D      A      ­ G ­ D     I was crowned with a spike right thru my head.               A   G      D                   A     But it`s all right, now, in fact it`s a gas.                   G            D                                      A     But it`s all right, I`m jumping Jack Flash, it`s a gas, gas, gas!       A                 G      D     Jumping Jack Flas, it`s a gas ....... (rep. and fade)                     (The Rolling Stones)

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LET'S SPEND THE NIGHT TOGHETER

Chords: A5 Bm C D Fm7 G

x022xx x24432 032010 xx0232 242222 320033

Main Piano lick (arranged for guitar) e - 5 5 5 7 8 8 8 7 5

Intro: A5 (strum w/lick) Ba, Ba, Da, Da Da Da, Da Da (x2) G Fm7 A5 (lick) Ba Ba Da Da Ba Ba G Fm7 Don't you worry 'bout what's on your mind A5 (lick) oh my, da da da da da da da da G Fm7 I'm in no hurry I can take my time A5 (lick) oh my, da da da da da da da da C G I'm going red and my tongue's getting tied D (tongue's getting tied) C Bm I'm off my head and my mouth's getting dry D I'm high, but I try, try, try...oh my A5 (lick) Let's spend the night together A5 (lick) Now I need you more than ever A5 (lick) Let's spend the night together now G Fm7 Ba Da Da Da, Ba Ba A5 (lick) Ba Ba Da DA da Da Da Da DA G Fm7 I feel so strong that I can't disguise A5 (lick) oh my, let's spend the night together G Fm7 But I just can't apologise A5 (licK) oh no, let's spend the night together C G Version 04 /1.01 April 2004

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Don't hang me up and don't let me down D (Dont let me down) C D We could have fun just grooving around Bm D around and around oh my, my A5 (lick) Let's spend the night together A5 (lick) Now I need you more than ever A5 (lick) Let's spend the night together C Lets spend the night together G Now I need you more than ever C Do DO DO DO Do Do Do DO Do G You know I'm smiling, baby C You need some guiding, baby G I'm just deciding, baby D Now I need you more than ever D (lick) Let's spend the night together D (lick) Let's spend the night together now G Fm7 Ba Ba Da DA Ba Ba A5 (lick) Ba Ba Da DA Ba Ba Ba Da DA G Fm7 This doesn't happen to me every day A5 (lick) oh my, let's spend the night together G Fm7 No excuses offered anyway A5 (lick) oh my, let's spend the night together C G I'll satisfy your every need D (Every need) C Bm And now I know you will satisfy me

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PAINT IT BLACK ROLLING STONES 1. Strophe: Am

E

I see a red door and I want it painted black, Am

E

No colours anymore I want them turn to black. Am G C

G

Am

I see the girls walk by dressed in their summer clothes, Am G C

G

D

E

I have to turn my head until my darkness goes. 2. Strophe: I see a line of cars and they're all painted black, With flowers and my love, both never to come back. I see people turn their heads and quickly look away, Like a newborn baby it just happens every day. 3. Strophe: I look inside myself and see my heart is back, I see my red door and I want it painted black. May be then I'll fade away and not have to face the facts, It's not easy facing up when your whole world is black. 4. Strophe: No more will my green sea go turn a deeper blue, I could not forsee this thing happening to you. If I look hard enough into the setting sun. My love will laugh with me before the morning comes. 5. Strophe: I see a red door and I want it painted black, No colours anymorrre I want them turn to black. I see the girls walk by dressed in their summer clothes, I have to turn my head until my darkness goes.

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SATISFACTION ( ROLLING STONES ) E              A            E              A I can't get no satisfaction,I can't get no satisfaction.          E         H7        E         A 'cause I try and I try and I try and I try.         E   A          E   A I can't get no,I can't get no.          E             A When I'm driving in my car,          E                A and that man comes on the radio;          E                   A and he's tellin' me more and more              E            A about some useless information,             E             A supposed to fire my imagination.          E   A              E I can't get no, oh no, no, no. A         E    A             E Hey, hey, hey, that's what I say.          E          A When I'm watchin'my TV,           E               A and that man comes on to tell         W                   A me how white my shirts can be.          E                        A Well he can't be a man 'cause he doesn't            E                  A smoke the same cigarettes as me         E   A              E I can't get no, oh no, no, no. A         E    A             E Hey, hey, hey, that's what I say.          E                  A When I'm driving 'round the world         E                   A and I'm doing this and I'm singing that         E                  A and I'm tryin'to meet some girls              E                       A Who tell me, baby , better come back later next week            E                   A 'cause you see I'm on a losing streak.         E       A       E I can't get no, I can't get no, A       E       A       E I can't get no, no satisfaction, A       E        A       E no satisfaction, no satisfaction. Version 04 /1.01 April 2004

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SYMPATHIE FOR THE DEVIL Intro: Bongos, drums, people going 'wooo' and 'yow', etc. (Riff:) E         D       A        E Please allow me to introduce myself, I'm a man of wealth and taste E               D              A                    E I've been around for a long long year, stole many a man's soul and face E                 D              A                     E I was round when Jesus Christ had his moments of doubt and pain E                   D              A               E Made damn' sure that Pilate washed his hands and sealed his fate

Chorus: B                              E Pleased to meet you, hope you guess my name B                               E But what's puzzling you is the nature of my game

E                  D              A              E Stuck around St. Petersburg when I saw it was the time for a change E                D              A                    E Killed the Tsar and his ministers, Anastasia screamed in vain E                  D              A                E I rode a tank in the general's rank, when the blitzkrieg raged, E               D        A         E And the bodies stank **Chorus E               D          A             E I watched with glee while your kings and queens        E Fought for ten decades for the gods they made E                   D         A               E I shouted out 'who killed the Kennedys?' when after all, it was you and me E                  D          A              E Let me please introduce myself, I'm a man of wealth and taste E                D            A              E And I lay traps for troubadours, who get killed before they reach Bombay **Chorus **Solo on verse riff **Chorus E                  D           A                   E Just as every cop is a criminal, and all the sinners saints E              D           A          E This head, this tail, just call me Lucifer,      E 'Cos I'm in need of some restraint E               D               A                      E Version 04 /1.01 April 2004

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So if you meet me have some courtesy, have some sympathy and some taste E                 D                A               E Use all your well­learned politics, or I'll lay your soul to waste

**Chorus **WORKOUT ON VERSE RIFF, AND FADE:

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Wild Horses   

Intro:  G   Am    G   Am   G Bm          G      Bm           G Childhood living   is easy to do Am               C       D   G                  D    C The things you want to      I bought them for you Bm          G      Bm               G Priceless lady     you know who I am Am           C         D       G                D       C You know I can't let you     slide through my hands                Am     C      D  G         F       C Wild Horses     couldn't drag me away  Am          C      D  G         F        C Wild wild horses     couldn't drag me away Bm              G      Bm              G I watched you suffer   a dull aching pain Am          C     D  G               D     C Now you decided     to show me the same Bm               G      Bm            G No sweet thing exits    oh of stage blinds Am                 C      D     G          D     C Could make me be bitter     or treat you unkind        Am     C      D  G         F       C Wild Horses     couldn't drag me away Am          C      D  G         F        C Wild wild horses     couldn't drag me away    Bm            G           Bm                 G I know I've drained you   it seemed like a lie Am          C       D  G                       D     C I have my freedom      but I don't have much time Bm               G      Bm              G Faith has been broken   tears must be cried Am             C      D  G            D     C Lets do some living     after we've died       Am     C      D  G         F        C Wild horses     couldn't drag me away Am          C      D  G      F              C Wild wild horses     we'll ride them some day Version 04 /1.01 April 2004

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Am     C      D  G         F        C Wild horses     couldn't drag me away Am          C      D  G      F              C Wild wild horses     we'll ride them some day

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YOU CAN'T ALWAYS GET WHAT YOU WANT Rolling Stones

KAPO: 5. Bund / 5th fret

  Intro:  G  C  2x

   G                      C  I saw her today at the reception    G                    C A glass of wine in her hand    G                              C  I knew she was gonna meet her connection         G                    C At her feet was a footloose man        G                         C      You can't always get what you want      G                         C You can't always get what you want      G                         C You can't always get what you want             A                  C But if you try sometimes, you might find                   G     C     G      C  You get what you need...ahh, yeah...         G                   C  I went down to the Chelsea drugstore         G                 C  To get your prescription filled.         G                        C  I was standing in line with Mr. Jimmy,      G                      C And man, did he look pretty ill. I said to him:   Refrain    G                      C   I saw her today at the reception,          G                   C      In her glass was a bleeding man.          G                         C She was practiced at the art of deception,               G                        C Well I could tell by her bloodstained hands.   2 x Chorus to fade  Version 04 /1.01 April 2004

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BLACK MAGIC WOMAN SANTANA

                     Dm                         Am  I got a black magic woman, I got a black magic woman    Dm                                      Gm        I got a black magic woman got me so blind I can't see            Dm                    A                           Dm  I got a black magic woman she try'in to make a devil out of me 

                     Dm                         Am  Turn your back on me baby, turn your back on me baby    Dm                         Gm        Turn your back on me baby don't turn babe            Dm                    A                           Dm  Turn your back on me baby you might just pick up my magic sticks 

                     Dm                         Am  Got your spell on me baby, got your spell on me baby               Dm                         Gm        Got your spell on me baby turnin my heart into stone     Dm                    A                        Dm  I need you so bad magic woman I can't leave you alone 

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THE BOXER, SIMON & GARFUNKEL '70           C                                              a        1. I am just a poor boy. Though my stories seldom told,                  G                                d          G           I have squandered my resistance for a pocketful of mumbles,                     C                      a           such are promises ­ all lies and jest                    G                 F                                C           still a man hears what he wants to hear und disregards the rest                            G              F     e     d   C           (summen: looking for the places only they would know.)           C                                                      a        2. When I left my home and my family I was no more than a boy                  G                           d         G           In a company of strangers, in the quiet of a railway station            C                       a           running scared ­ laying low                    G                F                             C           seeking out the poorer quarters where the ragged people go                    G              F     e   d     C           looking for the places only they would know.                  a          G                      a      REF: Lei lalei, leila leila leila lei, leila lei,                  G          F             (G)  C           leila leila la la lei, la la la la lei.           C                                                a        3. Asking only workman's wages I come looking for a job,                         G                  d              G           But I get no offers ­ just a comeon from the whores of                   C                a           Seventh Avenue ­ I do declare                                 G     F                                C           There were times when I was so lonesome I took some comfort there                            G              F     e    d    C           (lalala: looking for the places only they would know.)           instr.           REF                    C                            G7  C             a        4. Then I'm laying out my winter clothes and wishing I was gone,                  G               d        G7            G           Going home ­ where the New York City winter's aren't            C                    a           bleeding me ­ Leading me                 G        F  C           Going home ...                  C                                            a        5. In the clearing stands a boxer and a fighter by his trade                  G                          d              G           and he carries the reminders of evry glove that laid him down or                    C                                        a Version 04 /1.01 April 2004

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          cut him till he cried out ­ in his anger and his shame                 G             F                               C           "I am leaving, I am leaving." But the fighter still remains                            G              F     e   d     C           (lalala: looking for the places only they would know.)          REF (2x)

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BRIDGE OVER TROUBLED WATER SIMON & GARFUNKLE CAPO 1 Intro: D D9 G A7 Fdim D G A7 D G D G      D           G        D            C     G   D       G      When you're weary. Feeling small. When tears are in your eyes        D           G  D G D  I will dry them all.        A  Bm   A                        D     D/C# D7 I'm on your side ohhhh when times get rough.             D9   G     E  A And friends just can't be found.

D7  D9 G      A7 Fdim D       Bsus B7  G      F#7    Bm  Like a bridge over    trouble   water, I will lay me down. D7  D9 G      A7 Fdim D       Bsus B7  G      A7     D    G D G Like a bridge over    trouble   water, I will lay me down.

D                        G                    D  When you're down and out.  When you're on the streets yeh.         C  G    D         G        D            G   D   G  D When an evening falls  so hard.  I will comfort you ohhhhh.      A    Bm   A                        D    D/C# D7 I'll take your part ohhhh  when darkness comes.          D9 G    E     A  And pain is all  around. 

D7  D9 G      A7 Fdim D       Bsus  Bm G      F#7    Bm Like a bridge over    trouble   water, I will lay me down. D7  D9 G      A7 Fdim D       Bm     G      Bm F#7 Bm Like a bridge over    trouble water, I will lay me down.

E7 D G G1 Gm D G D G 

        D           G         D    G Sail on silver girl.  Sail on by.      C    G   D        G              Your time has come  to shine.           D                      G D G All your dreams are on their way.     A   Bm   A                       D             D/C# D7  See how they shine ohhhhh and if you need a friend.        D9   G     E    A I'm sailing right behind.

D7  D9 G      A7 Fdim D       Bm     G      Bm   F#7  Bm  Like a bridge over    trouble water, I will ease your mind. Version 04 /1.01 April 2004

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D7  D9 G    Gmaj7 E7 D     Bm     G      F#7       Bm Like a bridge over trouble water, I will ease your mind. E9 Emaj D G G1 Gm D

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CECILIA       C              F          C 1. Cecilia, you're breaking my heart,           F         C          G you're shaking my confidence daily.        F  C       F           C Oh, Cecilia, I'm down on my knees,       F            C             G I'm begging you please to come home.                           C 2. =  REFRAIN +  come on home.                         F    G           C     Making love in the afternoon with Cecilia,            F      G               up in my bedroom (making love).           C      F       G     I got up to wash my face,              C                         when I come back to bed,                 G         C     someone's taken my place.  + REFRAIN          C           F         C 3. Jubilation, she loves me again,        F            C             G     I fall on the floor and I'm laughing.          F  C        F         C     Jubilation, she loves me again,        F            C            G          ­ C     I fall on the floor and I'm laughing.                  (Simon and Garfunkel) Version 04 /1.01 April 2004

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EL CONDOR PASA

          G e G e                                          G        1. I'd rather be a sparrow than a snail                                             e           Yes I would. If I could. I surely would. Hm_                                         G           I'd rather be a hammer than a nail                                                  e           Yes I would. If I only could. I surely would. Hm_

           C      Ref: Away, I'd rather sail away                  G           like a swan that's here and gone.             C           A man gets tied up through the ground                        G                                  e           he gives the world its sadest sound, its sadest sound.

                                         G        2. I'd rather be a forest than a street                                             e           Yes I would. If I could. I surely would. Hm_                                                 G           I'd rather feel the earth beneath my feet                                                  e           Yes I would. If I only could. I surely would. Hm_

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          Ref instr.

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MRS. ROBBINSON E7        A7  D7  G  C  Am  E7  D7 Dee, dee, dee,...               G           Em And here's to you, Mrs. Robinson G               Em             C           D7 Jesus loves you more than will know, wo,wo wo.                G             Em God bless you, pleas, Mrs. Robinson G                Em                C Heaven holds a place for those who pray           Am             E7 hey, hey, hey, hey, hey, hey. E7 We'd like to know a little bit about you for our files A7 We'd like to help you learn to help your­self. D7                       G          C        Am Look around you, all you see are sympathetic eyes E                           D7 stroll around the grounds until you feel at home.               G           Em And here's to you, Mrs. Robinson G               Em             C           D7 Jesus loves you more than will know, wo,wo wo.                G             Em God bless you, pleas, Mrs. Robinson G                Em                C Heaven holds a place for those who pray           Am             E7 hey, hey, hey, hey, hey, hey. E7       Hide it in a hiding place where no one ever goes A7 Put it in your pantry with your cupcakes D7            G                 C          Am It's a little secret just the Robinson's affair. E                              D7 Most of all you've got to hide it from the kids.                G         Em coo, coo, cachoo, Mrs. Robinson G               Em             C           D7 Jesus loves you more than will know, wo,wo wo.                G             Em God bless you, pleas, Mrs. Robinson G                Em                C Heaven holds a place for those who pray           Am             E7 hey, hey, hey, hey, hey, hey. E7 Sitting on a sofa on a Sunday afternoon A7 going to the candidates' debate Version 04 /1.01 April 2004

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D7                              C                  Am laugh about it, shout about it, when you've got to choose E                             D7 Ev'ry way you look at it, you lose.                G          Em Where have you gone Joe Dimaggio?   G                Em             C                 D7                G           Em A nation turns its lonely eyes to you, wo, wo ,wo. What that you say, Mrs. Robinson? G                Em            C              Am             E7 "Joltin'Joe" has left and gone away. Hey, hey, hey, hey, hey, hey.

HANG ON SLOOPY The Mc Coy's Refrain: G C D C G C D C Hang on Sloopy, Sloopy hang on, hang on Sloopy, Sloopy hang on. 1. Strophe: G C D C G C D C Sloopy lives in a very bad hounded town. G C D C G C D C And everybody, yeah tries to put my Sloopy down. G C D C G C D C Sloopy I don't care what your Daddy do. G C D C G C D Cause Sloopy girl I'm in love with you, and so I sing now: Refrain: 2. Strophe:

Sloopy let your hair down girl let it hang down on me. Sloopy let your hair down girl let it hang down on me. Come on Sloopy (come on come on) Well come on Sloopy (come on come on) Well come on Sloopy (come on come on) Well come on Sloopy (come on come on) Well it feels so good (come on come on) You know it feels so good (come on come on) Oh shake it, shake it, shake it Sloopy (come on come on) Oh shake it, shake it, shake it Sloopy (come on come on) Refrain: (4 mal)

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SCARBOROUGH FAIR / SIMON & GARFUNKEL KAPODASTRO 2. BUND INTRO: AM AM7 AM AM7

Am G Am Are you going to Scarborough Fair C Am D Am Parsley sage rosemary and thyme G C D Remember me to one who lives there Am G C G Am She once was a true love of mine Am C Am Tell her to make me a cambric shirt C Am D Am Parsley sage rosemary and thyme G C D Without no seems for needle work Am G C G Am Then she'll be a true love of mine

(On the side of a hill in the deep forest green) (Tracing of sparrow in snowcrest brown) (Blankets and bed clothes the child of the mountain) (Sleeps unaware of the clarion call)

Am G Am Tell her to find me an acre of land (On the side of a hill a sprinking of leaves) C Am D Am Parsley sage rosemary and thyme (Washes the grave with silvery tears) G C D Between the salt water and the sea strands (A soldier cleans and polishes a gun) Am G C G Am Then she'll be a true love of mine (Sleeps unaware of the clarion call) Am G Am Tell her to reap it with a sickle of leather (War belows blazing in scarlet battalions) C Am D Am Parsley sage rosemary and thyme (Generals order their soldiers to kill) G C D And gather it all in a bunch of heather (And to fight for a cause they've long ago forgotten) Am G C G Am Then she'll be a true love of mine (Sleeps unaware of the clarion call) Am G Am Are you going to Scarborough Fair C Am D Am Parsley sage rosemary and thyme G C D Remember me to one who lives there Am G C G Am She once was a true love of mine

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CARAVAN OF LOVE - HOUSEMARTINS A f# h E Are you ready, are you ready, are you ready, are you ready? A f# h Are you ready for the time of your life, it's time you stand up and fight, E it's all right, it's all right. A f# h E Hand in hand we'll take a caravan to the motherland. A f# h One by one we're gonna stand up with pride, one that can't be denied. E Stand up, stand up! A f# h E From the highest mountain valley low, we'll join together with hearts of gold. f# f# Now the children of the world can see there's a better place for us to be. D E The place in which we were born, so neglected and torn apart. A f# D Ev'ry woman, ev'ry man join the caravan of love, f# E Stand up, stand up, stand up. A f# D Ev'rybody take a stand, join the caravan of love, f# E Stand up, stand up, stand up. A f# h E I'm your brother, I'm your brother, don't you know? A f# h E She's my sister, she's my sister, don't you know? f# f# We'll be living in a world of peace in the day when ev'ryone is free. D E Well, the young and the old, won't you let your love flow from your heart? A f# D Ev'ry woman, ev'ry man join the caravan of love, f# E Stand up, stand up, stand up. A f# D Ev'rybody take a stand, join the caravan of love, f# E Stand up, stand up, stand up. A f# h E I'm your brother, I'm your brother, don't you know? A f# h E She's my sister, she's my sister, don't you know?

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ALICE

SMOKIE

1. STROPHE: D G A D Sally called when she got the word, and she said „I suppose you’ve heard, ’bout Alice“ D G Well I rushed to the window, and I looked outside, but I could hardly believe my eyes. A D As a big limousine rolled up onto Alice’s drive. Refrain: D Oh, I don’t know why she’s leaving, or where she’s gonna go, G I guess she’s got her reasons but I just don’t wanna know, A D Cause for 24 years I’ve been living next door to Alice, Alice who the fuck is Alice. D 24 years just waiting for a chance, G To tell her how I feel and maybe get a second glance, A G D Now I gotta get used to not living next door to Alice, Alice who the fuck is Alice. 2. Strophe: We grew up together kids in the park, carved out initials deep in the bark, me and Alice. Now she walks through the door, with her head high, just for a moment I caught her eye. As the big limousine pulled slowly out of Alice’s drive. Refrain: 3. Strophe: Then Sally called back and asked how I felt, she said I know how to help get over Alice. She said „Now Alice is gone, but I’m still here, you know, I’ve been waiting 24 years...“ And the big limousine disappeared. Refrain

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NEEDLES AND PINS C Am 1. I saw her today, I saw her face, it was the face I loved, and I knew. C Am I had to run away and get down on my knees and pray, that they'd go away. C ~ Am But still they'd begin, those needles and pins, F G because of all my pride, the tears I gotta hide. C Am 2. Hey, I thought I was smart, I'd won her heart, didn't think I'd do, but now I see. C She's worse to him than me, let her go ahead, Am take his love instead, and one day she will see, C ~ Am just how to say please, and get down on her knees. F G Hey, that's how it begins, she'll feel those needles and pins, hurtin' her, hurtin' her. E D Why can't I stop and tell myself I'm wrong, I'm wrong, so wrong? C B7 Why can't I stand up and tell myself I'm strong? E C#m 3. Because I saw her today, I saw her face, it was the face I loved, and I knew. E C#m I had to run away and get down on my knees and pray, that they'd go away. E ~ C#m But still they'd begin, needles and pins A B7 Because of all my pride the tears I gotta hide E Oh, needles and pins, needles and pins, needles and pins ....

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THE JOKER VORSPIEL:

STEVE MILLER BAND

G C D C D G

1. Strophe: G C D C D G Some people call me the space cowboy, yeah G C D C D G Some call me the gangster of love G C D C D G Some people call me Maurice G C D C D G Cause I speak of the pompitous of love. 2. Strophe: People talk about me, baby Say I'm doin' you wrong, doin' you wrong Well, don't you worry baby, don't worry Cause I'm right here, right here, right here, right here at home Refrain (2 mal): G C G C Cause I'm a picker, I'm a grinner, I'm a lover and I'm a sinner G C D C I play my music in the sun G C G C I'm a joker, I'm a smoker, I'm a midnight toker G C D C I sure don't want to hurt no one Solo: G C D C D G Instrumental G C D C D G Instrumental 3. Strophe: You're the cutest thing that I ever did see I really love your peaches want to shake your tree Lovey-dovey, lovey-dovey, lovey-dovey all the time Ooo-eee baby, I'll sure show you a good time Refrain (2 mal): Solo: 4. Strophe: People keep talking about me baby They say I'm doin' you wrong Well don't you worry, don't worry, no don't worry mama Cause I'm right here at home 5. Strophe: You're the cutest thing I ever did see Version 04 /1.01 April 2004

Really love your peaches want to shake your tree Lovey-dovey, lovey-dovey, lovey-dovey all the time Come on baby and I'll show you a good time Refrain (2 mal): Solo (fade out):

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NELLIE THE ELEPHANT

(TOY DOLLS)

Em B7 Em G B To bombay, a traveling circus came F#7 B F#7 B they brougth an intelligent elephant and Nellie was her name Em B7 Em G B One dark night she slipped her iron chain F#7 B F#7 B and off she ran to Hindustan and was never seen again E Nellie the elephant packed her trunk and A E said goodbye to the circus A E B F# off she went with a trumpety-trump, trump trump E Now Nellie the elephant packed her trunk and A E trundeled back to the jungle A E F#7 B off she went with a trumpety-trump, trump trump

B trump

E trump.

Night by night, she danced to the Circus band when Nellie was leading the big parade she looked so proud and grand no more tricks, for Nellie to perform they taught her how to take a bow and she took the crowd by storm Nellie the elephant... F Nellie the elephant packed her trunk and Bb F said goodbye to the circus Bb F C G off she went with a trumpety-trump, trump trump F Now Nellie the elephant packed her trunk and Bb F trundeled back to the jungle Bb F G7 C off she went with a trumpety-trump, trump trump

C trump

F trump.

Bb F Bb F the head of the herd was calling far far away G7 C7 G7 C7 they met one night in the silverlight on the road to Mandalay Nellie the elephant... Version 04 /1.01 April 2004

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I WANNA BE LIKE YOU Jungle Book

Am E7 Now I'm the king of the swingers, the jungle V. I. P.

Am

I've reached the top and had to stop and that's what's botherin' me

E7

I wanna be a man, man-cub, and stroll right into town

Am

G7 And be just like the other men, I'm tired of monkeyin' 'round, oh

CHORUS: C Ooh,

A7 ooh, I wanna be like you ooh ooh D7 G7 C A7 I wanna walk like you, talk like you too, ooh, ooh G7 C A7 You'll see it's true ooh, ooh, an ape like me, ee, ee D7 G7 C A7 G7 Can learn to be hu-ooh-ooh-man too, ooh, ooh ooh,

Dm7

D7

Don't try to kid me man-cub and don't get in a stew What I desire is man's red fire so I can be like you Give me the secret man-cub, just clue me what to do Give me the pow'r of man's red flow'r and make my dreams come true CHORUS I like your mannerisms, we'll be a set of twins No one will know where man-cub ends and orangutan begins And when I eat bananas, I won't peel them with my feet 'Cause I'll become a man-cub and learn some etti - keet. CHORUS shift gears CHORUS

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BACK FOR GOOD TAKE THAT Vorspiel: E F#m

E F#m A H E F#m A H A

H

E F#m

A H

I guess now it’s time to give up, I feel it’s time. E

F#m

A

H

E F#m A H

Got a picture of you beside me got a lipstick mark still on your coffee cup, oh yeah. E

F#m

A

H

Got a fist of pure emotion got a head of shattered dreams. C#m

A

H

Gotta leave it, gotta leave it now behind. Refrain: E

F#m

A

H

E

Whatever I said, whatever I did, I didn’t mean it, I just want you back for good. E

F#m

A

H

Want you back, want you back, want you back for good. E

F#m

A

H

E

Whatever I’m wrong just tell the song and I’ll sing it, you’ll be right and understood E

F#m

A

H

Want you back, want you back, want you back for good. 2. Strophe: Unaware but figured I falled out the story, no, no it want good, no, no. But in the corner of my mind I celebrated glory but that was not to be. In the twist of separation you excelled at being free. Can’t you find, can’t you find a little from inside for me. Refrain: 3. Strophe: A

E

A

E

F#m

E

And we’ll be together, this time is forever. We’ll be fighting and forever we will be C#m

A

H

So complete in our love we will never be uncovered again. Refrain:

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TAKE A MESSAGE Remy ShandStandard tuning Intro 1-------5-6-103-3/5-6-------2-------------0-----------------------------------------Strum 5 6 7 0 0 0

these chords throughout the rest of the song 0 1 0 5 3 2 6 2 2 5 0 2 0 0 0 0 0 0

lyrics: Remy Shand Take A Message How did she fall in love? Tired and shaken up Could it be hanging around's enough? No one was fooling when they told about the sense in sensibility in moving on. All that I see is that we live in life Did you fail when you found that you paid the price? Hope it wasn't lost in an honest truth so, the past doesn't break all that we'd been through Every little thing what you did was right but, who knows what you did on that day you cried endlessly Oh you cried endlessly Take a message from my love What could I say to you? Oh, when making the waves was left unconscious I didn't mean to tell you why. oh why? But you harbored all defenses And you're making it hard to bring that hope back for you and I All that I see is that we livin' life Did you fail when you found that you paid the price? Hope it wasn't lost in an honest truth so the past doesn't break all that we'd been through Every little thing what you did was right but, who knows what you did on that day you cried endlessly Oh you cried endlessly Take a message from my love

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HOW DEEP IS YOUR LOVE

      C          em7     dm7 And when you rise in the morning sun,  A7          dm              E       G7 I feel you touch me in the pouring rain,   C                      am and the moment that you wander far from me   dm                   G7 I wanna feel you in my arms again.   F7             em7 When you come to me on a summer breeze,  dm7                        gm      B7 keep me warm in your love then you softly leave.   em      dm       G11 And it's me you need to show:   C How deep is your love, is your love? How deep is your love?  F7                fm               C                    gm I really need to learn cause were living in a world of fools       A7            A7­9        A7    dm breaking us down when they all should let us be.        fm              C We belong to you and me.       em7    dm7   A           dm7         E      G7 I believe in you. You know the door to my very soul.             C                 e         A You're the light in my deepest darkest hour.            am7              G You're my saviour when I fall             f                 e           and you may not think that I care for you            f                     am7 when you know down inside that I really do,           e              F and it's me you need to show:       G How deep is your love... Lalalala... When you come to me... How deep is your love... How deep is your love... Version 04 /1.01 April 2004

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WHISKEY IN THE JAR

(THIN LIZZY)

      G                             Em  1. As I was going over the farfamed mountain,   C                                G  I met with Captain Farrell and his money he was countin'.                                  Em  I first produced my pistol and I then produced my rapier.  C                                 G  Saying, stand and deliver for you are my bold deceiver.       D                      Em  Musha riggedum diggedum dah, whack fol di daddy­o,  C                             G       D      G  whack fol di daddy­o. There's whiskey in the jar.    G                               Em  2. He counted out his money and it made a pretty penny,   C                          G  I put it in my pockets and I gave it to my Jenny.                                         Em  She sighed and she swore that she would never betray me,         C                             G  but the devil take the woman for they never can be easy.       D                      Em  Musha riggedum diggedum dah, whack fol di daddy­o,  C                             G       D      G  whack fol di daddy­o. There's whiskey in the jar.      G                         Em  3. I went into my chamber, oh, for to take a slumber,   C                             G  I dreamt of gold and jewels and sure it was no wonder,                                   Em  for Jenny drew my charges and she filled them up with water,         C                             G  and she sent to Captain Farrell to be ready for the slaughter.       D                      Em  Musha riggedum diggedum dah, whack fol di daddy­o,  C                             G       D      G  whack fol di daddy­o. There's whiskey in the jar.           G                      Em  4. 'T was early in the morning before I rose to travel,    C                           G  up comes a band of footmen and likewise Captain Farrell,                                   Em  I then produced my pistol for she stole away my rapier,       C                             G  but I couldn't shoot the water so a prisoner I was taken. Version 04 /1.01 April 2004

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      D                      Em 

Musha riggedum diggedum dah, whack fol di daddy­o,  C                             G       D      G  whack fol di daddy­o. There's whiskey in the jar.

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NUTBUSH CITY LIMITS TINA TURNER A A church-house, inn-house, school-house, out-house,   on highway number nineteen, the people keep the city clean.                 C            G They call it Nutbush, oh, Nutbush,               A they call it Nutbush city limits. Nutbush City.           A Twenty­five was the speed limit, a motorcycle not allowed in it,   you go t'the store on Fridays, you go to church on Sundays.                 C            G They call it Nutbush, oh, Nutbush,               A they call it Nutbush city limits. Nutbush City.               A  You go t'the fields on weekdays, and have a picnic on Labour Day,   you go to town on Saturdays, and go to church on Sunday.                  C            G They call it Nutbush, oh, Nutbush,               A they call it Nutbush city limits. Nutbush City.      A No whiskey for sale, you get drunk, no bail,   salt pork and molasses is all you get in jail.                    C            G They call it Nutbush, oh, Nutbush,               A they call it Nutbush city limits. Nutbush City.      A A little town in Tennessee, a quiet little, old community.   Version 04 /1.01 April 2004

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A one­horse town, you got to watch, what they're puttin' down.                 C            G They call it Nutbush, oh, Nutbush,               A they call it Nutbush city limits. Nutbush City.  

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RIVER DEEP, MOUNTAIN HIGH A~ ------------- D 1. When I was a little girl I had a rag doll, A the only doll I've ever owned. D Now I love you just the way I loved that rag doll, A but only now my love has grown. E A E A And it gets stronger in every way, and it gets deeper, let me say. E A And it gets higher day by day. G A Do I love you, my oh my, yes, river deep, mountain high. G A If I lost you, would I cry, oh, how I love you baby, baby, baby, baby. ------------------- D 2. When you were a young boy, did you have a puppy, A that always followed you around? D Well, I'm gonna be as faithful as that puppy, A no, I'll never let you down. E A 'Cause it goes on like a river flows, E A and it gets bigger, baby, and heaven knows. E A and it gets sweeter, baby, as it grows. + CHORUS A I love you, baby, like a flower loves the spring. And I love you, baby, like a robin loves to sing. D And I love you, baby, like a schoolboy loves his bag. A ~ And I love you, baby, river deep, mountain high. + CHORUS (Orig. = capo 1)

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(Tina Turner)

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BURNING DOWN THE HOUSE TOM JONES CAPO 2       E ­ D    E                       D                  Fighting fire with fire !      E             D        1.    Watch out     you might get what you're after, E                  D      cool babies,     strange but not a stranger.  E           D        E    D       A        E       ­ D     I'm an ordinary guy, burning down the house.      E                 D 2.    Hold tight !      Wait till the party's over! E                D     Hold tight!      We're in for nasty weather. E              D           E    D       A        E     There has got to be a way, burning down the house.        E                                 D     Here's your ticket pack your bag: time for jumpin' overboard, E                          D     the transportation is here.       E                            D     Close enough but not too far, maybe you know where you are, E                       D     fightin' fire with fire.       E          D 3.    All wet,     hey you might need a raincoat, E               D     shakedown,     dreams walking in broad daylight, E                   D             E     D       A        E      three hundred sixty five degrees, burning down the house.       E                             D                                 It was once upon a place sometimes I listen to myself, E                         D     gonna come in first place.         E                             D Version 04 /1.01 April 2004

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     People on their way to work,  baby what did you expect, E                      D     gonna burst into flame.           E                       D      E ­ D         Fightin' fire with fire, E                       D   ­ E    D       A        E     fightin' fire with fire,      burning down the house.      E             D 4.    My house,      out of the ordinary E                   D     that's right,        don't want to hurt nobody.      E                    D              E     D       A        E    Some things sure can sweep me off my feet, burning down the house.      E            D 5.   Watch out     you might get what you're after, E                D    cool babies      strange but not a stranger, E           D        E    D       A        E    I am an ordinary guy, burning down the house.          E           D             E     D       A        E     Three hundred sixty­five degrees, burning down the house.                         D                        E     Fighting fire with fire (fighting fire with fire),                        D                         E     gonna burst into flames (fighting fire with fire)                         D                        E     Fighting fire with fire (fighting fire with fire),                        D      E               ­ D     gonna burst into flames,     my house!           E                            D     No visible means of support and you have not seen nothin' yet, E                         D     Everything's stuck together.     E                              D     I don't know what you expect staring into your TV set, E                       D     E                      D     fighting fire with fire,       burning down the house.....,  

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DELILAH

   a                                                  E       ­ E7 1. I saw the light on the night that I passed by her window,     a                                             E   ­ E7     I saw the flickering shadows of love on her blind.      A   A7     d     She was my woman,       a                    E                           a  ­ G7     as she betrayed me I watched, and went out of my mind.      C             G                G7     C     My, my, my, Delilah. Why, why, why, Delilah.              C7         F                    d     I could see,  that girl was no good for me,         C                   G                       C  ­ E     but I was lost like a slave that no one could free.     a                                               E     ­ E7 2. At break of day when that man drove away I was waiting     a                                                     E ­ E7     I crossed the street to her house and she opened the door.      A    A7         d     She stood there laughing.     a                       E        \               a  ­ G7     I felt the knife in my hand, and she laughed no more.      C             G               G7      C     My, my, my, Delilah. Why, why, why, Delilah.          C7          F                      d     So before,  they came to break down the door,         C                   G                      C      forgive me, Delilah, I just couldn't take any more.         a                    E                     a   ­ d ­ a     forgive me, Delilah, I just couldn't take any more.                                   (Tom Jones)

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IT'S NOT UNUSUAL ( TOM JONES )

    C ­ d ­ C ­ d     C                          d                ­  G 1.                       It's not unusual to be loved by anyone, C                             d     it's not unusual to have fun with anyone, e                                d     but when I see you hanging about with anyone, G                        C                d         ­ G     it's not unusual to see me cry and I wanna die.     C                          d              ­ G 2.     It's not unusual to go out at any time, C                                d     but when I see you out and about, it's such a crime. e                                  d     If you should ever want to be loved by anyone, G                         C                     d     it's not unusual, it happens every day, no matter what you say,  G                                   C     you'll find it happens all the time.                           d     Love will never do, what you want it to, G                                  d­G         C ­ d ­ C ­ d     why can't this crazy love be mi...ne ?    C                          d                 ­ G 3.    It's not unusual to be mad with anyone, C                           d     it's not unusual to be sad with anyone, e                                    d     but if I ever find that you've changed at any time, G                        C               d     it's not unusual to find out I'm in love with you,            C              d             C      d     whoa whoa whoa whoa whoa whoa

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MAMA TOLD ME NOT TO COME - TOM JONES    D ~               D             C      D             C 1.       Want some whisky in your water, sugar in your tea?           D               C                 D         C     What are these crazy questions they're asking of me?                   D       C                D    C     This is the craziest party that could ever be,            D           C                      D        ­ C     don't turn on the lights, 'cause I don't wanna see.       D              C    G ­ A        D              C     ­ G ­ A Mama told me not to come,        mama told me not to come,             D                 C           G    A    she said :     That ain't no way to have fun, son!     ­ D ~  D           C                D             C 2.        Open up the window, let some air into this room, D                C                        D                C     I think I'm almost choking from the smell of stale perfume.              D                 C                   D               C     And the cigeratte you're smoking' s 'bout to scare me half to  death, D                C              D         C     open up the window, let me catch my breath. + REFRAIN +  D   ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ G    A         D    ­C­G­A  D­C­G­A­D     That ain't no way to have fun, son! Son, son!         D          C                 D              C 3. The radio was blasting, someone knocking at the door,          D             C                    D                  C     I'm looking at my girlfriend, she just passed out on the floor.          D             C             D            C    I've seen so many things I ain't never seen before,             D           C                D            C     don't know what it is,  but I don't wanna see no more.                  D   ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ ­  G    A + REFRAIN   +     That ain't no way to have fun, son! + REFRAIN ....

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SEXBOMB TOM JONES –

CHORDS: G#M     466444 C#M7    446454 D#7     668686

  g#m                     c#m7 Spy on me baby, you're a satellite,   g#m                           D#7 if you're apt to see me move through the night.   g#m               c#m7               g#m           D#7      g#m Ain't gonna fire, shoot me right, I'm gonna like the way you fight.      g#m                  c#m7 Now you found the secret code I use,      g#m          D#7 to wash away my lonely blues,    g#m               c#m7                      g#m           D#7  g#m so I can't deny, all lie, 'cause you're there, only want to make me  fly.     g#m            c#m7 Sexbomb, sexbomb, you're a sexbomb,  g#m                          D#7 you can give it to me when I need to come along.     g#m            c#m7 Sexbomb, sexbomb, you're my sexbomb,      g#m          D#7    g#m       and baby you can turn me on.      g#m                            c#m7 Now don't get me wrong, ain't gonna do you no harm,       g#m                         D#7 this bomb's for loving, you can shoot it far.  g#m                            c#m7 I'm your main target, come on, help me ignite,  g#m            D#7         g#m love struck me holding you tight.  g#m                c#m7 Make me explode although you know,       g#m            D#7 Version 04 /1.01 April 2004

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the route to go to sex me slow,       g#m                   c#m7 And, yes, I must react to claims of those,       g#m             D#7      g#m who say that you are not all that.     g#m            c#m7 Sexbomb, sexbomb, you're a sexbomb,  g#m                          D#7 you can give it to me when I need to come along.     g#m            c#m7 Sexbomb, sexbomb, you're my sexbomb,      g#m          D#7    g#m       and baby you can turn me on.  g#m                            c#m7 You can give me more and more, counting up the score,  g#m                            D#7 you can turn me upside down and inside out.  g#m                      c#m7 You can make me feel the real deal,     g#m            c#m7              g#m                    D#7 and I can give it to you when you tell me, 'cause you're mine.     g#m            c#m7 Sexbomb, sexbomb, you're a sexbomb,  g#m                          D#7 you can give it to me when I need to come along.     g#m            c#m7 Sexbomb, sexbomb, you're my sexbomb,      g#m          D#7    g#m       and baby you can turn me on.       g#m           D#7    g#m                    D#7    g#m and baby, you can turn me on, and baby, you can turn me on,                    D#7    g#m and baby, you can turn me on ....

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UNCHAIN MY HEAR Ray Charles

(Original 1/2Ton tiefer!) Unchain my heart, baby let me be Unchain my heart, cause you don't care about me You got me sewed up like a pillow case But you lettin' my love go to waste So unchain my heart, please baby, set me free Bass:acdcaga Unchain my heart, baby let me go Unchain my heart, cause you don't love me no more Everytime I call you on the phone Some fellow tells me that you're not at home So unchain my heart, please baby, set me free Bass:acdcaga I'm under your spell, like a man in a trance But I know darn well, that I don't stand a chance So unchain my heart, let me go my way Unchain my heart, you worried me that day Why lead me through a life of misery When you don't care a bag of beans for me So unchain my heart, please baby, set me free Bass:acdcaga *Solo*

(verse)

I'm under your spell, like a man in a trance But I know darn well, that I don't stand a chance So unchain my heart, let me go my way Unchain my heart, you worried me that day Why lead me through a life of misery When you don't care a bag of beans for me So unchain my heart, please baby, set me free Bass:acdcaga Oh, won't Whoa, set Wow!! Set Oh, won't

you set me free Bass:acdcaga me free Bass:acdcaga me free, little doll Bass:acdcaga you set me free... Bass:acdcaga

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DRIVE THE CARS

A

Amaj7 A

Asus2 / A

Who's gonna tell you when it's too late Who's gonna tell you things aren't so great F#m

Bm

F#m

Bm

Can't go on, thinking nothing's wrong A

E6

A

Who's gonna drive you home, tonight A

Amaj7

A

Asus2/A

Who's gonna pick you up, when you fall Who's gonna hang it up, when you call Who's gonna pay attention to your dreams Who's gonna plug your ears, when you scream F#m

Bm

F#m

Bm

Can't go on, thinking nothing's wrong A

E6

A

Who's gonna drive you home, tonight

Who's gonna hold you down, when you shake Who's gonna come around when you break Can't go on, thinking nothing's wrong Who's gonna drive you home, tonight

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HOT IN THE CITY Billy Idol

Stranger, stranger, stranger, stranger It's hot On a hot Don't be On a hot

here at night, lonely, black and quiet summer night afraid of the world we made summer night

'Cause when a long-legged lovely walks by Yeah you can see the look in her eye Then you know that it's [Refrain] Hot in the city, hot in the city tonight, tonight Hot in the city, hot in the city tonight, tonight Stranger, stranger For all the dreams and schemes,people are as they seem On a hot summer night Don't be no fun, don't forget you're young On a hot summer night A sometime someone you're not Don't wait to see what you got 'Cause you know that you're [Refrain] Hot in the city, hot in the city tonight, tonight Hot in the city, hot in the city tonight, tonight We'll walk until my feet drop I'm a train when I'm hateful Yeah, lay right down now And ride until your head breaks I'm a-walkin' 'til my brain pops I will move with the beat now I'm a chain 'round an A-bomb I'm a ribbon in the heat now New York! [Refrain, repeat to fade] Hot in the city, hot in the city tonight, tonight Hot in the city, hot in the city tonight, tonight

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|------0-----------|------0-------3----| (3)dieses G kann man alternativ |------1-----------|------1-------0----| (zB.im Refrain) spielen |------0-----------|------2-------0----| ansonsten das Schema |------------------|-------------------| das ganze Lied durch |--3-----------3---|--0-------3--------| spielen |------------(3)--|-------------------| .... ausser bei : 1 2 3 4 1 2 3 4 |------3-----------|------3-------3----| |------0-----------|------0-------0----| |------0-----------|------0-------0----| |------------------|-------------------| |------------------|--0-------2--------| |--3-----------3---|-------------------| 1 2 3 4 1 2 3 4

den beiden nach rechts verstezten Teilen ... und:

|----------3---3---|----------1---1----| dem letzten Abschnitt |----------0---0---|----------1---1----| zwischen: We'll walk until |----------0---0---|----------2---2----| und: New York |------------------|-------------------| |------------------|--2---2------------| |--3---3-----------|-------------------| 1 2 3 4 1 2 3 4

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EYES WITHOUT A FACe Billy Idol

Emaj7

C#m

Abm

B

Emaj7 C#m Abm B I'm all out of hope, one more bad dream could bring a fall Emaj7 C#m Abm B When I'm far from home, don't call me on the 'phone to tell me you're alone Emaj7 C#m Abm B It's easy to deceive, it's easy to tease, but hard to get release A Bsus4 A Les yeux sans visage, eyes without a face Bsus4 A Les yeux sans visage, eyes without a face Bsus4 F#m9 Bsus4 Les yeux sans visage, eyes without a face, got no human grace Emaj7 C#m Abm B You're eyes without a face Emaj7 I spend so much Emaj7 Now it makes me

C#m Abm B time believing all the lies to keep the dream alive C#m Abm B sad, it makes me mad at truth, for loving what was you

A Bsus4 A Les yeux sans visage, eyes without a face Bsus4 A Les yeux sans visage, eyes without a face Bsus4 F#m9 Bsus4 Les yeux sans visage, eyes without a face, got no human grace Emaj7 You're eyes without a face E

D

A

E

D

A

E D A When you hear the music, you make a dip into someone else's pocket, then make the slip E D A Steal a car and go to Las Vegas, oooh gigolo pool E D A Hanging out by the state line, turning holy water into wine E D A Bringing it down, oooh E D A I'm on a bus on a psychedelic trip reading murder books tryin' to stay hip E D I'm thinkin' of you and you're out there so E D A Say your prayers, say your prayers E

D

A

E

D

A

E

D

A say your prayers

A

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Emaj7 C#m Abm B Now all I can do, love what was once so alive and new Abm B But it's gone from your eyes, can't bear to realise A Bsus4 A Les yeux sans visage, eyes without a face Bsus4 A Les yeux sans visage, eyes without a face Bsus4 F#m9 Bsus4 Les yeux sans visage, eyes without a face, got no human grace F#m9 You're eyes without a face Bsus4 Such a human waste Emaj7 You're eyes without a face And now it's getting worse

F#m9: X04250 E: X799XX D: XX777X A: XX765X Emaj7 C#min G#min Bmaj E -----7------------4----------------4-------------------------7--------B -----9------------5----------------4-------------------------7--------G -----8------------6----------------4-------------------------8--------D -----9------------6----------------6-------------------------9--------A -----7------------4----------------6-------------------------9--------E -----------------------------------4-------------------------7--------Chorus: Amaj Bsus4 F#min9 Bsus4 E --0----------------0-----------------------------0---------------------0-B --2----------------0-----------------------------5---------------------0-G --2----------------4-----------------------------2---------------------4-D --2----------------4-----------------------------4---------------------4-A --0----------------2---------------------------------------------------2-E -------------------------------------------------------------------------Bridge. (w/distortion) E5 Dmaj Amaj E -------------------------------------------------------------------------B -----------------------------------7-------7--7-5-------7---7-5------7-5-G -----------9--9--------9--9------9-7-------7--7-6-------7---7-6------7-6-D -----------9--9--------9--9------9-7-------7--7-7-------7---7-7------7-7-A -----------7--7--------7--7-----------5-5----------5-5----5--------5-----E -16\--0-0---------0-0---------0-------------------------------------------

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WHITE WEDDING Hey little sister what have you done Hey little sister who's the only one Hey little sister who's your superman

intro..

Hey little sister shot gun!

Bm Bm Bm ...

It's a nice day to start again

verse..

Hey little sister who's the one you want

E D

D E

It's a nice day for a white wedding It's a nice day to start again. Hey little sister what have you done Hey little sister who's the only one I've been away for so long (so long) I've been away for so long (so long) I let you go for so long

Bm Bm Bm

A A A

E E Bm

chorus.. A E E

E D D

Bm Bm Bm ..

It's a nice day to start again (come on) It's a nice day for a white wedding It's a nice day to start again. (Pick it up) Take me back home There is nothin' fair in this world There is nothin' safe in this world And there's nothin' sure in this world And there's nothin' pure in this world Look for something left in this world Start again Come on It's a nice day for a white wedding It's a nice day to start again. It's a nice day for a white wedding It's a nice day to start again

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REBEL YELL BILLY IDOL Bm Last night a little dancer Came dancin´ to my door D Last night a little angel G E Came pumpin cross my floor Bm She said honey baby You got a license for love D And if it expires G E Bring hell from above because chorus: Bm In the midnight our she cried more more more D G E With a rebel yell more more more, etc Bm She don´t like slavery She wont sit and beg D But when you tied her open G E She´s near to being Bm What set you free Brought you to me, babe D What set you free G E I need you hear by me, because chorus I walk the walls for you babe 10,000 miles for you I dried your tears of pain A thousand times, for you I´d sell my soul for you babe For money to burn with you I´d give you all and have none, babe Just a Just a Justa Justa to have you here by me....

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TO BE A LOVER Have I told you, Lately that I love you If I didn't, darlin', You see, I'm so sorry. Didn't I reach out And hold you In these lovin' arms Well, if I didn't, oh baby. Well, I'm so sorry When I realized that you need love too, Gonna spend my life makin' love to you. Got to be your lover. Have mercy. Forgot to be a lover, babe. (Have mercy) Forgot to be a lover. (Have mercy) Forgot to be a lover. Make it on through to you somehow. (have mercy, baby) Got to be a lover, babe (Forgot to be a lover) Woo! Woo! Well, did I ask you Yes would you come and share Oh, share Oh, the burden and the task That's at love's command Didn't I say All those lovin' special things That you long to hear To show how much I care Well, when I realize That you need love too, Gonna spend my lifeMakin' love to you Forgot to be a lover, Have mercy Well, well, I worked all day Hard as I can, Worked all night, didn't make me a man. (Forgot to be a lover) Have mercy, Oo, When I realized That you need love too, Gonna spend my life Makin' love to you. (Forgot to be a lover) Got to be a lover, babe. Oo, mercy (Have mercy) Have mercy, baby. (Have mercy, baby) I'm gonna make it on through Have I told you,Yes, lately that I love you If I didn't, oh baby,Yes, I'm so sorry. Ah, but you know I really love you, baby. (Love you baby) I really love you baby (Love you baby) I really need you baby (Need you baby) I really want you baby (Want you baby) When I realized,That you need love too, I'm gonna spend my life Makin' love,Makin' love, Makin' love to you. Well, I worked all dayAs hard as I can Worked all night, It didn't make me a man, babe.(Forgot to be a lover) (Have mercy) Oo, have mercy baby (Have mercy) /Have mercy baby (Have mercy)/

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BROTHERS IN ARMS BY DIRE STRAITS ------------------------------Key: G#m..organ and effects/bass -------------------------------G#m / E / G#m / E / C#m.....(bass/keybd) -------------------------------E F# These mist covered mountains B Bsus4 B Are home now for me D#m(A) G#m D#m But my home is the low lands E F#sus4 F# And always will be G#m D#m Someday you'll return to E C#m7 F#sus4 Your valley and your farms F# G#m And you'll no longer burn E F#sus4 F# To brothers in arms -----------------------G: G#m / E / G#m / E G#m/ E / C#m /C#m/ G#m sus2 G#m -------------------------D#m(A) E F# Through these fields of destruction B Bsus4 B Baptisms of fire D#m(A) G#m D#m I've watched all your suffering . E F#sus4 F# As the battles raged higher G#m D#m And though they did hurt me so bad E C#m F#sus4 In the fear and alarm F# G#m You did not desert me E F# My brothers in arms -----------------------G: G#m / E / C#m / E / G#m / E / C#m / C#m -E-F#/ G#m sus2 ------------------------G#m F# G#m F# There's so many different worlds B E So many different suns F# G#m F# And we have just one world B E E But we live in different ones ----------------------------G: G#m / E / C#m / E / G#m / E / C#m / C#m -E-F#/ G#m sus2 ----------------------------D#m(A) E F# Now the sun's gone to hell B Bsus4 B And the moon's riding high D#m(A) G#m D#m Let me bid your farewell Version 04 /1.01 April 2004

etc

etc

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E Everyman has to die

G#m D#m But its written in the starlight E C#m F#sus4 ANd every line on your palm F# G#m We're fools to make war E F# On our brothers in arms --------------------------------: G#m / E / C#m / E : G#m / E / C#m / E-F# : G#m / E / C#m / E : G#m / E / C#m / E-F# etc fade.

ALL RIGHT NOW Free

A D A There she stood in the street Dadd4 D A Smiling from her head to her feet, A D A I said 'Hey, what is this?'' Dadd4 D A Now baby, maybe she's in need of a kiss. I said 'Hey, what's your name, baby, maybe we can see things the same. Now don't you wait or hesitate, Let's move before they raise the parking rate.'' Chorus: A G D A All right now Baby, it's all right now A G D A All right now Baby, it's all right now I took her home to my place Watching ev'ry move on her face, She said ''Look, what's your game baby are you tryin' to put in shame?'' I said ''slow, don't go so fast, don't you think that love can last?'' She said ''Love, Lord above, now you're tryin' to trick me in love.'' Chorus: A G D A All right now Baby, it's all right now A G D A All right now Baby, it's all right now Version 04 /1.01 April 2004

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20TH CENTURY BOY

T-Rex A Friends say it's fine, Friends say it's good E (R1) Everybody says it's just like rock and roll A I move like a cat,Charge like a ram E (R1) Sting like a bee,Babe I want to be your man A Well it's plain to see B You were meant for me E

(R1)

Yea I'm your toy Your 20th century boy

Fly like a plane, Drive like a car Ball like a hound, Babe I want to be your man D

CD

F

D

20th century boyI want to be your toy 20th century boy, I want to be your toy

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MONEY FOR NOTHING Dire Straits Chords Guitar 1:

Gm7 x557xx C Bb Eb F D E

xx555x xx333x xx534x xx756x xx777x xx888x

C & Gm7) I want now, I wanna MTV.... Intro: s= slide, x=slap the cords(no let ring) *=inaudible E----------------------------------------------------B-------------6--------------------------------------G-7-7--5-7-5--7-5-3---3-----x----3-x-3s5x5s3-0 D-5-5--5-5----5-5-3-5-3--5-x-5--3-x-3s5x5s3-0 A-------------------------5-3--5-x-5-----------------E-----------------------------------------------------E------------------------------------------------------B---------------8--------------------------------------G-7-7s5-5-7-7-7-5-5-3-------------3--------------D-5-5----5-5---5-5-5-3-5-3-5-x-5-3-5-0*s3x5--A---------------------------5-3-5-x-5----5-0*s3x5--E--------------------------------------------------------The rhythmic giutar play the followin chords. The solo guitar play again the intro riff

Gm7

C Now look at them yo-yo's that's the way you do it Gm7 Bb C You play the guitar on the M.T.V. Gm7 That ain't workin' that's the way you do it D Money for nothin' and chicks for free Now that ain't workin' that's the way you do it Lemme tell ya them guys ain't dumb Maybe get a blister on your little finger Maybe get a blister on your thumb Eb Bb We gotta install microwave ovens Eb F Custom kitchen deliveries Gm7 We gotta move these refrigerators C D We gotta move these colour TV's Version 04 /1.01 April 2004

E

427

Gm7 C See the little faggot with the earring and the makeup Gm7 Bb C Yeah buddy that's his own hair Gm7 That little faggot got his own jet airplane F Gm7 That little faggot he's a millionaire Chorus Intro(solo guitar and drums) Drum fill in Chorus Gm7

C I shouldda learned to play the guitar Gm7 Bb C I shouldda learned to play them drums Gm7 Look at that mama, she's got it stickin' in the camera F C Man we could have some fun And he's up there, what's that? Hawaiian noises? Bangin' on the bongoes like a chimpanzee That ain't workin' that's the way you do it Get your money for nothin' and chicks for free Chorus Intro Gm7

C Now that ain't workin' that's the way you do it Gm7 Bb C You play the guitar on the M.T.V. Gm7 That ain't workin' that's the way you do it F Gm7 Money for nothin' and your chicks for free Intro (all fade) Money for nothin' (I wanna MTV) Money for nothin' (I wanna MTV)

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FREE FALLING

(TOM PETTY)

C F F C G

C    F              G  She's a good girl, loves her Moma C F               G  loves Jesus and America, too  C    F                     G she's a good girl, she's crazy 'bout Elvis C F                      G  loves horses and her boy­friend, too. It's a long day living in Recedar  there's a freeway running thru 'the yards  I'm a bad boy, 'cause I don't even miss her  I'm a bad boy for breaking her heart. C (FCG)      C       (FCG)  But I'm free­    free falling. C (FCG)      C       (FCG)  Yeah, I'm free­    free falling. All the vampires, walking thru 'the valley  move west and into the boulevard  and all the bad boys were standing in the shadows  and all the good girls, they're home with broken hearts Refrain I want a black dawn over Mall Hollin  I wanne write thru 'my name in the sky  gotta free fall out into nothing  gonna leave this world for a while

Refrain

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I STILL HAVEN´T FOUND WHAT I´M LOOKING FOR

(U2)

       D I have climbed highest mountains.  I have run through the fields,          G                    D only to be with you, only to be with you. I have run, I have crawied. I have sealed these city walls,            G              D          D4   D  these city walls. Only to be with you.                A             G              D           D4   D  Refrain: But I still haven't found what I'm looking for.       A             G               D           D4   D  But I still haven't found what I 'm looking for. I have kissed honey lips, feit that healing finger tips.  It bumed like fire, this burning desire.  I have spoke with the tongue of angeis.  I have held the hand of the devil.  It was warm in the night. I was cold äs a stone. Refrain I believe in the kingdom come, then all the colors will bleed into one, bleed into one.  But yes, I 'm still running. You broke the bonds, and you loose the  chains,  carry the cross of my shame, of my shame.  You know I believe it. Refrain

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LOVE IS ALL AROUND

1. STROPHE: D Em G A D Em G A I feel it in my fingers, I feel it in my toes. D Em G A D Em G A Well, love is all around me, and so the feeling grows. D Em G A D Em G A It’s written on the wind, it’s everywhere I go. D Em G A D Em G A So if you really love me, come on and let it show. Refrain: G Em You know I love you, I always will. G D My mind’s made up by the way that I feel. G Em There’s no beginning, there’ll be no end. G A Cause on my love you can depend. 2. Strophe: I see your face before me as I lay on my bed. I kinda get to thinking of all the things you said. You gave your promise to me and I gave mine to you. I need someone beside me in everything I do. Refrain: 3. Strophe: It’s written on the wind, it’s eveywhere I go. So if you really love me, come on and let it show. Come on let it show, come on let it show. Come on let it show, come on let it show.

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WONDERWALL OASIS Vorspiel (4 mal):

Em7

G

Dsus4

A7sus4

1. Strophe: Em7 G Dsus4 A7sus4 Today is gonna be the day that there’re gonna throw it back to you, Em7 G Dsus4 A7sus4 By now you should have somehow realised what you gotta do. Em7 G Dsus4 A7sus4 I don’t believe that anybody feels the way I do Cmaj7 Dsus4 A7sus4 About you now. 2. Strophe: Backbeat, the word is on the street that the fire in your heart is out, I’m sure you’ve heard it all before but you never really had a doubt. I don’t believe that anybody feels the way I do About you now. 3. Strophe: Cmaj7 Dsus4 Em7 And all the roads we have to walk are winding, Cmaj7 Dsus4 Em7 And all the lights that lead us there are blinding. Cmaj7 Dsus4 G G/F# Em7 There are many things that I would like to say to you A7sus4 But I don’t know how. Refrain: Cmaj7 Em7 G Because maybe Em7 Cmaj7 Em7 G You’re gonna be the one that saves me, Em7 Cmaj7 Em7 G And after all Em7 Cmaj7 Em7 G Em7 A7sus4 You’re my wonderwall. 4. Strophe: Today was gonna be the day but they’ll never throw it back to you, By now you should’ve somehow realised what you’re not to do. I don’t believe that anybody feels the way I do About you now. 5. Strophe: And all the roads that lead you there were winding, And all the lights that light the way are blinding. There are many things that I would like to say to you But I don’t know how, yes I don’t know how. Refrain (2 mal):

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Stick a capo on the second fret and use these chords :) F#m7 - 022033 A - 320033 Esus4 - xx0233 B7sus4 - x02033 B7sus4* - x02233 Dadd9 - x32033 A/G# - 2x0033 Your 3rd and 4th fingers stay on the E and B strings on the 3rd fret throughout the song :) INTRO: [F#m7] [A] [Esus4] [B7sus4]

(x4)

VERSE 1: [F#m7]Today is [A]gonna be the day that they're [Esus4]gonna throw it back to [B7sus4]you [F#m7]By now you [A]should've somehow realiz[Esus4]ed what you gotta[B7sus4] do [F#m7]I don't believe that [A]anybody [Esus4]feels the way I [B7sus4]do About you [Dadd9]now [Esus4] [B7sus4] VERSE 2: [F#m7]Backbeat the [A]word is on the street that the [Esus4]fire in your heart is [B7sus4]out [F#m7]I'm sure you've [A]heard it all before but you [Esus4]never really had a [B7sus4]doubt [F#m7]I don't believe that [A]anybody [Esus4]feels the way I [B7sus4]do About you [F#m7]now [A] [Esus4] [B7sus4] PRE-CHORUS: And [Dadd9]all the roads we [Esus4]have to walk are [F#m7]winding And [Dadd9]all the lights that [Esus4]lead us there are [F#m7]blinding [Dadd9]There are many [Esus4]things that I Would [A]like to [A/G#]say to [F#m7]you, but I [Esus4]don't know [B7sus4*]how CHORUS: Cause [Dadd9]maybe [F#m7] [A] [F#m7]You're gonna be the one that [Dadd9]saves me? [F#m7] [A] And [F#m7]after [Dadd9]all [F#m7] [A]You're my [F#m7]wonder [Dadd9]wall [F#m7] [A] [F#m7] [Silence] VERSE 3: [F#m7]Today is [A]gonna be the day but they'll [Esus4]never throw it back to [B7sus4]you [F#m7]By now you [A]should've somehow realiz[Esus4]ed what you're not to[B7sus4]do [F#m7]I don't believe that [A]anybody [Esus4]feels the way I [B7sus4]do About you [Dadd9]now [Esus4] [B7sus4]

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PRE-CHORUS: And [Dadd9]all the roads that [Esus4]lead you there are [F#m7]winding And [Dadd9]all the lights that [Esus4]light the way are [F#m7]blinding [Dadd9]There are many [Esus4]things that I Would [A]like to [A/G#]say to [F#m7]you, but I [Esus4]don't know [B7sus4*]how CHORUS: Cause [Dadd9]maybe [F#m7] [A] [F#m7]You're gonna be the one that [Dadd9]saves me? [F#m7] [A] And [F#m7]after [Dadd9]all [F#m7] [A]You're my [F#m7]wonder [Dadd9]wall [F#m7] [A] [F#m7] CHORUS: (again) Cause [Dadd9]maybe [F#m7] [A] [F#m7]You're gonna be the one that [Dadd9]saves me? [F#m7] [A] And [F#m7]after [Dadd9]all [F#m7] [A]You're my [F#m7]wonder [Dadd9]wall [F#m7] [A] [F#m7] I said [Dadd9]maybe [F#m7] [A] [F#m7]You're gonna be the one that [Dadd9]saves me? [F#m7] [A] [F#m7]You're gonna be the one that [Dadd9]saves me? [F#m7] [A] [F#m7]You're gonna be the one that [Dadd9]saves me? [F#m7] [A] [F#m7] SOLO: G|---------0-----| D|------------2--| A|--3-2-3--------| E|---------------|

8 times

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WEATHER WITH YOU INTRO: ||

Em

|

CROWDED HOUSE

A ||

x 4

Em A VERS: WALKING 'ROUND THE ROOM SINGING STORMY WEATHER Em A AT FIFTY SEVEN MOUNT PLEASANT STREET Em A WELL IT'S THE SAME ROOM,BUT EVERYTHING'S DIFFERENT Em A YOU CAN FIGHT THE SLEEP BUT NOT THE DREAM Dm C Dm THINGS AIN'T COOKING IN MY KITCHEN

F ME

Dm C JULIUS CAESAR F G BLUE SKY INTRO:||

E

|

A

Dm

C Dm C STRANGE AFFLICTION WASH OVER

C AND THE ROMAN EMPIRE

||

Dm C COULDN'T CONQUER THE

x 2

Em A VERS: WELL THERE'S A SMALL BOAT MADE OF CHINA Em A IT'S GOING NOWHERE ON A MANTLEPIECE Em A WELL DO I LIE LIKE A LOUNGEROOM LIZARD Em A OR DO I SING LIKE A BIRD RELEASED Asus4 REF:

EVERYWHERE YOU GO

D ALWAYS TAKE THE WEATHER WITH YOU D ALWAYS TAKE THE WEATHER G ALWAYS TAKE THE WEATHER WITH YOU G A ALWAYS TAKE THE WEATHER,THE

Asus4

EVERYWHERE YOU GO

Asus4

EVERYWHERE YOU GO

D/F#

EVERYWHERE YOU GO

(Em) WEATHER WITH YOU INTRO:|| REF:

E

|

A

||

EVERYWHERE YOU GO EVERYWHERE YOU GO EVERYWHERE YOU GO EVERYWHERE YOU GO

Asus4

D ALWAYS TAKE THE WEATHER WITH YOU D ALWAYS TAKE THE WEATHER G ALWAYS TAKE THE WEATHER WITH YOU E ALWAYS TAKE THE WEATHER,

Asus4 Asus4 D/F#

G TAKE THE WEATHER, A THE WEATHER WITH YOU

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D

435

STORMY WEATHER Em - A Em - A

Em - A Em - A

Em A 1. Walking 'round the room singing Stormy Weather Em A at 57 Mount Pleasant Street. Em A Well, it's the same room, but everything's different, Em A you can fight the sleep, but not the dream. Dm C - Dm C Things ain't cookin' in my kitchen, Dm C F strange affliction wash over me. Dm C - Dm C Julius Caesar and the Roman Empire Dm C F -G - Em - A - Em - A couldn't conquer the blue sk……y. Em A 2. There's a small boat made of china, Em A it’s going nowhere on the mantlepiece. Em A Well, do I lie like a loungeroom lizard, Em A or do I sing like a bird released ? A D Everywhere you go you always take the weather with you, A D everywhere you go you always take the weather. A D Everywhere you go you always take the weather with you, A G everywhere you go you always take the weather, A Em the weather, the weather with you. - A Em - A

Em - A Em - A

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A D Everywhere you go you always take the weather with you, A D everywhere you go you always take the weather. A D Everywhere you go you always take the weather with you, A Em everywhere you go you always take the weather, G A D take the weather, the weather with you. + repeat this CHORUS (Crowded House)

STAND BY ME BEN E. KING 1. Strophe: G C Am When the night has come and the land is dark, F G C And the moon is the only light will see, Am No, I won't be afraid, no I won't be afraid, F G C Just as long as you stand, stand by me. C So darling, darling, C Am Stand by me, oh, stand by me, F G C Oh, stand now, stand by me, stand by me. 2. Strophe: If the sea that we look upon should tumble and fall, Or the mountain should crumble in the sea. I won't cry, I won't cry, no I won't shed a tear, Just as long as you stand, stand by me. So darling, darling, Stand by me, oh, stand by me, Oh, stand now, stand by me, stand by me.

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HARD TO HANDLE The Black Crowes (Shake Your Money Maker (1990) Intro: E-----------------------------|------------------------H-----------------------------|------------------------G-----------------------------|------------------------D------0-2--4-----2-0--2-0----|-----0-2--4----2-0--2-0-A--2-2---------------------2--|-2-2---------------------E-----------------------------|-------------------------

H Baby, here I am. I'm a man on the scene. I can give you what you want, but you got to come home with me. I sure got some good ol' lovin' and I got some more in store. When I get done throwin' it on you, you got to come back for more. F# Toys and things that come by the dozen. That ain't nothin' but drug store lovin'. H| Hey little thing, let me light your candle 'cause, uh, D E A E H mama, I'm sure hard to handle. (Now it gets around). H Action speaks louder than words and I'm a man of great experience. I know you got another man, but I can love you better than him. Take my hand, don't be afraid, I'm gonna prove ev'ry word I say. I'm advertising love for free, so you can place your ad with me. F# Ones that come along a dime by the dozen. That ain't nothin' but ten cent lovin'. H| Hey little thing, let me light your candle 'cause, uh, mama, I'm sure hard to handle.(Now it gets around). A E H 4x H Baby, here I am. I'm a man on your scene. I can give you what you want, but you got to come home with me. I forgot some good ol' lovin' and I got some more in store. When I get done throwin' on you, you gotta come runnin' back for more. F# Ones that come along a dime by the dozen. That ain't nothin' but drug store lovin'. H| Hey little thing, let me light your candle 'cause, uh, A E H 4x mama, I'm sure hard to handle.(Now it gets around). H Solo F# Ones that run alone are a dime by the dozen. That ain't nothin' but ten cent lovin'. H| Hey little baby, let me light your candle, 'cause, uh A E H 4x mama, I'm sure hard to handle. (Now it gets around). H Solo Baby good lovin´ Baby Baby oohh good lovin´ I mean good lovin´ I got to handle fade 4 x A E H

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EVERYBODY NEEDS SOMEBODY TO LOVE Blues Brothers Intro + Verse:

C, F, Bb, F

(immer wiederholen)

We're so glad to see so many of you lovely people here tonight, and we would especially like to welcome all the representatives of Illinois' law enforcement community that have chosen to join us here in the Palace Hotel Ballroom at this time. We sincerely hope that you all enjoy the show and please remember people, that no matter who you are, and whatever you do to live, thrive and survive, there are still some things that make us all the same: you, me, him, them -- everybody, people, everybody! C, F, Bb, F Everybody needs somebody Everybody needs somebody to love Someone to love (Someone to love) Sweetheart to miss (Sweetheart to miss) Sugar to kiss (Sugar to kiss) I need you, (you) you, you I need you, (you) you, you I need you, (you) you, you in the morning I need you, (you) you, you when my soul's on fire Am G –F -G Sometimes I feel, I feel a little sad inside Am G When my baby mistreats me, I never never have a place to hide, C F I need you! C

F

(7x

instrumental)

Am

G- F -G Sometimes I feel, I feel a little sad inside Am G# -G When my baby mistreats me, I never never have a place to hide, C, F, Bb, F I need you, I need you, I need you, I need you, I need you

(you) (you) (you) (you)

you, you, you, you,

you you you you

(no chords) You know people when you do find somebody, hold that woman, hold that man, love him, hold him, squeeze her, please her, hold, squeeze and C, F, Bb, F please that person, give 'em all your love, signify your feelings with every gentle caress, because it's so important to have that special somebody to hold, kiss, miss, squeeze, and please. C, F, Bb, F Everybody needs somebody Everybody needs somebody to love Someone to love (Someone to love) Sweetheart to miss (Sweetheart to miss) Sugar to kiss (Sugar to kiss) I need you, (you) you, you I need you, (you) you, you I need you, (you) you, you in the morning I need you, (you) you, you when my soul's on fire

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SWEET HOME CHICAGO PAYNE, WOODY E A E Ref.: Come on, baby don't you wanna go ? A E Come on, baby don't you wanna go H back to that same old place ? A E Sweet home Chicago ! 1. Well, one and one is two, six and two is eight. Come on baby, don't you wait, wait, wait. A Ref.: Hidy hey, baby ... 2. Six and three is nine, nine and nine is eighteen. Look at me, brother-baby, almost see what I have seen. Ref.: Hidy hey, baby ...

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GIMME SOME LOVIN WINWOOD, S. & M. / DAVIS, S. /E /A 1. Well, my temperature's risin' /E /A And my feet on the floor /E /A Twenty people rockin' /E /A And they wanna more /E /A Tell me here baby /E /A I don't know what you've got /E /A But you better take it easy /E This place is hot /E /G Ref.: So glad you made it /A /C So glad you made it /E /A /E You gotta gimme some lovin' (Gimme some lovin') /A /E Gimme some lovin' (Gimme some lovin') /A /E /Am7 /E /Am7 /E Gimme some lovin' every day 2. Well, I feel so good Everything is soundin' higher Better take it easy 'Cos the place is on fire It's been a hard day And I don't know what to do Wait a minute baby Can't it happen to you Ref.: So glad ... 3. Well, I feel so good Everybody's gettin' higher Better take it easy 'Cos the place is on fire It's been a hard day And it ain't been too good Now I'm gonna relax honey Everybody should Ref.: So glad ... Extro: Gimme some lovin' ... Version 04 /1.01 April 2004

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COULDN'T GET IT RIGHT Time is driftin’, this rock has got to roll, So I hit the road and made my getaway. Restless feeling, I really gotta hold, I started searching for a better way. Chorus: And I kept on looking for a sign in the middle of the night, But I couldn’t see the light, no I couldn’t see the light. I kept on lookin’ for a way to take me through the night, But I couldn’t get it right, no I couldn’t get it right. La fever, made me feel alright, But I must admit it got the best of me. Gettin’ down, so deep I nearly drowned, I can’t get back to where I used to be. Chorus New york city, took me with the tide, I nearly died from hospitality, Left me stranded, and took away my pride, Just another know it? ? of fatality. Chorus (repeat to fade) COULDN'T GET IT RIGHT (FIRST SOLO) E|----------------------------------------------------| B|---------------------------10P7---7-----------------| G|-9FB-9-7/9-7-----------7--------9---9P7---7---7H9P7-| D|-------------7H9-7H9-7---9--------------9---9-------| A|----------------------------------------------------| E|----------------------------------------------------| E|----------------------------------------------------------| B|------10-10/12-----15----------15FB------15---------------| G|-9/11----------11-----16\14H16------15HB----16\14---------| D|--------------------------------------------------15HB-12-| A|----------------------------------------------------------| E|----------------------------------------------------------| E|-------------------------------------------------------------| B|-------------------------------------------------------------| G|-------------------------------------------------------------| D|----12-14P12----12----12H14P12----14P12----14P12----14P12----| A|-14----------14----14----------14-------14-------14-------14-| E|-------------------------------------------------------------|

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E|--------------------------------------------------------| B|--------------------------------------------------------| G|---------------------------------14-11\9----9-----------| D|-14P12P11-11-11H12-11-7-7-7/9~-9---------12---12-9~~\\\-| A|--------------------------------------------------------| E|--------------------------------------------------------| "NEW YORK CITY..." KEY: SECOND SOLO/OUTRO BIT E|-------------------------------------------------------------| B|------------------12-10--------------------------------------| G|-----7-9FB-7~-9FB-------11-9FBR-7H9P7---7~-------7~-9-7~-9FB-| D|-7/9----------------------------------9----9P7H9-------------| A|-------------------------------------------------------------| E|-------------------------------------------------------------| E|-------------12-14------------------10-12-12FB-12-10-12FB-10-| B|----------12------------------10H12--------------------------| G|-7H9P7-7~----------11-9-7-9FB--------------------------------| D|-------------------------------------------------------------| A|-------------------------------------------------------------| E|-------------------------------------------------------------|

E|--------------------------------------10----------------------| B|-12~-10----10-12~-10---------------------12-10----------------| G|--------11-----------11-9-9-7---7~-9~----------9-7\5---5-7~-5-| D|------------------------------9----------------------7--------| A|--------------------------------------------------------------| E|--------------------------------------------------------------|

H H H H E|-10-10-10~--------------------------------------| B|----------------------7----------------------10-| G|------------------7-----7-----7-7H9P7-7~-9HB----| D|-----------9-7~-9---9-----7---------------------| A|----------------------------7-------------------| E|------------------------------------------------| E|-17~-17-15-14\\\-10----10----10~-----------10----10-10-| B|--------------------12----12-----12~-10H12----10-------| G|-------------------------------------------------------| D|-------------------------------------------------------| A|-------------------------------------------------------| E|-------------------------------------------------------| E|-------------------------------------------| B|-------------------------------------------| G|-12P10----10~----9-------------------------| D|-------12-----12----12P10----12P10---------| A|--------------------------12-------12P10\8-|

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GET THIS PARTY STARTED Am - G Am G I'…….m comin' up so you better get this party started ! Am - G Am G I'…….m comin' up so you better get this party started ! Am G 1. Get this party started on a Saturday night, Am G everybody's waitin’ for me to arrive. Am G Sendin' out the message to all of my friends, Am G we'll be lookin flashy in my Mercedes Benz. Am G I got lotsa style, got my gold diamond rings, Am G I can go for miles, if you know what I mean. Am - G Am G I'…….m comin' up so you better get this party started ! Am - G Am G I'…….m comin' up so you better get this party started ! Am G 2. Pumpin up the volume, breakin down to the beat, Am G cruisin' through the West Side, we'll be checkin' the scene. Am G Boulevard is freakin' as I'm comin' up fast, Am - - - - - - - - - - - - - G I'll be burnin' rubber, you'll be kissin' my ass. Am G Pull up to the bumper, get out of the car, Am G license plate says Stunner #1 Superstar. Am - G Am G I'…….m comin' up so you better get this party started ! Am - G Am G I'…….m comin' up so you better get this party started ! Am - G Am - G Am - G Am - G Get this party started ! Am G 3. Makin my connection as I enter the room, Am G everybody's chillin’ as I set up the groove. Am G Pumpin' up the volume with this brand new beat, Am G everybody's dancin’ and their dancin’ for me. Am G I'm your operator, you can call anytime, Am G I'll be your connection to the party line.(capo 2nd) (Pink) Version 04 /1.01 April 2004

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TO BE WITH YOU Mr. Big 1. Strophe: C#m E A E Hold on little girl, show me what he's done to you. C#m E A E Stand up little girl broken heart can't be that bad, A E A E When it's through it's through. Fate with twist the both of you, D H7 So come on, baby, come on over, let me be the one to show you. Refrain: E A H7 E I'm the one who wants to be with you, E A H7 E Deep inside I hope you feel it too. E A H7 C#m Waited on a line of greens and blues, E A H7 E Just to be the next to be with you. 2. Strophe: Build up your confidence, so you can be on top for once, Wake up who cares about little boys that talk too much. I seen it all go down, your game of love was all rained out. So come on baby, come on over, let me be the one to hold you. Refrain: 3. Strophe: Esus4 C#m Why be alone, when we can be together baby? G E You can make my life worth-while, I can make you start to smile. Solo:

E A H7 E E A H7 E E A H7 C#m E A H7 E

4. Strophe: A E A E When it's through it's through. Fate with twist the both of you, D H7 So come on, baby, come on over, let me be the one to show you. Refrain: G C D G I'm the one who wants to be with you, G C D G Deep inside I hope you feel it too. G C D Em Waited on a line of greens and blues, G C D G Just to be the next to be with you. Version 04 /1.01 April 2004

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/ H H ----------------|----------------|-----------------|-----------------| -------------5--|-2----0---------|-----------------|-----------------| -1---2--4-------|-2----2---------|-4-----4----4----|-4---------------| -2---4--6-------|-2----2---------|-4---4-6--4-6----|-6---------------| ----------------|----------------|-----------------|-----------------| ----------------|----------------|-----------------|-----------------| / H P P ----------------|---------4------|-2--4-2-0----0-0-|-0---------------| -------------5--|-2-------5------|-----------0---0-|-0---------------| -1--2--4--------|-2--------------|-----------------|-----------------| -2--4--6--------|-2--------------|-----------------|-----------------| ----------------|----------------|-----------------|-----------------| ----------------|----------------|-----------------|--------0--------| / ----------------|----------------|-2----4----4-----|--------------------| -------------5--|-2-------0------|-4----5----5-----|-------------12---10| ----------------|-2-------2------|-4----6----6-----|-----------9----9---| -1--2--4--------|-2-------2------|-----------------|----9--11-----------| -2--4--6--------|----------------|-----------------|-11-----------------| ----------------|----------------|-----------------|--------------------| / / / H P P / ----------------|----------4-----|-2--4-2-0--0-12--|-12--------------| -9-10-12--------|----------5-----|----------0--12--|-12--------------| --------8-9-----|----------------|-----------------|-----11-13-------| ----------------|-11--11---------|-----------------|-----------------| ----------------|----------------|-----------------|-----------------| ----------------|----------------|-----------------|-----------------|

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IN THE SUMMERTIME Mungo Jerry

Intro.:

E - A - E - B7 - A - E

E 1. In the summertime when the weather is high, E7 you can stretch right up and touch the sky, A E when the weather is fine, you got women, you got women on your mind. B7 A E Have a drink, have a drive, go out and see what you can find. E 2. If her daddy`s rich, take her out for a meal, E7 if her daddy`s poor, just do as you feel. A E Speed along the lane, do a ton or a ton and twenty-five. B7 A E When the sun goes down, you can make it make it good in a lay-by. E 3. We`re not grey people, we`re not dirty, we`re not mean, E7 we love everybody but we do as we please. A E When the weather is fine, we go fishing or go swimming in the sea. B7 A E We`re always happy, life`s for living, yeah, that`s our philosophy. E 4. When the winter`s here, yeah, it`s party-time,

E

E7 bring a bottle, wear your bright clothes, it`ll soon be summertime. A E And we`ll sing again, we `ll go driving or maybe we`ll settle down. B7 A

If she`s rich if she`s nice, town. Instru. :

bring your friend and we will all go into

E - A - E - B7 - A - E

5. repeast verse 1

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JOSEPHINE Chris Rea

Intro: Dm

Dm

Gm7

Gm7/C

C (repeat once)

Dm Gm7 Gm7/C There's rain on my window, but I'm thinking of you Dm Gm Gm7/C C Tears on my pillow, but I will come through Bbmaj7 Gm Josephine, I'll send you all my love, G7 Gm Bb/C C and every single step I take, I'll take for you Bbmaj7 C Dm Gm7 Josephine, I'll send you all my love, Am Bbmaj7 C Dm Gm7 Gm7 Josephine, I'll send you all my love

C

Bb/C

C

Dm Gm7 Gm7/C C Now there's a storm on my radar, but I can still fly Dm Gm7 Bb/C C Bb/C C but you are the reason for the blue in my sky Bbmaj7 C Dm Gm7 Josephine, I'll send you all my love, Dm Gm7 Gm7/C C Josephine Dm Gm7 Gm7/C C Life without meaning, I was walking away Dm Gm7 In the coldest of winters the night becomes day Bbmaj7 Gm Josephine, I'll send you all my love G7 Gm Bb/C and every single step I take, I'll take for you Jo-sephBbmaj7 C Dm Gm7 Am7 -ine, I'll send you all my love, till end)

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C

Bb/C C my---------

(repeat this line

448

DON'T LET ME BE MISUNDERSTOOD THE ANIMALS Intro: Bm

Em

Bm A Baby, do you understand me now G F# Sometimes I feel a little mad Bm A Well don't you know that no-one alive can always be an angel G F# When things go wrong I seem to be bad Chorus: D Bm A I'm just a soul who's intentions are good G [N.C.] Bm Oh Lord please don't let me be misunderstood **Repeat Intro (2x) Bm A Baby, sometimes I'm so carefree G F# With a joy that's hard to hide Bm A And sometimes it seems that all I have to do is worry G F# And then you're bound to see my other side **Chorus Bridge: Bm

A

[First 3 Beats As Per Intro]

G

A G If I seem edgy, I want you G A That I never mean to take it G A Life has it's problems and G And that's one thing I never

A to know D Bm/F# out on you G A I get my share F# mean to do, 'cause I love you

Bm A Oh, oh, oh, baby, don't you know I'm human G F# Have thoughts like any other one Bm A Sometimes I find myself long regretting G F# Some foolish thing, some little simple thing I've done

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NOTHING ELSE MATTERS Metallica Vorspiel:

Em Am C D Em D C Em D C Em D C G H7 Em

1. Strophe: Em D C Em D C Em So close, no matter how far, couldn’t be much more from the heart Em D C G H7 Em Forever trusting who we are. And nothing else matters. 2. Strophe: Never opened myself thid way, life is ours, we live it our way. All these words I don’t just say. And nothing else matters. 3. Strophe: Trust I seek and I find in you. Every day for us something new. Open mind for a different view. And nothing else matters. Refrain: C A D C A D Never cared for what they do. D C A D Never cared for what they know. D Em Oh, but I know. 4. Strophe: So close, no matter how far, couldn’t be much more from the heart Forever trusting who we are. And nothing else matters. Refrain: 5. Strophe: Never opened myself thid way, life is ours, we live it our way. All these words I don’t just say. And nothing else matters. 6. Strophe: Trust I seek and I find in you. Every day for us something new. Open mind for a different view. And nothing else matters. Refrain Solo:

Em D C Em D C Em D C G H7 Em

7. Strophe: So close, no matter how far, couldn’t be much more from the heart Forever trusting who we are. And nothing else matters.

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YMCA – Village People

Chords: F 133211 Dm xx0231 Bb 113331 C x32010 Gm 355333

F Young man, there's Dm I said, young man, Bb I said, young man, C Bb there's no need to

no need to feel down. pick yourself off the ground. 'cause you're in a new town C Bb C be unhappy.

F Young man, there's a place you can go. Dm I said, young man, when you're short on your dough. Bb You can stay there, and I'm sure you will find C Bb C Bb C many ways to have a good time. F It's fun to stay at the y-m-c-a. Dm It's fun to stay at the y-m-c-a. Gm They have everything for you men to enjoy, C you can hang out with all the boys. F It's fun to stay at the y-m-c-a. Dm It's fun to stay at the y-m-c-a. Gm You can get yourself cleaned, you can have a good meal, C You can do whatever you feel. F Young man, are you listening to me? Dm I said, young man, what do you want to be? Bb I said, young man, you can make real your dreams, C Bb C Bb C but you got to know this one thing! F No man does it all by himself. Dm I said, young man, put your pride on the shelf, Version 04 /1.01 April 2004

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Bb and just go there, to the y.m.c.a. C Bb C Bb C I'm sure they can help you today. Refrain F Young man, I was once in your shoes. Dm I said, I was down and out with the blues. Bb I felt no man cared if I were alive. C Bb C Bb C I felt the whole world was so tight. F That's when someone came up to me, Dm and said, young man, take a walk up the street. Bb There's a place there called the y.m.c.a. C Bb C Bb C they can start you back on your way. F It's fun to stay at the y-m-c-a. Dm It's fun to stay at the y-m-c-a. Gm They have everything for you men to enjoy, C you can hang out with all the boys.

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HEROES"

FROM THE ALBUM

Intro: D

G

"HEROES" BY DAVID BOWIE

D                  G I,       I will be king         D             G And you, you will be queen        C                       D Though nothing will drive them away        C                      D We can beat them just for one day           C         G                D We can be Heroes        just for one day D                  G And you, you can be mean      D                  G And I, I'll drink all the time              D                     G 'Cause we're lovers and that is a fact           D                    G Yes we're lovers and that is that        C                      D Though nothing will keep us together                C                 D We could steal time just for one day           C     G             D We can be Heroes for ever and ever What do you say?

D                  G I, I wish you could swim          D                           G Like the dolphins, like dolphins can swim        C                        D Though nothing will keep us together Version 04 /1.01 April 2004

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       C                      D We can beat them for ever and ever              C     G             D Oh we can be Heroes just for one day REPEAT 1st verse (sing an octave higher, sound desperate)

D           G I, I can remember  D              G Standing by the wall          D                  G And the guards shot above our heads         D                             G And we kissed as though nothing could fall        C                      D And the Seine was on the other side           C                       D Oh we can beat them forever and ever                C      G                D Then we can be Heroes just for one day

From: [email protected] (M. Sundstrøm) Subject: Heroes, David Bowie Date: Sat, 24 Jun 95 16:34:39 +0100

 David Bowie, Heroes  Since this is one of my all time favorit songs, I just thought I'd   send in the way I play it.   Intro: D G D G      D             G      I wish I could swim                       D                           G      Like the dolphins, like dolphins can swim             Am                     D Version 04 /1.01 April 2004 454

     Though nothing will keep us together             Am        Em           D      We can beat them for ever and ever                      Am    Em            D      Oh we can be Heroes just for one day     And so on.....    

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MAJOR TOM VERSE/CHORUS                                         C                       Em  C                       Em Ground control to Major Tom Ground control to Major Tom: Am        Am7/G             D7 Take your protein pills and put your helmet on C                       Em   C                             Em Ground control to Major Tom: Commencing countdown engine's on Am       Am7/G          D7 Check ig­nition and may God's love be with you C                               E7                          F This is ground control to Major Tom, you've really made the grade!          Fm             C/E                   F      And the papers want to know whose shirts you wear,           Fm                C/E            F now it's time to leave the capsule if you dare C                               E7                             F This is Major Tom to ground con­trol, I'm stepping through the door         Fm              C/E           F    And I'm floating in the most peculiar way          Fm              C/E         F and the stars look very different today         BRIDGE    Fmaj7     Em7                   Fmaj7         Em7 For here am I sitting in a tin can, far above the world Bbmaj7          Am               G              Planet Earth is blue and there's nothing I can do INTERLUDE C            F            G            A   A C            F            G            A   A Fmaj7        Em7          A       C       D       E VERSE/CHORUS C                                      E7                      F Though I'm passed one hundred thousand miles, I'm feeling very still       Fm                 C/E                F And I think my spaceship knows which way to go,         Fm              C             F tell my wife I love her very much she knows G                 E7      Am                      Am7/G Ground control to Major Tom: Your circuit's dead, there's something wong. Your circuit's dead, there's something wong.         D7                        C/G Can you hear me Major Tom? Can you hear me Major Tom? G         F`        Em              Can you...Here am I floating Round my tin can F`            Em     Dm              Am Far above the World, planet Earth is blue Version 04 /1.01 April 2004

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Am          Em            F And there's nothing I can do C F G A A ... C F G A A ... Fmaj7` Em7 A C D E

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WHAT A WONDERFUL WORLD (Listen to midi)

C - Dm - C - Dm

C Em - F Em 1. I see trees of green, red roses, too, Dm C -E Am I see them bloom for me and you, Fm - Dm G C - Bb - Dm - G and I think to myself : What a wonderful world. C Em - F Em 2. I see skies of blue and clouds of white, Dm C -E Am the bright blessed day, the dark sacred night, Fm - Dm G C - Dm - F - C and I think to myself what a wonderful world. Dm G C The colors of the rainbow, so pretty in the sky, Dm G C are also on the faces of people going by. Am Em Am Em I see friends shaking hands, saying : How do you do, Am Em Dm G they're really saying : I love you. C Em - F Em 3. I hear babies cry, I watch them grow, Dm C E Am they'll learn much more than I'll ever know, Fm - Dm G C - Bb - A - A7 and I think to myself : What a wonderful world. Yes. F - Dm G G7 - C - F C I think to myself : What a wonderful world. (capo 5th) (Louis Armstrong)

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Everybody Needs Somebody To Love Blues Brothers Intro + Verse:

C, F, Bb, F

(immer wiederholen)

We're so glad to see so many of you lovely people here tonight, and we would especially like to welcome all the representatives of Illinois' law enforcement community that have chosen to join us here in the Palace Hotel Ballroom at this time. We sincerely hope that you all enjoy the show and please remember people, that no matter who you are, and whatever you do to live, thrive and survive, there are still some things that make us all the same: you, me, him, them -- everybody, people, everybody! C, F, Bb, F Everybody needs somebody Everybody needs somebody to love Someone to love (Someone to love) Sweetheart to miss (Sweetheart to miss) Sugar to kiss (Sugar to kiss) I need you, (you) you, you I need you, (you) you, you I need you, (you) you, you in the morning I need you, (you) you, you when my soul's on fire Am G –F -G Sometimes I feel, I feel a little sad inside Am G When my baby mistreats me, I never never have a place to hide, C F I need you! C

F

(7x

instrumental)

Am

G- F -G Sometimes I feel, I feel a little sad inside Am G# -G When my baby mistreats me, I never never have a place to hide, C, F, Bb, F I need you, I need you, I need you, I need you, I need you

(you) (you) (you) (you)

you, you, you, you,

you you you you

(no chords) You know people when you do find somebody, hold that woman, hold that man, love him, hold him, squeeze her, please her, hold, squeeze and C, F, Bb, F please that person, give 'em all your love, signify your feelings with every gentle caress, because it's so important to have that special somebody to hold, kiss, miss, squeeze, and please. C, F, Bb, F Everybody needs somebody Everybody needs somebody to love Someone to love (Someone to love) Sweetheart to miss (Sweetheart to miss) Sugar to kiss (Sugar to kiss) I need you, (you) you, you I need you, (you) you, you I need you, (you) you, you in the morning I need you, (you) you, you when my soul's on fire repeat/fade Version 04 /1.01 April 2004

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WHAT I AM Edie Brickell and the New Bohemians Chords B2 x24422     D2 x57755 A2 x02200 Em 022000 D  xx0232 Bridge: B2               D2 I'm not aware of too many things,   A2                      B2               D2 A2 B2 I know what I know if you know what I mean B2               D2 I'm not aware of too many things,   A2                      B2                D2 A2 B2 I know what I know if you know what I mean. Verse 1:             D2   A2            B2 Philosophy,     is a jock on a cereal box             D2   A2            B2 Religion,       is a smile on a dog.                  D2 I'm not aware of too many things,    A2                      B2                 D2 I know what I know if you know what I mean.  To do to ya Prechorus: Em              D                Em             D Choke me in the shallow water before I get too deep. Chorus: B2            D2                 What I am is what I am, You A2              B2 what you are or what? B2            D2 What I am is what I am, You A2              B2 what you are or....? Bridge:     B2                D2 Oh, I'm not aware of too many things,     A2                    B2 I know what I know if you know what I mean. Verse 2: (same as verse one) Philosophy, is a walk on the slippery rocks. Religion, is a lie in the fog. I'm not aware of too many thing, I know what I know if you know what I mean. To do to ya. Repeat prechorus 2 times. Version 04 /1.01 April 2004

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Chorus: (same chords as first verse) What I am is what I am you what you are or what? What I am is what I am you what you are or what? What I am is what I am you what you are or what you are's What I am is what I am you what you are or­­­what? Ha la la la. I say I say I say I_ do hey hey hey hey hey hey. Prechorus Repeat prechorus 3 times using verse chords for the remainder of the song.

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AIN'T NOBODY Chaka Khan (1.Bund) (Vorspiel auf Dm, C, Bb, C) Dm C Dm C Bb Captured effortlessly - That's the way it was C Bb C Dm Happened so naturally - I did not know it was love C Dm C Bb The next thing I felt was - You holding me close C Bb C Bb What was I gonna do? - I let myself go C Bb And now we're flyin' through the stars C Dm C Bb C I hope this night will last forever I've been waitin' for you - It's been so long I knew just what I would do - When I heard your song Filled my heart with your bliss - Gave me freedom You knew I could not resist - I needed someone And now we're flyin' through the stars I hope this night will last forever Dm C Oh oh oh oh Dm C Ain't nobody Dm C Makes me happy C Ain't nobody -

Bb C Loves me better Bb C Dm - Makes me feel this way Bb C Dm C Bb C Loves me better than youuuuuuuuuuuuuuuuu

I wait for night time to come - And bring you to me Can't believe I'm the one - I was so lonely I feel like no one could feel - I must be dreamin' I want this dream to be real - I need this feelin' I make my wish upon a star And hope this night will last forever Ain't nobody - Loves me better Makes me happy - Makes me feel this way Ain't nobody - Loves me better than you Dm

C

Dm

C

Dm

C

Dm

C

Dm

C

Dm

C

Dm

C

Dm

C

Bb C And first you put your arms around me Bb C Then you put your charms around me Bb C I can't resist this sweet surrender Bb C Oh my nights are warm and tender Bb C We stare into each other's eyes Bb C And what we see is no surprise Bb C Got a feeling most with treasure Bb C And a love so deep we cannot measure

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HEDONISM BY SKUNK ANANSIE (JUST BECAUSE YOU FEEL GOOD) Complete song TABBED BY Mr:Mango http://www.geocities.com/sunsetstrip/palladium/4423

THE INTRO INTRO AND VERSES E:--------8--8--8--8----8--8--8--:-------------------------------: B:--------9--8--9--11---9--8--9--:---------8---------------------: G:------------H------------------:---------8------------8----8---: D:-------------------------------:---H---------H-----------------: A:---8-8-------------------------:--8--10-----8--10--10---10---10: E:-------------------------------:-------------------------------: E:--------8--8--8--8----8--8--8--:-------------------------------: B:--------9--8--9--11---9--8--9--:---------8-------------H--P----: G:------------H------------------:---------8---------H--8-10-8---: D:-------------------------------:---H---------H---8-10--------8-: A:---8-8-------------------------:--8--10-----8-10---------------: E:-------------------------------:-------------------------------: E:-----8----8---8---8---8-:---8----8----8----8----8----8----8----8-: B:-----9--9---9---9---9---:11---11---11---11---11---11---11---11---: G:------------------------:----------------------------------------: D:------------------------:----------------------------------------: A:-8-8--------------------:----------------------------------------: E:------------------------:----------------------------------------: The Chorus: Dist the guitar and rock! E:---------------:-----------------:-------------:-----------------: B:---------------:-----------------:-------------:-----------------: G:--8--8--8-8--3-:--3--3-3-3-3-3-3-:-------------:-----------------: D:--8--8--8-8--3-:--3--3-3-3-3-3-3-:--3-3-3-3--6-:--6--6-6-6-6-6-6-: A:--6--6--6-6--1-:--1--1-1-1-1-1-1-:--3-3-3-3--6-:--6--6-6-6-6-6-6-: E:---------------:-----------------:--1-1-1-1--4-:--4--4-4-4-4-4-4-: E:---------------:-----------------:-------------: B:---------------:-----------------:-------------: G:--8--8--8-8--3-:--3--3-3-3-3-3-3-:-------------: D:--8--8--8-8--3-:--3--3-3-3-3-3-3-:--3-3-3-3--6-: A:--6--6--6-6--1-:--1--1-1-1-1-1-1-:--3-3-3-3--6-: E:---------------:-----------------:--1-1-1-1--4-: And now we got to the solo: If you got a wah-wah pedal it´s time to use it E:--------------------------------:-13-10-------------------------------: B:--------------------------------:---P----13-10---11-10----------------: G:-------10----H---10---H---10----:----------P------P----12-10---H---10-: D:-------12--10-12----10-12----10-:------------------------P---10-12----: A:-10-10--------------------------:-------------------------------------: E:--------------------------------:-------------------------------------: E:-----------------------------------:---------------------------------------: B:-----------------------------------:---P------------P------------P---------: G:-------10----H---10-------10---P---:-12-10----10--12-10----10--12-10----10-: D:-------12--10-12----10-12----12-10-:-------12-----------12-----------12----: A:-10-10-----------------------------:---------------------------------------: E:-----------------------------------:---------------------------------------: Version 04 /1.01 April 2004

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E:--------------------------------:-13-10-------------------------------: B:--------------------------------:---P----13-10---11-10----------------: G:-------10----H---10---H---10----:----------P------P----12-10---H---10-: D:-------12--10-12----10-12----10-:------------------------P---10-12----: A:-10-10--------------------------:-------------------------------------: E:--------------------------------:-------------------------------------: E:---------------------------------:---------------------------B:---------------------------------:-13-13-13-13-13-13-13-13-13G:-------10--------10--------10----:---------------------------D:-------12--10-12-----10-12----10-:---------------------------A:-10-10---------------------------:---------------------------E:---------------------------------:---------------------------THE LAST CHORUS Play this last in F instead Play this 3 times E:-------------:----------------:------------:----------------: B:-------------:----------------:------------:----------------: G:-----------5-:--5-5-5-5-5-5-5-:----------3-:--3-3-3-3-3-3-3-: D:--3-3-3-3--5-:--5-5-5-5-5-5-5-:-5-5-5-5--3-:--3-3-3-3-3-3-3-: A:--3-3-3-3--3-:--3-3-3-3-3-3-3-:-5-5-5-5--1-:--1-1-1-1-1-1-1-: E:--1-1-1-1----:----------------:-3-3-3-3----:----------------: E:-------------:----------------:------------: B:-------------:----------------:------------: G:-----------5-:--5-5-5-5-5-5-5-:----------3-: D:--3-3-3-3--5-:--5-5-5-5-5-5-5-:-5-5-5-5--3-: A:--3-3-3-3--3-:--3-3-3-3-3-3-3-:-5-5-5-5--1-: E:--1-1-1-1----:----------------:-3-3-3-3----: AND NOW THE OUTRO This is the intro moved up to G instead E:--------10-10-10-10---10-10-10-:----------------------: B:--------11-10-11-13---11-10-10-:-------------------10-: G:----------H-------------P------:-----10--------10-----: D:-------------------------------:---10-----H--10-------: A:--10-10------------------------:-12-----10-12---------: E:-------------------------------:----------------------: Repeat this twice E:--------10-10-10-10---10-10-10-:---------------------------------: B:--------11-10-11-13---11-10-10-:------------------------------10-: G:----------H-------------P------:--------10----10----------10-----: D:-------------------------------:-----------------------10--------: A:--10-10------------------------:--10-12----12----10-12-----------: E:-------------------------------:---------------------------------: And end it like this E:--------10-10-10-10---10-10-10-:---------:T B:--------11-10-11-13---11-10-10-:---------:H G:----------H-------------P------:------10-:E D:-------------------------------:---10----:E A:--10-10------------------------:12-------:N E:-------------------------------:---------:D -------------------------------------------------------And now The lyrics:

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I hope you're feeling happy now I see you feel no pain at all it seems I wonder what you're doin' now I wonder if you think of me at all Do you still play the same moves now Or are those special moods For someone else I hope you're feeling happy now Just because you feel good Doesn't make you right Just because you feel good Still want you here tonight Does laughter still discover you I see through all the smiles That look so right Do you still have the same friends now To smoke away your problems and your life Oh how do you remeber Me the one that made you laugh until you cried I hope yo're feeling happy now Just because you feel good Doesn't make you right Just because you feel good Still want you here tonight I wonder what you're donig now I hope you're feeling happy now I hope you're feeling happy now

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BORN TO BE WILD      Em Get your motor runnin' Head out on the highway Lookin' for adventure In whatever comes our way

 G       A           E Yeah, darlin' gonna make it happen  G         A         E Take the world in a love embrace  G    A          E                G  A         E Fire all of the guns at once and explode into space

  Em I like smoke and lightnin' Heavy metal thunder Wrestlin' with the wind And the feelin' that I'm under

 G       A           E Yeah, darlin' gonna make it happen  G         A         E Take the world in a love embrace  G    A          E                G  A         E Fire all of the guns at once and explode into space Get your motor runnin'         E Like a true nature's child          G       We were born, born to be wild            A            G  Em We could climb so high, I never wanna  die  E          D    E  D  Born to be wild,  E          D    E  D  Born to be wild, [guitar solo]      Em Version 04 /1.01 April 2004

Head out on the highway Lookin' for adventure In whatever comes our way  G       A           E Yeah, darlin' gonna make it happen  G         A         E Take the world in a love embrace  G    A          E                G  A  E Fire all of the guns at once and explode  into space

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        E Like a true nature's child          G       We were born, born to be wild            A            G  Em

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We could climb so high, I never wanna die  E          D    E  D  Born to be wild,  E          D    E  D  Born to be wild

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WHAT I GOT - SUBLIME tabbed by Steve Vetter [[email protected]] please send all corrections As far as I can tell, there are only two chords in this whole thing. If you find more please tell me. The solo isn't exact but it'll get you by. - sjv D G

xx0232 320003

D G Early in the morning Rise up to the street Light me up that cigarette and I'll slap shoes on my feet Got to find a reason Reason thing went wrong Got to find a reason why my money's all gone

It come back to you You're gonna get what you deserve Try'n test that Your bound to get served

I got a dalmation I can still get high I can play the guitar Like a motherfuckin' riot

Love is What i got I said remember that Love is What I got Now remember that

LIfe is too short So love the one you got Cause you might get run over or you might get shot Never start static I just get it off my chest Never had to battle with my bulletproof vest Take a small example Take a tip from me Take all of your money Give it up to charity Love is what I got Is with in my reach the sub rock styles dealt straight from Long Beach

Love's what I got Don't start a riot You'll feel it when the dance get's hot

I don't cry When my dog runs away Don't get angry Bout the bills I have to pay Don't get angry when my mom smokes pot Hits the bottle and goes right to the rock Fuck it fight it It's all the same Livin with Louey Da's ??? The only way to stay sane Let the lovin' Let the lovin come back to me

e­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­ B­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­ G­­­­­­­5­­­7­­­9­­­7­5­7­|­­­­11­­9­7­5­7­­­ D­­­7­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­ E­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­

e­­­­­­­­­­­­­­­­­­­­­­­­10­­7­­­­­­­­­­­­­­­­­­­­­ B­­­7­­7­­10­­10­­12­­10­­­­­­­­10­10­7­10­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­9­­7­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ Version 04 /1.01 April 2004

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E­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ What i got Intro­ G1 ­ acoustic _ Rythmn figure  !­16 Times  D5   G5  D5   G5   D5  G5     Ear­  ly in  the morning   risin ­  to the street    D5 G5  D5 G5  Light me up that cigarette  and strap shoes on my feet    D5 G5 D5 G5     Got to find a reason ­ reason things went      D5 G5  D5 G5  D5 G5    Wrong ­ Got to find a reason why my money's all gone­ I got a dalmation , i could still    D5 G5 D5 G5     Get high ______.. I can play the guitar like a mother­­­F***ing  ri ­ ot     D5 G5 D5 G5 D5 G5      Well life is to short, so love the one you got  cause , you might get runover or ya"      get shot      D5 G5 D5 G5      Never start no static, i  just get it off my chest­  ( see additional lyrics)      (chorus)       Lov­ in it's what i got        D5 G5 D5 G5         And remember that lovin' is what i got,.         D5 G5 D5 G5         I said remember that lovin is ­­ What i got         D  G5  D  G7         Lovin is what i got         D  G5 D G7          Fu**ing and Fighting it"s all the same         D5 D5  C5  D5 G5  D5 C5 G5          Life's a lovin . life's a  Lovin....come back to me.            (chorus)          D5  C5  G5  D5 C5 G5         (  Repeat as above)          Chorus           D5   Csus2  G5  D5  Csus2  G5         (  Repeat)            Outro            D5 G5  D5  G7  D   N.C      D5  ....................................Fade out                 Additinal lyrics­­­Never had to battle with a bullet proof vest. take a small example a    tip from me­ take all your money , give it all to charity ". Life is what i got within my    reach, and the Sublime style"s straight  From long beach. It all comes back to you    your gonna get what you deserve, Try and test that your bound to get  served .    Love is what i got don't start a riot. Ya feel when the dance gets hot ,,hot     Why i don"t cry when my dog runs away ­ i dont get angry at the bills i Version 04 /1.01 April 2004

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have to pay     ­­ I don't get angry when my mom smokes pot ,, hits the bottle and we ride to the          rocksF***** and  fighting it" s all.................etc ........(see above).        Livin  with louies dogs the only way to stay sane.        Lifes a lovin .....etc  ,,,,,,,,,,come back to me  ,,,,,,,,chorus..... E|---------------------------------------B|--------------6-------------7--5--3-3--G|-------5-7------7-5-5h7-----7--5--4-4--D|---/7----------------------------------A|---------------------------------------E|---------------------------------------E------------------12---------------------------------------------------| B----------10h12--------12-12p10--13-12--10-----------------------------| G--11h12--------------------------------------12b13r12p10--12-10--------| D------------------------------------------------------------------12---| A-----------------------------------------------------------------------| E-----------------------------------------------------------------------| Sublime, What I Got Zach and Trevor, [email protected] [email protected] Solo: (Tabbed by Zach) I----------------------0-0-----5h7-10-7-7p5-8-7-----I--------6~--------7-5-0-0-5h7------------------6-7^I----5-7----7-5-7~-7-5------------------------------I-/7------------------------------------------------I---------------------------------------------------I---------------------------------------------------Rhythm: (Tabbed by Trevor) I--------------------------------------I------3-------3------------3-------3--I----2---2---0---0---2-2------2---0---0I--0---------------0-------------------I--------------------------------------I----------3--------------3-------------

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PURPLE RAIN - PRINCE Intro: C, C, Am7, Am7, G, G, F, F C                               Am7 I never meant to cause you any sorrow, G                               F     F4 I never meant to cause you any pain. C                                  Am7 I only wanted to one time see you laughing.   G                                            C I only want to see you laughing in the purple rain.

       F F4  F                   C   Purple rain, purple rain. Purple rain, purple rain.    Am7                 G   Purple rain, purple rain.   C   I only wanted to see you bathing in the purple rain.

I never wanted to be your weekend lover. I only wanted to be some kind of friend. Baby, I could never steal you from another. It's such a shame our friendship had to end.

  Purple rain..

Honey I know, I know, I know times are changing. It's time we all reach out for something new. You say you want a leader, but you can't seem to make up your mind. I think you better close it, and let me guide you to the purple rain.

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  Purple rain...

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THE PASSENGER Pop/Gardner Chords

Am/E Am/E

F F

C C

G/B E/B

I am the passenger And I ride and I ride I ride through the city's backside I see the stars come out of the sky Yeah, they're bright in a hollow sky You know it looks so good tonight I am the passenger I stay under glass I look through my window so bright I see the stars come out tonight I see the bright and hollow sky Over the city's a rip in the sky And everything looks good tonight Singin' la la la la la-la-la la La la la la la-la-la la La la la la la-la-la la la-la Get into the car We'll be the passenger We'll ride through the city tonight See the city's ripped insides We'll see the bright and hollow sky We'll see the stars that shine so bright The sky was made for us tonight Oh the passenger How how he rides Oh the passenger He rides and he rides He looks through his window What does he see? He sees the bright and hollow sky He see the stars come out tonight He sees the city's ripped backsides He sees the winding ocean drive And everything was made for you and me All of it was made for you and me 'cause it just belongs to you and me So let's take a ride and see what's mine Singing... Oh, the passenger He rides and he rides He sees things from under glass He looks through his window's eye He sees the things he knows are his He sees the bright and hollow sky He sees the city asleep at night He sees the stars are out tonight And all of it is yours and mine And all of it is yours and mine Oh, let's ride and ride and ride and ride... Singing...

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EVERY ROSE HAS ITS THORN (Poison) The intro, verses and chorus have 3 chords e B G D A E

G Cadd9 D -3----3----2-3----3----3-0----0----2-0----2----0-2----3------3-----------

Bridge has 5 chords, sounds better as power chords E D C G F# e ----------------B ----------------G -----7--5-------D --2--7--5--5--4-A --2--5--3--5--4-E --0--------3--2--

Intro: G Cadd9 G Cadd9 We both lie silently still in the dead of the night. Although we G Cadd9 both lie close together we feel miles apart inside. Was it G Cadd9 G Cadd9 something I said or something I did? Did my words not come out right? Though I D C tried not to hurt you, though I tried. But I guess that's why they say G ev'ry G ev'ry G ev'ry

Cadd9 rose has its thorn, just like Cadd9 night has its dawn. Just like D C G cowboy sings his sad, sad song C ev'ry rose has its thorn G Cadd9 G Cadd9 G Cadd9 Listen to our favourite song playing on the radio hear the G Cadd9 D.J. say love's a game of easy come and easy go. But I G Cadd9 G Cadd9 wonder does he know, has he ever felt like this? And I D C know that you'd be right now if I could've let you know somehow. I guess Chorus Em D C G Though it's been a while now I can still feel so much pain. Em D C Like the knife thats cuts you, the wound heals, but the scar, G Cadd9 G Cadd9 that scar remains G I know I could have saved our love that G Cadd9 Instead of making love we both made our G Cadd9 G hear you've found somebody new and that D C hear that tears me up inside and to see Chorus

Cadd9 night if I'd known what to say separate ways. Now I Cadd9 I never meant that much to you. To you cuts me like a knife. I guess

Here's the guitar solos for the song Regular tuning E,A,D,G,B,e. Version 04 /1.01 April 2004

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First Solo- After the chorus} ~=vibrato ^=full bend r=release 4/4 timing ( I think ) |---------------|--------------------------------|-----15^---15-|-(15)~-| |------12---15^-|--15~~--------------13-12-------|--------------|-------| |--14^----------|-----------12-14-12------14-14^-|-14^----------|-----0-| |---------------|------12-14--------14-----------|--------------|-------| |---------------|--------------------------------|--------------|-------| |---------------|--------------------------------|--------------|-------| Here's the main solo, right after the bridge. |-----------|------------------------------------------|----------------| |-------15^-|-r15----13-12--12-------------------------|----------------| |--12--(12)-|-------------14--14-12--14-12-11--12-11---|-------9^-10^---| |-----------|---------------------------------------14-|-14-------------| |-----------|------------------------------------------|----------------| |-----------|------------------------------------------|----------------| |---------------------|----------------------| |-----------20---20---|--20--20^-------------| |-7^----19^---19---19-|-(19)-19^----9^---10^-| |---------------------|----------------------| |---------------------|----------------------| |---------------------|----------------------| Fast (32nd notes) |-------------h17p15--15-h19p15-h17p15---15-h19p15-h17p15---| |-------------------17----------------17-----------------17-| |-7^----x-16------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-----------------------------------------------------------| |-15~-|--(15~)--|--(15~)--| |-----|---------|---------| |-----|---------|---------| |-----|---------|---------| |-----|---------|---------| |-----|---------|---------|

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After this, acoustic guitar continues with chords Cadd9 and G. That'all

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THE LION SLEEPS TONIGHT Intro: Bb D# eeh-eeh-eeh-eeh eeh-eeh-eeh-eeh-eeh Bb F eeh-eeh oh wom oh weeeeeeeeeh Bb D# eeh-eeh-eeh-eeh eeh-eeh-eeh-eeh-eeh Bb F eeh-eeh oh wom oh weeeeeeeeeh Bb A wim Bb A wim Bb A wim Bb A wim

a wim oh weh a wim oh weh a wim oh weh a wim oh weh

D# A wim F A wim D# A wim F A wim

a wim oh weh a wim oh weh a wim oh weh a wim oh weh

Bb D# Bb F In the jungle the mighty jungle the lion sleeps tonight Bb D# Bb F In the jungle the mighty jungle the lion sleeps tonight Ref: Bb D# Bb F Near the village the peaceful village the lion sleeps tonight Bb D# Bb F Near the village the peaceful village the lion sleeps tonight Ref: Bb Welcome to the jungle Bb D# Bb F hush my darling don´t fear my darling the lion sleeps tonight Bb D# Bb F hush my darling don´t fear my darling the lion sleeps toniiiiiiiiiiight Ref: Bb D# eeh-eeh-eeh-eeh eeh-eeh-eeh-eeh-eeh Bb F eeh-eeh oh wom oh weeeeeeeeeh Bb D# eeh-eeh-eeh-eeh eeh-eeh-eeh-eeh-eeh Bb F eeh-eeh oh wom oh weeeeeeeeeh

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LADY MARMALADE Em A Hey sister, go sister, soul sister, flow sister ! Em A Hey sister, go sister, soul sister, go sister ! Em A 1. He met Marmalade down in old Moulin Rouge, Em A strutting her stuff on the street. Am Bm B7 She said, “Hello, hey Joe, you wanna give it a go, oh ? Em A Gitchi gitchi ya ya da da, hey hey hey ! Em A Gitchi gitchi ya ya hee, hee hee hee! Em A Mocca chocolata ya ya, oh yeah ! Am - - - - - - - - - - Em ~ ~ Em Creole Lady Marmalade. (Oh) Em A Voulez-vous coucher avec moi, ce soir? Em A Voulez-vous coucher avec moi ? Em A 2. He sat in her boudoir while she freshened up, Em A boy, drank all that magnolia wine. Am Bm B7 on her black satin sheets is where he started to freak, yeah ! + CHORUS

+ (rapping part, left out here)

Em A 3. Touch of her skin, feeling silky smooth, oh, Em A colour of cafe au lait, all right. Am Bm Made the savage beast inside roar until he cried : B7 More ! More ! More ! Em A 4. Now he's back home doing nine to five, nine to five, Em A sleeping the gray flannel life. Am Bm But when he turns off to sleep, memories keep. B7 Version 04 /1.01 April 2004

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More ! More ! More ! Em A Gitchi gitchi ya ya da da, hey hey hey ! Em A Gitchi gitchi ya ya hee, hee hee hee! Em A Mocca chocolata ya ya, oh yeah ! Am - - - - - - - - - - Em ~ ~ Em Creole Lady Marmalade. (Oh) Em A Voulez-vous coucher avec moi, ce soir? Em A Voulez-vous coucher avec moi ? Em A Voulez-vous coucher avec moi, ce soir? Em A Voulez-vous coucher avec moi ? ….. (capo 3rd) (Christina Aguilera)

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SUNDAY BLOODY SUNDAY Am – C – F Am – C – F Am C F 1. I can't believe the news today, Am C F oh, I can't close my eyes and make it go away. C Dm How long? How long must we sing this song? C Dm ~ ~ How long, how long? Am C F Am C F 'Cause tonight, we can be as one, tonight! Am C F 2. Broken bottles under children's feet, Am C F bodies strewn across the dead-end street. Am C F But I won't heed the battle call, Am C F it puts my back up, puts my back up against the wall. Am C F Am C F Sunday, bloody Sunday. Sunday, bloody Sunday. Eb Dm C Eb – Dm - C Sunday, bloody Sunday. Am – C – F Am – C – F Am C F 3. And the battle's just begun, Am C F there's many lost, but tell me who has won? Am C F The trenches dug within our hearts, Am C F and mother's children, brothers, sisters torn apart. Am C F Am C F Sunday, bloody Sunday. Sunday, bloody Sunday C Dm How long? How long must we sing this song? C Dm ~ ~ How long, how long? Am C F Am C F 'Cause tonight, we can be as one, tonight! Am C F Am C F Sunday, bloody Sunday. Sunday, bloody Sunday. Am – C – F (4x) Am-C-F Am -C-F Am Wipe the tears from your eyes ! Wipe your tears away ! -C-F Am -C-F Am Oh, wipe your tears away ! Oh, wipe your tears ! (away) C F Am C F Sunday, bloody Sunday. Sunday, bloody Sunday. Eb Dm C Eb – Dm - C Sunday, bloody Sunday. Version 04 /1.01 April 2004

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Eb

Dm C Eb – Dm – C Sunday, bloody Sunday. Am – C – F Am – C – F Am C F Am C F 3. And it's true we are immune, when fact is fiction and T.V. reality. Am C F And today the millions cry, Am C F we eat and drink while tomorrow they die. Am C F Am C F The real battle`s just begun, to claim the victory Jesus won, on Am C F Am C F - Am Sunday, bloody Sunday. Sunday, bloody Sunday (capo 2nd) (U2)

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WITH OR WITHOUT YOU D A Bm See the stone set in your eyes G D See the thorn twist in your side A Bm G I wait for you D A Bm Sleight of hand and twist of fate G D On a bed of nails she makes me wait A Bm G And I wait without you D With or without you Bm With or without you

A G

D A Bm Through the storm we reach the shore G D You give it all but I want more A Bm G And I'm waiting for you D With or without you Bm With or without you D I can't live Bm With or without you

A G A G

D A And you give yourself away Bm G And you give yourself away D And you give A And you give Bm G And you give yourself away

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D A My hands are tied Bm G D My body bruised, she's got me with A Nothing to win and Bm G Nothing left to lose D A And you give yourself away Bm G And you give yourself away D And you give A And you give Bm G And you give yourself away With or With or I can't With or

D without you Bm without you D live Bm without you

D With or without Bm With or without D I can't live Bm With or without D With or without

A G A G A

you G you A G you you

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TAKE GOOD CARE OF MY BABY Dick Brave & The Backbeats Capo 1

F Dm My tears are fallin' Bb C7 'Cause you've taken her away F Bbm7 And though it really hurts me so Bb C7 There's something that I gotta say: F

Dm Bb C7 Take good care of my baby F Dm Bb C7 Please don't ever make her blue F Just tell her that you love her Bb Make sure you're thinking of her F Dm Bb C7 In everything you say and do Verse 2: F Dm Bb C7 Take good care of my baby F Dm Bb C7 Now don't you ever make her cry F Just let your love surround her Bb Make a rainbow all around her F Bb C7 F Don't let her see a cloudy sky Gm C Am Dm Once upon a time, that little girl was mine Gm C F Am Bb C F If I'd been true, I know she'd never be with you, so... Verse 3: F Dm Bb C7 Take good care of my baby F Dm Bb C7 Be just as kind as you can be F And if you should discover Bb That you don't really love her F Dm Bb C7 F / / / Dm / / / Just send my baby back home to me

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B / / / C#7 / / / F# D#m B C#7 Take good care of my baby F# D#m B C#7 Be just as kind as you can be F# D#m And if you should discover F# D#m That you don't really love her F# D#m B C#7 F# Just send my baby back home to me F# / / / D#m / / / B / / / C#7 / / / (me) (repeat and fade): F# D#m B C#7 Take good care of my baby

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LOVE AND MARRIAGE

G D 1. Love and marriage, love and marriage G C go together like a horse and carriage. G B7 Em C G -A This I tell you brother, you can't have one without the

-D other.

G D 2. Love and marriage, love and marriage, G C it's an institute you can't disparage. G B7 Em C G -D G Ask the local gentry and they will say it's ele…..ment’ry. D# Bb D# Try, try, try to separate them, it's an illusion. D# D - D7 Try, try, try, and you will only come to this conclusion : G D 3. Love and marriage, love and marriage G C go together like a horse and carriage. G B7 Em Dad was told by mother, C G C G you can't have one, you can’t have none, C G A - D7 - G you can’t have one without the o…...th…er. + repeat verses 2 & 3

-C-G

(midi = capo 3rd) (Doris Day)

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RIVERS OF BABYLON

- Sublime

verse:                  G By the rivers of babylon              G Where he sat down              D and there he wept                    G when he remembered Zion

chorus: oh 'fore the wicked (this might actually be 'It was the wicked' but         I'm not sure) G carry us away captivity    C required from us a song G how can we sing King Alfa's song       D          G In a strange land                        G            D so let the words of our mouth               G           D and the meditation of our heart        G             D      now mute strings be acceptable in thy sight          G override (I'm not sure this line is right, any suggestions?) repeat opening riff play verse now play chorus G how can we sing King Alfa's song      D           G in a strange land here are the chords used

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    G           D           C |­­­3­­­|   |­­­2­­­|   |­­­0­­­| |­­­3­­­|   |­­­3­­­|   |­­­1­­­| |­­­0­­­|   |­­­2­­­|   |­­­0­­­| |­­­0­­­|   |­­­0­­­|   |­­­2­­­| |­­­2­­­|   |­­­­­­­|   |­­­3­­­| |­­­3­­­|   |­­­­­­­|   |­­­­­­­| opening riff 2x |­­­­­­­­­­­­­3­­3­3­­3­3­3­­­­­| |­­­­­­­­­­­­­3­­3­3­­3­3­3­­­­­| |­­­­­­­­­­­­­0­­0­0­­0­0­0­­­­­| |­­­­­­­­­­­­­0­­0­0­­0­0­0­­­­­| |­­­­­­2­2­3­­2­­2­2­­2­2­2­­­­­| |­­3­3­­­­­­­­3­­3­3­­3­3­3­­­­­|

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|­­­­­­­­­­­­­2­­2­2­­3­2­2­­­­­| |­­­­­­­­­­­­­3­­3­3­­3­3­3­­­­­| |­­­­­­­­­­­­­2­­2­2­­2­2­2­­­­­| |­­­­­­­­­­­­­0­­0­0­­0­0­0­­­­­| |­­2­2­3­3­2­­­­­­­­­­­­­­­­­­­­| |­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| |­­­­­­­­­­­­­­­­3­­3­3­­3­3­3­­| |­­­­­­­­­­­­­­­­3­­3­3­­3­3­3­­| |­­­­­­­­­­­­­­­­0­­0­0­­0­0­0­­| |­­0­0­02­­­­­­­­0­­0­0­­0­0­0­­| |­­­­­­­­­­02­­­­2­­2­2­­2­2­2­­| |­­­­­­­­­­­­­­3­3­­3­3­­3­3­3­­|

487

PROUD MARY CREEDANCE CLEARWATER REVIVAL

Intro:

F D F D F D C Gmaj D G

G Left a good job in the city G Working for the man every night and day G And I never lost one minute of sleeping G Worrying about the way things might have been D Ref.:Big wheels keep on turning Em Proud Mary keep on burning G Rolling, rolling, rolling on the river

Intro:

F D F D F D C Gmaj D G

G Cleaned a lot of plates in Memphis G Pumped a lot of pain down in New Orleans G But I never saw the good side of the city G Until I hitched a ride on the riverboat queen ef.:Big wheels keep on turning ...

G If you come to the river G Bet you gonna find some people who live G You don't have to worry, 'cos you have no money G People on the river are happy to give Ref.:

Big wheels keep on turning ...

1.Left a good job ... Ref.: Extro.: Version 04 /1.01 April 2004

Big wheels keep on turning ... F D F D F D C Gmaj D G

488

STAYN' ALIVE

Em 1. Well you can tell by the way I use my walk, D

Em

I'm a woman`s man, no time to talk. Em

D

Em

Music loud and women warm, Iv'e been kicked around since I was born. A And now it's alright, it's ok, you may look the other way. We can try to understand the New York Times' effect on man. Em Whether your a brother or whether your a mother, you're stayin' alive, stayin' alive. Feel the city breakin' and everybody shakin' , and we're stayin' alive, stayin' alive. Ah, ha, ha, ha, staying alive, staying alive, D-Em-Bm

Em

ah, ha, ha, ha, staying ali...........ve. Em

D

Em

2. Well now, I get low and I get high, and If I can't get either I really try. Em Got the wings of heaven on my shoes, D

Em

I'm a dancin' man and I just can't lose. A You know it's alright, it's ok, I live to see another day. We can try to understand the New York Times' effect on man. + CHORUS A

Em

3. Life going nowhere, somebody help me, somebody help me yeah. A

Em Life going nowhere, somebody help me, yeah, stayin'ali--ve.

4. = 1. + CHORUS + 3. + 3. and fade (capo 1st)

(Bee Gees)

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TURN THE PAGE Em on a long and lonesome highway east of Omaha         D you can listen to the engine, moanin out its one note song         A                                                     Em you can think about the woman, or the girl you knew the night before but your thoughts will soon be wandering, the way they always do when your riding sixteen hours and there's nothing much to do and you don't feel much like ridin', you just wish the trip was through            D               Em say here I am, on the road again        D               Em there I am, up on the stage        D            A here I go, playing star again         C   D         Em there I go, turn the page well, you walk into a restaurant, strung out from the road and you feel the eyes upon you, as your shakin' off the cold you pretend it doesn't bother you, but you just want to explode most times you can't hear 'em talk, other times you can all the same 'ole cliche's, is that a woman or a man and you always seem outnumbered, you don't dare make a stand         D               Em here I am, on the road again        D               Em there I am, up on the stage        D            A here I go, playing star again         C  D         Em there I go, turn the page out there in the spotlight, your a million miles away every ounce of energy, you try to give away as the sweat pours out your body, like the music that you play later in the evening, as you lie awake in bed with the echos from the amplifiers, ringin in your head you smoke the days last cigarette, remembering what she said   D               Em here I am, on the road again        D               Em there I am, up on the stage        D            A here I go, playing star again         C  D         Em there I go, turn the page Version 04 /1.01 April 2004

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D               Em Now, here I am, on the road again        D               Em there I am, up on the stage        D           A here I go, playing star again         C   D       Em there I go, there I go..

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I HEAR YOU KNOCKING DAVE EDMUNDS

F# - A - E - B7 E 1. You went away and left me long time ago, and now you're knocking on my door. A E I hear you knocking, but you can't come in, A B7 I hear you knocking, go back where you've been. E 2. I begged you not to go, but you said goodbye, and now you tell me all your lies. A E I hear you knocking, but you can't come in, A B7 I hear you knocking, go back where you've been. E 3. You better get back to your use-to-be, 'cause your kind of love ain't good to me. A E I hear you knocking, but you can't come in, A B7 I hear you knocking, go back where you've been. E 4. I told you way back in 52, that I would never go with you. A E I hear you knocking, but you can't come in, F# -A B7 I hear you knocking, go back where you've been. + verse 4 as instrumental …. (Dave Edmunds) END SOLO Version 04 /1.01 April 2004

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TWO PRINCESS

D       Bm        A      G One, two,     princes kneel  before you  (That's what I said, now) Princes,      princes who  adore you   (Just go ahead, now) One has       diamonds in his   pockets     (That's some bread, now) This one, he  wants to buy you  rockets     (Ain't in his head, now) This one, he  got a princely    racket      (That's what I said, now) Got some big  seal upon his     jacket      (Ain't in his head, now) Marry him,    your father will  condone you (How bout that, now) Marry me,     your father will  disown you  (He'll eat his hat now) G D Aww, marry him or marry me  I'm the one that loves you baby can't you see? G Ain't got no future or a family tree  A But I know what a prince and lover ought to be, A I know what a prince and lover ought to be... D      Bm        A      G Said if you  want to call me   baby         (Just go ahead, now) And if you   want to tell me   maybe        (Just go ahead, now) If you       wanna buy me      flowers      (Just go ahead, now) And if you   want to talk for  hours        (Just go ahead  

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LITTLE MISS CAN'T BE WRONG - Spin Doctors !CHORDS!

{c:intro}

[G]

[D]

[C]

(repeat 4 times)

[G]Been a whole lot easier since the [D]bitch left [C]town, [G]Been a whole lot happier without her [D]face ar[C]ound [G]Nobody upstairs gonna [D]stomp and [C]shout [G]Nobody at the back door throwin' my[D] laundry [C]out [G]She holds the shotgun while you [D]dote-se-[C]do [G]She want one man made of Hercu[D]les and Cyra[C]no [G]Been a whole lot easier since the [D]bitch is [C]gone, [G]Little miss little miss little miss [D]can't be [C]wrong {c:chorus} {start_of_chorus} [G]Little miss little miss little miss [D]can't be wrong [C] [G]Ain't nobody gonna bow no more when you [D]sound your [G]gong [G]Little miss little miss little miss [D]can't be wrong [C] [G]What you gonna do to get into another one of these here [D]Rock & Roll [C]songs {end_of_chorus} [G] [D] [C] (repeat 8 times, then:) [G] [A#] [C] Other people's songs they ain't your hand-me-downs Would it be so bad if you simply turned around You cook so well, all nice & French You do your brain surgery too Momma, wit yo monkey wrench {c:chorus} {c:break} I hope I hope I take And if

them cigarettes are gonna make you cough you hear this song, and it pisses you off that back I hope you're doin fine I had a dollar, I might give you ninety-nine

{c:chorus}

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FEEL Dm ~ ~ Dm - F A - A7 1. Come and hold my hand, I wanna contact the living, Gm - F A - A7 not sure I understand this role I've been given. Dm - F A - A7 I sit and talk to God, and he just laughs at my plans, Gm -F A - A7 my head speaks a language, I don't understand. Bb F C I just wanna feel real love fill the home that I live in, Bb F C ‘cause I got too much life, running through my veins, going to waste Dm - F A - A7 2. I don't wanna die, but I ain't keen on living either, Gm - F A - A7 before I fall in love, I'm preparing to leave her. Dm - F A - A7 I scare myself to dead, that's why I keep on running, Gm - F A - A7 before I’ve arrived, I can see myself coming. Bb F C I just wanna feel real love fill the home that I live in, Bb F C ‘cause I got too much life, running through my veins, going to waste. Bb F C And I need to feel real love and a life ever after. Dm ~~ I cannot get enough. Dm – F - Dm – F (2x) Bb F C I just wanna feel real love fill the home that I live in, Bb F C ‘cause I got too much life, running through my veins, to go to waste. Bb F C I just wanna feel real love and a life ever after, Bb F there's a hole in my soul, you can see it in my face, C - Dm ~ ~ it's a real big place. Dm - F Dm - F Come and hold my hand, I wanna contact the living. Dm - F Dm - F Not sure I understand, this role I've been given. Dm - F Dm - F Not sure I understand. Not sure I understand. Dm - F Dm - F - Dm Not sure I understand. Not sure I understand. Version 04 /1.01 April 2004

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RIDERS ON THE STORM Em - A - Em - A - Em - A - Em - A Em

A

-Em-A

Em

1. Riders on the storm , Am

A

-Em-A

riders on the storm.

D -C-D Em

Into this house we're born, D

A -Em-A

into this world we're thrown

C

like dog without a bone, an actor out on loan. Em

A

- Em-A

Riders on the storm Em

A -Em-A

2. There's a killer on the road, Am

Em

his brain is squirming like a toad.

D - C-D Em

Take a long holiday,

A -Em-A

A -Em-A

let your children play.

D

C

If you give this man a ride, sweet family will die. Em

A

- Em - A

Killer on the road.

Yeah!

Instr.: Em ~ ~ A - Em - D - C - / Em - A - Em - A - Em - A - Em - A Em

A -Em-A

3. Girl, you gotta love your man, Am

Em

girl, you gotta love your man.

D - C-D Em

Take him by the hand,

A -Em-A

A - Em-A

make him understand.

D

C

The world on you depends, our life will never end. Em

A

- Em - A

You gotta love your man.

Yeah!

Instr.: Em ~ ~ ~ ~A - Em - D - C Em - A - Em - A - Em - A - Em - A 4. = 1. + Em

A

Em - A Em

Riders on the storm, Version 04 /1.01 April 2004

A

Em - A

riders on the storm ...... (rep. and fade) (The Doors) 496

WHAT IS AND WHAT SHOULD NEVER BE Verses:  Jimmy basically plays and A13 and E9 during the slower verses. Here's how I form these chords :   A13           E9    and these varied forms e­­­­­­­­­­|­­­­0­­­­­­­­­7­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ B­­­7­­­­­­|­­­­7­­­­­­­­­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­6­­­­­­|­­­­7­­­­­­­­­7­­­­­7­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­5­­­­­­|­­­­6­­­­­­­­­6­­­­­6­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­7­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ E­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ I suggest to do a little ad­lib with the E9 chord variations until you find something that works and sounds good to you.  

Chorus : (heavy guitar sound with distortion) notation : h ­ hammer             p ­ pulloff    b ­ bend e­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­ B­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­3­­2­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­2­­2­­2­­­­­­­­­­­­­­­­­­­­­­ D­­­­5h7­­­7­7­7p5­­­5­­5­­5­­­­­­|­4­­4­­­4­­­­2­­4­­2­­­­­­­­­­­­­­­­­­­­­­ A­­­­0­­­­­0­­­­­­­­­0­­0­­­­0­­0­|­0­­0­0­­­­0­0­­­­­0­­0­­­­­­­­­­­­­­­­­­­ E­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ e­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­2­­­­­­­­­­­­­­­­­­­­­­­­­ B­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­3­­2­­2­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­2­­2­­2­­2­­­­­­­­­­­­­­­­­­­ D­­­­7­­­7­­­7p5­­­­­5­­­­­­­5­­­­|­4­4­4­4­­­2­2­­­­­2­­2­­­­­­­­­­­­­­­­­­­ A­­­­0­­­0­0­­­­­­­­­0­­0­0­­­­0­­|­0­0­0­0­­­0­0­­­­­0­­0­­­­­­­­­­­­­­­­­­­ E­­­­­­­­­­­­­­­­­3­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­0­­­­­­­­­­­­­­­­­­­

e­­­­­­­­­­­­­­­­­­­­­­­­­­­­­| B­4­4­4­4­­­­­­­­­­­­­­­­­­­­­| G­4­4­4­4­­­­4­­­4­­­4­­­4­­­­| D­4­4­4­4­­­­4­­­4­­­4­­­4­­­­| A­2­2­2­2­­0­­­0­­­0­­­0­­­­­­| E­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|                                            let ring e­­­­­­­­­­­­­­­­­­­­­­­0­­­­­­­­­­­­­|­­­­­­­­|­­­­­­­­­­­­­­­­­ B­­­­­­­­­­­­­­­­­­­­­­­0­­­4­­2­­­­­­|­­2­­­­­|­­­­­­­­­­­­­­­­­ G­­­­­4­­­4­­­4­­­­4­­­­1­­­4­­3­­­­­­|­­2­­­­­|­­­­­­­­­­­­­­­­­ D­­­­­4­­­4­­­4­­­­4­­­­2­­­4­­4­­­­­­|­­2­­­­­|­­­­­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­2­­­2­­4­­­­­­|­­0­­­­­|­­2­­­­­­­­­­­­­­ E­­­4­­­4­­­4­­­­4­­­­­­0­­­­­­2­­­­­­|­­­­­­3b|­­0­­­­­­­­­­­­­­                                       1/2 step  Jimmy plays slide on the solo (I don't, I'm not the best slide player, so if Version 04 /1.01 April 2004

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you can't, just slide to the notes rather than picking each note, it sounds ok especially if you add a little delay.) notation : s = slide (e.g. xsy means pick note x and slide from note x to note y)

e­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­|­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­ B­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­|­­­­­­5­­7s9­­7s9­­|­­7s2­­­­­­­­­­­­­­­­ G­­­­­­­­­­9­­9s13­­11s13­|­­11s6­­|­­4­6­­­­7s9­­7s9­­|­­7s2­­­­­­­­­­­­­­­­ D­­­9­­11­­­­­­­­­­­­­­­­­|­­­­­­­­|­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­|­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­ E­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­|­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­ e­­­­­­­­­12­­­10­12­10­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ B­­­7s12­­­­­­­­­­­­­­­­10s12­­­10s12­|­10s12s14­­­­­­­12­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ E­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ e­­14s16­­10s12­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ B­­­­­­­­­­­­­­­­10s12­­­10­8­10­­­­­­|­­10s14­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ E­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ e­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ B­­­­­­­14­­­­­­­14­­­­­­­­­­­­14­­14­­­­|­­­­­­14­14­14­­­­14­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­14­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­14­­­­­ D­­7s14­­­­14­14­­­­­­5s14­­­­­­­­­­­­­­7s14­14­­­­­­­­­­14­­­­­­12­­­14­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­12­­­­­­­­­­ E­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ e­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ B­­­­­­­14­­­­­­­14­­­­­­­­­­­­14­­14­­­­|­­­­­­14­14­14­­­­14­­­­­­­­­­­­­­­ G­­­­­­­­­­­­­­­­­­­­­­­­­­14­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­14­­­­­ D­­7s14­­­­14­14­­­­­­5s14­­­­­­­­­­­­­­7s14­14­­­­­­­­­­14­­­­­­12­­­14­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­12­­­­­­­­­­ E­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ e­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­7­­­­­­­­­­­­­­­ B­­­­­­­­­­16­­­­16­­­­­­­­­­­­­16­­16­­­|­­­­­­16­16­16­­9­­7­­­­­­­­­­­­­­­ G­­­­­­­16­­­­16­­­­16­­­­­­­16­­­­­­­­­­|­­­16­­­­­­­­­­­9­­­­­­­­­­­­­­­­­­ D­­9s16­­­­­­­­­­­­­­­­­9s16­­­­­­­­­­­7s|16­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ E­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ e­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­|­­­|­­­­ B­­14s17­16­14­­­­­­­­­|­­14s12s14­­14s12s14­­12s14­­12s14­|12s9s7s|sss|s2­­ G­­­­­­­­­­­­­­­­­­14­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­7s|sss|s2­­ Version 04 /1.01 April 2004

498

D­­­­­­­­­­­­­­­14­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­7s|sss|s2­­ A­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­|­­­|­­­­ E­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­|­­­­­­­|­­­|­­­­ Note that on the solo if you aren't playing slide just bar the A on the 14th fret and the B on the 16th fret with your ring finger.  It allows you to let the notes ring and makes the fingering very easy. Sometimes I substitute the following A chord and B chords for the  A on the 14th and the B on the 16th respectivley, but still play the same notes.  Obviously you don't do this if you play the solo with a slide.       A           B e­­­­­9­­­­­­­­­­­11­­­­­­­­­­­ B­­­­­10­­­­­­­­­­12­­­­­­­­­­­ G­­­­­9­­­­­­­­­­­11­­­­­­­­­­­ D­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ E­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­

Outro :  Distorted, play to the end of the song. After playing the following part twice, from the third time on mute the strings in between the notes that are played to get that "chuka" effect.

e­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ B­­­­­­­­­­­­9­9­­|­­­­­­­­­­­­­­­9­9­9­9­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ G­­­­­­­­­­­­9­9­­|­­­­7­­­7­7­­­­9­9­9­9­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ D­­­9­9­­­­­­9­11­|­­7­7­­­7­9­­­­9­9­9­9­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ A­­­9­11­­­­­0­­­­|­­7­9­­­0­­­­­­7­7­7­7­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ E­­­­­­­­­­­­­­­­­|­­­­­­­­­­­­­­­0­0­0­0­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­ Now putting it altogether :

And if I say to you tomorrow, take my hand child come with me. It's to a castle I will take you, Well what's to be they say will be.

Chorus : Catch the wind, see us spin, sail­away leave the day, way up high in the sky hey whoa,  But the wind won't blow, you really shouldn't go,  it only goes to show, that you will be mine by taking our time.  Oooh Ho whoa. And if you say to me tomorrow, oh what fun it all would be.  Then what's to stop us pretty baby, but what is and what should never be. Chorus : Guitar Solo (with verse rhythym guitar and then into the chorus guitar part) So if you wake up with the sunrise, and all your dreams are still as new, Version 04 /1.01 April 2004

499

and happiness is what you need so bad, well girl the answer lies with you yeah Chorus : Outro guitar with ad­lib vocals : Uh, but a the wind wont blow and we really shouldn't go, and it only goes to show, whoa, whoa whoa.  Got the wind gonna see us spin we're gonna say leave the day.  A do be do ba da 'n' do oh.  My my my my my yeah. Everybody I know seems to know me well, but they say I'm gonna move like hell.  Uh baby, baby, baby, baby, baby, baby ....

Version 04 /1.01 April 2004

500

TURN ON, TUNE IN, COP OUT FREAKPOWER Some people been driving too fast, Some people still having a gas But if there’s one thing you gotta conceed You gotta know who’s driving your car You get to fifth gear with you foot on the floor Or else you’re starring in “ A Cruise to far “ Turn on, tun in , cop out Let it flow now mama Let it flow become a woman Some people been waisting their time Some people expanding their minds, But if you’ ve known love like the jokers before Then you’re likely to be homeon the range No more the Cowboy gotsta flaunt his wares He’s been grazing on a different plain It’s easy to see why there’s thousands of people Are regularly turning it out It’s easy to find when you mess with your mind That you’ve gona beyond a resonable doubt…

Version 04 /1.01 April 2004

501

PAPA WAS A ROLLING STONE - The Temptations It was the third of September That day I'll always remember 'Cause that was the day my daddy died I never got a chance to see him Never heard nothin' but bad things about him Mama, I'm depending on you to tell me the tuth And Mama just hung her head and said, Son Chorus: Papa was a rolling stone Wherever he laid his hat was his home And when he died All he left us was alone Papa was a rolling stone Wherever he laid his hat was his home And when he died All he left us was alone Hey, Mama, is it true what they say That Papa never worked a day in his life? And Mama, some bad talk goin' around goin' around town Sayin' that Papa had three outside children and another wife And that ain't right Hey, talk about Papa doing some storefront preaching Talking about saving your soul And all the time leaching Dealing in debt and stealing in the name of the Lord Mama, I'm depending on you to tell me the truth And Mama hung her head and said Papa was a rolling stone Wherever he laid his hat was his home And when he died All he left us was alone Papa was a rolling stone Wherever he laid his hat was his home And when he died All he left us was alone Hey Mama I heard Papa called himself a jack of all trades Tell me is that what sent Papa to an early grave? Folks say Papa would beg, borrow, steal to pay his bills Folks say Papa wasn't much on thinkin' Spent most of his life chasin' women and drinking Version 04 /1.01 April 2004

502

Mama, I'm depending on you to tell me the truth And Mama looked up with a tear in her eye and said, Son REfrain:

Version 04 /1.01 April 2004

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IS THIS LOVE F#m F#m

F#m F#m

D D

BOB MARLY

A

A C#m F#m D A I wanna love you and treat you right. C#m F#m D A I wanna love you every day and every night. C#m F#m D A We'll be together with a roof right over our heads. C#m F#m D A We'll share the shelter of my single bed. C#m F#m D A We'll share the same room, Jah provide the bread. C#m C#m Is this love, is this love, is this love, Bm Bm is this love that I'm feeling? C#m C#m Is this love, is this love, is this love, Bm Bm is this love that I'm feeling? Bm C#m D

E

Dmaj7 Dmaj7 Bm C#m D E I wanna know, wanna know, wanna know now. C#m C#m I've got to know, got to know, got to know now. C#m C#m Bm Bm I. . . I'm willing and able, C#m C#m E D so I throw my cards on your table. C# Bm F#m I wanna love you D A C#m F#m I wanna love and treat, love and treat you right. F#m D A I wanna love you every day and every night. C#m F#m D A We'll be together with a roof right over our heads. C#m F#m D A We'll share the shelter of my single bed. C#m F#m D A We'll share the same room, Jah provide the bread. A C#m F#m D We'll share the shelter of my single bed.

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REDEMPTION SONG {title:Redemption Song}{st:Bob Marley}{c:intro} ===============2=0==========0===========o =====0=2===2/3=====2====0=2===2=3=2=0=== ==3======3===========3================3= G Em7 C G/B Am 1. Old Pirates, yes, they rob I. Sold I to the merchant ships G Em C G/B Am minutes after they took I from the bottomless pit. G Em7 But my hand was made strong C G/B Am By the hand of the Almighty. G Em C We forward in this generation D triumphantly. Refrain: G Won't you help to sing G songs of freedom? C D Em 'Cause all I ever had, D G redemption songs, C D G C redemption songs.

C

D these

C

D G Em7 2. Emancipate yourselves from mental slavery, C G/B Am None but ourselves can free our minds. G Em Have no fear for atomic energy, C G/B Am 'Cause none of them can stop the time. G Em7 How long shall they kill our prophets C G/B Am While we stand aside and look? G Em Yes, some say it's just a part of it. C D We've got to fulfill the book. Refrain 2. Strophe Refrain

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THREE LITTLE BIRDS

A D A Don't worry about a thing, ‘cause every little thing’s gonna be all right. A D A Don't worry about a thing, ‘cause every little thing’s gonna be all right. A E 1. Rise up this morning, smile with rising sun, A D three little birds sit by my doorstep, A E singin' sweet songs of melodies pure and true, -D A sayin', this is a message to you uh uh. A D A Don't worry about a thing, ‘cause every little thing’s gonna be all right. A D A Don't worry about a thing, ‘cause every little thing’s gonna be all right. A E 2. Rise up this morning, smile with rising sun, A D three little birds sit by my doorstep, A E singin' sweet songs of melodies pure and true, -D A sayin', this is a message to you uh uh. A D A Don't worry about a thing, ‘cause every little thing’s gonna be all right. A D A Don't worry about a thing, ‘cause every little thing’s gonna be all right. + repeat CHORUS (2x) and fade… (Bob Marley)

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I SHOT THE SHERIFF - Bob Marley e

a

e

I shot the sheriff, but I did not shoot the deputy. a

e

I shot the sheriff, but I did not shoot the deputy. oh no C

D

e

All around in my home town C

D

D

they're trying to track me down. C

D

e

They say they want to bring me in guilty C

D

e

for the killing of a deputy, C

D

e

for the killing of a deputy.

But I say:

I shot the sheriff, but I swear it was in selfdefence. I shot the sheriff, but I swear it was in selfdefence. Sheriff John Brown always hated me for what I don't know. Ev'ry time that I plant a seed he said "Kill it before it grow," he said "Kill it before it grow." But I say: I shot the sheriff, but I swear it was in selfdefence. I shot the sheriff, but I swear it was in selfdefence. Freedom came my way one day and I started out of town. All of a sudden I see sheriff John Brown, aiming to shoot me down. So I shot, I shot him down. But I say: I shot the sheriff, but I did not shoot the deputy. I shot the sheriff, but I did not shoot the deputy. Reflexes got the better of me and what is to be must be. Ev'ry day the bucket goes to the well, but one day the bottom will drop out, yes one day the bottom will drop out. But I say:

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ONE LOVE by Bob Marley Use all down strokes Bb F Eb F F7 Bb F One Love, one heart. Eb Bb F Bb Let's get together and feel all right. Hear the children crying. (One love.) F Hear the children crying. (One heart.) Sayin', Eb Bb F Bb "Give thanks and praise to the Lord and I will feel all right." Eb Bb F Bb Sayin', "Let's get together and feel all right." Whoa, whoa, whoa, whoa. Gm Eb Bb Let them all pass all their dirty remarks. (One love.) Gm Eb F Bb There is one question I'd really love to ask. (One heart.) Gm Eb Bb Is there a place for the hopeless sinner Gm Eb F Bb who has hurt all man-kind just to save his own? F Believe me. One love, one heart. Eb Bb F Bb Let's get together and feel all right. As it was in the beginning, (One love.) F so shall it be in the end. (One heart.) Alright, Eb Bb F Bb "Give thanks and praise to the Lord and I will feel all right." Eb Bb F Bb Sayin', "Let's get together and feel all right." One more thing. Gm Eb Bb Let's get together to fight this Holy Armageddon, (One love.) Gm Eb F Bb So when the Man comes there will be no, no doom. (One song.) Gm Eb Bb Have pity on those whose chances grow thinner. Gm Eb F Bb There ain't no hidding place from the Father of Creation. Sayin', F One love, one heart. Eb Bb F Bb Let's get together and feel all right. I'm pleading to man-kind. (One love.) F Oh, Lord. (One heart.) Whoa. Eb/Bb Bb F Bb "Give thanks and praise to the Lord and I will feel all right." Eb Bb F Bb Let's get together and feel all right. "Give thanks... Bb xx3331 Eb x65343

repeat and fade. F xx3211 Gm F7 xx1211

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xx5333

Eb/Bb

x11343

508

NO WOMAN, NO CRY Intro.: C-G-Am-F-C-F-C-G / C-G-Am-F-C-F-C-G / C-G-Am-F-C-F-C-G / C-G-Am-F-C-F-C-G C G Am - F - C F C-G No woman, no cry, no woman, no cry. C G Am - F - C F C-G No woman, no cry, no woman, no cry. C

G Am F C 1. Say, I remember when we used to sit, G Am F in the government yard in Frenchtown, C

G Am F C oba-obaserving the hypocrites, as they would G a - F mingle with the good people we meet. C G Am F C G Am - F Good friends we had, oh good friends we've lost, along the way. C G a F C G Am- F In this bright future,you can't forget your past, so dry your tears I say. C

G Am - F - C F C-G No woman, no cry, no woman, no cry. C- G Am F - C F C-G Here little darlin', don't shed no tears, no woman, no cry. C

2.

G Am F C Say, I remember when we used to sit, G a -F in the government yard in Frenchtown,

C

G Am F And then Georgie would make a fire light, C G Am - F as it was log wood burning through the night. C G Am F C G Am-F Then we would cook cornmeal porridge, of which I´ll share with you. C G Am F -C G Am My feet is my only carriage, so I`ve got to push on through, F but while I`m gone, I mean. C

G Am Ev'ry thing's gonna be alright. C G Am Ev'ry thing's gonna be alright. + CHORUS

+ CHORUS

C-G-Am-F-C-F-C-G

3.=1. + CHORUS + CHORUS C-G-Am-F-C-F-C-G (Bob Marley) Version 04 /1.01 April 2004

F Ev'ry thing's gonna be alright. F Ev'ry thing's gonna be alright. (2x) C-G-Am-F-C-F-C-G

+ C-G-Am-F-C-F-C-G

509

COULD YOU BE LOVED

BOB MARLEY

Am F C Am F C Could you be lo-ved, and be loved? Could you be lo-ved, and be loved a d-a Dm Am Don't let them fool you, or even try to school you, oh no! We've got a mind of our own, F C Dm so go to hell if what you're thinking is not right. Am Love would never leave us alone, F C Dm in the darkness there must come out the light. Am F C Am - F C Could you be lo - ved, and be loved? Could you be lo - ved, and be loved? Am The road of life is rocky, and you may stumble too. So while you point your fingers, someone else is judging you. Could you be, could you be, could you be loved? Could you be, could you be loved? (repeat) Am Dm-Am Dm Am Don't let them change you, or even rearrange you. Oh, no! F C Dm Am We've got a life to live, they say only, only, F C Dm only the fittest of the fittest shall survive, stay alive. Am F C Am-F C Could you be lo-ved and be loved? Could you be lo-ved , and be loved? Am You ain't gonna miss your water, until you well runs dry. No matter how you treat him, the man will never be satisfied. Could you be, could you be, could you be loved? Could you be, could you be loved? (repeat) Say something, say something, say something, say something..... repeat to fade

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COULD YOU BE LOVED (BOB MARLEY Cm....Cm....Cm....Cm{soc}{c: chorus}  [Eb]......[Eb]Could you be l[Cm]oved [Cm]......  [Ab].........[Ab]and be l[Eb]oved? [Eb](twice){eoc} Don't[Cm] let them fool you 

[Cm]......[Fm]......[Fm]......[Fm]......[Fm] [Cm]or [Cm]even try to [Cm]school you,[Cm]......[Fm]......[Fm] Oh, no![Fm]......[Fm]......[Cm]......[Cm]We've [Cm]got a mind of our  [Cm]own So [Ab]go to hell if [Cm]what you're thinking is not [Fm]right[Fm] [Cm]......[Cm]Love would [Cm]never leave us al[Cm]one. In the [Ab]darkness there [Gm]must come out the [Bb]light.[Bb]{c:  (chorus)} The [Cm]road of life is [Cm]rocky and [Cm]you may stumble [Cm]too. So [Cm]while you point your [Cm]fingers someone [Cm]else is judging [Cm]you.{soc}{c: twice} [Cm]Could you be, could you be, [Cm]could you be loved? [Cm]Could you be, could you be [Cm]loved?{eoc}

 

Cm Don't let them change you, or even rearrange you. Oh, no!............We've got a life to live They say only, only, only the fittest of the fittest shal survive, stay alive.{c: (chorus)} You ain't gonna miss your water until you well runs dry. No matter how you treat him, Version 04 /1.01 April 2004

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the man will never be satisfied. Could you be, could you be, could you be loved? Could you be, could you be loved?say something... <

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I DON´T WANNA DANCE Eddy Grant D I don't wanna dance A Dance with you baby no more Bm I'll never do something to hurt you, though D Oh but the feeling is bad A The feeling is bad D I love your personality A But I don't want our love on show Bm D Sometimes I think it's insanity A Girl the way you go D With all of the guys on the corner A Oh baby, you're the latest trick Bm D Oh, you seem to have their number A Look they're dancing still D I don't wanna dance A Dance with you baby no more Bm I'll never do something to hurt you, though D Oh but the feeling is bad A The feeling is bad D I don't wanna dance A Dance with you baby no more Bm I'll never do something to hurt you, though D Oh but the feeling is bad A The feeling is bad D I don't wanna dance

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A Dance with you baby no more Bm I'll never do something to hurt you, though D Oh but the feeling is bad A The feeling is bad D Baby now carneval is over A For us are be on my way Bm D Now that the things which move me A I´m standing still D I know witch on the superstition A Baby but I wan´t look back Bm D Even you are feel your music A Baby that is bad D Oh I don't wanna dance A Dance with you baby no more Bm I'll never do something to hurt you, though D Oh but the feeling is bad A The feeling is bad D Oh I don't wanna dance A Dance with you baby no more Bm I'll never do something to hurt you, though D Oh but the feeling is bad A The feeling is bad D Don´t wanna dance D Don´t wanna dance A Don´t wanna dance 513

HEY SEXY LADY Shaggy Intro: A

E

[Shaggy] A Bb Sexy, hot, I love my your girl, put it on me A Brian and Tony Gold let the ladies know, they got it goin on Bb Uh! Shaggy!!! [Chorus: Brian And Tony Gold (Shaggy)] A Hey sexy lady, I like your flow Bb A Your body's bangin, out of controoooooool!!! (Uh!) You put it on me (That's right) ceiling to floor Bb A Only you can make me, screamin back for moooooore!!! [Verse 1: Shaggy] A Her body's callin bawlin got me crawlin up the wall and Bb My size ain't small it's tall and catch here comes her clothes be fallin A Her neighbor's callin bawlin all this noise is so appallin Bb They must believe we're brawlin headboards band till early mornin [Chorus: Brian And Tony Gold (Shaggy)] A Hey sexy lady, I like your flow Bb A Your body's bangin, out of controoooooool!!! (Uh!) You put it on me (That's right) ceiling to floor Bb A Only you can make me, screamin back for moooooore [Verse 2: Shaggy] A I was her father's choosin, performance left her snoozin Bb Rug burns her knees we're bruised and, she's hooked ain't no refusin [Brian And Tony Gold:] A I knew it all along (Uh!) she was the perfect one (What!!!) Bb A She really put it on (On me) I had to write a sooong [Chorus: Brian And Tony Gold (Shaggy)] A Hey sexy lady (She's drivin me nuts) I like your flow (Uh! Uh!) Bb A Your body's bangin (Sexy Lady) out of controoooooool!!! (Sweet and nice) A You put it on me (You know you got that figure) ceiling to floor Bb A Only you can make me (Wow) screamin back for moooooore!!!

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[Verse 3: Brian And Tony Gold] A Bb Hey sexy lady you be fine drive me crazy movin on, and on, and on A Bb Hey sexy lady you be fine drive me crazy movin on, and on, and on [Shaggy (Brian And Tony Gold)] A Gal your extra sexy like (Whoa) and you make me wanna say (Hi) Bb And you shake you shake your thong (Low) Gal you wicked to ras it nah (Lie) A Gal I like the way how you (Flow) everytime you pass me (By) Bb Gal you wiggly jiggly and (Oh) and you wicked to ras it nah (Lie) [Chorus: Brian And Tony Gold (Shaggy)] A Hey sexy lady (Uh!) I like your flow (Whaddat) Bb A Your body's bangin, out of controoooooool!!! A You put it on me (Put it on me baby) ceiling to floor (Uh!!) Bb A Only you can make me (Only you) screamin back for moooooore!!! [Outro: Shaggy] A Bb Uh, moist, ha ha ha ha ha ha A

Bb

A

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STRENGTH OF A WOMAN Sha gg y Bb

Ugh

D# F D# Wah Ugh

Bb D# F D# This one goes out to all my women yah know My strong women, ugh [Verse 1] Bb D# F So amazing how this world was made D# Bb D# F D# I wonder if GOD is a woman Bb D# F She's the constant wind that fills my sail D# Bb D# F D# Ohhhhhh that woman Bb D# With her smile and her style, my F D# She'll protect like a child Bb D# F D# That's a woman ah ah [Chorus] Bb D# F D# She'll put a smile upon yah face Bb D# F D# And take you to that (ah) higher place Bb D# F D# So don't you under estimate Bb D# F D# The strength of a woman Bb D# F D# The strength of a woman [Verse 2] Bb D# F Woke up this morning D# Bb D# F D# I got up with the scent of a woman Bb D# F Jus picture if you could what life would be D# Bb D# F D# Ain't much good without a woman Bb D# F She can nag and be a constant pain D# Bb D# F D# Ohhhh that woman Bb D# But those hips she's got me whipped F D# And it's just to hard to resist Bb D# F D# What a woman Ugh, hey [Chorus] Bb D# F D# She'll put a smile upon yah face Bb D# F D# And take you to that (ah) higher place Bb D# F D# Version 04 /1.01 April 2004

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So don't you under estimate Bb D# F The strength of a woman Bb D# F The strength of a woman

D# D# Ugh, ugh, ugh

[Verse 3] D# F Tender lips that's so so sweet D# Gentle words she softly speaks F Such an angel when we need D# GOD bless the ground beneath her feet F She can take you on a high Gm Be your comfort when you cry D# But if you look into her eyes F Bb D# You'll see the strength of a woman Bb D# F D# Strength of a woman Ugh, ugh,

F

D#

[Chorus]

Bb D# F D# She'll put a smile upon yah face Bb D# F D# And take you to that (ah) higher place Bb D# F D# So don't you under estimate Bb D# F D# The strength of a woman Bb D# F D# The strength of a woman Bb D# F D# The strength of a woman Bb D# F D# The strength of a woman

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ANGEL Artist: Shaggy -------------Transcribed by Mike Szymczak ([email protected]) Tuning - Tube down whole stem - D G C F A D Intro : G C D C {Chorus} G C D C Girl you’re my angel, you’re my darling angel G C D C Closer than my peeps you are to me ,baby G C D C Shorty you’re my angel, you’re my darling angel G C D C Girl you are my friend when I’m in need ,lady

{Verse 1} G C Life a one big party when you’re still young G C But who’s gonna have your back when it all done G C It’s all good when you live to have pure fun G Can’t be a fool son C What about the long run G C Looking back shorty always a mention G C Say me not giving her much attention G C She was there through mi incarceration G Wanna show the nation C My appreciation {Chorus} {Verse 2} You’re a queen and that’s how you should be treated Though you never get the loving that you needed Coulda left but I called and you heeded Begged and I pleaded Mission completed A no she that I and I a dis the program Not the type to mess around with your emotions But the feeling that I have for you are so strong Been together so long This could never be wrong. {Chorus} {Bridge} (Repeat once) Version 04 /1.01 April 2004

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GIMME HOPE JO'ANNA G C 1. Well, Jo'anna she runs a country G D7 she runs in Durban and in Transvaal. G C c = 345533 She makes a few of her people happy, oh, G D7 G she dont't care about the rest at all. G C She's got a system they call apartheit G D7 it keeps a brother in a subjection G C c but maybe pressure will make Jo'anna see G D7 G how everybody could live as one G G C Ref: Oh, gimme hope, Jo'anna, hope Jo'anna, G D7 gimme hope, Jo'anna 'fore the mourning come. G C Gimme hope, Jo'anna, hope Jo'anna, G D7 G hope before the mourning come. G C 2. I hear she makes all the golden money G D7 to buy new weapons any shape of guns. G C c While every mother in black Soweto fears G D7 G the killing of another son. G C Sneakin' across all the neighbours borders G D7 now and again having little fun, G C c she doesn't care if the fun and games she play G D7 G is dangerous to everyone. REF G C 3. She's got supporters in high up places G D7 who turn their heads to see the city sun. G C c Jo'anna give them the fancy money, oh, G D7 G to tempt anyone who'd come. G C She even knows how to swing opinion G D7 in every magazine and the journals. G C c For every bad more that this Jo'anna makes G D7 G they good explanation. REF G Version 04 /1.01 April 2004

C

519

4. Even the preacher who works for Jesus, G D7 the archbishop who's a peaceful man. G C c Tohether say that the freedom fighters will G D7 G overcome the very strong. G C I wanna know if you're blind Jo'anna, G D7 if you wanna hear the sound of drums. G C c Can't you see that the tide is turning, oh, G D7 G don't make me wait till the morning comes.

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DREADLOCK HOLIDAY 10 CC

Gm GM7 Cm

x6

Gm Gm7 Cm Gm Gm7 Cm I was walkin' down the street, concentratin' on truckin' right Gm Gm7 Cm I heard a dark voice beside of me, Gm Gm7 CM And I looked 'round in a state of fright. Gm Cm I saw four faces, one mad; a brother from the gutter. Gm Cm Cm They looked me up and down a bit and turned to each other. Cm

Gm Gm7

Gm Eb Cm Eb I say, I don't like cricket, oh no, I love it. Gm Eb Cm Eb I don't like cricket, oh no, I love it.

Sib Don't you walk through my words. Sib Don't you walk through my words, Solm

Fa ^ Dom

You got to show some respect. Do ^ Cause you ain't heard me out yet.

x2

Solm Fa ^ Dom Well, he looked down on my silver chain. Solm Fa ^ Dom He said: 'I'll give you one dollar'. Solm Fa ^ Dom I said: 'You've got to be jokin', man, Solm Fa ^ Dom It was a present from me mother' Solm Dom He said: 'I like it, I want it, I'll take it off your hands, Solm Dom And you'll be sorry you crossed me, You better understand Dom Solm That you're alone Dom

Fa ^ Dom

Solm Fa ^ Dom (a long way from home)

Solm Mib Dom And I say, I don't like Reggae, oh no, I love it. Solm Mib Dom Mib I don't like Reggae, oh no, I love it.

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Mib

521

Don't you cramp me style, Don't you queer me pitch. Don't you walk through my words, 'Cause you ain't heard me out yet. Solm

Fa ^ Dom

x2

I hurried back to the swimmig pool, I heard a dark voice beside me say 'Would you like something harder ?'

sinkin' Pina Colada.

She said: 'I've got it, you want it, my harvest is the best, And if you try it, You'll like it and wallow in a Dreadlock holiday. Rebm

Labm Mi Rebm Mi And I say, don't like Jamaica, oh no, I love her. Labm Mi Rebm Mi Don't like Jamaica, oh no, I love her.

Don't you walk through my words. You got to show some respect. Don't you walk through my words, 'Cause you ain't heard me out yet. I don't like cricket, oh no, I love it (Dreadlock holiday) I don't like Reggae, oh no, I love it (Dreadlock holiday) I don't like Jamaica, oh no, I love her (Dreadlock holiday) at lib (bass

F^G

Bb^C

C C C)

TEQUILLA "Verse" BBB A BBB A BBB A B AAAAAAA Chorus DDDD BBB DDDD BBB DDDD BBB C#m F# "Tequila"

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RESPECT Aretha Franklin Intro: C7

F

C7

F

G (hoooo) What you want G (hooo) what you need G (hooo) All I'm asking

F (hooo) baby I got it F (hooo) you know I got it F C7 (hooo) is for a little respect F ( Just a little bit) when you come home C7 (Just a little bit) Hey baby ( Just little bit) F When you come home ( Just a Little Bit) Mister G F I ain't gonna do you wrong while you're gone G F I ain't gonna do you wrong cause I don't wanna G C7 F All I'm asking is for a little respect when you come home C7 (Just a Little Bit) Baby ( Just a little bit ) F When you come home ( Just a little Bit) Yeah G F I'm about to give you all my money G F And all I'm asking in return honey G F C7 Is to give me my profits when you get home F C7 F (Justa Justa Justa) Yeah baby When you get home ( Just a little Bit ) Bridge OOOO

F#m7

B

F#m7

Yeah

( Just a little bit )

G7

Your kisses sweeter than honey and guess what so is my money

All I want you to do for me is give it to me whn you get home ( Re re re re spect)

Yeah baby

( Just a little bit)

When you get home now

C7 F C7 R-E-S-P-E-C-T

whip it to me ( Just a little bit)

R-E-S-P-E-C-T

F find out what it means to me C7 take out the TCP ohhhh ( Sock it to me,etc.)

A little respect

oh yeah

( Just a little bit)

A little respect ( Just a little Bit) I get tired

( Just a little bit)

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but I keep on tring

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"Respect" (Otis Redding) Intro [2X]: C7 F7 v v v v v v v v -----------------|---------------------8-8-10b11---|---------------------------------|---------8b9---------------------|----10-10------------------------|---------------------------------|----------------^^^^^ ^^^ slow bends Verse 1: G7 G7

F7

What you want

baby, I got it

What you need

F7

G7

you know I got it

F7

All I'm askin' is for a little C7 F7 Respect when you come home hey, baby (just a little bit) (just a little bit) C7 F7 When you come home Mister (just a little bit) (just a little bit) Verse 2: I ain't gonna do you wrong while you're gone I ain't gonna do you wrong 'cause I don't wanna All I askin' is for a little respect When you come home baby (just a little bit) (just a little bit) When you come home yeah (just a little bit) (just a little bit) Verse 3: I'm about to give you all my money But all I'm askin' in return, honey Is to give me my propers When you get home yeah, baby (just-a just-a just-a just-a just-a just-a just-a just-a) When you get home yeah (just a little bit) (just a little bit) Instrumental break [sax solo]: F#m / / / / F#m / / / /

/ / / / / / / /

B / / / / G7 / / / /

/ / / / / / / /

Verse 4: Ooh, your kiss is sweeter than honey And guess what so is my money All I want you to do for me is give it to me When you get home yeah, baby, whip it to me (re- re- re- re- re- re- re- re- respect) When you get home now (just a little bit) (just a little bit)

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Coda: C7 [N.C.] R-E-S-P-E-C-T C7 F7 [N.C.] Found out what it means to me F7 C7 [N.C.] R-E-S-P-E-C-T C7 F7 [N.C.] Take care, T.C.B. C7 Oh... a little (sock it to me, sock it to me, sock it to me, sock it to me) F7 Respect (sock it to me, sock it to me, sock it to me, sock it to me) C7 Whoa, baby

F7 [continue] a little respect (just a little bit) (just a little bit) I get tired but I keep on trying (just a little bit) (just a little bit) You're running out of fools and I ain't lying (just a little bit) (just a little bit) Respect when you come home (re- re- re- re- re- re- re- re- respect) Or you'll [unintelligible] alone [fade] (just a little bit) (just a little bit)

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HOT STUFF Donna Summer Intro:

G

F - G

G

F – G

G

F

G

F

G

G

G Sittin here eatin' my heart out waitin' F G Waitin' for some lover to call Dialed about a thousand numbers lately F G Almost rang the phone off the wall C D G Lookin for some hot stuff baby this evenin' C D G I need some hot stuff baby tonight C D G I want some hot stuff baby this evenin' C Gotta have some hot stuff D G Bb-C Gotta have some lovin' tonight - hot stuff G Bb-C D D hot stuff I want some G Bb-C D D hot stuff I need some G Bb-C D D hot stuuuuuuuuff! G

F

G

G

F

D D I need

G

G Lookin for a lover who needs another F G Don't want another night on my own Wanna share my love with a woman lover F G Wanna bring a wild man back home C D G Lookin for some hot stuff baby this evenin' C D G I need some hot stuff baby tonight C D G I want some hot stuff baby this evenin' C Gotta have some hot stuff D G Bb-C Gotta have some lovin' tonight - hot stuff G Bb-C D D hot stuff I want some G Bb-C D D hot stuff I need some G Bb-C D D hot stuuuuuuuuff! Solo:

D D I need

G F G F ......

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Bridge: G hot-hot-hot stuff F G hot-hot-hot hot-hot-hot stuff F G hot-hot-hot C D G I want some hot stuff baby this evenin' C D G I need some hot stuff baby tonight C D G Lookin for my hot stuff baby this evenin' C D G I need some hot stuff baby tonight C D G I want some hot stuff baby this evenin' C D G I want some hot stuff baby tonight C D G Lookin for my hot stuff baby this evenin' C D G I want some hot stuff baby tonight wiederholen… - fade out

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Always on the run Em – D

Lenny Kravitz

Em – D (4x)

Em D Em D 1. My mama said that your life is a gift. Em D Em D And my mama said there's much weight you will lift. Em D Em D And my mama said leave those bad boys alone. Em D Em D And my mama said be home before the dawn. Em D Em D And my mama said you can be rich or poor. Em D Em D But my mama said you can be big or small. G

A Em But I'm always on the run (always on the run). G A Em Em – D Em – D (2x) But I'm always on the run. Em D Em D 2. My mama said that it's good to be fruitful. Em D Em D But my mama said don't take more than a mouthful. Em D Em D And my mama said that it's good to be natural. Em D Em D And my mama said that it's good to be factual. REFRAIN: Em – D

Em – D (4x) …

Em D Em D 3. And my mama said baby don't ride that crazy horse. Em D Em D And my mama said you must push with much force. Em D Em D And my mama said go get all that you're after. Em D Em D And my mama said that love's all that matters G

A Em But I'm always on the run (always on the run). G A Em But I'm always on the run. G A Em But I'm always on the run (always on the run). G A Em But I'm always on the run. Em – D Em – D (4x) ….. Version 04 /1.01 April 2004

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MR. CAB DRIVER A D A A/G/A/G Mr. Cab Driver won't you stop to let me in D A/G/A/G Mr. Cab Driver don't you like my kind of skin E D A/G/A/G Mr. Cab Driver you're never gonna win

Mr. Cab Driver won't stop to pick me up Mr. Cab Driver I might need some help Mr. Cab Driver only thinks about himself7 D/A/D/B/E/ E7#9 Mr. Cab Driver Mr. Cab Driver Mr. Cab Driver don't like to way I look He don't like dreads he thinks we're all crooks Mr. Cab Driver reads too many story books Mr. Cab Driver pass me up with eyes of fire Mr. Cab Driver thinks we're all 165'ers Mr. Cab Driver fuck you I'm a survivor Let me in Mr. Cab Driver Mr. Cab Driver

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American Woman C

F C–F Huh!

C–F

Lenny >Kravitz

C-F

C -F C 1. American woman, stay away from me ! F C -F C -F American woman, mama let me be ! C F Don't come hanging around my door, C F I don't want to see your face no more. C F I got more important things to do, C F than spend my time growin' old with you. C -F C Now woman, stay away ! F C -F C -F C – F (4x) American woman, listen what I say ! C -F C 2. American woman, get away from me ! F C -F C -F American woman, mama let me be ! C F Don't come knocking round my door, C F I don't want to see your shadow no more. C F Colored lights can hypnotize, C F sparkle someone else's eyes. C -F C -F Now woman, get away ! C -F C -F American woman, listen what I say ! C

F

C–F

C–F

C-F

Huh! C C -F C -F 3. American woman, I said get away ! C -F C -F American woman, listen what I say ! C F Don't come hanging round my door; C F Don't want to see your face no more ! C F I don't need your war machines, C F I don't need your ghetto scenes

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F Colored lights can hypnotize, C F sparkle someone else's eyes. C -F C -F Now woman, get away ! C -F C -F American woman, listen what I say ! C -F C -F American woman, get away from me ! C -F C -F American woman, mama, let me be ……

530

IT AIN`T OVER `TIL IT`S OVER

(Lenny Kravitz)

Intro: D/Dmaj7 Am/D Em/G Gm D A6/C# Here we are still together D A6/C# So much time wasted

C6

Em/G Gm We are one

C6 Em/G Gm playing games with love

D Dmaj7 So many tears I`ve cried so much pain inside Am/D Em/G Gm but baby it ain`t over `til it`s o----ver D Dmaj7 So many years we`ve tried to keep our love alive Am/D Em/G Gm but baby it ain`t over `til it`s o----ver D A6/C# How many times did we give up? C6 Em/G Gm But we always worked things out. D A6/C# And all my doubts and fears kept me wondering C6 Em/G Gm If I`d always be in love. C#: C#maj7: C#9: F#: F#m: A: B: C:

X46664 X46564 X43444 244344 244222 577655 799877 X35553

Verse and Chorus |B^

|C#

|C#maj7 |C#9

|F#

F#m|

Bridge: |A

|B

|

repeat

end of bridge |C

|A

# C#maj7 C#9 e|-4-x-4-4-x-4--4-x-4-4--4-x-4-4-x-4--4-x-4-4--4-x-4-4-x-4--4-x-4-4b|-6-x-6-6-x-6--6-x-6-6--6-x-6-6-x-6--6-x-6-6--4-x-4-4-x-4--4-x-4-4g|-6-x-6-6-x-6--6-x-6-6--5-x-5-5-x-5--5-x-5-5--4-x-4-4-x-4--4-x-4-4d|-6-x-6-6-x-6--6-x-6-6--6-x-6-6-x-6--6-x-6-6--6-x-6-6-x-6--6-x-6-6a|-----------------------------------------------------------------E|------------------------------------------------------------------

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b|-2-x-2-2-x-2--2-x-2-2--------| g|-3-x-3-3-x-2--2-x-2-2--------| d|-4-x-4-4-x-4--4-x-4-4--------| a|-4-x-4-4-x-4--4-x-4-4--------| E|-2-x-2-2-x-2--2-x-2-2--------| SOLO Light Distortion A B A B A e|---14b16-14-14-14-16-14-----9-12-9\--------------------------------b|-------------------------/12--------12b14--12-12-12-14-12----------g|-----------------------------------------------------------11b13-13d|-------------------------------------------------------------------a|-------------------------------------------------------------------E|-------------------------------------------------------------------B Cmaj7 A7 B7 e|--------------------------------------------------------10-10b12--| b|----------12-10---------------------13p12-12p11-10p9-9p8----------| g|13-13-r11------13-11--11-11-11-13-11------------------------------| d|------------------------------------------------------------------| a|------------------------------------------------------------------| E|------------------------------------------------------------------| 3rd Verse and 3rd chorus Riff A Sitar plays thid riff. but with a bit of chorus and a bit of distortion the sound is good. e|---------------------------------| b|---------------------------------| g|--6--/8\6\5---\1/3/4--4h6-3--1/2-| d|---------------------------------| a|---------------------------------| E|---------------------------------|

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LET LOVE RULE

E

LENNY KRAVITZ

G

E

G

1. Love is gentle as a rose, and love can conquer any war. A

C It's time to take a stand, brothers and sisters join hands ------------------

G A

C G

We've got to let love rule ! Let love ru…..le. ------------------

G A

C G

We've got to let love rule ! Let love ru…..le. E

G

2. Love transcends all space and time, E

G

and love can make a little child smile. E

G

Oh baby can't you see, this won’t go wrong, A

C but we, we've got to be strong,

we can't do it alone.

------------------

C G

G A

We've got to let love rule ! Let love ru…..le. ------------------

G A

C G

We've got to let love rule ! Let love ru…..le. 3. = instrumental = verse 2 + CHORUS (3x) ….. (Lenny Kravitz)

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WHERE THE STREETS HAVE NO NAME

U2

                    D 1. 1.    I want to run, I want to hide,                                                                            G     I want to tear down the walls that hold me inside.                              Bm                        A     I want to reach out and touch the flame,                          C     where the streets have no name.                        D 2. 2.    I want to feel, sunlight on my face,                                                                            G     and see that dust cloud disappear without a trace.                              Bm                              A     I want to take shelter from the poison rain,                          C     where the streets have no name.                                                D Where the streets have no name,    where the streets have no name.                                          G We're still building, then burning down love,    burning down love.                    Bm                            A And when I go there, I go there with you,                     D it's all I can do.                            D 3. 3.    The city's a flood and our love turns to rust,    G     we're beaten and blown by the wind, trampled in dust.                             Bm                        A     I'll show you a place high on the desert plain,                          G                             ­ D     where the streets have no name.     + CHORUS                           D                                                      4. 4.    Our love turns to rust ,                                           G     and we're beaten and blown by the wind,                                                   D     blown by the wind, oh and I see love.                                                              See our love turn to rust,                                            G Version 04 /1.01 April 2004

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    and we're beaten and blown by the wind,                                                     Bm  A     blown by the wind, oh when I  go there, I go there with you,                         D It's all I can do. (U2)

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YOU REALLY GOT ME Girl, you really got me goin' You got me so I don't know what I'm doin' Yeah, you really got me now You got me so I can't sleep at night Yeah, you really got me now You got me so I don't know what I'm doin', now Oh yeah, you really got me now You got me so I can't sleep at night You Really Got Me You Really Got Me You Really Got Me See, don't ever set me free I always wanna be by your side Girl, you really got me now You got me so I can't sleep at night Yeah, you really got me now You got me so I don't know what I'm doin', now Oh yeah, you really got me now You got me so I can't sleep at night Refrain. (solo) See, don't ever set me free I always wanna be by your side Girl, you really got me now You got me so I can't sleep at night Yeah, you really got me now You got me so I don't know what I'm doin', now Oh yeah, you really got me now You got me so I can't sleep at night You Really Got Me You Really Got Me You Really Got Me Version 04 /1.01 April 2004

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YOU SHOOK ME ALL NIGHT LONG G C 1. She was a fast machine, she kept her motor clean, D -G she was the best damn woman I had ever seen. G C She had the sightless eyes, telling me no lies, D G knockin' me out with those American thighs. G C Taking more than her share, had me fighting for air, D G she told me to come, but I was already there. G C 'Cause the walls start shaking, the earth was quaking D D7 my mind was aching, and we were making it. G C G D -C-D And you shook me all night long. G C G D -C-D And you shook me all night long. G C 2. Working double time on the seduction line, D G she was one of a kind, she's just mine, all mine. G C She wanted no applause, just another course, D G made a meal out of me and came back for more. G -C Had to cool me down to take a…..nother round, D -G now I'm back in the ring to take a….nother swing. G C 'Cause the walls were shaking, the earth was quaking, D D7 my mind was aching, and we were making it. Chorus 6 X (AC / DC)

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T.N.T

-

AC/DC

RIFF:

Em - G - A - G-A-G

See me right out of the sunset on your color T.V. screen Out for all that I can get, if you know what I mean Women to the left of me and women to the right Ain't got no gun, ain't got no knife, don't you start no fight

REFRAIN:

A-G-Em

(Ende auf A)

Cause I'm T.N.T., I'm dynamite T.N.T. and I'll win that fight T.N.T. I'm a power load T.N.T. watch me explode

I'm dirty, mean and mighty unclean, I'm a wanted man Public enemy number one, understand So lock up your daughter, lock up your wife Lock up your back door and run for your life The man is back in town, don't you mess me `round

REFRAIN

SOLO

REFRAIN

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HIGHWAY TO HELL AC / DC Instr. : A - DG - DGDG - DA

A - DG - DGDG - DA

A DG DG 1. Living easy, loving free, D G D A season ticket to a one-way ride. A DG DG Askin` nothing, leave me be, D G D A takin` every thing in my stride. A DG DG 2. Don`t need reason, don`t need rhyme, D G D A ain`t nothing I´d rather do. A DG DG Goin`down, party time, D G D E my friends are gonna be there, too. A D -GD A D - GD I`m on a highway to hell, highway to hell, A D -GD A D ~ highway to hell, I`m on a highway to hell. A DG DG 3. No stop signs, speed limit, D G D A nobody`s gonna slow me down. A DG DG Like a wheel, gonna spin it, D G D A nobody`s gonna mess me `round. A DG DG D G D A 4. Hey, Satan, payin` my dues, I`m playing in a rockin` band. A DG DG Hey, Momma, look at me, D G D E I`m on my way to the promised land. + CHORUS + Instr. D ~ A ~ A-D ~ + 2 x CHORUS + A (AC/DC)

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G-E

G-E

G

G-E G-E E G You need coolin`,

E 1. baby, I`m not foolin`. G E G E I`m gonna say it, yeah, go back to schoolin`. GE GE Way down inside, honey, you need it, GE GE I`m gonna give you my love, I`m gonna give you my love. GE G E G E Wanna whole lotta love, wanna whole lotta love, G E G E wanna whole lotta love, wanna whole lotta love. G E G E 2. You`ve been learnin`, baby, I`ve been burning. G E G E All them good times, baby, baby, I`ve been yearnin`. G E GE Way, way down inside, honey, you need it, GE GE I`m gonna give you my love, I`m gonna give you my love. + Refr. G E G E 3. You`ve been coolin`, baby, I`ve been droolin`. G E G E And them good times, I`ve been misusing. GE GE Way, way down inside, I`m gonna give you my love, GE GE I`m gonna give you my love, I`m gonna give you every GE inch of my love, I`m gonna give you my love. + Refrain GA GE Way down inside woman, you need ............... love. GE Shake for me girl, I wanna be your back door man, G EG E G E G E G E hey oh, hey oh, oh oh , oh oh, oh oh, G E G E give me coolin` baby, give me coolin` baby G E G E wanna whole lotta love, wanna whole lotta love. (rep.and

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WHOLE LOTTA ROSIE F

F

F

Chorus

D A

D G

D A

Pre- Chorus G

A

G

Want to tell you a story 'Bout a woman I know When it comes to lovin' Ooo, she steals the show She ain't exactly pretty Ain't exactly small 42-39-56 You could say she's got it all Never had a woman Never had a woman like you Doin' all the things Doin' all the things you do Ain't no fan of starlet?? Ain't no skin and bones But you give it all you got Well your nearly nineteen stone Chorus You're a whole lotta woman A whole lotta woman A whole lotta Rosie Whole lotta Rosie x 2 You're a whole lotta woman (2nd: Gives a whole lot of love) Only you can do it Do it to me all night long Only want to turn Only want to turn me on All through the night time Right around the clock To my suprise, eh Rosie never stop Version 04 /1.01 April 2004

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MAGIC BUSTHE WHO G-F G-F

G-F

G-F

G F G F 1. Every day I get in the queue (too much, the magic bus), G F G F to get on the bus that takes me to you (too much, the magic bus). G F G F I'm so nervous, I just sit and smile (much, the magic bus), G F G F your house is only another mile (too much, the Magic Bus). G F G F 2. Thank you, driver, for getting me here (too much, the magic bus), G F G F you'll be an inspector, have no fear (too much, the magic bus). G F G F I don't want to cause no fuss (too much, the magic bus), G F G F but can I buy your magic bus? (too much, the magic bus). G -F G-F G-F G-F Nooo! G F G F 2. I don't care how much I pay (too much, the magic bus), G F G F I wanna drive my bus to my baby each day (too much, the magic bus). G-F G-F G

F G F G F G -F~ I want it, I want it, I want it, I want it - you ca....n't have it!

G F -G-F 3. Thruppence and sixpence every day, G F -G-F just to drive to my baby. G F -G-F Thruppence and sixpence each day, G F -G-F 'cause I drive my baby every way.

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Guitar 1 is Capoed on the 3rd fret Guitar 2 is in standard tuning \\ = pick slide down Intro g------------------------------3-3-3--2-2-2---------------D------------------------------3-3-3--3-3-3---------------Bb-----------------------------0-0-0--2-2-2---------------F--2--2--2------2-------2-2-2--0-0-0--0-0-0---------------C--2--2--2------2-------2-2-2--2-2-2----------------------G--0--0--0--3^--0---3^--0-0-0--3-3-3----------------------Riff 1 g-----0------0--3-3--2-2-----0------0--3-3--2-2-----------D-----0------0--3-3--3-3-----0------0--3-3--3-3-----------Bb----1------1--0-0--2-2-----1------1--0-0--2-2-----------F-----2--2-2-2--0-0--0-0-----2--2-2-2--0-0--0-0-----------C--2--2--2-2-2--2-2-------2--2--2-2-2--2-2-------2-2-2----G--0--0--0-0-0--3-3-------0--0--0-0-0--3-3-------0-0-0-3^-(continued) g---------------0-0--0-0--3-3-2--3--2--0-0-0-0-0--3-3--2-2D---------------0-0--0-0--3-3-3--3--3--0-0-0-0-0--3-3--3-3Bb--------------1-1--1-1--2-2-2--2--2--1-1-1-1-1--0-0--2-2F---------------2-2--2-2--0-0-0--0--0--2-2-2-2-2--0-0--0-0C--2----2----2--2-2--2-2---------------2-2-2-2-2--2-2-----G--0-3^-0-3^-0--0-0--0-0---------------0-0-0-0-0--3-3-----Verse g------0--0-0--3-3-2--3--2-----0--0-0--3-3--2-2-----------D------0--0-0--3-3-3--3--3-----0--0-0--3-3--3-3-----------Bb-----1--1-1--2-2-2--2--2-----1--1-1--0-0--2-2-----------F------2--2-2--0-0-0--0--0-----2--2-2--0-0--0-0-----------C---2--2--2-2---------------2--2--2-2--2-2----------------G---0--0--0-0---------------0--0--0-0--3-3----------------Solo g-------------------------------------0-0-3--0-0-0--------D---------------------------------------------------------Bb-----\\-------------------------------------------2-2---F--2---\\----2-----2p0--------------------------------2--2C--2---------2----------0-0-0-------------------------0--2G--0---------0-----------------3--0----------------------0Riff 2 g--0-0-0--0-0--3-3-2--3-3-2--0-0-0--0-0--3-3-2--3-3-2--0--D--0-0-0--0-0--3-3-3--3-3-3--0-0-0--0-0--3-3-3--3-3-3--0--Bb-1-1-1--1-1--2-2-2--2-2-2--1-1-1--1-1--2-2-2--2-2-2--1--F--2-2-2--2-2--0-0-0--0-0-0--2-2-2--2-2--0-0-0--0-0-0--2--C--2-2-2--2-2----------------2-2-2--2-2----------------2--G--0-0-0--0-0----------------0-0-0--0-0----------------0--Bridge g---------------------------------------------------------D---------------------------------------------------------Bb--------------------------------------------------------F--2--2--2--2----2-----2--2--2--2----2-----2--2--2--2----2C--2--2--2--2----2-----2--2--2--2----2-----2--2--2--2----2G--0--0--0--0-3^-0-----0--0--0--0-3^-0-----0--0--0--0-3^-0-

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(continued) g---------------------------------------------------------D---0-0--2-2--3-3--2-2---0-0--2-2--3-3--2-2---------------Bb--1-1--1-1--1-1--1-1---1-1--1-1--1-1--1-1---------------F---2-2--2-2--2-2--2-2---2-2--2-2--2-2--2-2---------------C---------------------------------------------------------G---------------------------------------------------------Riff 3 (with increased distortion) e---------------------------------------------------------B---------------------------------------------------------G---------------------------------------------------------D------------------------------3-5----3-5----3-5----3-5---A------------------------------3-5----3-5----3-5----3-5---E--1-3----1-3----1-3----1-3----1-3----1-3----1-3----1-3---Outro G---------------------------------------------------------D---------------------------------------------------------Bb--------------------------------------------------------F---2-2--2--2----2-------2-----2-------------2------------C---2-2--2--2----2-------2-----2-------------2------------G---0-0--0--0-3^-0----3^-0--3^-0---3^-3^-3^--0------------Intro Riff 1 Verse Solo Verse Riff 2 Bridge Riff 2, Riff 3 Verse Verse, Outro

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MY GENERATION

The Who

G-F-G-F G------ F-------- G F 1. People try to put us d-down, talkin' 'bout my generation, G--------- F----- G F just because we get around, talkin' 'bout my generation. G----------- F-------- G F Things they do look awful c-c-cold, talkin' 'bout my generation. G------ F------- G I hope I die before I get old, talkin' 'bout my (generation). F G -F G F This is my generation, this is my generation, baby ! G -----------------G F 2. Why don't you all f-fade a(way) ? Talkin' 'bout my generation. G----------- F-------- G F And don't try to dig what we all s-s-say, talkin' 'bout my generation, G------------ F---------- G F I'm not trying to cause a big s-s-sensation, talkin' 'bout my generation, G -------- F--------- G I'm just talkin' 'bout my g-g-g-generation, talkin' 'bout my (generation). F G -F G F This is my generation, this is my generation, baby ! G~ G-F

G-F

G -----------------G F 3. Why don't you all f-fade a(way) ? Talkin' 'bout my generation. G------------- F-------- G F And don't try to d-dig what we all s-s-say, talkin' 'bout my generation. G------------- F----------- G F I'm not trying to cause a b-big s-s-sensation, talkin' 'bout my generation, G--------- F-------- G I'm just talkin' 'bout my g-g-generation, talkin' 'bout my (generation). F G -F G F This is my generation, this is my generation, baby ! G-F G-F G------ F-------- G F 4. People try to put us d-down, talkin' 'bout my generation, G--------- F------ G F just because we get around, talkin' 'bout my generation. G----------- F-------- G F Version 04 /1.01 April 2004

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Things they do look awful c-c-cold, talkin' 'bout my generation. G------ F------- G I hope I die before I get old, talkin' 'bout my (generation). F G -F G F This is my generation, this is my generation, baby ! G-F

G-F

G F G F Talking 'bout my generation, talking 'bout my generation, G F G F talking 'bout my generation, talking 'bout my generation. G

F G F This is my generation, this is my generation ....

(Orig.= One full note higher for verse 3, and again for verse 4 and again for the final part) (Who) [note: song is played in key of A (progressing up) and without final verse on stage -- A, A/G; B, B/A; D, D/C] 2 || G G G G | G/F G/F G/F G/G || G G G People try to put us d-down (.... G This is my ge... G This is my ....

Gsus4 Gsus4

G7

G

G

G/F G/F G/F G/F

Gsus4 G7

Gsus4

G

Why don't you all f-fade away (.... This is my generat.... [bass solo] 4 ||G | | G G G6 G6 | G7 G7 G6 G6 || G [modulate to A] 2 || A A A A | A/G A/G A/G A/G || A Why don't you all f-fade away (Talkin' 'bout .... This is my ... This is my ....

A

Asus4

A

Asus4

[modulate to B]b 2 || Bb Bb Bb Bb | Bb/Ab Bb/Ab Bb/Ab Bb/Ab || Bb People try to put us d-down (Talkin' .... This is my generati.... [modulate to C for finale] repeat to end || C F/C || Version 04 /1.01 April 2004

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|| C C C C | C/Bb C/Bb C/Bb C/Bb ||

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WALKING BY MYSELF Gary Moore Intro: E E E You know, I love you - you know, it´s true H-A-G-E E I give you all my lovin´ what more - can I do E E F# G Ab A Walking - by myself, I hope you´ll understand A H E Ab A B H - D - H I just walk to be your lovin´ man E E F# G Ab A I love ya - yes, I love you with my heart and soul A A E (Lick) I wouldn´t mistreat you - for my weight in gold Solo: E I E

IE

I E F# G Ab I A I H I E Ab A B H – D – H

:II

Intro: E E You know, I love you - you know it's true H-A-G-E E Give you all my love, babe what more - can I do E E F# G Ab A Walking - by myself, I hope you'll understand A H E Ab A B H - D - H I just walk to be your lovin' man Intro: E E You know, I love you - you know it's true H-A-G-E E Give you all my ____, babe what more - can I do E E F# G Ab A I'm walkin' - by myself, I hope you'll understand A H (Lick) I just walk to be your lovin' man E E F# G Ab A Yes, I'm walkin' - by myself, I hope you'll understand A H I just walk to be your lovin' A H I just walk to be your lovin' A H I just walk to be your lovin' man

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PINBALL WIZARD     a – G – d – E      G – d – F – E ~          A1 ­ A     A1 ­ A     A1 ­ A    A1 – A               A 1. Ever since I was a young boy I played the silver ball,               G     from Soho down to Brighton I must have played them all,              F     but I ain't seen nothing like him in any amusement hall,             E                                      E7   ­ ­ ­ ­ ­ ­ ­ ­ ­ ­  ­ ­   A ­ G ­ C ­ D     that deaf, dumb and blind kid sure plays a mean pinball.      A ­ G ­ C ­ D                     A 2. He stands like a statue, becomes part of the machine,       G     feeling all the bumpers, always playing clean.        F     Plays by intuition, the digit counters fall,              E                                     E7   ­ ­ ­ ­ ­ ­ ­ ­ ­ ­  ­ ­   A ­ G ­ C ­ D     that deaf, dumb and blind kid sure plays a mean pinball.     A ­ G ­ C ­ D                  D         A                   D                 A     He's a pinball wizard, there has to be a twist,         D          A                 F                      C    ~     a pinball wizard's got such a supple wrist.        C                 F            C             F     How do you think he does it ? I don't know.          C               F           C     What makes him so good ?       A 3. Ain't got no distractions, can't hear no buzzes or bells,               G     don't see the lights a­flashing, plays by sense of smell,       F     always gets a replay, never seen him fall,              E                                     E7   ­ ­ ­ ­ ­ ­ ­ ­ ­ ­  ­ ­   A ­ G ­ C ­ D     that deaf, dumb and blind kid sure plays a mean pinball.     A ­ G ­ C ­ D           D           A           D              A     I thought I was the Bally table king,           D        A                F                        C    ~     but I just handed my pinball crown to him.     C1 – C         C1 – C         C1 – C        C1 ­ C               C 4. Even on my favourite table, he can beat my best,               Bb     his disciples lean him in, and he just does the rest, Version 04 /1.01 April 2004

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            G#     got crazy flipper fingers, never seen him fall,             G                                     G7   ­ ­ ­ ­ ­ ­ ­ ­ ­ ­  ­ ­  C Bb Eb G# ~    that deaf, dumb and blind kid sure plays a mean pinball.

(The Who) by The Who >From Tommy, 1969 Written by Pete Townshend Previous transcription by: Marc Hirsh Mike ([email protected]) ============= revised by [email protected] ============= G6/D G6sus4 G6 Csus4 C Bbsus4 Bb Asus4 A

xx0030 3x5530 3x5430 8x10 10 8 8 8x 10 9 8 8 6x8866 6x8766 5x7750 5x7650

(verse (verse (verse (verse (verse (verse (verse (verse

2&3) 2&3) 4) 4) 4) 4) 1-4) 1-4)

[original note: 'e' stands for eighth notes, 's' for sixteenth, `q' for quarter, `h' for half, and, yes, even `w' for whole notes. A period after a note value means dotted. The chord parts are best played with your index finger on the B string, middle on the G string (using pinky for pull-offs), and ring finger on the D string, with the thumb wrapping around and playing the low E string. Sounds hard, but gets easier with practice.] [Strumming: for main pattern (bar 10), accent every 3rd 16th -- on '+': | + / / + / / + / / + + | e s s e s e s e e s s [INTRO] Bm/F# Bmsus4/F# F#7sus4 e e e e e e e e e e e e e e e e e e e e e e e e |-2---------------|-0---------------|-0---------------| |-3---------------|-3---------------|-2---------------| |-4---------------|-4---------------|-4---------------| |-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-| |-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------| F#7 F#m7 Em/F# e e e e e e e e e e e e e e e e e e e e e e e e |-0---------------|-0---------------|-0---------------| |-2---------------|-2---------------|-0---------------| |-3---------------|-2---------------|-0---------------| |-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-| |-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------| Em/G Version 04 /1.01 April 2004

F#sus4

F#

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e e e e e e e e e s s e s e s e e e e s s e s e s e e e |-------------------|---0-----------------|---0-0-----0---------| |-0-0-0-0-0-0-0-0---|-2-2-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2-----| |-4-4-4-4-4-4-4-4\3-|-3-3-3-3-3-3-3-3-3-3-|-3-3-3-3-3-3-3-3-0---| |-5-5-5-5-5-5-5-5\4-|-4-4-4-4-4-4-4-4-4-4-|-4-4-4-4-4-4-4-4-0---| |-------------------|---------------------|---------------------| |-------------------|T2-2-2-2-2-2-2-2-2-2-|-2-2-2-2-2-2-2-2--T7-|

Bsus4 B e s s e s e s e e s s e s s e s e s e e s s x2 ||-----------------------|-----------------------|| ||-7-7-7-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-7-7-7-|| ||.9-9-9-9-9-9-9-9-9-9-9-|-8-8-8-8-8-8-8-8-8-8-8.|| ||.9-9-9-9-9-9-9-9-9-9-9-|-9-9-9-9-9-9-9-9-9-9-9.|| ||-----------------------|-----------------------|| ||T7-7-7-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-7-7-7-|| Bsus4 B e s s e s e s e e s s e s s e s e s e e s s x2 ---||-----------------------|-----------------------|| ---||-7-7-7-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-7-7-7-|| ---||.9-9-9-9-9-9-9-9-9-9-9-|-8-8-8-8-8-8-8-8-8-8-8.|| ---||.9-9-9-9-9-9-9-9-9-9-9-|-9-9-9-9-9-9-9-9-9-9-9.|| ---||-----------------------|-----------------------|| ---||-7-7-7-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-7-7-7-|| ||[electric guitar] | || ---||-----------------------|-----------------------|| ---||-----------------------|-----------------------|| ---||-----------------------|-----------------------|| -7/||/9---------------------|---------------------7/|| ---||-----------------------|-----------------------|| -5/||/7---------------------|---------------------5/|| [VERSE 1] Ever since I was a young boy I've .... Bsus4 B(add4) e s s e s e s e e s s e s s e s e s e e s s |---0-0-0-0-0-0-0-0-0-0------|-0-0-0-0-0-0-0-0-0-0-0-| |---7-7-7-7-7-7-7-7-7-7------|-7-7-7-7-7-7-7-7-7-7-7-| |-9-9-9-9-9-9-9-9-9-9-9------|-8-8-8-8-8-8-8-8-8-8-8-| |-9-9-9-9-9-9-9-9-9-9-9------|-9-9-9-9-9-9-9-9-9-9-9-| |----------------------------|-----------------------| |-7-7-7-7-7-7-7-7-7-7-7------|-7-7-7-7-7-7-7-7-7-7-7-| |[electric] | | |----------------------------|-----------------------| |----------------------------|-----------------------| |----------------------------|-----------------------| |/9--------------------------|---------------------6/| |----------------------------|-----------------------| |/7--------------------------|---------------------4/| >From Soho down to Brighton I must .... Asus4 A e s s e s e s e e s s e s s e s e s e e s s |-0-0-0-0-0-0-0-0-0-0-0-|-0-0-0-0-0-0-0-0-0-0-0-| |-5-5-5-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-5-5-5-5-| |-7-7-7-7-7-7-7-7-7-7-7-|-6-6-6-6-6-6-6-6-6-6-6-| |-7-7-7-7-7-7-7-7-7-7-7-|-7-7-7-7-7-7-7-7-7-7-7-| |-----------------------|-----------------------| |T5-5-5-5-5-5-5-5-5-5-5-|-5-5-5-5-5-5-5-5-5-5-5-| Version 04 /1.01 April 2004

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|[electric] | | |-----------------------|-----------------------| |-----------------------|-----------------------| |-----------------------|-----------------------| |/7---------------------|---------------------4/| |-----------------------|-----------------------| |/5---------------------|---------------------2/| But I ain't seen nothin' like him ...

Gsus4 G e s s e s e s e e s s e s s e s e s e e s s |------------------------------|-----------------------| |-3-3-3-3-3-3-3-3-3-3-3--------|-3-3-3-3-3-3-3-3-3-3-3-| |-5-5-5-5-5-5-5-5-5-5-5--------|-4-4-4-4-4-4-4-4-4-4-4-| |-5-5-5-5-5-5-5-5-5-5-5--------|-5-5-5-5-5-5-5-5-5-5-5-| |------------------------------|-----------------------| |T3-3-3-3-3-3-3-3-3-3-3--------|-3-3-3-3-3-3-3-3-3-3-3-| |[electric] | | |------------------------------|-----------------------| |------------------------------|-----------------------| |------------------------------|-----------------------| |/5----------------------------|---------------------3/| |------------------------------|-----------------------| |/3----------------------------|---------------------1/| That deaf, dumb and blind ... F#7sus4 F#7 e s s e s e s e e s s w |-0-0-0-0-0-0-0-0-0-0-0--|-0---------------------| |-2-2-2-2-2-2-2-2-2-2-2--|-2---------------------| |-4-4-4-4-4-4-4-4-4-4-4--|-3---------------------| |-4-4-4-4-4-4-4-4-4-4-4--|-4---------------------| |------------------------|-----------------------| |T2-2-2-2-2-2-2-2-2-2-2--|-2---------------------| |[electric] | w | |------------------------|-----------------------| |------------------------|-----------------------| |------------------------|-----------------------| |/4----------------------|-----------------------| |------------------------|-4---------------------| |/2----------------------|-2---------------------| ball. B A D E B A D E e q q q e q e. s e e q e q q q e q e. s e e q |-------2---|-0-0--0-0-0-0-|-------2---|-0-0--0-0-0-0--| |-2-2-2-3---|-0-0--0-0-0-0-|-4-4-2-3---|-0-0--0-0-0-0--| |-4-4-2-2---|-1-1--1-1-1-1-|-4-4-2-2---|-1-1--1-1-1-1--| |-4-4-2-0---|-2-2--2-2-2-2-|-4-4-2-0---|-2-2--2-2-2-2--| |-2-2-0-----|-2-2--2-2-2-2-|-2-2-0-----|-2-2--2-2-2-2--| |---------0-|-0-0--0-0-0-0-|---------0-|-0-0--0-0-0-0--| |[electric] | | | | e q q q e | w | e q q q e | w | |-----------|-0------------|-------2---|-0-------------| |-------3---|-0------------|-------3---|-0-------------| |-4-4-2-2---|-1------------|-4-4-2-2---|-1-------------| |-4-4-2-0---|-2------------|-4-4-2-0---|-2-----------7/| |-2-2-0-----|-2----------x-|-2-2-0---2-|-2-------------| |---------0-|--------------|---------0-|-0-----------5/| [VERSE 2; elec: harmonic B string 12th fret each measure] He stands just like a statue, becomes ... Version 04 /1.01 April 2004

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[CHORUS] He's a Pinball wizard, there has ... E F# B B E F# B B q q e q. q e q e q. -0|-0--2----------------|-0---0--2------------| -0|-0--2----4--4---4--4-|-0---0--2----4-4-4-4-| -1|-1--3----4--4---4--4-|-1---1--3----4-4-4-4-| -2|-2--4----4--4---4--4-|-2---2--4----4-4-4-4-| -2|-2--4----2--2---2--2-|-2---2--4----2-2-2-2-| -0|-0--2----------------|-0---0--2------------| |[electric] | |

| q q e q. | q e q e q. | --|-------------------0-|-----0---------------| --|-------------------0-|-----0---------------| -1|---------4--4------1-|-----1-------4-4-4---| -2|-2--4----4--4------2-|-----2-------4-4-4---| -2|-2--4----2--2--------|-2---2--4----2-2-2---| -0|-0--2----------------|-0---0--2-----------0| A pin-ball wizard's got ... E F# B B G D Dsus4 D q q e q. q q q q e e e q q e q e. s e e q |-0-0-2-2-------------|-3----3-3--3-|-2-2-2-3-3-0-|-0-2--2-2-2-2--| |-0-0-2-2--4--4-------|-3----3-3--3-|-3-3-3-3-3-3-|-3-3--3-3-3-3--| |-1-1-3-3--4--4-------|-0----0-0--0-|-2-2-2-2-2-2-|-2-2--2-2-2-2--| |-2-2-4-4--4--4-------|-0----0-0--0-|-0-0-0-0-0-0-|-0-0--0-0-0-0--| |-2-2-4-4--2--2-------|-------------|-------------|---------------| |-0-0-2-2-------------|-3----3-3--3-|-------------|---------------| |[electric] | |[electric] | | | q q e q. | w | w | | |---------------------|-3-----------|-------------|---------------| |---------------------|-3-----------|---7-7/8-7/8-|-7-------------| |---1------4--4-----4-|-0-----------|-------------|---------------| |---2------4--4-----4-|-0-----------|---7-7/9-7/9-|-7-------------| |-2-2-4-4--2--2-----2-|-------------|-------------|---------------| |-0-0-2-2------------3|-3-----------|-------------|---------------| [BRIDGE] How do you think he .... D Cadd9 (G) D Cadd9 (G) |--------0-----------|----------0------------| |--------3-------3---|----------3-------3----| |-----2--------0-----|------2---------0------| |-0------------------|-0---------------------| |------------3-----2-|------------3--------2-| |-------------------3|----------------------3| [electric tacit] What makes him ... D Cadd9 (G) D | | q e e q | |------0-------------|-0--------0-| |------3---------3-3-|-3----3-3-3-| |----2---------0-0-0-|-2----2-2-2-| |-0------------0---0-|-0----0-0-0-| |------------3-----2-|------------| |-------------------3|------------| [VERSE 3; elec: harmonic B string 12th fret palm mute each beat] He ain't got no distractions, ..... Version 04 /1.01 April 2004

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[repeat CHORUS] I thought I was the Bally .... [acoustic] | D Dsus4 | D x x | [electric] |--2---2/3--0|-----0----3-------| |---3--------|------3-----------| |----2----2--|--2----0----------| |-0----------|-0----------------| |------------|------------------| |------------|------------------|

|| Dsus4 | D || e s s e s e s e e s s e s s e s e s e e s s x4 ||-10--------------------|-10--------------------|| ||-10--------------------|-10--------------------|| ||.12--------------------|-11-------------------.|| ||.12--------------------|-12-------------------.|| ||-----------------------|-----------------------|| ||-10T-------------------|-10--------------------|| ||[electric guitar] | || ||-----------------------|-----------------------|| ||-----------------------|-----------------------|| ||-----------------------|-----------------------|| ||/12*-------------------|--------------------10/|| ||-----------------------|-----------------------|| ||/10*-------------------|---------------------8/|| [*2nd, 3rd and 4th repeats only] [VERSE 4] Dsus4 D Even on my favorite table.... e s s e s e s e e s s e s s e s e s e e s s | |-10-------------------|-10--------------------| |-10-------------------|-10--------------------| |-12-------------------|-11--------------------| |-12-------------------|-12--------------------| |----------------------|-----------------------| |-10T------------------|-10--------------------| |[electric guitar] | | |----------------------|-----------------------| |----------------------|-----------------------| |----------------------|-----------------------| |/12-------------------|---------------------8/| |----------------------|-----------------------| |/10-------------------|---------------------6/| Csus4 C His disciples lead him in and ... e s s e s e s e e s s e s s e s e s e e s s | |-8---------------------|-8---------------------| |-8---------------------|-8---------------------| |-10--------------------|-9---------------------| |-10--------------------|-10--------------------| |-----------------------|-----------------------| |-8T--------------------|-8T--------------------| |[electric guitar] | | |-----------------------|-----------------------| |-----------------------|-----------------------| |-----------------------|-----------------------| |/10--------------------|---------------------6/| |-----------------------|-----------------------| Version 04 /1.01 April 2004

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|/8---------------------|---------------------4/| Bbsus4 Bb He's got crazy flipper fingers.... e s s e s e s e e s s e s s e s e s e e s s | |-6--------------------|-6---------------------| |-6--------------------|-6---------------------| |-8--------------------|-7---------------------| |-8--------------------|-8---------------------| |----------------------|-----------------------| |-6T-------------------|-6T--------------------|

|[electric guitar] | | |----------------------|-----------------------| |----------------------|-----------------------| |----------------------|-----------------------| |/8--------------------|---------------------6/| |----------------------|-----------------------| |/6--------------------|---------------------4/| Asus4 A5 D D C F That deaf, dumb and blind kid sure .... e s s e s e s e e s s w |-0----------------------|-0-------------------|-2-2--0--1-| |-5----------------------|-5-------------------|-3-3--1--1-| |-7----------------------|-6-------------------|-2-2--0--2-| |-7----------------------|-7-------------------|-0-0--2--3-| |------------------------|---------------------|------3----| |-5T---------------------|-5T------------------|---------1-| |[electric guitar] | | | |------------------------|---------------------|-2-2-------| |------------------------|---------------------|-3-3--1--1-| |------------------------|---------------------|-2-2--0--2-| |/7----------------------|---------------------|-0-0--2--3-| |------------------------|---------------------|------3--3-| |/5----------------------|-5-------------------|---------1-| Bb Bbsus4 Bb Bbsus4 Bb Bbsus4 Bb Bbsus4 |----------------|------------|----3---4---|------------|------| |--3-----4-------|--------1/3-|-3---1---1--|1/3--4------|------| |----1-----1-----|-1--1-------|---1--1---1-|----1-----1-|---1--| |------1-----1/3-|---3--3-----|------------|-------1/3--|-3----| |-1--------------|--1--1------|------------|---1--1-----|--1---|etc. |----------------|------------|------------|------------|------| [note: for stage versions, end with Amaj7:

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Use Me Chords: Em7 my friend

A7

Em7 A7 he looks down upon what you did Em7 A7 and keeps trying to tell me Em7 A7 all you really wanna do is use me Em7 A7 yeah but my answer Em7 A7 girl to all that use me stuff (Darius and Edwin)<--- no guitar here chords are implied Em7 I-I-I said I'm gon' spread the news A7 that if it feels this good getting used Em7 You just keep on using me A7 <--- (chop the chord 3x) Until you use me up **Repeat throughout** My Brother (Oh My Brother) Sat me right down and he talked to me (hey now talk to me) He try to tell me (try to tell me, tell me) That I ought not let you just walk on me (not gon' let you walk on me) And I'm sure he meant well aw aw aw aw aw girl but when our talk was through I-I-I said brother but if you only knew You would wish that you were in my shoes YOu just keep on using me until you use me up Until you use me up Yeah sometimes I You kow you really really do abuse me (you abuse me) you get me in acrowd of high class people then you act a real rude to me (you act a real rude to me) yeah but I said baby baby baby baby when you love me I can't get enough (I can't get enough)

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(Darius and Edwin) I-I-I said I'm gon' spread the news that if it feels this good getting used You just keep on using me Until you use me up My Brother (Oh My Brother) Sat me right down and he talked to me (hey now talk to me) He try to tell me (try to tell me, tell me) That I ought not let you just walk on me (not gon' let you walk on me) yeah but I said baby baby baby baby when you love me I can't get enough (I can't get enough) (Darius and Edwin) I-I-I said I'm gon' spread the news that if it feels this good getting used You just keep on using me Until you use me up (Drums) Soni Sonefeld Intro: Mark Bryan e-----------------------------------------------------------------b-----------------------------------------------------------------g-----------------------------------------------------------------d---12--9---12--9--12---9-----6--0--------------------Repeat------a---10--7---10--7--10---7-----4--0--0h4-5-6-7/10------Throughout--E-0-------0-----------0---------------------------0---except chorus Edwin McCain e--12-12-12-12-12-12-12-12-12-12-5-5-5-5-5-5-0-0--b--12-12-12-12-12-12-12-12-12-12-5-5-5-5-5-5-0-0--g--12-12-12-12-12-12-12-12-12-12-5-6-6-6-6-6-0-0--d--12-12-12-12-12-12-12-12-12-12-5-5-5-5-5-5-0-0--a--12-12-12-12-12-12-12-12-12-12-5-7-7-7-7-7-0-0--E--12-12-12-12-12-12-12-12-12-12-5-5-5-5-5-5-0-0--Darius Rucker e--0--0--0--0--0--0--0--0--0--0--0-0-0-0-0-0b--3--3--3--3--3--3--3--3--3--3--2-2-2-2-2-2g--0--0--0--0--0--0--0--0--0--0--0-0-0-0-0-0d--2--2--2--2--2--2--2--2--2--2--2-2-2-2-2-2a--2--2--2--2--2--2--2--2--2--2--0-0-0-0-0-0E--0--0--0--0--0--0--0--0--0--0--------------

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In the year 2525 Em D In the year 25-25, if man is still alive, D if woman can survive, you may find. Em D In the year 35-35, ain`t gonna need to tell the truth, tell no lies. C D Everything, you think, do and say, is in the pill you took today. 1. C

Em D 2. In the year 45-45, you ain`t gonna need your teeth, won`t need you eyes. C

D You won`t find a thing to chew, nobody`s gonna look at you. Em D In the year 55-55, your arms hanging limp at your sides, C D your legs got nothing to do, some machine`s doing that for you. Em 3. In the year 65-65, D you won`t need no husband, won`t need your wife. C You`ll pick your son, pick your daughter, too, D from ther bottom of a long glass tube. Em D In the year 75-10, if God`s a-coming, he oughta make it by then. C Maybe he`ll look around himself and say, D “Guess it`s time for the judgement day.“ Em D 4. In the year 85-10, God is gonna shake his mighty head, C he`ll either say, “I`m pleased, where man has been, D or tear it down and start again. Em D In the year 95-95, I`m kind of wondring, if man is gonna be alive. C He`s taken everything this old earth can give, D and he ain`t put back nothing. Em D 5. Now it`s been 10,000 years, man has cried a billion tears, C D for what he never knew, now man`s reign is through. Em D But through eternal night, the twinkling of starlight, Version 04 /1.01 April 2004

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C

D so very far away, maybe it`s only yesterday. Em D In the year 25-25, if man is still alive, C D if woman can survive, you may find. (Zagger + Evans)

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OH, PRETTY WOMAN E-E7 ~

E-E7 ~

E – E7

E – E7

E – E7

E – E7

A F#m 1. Pretty woman, walking down the street, A F#m D pretty woman, the kind I'd like to meet, pretty woman. E I don't believe you, you're not the truth, E7 no one could look as good as you. E – E7 E – E7 (Mersey!)

E – E7

E – E7

A F#m 2. Pretty woman, won't you pardon me, A F#m pretty woman, I couldn't help but see, D E pretty woman, that you look lovely as can be, E7 are you lonely just like me. E – E7

E – E7 (Rrrowrr)

E – E7

E – E7

Am G C Am Pretty woman, stop a while, pretty woman, talk a while, Dm G C pretty woman give your smile to me. Dm G C Am Pretty woman, yeah yeah yeah, pretty woman look my way, Dm G C -A pretty woman say you'll stay with me. F#m Dm E 'Cause I need you, I'll treat you right. A F#m Dm E Come with me baby, be mine tonight. – E7

E – E7

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E – E7

E – E7

560

A F#m 3. Pretty woman, don't walk on by, A F#m pretty woman, don't make me cry, D E E7 ~ pretty woman. Don't walk away, hey. E ~ E ~ OK. If that's the way it must be, OK. E I guess I'll go on home, it's late, E there'll be tomorrow night, but wait ! E-E7 ~ E-E7 ~ What do I see ? E E7 E - E7 E – E7 Is she walking back to me, E - E7 E E7 E - E7 E - E7 Yes, she's walking back to me. E - E7 E - E7 A Oh, woh, pretty woman.

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WANNABE - Performed by the Spice Girls, From the Virgin album SPICE YO! B D I'll tell you what I want, what I really really want E A A# So tell me what you want, what you really really want B D I'll tell you what I want, what I really really want E A A# So tell me what you want, what you really really want B D I wanna (huh) I wanna (huh) I wanna (huh) I wanna (huh) E A A# I wanna really really really wanna zigazig ahh! F# G# If you want my future E B Forget my past F# G# If you wanna get with me E B Betta make it fast F# G# Now don't go wasting E B My precious time F# G# Get your act together E B We could be just fine CHORUS: N.C B D I'll tell you what I want, what I really really want E A A# So tell me what you want, what you really really want B D I wanna (huh) I wanna (huh) I wanna (huh) I wanna (huh) E A A# I wanna really really really wanna zigazig ahh! F# G# If you wanna be my lover E B You gotta get with my friends F# G# Make it last forever E B Friendship never ends Version 04 /1.01 April 2004

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F# G# If you wanna be my lover E B You have got to give F# G# Taking is too easy E B But that's the way it is N.C What d'you think about that E B Now you know how I feel? F# G# Say you can handle my love E B Are you for real? F# G# I won't be hasty E B I'll give you a try F# G# If you really bug me E B Then I'll say goodbye! YO! So.. Here's the story from A to Z this is You wanna get with me, you gotta listen carefully over the We've got 'M' in the place who likes it in her face a# chord You got 'G' lock MC who likes it on a.. progression 3 Easy V doesn't come for free, she's a real lady more And as for me, ha you'll see! less...

} All of } played } b-d-e-a} } times, no } no

B D Slam me body down and wind it all around N.C Slam me body down and wind it all around F# G# If you wanna be my lover E B You gotta, you gotta, you gotta, you gotta, Ad lib for a bit.. E A A# Slam me body down and zigazig ahh F# If you wanna be my lover END Version 04 /1.01 April 2004

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Notes: The best way to play the b-d-e-a-a#-b bits is as follows e b g d a e

---------------------------------| -----SLIDE----SLIDE--------------| -4--4--/--7--7--/--9--9--2--2--3-| -4--4--/--7--7--/--9--9--2--2--3-| -2--2--/--5--5--/--7--7--0--0--1-| ---------------------------------|

Repeat and so on.....

Any comments or queries, drop me a line, [email protected] Transcribed by Lee Webb. The chord timings are not spot on, but i`m sure you`ll all be ok!!!! YOU MAY FREELY DISTRIBUTE THIS FILE ONLY IN ITS PRESENT FORM!!!! FAILURE TO COMPLY MAY RESULT IN BROKEN LEGS!!!! (The author is 6 foot 4 and `quite handy`) Legal Stuff: As usual, this is my own interpretation of this piece and is intended for private study, research and though what you could learn from 5 insane British women is quite frankly beyond me... Say You`ll Be There coming soon... 2 become 1 coming a bit after that... Also Available by e-mailing the author: Ohh Ahh Just a Little Bit (Gina G) Three Lions (Lightning Seeds, Baddiel and Skinner) (c)December 1996

Useless Transcriptions inc.

Wannabe : Spice Girls transcribed by Trevor Borgmeier Chords verse F# G#m 2 4 2 4 3 4 4 6 4 6 2 4

E 0 0 1 2 2 0

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B7 2 4 2 4 2 2

([email protected])

Chorus B5 D5 x x x x x 7 9 7 9 5 7 x

G5 x x 9 9 7 x

A5 x x x 7 7 5

A#5 x x x 8 8 7

564

DER RATTENFÄNGER Hannes Wader A Fast jeder weiß, was in Hameln geschah,                  E     A vor tausend und einem Jahr.  Wie dort die Ratten hausten, die alles fraßen,                E     A was nicht aus Eisen war.  Zu dieser Zeit kam ich nach langer Fahrt      D         A                 als Spielmann in diese Stadt,  Und ich hörte als erstes den Herold schrein,              E     A als ich den Markt betrat.    Wer mit Gottes Hilfe oder allein                    E      A die Stadt von den Ratten befreit,    für den lägen ab nun beim Magistrat          D             A                E  A     hundert Taler in Gold bereit. Ich packte mein Bündel, die Flöte und  Leier  und klopfte ans Rathaustor.  Kaum sah man mich, schlug man die Tür  wieder zu,  und legte den Riegel vor.  Und ich hörte, wie man den Herren  sagte,  es stünde ein Mann vor dem Tor,  zerrissen und stinkend, in bunten  Lumpen  mit einem Ring im Ohr.  Dieser Mann ließe nun den Herren  sagen,  er käm' von weit, weit her,  und er böte der Stadt seine Hilfe,  weil  er ein Rattenfänger wär. Ich wartete lange, dann rief eine  Stimme  durch die geschlossene Tür:  Vernichte die Ratten, und Du bekommst  die versprochenen Taler dafür.  Und ich ging und blies in der Nacht  die Flöte,  immer nur einen einzigen Ton,  Version 04 /1.01 April 2004

der so hoch war, daß nur die Ratten  ihn hörten,  und keine kam davon.  Bis hinein in die Weser folgte mir  bald die ganze quiekende Brut,  und am Morgen trieben an  hunderttausend  Kadaver in der Flut. Als die Hamelner Bürger hörten, was  alles  geschehen war in der Nacht,  tanzten sie auf den Straßen, nur  an mich hatte keiner gedacht.  Und als ich dann wieder vorm Rathaus  stand  und forderte meinen Lohn,  schlug man auch diesmal die Tür vor  mir zu  und erklärte mir voller Hohn,  nur der Teufel könne bei meiner Arbeit  im Spiel gewesen sein,  deshalb sei es gerecht, ich triebe bei  ihm  meine hundert Taler ein.

565

Doch ich blieb und wartete Stunde um  Stunde  bis zum Abend vor jenem Haus,  aber die Ratsherren, die drinnen  saßen,  trauten sich nicht heraus.  Als es Nacht war, kamen bewaffnete  Kerle,  ein Dutzend oder mehr,  die schlugen mir ihre Spieße ins Kreuz  und stießen mich vor sich her.  Vor der Stadt hetzten sie ihre Hunde  auf mich,  und die Bestien schonten mich nicht.  Sie rissen mich um und pißten mir noch  ins blutende Gesicht. Als der Mond schien, flickte ich meine  Lumpen,  wusch meine Wunden im Fluß  und weinte dabei vor Schwäche und Wut,  bis der Schlaf mir die Augen schloß.  Doch noch einmal ging ich zurück in  die Stadt. Ich hatte vorher mein zerfleischtes  Gesicht  mit bunter Farbe bedeckt  und mein Wams, damit man die Löcher  nicht sah,  mit Hahnenfedern besteckt.  Und ich spielte und sang, bald kamen  die Kinder  zu mir von überall her,  hörten, was ich sang mit Empörung  und vergaßen es nie mehr.  Und die Kinder beschlossen, mir zu  helfen  und nicht mehr zuzusehn,  wo Unrecht geschieht, sondern immer  gemeinsam  dagegen anzugehn. Und die Hamelner Kinder hielten ihr  Wort  und bildeten ein Gericht,  zerrten die Bosheit und die Lügen  ihrer Väter ans Licht.  Und sie weckten damit in ihren Eltern  Betroffenheit und Scham,  und weil er sich schämte, schlug manch  ein Vater  sein Kind fast krumm und lahm.  Doch mit jeder Mißhandlung wuchs der  Mut  Version 04 /1.01 April 2004

der Kinder dieser Stadt,  und die hilflosen Bürger brachten die  Sache  vor den hohen Rat. Es geschah, was heute immer noch  geschieht,  wo Ruhe mehr gilt als Recht,  denn wo die Herrschenden Ruhe woll'n,  geht's den Beherrschten schlecht.  So beschloß man die Vertreibung  einer ganzen Generation.  In der Nacht desselben Tages begann  die schmutzige Aktion.  Gefesselt und geknebelt,  von den eigenen Vätern bewacht,  hat man die Kinder von Hameln ganz  heimlich  aus der Stadt gebracht. Nun war wieder Ruhe in der Stadt  Hameln,  fast wie in einem Grab.  Doch die Niedertracht blühte, die  Ratsherren faßten  eilig ein Schreiben ab.  Das wurde der Stadtchronik beigefügt  mit dem Stempel des Landesherrn  und besagt, daß die Kinder vom  Rattenfänger  ermordet worden wär'n.  Doch die Hamelner Kinder sind nicht  tot,  zerstreut in alle Welt,  haben auch sie wieder Kinde gezeugt,  ihnen diese Geschichte erzählt. Denn auch heute setzen sich Menschen  für die Rechte Schwächerer ein,  diese Menschen könnten wohl die Erben  der Hamelner Kinder sein.  Doch immer noch herrscht die Lüge  über die Wahrheit in der Welt,  und solange die Gewalt und die Angst  die Macht in Händen hält,  solange kann ich nicht sterben,  nicht ausruhn und nicht fliehn,  sondern muß als Spielmann und  Rattenfänger immer weiterziehn.  Denn noch nehmen Menschen Unrecht  als Naturgewalt in Kauf,  und ich hetze noch heute die Kinder  dagegen  immer wieder auf.

566

HEUTE HIER, MORGEN DORT

HANNES WADER

C                                 F           C Heute hier, morgen dort, bin kaum da, muß ich fort,                     Am      G hab mich niemals deswegen beklagt.        C                          F Hab es selbst so gewählt, nie die Jahre gezählt,          Am          G        C nie nach gestern und morgen gefragt.              G                           F           C R:  Manchmal träume ich schwer und dann denk ich es wär             G                    F         C     Zeit zu bleiben und was ganz andres zu tun.                                    F              C     So vergeht Jahr um Jahr und es ist mir längst klar,                Am                  G             C     daß nichts bleibt, daß nichts bleibt, wie es war. C                                     F       C Daß man mich kaum vermißt, schon nach Tagen vergißt,                        Am       G wenn ich längst wieder woanders bin.           C                              Am          C Stört und kümmert mich nicht, vielleicht bleibt mein Gesicht           Am      G         C noch dem einen oder andern im Sinn. R:      C                              F              C Wenn mich einer fragt, warum ich so bin, bleib ich stumm,                   Am               G denn die Antwort darauf fällt mir schwer.          C                         F            C Denn was neu ist, wird alt und was gestern noch galt,             Am       G            C gilt schon heut oder morgen nicht mehr... R:

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C                              F          C Alternativtext Heute hier, morgen dort, den Tresor aufgebohrt,                     Am      G hab mich niemals deswegen beklagt.        C                          F Hab es selbst so gewählt, nie die Brüche gezählt,        Am        G        C hab es gerne und häufig gewagt.              G                              F           C R:  Manchmal bohrt es sich schwer und dann denk ich es wär            G                    F         C     ein Defekt immerhin an der Schlagbohrmaschin`.                                       F               C     Doch nach nicht mal `nem Jahr wird mir schlagartig klar,                Am            G          C     daß es ein Holz­, kein Metallbohrer war.      C                              F              C Wenn mich einer fragt, warum ich so bin, bleib ich stumm,                   Am               G denn die Antwort darauf fällt mir schwer.     C                 F         C Autonomer Rebell oder kleinkriminell          Am           G                  C manchmal weiß ich das selbst schon nicht mehr....

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JA Selig Nett rasiert und ungedutzt schleimst Du Dich durch die Welt man sieht Dich nur noch frisch geduscht für das fette Geld Im bitterbunten Bizepslook und nie einen Zug verpaßt mußt gerade Du mir sagen, ich sei ein ungebetener Gast Nimm Dich nicht so wichtig und nimm´s mir nicht so krumm Tut mir leid, Du langweilst mich und frag mich nicht warum Jaja... Laß Dich treiben, wo immer Du auch bist Bist 21 Jahre und erzählst mir was man braucht, doch Deine goldenen Lebensregeln halt ich weder ein noch aus halt die Aktien beieinander gib Deinem Leben einen Sinn Ich habe keine Lust zu sterben, bevor ich begraben bin! ich sag Jajaja... laß Dich..

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KOKAIN

(HANNES WADER)

C                 F         CF               D 1. Ich kam von Frankfurt nach Berlin, drei Koffer voll mit Kokain. C   G7               C  Cocaine, all around my brain. C                              F         C  Hallo Taxi, schnell zum Kudamm, Ecke Tauentzien, F                                                       D meine Frau, meine Kinder schrei'n nach Kokain. C   G7               C  Cocaine, all around my brain. E7 Re train: Hm, hm, hm, hey! Oh, Mama, komm schnell her,  F                    D                  C    G7              C  halt mich fest, ich kann nicht mehr. Cocaine, all around my brain.

2. Meine Frau heifit Evelyn, ich weiS nicht, liebt sie mich oder mehr  mein Kokain? Cocaine, all around my brain. "Liebster", fragt sie, "rate  mal, was kitzelt so schon in der Nase, schmeckt nach Scheiße, wirkt wie  Arsen?" Cocaine, all around my brain. Refrain 3. Mein Sohn ist zwolf, ewig angetornt. ich verbiet es ihm, damit er  endlich laufen lernt. Cocaine, all around my brain. Seit gestern weiß er  endlich, wer ich bin. Wenn er mich sieht, schreit er: "Papa, hattu  Kokain?" Cocaine, all around my brain. Refrain 4. Meine kleine Tochter ist jetzt grad auf 'nem Trip, den sie letztes  Jahr eingepfiffen hat. Cocaine, all around my brain. Sie sieht aus als  war sie dreißig und sie macht auf zwanzig. Dabei ist sie erst acht.  Cocaine, allaround my brain. Refrain 5. Meine Tante dealt seit einem Jahr. Seitdem geht'sie über Leichen,  fährt 'nen Jaguar. Cocaine, all around my brain. Immer, wenn sie kommt,  bringt sie ein Stückchen Shit in der Radkappe für die Kinder mit.  Cocaine, all around my brain. Refrain 6. Mein Onkel kam vom Alkohol zum Kokain. Jetzt will er sich das Kokain  Version 04 /1.01 April 2004

570

mit Schnaps entziehn. Cocaine, all around my brain. Seit gestern liegt  er im Delirium. Ab morgen steigt er wieder auf die Droge um. Cocaine,  all around my brain.

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ANITA D A 1. Ich fand sie irgendwo, allein in Mexiko, Anita, Anita. A7 G D -A Schwarz war ihr Haar, die Augen wie zwei Ste...rne so klar. D A Komm´ steig auf mein Pferd, sagte ich zu ihr, Anita, Anita. A7 D Fiesta ist heut´, die Stadt ist nicht mehr weit, A D mach dich schnell bereit. D7 G Ich seh dir an, da schlummert ein Vulkan. D Du wartest auf die Lie...be, D7 E Ich will sie wecken und alles entdecken, A A7 was keiner bisher sah. Ohohohoho. D A 2. Reite wie der Wind, bis die Nacht beginnt, Anita, Anita. A7 D A D Dann sind wir da und jeder soll es sehn, wie gut wir uns verstehn. D7 A G D Musikanten herbei, spielt ein Lied für uns zwei, A E A bei Musik und bei Wein, woll´n wir heut glücklich sein. D A 3. Ich fand sie irgendwo, allein in Mexiko, Anita, Anita. A7 G D -A Schwarz war ihr Haar, die Augen wie zwei Ste...rne so klar. D A Ich baue uns ein Nest, wo sich`s leben lässt, Anita, Anita. A7 D A D In Mexiko, denn nur bei dir allein, will ich immer sein.

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D7 G Um uns herum, da saßen sie ganz stumm D und machten grosse Au...gen. D7 E Die companeros mit ihren sombreros, A A7 und nun gehörst du mir. Ohohoho D A 4. Heute ist die Nacht nicht zum Schlafen da, Anita, Anita. A7 D A D D7 Denn so ein Fest, gab es noch nirgendwo, hier in Mexiko. Yey! A G D Musikanten herbei, spielt ein Lied für uns zwei, A E A bei Musik und bei Wein, woll´n wir heut glücklich sein. D A 5. Ich fand sie irgendwo, allein in Mexico, Anita, Anita. A7 G D -A Schwarz war ihr Haar, die Augen wie zwei Ste...rne so klar. D A Ich baue uns ein Nest, wo sich`s leben lässt, Anita, Anita...... (Orig. = Capo 3) (Costa Cordalis

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AMORE MIO lyrics by roland kaiser Amore Mio Dieter Thomas Kuhn & Band (Roland Kaiser)

a -E - a - E (außer Refrain) Zieh dich nicht aus Amore Mio! Komm doch nach Haus, Amore Mio! Trink nicht so viel Amore Mio! Bei jedem Glas Amore Mio, werd ich ganz blass, Amore Mio! Zieh dich nicht aus Amore Mio! adG Nach vier, fünf Rotwein, Amore Mio, bist du nicht zu halten und jedesmal ad kommt dann diese Show. Sei doch vernünftig, Amore Mio! Ga Und denk an die Kinder - wenn die dich so sehen - ja was meinst du wohl. Ea Amore Mio, der Knopf bleibt zu Amore Mio!

Gib endlich Ruh, Amore Mio! Ich fleh dich an Amore Mio! Das geht zu weit Amore Mio! Ich will kein' Streit, Amore Mio! Ich fleh dich an, Amore Mio. Ich bin ganz ratlos, Amore Mio! Sonst bist du so friedlich, ein Typ, der nie aus der Rolle fällt. Denk auch an mich, Amore Mio! Und lass diesen Unsinn, das ganze Lokal amüsiert sich schon. Amore Mio, jetzt zieh dich aus Amore Mio! Wir sind zu Haus' Amore Mio. Ich liebe dich, Amore Mio. Trink noch ein Glas, Amore Mio. Das wird ein Spaß Amore Mio. Wir sind allein, Amore Mio. Nach vier, fünf Rotwein, Amore Mio, bist du nicht zu halten und jedesmal kommt dann diese Show. Sei doch vernünftig, Amore Mio! Und denk an die Kinder - wenn die dich so sehen - ja was meinst du wohl. Amore Mio, Amore Mio

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MOVIESTAR - Dieter Thomas Kuhn & Band (Harpo) veröffentlicht auf der Single 'Sag mir Quando', 1998, wea records immer: C - e - F - G

You feel like Steve McQueen when you´re driving in your car And you think you look like James Bond when you´re smoking your cigar It´s so bizarre you think you are the new kind of James Dean But the only thing I´ve ever seen of you was a commercial spot on the screen

Moviestar, oh Moviestar you think you are a movie Moviestar, oh Moviestar you think you are a Movie star ... a-haha

You should belong to the jetsets flying your own private LearJet But you worked in a grocery store everyday until you could afford to get away So you went to Sweden and to me, to the birdman but he wasn´t there or he just didn´t care I think it´s time for you my friend to stop pretend back you are a Moviestar, oh Moviestar ... Frozen hero ... your words are zero and your dreams has vanished into dark and long ago but you don´t want to know

Moviestar, oh Moviestar ... :||

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TANZE SAMBA MIT MIR - Dieter Thomas Kuhn & Band (Tony Holiday)

Am E Ah ah ah ah - Du bist so heiss wie ein Vulkan Am E Am Ah ah ah ah - und heut verbrenn ich mich daran Dm Jedermann nennt dich Sweet Lady Samba, Am Jeder sieht dass du kein Kind mehr bist Dm Die bunten Lichter drehn sich wie Feuer E Am Wenn du die Welt ringsumher vergisst. Ah ah ah ah - Du bist so heiss wie ein Vulkan Ah ah ah ah - und heut verbrenn ich mich daran Rock'n'Roll, Cha Cha, Bomb und Boogie Das ist jetzt alles für mich vorbei Die ganze Welt tanzt heute die Samba Ole ole, wir sind dabei. EA Tanze Samba mit mir, Samba Samba die ganze Nacht EA Tanze Samba mit mir, weil die Samba uns glücklich macht DA Liebe, Liebe, Liebelei, morgen ist sie vielleicht vorbei E Am Tanze Samba mit mir, Samba Samba die ganze Nacht. Am E Ah ah ah ah - Du bist so heiss wie ein Vulkan Am E Ah ah ah ah - und heut verbrenn ich mich daran Tanze Samba mit mir, Samba Samba die ganze Nacht Tanze Samba mit mir, weil die Samba uns glücklich macht Liebe, Liebe, Liebelei, morgen ist sie vielleicht vorbei Tanze Samba mit mir, Samba Samba die ganze Nacht. E/A/E/A-D/A/E/A EA Tanze Samba mit mir, Samba Samba die ganze Nacht EA Tanze Samba mit mir, weil die Samba uns glücklich macht DA Liebe, Liebe, Liebelei, morgen ist sie vielleicht vorbei EA Tanze Samba mit mir, Samba Samba die ganze Nacht. Version 04 /1.01 April 2004

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ÜBER SIEBEN BRÜCKEN MUSST DU GEHEN Dieter Thomas Kuhn & Band (Peter Maffay)

1. Strophe: GCGD-G Manchmal geh ich meine Straße ohne Blick, GCFD Manchmal wünsch ich mir mein Schaukelpferd zurück, Am Em Manchmal bin ich ohne Rast und Ruh, D Am D - a - G Manchmal schließ ich alle Türen nach mir zu. 2. Strophe: Manchmal ist mir kalt und manchmal heiß, Manchmal weiß ich nicht mehr, was ich weiß, Manchmal bin ich schon am Morgen müd, Und dann such ich Trost in einem Lied. Refrain: GDGD Über sieben Brücken mußt du gehn, DGCD Sieben dunkle Jahre überstehn, D Am Hm Em Siebenmal wirst du die Asche sein, CDG Aber einmal auch der helle Schein. Manchmal scheint die Uhr des Lebens still zu stehn, Manchmal scheint man immer nur im Kreis zu gehn, Manchmal ist man wie von Fernweh krank, Manchmal sitzt man still auf einer Bank. Manchmal greift man nach der ganzen Welt, Manchmal meint man, daß der Glücksstern fällt, Manchmal nimmt man, wo man Lieder gibt, Manchmal haßt man das, was man doch liebt.

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Refrain

577

FIESTA MEXICANA D D D D 1. 1. Hossa! Hossa! Hossa! Hossa! D Fiesta, Fiesta Mexicana, A A7 D heut geb ich zum Abschied für alle ein Fest. Fiesta, Fiesta Mexicana, A A7 D es gibt viel Tequila, der glücklich sein läßt. G A A7 Alle Freunde, sie sind hier, feiern noch einmal mit mir. D Wir machen Fiesta, Fiesta Mexicana, A A7 D weil ihr dann den Alltag, die Sorgen schnell vergeßt. G D G Adio, adio Mexico, ich komme wieder zu dir zurück. D Adio, adio Mexico, ich grüß mit meinem Sombrero, D7 G -A te quiero, ich habe dich so lieb. D 2. 2. Fiesta, Fiesta Mexicana, A A7 D auf der kleinen Plaza, da lacht man und singt. Fiesta, Fiesta Mexicana, A A7 D wenn zum letzten Tanz die Gitarre erklingt. G A A7 Juanita, Pepe, ja die zwei, sagen nocheinmal : Goodbye, D wir machen Fiesta, Fiesta Mexicana, A A7 D weil das bunte Leben die Liebe zu uns bringt. + REFRAIN

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D D D D 3. Hossa! Hossa! Hossa! Hossa! D Fiesta, Fiesta Mexicana, A A7 D bald schon wird es hell, denn der Morgen ist nah. Und ich küsse Carmencita, A A7 D denn ich weiß die Stunde des Abschieds ist nah. G Weine nicht, muß ich auch gehn, A A7 weil wir uns ja wieder sehn, D bei einer Fiesta, Fiesta Mexicana A A7 D dann wird alles wieder so schön wie es mal war. D D A A7 D Hossa! Lala lalalalalala lalalala lalalalala, oho ! A Fiesta, Fiesta Mexicana bald wird wieder alles so schön, A7 D ja du wirst sehn, darum bin ich bald wieder da. D D D A-D Hossa! Hossa! Hossa! Oho! (Rex Gildo)

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GRIECHISCHER WEIN Cm

Bb

Eb

Es war schon dunkel, als ich durch Vorstadtstrassen heimwärts ging. Eb

Bb

bdim Da war ein Wirtshaus, aus dem das Licht noch auf den Gehsteig schien. Cm

Gm

Cm

Ich hatte Zeit und mir war kalt, drum trat ich ein. Da sassen Männer mit braunen Augen und mit schwarzem Haar. Und aus der Jukebox erklang Musik, die fremd und südlich war. Als man mich sah, stand einer auf und lud mich ein. Ab Griechischer Wein ist so wie das Blut der Erde. Eb Komm schenk dir ein, und wenn ich dann traurig werde, Bb

Eb

Eb7

liegt es daran, dass ich immer träume von daheim, du mußt verzeihn. Ab Griechischer Wein und die alt vertrauten Lieder, Eb Schenk nochmal ein, denn ich fühl die Sehnsucht wieder, Bb

Cm

Gm

Cm

in dieser Stadt werd ich immer nur ein Fremder sein und allein. Und dann erzählten sie mir von grünen Hügeln, Meer und Wind. Von alten Häusern und jungen Frauen, die alleine sind. Und von dem Kind, das seinen Vater noch nie sah. Sie sagten sich immer wieder, irgendwann geht es zurück. Und das Ersparte genügt zu Hause für ein kleines Glück. Und bald denkt keiner mehr daran, wie es hier war. Griechischer Wein...

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IM WAGEN VOR MIR (Midi anhören) C

a F Lata, lata, ladatatatam,

G lata lata, ladatatatam. (2 x)

C F G 1. Im Wagen vor mir fährt ein junges Mädchen, C F G sie fährt allein und sie scheint hübsch zu sein. C F G C Ich weiß nicht ihren Namen, und ich kenne nicht ihr Ziel, F d G Ich merke nur, sie fährt mit viel Gefühl. C F G 2. Im Wagen vor mir fährt ein junges Mädchen, C F G ich möcht gern wissen, was sie grade denkt. C F G C Hört sie denselben Sender, oder ist ihr Radio aus? F G C Fährt sie zum Rendezvous oder nach Haus. a F G Lata, lata, latatatatam, lata lata, latatatatam. C F G 3. Was will der blöde Kerl da hinter mir nur? (ist sie nicht süß?) C F G Ich frag mich, warum überholt der mich? (so weiches Haar!). C F G C Der hängt nun schon ne halbe Stunde ständig hinter mir. F d G Nun dämmert`s schon und der fährt ohne Licht.(so schön mit 90!) C F G 4. Der könnt schon hundert Kilometer weg sein (was bin ich froh), C F G Mensch, fahr an meiner Ente doch vorbei! (ich fühl mich richtig wohl). C F G C Will der mich kontrollieren, oder will er mich entführen? F G C Oder ist das in Zivil die Polizei. C

a F G Lata, lata, latatatatam, lata lata, latatatatam.

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C F G 5. Wie schön, daß ich heut endlich einmal Zeit hab, C F G ich muß nicht rasen wie ein wilder Stier. C F G C Ich träum so in Gedanken ganz allein und ohne Schranken, F d G und wünsch das schöne Mädchen wär bei mir. C F G 6. Nun wird mir diese Sache langsam mulmig (die Musik ist gut), C F G ich fahr die allernächste Abfahrt raus (heut ist ein schöner Tag!) C F G C Dort werd ich mich verstecken hinter irgendwelchen Hecken. F G C Verdammt, dadurch komm ich zu spät nach Haus. C F G 7. Bye bye, mein schönes Mädchen, gute Reise. C F G Sie hat den Blinker an, hier fährt sie ab. C F G C Für mich wird in zwei Stunden auch die Fahrt zuende gehen, F G C doch Dich, mein Mädchen, werd ich nie mehr sehn. a F G Lata, lata, ladatatatam, lata lata, ladatatatam. C a F G Lata, lata, latatatatam, lata lata, latatatatam.......

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ABER BITTE MIT SAHNE D G D 1. 1. Sie treffen sich täglich um viertel nach drei, ohoho, oh yeah! G D am Stammtisch im Eck in der Konditorei, ohoho, oh yeah! G D Und blasen zum Sturm auf das Kuchenbuffet, G A auf Schwarzwälder-Kirsch und auf Sahne-Baiser, D G auf Früchteeis, Ananas, Kirsch und Banane, G-G–A --------- D aber bitte mit Sahne! (Aber bitte mit Sahne!) D G D 2. 2. Sie schwatzen und schmatzen, dann holen sie sich, ohoho, oh yeah! G D noch Buttercremetorte und Bienenstich, ohoho, oh yeah! G D Sie pusten und prusten, fast geht nichts mehr rein, G A nur ein Mohrenkopf höchstens, denn Ordnung muß sein, D G bei Mathilde, Ottilie, Marie und Liliane, G–G–A --------- D aber bitte mit Sahne! (Aber bitte mit Sahne!) D G D 3. 3. Und das Ende vom Lied hat wohl jeder geahnt, ohoho, oh yeah! G D der Tod hat reihum sie dort abgesahnt, ohoho, oh yeah! G D Die Hinterbliebenen fanden vor Schmerz keine Worte. G A Mit Sacher und Linzer und Marzipantorte D G hielt als letzte Liliane getreu noch zur Fahne, G–G–A --------- D aber bitte mit Sahne! (Aber bitte mit Sahne!)

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D G D 4. 4. Doch auch mit Liliane war es schließlich vorbei, ohoho, oh yeah! G D sie kippte vom Stuhl in der Konditorei, mmm, oh yeah! G D Auf dem Sarg gab's statt Kränzen verzuckerte Torten, G A und der Pfarrer begrub sie mit rührenden Worten, D G daß der Herrgott den Weg in den Himmel ihr bahne, G–G–A ~ --------- D aber bitte mit Sahne! (Aber bitte mit Sahne!) Noch ein Tässchen Kaffee? (Aber bitte mit Sahne!) Noch ein kleines Baiser? (Aber bitte mit Sahne!) Oder soll`s vielleicht doch `n Keks sein? (Aber bitte mit Sahne!) (Orig. = Capo 3)

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ICH WOLLT' ICH WÄR EIN HUHN (gesprochen:) C "Ich wollt, ich wollt, ich wollt...." "Was willst du denn?" "Dichten!" "Oh, Herr Dichter!"

( dann gesungen:)

C G Ich wollt, ich wär ein Huhn, ich hätt nicht viel zu tun, G7 C ich legte vormittags ein Ei und nachmittags wär ich frei. G Mich lockte auf der Welt kein Ruhm mehr und kein Geld, G7 C und fände ich das große Los, dann fräße ich es bloß. F C D G Ich brauchte nie mehr ins Büro, ich wäre dämlich, aber froh! C G Ich wollt, ich wär ein Huhn, ich hätt nicht viel zu tun, G7 C ich legte täglich nur ein Ei und sonntags auch mal zwei. C Der Mann hat' s auf der Welt nicht leicht, G C das Kämpfen ist sein Zweck. e Und hat er endlich was erreicht, nimmt' s eine Frau ihm weg. C Er lebt, wenn' s hoch kommt, hundert Jahr und bringt's bei gutem Start, e D G und nur, wenn er sehr fleißig war, zu einem Rauschebart. + REFR + Instr. = REFR., Zeile 1 - 4 + Zeile 5 -7 gesungen + Juchhei! (Lilian Harvey und Willy Fritsch)

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AUF DER REEPERBAHN NACHTS UM HALB EINS G-D-G

G -D-G

G D G 1. Silbern klingt und springt die Heuer, heut spiel ich das feine Aas, D G heute, da ist mir nichts zu teuer, morgen geht ja die Reise los. A D Langsam bummel ich ganz alleine A D die Reeperbahn nach der Freiheit rauf, A D G D A D treffe ich eine Blonde, recht Feine, die gabel ich mir auf. G D G C G D G Komm doch, liebe Kleine, sei die meine, sag nicht nein, C G C G A D sollst bis morgen früh um neune meine kleine Liebste sein. G C G Ist es dir recht, ja, dann bleib ich dir treu sogar bis um zehn, C G D D7 G hak mich unter wir wollen zusammen mal bummeln gehn. D G D G -D Auf der Reeperbahn nachts um halb eins, G C G ob du`n Mädel hast oder ob keins, D G amüsierst du dich, denn das findet sich, A D auf der Reeperbahn nachts um halb eins. G D G -D Wer noch niemals in lauschiger Nacht G C G einen Reeperbahnbummel gemacht, D G -C ist ein armer Wicht, denn der kennt dich nicht, G D G mein St. Pauli, St. Pauli bei Nacht. G

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2. Komm ich heim im nächsten Jahre, D G braungebrannt wie so`n Hottentott, D G hast du deine blonden Haare schwarz gefärbt, vielleicht auch rot. A D Grüßt dich dann mal ein fremder Jung A D und du gehst vorüber und kennst ihn nicht, A D G kommt dir vielleicht die Erinnerung wieder D A D wenn leis er zu dir spricht. G D G C G D G Komm doch, liebe Kleine, sei die meine, sag nicht nein, C G C G A D sollst bis morgen früh um neune meine kleine Liebste sein. G C G Ist es dir recht, ja, dann bleib ich dir treu sogar bis um zehn, C G D D7 G hak mich unter wir wollen zusammen mal bummeln gehn. + REFRAIN + REFRAIN (Hans Albers

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PROBIERS MAL MIT GEMÜTLICHKEIT --------- -C F 1. Probiers mal mit Gemütlichkeit, mit Ruhe und Gemütlichkeit, C A D -G jagst du den Alltag und die Sorgen weg. -C F Und wenn du stets gemütlich bist und etwas appetitlich ist, C Am D G C dann nimm es dir, egal von welchem Fleck. ------G C Was soll ich woanders, wo's mir nicht gefällt? G C - C7 ich gehe nicht fort hier, auch nicht für Geld. F Dm C Am Die Bienen summen in der Luft, erfüllen sie mit Honigduft, D D7 und schaust du unter 'nen Stein, G G7 erblickst du Ameisen, die hier gut gedeih'n. C A ~~~ Probier mal, zwei, drei, vier. - - - - - - - - Dm G C - Dm Denn mit Gemütlichkeit kommt auch das Glück zu dir! G C Es kommt zu dir. -------- -C F 2. Probiers mal mit Gemütlichkeit, mit Ruhe und Gemütlichkeit, C A D -G vertreibst du deinen ganzen Sorgenkram. -C F Und wenn du stets gemütlich bist und etwas appetitlich ist, C Am D G C dann nimm es dir, egal woher es kam. ---------------G C Na, und pflückst du gern Beeren und du piekst dich dabei, G C - C7 dann lass dich belehren: Schmerz geht bald vorbei! F Dm C Du musst bescheiden aber nicht gierig im Leben sein, Am sonst tust du dir weh,

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D D7 du bist verletzt und zahlst nur drauf, G G7 drum pflücke gleich mit dem richt'gen Dreh! C A ~~~ Hast du das jetzt kapiert? - - - - - - - - Dm G C - Dm Denn mit Gemütlichkeit kommt auch das Glück zu dir! G C Es kommt zu dir. --------- -C F 3. Probiers mal mit Gemütlichkeit, mit Ruhe und Gemütlichkeit, C A D -G jagst du den Alltag und die Sorgen weg. -C F Und wenn du stets gemütlich bist und etwas appetitlich ist, C Am D G C dann nimm es dir, egal von welchem Fleck. (Dschungelbuch)

Bacardi Rum Otto Waalkes C e a Wir sind schön und wir sind jung, F G perfekte Körper unter Palmen, C e a doch wir fallen ständig um... F G C WIR ERNÄHR'N UNS VON BACARDI RUM!

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KANN DENN LIEBE SÜNDE SEIN ? ---------- C Kann die Liebe Sünde sein? e Darf es niemand wissen, wenn man sich küßt, G C -G wenn man einmal alles vergißt , vor Glück. C Was, kann das wirklich Sünde sein, e wenn man immerzu an einen nur denkt, D - D7 G wenn man einmal alles ihm schenkt, vor Glück. C C7 Niemals werde ich bereuen, F a d was ich tat, und was aus Liebe geschah, D D7 G das mußt du mir schon verzeihen, dazu ist sie ja da. C Liebe kann nicht Sünde sein, e auch wenn sie es wär, so wär`s mir egal, G C G C lieber will ich sündigen mal, als ohne Liebe sein. C Jeder kleine Spießer macht das Leben mir zur Qual, G C denn er spricht nur immer von Moral. Und was er auch denkt und tut, man merkt ihm leider an, D G dass er niemand glücklich sehen kann. C F Sagt er dann : Zu meiner Zeit gab es sowas nicht , D G G7 ~ dann frag ich voll Bescheidenheit mit lächelndem Gesicht: + REFRAIN 2 x

(Orig. = Capo 7)

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ICH WEISS, ES WIRD EINMAL EIN WUNDER GESCHEH'N A-C-A-E A D d 1. Ich weiß, es wird einmal ein Wunder geschehn, A E A -C und dann werden tausend Märchen wahr. E A D d Ich weiß, so schnell kann keine Liebe vergehn, A E A - A7 die so groß ist und so wunderbar. cis C Wir haben beide denselben Stern, cis C und dein Schicksal ist auch meins. cis fis Du bist mir fern und doch nicht fern, H7 E denn unsere Seelen sind eins. A D d ~ Und darum wird einmal ein Wunder geschehn, A E A und ich weiß, daß wir uns wiedersehn! A fis 2. Wenn ich ohne Hoffnung leben müßte, D A wenn ich glauben müßte, daß mich niemand liebt, E H7 E daß es nie für mich ein Glück mehr gibt, ach, das wär' schwer. A fis Wenn ich nicht in meinem Herzen wüßte, D A daß du einmal zu mir sagst: Ich liebe dich, F E Ais E wär' das Leben ohne Sinn für mich, doch ich weiß mehr: + 1 wiederholen + D - A (Zarah Leander)

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SEEMANN, DEINE HEIMAT IST DAS MEER G C G Seemann - deine Heimat ist das Meer! G C G D - D7 1. Seemann, laß das Träumen, denk nicht an zuhaus, G C G-D G-G7 Seemann, Wind und Wellen rufen dich hinaus. C G Deine Heimat ist das Meer, deine Freunde sind die Sterne, D D7 G - G7 über Rio und Shanghai, über Mali und Hawaii. C G Deine Liebe ist dein Schiff, deine Sehnsucht ist die Ferne, D D7 G-C-G und nur ihnen bist du treu, ein Leben lang. G C G D - D7 2. Seemann, laß das Träumen, denke nicht an mich, G C G -D G - G7 Seemann, denn die Fremde wartet schon auf dich. C G Deine Heimat ist das Meer, deine Freunde sind die Sterne, D - D7 G - G7 über Rio und Shanghai über Mali und Hawaii. C G Deine Liebe ist dein Schiff, deine Sehnsucht ist die Ferne, D D7 G-C-G und nur ihnen bist du treu, ein Leben lang. (Lolita)

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WOCHENEND UNDSONNENSCHEIN G 1. Wochenend und Sonnenschein, und dann mit dir im Wald allein, D weiter brauch ich nichts zum Glücklichsein, G C G Wochenend und Sonnenschein. G 2. Über uns die Lerche zieht, sie singt genau wie wir ein Lied, D alle Vögel stimmen fröhlich ein, G C G Wochenend und Sonnenschein. H7 D A D - D7 Ein Auto, eine Chaussee, und niemand steht uns im Weg. G 3. Wochenend und Sonnenschein, und dann mit dir im Wald allein, D weiter brauch ich nichts zum Glücklichsein, G C G Wochenend und Sonnenschein. H7 D A D - D7 Ein Auto, eine Chaussee, und niemand steht uns im Weg. G 4. Wochenend und Sonnenschein, und dann mit dir im Wald allein, D weiter brauch ich nichts zum Glücklichsein, G C G Wochenend und Sonnenschein. (Comedian Harmonists)

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WANN WIRD`S MAL WIEDER RICHTIG SOMMER (City of New Orleans) G D G 1. Wir brauchten früher keine große Reise, e C G-D wir wurden braun auf Borkum und auf Sylt. G D G Doch heute sind die Braunen nur noch Weiße, e D G denn hier wird man ja doch nur tiefgekühlt. e h Ja, früher gab`s noch Hitzefrei, das Freibad war schon auf im Mai, D A ich saß bis in die Nacht vor unsrem Haus. e h Da hatten wir noch Sonnenbrand und Riesenquallen an dem Strand, D D7 G und Eis, und jeder Schutzmann zog die Jacke aus. C D G Wann wird`s mal wieder richtig Sommer, e C G -D ein Sommer wie es früher einmal war? G D e Ja, mit Sonnenschein von Juni bis September, C D G und nicht so naß und so sibirisch wie im letzten Jahr. G D G 2. Und was wir da für Hitzewellen hatten, e C G-D Pulloverfabrikanten gingen ein. G D G Da gab es bis zu 40 Grad im Schatten, e D G wir mußten mit dem Wasser sparsam sein.

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e h Die Sonne knallte ins Gesicht, da brauchte man die Sauna nicht, D A ein Schaf war damals froh, wenn man es schor. e h Es war hier wie in Afrika, wer durfte, machte FKK, D D7 G doch heut, heut summen alle Mücken laut im Chor. + REFRAIN G D G 3. Der Winter war der Reinfall des Jahrhunderts, e C G -D nur über 1000 Meter gab es Schnee. G D G Mein Milchmann sagt: Dies Klima hier, wen wundert`s? e D G Denn Schuld daran ist nur die SPD. e h Ich find das geht ein bißchen weit, doch bald ist wieder Urlaubszeit, D A und wer von uns denkt da nicht dauernd dran? e h Trotz allem glaub ich unbeirrt, daß unser Wetter besser wird. D D7 G Nur wann? Und diese Frage geht uns alle an. + REFRAIN (Rudi Carrell)

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DSCHINGIS KHAN e G 1. Sie ritten um die Wette mit dem Steppenwind, tausend Mann. Ha! Hu! Ha! e G Und einer ritt voran, dem folgten alle blind, Dschingis Khan. Ha! Hu! Ha! a Die Hufe ihrer Pferde durchpeitschten den Sand, e sie trugen Angst und Schrecken in jedes Land, a C H7 und weder Blitz noch Donner hielt sie auf. - Hu! Ha! e Dsching, Dsching, Dschingis Khan! G He, Reiter! Ho, Reiter! He, Reiter! Immer weiter! e G D., D., D. Khan! Auf Brüder! Sauft Brüder! Rauft Brüder! Immer wieder! a e Laßt noch Wodka holen, hohoho! Denn wir sind Mongolen, hahahaha! a C H7 und der Teufel kriegt uns früh genug! e G D., D., D. Khan! He, Reiter! Ho, Reiter! He, Reiter! Immer weiter! e G D., D., D. Khan! He, Männer! Ho, Männer! Tanzt, Männer, so wie immer! a e Und man hört ihn lachen, hohohoho! Immer lauter lachen, hahahaha! a H7 e Und er leert den Krug in einem Zug. e G 2. Und jedes Weib, das ihm gefiel, das nahm er sich in sein Zelt. Ha! Hu! Ha! e G Es hieß, die Frau, die ihn nicht liebte, gab es nicht auf der Welt.Ha!Hu!Ha! a Er zeugte sieben Kinder in einer Nacht, e und über seine Feinde hat er nur gelacht, a C H7 denn seiner Kraft konnt keiner widerstehn. - Hu! Ha! + REFRAIN

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WAHNSINN

(

G C D 1. Von dir keine Spur, die Wohnung ist leer, G C D und mein Herz wie Blei so schwer. G C D G-C-D Ich geh kaputt, denn du bist wieder bei ihm. G C D 2. Ich weiß nur eins : Jetzt ist Schluß! G C D Und daß ich um dich kämpfen muß. G-e D Wo bist du? Sag mir, wo bist du? G D Wahnsinn! Warum schickst du mich in die Hölle? C a G D Eiskalt läßt du meine Seele erfriern. G D Das ist Wahnsinn, du spielst mit meinen Gefühlen, C a G und mein Stolz liegt längst schon auf dem Müll. D G Doch noch weiß ich, was ich will. Ich will dich! G C D 3. Ich lauf im Kreis, von früh bis spät, G C D denn ich weiß, daß ohne dich nichts geht. G C D G -C-D ich brauche Luft, bevor mein Herz erstickt. G C D 4. Und wie ein Wolf renn ich durch die Stadt, G C D such nämlich unsre Kneipen ab. G-e D Wo bis du? Sag mir, wo bist du? + REFRAIN x 2... (Wolfgang Petry)

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ES WIRD NACHT SENORITA (Otto) Otto M: Udo Jürgens T: Otto Am E7 Am Es wird Nacht, Senorita, und ich hab' kein Quartier. E7 Am Nimm' mich mit in dein Bettchen, ich will gar nichts von dir! E Am Ein bisschen Liebe, vielleicht; ich bin müde vom Wandern, E Am Und ich lieb dich vielleicht nicht so schlecht wie die andern! Dm DEI DEI DEI DEI DEI DEI DEI E7 DEI DEI DEI DEI DEI DEI DEI

Am DEI DEI DEI DEI DEI DEI Am DEI

Am E7 Am Es wird Nacht, Senorita, siehst du nicht wie ich frier! E7 Am Husch zu dir unter's Deckchen, ich will gar nichts von dir! E Am Ööööfffööööfff, vielleicht; ................ Wandern, E Am och och och Dm DEI DEI DEI DEI DEI DEI DEI E7 DEI DEI DEI DEI DEI DEI DEI

Am DEI DEI DEI DEI DEI DEI Am DEI

E7 Am Es ist Nacht, Senorita, ei was ist denn bloss los? E7 Am Ei wo ist denn dein Hemdchen, ei wo ist meine Hos? E Am Unter'm Bettchen vielleicht; ach nein, da liegen ja die Andern. E Am Und ich lieb' dich vielleicht nicht so schlecht wie beim Wandern. Dm DEI DEI DEI DEI DEI DEI DEI E7 DEI DEI DEI DEI DEI DEI DEI

Am DEI DEI DEI DEI DEI DEI Am DEI

E7 Am Es ist Nacht, Senorita, und ich liege auf dir. E7 Am Wie du bereits gemerkt hast, will ich gar nichts von dir. E Am ...... Dm Am E7 Am DEI DEI DEI DEI DEI DEI DEI E7 Am Es wird Tag, Senorita, und ich sage zu dir: E7 Am "Steh jetzt auf und mach Kaffee, oder kannst du das auch nicht.

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EINE NEUE LIEBE IST WIE EIN NEUES LEBEN G C 1. Ist das noch dieselbe Straße, die ich schon seit vielen Jahren geh? D C G Ist das noch dieselbe Stadt, die ich im Licht der Sterne glitzern seh? C Bist du wirklich keine Fremde, ist es wirklich keine Phantasie? D C G Mir erscheint die ganze Welt verrückt, denn ich bin glücklich wie noch nie. C D G Eine neue Liebe ist wie ein neues Leben, na na na na na na. C D G Was einmal war ist vorbei, und vergessen, und zählt nicht mehr. C D G Eine neue Liebe ist wie ein neues Leben, na na na na na na. C D G Mir ist als ob ich durch dich neu geboren wär. C D G Heute fängt ein neues Leben an, deine Liebe, die ist schuld daran, e a D G alles ist so wunderbar, daß man es kaum verstehen kann. G C 2. Als die eine mich verließ, da dachte ich: Das kann doch gar nicht sein! D C G Und ich sagte mir: Das Spiel ist aus, ich bleib für alle Zeit allein. C Dann kamst du, das graue Gestern war vorüber, eh ich mich versah. D C G Denn schon nach dem ersten Kuß von dir war eine neue Liebe da. C D + REFRAIN + Heute fängst ein neues Leben an, deine Liebe.... (Jürgen Marcus)

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TANZE SAMBA MIT MIR d

E A d 1. Aha aha, du bist so heiß wie ein Vulkan, E A d aha aha, und heut verbrenn` ich mich daran. G Jedermann nennt dich sweet Lady Samba, A d jeder sieht, daß du kein Kind mehr bist. G Die bunten Lichter drehn sich wie Feuer, A d wenn du die Welt rings umher vergißt. d

E A d 2. Aha aha, du bist so heiß wie ein Vulkan, E A d aha aha, und heut verbrenn` ich mich daran. G Rock’n Roll, ChaCha, Mambo und der Boogie, A d das ist jetzt alles für mich vorbei. G A d Die ganze Welt tanzt heute die Samba, olé, olé, wir sind dabei. ---- D -A D Tanze Samba mit mir, Samba, Samba die ganze Nacht, -A D tanze Samba mit mir, weil die Samba uns glücklich macht. G D Liebe, Liebe, Liebelei, morgen ist sie vielleicht vorbei. -A d Tanze Samba mit mir, Samba, Samba die ganze Nacht. E A d Aha aha, du bist so heiß wie ein Vulkan, E A d aha aha, und heut verbrenn` ich mich daran. + REFRAIN + REFRAIN ......

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AB AUF DIE PISTE Buddy Intro: F

Bb

F

Bb

(8x)

im Wechsel (genau wie „Ab in den Süden“ – (im Archiv)

Oh willkommen willkommen willkommen Sonnenschein mit Ski und Snowboard falln wir in die weißen Berge ein ja wir kommen wir kommen wir kommen stimmt euch drauf ein ab auf die Lifte Pulverschnee und massen Sonnenschein Fernab von Wegen ins Leben auf Wolken schweben den und ich ich

Himmel berührn Fahrtwind spürn dich verführn dann beim Rodeln laut jodeln jag weiter Mann, die Halfpipe entlang sag, ab geht die Party und die Party geht ab

Refrain: und ich sag hey ab auf die Piste wir wollen in den Schnee, wir wollen in den Schnee, ja ich sag hey ab auf die Piste wir wollen in den Schnee, wir wollen in den Schnee,

ey jo was geht ey jo was geht ey jo was geht ey jo was geht

Party Piste Pulverschnee Party Piste Pulverschnee Party Piste Pulverschnee Party Piste Pulverschnee Party Piste Party Piste Party Party Pa Pa Pa Pa ja wir kommen wir kommen wir kommen Sonnenschein wieviele Stunden werden wir auf dieser Hütten sein oh Lumumba Lumumba Lumumba Jagertee nach ein paar Gläsern will ich mehr als deine Augen sehn Fernab von Wegen ins Leben auf Wolken schweben den Himmel berührn Fahrtwind spürn dich verführn und dann beim Rodeln laut jodeln ich jag weiter Mann, die Halfpipe entlang ich sag, ab geht die Party und die Party geht ab Refrain:

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FÜRSTENFELD STS Vorspiel: G D C G Langsam find't da Tag sei’ End, und die Nacht beginnt; Em Hm C D In da Kärntnastroß’n, do singt ana, "Blowin' in the Wind." G D C G Hat a greanes Röckel an, steht da ganz valurn Em Hm G C D7 G Und da Steffl, der schaut’ owi, auf den armen Steirabuam. 1. Strophe: D C G D C G Woch’n lang steh’ i scho’ do, woch’n lang plog i mi o. D C G C D7 G I spül’ mir, die Finger wund, und sing sogar "Do kummt die Sunn" D C G D C G Doch es is’ zum narrisch werd'n, kana wül’ mi singan hör'n. D C G C D7 G Langsam kriag i wirklich g'nua, i frag’ mi, wos i do tua. Refrain: D G D G D G I wül’ wieda ham, i fühl’ mi do so allan, brauch ka große Welt, C D7 G I wül’ ham nach Fürstenfeld. 2. Strophe: In da Zeitung do ham's g'schrieb'n, do gibt's a Szene, do mußt hin. Wos die woll’n, des soll’n se schreib'n, mir kann de Szene g'stohlen bleib'n. Do geh i gestan in’s U4, fangt a Dirnd’l an zum Red'n mit mir. Schwarze Lipp’n, grüne Haar, da kannst ja Angst kriag'n, wirkli wahr. Refrain: 3. Strophe: Niemals spül i mehr in Wien, Wien hat mi gar net vadient. I spül’ höchstens no in Graz, Sinablkirch’n und Stinatz. I brauch kan Gürt’l, i brauch kan Ring, I wül’ z'ruck hintan Semmering. I brauch nur des biß’l Geld, für die Fahrt nach Fürstenfeld. Refrain: (2 mal)

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WESTERLAND (Die Aerzte) G

D

em

Ah

ah

ah

C

G

D

em

C

Ah

ah

ah

Oho

G Jeden Tag sitz' ich am Wannsee D und ich hoer den Wellen zu. G Ich lieg hier auf meinem Handtuch D Und ich finde keine Ruh C em Diese eine Liebe wird nie zuende gehen. C D Wann werd ich sie wiedersehen. Manchmal schliesse ich die Augen, stell mir vor ich sitz' am Meer. Dann denk' ich an diese Insel, und das Herz wird mir so schwer. Diese eine Liebe ... Ref. G D em C Oh ich hab solche Sehnsucht G D em C Ich verliere den Verstand G D em C Ich will wieder an die Nordsee ohoho am C G Ich will zurueck nach Westerland Wie oft stand ich schon am Ufer, wie oft sprang ich in die Spree. Wie oft mussten sie mich retten, damit ich nicht untergeh. Diese eine Liebe ... Oh ich hab solche Sehnsucht ... F ..es ist zwar etwas teurer G Dafuer ist man unter sich F G D Und ich weiss jeder zweite hier ist genauso bloed wie ich Oh, ich hab solche Sehnsucht ... Version 04 /1.01 April 2004

C

(2x) 603

1000 UND 1 NACHT KLAUS LAGE

1. Strophe: F#m Du wolltest Dir bloß den Abend vertreiben, D E F#m Und nicht grad allein geh'n und riefst bei mir an. F#m Wir waren nur Freunde und wollten's auch bleiben, D E F#m Ich dacht nicht im Traum, daß was passieren kann. A E D A Ich weiß nicht, wie ewig wir zwei uns schon kennen. Hm A D E Deine Eltern sind mit meinen damals Kegeln gefahrn, A E D A Wir blieben zu Haus, Du schliefst ein vorm Fernsehen. D F#m H D Wir war'n wie Geschwister in all den Jahr'n. Refrain: A E F#m Tausend mal berührt, tausend mal is nix passiert. Hm E4 E F#m E F#m Tausend und eine Nacht und es hat Zoom gemacht. 2. Strophe: F#m D E A Erinnerst Du Dich, wir ham Indianer gespielt, D Hm C#m F#m Und uns an Fasching in die Büsche versteckt, F#m D E A Was war eigentlich los, wir ham nie was gefühlt D Hm C#m F#m So eng nebeneinander und doch garnix gecheckt. A E D A War alles ganz logisch, wir kennen uns zu lange, Hm A D E Als daß aus uns noch mal irgend was wird, A E D A Ich wußt wie Dein Haar riecht, und die silberne Spange D F#m H D Hatt ich doch schon tausendmal beim Tanzen berührt. Refrain: 3. Strophe: Oh, wie viele Nächte wußt ich nicht was gefehlt hat. War nie drauf gekommen, denn das warst ja du, Und wenn ich dir oft von meinen Problemen erzählt hab, Hätt ich nie geahnt, du warst der Schlüssel dazu. Doch so aufgewühlt hab ich dich nie gesehen, Du liegst neben mir, und ich schäm mich fast dabei, Was war bloß passiert, wir wollten tanzen gehen, Alles war so vertraut und jetzt ist alles neu. Refrain (2 mal): Version 04 /1.01 April 2004

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ES WAR SOMMER G a 1. Es war ein schöner Tag, der letzte im August, G a die Sonne brannte so, als hätte sie`s gewußt. G h a G Die Luft war flirrend heiß, und um allein zu sein, C a D sagte ich den andern : Ich hab heut keine Zeit. G C a Da traf ich sie, und sah in ihre Augen, D G C D und irgendwie hatt ich das Gefühl, G F C G -C-D als winkte sie mir zu und schien zu sagen: Komm, setz dich zu mir! G C a Ich war sechzehn und sie einunddreißig, D G C D und über Liebe wußte ich nicht viel. G F C Sie wußte alles und sie ließ mich spüren, G -C-D G -C-D ich war kein Kind mehr, und es war Sommer. G a 2. Sie gab sich so, als sei ich überhaupt nicht da, G a und um die Schultern trug sie nur ihr langes Haar. G h a G Ich war verlegen und ich wußte nicht, wohin, C a D mit meinem Blick, der wie gefesselt an ihr hing. G C a -D Ich kann verstehn, hörte ich sie sagen, G C D nur weil du jung bist, tust du nicht, was du fühlst. G F C G -C-D Doch bleib bei mir, bis die Sonne rot wird, dann wirst du sehen. G C a -D Wir gingen beide hinunter an den Strand, G C D und der Junge nahm schüchtern ihre Hand. G F C Doch als ein Mann sah ich die Sonne aufgehn, G -C-D G -C-D und es war Sommer es war Sommer G C a Es war Sommer, das erste Mal im Leben, D G C D es war Sommer, das allererste Mal, G F C G C-D und als ein Mann sah ich die Sonne aufgehn, und es war Sommer. G C a D G Es war Sommer, das erste Mal im Leben, es war Sommer..... (Peter Maffey)

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FLUGZEUGE IM BAUCH e -h 1. Du hast'n Schatten im Blick, dein Lachen ist gemalt, C e deine Gedanken sind nicht mehr bei mir, a G -C streichelst mich mechanisch, völlig steril, a G eiskalte Hand, mir graut vor Dir. e -h Ich fühl' mich leer und verbraucht, alles tut weh, C e hab' Flugzeuge in meinem Bauch, a G -C kann nichts mehr essen, kann Dich nicht vergessen, F G aber auch das gelingt mir noch. C F G C Oh, gib mir mein Herz zurück, du brauchst meine Liebe nicht, F G a Gib mir mein Herz zurück, bevor es auseinanderbricht. e F G e F G C Je eher, je eher du gehst, umso leichter, umso leichter wird's für mich. e -h 2. Ich brauch' niemand der mich quält, niemand, der mich zerdrückt, C e niemand, der mich benutzt, wann er will, a G C niemand, der mit mir redet, nur aus Pflichtgefühl , F G der nur seine Eitelkeit an mir stillt. e h Niemand, der nie da ist, wenn man ihn am nötigsten hat, C e wenn man nach Luft schnappt, auf dem Trocknen schwimmt. a G C F G Laß' mich los, oh, laß' mich in Ruhe, damit das ein Ende nimmt ! + REFR. + Vers 1 + REFR. + Fm - C - Fm - C (Herbert Grönemeyer)

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ALKOHOL Herbert Goenemeyer Dm Bb Wir haben wieder die Nacht zum Tag gemacht,  Dm Bb ich nehm mein Frühstück Abends um acht. Dm Bb Gedanken fließen zäh wie Kaugummi  Dm Bb mein Kopf ist schwer wie Blei, mir zittern die Knie. Dm Bb  Gelallte Schwüre in rot­blauem Licht Dm Bb  40% iges Gleichgewicht Dm Bb  Graue Zellen in weicher Explosion Dm Bb  Sonnenaufgangs und Untergangs Vision. C    Bb Was ist hier los, was ist passiert? C   Bb Ich hab bloß meine Nerven massiert. Dm Bb  Alkohol ist ein Snitäter in der Not Dm    Bb Alkohol ist ein Fallschirm und ein Rettungsboot Dm Bb Dm    C Alkohol ist das Drahtseil auf dem du stehst Alkohol, Alkohol Nobelscene träumt von Cocaine  und auf dem Schulklo richts nach Gras.  Der Apotheker nimmt Valiumoxid  und wenn es dunkel wird greifen Sie zum Glas.  Was ist hier los, was ist passiert?  Ich hab bloß meine Nerven massiert. Alkohol ist ein Snitäter in der Not Alkohol ist ein Fallschirm und ein Rettungsboot Alkohol ist das Drahtseil auf dem du stehst Alkohol ist das Schiff mit dem du untergehst Alkohol ist das Dressing für deinen Kopf Salat Alkohol Alkohol Alkohol

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MÄNNER - HERBERT GRÖNEMEYER   am                  F    G               C                           Männer neh’m in den Arm. Männer geben Geborgenheit. Am             F        G                     E Männer weinen heimlich. Männer brauchen viel Zärtlichkeit.    dm                 F        dm                                 G7 Oh Männer sind so verletzlich, Männer sind auf dieser Welt einfach  unersetzlich. Männer kaufen Frauen. Männer stehen ständig unter Strom. Männer baggern wie blöde. Männer lügen am Telefon. Männer sind allzeit bereit. Männer bestechen durch ihr Geld und ihre  Lässigkeit. G       C              F        G            C       F       G Männer habens schwer, nehmens leicht, außen hart und innen  ganz weich,     C              F      G werd’n als Kind schon auf Mann geeicht.        C    F    G              (F G F) //:Wann ist ein Mann ein Mann?                  :// (3x)     F                     G           Männer führen Kriege. Männer sind schon als Baby blau.     F                      G    Männer rauchen Pfeife. Männer sind furchtbar schlau.     F                     G                            C       F   G    Männer bauen Raketen. Männer machen alles ganz ganz genau.     F                     C        F   G //:Wann ist ein Mann ein Mann?             :// Männer haben Muskeln. Männer sind furchtbar stark. Männer können alles. Männer kriegen’n Herzinfarkt. Männer sind einsame Streiter, müssen durch jede Wand, müssen immer  weiter. Männer kriegen keine Kinder, Männer kriegen dünnes Haar. Männer sind auch Menschen, Männer sind etwas sonderbar. Männer sind so verletzlich, Männer sind auf dieser Welt einfach  unersetzlich. Männer habens schwer, nehmens leicht... Version 04 /1.01 April 2004

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SKANDAL IM SPERRBEZIRK Einleitung: A

G

D

A

G

D

(SPIDER MURPHY GANG)

E

A G In München steht ein Hofbraühaus doch Freudenhaüser müssen raus, D E damit in dieser schönen Stadt das Laster keine Chance hat! A G Doch jeder ist gut informiertweil Rosi täglich inseriert. D E Und wenn dich deine Frau nicht liebt wie gut daß es die Rosi gibt! A C Hm E Und draußen vor der großen Stadt stehn die Nutten sich die Füße platt A C Hm E Skandal im Sperrbezirk Skandal im Sperrbezirk Skandal, A Skandal um Rosi! A G Ja, Rosi hat ein Telephon auch ich hab'ihre Nummer schon, D E unter 32-16-8 herrscht Konjunktur die ganze Nacht. A G Und draußen im Hotel d'Amour langweilen sich die Damen nur, D E weil jeder, den die Sehnsucht quält ganz einfach Rosis Nummer wählt Ref: A G Ja, Rosi hat ein Telephon auch ich hab'ihre Nummer schon, D E unter 32-16-8 herrscht Konjunktur die ganze Nacht. A G Und draußen im Hotel d'Amour langweilen sich die Damen nur, D E weil jeder, den die Sehnsucht quält ganz einfach Rosis Nummer wählt A C Hm E Und draußen vor der großen Stadt stehn die Nutten sich die Füße platt A C Hm E Skandal im Sperrbezirk Skandal im Sperrbezirk Skandal, A Skandal um Rosi! C D E A Skandal (Moral) Skandal (Moral) Skandal (Moral) Skandal (Moral) C D E A Skandal (Moral) Skandal (Moral) Skandal (Moral) Skandal (Moral) C D E A Skandal (Moral) Skandal; Skandal um Rosi!

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VOLLMOND B ___

F#

Herbert Grönemeyer

B

B du bist voll, ich bin es auch begoß den kummer tief unten in meinem bauch der tag ist gemein, nur die nacht ist lieb schleich um ein und andere haus, gerade wie der letzte dieb F# B versuch schon lange, mir ihr herz zu klauen sie ist stur, ich bin es auch red ihr ein, daß sie mich unendlich braucht laß nicht locker, sei mein kumpan, wir zwei beiden graben sie von allen seiten an steh mir bei, weil nur du es kannst

B: F#: E: A: D: D/F#: G: D/C: Bb:

x244xx 244xxx 022100 x02244 xx0232 2x023x 355xxx x30232 688766

E komm und mach sie süchtig, setz sie auf mich an F# laß mich durch ihren schlaf wandeln, wenn sie sich nicht wehren kann A wenn du das für mich tust, ist abgemacht: dann werde ich zum werwolf und heul dich an um mitternacht D D/F# G A vollmond, setz mich ins rechte licht D D/F# G A vollmond, du weißt, sie will nicht D D/C leucht ihr ins gewissen, mach mir 'nen heiligenschein G ich kann sie nicht mehr missen Bb beeil dich und mach sie mein D A vollmond, ich bin so allein du bist blaß, ich bin es auch wenn bald nichts passiert, steh ich völlig auf dem schlauch du ziehst so edel überlegen deine bahn bin so todtraurig, rührt dich das denn überhaupt nicht an? tu was, planet, morgen ist es zu spät mein letzter hoffnungsschimmer, schau mir ins gesicht du mußt es für mich einfädeln, weil es sonst das ende ist ertrink in meinen tränen - und tränen lügen nicht du kannst mich so nicht hängenlassen hilf mir, laß mich nicht im stich vollmond... komm und mach sie süchtig, setz sie auf mich an laß mich durch ihren schlaf wandeln, wenn sie sich nicht wehren kann wenn du das für mich tust, ist abgemacht: dann werde ich zum werwolf und heul dich an um mitternacht vollmond... Solo über Vers mein letzter hoffnungsschimmer, schau mir ins gesicht du mußt es für mich einfädeln, weil es sonst das ende ist wenn du das für mich tust, ist abgemacht: dann werde ich zum werwolf und heul dich an um mitternacht ,vollmond... Version 04 /1.01 April 2004

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MAMBO,

HERBERT GROENEMEYER 198

4

          D                G         A            D        1. Ich hasse nichts mehr, als mich zu verspaeten,           D          G            A          D           die Sonne brennt und im Auto ist s heiss.           D         G             A          D           Ein Hupkonzert wie von tausend Trompeten,           D            G             A             D           ich will zu dir, nun steh ich hier so n Scheiss.           A           Oh...               D                G        A             D      Ref: Ich drehe schon seit Stunden, hier so meine Runden,               D              G          A               D           es trommeln die Motoren, es droehnt in meine Ohren,               D              G             A                D           ich finde keinen Parkplatz, ich komm zu spaet zu dir mein  Schatz                   D              G           A              D           du sitz bei Kaffee und Kuchen und ich muss weiter suchen           D         G     A        D        2. An jeder Ecke stehn Politessen,           D          G        A            D           lauern wie Panther zum Sprung bereit.           D                  G        A              D           hier kannste nicht parken, das kannste vergessen,           D              G        A        D           haben alles im Griff, weit und breit.           A           Oh...

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WAS SOLL DAS

1. Strophe: A Sein Pyjama liegt in meinem Bett, sein Kamm in meiner Bürste steckt. F#m Was soll das? Was soll das? A Seine Schuhe stehn in Reih und Glied, ein Anblick den man gerne sieht. F#m Was soll das? Was soll das? C#m E Sein Aftershave klebt in der Luft, warum hat er nicht gleich meins benutzt. A Was soll das? Was soll das? 2. Strophe: Du sagst, er wohnt ab jetzt bei dir, und zeigst nur stumm auf die Ausgangstür. Was soll das? Was soll das? Du kochst gerade sein Leibgericht, meine Faust will unbedingt in sein Gesicht. Und darf nicht! Und darf nicht! Von Verlegenheit überhaupt keine Spur, er ist nun mal eine Frohnatur. Er grinst nur! Er grinst nur! Refrain: A D E A D Womit hab ich das verdient, daß der mich so blöde angrient? A E A Warum hast du mich nicht wenigstens gewarnt? Oh D E A D Zu einer betrognen Nacht hätt ich vielleicht nichts gesagt, A E A D Hätt mich zwar schockiert, wahrscheinlich hätt ich's noch kapiert. A E A Aber du hast ja, Uh, gleich auf Liebe gemacht! 3. Strophe: Sein Kopf stützt sich auf sein Doppelkinn, seit wann zieht's dich zu Fetteln hin? Los, sag was. Los, sag was. Wie man an einen solchen Schwamm sein Herz einfach verschleudern kann?! Los, sag was. Los, sag was. Ich laß dich viel zu oft allein, aber der muß es doch nun wirklich nicht sein! Was soll das? Was soll das? Refrain:

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4. Strophe: D Hm D Hm Ihr glotzt mit euren Unschuldsmienen wie zwei, die einander verdienen, D A E Spielt verliebt, doch ihr lacht zu laut. D Hm D Hm Hat dich, beim Wühlen in den Kissen, denn nie dein Gewissen gebissen? D A E H F# H Seit wann bist du so abgebrüht, hast mich so schnell abgeliebt? Oh Refrain : Refrain: H E F# H E Womit hab ich das verdient, daß der mich so blöde angrient? H F# H Warum hast du mich nicht wenigstens gewarnt? Oh E F# H E Zu einer betrognen Nacht hätt ich vielleicht nichts gesagt, H F# H E Hätt mich zwar schockiert, wahrscheinlich hätt ich's noch kapiert. H F# H Aber du hast ja, Uh, gleich auf Liebe gemacht!

ICH BRECH DIE HERZEN

(HEINZ RÜHMANN)

G Em Am7          D7   G               Em7      A7     D7  Liebe ist kein Problem, ich find' sie herrlich und angenehm.  G          Em      A7               Em7             A7          D7  Wenn eine hübsch ist wird sie geküßt, seh'n Sie, wie einfach das ist! G                          F#  Ich brech' die Herzen der stolzesten Frauen,  G                            E7  weil ich so stürmisch und so leidenschaftlich bin;  Am7                      D7               G7    C7           G  mir braucht nur eine ins Auge zu schau'n, und schon ist sie hin!

Ich hab bei Frauen so schrecklich viel Glück, das ist kein Wunder, denn  mein Sternbild ist der Stier; mein Blut ist Lava, und das ist mein Trick,  das liebt man an mir! D              Em7           AD                     E7         A7  Ich lach sie an und sage schlau Sie sind die Rieht' gegnädige Frau!  F#               C#                   F  G   Am7  D7  Komm ich in Glut.dann ist mir jede so gut. Ich brech' die Herzen der stolzesten Frau'n, weil ich so stürmisch und  so leidenschaftlich bin; mir braucht nur eine ins Auge zu schau'n, und  schon ist sie hin!

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BILDER VON DIR LAITH AL-DEEN   E                                          A Bilder von dir überdauern – bis in alle Zeit   E                                                                 A Bilder von dir überdauern – bis in die Ewigkeit      Em      (Beda­beda­beda­beda.....) Chorus:   E                                                           A Bilder von dir überdauern – bis in alle Zeit bis in alle Zeit, bis in alle Zeit   E                                         A Bilder von dir überdauern – bis in die Ewigkeit  in die Ewigkeit, in die Ewigkeit. 

 E  A Meine Worte hüllt in Schweigen,  so können sie nicht flieh’n.     E Das was dunkel macht das bleibt und lässt das andre zieh’n.     A Ich kann nicht sagen und will nicht vergessen Oh nein, nein, nein                                                    E Wie ich es seh’, wie ich es seh’.     A Worte sind wie Pulver,  wenn du den Himmel kennst     E Ich fühl’s in meinem Kopf, fühl’s überall hab’s lang vermisst     A Ich kann nicht sagen, will nicht vergessen Oh nein, nein, nein                                                   Em  Wie ich es fühl, wie ich es fühl.     (Beda­beda­beda­beda.....) Chorus  E                                                           A Bilder von dir überdauern – bis in alle Zeit bis in alle Zeit, bis in alle Zeit   E                                                                 A Bilder von dir überdauern – bis in die Ewigkeit  in die Ewigkeit, in die Ewigkeit.  E                                                           A Bilder von dir überdauern – bis in alle Zeit bis in alle Zeit, bis in alle Zeit   E                                                                 A Bilder von dir überdauern – bis in die Ewigkeit  in die Ewigkeit, in die Ewigkeit.     Em      (Beda­beda­beda­beda.....)

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                                               A nicht das kleinste Stück von mir du lässt mich taumeln,                                                                     E lässt mich wanken, die Luft ist voll von dir    A Ich kann nicht sagen, will nicht vergessen Oh nein, nein, nein                                                    E  Wie ich es fühl, wie ich es fühl.                                                   A Wie ich es fühl, wie ich es fühl.                                                    E  Wie ich es fühl, wie ich es fühl.     A    Ich kann nicht sagen, will nicht vergessen oh nein, nein, nein                                            E         A                       E  A  Wie ich es fühl, wie ich es füü­ ü­ ühl    wie ich es füü­ ü­ ühl    (ohu ohu ohu)  Chorus  E                                                           A Bilder von dir überdauern – bis in alle Zeit bis in alle Zeit, bis in alle Zeit   E                                                                 A Bilder von dir überdauern – bis in die Ewigkeit  in die Ewigkeit, in die Ewigkeit.  E                                                           A Bilder von dir überdauern – bis in alle Zeit bis in alle Zeit, bis in alle Zeit   E                                                                 A Bilder von dir überdauern – bis in die Ewigkeit  in die Ewigkeit, in die Ewigkeit

CARBONARA – Spliff e D e D Io voglio viaggiare in Italia in paese dei limoni e D e D Brigade Rosse e la Mafia cacciano suIla Strada del Sol. G F G F Distruzione della Lira Gelati Motta con brio, G F G F Tecco mecco con ragazza ecco la mamma de amore mio. e D e D Sentimento grandioso per Italia baciato da sole caIda e D e D borsellino e vuoto totale percio mangio sempre solo. a7 G C G D G D Spaghetti - Carbonara - e una Coca Cola, a7 G C G D G D Carbonara - e una Coca Cola, a7 G C G D G D //:Carbonara - e una Coca Cola, :// Scusi, Senorina, willst du auch'n Spliff? Oder stehst du nur auf Männer mit Schlips? Version 04 /1.01 April 2004

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Ich hab sonst nichts was ich dir geben kann, aber blond bin ich, is das vielleicht nix? Amaretto ist ein geiles Zeug - ich bin schon lull und lall, hab keine Ahnung ob du mich verstehst, doch du lächelst und mein Herz tut 'n Knall. Belladonna, ich lad dich jetzt zum Essen ein - mangiare, tu capito? andiamo ! Asti Spumante wird es nicht gerade sein! aber dafür gibt's schon wieder mal Spaghetti Carbonara - e una Coca Cola, Carbonara - e una Coca Cola, . . .

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HEUT NACHT SPLIFF

Schau uns an, die ganze Nacht heut Nacht Du stehst an der Tür deine Stimme Sandpapier warum bleibst du nicht hier heut Nacht? Wir sind still und reden nicht viel heut Nacht Die Lust ist los die Liebe groß heut Nacht Diese Nacht gehört dir doch du blickst zur Tür warum bist du nicht hier heut Nacht? Küß mich, bevor du gehst Küß mich, bevor du gehst Küß mich, bevor du gehst heut Nacht Schau uns an, die ganze Nacht heut Nacht Die Stadt schläft, und wir sind wach heut Nacht ich hab dein Bild in der Hand den letzten Satz an der Wand und tausend Träume von dir Küß mich, bevor du gehst Küß mich, bevor du gehst Küß mich nochmal bevor du gehst heut Nacht

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AUF 'NER EINSAMEN INSEL - MARIUS MÜLLER WESTERNHAGEN   G                D           G Ich bin aus der Not heraus geboren G              C                   G Meine Unschuld hab' ich früh verloren C             D Meine Mutter, schwer Bambule G               C Rock'n'roll is' was für Schwule G          D          G Rosarotes Plastikneglige          C       G Auf 'ner einsamen Insel           D         G Auf 'nem fernen Planeten C                 G Wird sich dann erweisen D              G Ob es mit uns geht G              D             G Ich bin einer von den geilen Söhnen G              C              G die 'ne reiche Witwe gern verwöhnen C              D Ich zahl keine Kirchensteuer G               C Lieber leg' ich bei Dir Feuer G                      D Ich kann schönen Frau'n nicht wiedersteh'n

Auf 'ner einsamen Insel Auf 'nem fernen Planeten Wird sich dann erweisen Ob es mit uns geht

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G                C            G Über Deinen Venushügel geh'n Refrain:

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DICKE, MARIUS MUELLER-WESTERNHAGEN '78           A        1. Ich bin froh, daß ich kein Dicker bin             G           Denn dick sein ist 'ne Quälerei           F           Ich bin froh, daß ich so'n dürrer Hering bin                 E           Denn dünn bedeutet frei zu sein                 a           Mit Dicken macht man gerne Späße             G           Dicke haben Atemnot                F           Für Dicke gibt's nichts anzuzieh'n             E           Dicke sind zu dick zum flieh'n            a           Dicke haben schrecklich dicke Beine             G           Dicke ha'm 'n Doppelkinn             F           Dicke schwitzen wie die Schweine             E           Stopfen Fressen in sich 'rin                     a      Ref: Und darum bin ich froh, daß ich kein Dicker bin                 G           Denn dick sein ist 'ne Quälerei            F           Ich bin froh, daß ich so'n dürrer Hering bin                 E           Denn dünn bedeutet frei zu sein            a        2. Dicke haben Blähungen             G           Dicke ha ''nen dicken Po                F           Und von den ganzen Abführmitteln             E           Rennen Dicke oft auf's Klo REF            a        3. Dicke müssen ständig fasten             G           Damit sie nicht noch dicker werd'n                F           Und ham' sie endlich zehn Pfund abgenommen                 E           Dann kann man es noch nicht mahl seh'n            a Version 04 /1.01 April 2004

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          Dicke ha 's auch schrecklich schwer mit Fraun'                  G           Denn Dicke sind nicht angesagt                  F           Drum müssen Dicke auch Karriere machen                 E           Mit Kohle ist man auch als Dicker gefragt

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GEILER IS' SCHON - MARIUS MÜLLER WESTERNHAGEN D                 Ich brauche kein Geld. Ich brauch' keine Frau'n.  G                          D     Ich brauch' kein Ferrari, kein Bad mit Schaum.       G                       E          Ich brauch' auch kein Schloß und kein Sonnenschein.      E7                    A Ich muß auch kein Rock'n Roll ­ Star sein.       D                        C Ich brauche kein' Whiskey und kein Kokain.       G                            D Aber geiler is' schon, als in der Gosse zu liegen.

Ich kann mit dir leben in einem Zimmer. Mit 'nem Klo über`m Hof und 'ner Menge Kummer. Ich klag' auch nicht, wenn die Kinder schrei'n. Wenn deine Mutter mich schimpft, Schuld sei ich allein. Es macht mir nichts aus, wieder arbeitslos: Aber geiler wär's schon, wir hätten viel Moos.

Drum glaub an mich Kleines, wenn ich die Seiten dresche. Ich sing' den Blues und du machst die Wäsche. Hab' mit mir Geduld, ich schreib' einen Hit. Und wenn ich das bringe, dann nehm' ich dich mit. Dann trinken wir Schampus bis wir verrecken.  Und wer das nicht geil find', der kann uns mal.

ICH HAB MEINEN SPASSMM WESTERNHAGEN Ich hab’ meinen Spaß, Du hast deinen Spaß Ne Frau und ein Mann, Darauf ist Verlass Aber lieben werd’ ich dich nie Aber lieben werd’ ich dich nie Dein Hintern ist Rund, Die Sünde dein Mund Süßer Gestank,Vor Geilheit ganz krank Aber lieben werd’ ich dich nie Aber lieben werd’ ich dich nie

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Tiere sind wir,Ja, Tiere sind wir Du stillst meine Gier, Ich still deine Gier Aber lieben werd’ ich dich nie Aber lieben werd’ ich dich nie

HASS MICH ODER LIEB MICH MM Westernhagen Hass mich oder lieb mich, das ist mir egal Hass mich oder lieb mich, dein Bett ist so schmal gib mir ein Stück von der Decke , meine Füsse sind kalt Hass mich oder lieb mich, rück näher an mich ran hass mich oder lieb mich , komm fass mich an ein klein bisschen Liceb, morgen früh kommt dein Mann bezieh das Bett frisch, damit er nichts merkt und meinen Geruch , den duschst du dir ab Hass mich oder lieb mich, heut Nacht haben wir Zeit hass mich oder lieb mich, so jetzt schließe dein Kleid wenn ich dein armer mann wär , dann täte ich mir leid

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JOHNNY WALKER WESTERNHAGEN

C                    F              C Johnny Walker, jetzt bist du wieder da C                    F                G Johnny Walker, ich zahl dich gleich in bar G7                F                  C Johnny Walker, du hast mich nie enttäuscht  G7                F            C Johnny, du bist mein bester Freund    C                    F          C Johnny Walker, immer braun gebrannt C                    F                G Johnny Walker, mit den Rücken an die Wand G7                F                  C Johnny Walker, komm gieß dich nochmal ein  G7              F           C Johnny, laß dreizehn g'rade sein        G7                           F              C      Ich hab's versucht ich komme ohne dich nicht aus      E                       Am      Wozu auch? Du gefällst mir ja      F                    C      Kein Mensch hört mir so gut zu wie du      G7               F                  C      Und Johnny, du lachst mich auch nie aus   C                    F              C Johnny Walker, ich glaub nicht an den Quatsch C                    F               G Johnny Walker, du wärst 'ne Teufelsfratz G7                F                C Johnny Walker, von mir aus rüste mich  G7               F           C Johnny, ich fühl mich königlich        G7                            F              C      Ich hab's versucht ich komme ohne dich nicht aus      E                       Am      Wozu auch? Du gefällst mir ja      F                    C      Kein Mensch hört mir so gut zu wie du      G7               F                  C      Und Johnny, du lachst mich auch nie aus   C              F           C Johnny Walker, na na na na na  C              F           G Johnny Walker, na na na na na G7                F                  C Version 04 /1.01 April 2004

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Johnny Walker, du hast mich nie enttäuscht  G7                F            C Johnny, du bist mein bester Freund       Noch zweimal   G7                F            C     G7                F            C Johnny, du bist mein bester Freund   Johnny, du bist mein bester Freund   

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EIN LOCH IN DER TASCHE MARIUS MÜLLER WESTERNHAGEN

Ich hab in Loch in meiner Tasche, und das kann man nicht mehr nähen. Ich hab ein Loch in meiner Tasche, und das kann man nicht mehr nähen. Steck ich mal Geld in meine Tasche, hab ich es nie wieder gesehn. Ich hab ein Loch in meinem Hirn und das kann man nicht mehr nähen. Ich hab ein Loch in meinem Hirn und das kann man nicht mehr nähen. Und hab ich dir was versprochen, dann wirst du davon wohl nicht sehn. Ich hatt´ ´nen Job, aber mein Chef, der wollt´ mich nicht verstehn. Ich sollte immer nur malochen doch ich, ich will auch leben. Jetzt hat er ´n Loch in seiner Kasse und das kann man nicht mehr nähen. Der Kies verschwand in meiner Tasche und er ward nie mehr gesehn. Ich hatt´ ´ne liebe, nette Frau doch die wollt´ mich nicht verstehn. Sie wollt´n Reihenhaus mit Garten doch ich, ich will auch leben. Jetzt hat sie ´n Loch in ihrem Herzen und das kann kein Arzt mehr nähen. Leider gab es Zeugen, Frau Schulz konnt´ jedes Wort verstehen. Meine Mutter sagte zu mir: Junge lüg mich nicht so an. Du hast noch mindestens zwanzig Jahre. Die Polizei, die kam hier an. Die ha´m ´n Loch in ihrem Gefängnis und das kann man nicht mehr nähen. Sie ha´m gesagt, wenn sie dich kriegen dann werd´ ich dich nie wieder sehn. Da ist ein Loch in meinem Leben und das kann kein Mensch mehr nähen. Da ist ein Loch in meinem Leben und das kann kein Mensch mehr nähen. Darum rat ich euch zu schweigen,sonst wird es euch wie meiner Frau ergehn.

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MIT 18 (M.M WESTERNHAGEN)  [Ich hab ‘n Luxusauto und ich hab ‘ne tolle Wohnung. Doch was mir fehlt, doch was mir fehlt, das ist ‘ne richtige Dröhnung!]     A                C                   D                         A Mit 18 rannt ich in Düsseldorf rum, war Sänger in ner Rock’n Roll Band.   A                 C                  E Meine Mutter nahm mir das immer krumm, ich sollt was seriöses werden. Wir verdienten vierhundert Mark pro Auftritt für ‘ne Rolling Stones Kopie. Die Gitarren verstimmt, doch es ging tierisch los und wir hielten uns für Genies.        A                      C       Ich möcht zurück auf die Straße,  D                            A   möcht wieder singen, nicht schon, sondern geil und laut.  A                         C                      A   Denn Gold findt man bekanntlich im Dreck, und Straßen sind aus Dreck gebaut. Nach jedem Gig zum Hühnerhugo, dort verfraßen wir unser Geld. Was solln wir schon machen mit den paar Mark, ich hab mir’n Verstärker bestellt.   Ich möcht zurück... An Mädchen hat es uns nie gemangelt auch ohne dickes Konto. Wir kratzten den letzten Dope zusammen und flogen ab nach ... ­ wohin du willst.   Ich möcht zurück... Jetzt sitz ich hier, bin etabliert und schreib auf teuren Papier ein Lied über meine Vergangenheit, damit ich den Frust verlier...   Ich möcht zurück...

MIT

PFEFFERMINZ BIN ICH DEIN PRINZ

­ Marius Müller­Westernhagen E Draussen ist es grau ich sitz mit dir hier, blau  ob ich mir ein Küsschen klau? "Lass das doch, du alte Sau!" A                                                E Liebling, lass uns tanzen, das tut dem Blutdruck gut B                        A                            E   Liebling, lass uns tanzen, denn tanzen darf ein jeder Jud E                                    Neger, die sind dunkel, im Dunkeln lässt sich's munkeln,  an der Macht, da sind die Weissen, darauf reimt sich sch... A                                                E Liebling, lass uns tanzen, Sylvester giessen wir Blei B                                A                             E Liebling, lass uns lauter singen, dann sind auch wir bald vogelfrei Pippi ist kein Name und auch kein Getränk,  mancher muss schon rennen, wenn er nur an Pippi denkt Liebling, lass uns tanzen, du wackelst ja wie Kleister, wie Kleister Mein Hund heisst Fritz oder Franz oder so, und wenn man ihn tritt dann beisst er, dann beisst er Glaubst du an den lieben Gott oder an Guevara? Version 04 /1.01 April 2004

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Ich glaube an die Deutsche Bank, dann die zahlt aus in bar ­ aaah Liebling, lass uns tanzen, hast du noch 'nen Pfefferminz Liebling, lass uns tanzen, mit Pfefferminz bin ich dein Prinz Mit Pfefferminz bin ich dein Prinz ­ Mit Pfefferminz bin ich dein Prinz ( 3 X )

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SEXY - MARIUS MÜLLER WESTERNHAGEN   (Intro) D C G F D D C G F D

D          C SeXy ­ was hast Du bloß aus G    F  D diesem Mann gemacht

D          C SeXy ­ was hat der alte G         F     D Mann Dir denn getan

D          C SeXy ­ wo warst Du bloß,     G    F     D als er nachts aufgewacht

D          C SeXy ­ das tut dem alten G    F      D Mann doch weh

F Du bist 'ne Waffe     G für die es keinen               D Waffenschein gibt

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              D Waffenschein gibt

SeXy ­ er hat sein altes Weib für Dich vom Hof gejagt SeXy ­ für ihn ist jeder Tag der jüngste Tag SeXy ­ Du lässt ihn Deine hohen Stiefel lecken SeXy ­ und Du wirst reich, stirbt er am Herzinfarkt Du bist 'ne Waffe für die es keinen Waffenschein gibt Du bist 'ne Waffe für die es keinen Waffenschein gibt SeXy ­ ich würde alles für Dich tun SeXy ­ ich würde alles für Dich tun SeXy ­ ich würde alles für Dich tun SeXy ­ ich würde alles für Dich tun SeXy ­ für Dich haben Gott und Teufel 'nen Vertrag geschlossen SeXy ­ ich will und will und will und will nur Dich SeXy ­ ich bin gefangen zwischen Deinen langen Beinen SeXy ­ es ist mir scheißegal, mach' ich mich lächerlich Du bist 'ne Waffe für die es keinen

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Waffenschein gibt

Waffenschein gibt

Du bist 'ne Waffe für die es keinen

SeXy ­ ich würde alles für Dich tun

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FÜR MICH SOLLS ROTE ROSEN REGNEN HILDEGARD KNEF

    a        D7        G           e Mit sechzehn sagte ich still : ich will ...      a               D7 will groß sein, will siegen , hm                   E7 will froh sein , nie lügen.     a        D7        G           e Mit sechzehn sagte ich still : ich will ...      a             D7 will alles ‘ oder nichts.     G    e           a     D7 Für mich soll’s rote Rosen regnen , hm          e         a        D7 mir sollten sämtliche Wunder begegnen;     G    e           a      D7 Die Welt sollte sich umgestalten hm       a        D7         G und ihre Sorgen ‘ für sich behalten.

    a      D7        G          e Und später sagte ich noch . ich will ...    a             D7 verstehen , viel sehen ,    hm         E7 erfahren , bewahren;     a      D7        G          e und später sagte ich noch : ich möcht’       a                      D7 nicht allein sein ‘ und doch frei sein

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    G    e           a     D7 Für mich soll’s rote Rosen regnen , hm          e         a        D7 mir sollten sämtliche Wunder begegnen;     G     e           a        D7 das Glück sollte sich sanft verhalten, hm           a               D7       G es soll mein Schicksal ‘ mit Liebe verwalten.     a     D7       G           e Und heute sage ich still : ich sollt’      a          D7 mich fügen , begnügen, hm                  E7 ich kann mich nicht fügen,      a          D7  kann mich nicht begnügen,      hm         E7 will immer noch siegen      a            D7 will alles ‘ oder nichts ...

    G     e          a     D7 Für mich soll’s rote Rosen regnen , hm          e         a        D7 mir sollten ganz neue Wunder begegnen;      G    e         a      D7 mich fern vom Alten neu entfalten ,     hm          a        D7         G von dem , was erwartet , das meiste halten. Version 04 /1.01 April 2004

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    a    D7    G ich will , ich will ... ­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­

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SYMPATHIE FÜR DEN TEUFEL E D A E 1. Erlauben Sie, daß ich mich vorstell, ich bin ein Mann von Welt und Stil, D A E ich gehe um seit einer Ewigkeit, raube Seelen, kenne kein Gefühl. D A E Ich war da, als Jesus voller Zweifel war und er rief in seiner Qual, D A E und als Pilatus sich die Hände wusch, erfüllte sich sein Schicksal. H7 E Angenehm, erraten Sie, wer ich bin ? H7 E Was sie irritiert, ist mein Handeln ohne Sinn. E

2.

D A E Ich schlich herum in St. Petersburg an jenem Oktobertag, D A E riß den Zar von seinem Thron, Anastasia schrie und unterlag. D In vielen Kriegen war ich Panzergeneral, A E und machte aus der Welt ein blutiges Tal.

H7 E Angenehm, erraten Sie, wer ich bin ? H7 E Was sie irritiert, ist mein Handeln ohne Sinn. E D 3. Ich lachte laut, weil die Lügner regier'n, A E sie schaffen Götzen, für die ganze Völker krepier'n. D Ich hab gebrüllt, wer hat die Kennedys gekillt, A E waren es denn eigentlich nicht du und ich ? D A E So erlauben Sie, daß ich mich vorstell, ich bin ein Mann von Welt und Stil, D A E für Sänger leg ich Fallen, sie sterben in kalten Musikhallen. H7 E Angenehm, erraten Sie, wer ich bin ? H7 E Was sie irritiert, ist mein Handeln ohne Sinn. E D A E 4. So wie der Frömmste fallen kann und jeder Sünder heilig ist, D A E nenn du mich Engel Luzifer, weil man den wahren Namen zu oft vergisst. D A E So hab Respekt, wenn du mich triffst mach's mit Sympathie und Verstand, D A E und zeige mir, wie höflich du bist, oder ich hab deine Seele in der Hand. H7 E Angenehm, erraten Sie, wer ich bin ? H7 E Was sie irritiert, ist mein Handeln ohne Sinn. E–D–A–E E–D–A–E (Udo Lindenberg)

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MACKIE MESSER (Listen to midi)

C d G - G7 1. Und der Haifisch, der hat Zähne, und die trägt er a d G - G7 und der Mackie hat ein Messer, doch das Messer

C im Gesicht, C sieht man nicht.

C d G - G7 2. Ach, es sind des Haifisch's Flossen, rot, wenn dieser a d G - G7 Mackie Messer trägt 'nen Handschuh, drauf man keine

C Blut vergießt, C Untat sieht.

C d G - G7 C 3. An 'nem schönen blauen Sonntag liegt ein toter Mann am Strand, a d G - G7 C und ein Mensch geht um die Ecke, den man Mackie Messer nennt. C d G - G7 4. Und der Haifisch, der hat Zähne, und die trägt er a d G - G7 und der Mackie hat ein Messer, doch das Messer

C im Gesicht, C man sieht es nicht.

C d G - G7 C 5. Und die minderjährige Witwe, deren Namen keiner weiss, a d G - G7 C wachte auf und war geschändet, Mackie, welches war dein Preis. C d G - G7 C 6. Und der Haifisch, der hat Zähne, und die trägt er im Gesicht, a d G - G7 C und der Mackie hat ein Messer, doch das Messer man sieht es nicht. G - G7 C Doch das Messer man sieht es nicht. G - G7 F -C Doch das Messer man sieht es nicht. (Udo Lindenberg)

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JUNIMOND

ECHT

Verse 1:                   G Die  Welt schaut rauf C           D  zu meinem Fenster.            G    Mit müden Augen         C           D ganz staubig und scheu               G     C           D Ich bin hier oben, auf meiner Wolke.               G            C           Bm   Ich seh dich kommen, aber du gehst vorbei.   Bridge:                             Em   C  Doch jetzt tuts nicht mehr weh,                         Em   A  jetzt tuts nicht mehr weh...      Bm                          A Und alles bleibt stumm und kein Sturm                           B kommt auf wenn ich dich seh   Chorus:            E    D      C Es ist vorbei, byebye Junimond!     D      Em  D G Es ist vorbei,                  F  C      D Es ist vorbei,   byebye    Verse 2:        G     C           D 2000 Stunden  hab ich gewartet,              G       C             D ich hab sie alle gezählt und verflucht.             G         C            D Ich hab getrunken, geraucht und gebetet.               G              C           Bm Hab dich flussauf ­ und flussabwärts gesucht   Version 04 /1.01 April 2004

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MAMY BLUE Dieter Thomas Kuhn & Band Intro:

Am

Am Ich ging im Zorn einst von Dir fort, ganz ohne Kuss und Abschiedswort, G Am ich drehte mich nicht einmal um, oh mamy. Am Ich sah das Leben und die Welt und plötzlich hab' ich festgestellt, G wie sehr mir Deine Liebe fehlt, Am oh mamy, ich fühl' mich so allein. Am Dm Oh mamy, oh mamy, mamy blue Am oh mamy blue. Am Dm Oh mamy, oh mamy, mamy blue, Am oh mamy blue. Am Heut' komm' ich reuevoll nach Haus', wie fremd und kalt sieht alles aus, G Am ich rufe und Du bist nicht da, oh mamy. Am Ich will Dich doch noch einmal seh'n, (oh mamy) nur Du allein kannst mich versteh'n, (oh mamy) G doch meine Arme bleiben leer. (oh mamy) Am Zu spät! Du lachst nie mehr. Am Dm Oh mamy, oh mamy, mamy blue Am oh mamy blue. Am Dm Oh mamy, oh mamy, mamy blue, Am oh mamy blue. Am Dm Oh mamy, oh mamy, mamy blue Dm oh mamy blue. Version 04 /1.01 April 2004

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Am Dm Oh mamy, oh mamy, mamy blue Am oh mamy blue. Am Wer gibt mir nun Geborgenheit? (oh mamy) Wer liebt mich und hat für mich Zeit? (oh mamy) G Die Wände seh'n mich schweigend an, (oh mamy) Am oh mamy - was hab' ich Dir getan? Am Der Wind weht rauh wie nie zuvor, (oh mamy) und ich begreif', was ich verlor, (oh mamy) G das Haus ist kein Zuhause mehr. (oh mamy) Am Ich geh'! Mein Schritt ist mühlenschwer. Am Dm Oh mamy, oh mamy, mamy blue Am oh mamy blue. Wo bist Du? Am Dm Oh mamy, oh mamy, mamy blue, Am oh mamy blue. Ich ruf Dich mamy, mamy!!! Am Dm Oh mamy, oh mamy, mamy blue Am oh mamy blue. Wo bist Du? Am Dm Oh mamy, oh mamy, mamy blue Am oh mamy blue. Am Dm Oh mamy, oh mamy, mamy blue Am oh mamy blue. Am Dm Oh mamy, oh mamy, mamy blue Am oh mamy blue.

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ÜBER DEN WOLKEN Otto Waalkes Am D G Ach wie hab' ich mich gefreut, auf die schönste Zeit des Jahres. Am D G Eine Reise um die Welt, und das schon für wenig baares. Am D G Die Flugzeugsitze eng und klein, Die Knie bis unters Kinn gezogen. Am D G Meine Beine Schlafen ein, Ach wär ich bloß nicht mitgeflogen. Ref:

Am D G Hey, Über den Wolken, muß die Beinfreiheit grenzenlos sein.

Am D7 G Alle Ängste, alle Sorgen, sagt man, blieben darünter verborgen und dann. C G Man sagt, es sei viel Platz in den Maschinen, D G doch wir sitzen hier wie Ölsardinen. Am D G Der Reiseleiter ist empört: "Wann gibt's endlich was zum essen?" Am D G "Das ist ja wirklich unerhört, Ham' die den Proviant vergessen!" Am D G Selbst der Copilot ist High, drosselt plötzlich die Motoren. Am D G Dolly Buster fliegt vorbei. Man erkennt sie an den Ohren. Ref: Am D G Die Stewardess ist unrasiert, und außerdem 'ne fette Schlampe. Am D G Gleich in Brechtüten serviert sie die allerletzte Pampe. Am D G Das letzte Luftloch war nicht schön. Es qualmt hier schon die ganze Bude. Am D G Mein Gepäck ist in Athen, die Notlandung in Buxdehude.

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GRUND ZUMFEIERN (WE DIDN'T START THE FIRE - BILLY JOEL) G                                 D Faber, Creunarte, Deinhardt lila, Grappa, Calvados, Tequila, Am                           C Asbach Uralt, Spätburgunder, Wehrmut und Pernot. G                        D Williamsbirne, Dujardin, Hennessee, Remi Martin, Am                        C Fernet­Branka, Underberg, Portwein und Bordeaux. G                            D Johnny Walker, Jägermeister, Armaretto, Kellergeister, Am                            C Scharlachberg und Doppelkorn, das Ganze jetzt nochmal von vorn! G                   D Wir haben Grund zum Feiern!        Am                         C Keiner kann mehr laufen, doch wir könn' noch saufen! G                   D Wir haben Grund zum Feiern!         Am                        C Ist uns auch speiübel, bringt den nächsten Kübel. Am                         Em Bommerlunder, Ballantines, heute ist uns alles ein's! Am                           D Birnenschnaps und Apfelwein, wir tun wirklich alles ‚rein! G                              D Whiskey süß und Whiskey sauer, hauptsache wir werden blauer, Am                   C Ramazotti ratzeputz, und ‚ne Buddel Rum. G                            D Gin, Campari, Grand Marnier, endlich tut der Schädel weh, Am                          C mit Dornkaart und Mariacron in's Delirium. G                          D Klosterfrau Melissengeist, oder wie der Stoff sonst heißt. Am                             C                          Kölnisch Wasser, Pitralon, wir rülpsen nicht, wir kotzen schon! G                   D Wir haben Grund zum Reihern!              Am                         C Zerfrisst es auch die Därme, schenkt es uns doch Wärme! G                   D Wir haben Grund zum Feiern!       Am                           D Unser letzter Wille, immer mehr Promille­Promille ­mille ­mille...

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ÜBER DEN WOLKEN

DIETER THOMAS KUHN

G                                   Am    D7                     G Wind nord ­ ost, Startbahn null ­ drei, bis hier hör ich die Motoren.                             Am  D7                     G         Wie ein Pfeil zieht sie vorbei und es dröhnt in meinen Ohren.                        Am    D7                          G   Und der nasse Asphalt bebt, wie ein Schleier staubt der Regen,                            Am     D7           G    bis sie abhebt und sie schwebt ­ der Sonne entgegen.   G         Am      D7                     G   Über den Wolken, muß die Freiheit wohl grenzenlos sein.                    Am                 D7                 G Alle Ängste, alle Sorgen, sagt man, blieben darunter verborgen und dann,  C                       G                   D7                    G   würde, was uns groß und wichtig erscheint, plötzlich nichtig und klein. G                       Am    D7                    G Ich seh´ihr noch lange nach, seh´sie die Wolken erklimmen,                           Am   D7                      G bis die Lichter nach und nach ganz im Regengrau verschwimmen.                      Am  D7                      G Meine Augen haben schon jenen winz´gen Punkt verloren.                          Am  D7               G Nur von fern klingt monoton das Summen der Motoren. G         Am      D7                     G   Über den Wolken, muß die Freiheit wohl grenzenlos sein.                    Am                 D7                 G Alle Ängste, alle Sorgen, sagt man, blieben darunter verborgen und dann,  C                       G                   D7                    G   würde, was uns groß und wichtig erscheint, plötzlich nichtig und klein.   G                          Am    D7                      G Dann ist alles still, ich geh´, Regen durchdringt meine Jacke.                         Am D7                     G    Irgend jemand kocht Kaffee in der Luftaufsichtsbaracke.                             Am      D7                    G In den Pfützen schwimmt Benzin ­ schillernd wie ein Regenbogen.                       Am     D7                   G Wolken spiegeln sich darin ­ ich wär gern mit geflogen. G         Am      D7                     G   Über den Wolken, muß die Freiheit wohl grenzenlos sein.                    Am                 D7                 G Alle Ängste, alle Sorgen, sagt man, blieben darunter verborgen und dann,  C                       G                   D7                    G   würde, was uns groß und wichtig erscheint, plötzlich nichtig und klein.  

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QUANDO QUANDO

CATERINA VALENTE & SILVIO FRANCESCO

  G                          a ­ D7 ­ a ­ D7 ­ a   Sag mir quando, sag mir wann,     D7      a        D7      G  e ­ G ­ e ­ G   sag mir quando, quando, quando.   e         G     e     a ­ D7 ­ a ­ D7 ­ a   Ich dich wiedersehen kann,     D7     a      D7        G ­ e ­ G ­ e ­ G   ich hab immer für dich Zeit.  G                         a ­ D7 ­ a D7 ­ a   Sag mir quando, sag mir wann,     D7      a        D7      G ­e ­ G ­ e ­ G   sag mir quando, quando, quando,   e         G      e      a  D7 ­ a ­ D7 ­ a   ich dich wieder küssen kann,     D7    a      D7     G  ­ e ­ G ­ e ­ G   unter Palmen so wie heut.    e        G  e       d G d G d  G       d    G    C e C e C Laß uns träumen am Meer,        einen Traum von amor,  e         C   e        A e A e A  e      A        e      D­D7 denn so schön wie ein Traum ,      kommt mir dann das Leben vor.   (alles wiederholen mit  REFRAIN)   G                         a ­  D7 ­ a ­ D7 ­ a  Sag mir quando, sag mir wann,    D7       a       D7      G  ­ e ­ G ­ e ­ G  sag mir quando, quando, quando.    e        G ­e­G­e­G­    e     a  ­  D7 ­ a ­ D7 ­ a  Ich dich wie­­­­­­­­­­dersehen kann,    D7       a      D7      G ­ e ­ G ­ e ­ a  sag mir quando, sag mir wann,   D7       a     D7    G ­ e ­ G ­ e ­ a  ich dich wiedersehen kann,    D7       a      D7      G  ­ e ­ G ­ e ­ G  sag mir quando, sag mir wann!                      

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AZURRO PETER RUBIN     Am             E               Am  Wär's doch das ganze Jahr lang Sommer  E            Am    E             Am  mit blauem Himmel  und Sonnenschein    Dm              A                 Dm  braucht ich mich doch nicht so zu plagen,  A                Dm     A             Dm  dann hätt ich Freizeit,  bei dir zu sein.   A              E             A   F#  Ja, dann könnt' ich in aller Ruhe               H7    E                A     E  und voll Erwartung  auf dich mich freun     A Azurro, so ist der Himmel für Verliebte,         E            E7 denn Azurro heißt blau.   E                 A Azurro, so ist die Welt für mich,        E              A     E       A wenn tief ich in die Augen  dir schau.      D                 A Ich merke es immer schlimmer, wie es ist,        D    F#                H7   E wenn du mal   nicht bei mir bist.   A                  F# Azurro, so ist mein Leben,             A               E       Am   E  Am E weil ich Azurro bin, wenn du mich küsst.     Am            E                Am  Wär' doch das Geld ein bißchen mehr wert,  E              Am     E            Am  dann schenkte ich dir einen Bungalow,   Dm              A               Dm  käm ich dann schneller ganz nach oben,  A           Dm    A                Dm  wär ich Direktor,  und du wärst froh.   A             E             A   F#  Doch das sind leider alles Träume                H7         E                   A  E  wenn du bei mir bleibst,  dann geht's auch so    A Azurro, so ist der Himmel für Verliebte,         E            E7 denn Azurro heißt blau.   E                 A Azurro, so ist die Welt für mich,        E              A     E       A wenn tief ich in die Augen  dir schau.      D                 A Ich merke es immer schlimmer, wie es ist,  Version 04 /1.01 April 2004

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      D    F#                H7   E wenn du mal   nicht bei mir bist.   A                  F# Azurro, so ist mein Leben,             A               E       Am   E  Am E weil ich Azurro bin, wenn du mich küsst.  

 Am           E               Am  Ich träum so oft von langen Ferien,  E            Am    E         Am  mit weiten Reisen  irgendwohin.   Dm        A              Dm       Dann trage ich nur einen Koffer  A            Dm   A             Dm  mit zwei Pyjamas  und D­Mark drin.   A            E                   A       F#  Doch bis das wahr ist, will ich froh sein,                  H7      E             A   E  wenn ich das Glück hab  und bei dir bin   A Azurro, so ist der Himmel für Verliebte,         E            E7 denn Azurro heißt blau.   E                 A Azurro, so ist die Welt für mich,        E              A     E       A wenn tief ich in die Augen  dir schau.      D                 A Ich merke es immer schlimmer, wie es ist,        D    F#                H7   E wenn du mal   nicht bei mir bist.   A                  F# Azurro, so ist mein Leben,             A               E       A weil ich Azurro bin, wenn du mich küsst

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HURRA, HURRA, DIE SCHULE BRENNT - Extrabreit     C                           a 1. Die kleinen Mädchen aus der Vorstadt tragen heute      F               G     Nasenringe aus Phosphor.          C                     a           F                     G     Die Lippen sind blau, die Haare grün    und Streichholzetiketten am Ohr.              C                    a     Aus den Jackentaschen ragen braune Flaschen,         F                         G     so sieht man sie durch die Straßen ziehn.      C                 a     F                     G     Überall, wo sie vorübergehn,    hängt in der Luft ein Hauch von Benzin .      F            G            a                         G      Das ist neu, das ist neu, hurra, hurra, die Schule brennt!  C­a­F­G   C                           a 2.        Die kleinen Mädchen aus der Vorstadt schlagen           F           G     alle Feuermelder ein.            C                   a     Die Sirenen heulen, alle Glocken läuten,          F                      G     die Kinder fangen an zu schrein.        C         a           F             G     Tatütata! Tatütata! Die Feuerwehr ist auch bald da.          C                            a     Es brennt so gut, bald sieht man nur noch Glut,         F                   G     wo eben noch die Schule war. Und sie singen :      F            G               a                      G     Das ist neu, das ist neu, hurra, hurra, die Schule brennt!     C­a­F­G     C­a­F­G     C­a­F­G     C­a­F­G      F            G            a                         G     Das ist neu, das ist neu, hurra, hurra, die Schule brennt! C­a­F­G     C                           a 3. Die kleinen Mädchen aus der Vorstadt tragen heute      F               G     Nasenringe aus Phosphor.      C                a         F                 G     Radios, mit Batterien betrieben,    und New Wave Musik am Ohr.           C               a     Sie stehen zusammen, dicht bei den Flammen,      F                  G     bis die Sonne untergeht.          C                a     Die Feuerwehr hat es doppelt schwer,               F               G     weil der Wind sich dreht.     Und sie singen :      F             G                a                      G     Das ist geil, das ist geil, hurra, hurra, die Schule brennt! C­a­F­G        C­a­F­G      F             G                a                      G      ­ C Version 04 /1.01 April 2004

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    Das ist geil, das ist geil, hurra, hurra, die Schule brennt!

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FLIEGER, GRÜSS MIR DIE SONNE 1.) G Vom Nordpol zum Südpol ist nur ein Katzensprung, Ais wir fliegen die Strecke bei jeder Witterung. C Wir warten nicht, wir starten, was immer auch geschieht, G A D durch Wind und Wetter klingt das Fliegerlied. 1.Refrain: G Flieger, grüß mir die Sonne, C G grüß mir die Sterne, und grüß mir den Mond. D e C Dein Leben, das ist ein Schweben, a D G durch die Ferne, die keiner bewohnt. (1.Strophe & 1.Refrain) 2.Refrain: G Schneller, und immer schneller , C G dreht der Propeller wie dir´s grade gefällt. D e - C Piloten ist nichts verboten, a D G gib Vollgas und flieg um die Welt. (1.Refrain & 2.Refrain & 1.Refrain) wer nicht genug davon kriegt, einfach das ganze nochmal..und alle: fliiiegaaaa ;o))

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TANGO KORRUPTI – AUSTRIA3 RAINHARD FENDRICH Am Man weiß es leider nicht genauer,     E7  es lag ein Herr in einer Sommernacht, auf einem Parkplatz auf der Lauer      Am und ein Kuvert das hat er mitgebracht. Am Von Ferne sieht man auch zwei Lichter,   E7 es knirscht ein dunkelblauer Jaguar – darinnen kalkweiße Gesichter,   Am nur der Chauffeur ist aus Nigeria.   Man reicht den Umschlag in den Wagen, E7 die Herzen schlagen, der Handel ist perfekt. Durch eine großzügige Spende kriegt man am Ende    Am fast jedes Großprojekt.       A7   Dm Plötzlich lacht der Herr Minister,   Am denn er kennt dieses Geknister  Dm    E7 und er hat auf seinen Lippen eine kleine Melodie: A    E7 Tango Korrupti, wenn einer draufkommt und entpuppt di, nimmst du dir einfach einen Anwalt, der was kann halt    A und bist schwuppti ­ wupp davon.    Auch wenn die Steuerfahndung stöbert   E7 es gibt nichts, was den Blutdruck hebert,

     Am denn alles, was wir hab'n, des hamma sowieso scho auf d Bahamas.

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von Schuldenbergen leeren Säcken an allen Ecken  brennt sein Hut schon hell.   Da nähert sich ein Tätowierter auf einmal spürt er  ein paar Tausender, von hinten in die Hose gleiten  nach allen Seiten huscht sein Blick umher.   Es spricht der Mann in seinem Rücken,  ab heute drücken wir ein Auge zu  und wenn wir uns arrangieren,  kann ich ihnen garantieren,  es gibt noch viel mehr davon. Tango Korrupti, wenn einer draufkommt..... Es sprach ein fetter Wirtschaftsbonze­.   "Schau'n Sie, das Ganze, mein lieber Staatsanwalt",  war doch nur eine Bagatelle,  so auf die Schnelle ­ a paar Millionen halt.   Ich habe Geld wie Würfelzucker sie bleib'n ein Schlucker  mit ihrem Staatsgehalt.   Sie sollten sich einmal was leisten so wie die meisten,  vielleicht an Porsche bald,  dafür verschwinden ein paar Akten, auch die Fotos  mit der Nackten und dann singen wir gemeinsam eine kleine Melodie: TANGO KORRUPTI, WENN EINER DRAUFKOMMT.....

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EIN BISSCHEN SPASS MUSS SEIN                         E Ein bisschen Spass muss sein              E7        A Dann ist die Welt voll Sonnenschein                    E So gut wie wir uns heute verstehen                  A So soll es weitergehen. Ein bisschen Spass muss sein Dann kommt das Glück von ganz allein Drum singen wir tagaus und tagein Ein bißchen Spaß muss sein.      A            D Heut nacht feiern wir        E7           A Machen durch bis um vier        A                   D Fragen nicht nach Zeit und Geld         A            E7       A Weil es Dir und auch mir so gefällt. Ein bisschen Spass muss sein ... Draußen wird's langsam hell Und die Zeit geht viel zu schnell Noch ein Glas und einen Kuss Ja, und dann ist noch lange nicht Schluß. Ein bisschen Spass muss sein ...

MARINA             F 1. Bei Tag und Nacht denk ich an dich Marina,                              C7 du zauberhafte Ballarina.                        Oh, wärst du mein, du süße Caramia,                                          F aber du gehst ganz kalt an mir vorbei. 2. Doch eines Tages traf ich sie im Mondschein,                                        C7 ich lud sie ein zu einem Glase Rotwein. Und wie ich fragte, Liebling, willst du mein sein,                                             F gab sie mir einen Kuß, und das hieß ja!                       F                  C7 Ref.: Marina, Marina, Marina,                                                  F dein Chic und dein Charme, der gefällt.                                 C7 Marina, Marina, Marina, Version 04 /1.01 April 2004

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                                            F du bist ja die Schönste der Welt.                             C7                         F Wunderbares Mädchen, bald sind wir ein Pärchen,                                          C7                   F komm und laß mich nie alleine ,oh no no no no no

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EISGEKÜHLTER BOMMERLUNDER, Toten Hosen           (D)                                            (A)           Eisgekühlter Bommerlunder, Bommerlunder eis­ge­kühült                                                          (D)           Eisgekühlter Bommerlunder, Bommerlunder eis­ge­kühült           (und dazu) ein belegtes Brot mit Schinken (Schinken!)                                 (A)           ein belegtes Brot mit Ei (Ei!)                                                                       (D)           das sind zwei gelegte Brote, eins mit Schinken und eins mit Ei           (und dazu) ... {wieder von vorne, jedesmal schneller}

WANDERSMAN, ZELTINGER

N

          1x leise und langsam,           1x laut und schnell:                A           Mein Vater war ein Wandersmann                                   E           und mir steckts auch im Blut                              A           drum wandre ich solang ich kann                D       E      A           und schwenke meinen Hut                E      A           falari, falara                E       A           falari, falarahaha               E       A           falari, falara                D        E     A           und schwenke meinen Hut

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MIR GEHT ES WIE DEM JESUS WOLFGANG AMBROS

1.

2.

Ref.:

3.

4.

Ref.:

     G       Hm      Am Mir geht es wie dem Jesus      C                D Mir tut das Kreuz so weh      G         Hm         Am Doch ihm tat's erst mit dreißig      C                  D Mir tut es heut' schon weh

     G       Hm      Am Mir geht es wie dem Jesus      C                   D Nur hab' ich nicht die Klasse      G       Hm     Am Denn ich verwandle nur den Wein     C               D In Wasser, das ich lasse

     G       Hm    Am Und wie der Jesus sage ich  C          D Heiteren Gesicht's  G        Hm       Am Das Leben ist ein Heidenspaß        C     D        G Für Christen ist das nicht's

     G       Hm      Am Mir geht es wie dem Jesus       C                D Ich treff nur lauter Blinde      G        Hm        Am Nur manchmal wenn ich Glück hab'    C               D gehorchen mir die Winde

     G       Hm      Am Mir geht es wie dem Jesus     C            D Der unter uns geweilt      G       Hm       Am Die meisten die mich kennen      C               D Die sind von mir geheilt Und wie der Jesus sage ich ...

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5.

     G       Hm      Am Mir geht es wie dem Jesus      C                D Mit dem ich mich verglich      G     Hm     Am Denn auáer alten Jungfern           C       D        G

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FÜR IMMER JUNG Andre Heller & Wolfgang Ambros (Orig. by Bob Dylan)

            D                                      F#m       Dich soll's geb'n, solang's die Welt gibt, und die Welt soll's immer  geb'n      G                               Em                D Ohne Angst und ohne Dummheit, ohne Hochmut soll'st du leb'n         D                             F#m Zu die Wunder und zur Seligkeit ist's dann nur a Katzensprung              G      A7                  D und wann du willst   ­   bleibst immer jung                   A7              Hm            D      A7  D Ref:   Für immer jung, für immer jung, wann du willst   ­   bleibst  immer jung           D                                F#m Du sollst wachsen bis in den Himmel, wo du bist, soll Himmel sein           G                                Em            D du sollst Wahrheit red'n und Wahrheit tun, du sollst verzeih'n         D                                   F#m Wann'st Vertrau'n hast in dich selber, dann brauchst ka Versicherung             G       A7                  D und wann du willst   ­   bleibst immer jung

Ref:           D                               F#m Du sollst nie aufhör'n zum Lernen, arbeit mit der Phantasie               G                         Em                  D wann'st dei'  Glück gerecht behandelst, dann verläßt's dich nie         D                           F#m Und du sollst vor Liebe brennen und vor Begeisterung           G         A7                                  D weil dann beibst (­weil dann bleibst­)   ­   für immer jung

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http://www.klampfen.de.vu Danke an Diddl  ([email protected])

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DER BERG ("Der

Watzmann")

Wolfgang Ambros

a d Groß und mächtig, schicksalsträchtig, a d um seinen Gipfel jagen, Nebelschwaden e A Donnern schickt er oft ins Tal a h und dann schauderts alle auf amal G D A D wann er donnert, Gott behüt, der Berg der kennt ka Einsegn nit Chorus: G D Watzmann, Watzmann, Schicksalsberg, A e du bist so groß und i nur a Zwerg Bridge: a d a d Solo: a d a d (6 x) a d Vü hats scho pockt, am Berg aufiglockt a d g'folgt sinds im tapfer, oba der Berg, der wüll sei Opfer e Der Berg der loßt hoit niemand aus, a h drumm steigts ned auffe, bleibts liaba z'Haus G D A D alle san se lange tot, weu hoit der Berg ka Einsegn hot Chorus ...(2x) Outro: G D A D (8x)

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ES LEBE DER ZENTRALFRIEDHOF

E3

Words & Music by Wolfgang Ambros

G Hm C G Es lebe der Zentralfriedhof, und alle seine Tote, Em Am D G Da Eintritt ist für lebende, heut’ ausnahmslos verboten. Em Am D G Weil der Tod a fest heut gibt, die ganze lange Nacht. C Hm Am Em Em Hm und von die gäst ka einziger a Eitritts karten braucht.

Em Em Hm

Wann’s Nacht wird über’m Simmerring kummt leb’n in die Tot’n und drüb’n beim Krematorium tans Knochenmark verbrat’n. Dort hint’n bei der Marmorgruft dort stengan zwei Skelete, die stess mit zwei Urnen zusammen und saufen um die Wette. G D F C Am Zentralfriedhof is Stimmung, weis seit Lebtag nonet woa, Am G D Em Em weil alle Tot’n feiern heut seine ersten hundert Jahr.

Hm Em Em Hm

Es lebe der Zentralfriedhof und seine Jubilare. Sie liegen und verfaul’n scho da seit über hundert Jaheren. Draußt is kalt und drunt is warm nur manchmal a bissel feucht, wenn ma so drunt liegt freut ma sich wann’s Grablaterderl leucht. Es lebe der Zentralfriedhof, die Szene wird makaber, die Pfarrer tanzen mit die Hurrn und de Jud’n mit Araber. Heut san alle wieder lustig, heut’ lebt alles auf. Im mausoleum spielt a Band die hat an wahnsinns Hammer drauf. G D F C Am Zentralfiedhof ist stimmung wie seit Lebtag no net woa, Am G D weu alle Tot’n feiern heute seine ersten hundert Jahr. G Hm C G Es lebe der Zentralfriedhof, auf a moi machts a Schnalzer, Em Am D G F# Em der Moser singts Fiakerlied, die Schrammeln spüln an Walzer Em Am D G auf amoi is di Musi still und alle Aug’n glänz’n G Hm Am Em weu dort drübn steht der Knochenmann und winkt mir seiner Sensen. Am Zentralfiedhof ist stimmung wie seit Lebtag no net woa, weu alle Tot’n feiern heute seine ersten hundert Jahr.

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SCHIFOAN

(WOLFGANG AMBROS)

 G                      e              C           D  Du Du Du Du Du Du Du Du Du Du Du Du Du Du Du Du Du Du Du Du

      G             e        C         D 1. Am Freitag auf'd Nacht montier l de Schi  G       e        C            D  auf mei Auto und dann begib l mi      G     e        C            D  ins Stubaitai oder nach Zell am See,       G           e               C        D         G weil durt auf de Berg' ob'n hams immer an leiwanden Schnee.          G               e Refrain: l will nur Schi foan foan foan foan  G    e                    G    e  Schi foan, oh, oh, oh, oh Schi foan,      C               D          C             D          G  weil Schifoan is des leiwandste was ma si nur vurastelln kann.

2. In da F­ruah bin l der erste, der wos auffefoat, damit l net so lang  aufs Auffefoan woat; drob'n auf da Hütt'n kauf l ma an Jägertee, weil so  a Tee macht an Schnee erst so richtig schee. Refrain    G                   e       G           e            G 3. Und wann der Schnee staubt, und wann de Sunn scheint dann hab l  e     C        D            G         e       C             D  alles Glück in mir vereint, l steh am Gipfel, schau obe ins Tal,   G        e            C              D  a jeder is glücklich, a jeder fühlt se wohl und will nur.... Refrain 4. Am Sunntag auf'd Nacht montier l de Schi auf mei Auto, aber dann  überkummt's mi und l schau no amal auffe und denk ma "aba wo!" l foa no  net z 'Haus, l bleib am Montag aa no da. Refrain     

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KARL DER KÄFER d A 1. Tief im Wald zwischen Moos und Farn, e H7 da lebte ein Käfer mit Namen Karl. G D -e H7 Sein Leben wurde jäh gestört, als er ein dumpfes Grollen hört. d A Lärmende Maschinen überrollen den Wald, e H7 übertönen den Gesang der Vögel schon bald. G D Mir scharfer Axt fällt man Baum um Baum, e H7 zerstört damit seinen Lebensraum. e G Karl der Käfer wurde nicht gefragt, D e e – G – D – e (2x) man hat ihn einfach fortgejagt. (2x) d A 2. Ein Band aus Asphalt breitet sich aus, e H7 fordert die Natur zum Rückzug auf, G D -e H7 eine Blume, die noch am Wegesrand steht, wird einfach zugeteert. d A Karl ist schon längst nicht mehr hier, e H7 einen Platz für Tiere gibt’s da nicht mehr. G D Dort, wo Karl einmal zu Hause war, e H7 fahrn jetzt Käfer aus Blech und Stahl. + REFRAIN

(2x)

(Original mit Capo im 3. Bund) (Gänsehaut)

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WALDFEST VON

ZUPFGEIGENHANSEL

C                                     F       C Eine Meute trifft sich heute auf der Waldlichtung,          F            C             G einfach so und ohne Klo und ohne Schalldichtung,          C                                  F            e und sie bau´n sich einen Haufen, hau´n sich lachend ins Moos,          F               C                G          a und sie fassen sich und lassen sich dann nicht mehr los,          F               C                G          C und sie fassen sich und lassen sich dann nicht mehr los.

C                                     F               C Die Äpfel sind so schrumplig und die Birnen sind so klein,        F         C                 G das Gemüse muss wohl auch biodramatisch sein,          C                               F        e doch der Schorsch sagt als Kenner, das Aroma ist groß          F               C                G          a und sie fassen sich und lassen sich dann nicht mehr los,          F               C                G          C und sie fassen sich und lassen sich dann nicht mehr los.

C                                  F       C Das Akkordeon erfordert schon Geschicklichkeit,         F               C              G zwei Gitarren und ein Krummhorn liegen auch bereit.         C                              F        e Flinke Finger, pralle Backen und ein kräftiger Stoß          F               C                G          a und sie fassen sich und lassen sich dann nicht mehr los,          F               C                G          C und sie fassen sich und lassen sich dann nicht mehr los.                G                           C REF: Und ein Fass ist leer, da rollt ein neues her,               F              C               G       und Martina sagt: das Fass da ist mir nicht zu schwer.                G                     C                   D       Gib dem Hahn am Fass einen Schlag, sodass endlich Bier rauskommt.                                 G            G7       Schnell, Mann, halt doch hin dein Glas.

C                                   F       C Tine mit der Mandoline, die kommt grad vom Feld,           F           C            G sie liebt biologisch düngen wurde festgestellt, Version 04 /1.01 April 2004

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          C                          F               e denn sie hat noch die ganze frische Landluft an der Hos´          F               C                G          a und sie fassen sich und lassen sich dann nicht mehr los,          F               C                G          C und sie fassen sich und lassen sich dann nicht mehr los. C                               F     C Und am Friedensstand da gibt es allerhand,       F       C            G die Friedenspfeife und das Abrüstungskrokant,           C                     F           e von der Friedenssocke bis zur Friedensunterhos´          F               C                G          a und sie fassen sich und lassen sich dann nicht mehr los,          F               C                G          C und sie fassen sich und lassen sich dann nicht mehr los. C                                      F            C Hier auf dieser Feier sind auch manche Ausländer dabei: F           C          G Alois, der Bayer, und Fatma aus Türkei.          C                                  F               e Und die beiden schneiden Zwiebeln und den Knoblauch in die Soß´          F               C                G          a und sie fassen sich und lassen sich dann nicht mehr los,          F               C                G          C und sie fassen sich und lassen sich dann nicht mehr los.

REF: Und ein Fass ist leer, da rollt ein neues her,               F              C               G       und Martina sagt: das Fass da ist mir nicht zu schwer.                G                     C                   D       Gib dem Hahn am Fass einen Schlag, sodass endlich Bier rauskommt.                                 G            G7       Schnell, Mann, halt doch hin dein Glas.          C                       F       C  Scharfe Bauernwurst macht einem dauernd Durst,           F             C                    G frisches Bauernbrot aus echtem Schrot steht hoch im Kurs.                C                   F            e Kalle füttert Caroline, die liegt bei ihm im Schoß          F               C                G          a und sie fassen sich und lassen sich dann nicht mehr los,          F               C                G          C und sie fassen sich und lassen sich dann nicht mehr los.        C                     G         C Alle werden still und lauern auf den Grill,            F                  C             G weil doch mancher sein Stück Hammel vor dem andern will.          C                                F            e Nur der Hammel bleibt cool und läßt sich Zeit auf dem Rost Version 04 /1.01 April 2004

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         F               C                G          a und sie fassen sich und lassen sich dann nicht mehr los,          F               C                G          C und sie fassen sich und lassen sich dann nicht mehr los.

REF: Und ein Fass ist leer, da rollt ein neues her,               F              C               G       und Martina sagt: das Fass da ist mir nicht zu schwer.                G                     C                   D       Gib dem Hahn am Fass einen Schlag, sodass endlich Bier rauskommt.                                 G            G7       Schnell, Mann, halt doch hin dein Glas. C                                     F       C Eine Meute trifft sich heute auf der Waldlichtung,          F            C             G einfach so und ohne Klo und ohne Schalldichtung,          F               C                G          a und sie fassen sich und lassen sich dann nicht mehr los,          F               C                G          C und sie fassen sich und lassen sich dann nicht mehr los.

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WAS SOLLEN WIR TRINKEN

D Em D Was sollen wir trinken, sieben Tage lang, Em D Em was sollen wir trinken, wir haben Durst :|| G D7 G D7 Em Es ist genug für alle da, darum laßt uns trinken, D Em D Em rollt das Faß herein, wir trinken zusammen, nicht allein

:||

D Em D Dann wollen wir schaffen, sieben Tage lang, Em D Em dann wollen wir schaffen, Hand in Hand :|| G D7 G D7 Em Es gibt genug fur uns zu tun, darum laßt uns schaffen, D Em D Em jeder packt mit an, wir schaffen zusammen, nicht allein

:||

D Em D Erst müssen wir kämpfen, keiner weiß, wie lang, Em D Em erst müssen wir kämpfen, für unser Ziel :|| G D7 G D7 Em Und für das Glück von jedermann, dafür heißt es kämpfen, D Em D Em los, fangt heute an, wir kämpfen zusammen, nicht allein D Em D Dann wollen wir trinken, sieben Tage lang, Em D Em dann wollen wir trinken, wir haben Durst :|| G D7 G D7 Em Es ist genug für alle da, darum laßt uns trinken, D Em D Em rollt das Faß herein, wir trinken zusammen, nicht allein

:||

:||

 

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VERDAMP LANG HER BAP 1. Strophe: Em D C Verdamp lang her, dat ich fast alles ähnz nohm. Em, D C Verdamp lang her, dat ich ahn jet jegläuv. Em D C Un dann da Schock, wie't anders op mich zokohm. Em D C Merkwürdich, wo su manche Haas langlööf, C Am D Hm Nit resigniert, nur reichlich desillusioniert, C D Em D C D E bessje jet hann ich ich kapiert. 2. Strophe: Wer alles, wenn dir'r klapp, hinger dir herrennt, Ding Schulder klopp, wer dich nit hofiert, Sich ohne ruut ze wedde ding Frönd nennt, Un dich daachs drop janz einfach ignoriert. Et ess lang her, dat ich vüür sujet ratlos stund, Un vüür Enttäuschung echt nit mieh kunnt. Refrain: G D C D Verdamp lang her, verdamp lang, verdamp lang her, G D C D Verdamp lang her, verdamp lang, verdamp lang her. 3. Strophe: Ich weiß noch, wie ich nur dovun jedräumt hann, Wovunn ich nit woss, wie jet sööke sollt, Vüür lauter Söökerei et Finge jlatt versäump hann, Un üvverhaup, wat ich wo Finge wollt. Ne Kopp voll Nix, nur die paar instinktive Tricks. Et duhrt lang, besste dich durchblicks. Refrain: 4. Strophe: Dat woor die Zick, wo ich nit ens Pech hat, Noch nit ens dat, ich hat se nit ens satt, He woor John Steinbeck, do stund Joseph Conrad, Dozwesche ich, nur relativ schachmatt. 'T ess paar Johr her, doch die Erinnerung fällt nit schwer, Hück kütt mer vüür, als wenn et jestern wäär. Refrain: Version 04 /1.01 April 2004

5. Strophe: Frööchs mich, wann ich zoletz e Bild jemohlt hann, Ob mir e Leed tatsächlich jetz jenüsch, Ob ich jetz do benn, wo ich hinjewollt hann, Ob mir ming Fräv op die Tour nit verdrüsch. Ich gläuv, ich weiß, ob de no laut mohls oder leis. 'T kütt drop ahn, dat do et deiß. Refrain: 6. Strophe: Verdamp lang her, dat ich bei dir ahm Jraar woor. Verdamp lang her, dat mir jesprochen henn, Un dat vumm eine och jet beim andre ahnkohm, Su lang, dat ich mich kaum erinnre kann. Häss fess jegläuv, dat wer em Himmel op dich waat. "Ich jönn et dir" hann ich jesaat. 667

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VOULEZ VOUS D

IETER

THOMAS KUHN

Sie war g'rade vier und da schenkte man ihr einen kleinen Teddybär. Sie sagte: "Hallo Teddy!", und sie sang immerzu: "'N get chor get chor ai ya ya ya 'N get chor get chor ai ya hi Mocca cho-co-la-ta-ya-ya. Teddy, wunderschön bist Du. Voulez-vous coucher avec moi ce soir? Willst Du mit mir schlafen geh'n heut' Nacht? Oder hast Du schon was vor ce coir? Glaub mir, es wird wunderschön." Als sie sechzehn war, da bewunderte man das Mädchen mit dem goldenen Haar. Eines Tages kam einer zu ihr und sagte: "'N get chor get chor ai ya ya ya 'N get chor get chor ai ya hi Nougat cho-co-la-ta-ya-ya. Ich wär' gern' heute Nacht bei Dir. Voulez-vous coucher avec moi ce soir? Willst Du mit mir schlafen geh'n heut' Nacht? Oder hast Du schon was vor ce coir? Glaub mir, es wird wunderschön." No, no, no. Doch sie sagte: "Nein, ich hab' mein' Teddy, und der würde traurig sein." Sie lief davon, doch sie hörte von fern: Bleib, bleib, bleib! Mit achzehn, da wurde ihr klar, dass der Teddy nur ein Spielzeug war. Und dann kam Pierre, und der liebte sie so sehr, sehr, sehr: 'N get chor get chor ai ya ya ya 'N get chor get chor ai ya hi Mousse-o-cho-co-la-ta-lecker. Glaub mir, es wird wunderschön. Und dann endlich sagte er: "Voulez-vous coucher avec moi ce soir? Willst Du mit mir schlafen geh'n heut' Nacht? Voulez-vous coucher avec moi ce soir? Willst Du mit mir schlafen geh'n heut' Nacht? Voulez-vous coucher avec moi ce soir? Willst Du mit mir schlafen geh'n heut' Nacht? Voulez-vous coucher avec moi ce soir? Wer einmal leckt, der weiß, wie's schmeckt!"

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DU WILLST IMMER NUR F......, 1 C

G 1. Wir beide sind ein Liebespaar, a F das mit uns ist wunderbar. C G Ich wußte es von Anfang an, a F du bist meine Frau und ich bin dein Mann. C

G Ich hab dich lieb, das weißt du genau, a F du bist echt ’ne Klassefrau. C G Aber eins find ich nicht so toll, a F ich weiß nicht, wie ich es dir sagen soll. C G F Du willst immer nur f........., immer nur f.......... mit mir. C G F Du willst immer nur f........., immer nur f.......... mit mir. C G 2. Ab und zu, da kaufst du mir, a F ne Kiste von meinem Lieblingsbier. C G Und du trägst ein Negligé, a Ais du weißt genau, dass ich da voll durchseh’. C

G Und dann riechst du nach Parfüm, a F das ist auch alles nicht unangenehm. C G Doch will ich dann nur mit dir schmusen, a Ais drückst du mich immer gleich an deinen Busen. C G F Du willst immer nur f........., immer nur f.......... mit mir. C G F Version 04 /1.01 April 2004

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Du willst immer nur f........., immer nur f.......... mit mir. a a a

a a a a

D Wir könn’ doch auch mal einfach reden, D das kann einem auch ne Menge geben. D Wir könn’ doch auch mal zärtlich sein, a D du streichelst mich und ich schlaf sein. D Dann machen wir es uns gemütlich, D ich hab noch etwas Popcorn übrig. D Ach, unsre Liebe wäre wunderschön, E ~ doch du mußt immer gleich aufs Ganze gehen.

C G F Du willst immer nur f........., immer nur f.......... mit mir. C G F Du willst immer nur f........., immer nur f.......... mit mir. C G F Du willst immer nur f........., immer nur f.......... mit mir. C G F Du willst immer nur f........., immer nur f.......... mit mir…… (Orig. = Capo 2) (Ganz Schön Feist)

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SPIEL NICHT MIT DEN SCHMUDDELKINDERN Franz Josef Degenhardt REFRAIN: D G A7 D Spiel nicht mit den Schmuddelkindern, sing nicht ihre Lieder C D C D C D C A7 D Geh doch in die Oberstadt, machs wie deine Brü ----- der --------STROPHE: D C G D So sprach die Mutter sprach der Vater lehrte der Pastor D C D C D C D er schlich aber immer wieder durch das Gartentor G D und in die Kaninchenställe wo sie Sechsundsechzig spielten G D um Tabak und Rattenfelle, Mädchen unter Röcke schielten C G wo auf alten Bretterkisten Katzen in der Sonne dösten C G wo man wenn der Regen rauschte, Engelbert dem Blöden lauschte A D G A D der auf einen Haarkamm biss, Rattenfängerlieder blies C G Abends am Familientisch, nach dem Gebet zum Mahl A A7 D da hiess es dann "Du riechst schon wieder nach Kaninchenstall" ------------2) Sie trieben ihn in eine Schule in der Oberstadt kämmten ihm die Haare und die krause Sprache glatt lernte Rumpf und Wörter beugen und statt Rattenfängerweisen musste er das Largo geigen und vor dürren Tantengreisen unter roten Rattenwimpern par coeur Kinderszenen klimpern und verklemmt in Viererreihen, Knochen morsch und morscher schreien zwischen Fahnen aufgestellt, brüllen dass man Freundschaft hält. Schlich er abends manchmal zum Kaninchenstall davon, dann hockten da die Schmuddelkinder sangen voller Hohn: ---------------3) Aus Rache ist er reich geworden in der Oberstadt da hat er sich ein Haus gebaut nahm jeden Tag ein Bad roch wie bessre Leute riechen, lachte fett wenn alle Ratten ängstlich in die Gullis wichen, weil sie ihn gerochen hatten und Kaninchenställe riss er ab an ihrer Stelle ließ er Gärten für die Kinder bauen, liebte hochgestellte Frauen schnelle Wagen und Musik, blond und laut und honigdick. Kam sein Sohn der Nägelbeisser, abends spät zum Mahl dann roch er an ihm schlug ihn schrie "Stinkst nach Kaninchenstall --------------4) Doch eines Tages hat er eine Kurve glatt verfehlt man hat ihn aus einem Ei von Schrott herausgepellt Als er später durch die Strassen hinkte sah man ihn an Tagen auf nem Haarkamm Lieder blasen, Rattenfell am Kragen tragen Hinkte hüpfend hinter Kindern, wollte sie und strich um Kaninchenställe, eines Tags hat er dann ein Kind betört, und in einen Seine Leiche fand man, die im Rattenteich und drumherum die Schmuddelkinder bliesen Version 04 /1.01 April 2004

am Schulgang hindern in aller Helle Stall gezerrt rumschwamm auf dem Kamm

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ABER BITTE MIT SAHNE

UDO JÜRGENS

1.  Strophe:        D                                                              G         D  Sie treffen sich täglich um viertel nach drei, ohoho, oh yeah !         D                                                             G        D  Am Stammtisch im Eck in der Konditorei, ohoho, oh yeah !          G                                    D  Und blasen zum Sturm auf das Kuchenbuffet,         G                                          A  Auf Schwarzwälderkirsch und auf Sahne­ Baiser.         D                            G                             A                 D  Auf Früchteeis, Ananas, Kirsch und Banane, aber bitte mit Sahne.  2.  Strophe:  Sie schwatzen und schmatzen, dann holen sie sich, ohoho, oh yeah !  Noch Buttercremetorte und Bienenstich, ohoho, oh yeah !  Sie pusten und prusten, fast geht nichts mehr rein,  Nur ein Mohrenkopf höchstens, denn Ordnung muß sein.  Bei Mathilde, Ottilie, Marie und Liliane, aber bitte mit Sahne.  3.  Strophe:  Und das Ende vom Lied hat wohl jeder geahnt, ohoho, oh yeah !  Der Tod hat reihum sie dort abgesahnt, ohoho, oh yeah !  Die Hinterbliebenen fanden vor Schmerz keine Worte,  Mit Sacher­ und Linzer­ und Marzipantorte.  Hielt als letzte Liliane getreu noch zur Fahne, aber bitte mit Sahne.  4.  Strophe:  Doch auch mit Liliane war es schließlich vorbei, ohoho, oh yeah !  Sie kippte vom Stuhl in der Konditorei, ohoho, oh yeah !  Auf dem Sarg gab’s statt Kränzen verzuckerte Torten,  Und der Pfarrer begrub sie mit rührenden Worten.  Daß der Herrgott den Weg in den Himmel ihr bahne, aber bitte mit Sahne. 

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MEIN KLEINER GRÜNER KAKTUS -

Comedian Harmonists

    A        E7     A          E7    A                        F#7 Blumen im Garten, so zwanzig Arten von Rosen Tulpen und Narzissen,  hm           F#7  hm          F#7    H7                           E7 leisten sich heute die feinen Leute. Das will ich alles gar nicht wissen.        A                                        E Mein kleiner grüner Kaktus steht draußen am Balkon      A Holari, holari, holaro!    E Was brauch' ich rote Rosen, was brauch' ich roten Mohn,      A Holari, holari, holaro!      D                     A Und wenn ein bösewicht was Ungezog'nes spricht,       H7                              E7 dann hol' ich meinen Kaktus und der sticht, sticht, sticht.        A                                        E Mein kleiner grüner Kaktus steht draußen am Balkon,      A Holari, holari, holaro!

Man find't gewöhnlich die Frauen ähnlich den Blumen, die sie gerne tragen. Doch ich sag'täglich: Das ist unmäglich!  Was soll'n die Leut' sonst von mir sagen?! Mein kleiner grüner Kaktus... Heute um viere klopft's an die Türe, nanu, Besuch so früh am Tage? Es war Herr Krause vom Nachbarhause, er sagt: "Verzeih'n Sie wenn ich  frage. Sie hab'n da doch einen Kaktus da draußen am Balokn, holari, holari, holaro! Der fiel soeben runter, was halten Sie davon? Holari, holari, holaro! Erfiel mir auf's Gesicht, obs' glauben oder nicht, jetzt weiß ich, daß Ihr grüner Kaktus sticht, sticht, sticht! Bewahr'n Sie ihren Kaktus gefälligst anderswo, holari, holari, holaro!

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ANKOMME FREITAG DEM 13.

E7 A E7 A 1. Es rappelt am Briefschlitz,es ist vierte nach sieben. E7 A E7 A Wo alles in der Welt sind meine Latschen geblieben? D G D A Unter dem Kopfkissen nicht und auch nicht im Papierkorb, D G D A dabei könnte ich schwören, sie war'n gestern noch dort! E7 A E7 A Also dann eben nicht, dann geh' ich halt barfuß. E7 A E7 A Meine Brille ist weg, liegt sicher im Abfluß D G D A der Badewanne, wie immer, na, ich seh gut ohne D G D A und die Brille hält länger, wenn ich sie etwa schone. E7 A E7 A So tapp' ich zum Briefschlitz durch den Flur unwegsam, E7 A E7 A fall über meine Dackel Justus auf ein Telegramm. E7 A E7 A Ich les' es im Aufsteh'n mit verklärter Miene: D A E7 A Ref.: Ankomme Freitag, den 13., um vierzehn Uhr, Christine (2 x) D A E7 A la la la la la la la la la la la la la la la la la la la la la la. (2 x) E7 A E7 A 2.Noch sechseinhalb Stunden, jetzt ist es halb acht. E7 A E7 A Vor allen Dingen: ruhig Blut, mit System und Bedacht. D G D A Zunächst einmal anziehn, halt, vorher noch waschen! D G D A Da find' ich die Pantoffeln in den Schlafanzugtaschen. E7 A E7 A Das Telefon klingelt: Nein, ich schwöre falsch verbunden, E7 A E7 A ich bin ganz bestimmt nicht Alfons Yondrascheck, noch viereinhalb Stunden. D G D A Den Mülleimer raustragen, zum Kaufmann gehn, D G D A Kopfkissen neu beziehen und Knopf an Hose näh'n E7 A E7 A Tischdecke wechseln ist ja total zerrissen, E7 A E7 A hat wahrscheinlich der kriminelle Dackel auf seinem Gewissen E7 A E7 A und wahrscheinlich war der das auch an der Gardine! Version 04 /1.01 April 2004

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D A E7 A Ref.: Ankomme Freitag, den 13., um vierzehn Uhr, Christine D A E7 A la la la la la la la la la la la la la la la la la la la la la la. E7 A E7 A 3. Zum Aufräumen ist keine Zeit, ich steck alles in die Truhe, E7 A E7 A Abwasch, Aschenbecher Hemden, so, jetzt habe ich Ruhe. D G D A Halt! Da fällt mir ein, ich hatte ihr ja fest versprochen D G D A an dem Tag an dem sie wiederkommt, wollte ich ihr etwas kochen E7 A E7 A Obwohl ich gar nicht kochen kann, ich will es doch für sie versuchen! E7 A E7 A Ich hab' auch keine Ahnung vom Backen und back ihr trotzdem einen Kuchen D G D A Ein Blick in den Kühlschrank drin steht nur mein Wecker D G D A Nochmal runter zum Lebensmittelladen und zum Bäcker E7 A E7 A rein in den Fahrstuhl und Erdgeschoss gedrückt E7 A E7 A Der Fahrstuhl bleibt stecken der Dackel wird verrückt E7 A E7 A Nach dreiviertel Stunden befreit man mich aus der Kabine D A E7 A Ref.: Ankomme Freitag, den 13., um vierzehn Uhr, Christine D A E7 A la la la la la la la la la la la la la la la la la la la la la la. E7 A E7 A 4. Den Dackel anbinden vorm Laden aber mich lassen sie rein E7 A E7 A Ich kaufe irgendwas zum Essen und drei Flaschen Wein D G D A Eine Ente dazu ich koche Ente mit Apfelsine, D G D A Für den Kuchen eine Backform, eine Handvoll Rosinen E7 A E7 A "Darf's für 20 Pfennig mehr sein, im Stück oder in Scheiben?" E7 A E7 A "Ist mir gleich, ich hab das Geld vergessen, würden Sie's bitte anschreiben." D G D A Ich pack alles in die Tüte "Vorsicht nicht am Henkel anfassen D G D A sonst reißen die aus!" Na ich werd' schon aufpassen E7 A E7 A Rabatz vor der Türe, der Dackel hat sich losgerissen E7 A E7 A und aus purem Übermut einen Polizisten gebissen E7 A E7 A Da platzt meine Tüte es rollt die Lawine... Version 04 /1.01 April 2004

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D A E7 A Ref.: Ankomme Freitag, den 13., um vierzehn Uhr, Christine D A E7 A la la la la la la la la la la la la la la la la la la la la la la. E7 A E7 A 5. "Sind sie der Halter dieses Dackels? Bitte mal ihre Papiere!" E7 A E7 A Das ist mir besonders peinlich weil ich Papiere immer verliere. D G D A Ich schimpfe ich weine, ich verhandle ich lache D G D A "das kennen wir schon komm'n sie mit auf die Wache!" E7 A E7 A Um die Zeit müßte die Ente schon seit zehn Minuten braten E7 A E7 A und vielleicht wär mir der Kuchen ausnahmsweise geraten. D G D A Und ich sitz' auf der Wache und das ausgerechnet heut' D G D A Dabei hab' ich mich so unverschämt auf das Wiedersehn gefreut E7 A E7 A Vielleicht ist sie schon da und es öffnet ihr keiner E7 A E7 A Jetzt ist's 20 nach 4 jetzt ist alles im Eimer E7 A E7 A Da fällt mein Blick auf den Kalender und da trifft mich der Schlag: D A E7 A Heut ist erst der 12. und - Donnerstag.

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DIE BALLADE VOM PFEIFER         Am                    E7            Am Ich ritt aus San Alfredo im letzten Tageslicht,       C                C5                          Am vielleicht auch aus El Paso so genau weis ich das nicht.                                      D              D4   D Seit vierzig Tagen, vierzig Nächten war ich auf der Flucht,     Am                                 E7            Am in jeder Stadt fand ich mein Bild, darunter stand: GESUCHT!       G               C               G             C Sie nannten mich den Stillen und man flüsterte mir nach,      G               C              D               E7 daß wenn ich was zu sagen hätte, mein Colt für mich sprach. Pfeiffen ( Am Em Am G Am )

        Am                    E7            Am Sie nannten mich den Pfeiffer und meine Devise hieß:       C                C5                          Am wenn dir wer vor die Mündung kommmt, erst pfeife und dann schieß!                                      D              D4   D Warum ich pfiff, das weiß ich nicht, weiß nicht mal wie ich heiß,     Am                                 E7            Am im Westen ist es niemals gut wenn einer zu viel weiß!       G               C               G             C Ich weiß nur, wo mein Lied erklang, da wurden Bretter knapp,      G               C              D               E7 weil jeder Schreiner wußte, daß es Arbeit für ihn gab.

        Am                    E7            Am Als ich nach Bloody Corner kam, sah ich weitem her:       C                C5                          Am die Summe unter meinem Namen hatte zwei Stellen mehr.                                      D              D4   D Ein Prämienjäger sagte: Pfeiffer, ich wart` schon auf dich!     Am                                 E7            Am Ich fuhr herum, pfiff einen Ton, dann sprach mein Colt für mich.       G               C               G             C Als wenig später im Salon mein Achtunddreißiger spie,      G               C              D               E7 da spielte der Mann am Klavier dazu die Melodie...

        Am                    E7            Am Die Ellenbogen aufgestützt, die Flügeltür im Blick       C                C5                          Am stand neben mir ein Fremder, sehr glatt rasiert und dick.                                      D              D4   D "Man nennt mich hier den Denker!" so stellte er sich vor,     Am                                 E7            Am spie lässig in den Spucknapf und sagte mir ins Ohr:       G               C               G             C Version 04 /1.01 April 2004

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"Wenn Du zehntausend Dollar brauchst, so hab ich einen Plan,      G               C              D               E7 todsicher, genial einfach!" Dankbar nahm ich an.

        Am                    E7            Am Jetzt sitz ich hinter Gittern, von Zweifeln angenagt.       C                C5                          Am Vielleicht war doch des Denkers Plan nicht so gut, wie er sagt.                                      D              D4   D Er sagte: "Es bringt dir zehntausend Dollar wenn du's wagst,     Am                                 E7            Am zum Sheriff ins Büro zu geh`n, dich vorstellst und ihm sagst:       G               C               G             C "Grüß Gottk, ich bin der Pfeiffer, ich komm selber, wie ihr seht      G               C              D               E7 um die Belohnung zu kassier`n, die auf meinen Kopf steht...."

        Am                    E7            Am Ich sitz` auf meines Pferdes Rücken unter dem Galgenbaum.       C                C5                          Am Einen Strick um meinen Hals, der Henker hält mein Pferd im Zaum.                                      D              D4   D Gleich gibt er ihm die Zügel und dann ists mit mir vorbei.     Am                                 E7            Am Der Totengräber gräbt mein Grab und pfeift mein Lied dabei.       G               C               G             C Der Scharfrichter tut seine Pflicht, mein Pferd setzt sich in Trab....      G               C              D               E7 Und unten ruft der Regisseur .... (gesprochen)"Verdammte Schlamperei,jetzt ist uns der Ast schon zum dritten mal  gebrochen, der Film ist auch gerissen. Also Kinder, für heute ist Feierabend, die Leiche  dreh`n wir morgen ab!"

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DIE HEISSE SCHLACHT AM KALTEN BUFFET EM

D

EM

H7 EM

Gemurmel dröhnt drohend wie Tr

ommelklang, gleich s anze Ar ürzt eine g ee, t m

D G D G ure entlang, dort s eht das alte Buf die Treppe herauf, und die Fl et. t k f D C H7 Zunächt regiert noch die interlist, doch ald schon brutale Ge alt, H b w em da s ießt man, p w

D C D em as aufzus ist, die aust um die ießen p F G

H7

em

abel geballt.

D C H7 Mit feurigem Blick und mit Sc aum vor dem Mund kämpft jeder für sich al ein, h l em D C D em H7 em iebt sich in einen gef äßigen Sch und, was immer hi einpaßt, hi und sch ein. s r l n n G D C Bei der eißen Schlacht am alten Buffet, da ählt der Mann noch als h k z M

D7 ann,

G C G D7 G D ug' in Auge, As ik und Gelee, hier eigt sich, wer ämpfen ann, hur und A a! p z k k r G C D7 GH7 Hier eigt sich wer ämpfen kann. z k Da blitzen die Messer, da prallt das Geschirr mit elementarer Wucht. auf Köpfe und Leiber, und aus dem Gewirr, versucht ein Kellner die Flucht. Ein paar Veteranen im Hintergrund tragen Narben auf Stirn und Gesicht, quer über die Nase und rings um den Mund, wohin halt die Gabel sticht. Ein tosendes Schmatzen erfüllet den Raum, es rülpst und es grunzt und es quiekt. Fast hört man des Kellners Hilferuf kaum, der machtlos am Boden liegt. Bei der heißen Schlacht . . . Da braust es noch einmal wie ein Orkan, ein Recke mit Ãœbergewicht wirft sich auf's Buffet im Größenwahn, worauf es dann donnernd zerbricht. Nur leises Verdauen dringt noch an das Ohr, das Schlachtfeld wird nach und nach still. Aus Trümmern sieht angstvoll ein Kellner hervor, der längst nicht mehr fliehen will. Eine Dame träumt lächelnd vom Heldentod, gebettet in Kaviar und Sekt, derweil sie, was übrigzubleiben droht, blitzschnell in die Handtasche steckt. Version 04 /1.01 April 2004

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Das war die Schlacht am kalten Buffet, von fern tönt das Rückzugssignal. Viel Feind, viel Ehr' und viel Frikassee, Na denn: "Prost" bis zum nächsten Mal, hurra! Na denn: "Prost" bis zum nächsten Mal! Das war die Schlacht am kalten Buffet, und von dem vereinnahmten Geld gehn zehn Prozent, welch noble Idee, als Spende an "Brot für die Welt", hurra ! Als Spende an "Brot für die Welt

KASPAR RAINHARD MEY

h E Sie sagten, er käme von Nürnberg her, h Fis und er spräche kein Wort. h Auf dem Marktplatz standen sie um ihn her h Fis und begafften ihn dort. D Die einen raunten: „Er ist ein Tier!", h die andern fragten: „Was will der hier?", E A und daß er sich doch zum Teufel scher'. D Fis h „So jagt ihn doch fort, so jagt ihn doch fort!"

E

Sein Haar in Strähnen und wirre, sein Gang war gebeugt. „Seht, dieser arme Irre ward vom Teufel gezeugt. "Der Pfarrer reichte ihm einen Krug voll Milch, er sog in einem Zug. „Der trinkt nicht vom Geschirre, den hat die Wölfin gesäugt, den hat die Wölfin gesäugt!" Mein Vater, der in uns'rem Orte Schulmeister war, trat zu ihm hin, trotz böser Worte rings aus der Schar. Er sprach zu ihm ganz ruhig, und der Stumme öffnete den Mund und stammelte die Worte: „Heiße Kaspar, heiße Kaspar". Mein Vater brachte ihn mit nach Haus: „Heiße Kaspar". Meine Mutter wusch seine Kleider aus und schnitt ihm das Haar. Version 04 /1.01 April 2004

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Sprechen lehrte mein Vater ihn, lesen und schreiben, und es schien, was man ihn lehrte, sog er in sich auf wie gierig er war, wie gierig er war! Zur Schule gehörte derzeit noch das Uttinger Feld, Kaspar und ich, wir pflügten zu zweit, bald war alles bestellt; wie hegten und pflegten jeden Keim, brachten im Herbst die Ernte ein, von den Leuten vermaledeit, von ihren Hunden verbellt, von ihren Hunden verbellt. Ein Wintertag, der Schnee lag frisch, es war Januar. Meine Mutter rief uns: „Kommt zu Tisch, das Essen ist gar!" Mein Vater sagte: „ ... Appetit", ich wartete auf Kaspars Schritt. Mein Vater fragte mürrisch: „Wo bleibt Kaspar, wo bleibt Kaspar?" Wir suchten, und wir fanden ihn auf dem Pfad bei dem Feld. Der Neuschnee wehte über ihn, sein Gesicht war entstellt, die Augen angstvoll aufgerissen, sein Hemd war blutig und zerschlissen. Erstochen hatten sie ihn, dort am Uttinger Feld, dort am Uttinger Feld! Der Polizeirat aus der Stadt füllte ein Formular. „Gott nehm' ihn hin in seiner Gnad"', sagte der Herr Vikar. Das Uttinger Feld liegt lang schon brach, nur manchmal bell'n mir noch die Hunde nach, dann streu' ich ein paar Blumen auf den Pfad für Kaspar, für Kaspar.

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DER MÖRDER IST IMMER DER GÄRTNER

Am Dm G7 C E7 Die Nacht liegt wie Blei auf Schloß Darkmoor, Sir Henry liest Financial Times Am Dm E7 Am Zwölfmal schlägt gespenstisch die Turmuhr, der Butler hat Ausgang bis eins A7 Dm Da schleicht sich im flackernden Lampenschein fast lautlos ein Schatten zur Türe herein H7 E7 und stürzt auf Sir Henry, derselbe lebt ab, und nimmt das Geheimnis mit in das Grab A D E7 A E7 Der Mörder war wieder der Gärtner, und er plant schon den nächsten Coup A D Der Mörder ist immer der Gärtner, E7 A D A E7 und der schlägt erbarmungslos, der schlägt erbarmungslos, der schlägt erbarmungslos zu

A

Am Dm G7 C E7 Bei Maigret ist schon seit zwei Stunden ein Fahrstuhl andauernd blockiert Am Dm E7 Am Inspektor Dupont ist verschwunden, der Fahrstuhl wird gerad´ repariert A7 Dm Da öffnet sich lautlos die Türe zum Schacht, es ertönt eine Stimme, die hämisch lacht H7 E7 Inspektor Dupont traf im Fahrstuhl ein Schuß, der Amtsarzt stellt sachlich fest - Exitus A D E7 A E7 Der Mörder war wieder der Gärtner, und er plant schon den nächsten Coup A D Der Mörder ist immer der Gärtner, E7 A D A E7 und der schlägt erbarmungslos, der schlägt erbarmungslos, der schlägt erbarmungslos zu

A

Am Dm G7 C E7 Am Hafendamm Süd wurde neulich ein Hilfsleuchtturmswart umgebracht Am Dm E7 Am Inspektor van Dyke, stets voreilig, hat drei Täter schon im Verdacht A7 Dm Die Wirtin zur Schleuse, denn die schielt und die hinkt, der Käpt´n, der schiffsbrüchig im Rum ertrinkt, H7 E7 der Lotse, der vorgibt, Napoleon zu sein, aber da irrt van Dyke, keiner war´s von den Drei´n Version 04 /1.01 April 2004

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A D E7 A E7 Der Mörder war wieder der Gärtner, und er plant schon den nächsten Coup A D Der Mörder ist immer der Gärtner, E7 A D A E7 und der schlägt erbarmungslos, der schlägt erbarmungslos, der schlägt erbarmungslos zu

A

Am Dm G7 C E7 Die steinreiche Erbin zu Manster ist wohnhaft im fünfzehnten Stock Am Dm E7 Am Dort schläft sie bei offenem Fenster, Big Ben schlägt gerad´ two o´clock A7 Dm Ganz leis bläht der Wind die Gardinen auf, auf die Erbin zeigt mattschwarz ein stählerner Lauf, H7 E7 und ein gellender Schrei zerreißt jäh die Luft, auch das war wohl wieder der Gärtner, der Schuft A D E7 A E7 Der Mörder ist immer der Gärtner, und er plant schon den nächsten Coup A D Der Mörder ist immer der Gärtner, E7 A D A E7 und der schlägt erbarmungslos, der schlägt erbarmungslos, der schlägt erbarmungslos zu

A

Am Dm G7 C E7 In seinem Gewächshaus im Garten steht in grüner Schürze ein Mann Am Dm E7 Am Der Gärtner rührt mehrere Arten von Gift gegen Blattläuse an A7 Dm Der Gärtner singt, pfeift und lacht verschmitzt, seine Heckenschere, die funkelt und blitzt, H7 E7 Sense, Spaten und Jagdgewehr stehen an der Wand, da würgt ihn von hinten eine meuchelnde Hand A D E7 A E7 Der Mörder war nämlich der Butler, und der schlug erbarmungslos zu A D Der Mörder ist immer der Butler, E7 A D A E7 A man lernt eben täglich, man lernt eben täglich, man lernt eben täglich dazu

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GUTE NACHT, FREUNDE A Hm E7 A ute Nacht, F es wird Zeit für micht zu G eunde, ehn. r g D C/G Was ich noch zu sagen h ätte, dauert eine Zigar

Hm e tte

E A und ein letztes Glas im Stehn. Hm acht unter eurem Dach. Habt Für den Tag, für die N D

E ank

A für den Platz an euren isch, für jedes Glas, das ich trank T , Hm E ir zu den euren s für den Teller, den ihr m ellt, t A

D als sei selbstvers ichts auf der ändlicher n t W

E elt.

Gute Nacht . . . Habt Dank für die Zeit, die ich mit euch verplaudert hab' und für eure Geduld, wenn's mehr als eine Meinung gab. Dafür, daß ihr nie fragt, wann ich komm' oder geh', für die stets offene Tür, in der ich jetzt steh'. Gute Nacht . . . Für die Freiheit, die als steter Gast bei euch wohnt. Habt Dank, daß ihr nie fragt, was es bringt, ob es lohnt. Vielleicht liegt es daran, daß man von draußen meint, daß in euren Fenstern das Licht wärmer scheint. Gute Nacht . . .

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ICH LIEBE DICH A D Ich hab´ unzähl´ge Seiten vollgeschrieben, A E ich habe mir Geschichten ausgedacht. D E A Bin keine Antwort schuldig geblieben, D hm A E ich hab´ den Denker und den Clown gemacht. D E A Ich habe Weisheiten von mir gegeben D E und dabei manche Torheit, wie´s mir scheint! A D E A Ich hab´ geredet, als ging´s um mein Leben A D hm E4 E und doch nur immer eins gemeint: A hm Ich liebe dich, ich brauche dich, c#m D vertrau´ auf dich, ich bau´ auf dich, A wollte nicht leben ohne dich, D E A ich liebe dich. A D Ich hab´ versucht, in immer neuen Bildern A E zu sprechen, doch jetzt geht die Zeit mit mir aus, D E A ich kann nicht mehr um sieben Ecken schildern, D hm A E ich sag´ es einfach und grade heraus. D E A Ich sag´ es einfach, und ich schreibe D E

auf deinen Spiegel, auf die Wand, A D E A auf die beschlagene Fensterscheibe, A D hm E4 E wofür ich soviel Umwege erfand: A hm Ich liebe dich, ich brauche dich, c#m D vertrau´ auf dich, ich bau´ auf dich, A wollte nicht leben ohne dich, D E A ich liebe dich. A D Machmal seh´ ich uns beide in Gedanken A E auf einem menschenleeren Bahnsteig stehen, D E A zwischen uns unsichtbare Schranken, D hm A E und einer bleibt, einer muß gehn. D E A Lautsprecherstimmen und Türenschlagen D E und Winken aus dem anfahrenden Zug. A D E A Ich will´s immer und immer wieder sagen, A D hm E4 E und sag´ es dir doch nie genug: A hm Ich liebe dich, ich brauche dich, c#m D vertrau´ auf dich, ich bau´ auf dich, A wollte nicht leben ohne dich, D E A

ich liebe dich.

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SPUCK DEN SCHNULLER AUS Ludwig Hirsch

C Am Spuck den Schnuller aus, die Mama is net z'haus, F G geh, ziehr' di net, geh mit in's Gitterbett C Am Weißt' wie schön des is, mach'ma an Windelstriptease F G und dann zeig i dir mein's und du zeigst mir dein´s D G Ja, es wird höchste Zeit, dass wir's endlich treiben D G oder willst' mit zweieinhalb noch a Jungfrau bleiben C Am Wir werd'n die Bilderbücher alle beim Fenster außihaun F G Ja, wer glaubt denn den Dreck, man muss dem heute C Am C Am in's Auge schau'n C Am Weißt' wie des wirklich war, vor hunderttausend Jahr' F G im Lebkuchenhaus, du weiß't es net, dann paß' auf: C Am Hänsel und Gretel san ganga, sie war von ihm schwanger F G C Im tiefen Wald, es war so finster und auch so grimmig kalt D G Hör' auf zum Platz'n sagt der Hänsel, es hat ja kein' Sinn D G die Hex war nämlich a Engelmacherin. Am Wir werd'n die Bilderbücher alle beim Fenster außihaun F G Ja, wer glaubt denn den Dreck, man muss dem heute C Am C Am in's Auge schaun C Am Und die Mickymaus ziagt die Minnimaus aus F G und da Dagobert Duck is nach dem Donald verruckt. C Am Und Klein Adlerauge sagt ganz befriedigt uff F G is ja ka Wunder, er kommt grad aus'm Disneyland-Puff D G Und wann's es nu net wißt's, dann werd's es glei' wissen D G Klein Bambi treibt's mit an Sodomisten Version 04 /1.01 April 2004

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Wir werd'n die Bilderbücher alle beim ……… D G Wer hat des Höschen vom Dornröschen? D G Und Schneewittchen hätt's gern 'trieb'n mit alle Sieben. C Am Aber hinter'm siebten Berg wohnen nur schwule Zwerg', F G jedes Jahr im Mai, laden's den Nurejef sich ein C Am Und das Rotkäppchen, des kleine, des hat's a net leicht, F G es stürzt eini bei der Tür, im G'sicht ganz bleich. D G Großmutter waß't wer mir im Wald begegnet is, D G es war der große böse Wolf, der is ein Exhibitionist. C Am Spuck den Schnuller aus, die Mama is net z'haus, F G geh, ziehr'di net, geh mit in's Gitterbett. C Am Wir werd'n die Bilderbücher alle beim Fenster außihaun F G C wir brauchen's net, jetzt damma Pronoheftl'n schaun, G C G C Pomoheftl'n schaun, dem Heute in's Auge schau'n.

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C

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EIN BETT IM KORNFLED JÜRGEN DREWS 1. Strophe: G Sommerabend, über blühendem Land, schon seit Mittag stand ich am Straßenrand. D G Bei jedem Wagen, der vorüberfuhr, hob ich den Daumen. G Auf einem Fahrrad kam da ein Mädchen her, und sie sagte: „Ich bedaure dich sehr“ D G Doch ich lachte und sprach: „Ich brauche keine weichen Daunen.“ Refrain: C Ein Bett im Kornfeld, das ist immer frei, G Denn es ist Sommer und was ist schon dabei. D G G7 Die Grillen singen, und es duftet nach Heu, wenn ich träume. C Ein Bett im Kornfeld zwischen Blumen und Stroh, G Und die Sterne leuchten mir sowieso. D G G7 Ein Bett im Kornfeld mach ich mir irgendwo, ganz alleine. 2. Strophe: Etwas später lag ihr Fahrrad im Gras, und so kam es, daß sie die Zeit vergaß. Mit der Gitarre hab ich ihr erzählt aus meinem Leben. Auf einmal rief sie: „Es ist höchste Zeit, nun ist es dunkel und mein Weg ist noch weit“ Doch ich lachte und sprach : „Ich hab dir noch viel zu geben“ Refrain:

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MEI ALDE IS' IM PLAYBOY DRIN J.B.O. Tuning : 1 Halbton tiefer (D# G# C# F# Bb D#)

Intro: G

F / C F C / G F / C F C

G F C F-C Es ist war, ich schwör es euch, glaubt mir, ich hab´s erlebt G F C F-C Sie war ja so ein Engel, ich war ja so verliebt G F C F-C Eines Tages schaute ich, ich bin ja nur ein Mann G F C F-C Mir eins von diesen schönen bunten Busenheftchen an Em Am C-D Ich schlug auch gleich die Mittelseite auf, um mich anzuregen Em Am C-D Da schaut mir doch, ich werd verrückt, mein Engel nackt entgegen G F C Ich glaub ich spinn´! Verraten und verkauft ich bin! G F C Mei Alde is´ im Playboy drin! Mei Alde is´ im Playboy drin! G F C Ich glaub ich spinn´! Verraten und verkauft ich bin! G F C Mei Alde is´ im Playboy drin! G F C F-C Sie war so rein und anständig und quatschte von Moral G F C F-C Sie einmal ins Bett zu kriegen, das war die reinste Qual G F C F-C Und wenn sie dann doch einmal in meinen Armen lag G F C F-C Dann herrschte immer Dunkelheit, ja selbst am hellen Tag Em Am C-D Und jetzt, was ist? Da zeigt sie ihre nackten Titten Em Am C-D Im Playboy, jeder kann es seh´n, auf der Seit´n in der Midd´n G F C Ich glaub ich spinn´! Verraten und verkauft ich bin! G F C Mei Alde is´ im Playboy drin! Mei Alde is´ im Playboy drin! G F C Ich glaub ich spinn´! Verraten und verkauft ich bin! G F C Mei Alde is´ im Playboy drin! G F C Na na nanananana, nananananananananana ... G F C Na na nanananana, nananananananananana ... G F C Version 04 /1.01 April 2004

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Na na nanananana, nananananananananana G F C Na na nanananana, nananananananananana Hör zu ! G F C F-C Rache schwör ich und sag mir: was die kann, kann ich auch G F C F-C Ich hol mir jetzt ´ne Polaroid und knipse meinen Bauch (und mehr!) G F C F-C Im Hause ist zu wenig Licht, drum geht´s in die Natur G F C F-C Der Schniedel glänzt im Sonnenlicht, es fehlt das Puder nur Em Am C-D Ist egal, ich will ja nur meine Freundin schocken Em Am C-D Doch zwei Wochen später, da hauts mich von den Socken: G F C Ich glaub ich spinn´! Verraten und G F Der Veit is´jetz im Playgirl drin! G F C Ich glaub ich spinn´! Verraten und G F

verkauft ich bin! C Ich bin jetz´im im Playgirl drin! verkauft ich bin! C Ich bin jetz´im im Playgirl drin!

G F C G ~~~~~ Na na nanananana, nananan anananananana naaaa „was ? das soll das Ende der Geschichte sein ? Das kann nicht sein … Nein , 2 3 5 ! „ G F Na na nanananana, G F Na na nanananana,

Quatsch !

C nananananananananana ...3 X C nananananananananana

G F C Ich glaub ich spinn´! Verraten und verkauft ich bin! G F C Mei Alde is´ im Playboy drin! Mei Alde is´ im Playboy drin! G F C Ich glaub ich spinn´! Verraten und verkauft ich bin! G F C Der Veit is´jetz im Playgirl drin! Ich bin jetz´im im Playgirl drin! G F C G ~~~~~ Na na nanananana, nananan anananananana naaaa F C G~~~~~~~~ G Na na nananana nananana Hey juuuhuude

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KEIN SCHWEIN RUFT MICH AN Max Raabe C6 As Kein Schwein ruft mich an, keine Sau interessiert sich für mich, A7 D7 G7 C A7 Dm so lange ich hier wohn, ist es fast wie Hohn, schweigt das Telefon. G C6 As Kein Schwein ruft mich an, keine Sau interessiert sich für mich, A7 D7 G7 C C Am Hm7 E7 und ich frage mich, denkt gelegentlich jemand mal an mich. Am E7 Am E7 1.Den Zustand find ich höchst fatal, für heut’ge Zeiten nicht normal, C E7 A7 Dm G6 G7 wo jedermann darüber klagt, das Telefon an Nerven nagt. Am E7 Am E7 Ich trau mich kaum mehr aus der Tür, denn stets hab ich vermutet, C E7 A7 Dm G6 G7 dass kaum, dass ich das Haus verlaß, es klingelt oder tutet. C6 As Doch: Kein Schwein ruft mich an, keine Sau interessiert sich für mich, A7 D7 G7 C A7 Dm so lange ich hier wohn, ist es fast wie Hohn, schweigt das Telefon. C6 As Kein Schwein ruft mich an, keine Sau interessiert sich für mich, A7 D7 G7 C und ich frage mich, denkt gelegentlich jemand mal an mich.

G

Fm Cm Vielleicht, dass manche mich im Land der Dänen wähnen, Fm Cm D7 oder fern von hier, wo die Hyänen gähnen. G7 C6 As Denn: Kein Schwein ruft mich an, keine Sau interessiert sich für mich, A7 D7 G7 C doch liegt es nicht an mir, ich zahle monatlich die Telefongebühr. Am E7 Am E7 2.Das war für mich kein Zustand mehr, es musste eine Lösung her, Am E7 C Em A7 Dm G6 G7 das war für mich sofort der Anrufbeantworter. E7 Am E7 Am E7 Und als ich dann nach Hause kam, war ich vor Glück und Freude lahm, Am E7 C Em A7 Dm G6 G7 es blinkt mir froh der Apparat, dass jemand angerufen hat. G F G Die süsse Stimme einer Frau verrät mir und erzählt: F G Verzeihen Sie, mein werter Herr, ich habe mich verwählt. Refrain gepfiffen

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MARMOR, STEIN UND EISEN BRICHT 1. Strophe: D A D Weine nicht, wenn der Regen fällt, dam dam, dam dam, D A D Es gibt einen, der zu Dir hält, dam dam, dam dam. Refrain (2 mal): D G A D Marmor, Stein und Eisen bricht, aber unsere Liebe nicht! D G A D Alles, alles geht vorbei, doch wir sind uns treu! 2. Strophe: Kann ich einmal nicht bei Dir sein, dam dam, dam dam, Denk daran, Du bist nicht allein, dam dam, dam dam. Refrain (2 mal): 3. Strophe: Nimm den goldenen Ring von mir, dam dam, dam dam, Bist Du traurig, dann sagt er Dir, dam dam, dam dam. Refrain (2 mal): 4. Strophe: Weine nicht, wenn der Regen fällt, dam dam, dam dam, Es gibt einen, der zu Dir hält, dam dam, dam dam. Refrain (2 mal):

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ZWEI KLEINE ITALIENER

G7 C G7 C Eine Reise in den Süden ist für andre schick und fein G7 C G7 C G7 Doch zwei kleine Italiener möchten gern zu Hause sein.

1

2

3

C F C F C G7 Zwei kleine Italiener, die träumen von Napoli F C von Tina und Marina, die warten schon lang auf sie F C F C7 F Zwei kleine Italiener, die sind so allein G7 C G7 C Eine Reise in den Süden ist für andre schick und fein G7 C G7 C C7 Doch zwei kleine Italiener möchten gern zu Hause sein F B F C7 F B F Oh Tina, oh Marina, wenn wir uns einmal wiederseh’n F B F C7 F Oh Tina, oh Marina, dann wird es wieder schön C F C F C G7 Zwei kleine Italiener vergessen die Heimat nie F C Die Palmen und die Mädchen am Strande von Napoli F C F C7 F Zwei kleine Italiener, die sehen es ein: G7 Eine Reise ...... C F C F C G7 Zwei kleine Italiener, am Bahnhof, da kennt man sie F C Sie kommen jeden Abend zum D-Zug nach Napoli F C F C7 F Zwei kleine Italiener seh’n stumm hinterdrein G7 Eine Reise ....

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HEY HEY WICKIE Wickie E Hey hey Wickie, hey Wickie, hey, zieh fest das Segel an. A

E

Hey hey Wickie, die Wickinger, sind hart am Winde dran. H7

A

A7

E

H7

nanana na nana nanana nanana Wickie! E Hey hey Wickie, hey Wickie, hey, so heißt der kleine Held. A

E

Er denkt kurz nach, und hat ihn dann, den Trick der ihm gefällt. H7

A

A7

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nanana na nana nanana nanana Wickie! Ba ba ba F Die Angst vorm Wolf macht ihn nicht froh, E und im Taifun ist's ebenso, F doch Wölfe hin, Taifune her, H7 die Lösung fällt ihm gar nicht schwer. E Hey hey Wickie, hey Wickie, hey, zieh fest das Segel an. A

E

Hey hey Wickie, die Wickinger, sind hart am Winde dran. H7

A

A7

E

H7

nanana na nana nanana nanana Wickie! E Hey hey Wickie, hey Wickie, hey, so heißt der kleine Held. A

E

Er denkt kurz nach, und hat ihn dann, den Trick der ihm gefällt. H7

A

A7

E

nanana na nana nanana nanana Wickie! Hey!

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ER GEHÖRT ZU MIR Am | Am | Dm | Dm | Am | Am | Gsus | Gsus | G | G | C                          Fmaj7       G Er gehört zu mir, wie mein Name an der Tür, Fmaj7                    G   und ich weiß, er bleibt hier,        C nie vergeß ich unseren ersten Tag, Bb/C                 C  Naaa naa naa na, na na na          C denn ich fühlte gleich, daß er mich mag, Bb/C                 C  Naaa naa naa na, na na na              F                G ist es wahre Liebe (uuuhhhuuuhhuuu)                 Em7        Am7 die nie mehr vergeht (uhuuuhuu)               D7                  G7 oder wird die Liebe, vom Winde verweht ? Er gehört zu mir, wie mein Name an der Tür, und ich weiß, er bleibt hier, alles fangen wir gemeinsam an, Naaa naa naa na, na na na doch vergeß ich nie, wie man allein sein kann, Naaa naa naa na, na na na Steht es in den Sternen (uuhhuuhhhhuuuuuu) was die Zukunft bringt (uuhuhuu) oder muß ich lernen, daß alles zerrinnt ? Nein, ich hab es ihm nie leicht gemacht Naaa naa naa na, na na na mehr als einmal hab ich mich gefragt Naaa naa naa na, na na na ist es wahre Liebe (uuuhhhuuuhhuuu) die nie mehr vergeht (uhuuuhuu) oder wird die Liebe, vom Winde verweht ? C            Bb   F              C Er gehört zu mir... für immer zu mir.   C            Bb   F              G Er gehört zu mir... für immer zu mir. Er gehört zu mir, wie mein Name an der Tür, und ich weiß, er bleibt hier, nie vergeß ich unseren ersten Tag, Naaa naa naa na, na na na denn ich fühlte gleich, daß er mich mag, Naaa naa naa na, na na na ist es wahre Liebe (uuuhhhuuuhhuuu) die nie mehr vergeht (uhuuuhuu) oder wird die Liebe, vom Winde verweht ?

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MFG Die fantastischen Vier Nun, da sich der Vorhang der Nacht von der Bühne hebt, kann das Spiel beginnen, das uns vom Drama einer Kultur berichtet... Gm ARD, ZDF, C&A F Gm usw BRD, DDR und USA BSE, HIV und DRK GbR, GmbH - ihr könnt mich mal THX, VHS und FSK RAF, LSD und FKK DVU, AKW und KKK RHP, USW, LMAA PLZ, UPS und DPD BMX, BPM und XTC EMI, CBS und BMG ADAC, DLRG - ojemine EKZ, RTL und DFB ABS, TÜV und BMW KMH, ICE und Eschede PVC, FCKW - is nich OK (C) Refrain (2x) (Gm) MfG - Mit (B) freundlichen Grüssen die (C) Welt liegt uns zu Füssen, den wir (Gm) steh'n drauf wir geh'n drauf für ein Leben voller (B) Schall und Rauch (C) bevor wir fall'n, fall'n wir (Gm) lieber auf HNO, EKG und AOK LBS, WKD und IHK UKW, NDW und Hubert K BTM, BKA, hahaha LTU, TNT und IRA NTV, THW und DPA H+M, BSB und FDH SOS, 110 - tatütata SED, FDJ und KDW FAZ, BWL und FDP EDV, IBM und WWW HSV, VFB, oleole ABC, DAF und OMD TM3, A+O und AEG TUI, UVA und UVB THC in OCB is was ich dreh *Refrain* (3x)

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DAS HAMA UNS VERDIENT E:­10­­­­­3­­­­10­­­­12­­­­­­­­­­­­­­­­­ ­­­­­­­­­­­­­­­­ H:­11­­­­11­­­­11­­­­13­­­­­­­­­­­­­­­­­­­­­­­13­­­­­­­­  G:­10­­­­10­­­­10­­­­12­­­­­­­­­­­­­­­­­12­­­­12­­­­14­­­ D:­12 ­­­­12­­­12­­­­14 ­­­­­12­­­­15­­­­­­­­­­­­­­­­­­­  A:­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­  E:­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­­

Ich würd so gerne leben, schlafen, träumen und ich hab die Arbeit satt. Was kann man dabei schon gewinnen, wenn man gar nichts davon hat. Wenn man das Leben verschenkt an die Arbeit; nimm dir Zeit fuer das Nichtstun, sei bereit! Nur noch eins zählt: Lass die Arbeit ruh'n. Und wenn da andere anders denken, lass das eben die tun! Für heute ham wir wirklich genug gemacht, wir nutzen den Tag und die Nacht... : Das ham wir uns verdient...7 X Natürlich gibt es auch Verrückte, für die ist das eben Glück, wenn sie dreihundertfünfundsechzig Tage am Stück schuften und schwitzen ohne Pause, ohne Sinn; das ist wie Toto oder Lotto ohne Chance auf Gewinn. Sei schlau und mach blau, jeder nimmt sich, was er braucht. Mach mal ne Pause, vermeide, was dich schlaucht. Das ist menschlich, das ist kein Defekt; das ist Faulheit, die in jedem von uns steckt! : Das ham wir uns verdient...7 X Mach die Ameise rein und laß die Sau raus. Allein von Arbeit kann kein Mensch auf Dauer richtig glücklich sein. Gib heut noch mal alles, aber dann ist wirklich Schluß. sonst verlernt man ganz schnell, wann man aufhören muß. Da gibt es andere Dinge, / da gibt es schöne Dinge, die man nach der Arbeit wohl am allerbesten tun kann. Fang gleich an mit dem Nichtstun. / Sei gelöst, jetzt wird geträumt, geträumt, geküßt. Version 04 /1.01 April 2004

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: Das ham wir uns verdient...7 X

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TAG AM MEER FANTA 4 –

7 Takte nix 6 Takte:

Dann 1 Takt:

(Am7) (D)(Dsus4) 1 + 2 + 3 + 4 + I-------------------I I-----5-5---7-8-8---I I-----5-5---7-7-7---I I-----5-------------I I-------------------I I-5-----------------I

(D) 1 + 2 + 3 + 4 + I------------------I I--------7---------I I-----5—-7---------I I---7----7---------I I------------------I I------------------I

Verse: (Am7) (D)(Dsus4) jetzt bist du da ein stück deiner zukunft dabei es ist schon lange klar du fühlst dich frei wenn die zukunft zur gegenwart wird hast dus getan das warten war es wirklich dein plan dann verschwindet die zeit darauf du in ihr wolken schlagen salti du bist nicht mehr bei dir die zeit kehrt zurück und nimmt sich mehr von sich in ihr bist du schneller denn mehr bewegt dich N.C. der moment ist die tat die du tust augenblick N.C. denn dein auge erblickt was du tust und erschrickt N.C. vor dem ding das du kennst weil es immer da war N.C. die musik ist aus und ist immer noch da (Am7) (D)(Dsus4) hast du das gewollt - hast du angst - zu beginn doch jetzt ist alles anders denn wir sind mittendrin es dreht sich nur um uns und es ist nichts wie bisher (D) und das macht uns zu brüdern mit dem tag am meer Chorus: 4 Mal: 1 + 2 + 3 + 4 + 1 + 2 + 3 + 4 + I--------------------------------------------I I--------------------------------------------I I--------------------------------------------I I---7--7-7--7---7-7-7------5-7p5-7-----------I I----------------------5-5-------------------I I--------------------------------------------I Verse: 3 Takte nix, dann 1 Takt (D)

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(Am7) (D)(Dsus4) du spürst das gras hier und da bewegt sich was es macht dir spaß nein es ist nicht nur das denn nach dem öffnen aller türen steht am ende der trick des endes der suche durch das finden im augenblick N.C. du atmest ein du atmest aus (Am7) (D)(Dsus4) dieser körper ist dein haus und darin kennst du dich aus du lebst - du bist am leben - und das wird dir bewußt ohne nachzudenken nur aufgrund der eignen lebenslust N.C. das gefühl das du fühlst sagt dir es ist soweit N.C. und es ändern sich zustand der raum und die zeit N.C. der verstand kehrt zurück doch du setzt ihn nicht ein N.C. jeder schritt neues land wird es immer so sein (Am7) (D)(Dsus4) du spürst die lebensenergie die durch dich durchfließt das leben wie noch nie in harmonie und genießt es gibt nichts zu verbessern nichts was noch besser wär (D) außer dir im jetzt und hier und dem tag am meer Chorus: 4Takte wie beim Ersten

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BEINAH, BEINAH (BAILA ME) E H7 1. Dat Marleen hät dicke Brüssje, dat Marleem hät tolle Been, E doch wenn ich em ens dran föhle, dann säät et immer nein. H7 Dat Marleen, dat hät e Föttche, dat Marleen is stets joot drop, E ich kann naats nimmih schlofe, jähn hät ich se ens je.... E H7 Beinah, beinah, beinah - beinah hät ich se jebütz, E ävver leider kom dä Reiner un dä hät dat Ding jeritz. H7 Wat hät dä, wat ich nit han, wat willst de bloß met su nem Mann, E Mädche loss mich nit su stonn, Mädche loss dä Kähl doch jonn! E H7 2. Dat Marie hät jet om Konto, dat Marie hät jet em Kopp, E et löht mich nit dran rüsche, säät, jank du bess beklopp. H7 Dat Marie hät schöne Oure, die Fijur is wirklich toll, E ich muss immer an et denke, jähn hät ich se ens je.... + REFRAIN A E Bin Fahrer bei der KVB, ming Mam meint, ich wör janz okay. H7 Ich kann bald nimmieh drüvver laache, E sach Mam, wat sull ich dann bloß maache. + REFRAIN E H7 3. Doch dat Rita hät e Föttche, su wie e Sesterpääd, E do kanns de nix mih saare, wenn die de Schnüss opmäät. H7 Das Rita hät zwei Zentner, dat määt mich fast beklopp, E et löt mich naats nimmieh schlofe, jään hät se mich je.... E Version 04 /1.01 April 2004

H7 702

Beinah, beinah, beinah - beinah hät se mich jebütz, E sach, wo bliev dann bloß dä Reiner, dä dat Ding söns immer ritz. H7 Wat han ich, wat dä nit hät, denn dä Reiner, dä is nett, E Mädche loss mich leever stonn, Mädche loss mich endlich jonn. H7 Jo, wat han ich, wat dä nit hät, denn dä Reiner, dä is nett, E Mädche loss mich leever stonn, Mädche loss mich endlich jonn. (Noch eine Erkärung für Nordlichter: KVB = Kölner Verkehrsbetriebe Sesterpääd = Brauereipferd von der Brauerei „Sester Kölsch“) (Paveier)

WIR LIEBEN DIE STÜRME D A7 D 1. Wir lieben die Stürme, die brausenden Wogen, G D A7 D der eiskalten Winde rauhes Gesicht. A7 D Wir sind schon der Meere so viele gezogen, G D A7 D und dennoch sank unsre Fahne nicht. D Heijo, heijo, heijo, A A7 D heijo ho, heijo ho, heijo, heijo ho, heijo. D A7 D 2. Unser Schiff gleitet stolz durch die schäumenden Wogen, G D A7 D jetzt strafft der Wind unser Segel mit Macht. A7 D Seht ihr hoch oben die Fahne sich wenden, G D A7 D die blutrote Fahne, ihr Seeleut, habt acht ! D A7 D 3. Wir treiben die Beute mit fliegenden Segeln, G D A7 D wir jagen sie weit auf das endlose Meer. A7 D Wir stürzen auf Deck, und wir kämpfen wie Löwen, G D A7 D hei, unser Sieg, viel Feinde, viel Ehr ! Version 04 /1.01 April 2004

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WIR LAGEN VOR MADAGASKAR C G G7 C 1. Wir lagen vor Madagaskar und hatten die Pest an Bord, in den Kesseln, da faulte das Wasser, G G7 C und täglich ging einer über Bord. G C Ahoi, Kameraden, ahoi, ahoi ! G C Leb wohl, kleines Madel, leb wohl, leb wohl ! C7 F C Ja, wenn das Schifferklavier an Bord ertönt, G G7 ja, dann sind die Matrosen so still, ja, so still, C weil ein jeder nach seiner Heimat sich sehnt, G G7 C die er gerne einmal wiedersehen will. C G G7 C 2. Wir lagen schon 14 Tage, kein Wind durch die Segel uns pfiff. G G7 C Der Durst war die größte Plage, da liefen wir auf ein Riff. + REFRAIN C G G7 C 3. Der lange Hein war der erste, er soff von dem faulen Nass. G G7 C Die Pest gab ihm das Letzte, und wir ihm ein Seemannsgrab. + REFRAIN

WENN WIR ERKLIMMEN D A A7 D 1. Wenn wir erklimmen schwindelnde Höhen, steigen dem Gipfelkreuz zu. In unsren Herzen brennt eine Sehnsucht, A A7 D die lässt uns nimmermehr in Ruh. G D A A7 D Herrliche Berge, sonnige Höhen, Bergvagabunden sind wir, ja, wir. G D A A7 D Herrliche Berge, sonnige Höhen, Bergvagabunden sind wir. D A A7 D 2. Mit Seil und Haken, den Tod im Nacken, hängen wir an der steilen Wand. Herzen erglühen, Edelweiß blühen, Version 04 /1.01 April 2004

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A A7 D vorbei geht`s mit sicherer Hand. + REFRAIN D A A7 D 3. Fels ist bezwungen, frei atmen Lungen, ach, wie so schön ist die Welt. Handschlag, ein Lachen, Mühen vergessen, A A7 D alles aufs Beste bestellt. + REFRAIN D A A7 D 4. Beim Alpenglühen heimwärts wir ziehen, Berge, die leuchten so rot. Wir kommen wieder, denn wir sind Brüder, A A7 D Brüder auf Leben und Tod. G D Lebt wohl, ihr Berge, sonnige Höhen, A A7 D Bergvagabunden sind treu, ja, treu. G D Lebt wohl, ihr Berge, sonnige Höhen, A A7 D Bergvagabunden sind treu.

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VON DEN BLAUEN BERGEN G 1. Von den blauen Bergen kommen wir, D von den Berge, ach, so weit vom Meer. G G7 C a Auf den Rücken unsrer Pferde reiten wir wohl um die Erde, D D7 G von den blauen Bergen kommen wir. G D Singing I I jippi jippi I, singing I I jippi jippi I, G C a D D7 G Singing I I jippi jippi I I jippi singing I I jippi jippi I G 2. Colt und Whisky liebt ein Cowboy sehr, D Girls und Mustangs und noch vieles mehr. G G7 C a Denn das sind ja scharfe Sachen, die ihm immer Freude machen, D D7 G von den blauen Bergen kommen wir. G 3. Wo die Rothaut lauert, schleicht und späht, D wo der Wind über die Prärien weht, G G7 C a sitzen wir am Lagerfeuer, und es ist uns nicht geheuer, D D7 G von den blauen Bergen kommen wir.

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DIE BIENE MAJA KAREL GOTT Chords: F      133211 C      81010988 H      799877 B      688766 C7     8108988

F                     C     H     B                          F In einem unbekannten Land,       vor gar nicht allzu langer Zeit,                        C     H   B                              F war eine Biene sehr bekannt,    von der sprach alles weit und breit.      B  C  F                                B Und diese Biene, die ich meine, nennt sich Maja,   C                 C7         F kleine, freche, schlaue Biene Maja.                         C     C7                       F Maja fliegt durch ihre Welt, zeigt uns das, was ihr gefällt.       B  C   F                           B Wir treffen heute unsre Freundin, Biene Maja,  C              C7          F diese kleine, freche Biene Maja.                    B                                    Maja, alle lieben Maja !   C                                    C7            F Maja! (Maja!) Maja! (Maja!) Maja ! Erzähle uns von dir !                            C   H   B                      F Wenn ich an einem schönen Tag     durch eine Blumenwiese geh,                            C   H   B                         F und kleine Bienen fliegen seh,    denk ich an eine, die ich mag.      B  C  F                                B Und diese Biene, die ich meine, nennt sich Maja,   C                 C7         F kleine, freche, schlaue Biene Maja.                         C     C7                       F Maja fliegt durch ihre Welt, zeigt uns das, was ihr gefällt.       B  C   F                           B Wir treffen heute unsre Freundin, Biene Maja,  C              C7          F diese kleine, freche Biene Maja.                    B                                    Maja, alle lieben Maja !   C                                    C7            F Maja! (Maja!) Maja! (Maja!) Maja ! Erzähle uns von dir !  F                 B                                    Version 04 /1.01 April 2004

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Maja, alle lieben Maja !   C                                    C7            F Maja! (Maja!) Maja! (Maja!) Maja ! Erzähle uns von dir !

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ODE AN DIE FREUDE G aG D G D G D G D 1. 1. Freude, schöner Götterfunken, Tochter aus Elysium, G a G7 C G D G D G D G Wir betreten feuertrunken, Himmlische, dein Heiligtum ! D G D G D GD e AD Deine Zauber binden wieder, was die Mode streng geteilt. G a G D Ga G D G D7 G Alle Menschen werden Brüder, wo dein sanfter Flügel weilt. G a G DG D G D G D 2. 2. Wem der große Wurf gelungen, eines Freundes Freund zu sein, G a G7 C G D G D G D G Wer ein holdes Weib errungen, mische seinen Jubel ein ! D G D G D G D e A D Ja, wer auch nur eine Seele sein nennt auf dem Erdenrund ! G a G D Ga G D G D7 G Und wer's nie gekonnt, der stehle weinend sich aus diesem Bund. G a G D GD G D G D 3. 3. Freude trinken alle Wesen an den Brüsten der Natur, G a G7 C GD G D G D G alle Guten, alle Bösen folgen ihrer Rosenspur. D G D G D G D Em A D Küsse gab sie uns und Reben, einen Freund, geprüft im Tod. G Am G D G Am G D G D7 G Wollust ward dem Wurm gegeben, und der Cherub steht vor Gott ! G aG DG D G D G D 4. 4. Freude, schöner Götterfunken, Tochter aus Elysium, G a G7 C G D G D G D G Wir betreten feuertrunken, Himmlische, dein Heiligtum ! D G D G D GD e AD Deine Zauber binden wieder, was die Mode streng geteilt. G a G D Ga G D G D7 G Alle Menschen werden Brüder, wo dein sanfter Flügel weilt. + letzte beiden Zeilen

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(Schiller / Beethoven)

709

SABINCHEN WAR EIN FRAUENZIMMER D A A7 D 1. Sabinchen war ein Frauenzimmer, gar hold und tugendhaft. A A7 D Sie lebte treu und redlich immer bei ihrer Dienstherrschaft. G D G D Da kam aus Treuenbritzen ein junger Mann daher, A A7 D der wollte gern Sabinchen besitzen und war ein Schuhmacher, A A7 D der wollte gern Sabinchen besitzen und war ein Schuhmacher. D A A7 D 2. Sein Geld hat er schon ganz versoffen in Schnaps und auch in Bier. A A7 D Da kam er zu Sabinchen geloffen und wollte welches von ihr. G D G D Sie konnte ihm keins geben, da stahl er auf der Stell, A A7 D von ihrer guten Dienstherrschaft sechs silberne Blechlöffel, A A7 D von ihrer guten Dienstherrschaft sechs silberne Blechlöffel. D A A7 D 3. Jedoch nach achtzehn Wochen, da kam der Diebstahl heraus, A A7 D da jagte Mann mit Schimpf und Schande Sabinchen aus dem Haus. G D G D Sie rief : Verruchter Schuster! Du rabenschwarzer Hund! A A7 D Da nahm er sein Rasiermesser und schnitt ihr ab den Schlund, A A7 D da nahm er sein Rasiermesser und schnitt ihr ab den Schlund. D A A7 D 4. Das Blut zum Himmel spritzte, Sabinchen fiel gleich um. A A7 D Der böse Schuster aus Treuenbritzen, der stand um ihr herum. G D G D In einem dunklen Keller, bei Wasser und bei Brot, A A7 D da hat er endlich eingestanden die grausige Moritot, A A7 D da hat er endlich eingestanden die grausige Moritot. D A A7 D 5. Und die Moral von der Geschichte, trau keinem Schuster nicht. A A7 D Der Krug, der geht zum Wasser, solange bis er bricht. G D G D Der Henkel ist zerbrochen, er ist für immer ab, A A7 D und unser Schuster, der muß sitzen bis an sein kühles Grab, A A7 D und unser Schuster, der muß sitzen bis an sein kühles Grab.

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C G7 C 1. Muß i denn, muß i denn zum Städtele hinaus, G G7 C Städtele hinaus und du mein Schatz bleibst hier. G C Wenn i komm, wenn i komm, wenn i wieder, wieder komm, G G7 C wieder, wieder komm, kehr i ein, mein Schatz, bei dir. G C Kann i au nit allweil bei dir sein, F C hab i doch mei Freud an dir! + Zeile 3 / 4 C G7 C 2. Wenn du weinst, wenn du weinst, dass i wandere muß, G G7 C wandere muß, wie wenn d`Lieb jetzt wär vorbei. G C Sind auch drauß, sind auch drauß der Mädele so viel, G G7 C Mädele so viel, lieber Schatz, i bleib dir treu. G C Denk du net, wenn i `ne andre seh, F C so sei mein Lieb vorbei. + Zeile 3 / 4 C G7 C 3. Übers Jahr, übers Jahr, wenn mer Träubele schneid, G G7 C Träubele schneid, stell i hier mi wiederum ein. G C Bin ich dann, bin i dann dein Schätzele noch, G G7 C Schätzele noch, so soll die Hochzeit sein. G C Übers Jahr, da ist mein Zeit vorbei, F C da g`hör i mein und dein. + Zeile 3 / 4

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MEIN VATER WAR EIN WANDERSMANN C 1. Mein Vater war ein Wandersmann, G und mir steckt`s auch im Blut, G7 C so wandre ich, so lang ich kann, F G C und schwenke meinen Hut. G7 C G7 C Valeri, valera, valeri, valera ha ha ha ha ha, G7 C F G7 C valeri, valera, und schwenke meinen Hut. C 2. Das Wandern schafft stets frische Lust, G erhält das Herz gesund. G7 C Frei atmet draußen meine Brust, F G C froh singet stets mein Mund. G7 C G7 C Valeri, valera, valeri, valera ha ha ha ha ha, G7 C F G7 C valeri, valera, froh singet stets mein Mund. C 3. Drum trag ich meinen Wandersack, G weit in die Welt hinein, G7 C und werde bis ans kühle Grab F G C ein froher Wandrer sein. G7 C G7 C Valeri, valera, valeri, valera ha ha ha ha ha, G7 C F G7 C valeri, valera, ein froher Wandrer sein.

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LUSTIG IST DAS ZIGEUNERLEBEN G D D7 G 1. Lustig ist das Zigeunerleben, faria, faria ho, D D7 G braucht dem Kaiser kein Zins zu geben, faria, faria ho. C G C D G Lustig ist es im grünen Wald, wo des Zigeuners Aufenthalt. e a D7 G Faria, faria, faria, faria, faria, faria ho. G D D7 G 2. Sollte uns mal der Hunger plagen, faria, faria ho, D D7 G gehen wir uns ein Hirschlein jagen, faria, faria ho. C G Hirschlein nimm dich wohl in Acht, C D G wenn des Jägers Büchse kracht. e a D7 G Faria, faria, faria, faria, faria, faria ho. G D D7 G 3. Sollt uns einmal der Durst sehr quälen, faria, faria ho, D D7 G gehen wir hin zu den Wasserquellen, faria, faria ho. C G C D G Trinken Wasser wie Moselwein, meinen, es dürfte Champagner sein. e a D7 G Faria, faria, faria, faria, faria, faria ho. G D D7 G 4. Wenn wir auch kein Federbett haben, faria, faria ho, D D7 G tun wir uns ein Loch ausgraben, faria, faria ho. C G C D G Legen Moos und Reisig nein, das soll uns ein Feldbett sein. e a D7 G Faria, faria, faria, faria, faria, faria ho.

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IN EINEN HARUNG C G G7 C 1. In einen Harung, jung und stramm, 2, 3, 4, ssitata, tirallala, G G7 C der auf dem Meeresgrunde schwamm, 2, 3, 4, ssitata, tirallala, F C G C verliebte sich, o Wunder, ne olle Flunder, ne olle Flunder, F C G-G7-C verliebte sich, o Wunder, ne olle Flu.....nder. C G G7 C 2. Der Harung sprach : Du bist verrückt, 2, 3, 4, ssitata, tirallala, G G7 C du bist mir viel zu plattgedrückt, 2, 3, 4, ssitata, tirallala. F C G C Rutsch mir den Buckel runter, du olle Flunder, du olle Flunder. F C G-G7-C Rutsch mir den Buckel runter, du olle Flu.....nder. C G G7 C 3. Da stieß die Flunder in den Grund, 2, 3, 4, ssitata, tirallala, G G7 C wo sie nen goldnen Rubel fund, 2, 3, 4, ssitata, tirallala. F C G C Ein Goldstück von 10 Rubel o welch ein Jubel, o welch ein Jubel, F C G-G7-C ein Goldstück zu zehn Rubel, o welch ein Ju........bel. C G G7 C 4. Da war die olle Schrulle reich, 2, 3, 4, ssitata, tirallala, C G G7 C da nahm der Harung sie sogleich, 2, 3, 4, sittata, tirallala, F C G C denn so ein junger Harung, der hat Erfahrung, der hat Erfahrung, F C G-G7-C denn so ein junger Harung, der hat Erfa.....hrung. HAB` MEIN WAGE VOLLGELADE C G G7 C 1. Hab mein Wage vollgelade, vol mit alten Weibsen. G G7 C Als wir in die Stadt reinkamen, hub`n sie an zu keifen. G G7 C Drum lad ich all mein Lebetage, nie alte Weibsen auf mein Wage. G G7 C Hü, Schimmel, hü, hü, Schimmel, hü !

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C G G7 C 2. Hab mein Wage vollgelade, voll mit Männern, alten. G G7 C Als wir in die Stadt reinkamen, murrten sie und schalten. G G7 C Drum lad ich all mein Lebetage, nie alte Männer auf mein Wage. G G7 C Hü, Schimmel, hü, hü, Schimmel, hü ! C G G7 C 3. Hab mein Wage vollgelade, voll mit jungen Mädchen. G G7 C Als wir zu dem Tor reinkamen, sangen sie durchs Städtchen. G G7 C Drum lad ich all mein Lebetage, nur junge Mädchen auf mein Wage. G G7 C Hü, Schimmel, hü, hü, Schimmel, hü ! C G G7 C 4. Hab mein Wage vollgelade, voll mit kleinen Bübchen. G G7 C Als wir übern Marktplatz fuhren, schwenkten sie die Hütchen. G G7 C Drum lad ich all mein Lebetage, nur kleine Bübchen auf mein Wage. G G7 C Hü, Schimmel, hü, hü, Schimmel, hü !

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DAS KANN DOCH EINEN SEEMANN NICHT ERSCHÜTTERN g c D7 g Es weht der Wind mit Stärke zehn, B das Schiff schwankt hin und her. g c D7 g Am Himmel ist kein Stern zu sehn, B es tobt das wilde Meer. c D7 O seht ihn an, o seht ihn an: c D7 Dort zeigt sich der Klabautermann! g c D7 g Doch wenn der letzte Mast auch bricht, c D wir fürchten uns nicht! G D7 Das kann doch einen Seemann nicht erschüttern, G keine Angst, keine Angst, Rosmarie! D7 Wir lassen uns das Leben nicht verbittern, G keine Angst, keine Angst, Rosmarie! C G Und wenn die ganze Erde bebt A7 D7 und die Welt sich aus den Angeln hebt: G D7 Das kann doch einen Seemann nicht erschüttern, G keine Angst, keine Angst, Rosmarie! Die Welle spülte mich von Bord, dort unten bei Kap Horn. Jedoch für mich war das ein Sport, ich gab mich nicht verlor'n. Ein böser Hai hat mich bedroht, doch mit der Faust schlug ich ihn tot! Dann schwamm dem Schiff ich hinterdrein und holte es ein! In jedem Hafen eine Braut, das ist doch nicht zu viel. Solange jede uns vertraut, ist das ein Kinderspiel. Doch kriegt mal eine etwas raus, dann wird sie wild, dann ist es aus. Springt sie uns auch ins Gesicht wir fürchten uns nicht!

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DER TEUFEL HAT DEN SCHNAPS GEMACHT Intro: C F C F C G7 C F C Als ich in meiner Kneipe saß, kam ein Mädchen durch die Tür, G7 a F C sie sah erst mich und dann mein Glas und setzte sich zu mir. G7 C F C Sie sagt, sie sei von der Heilsarmee und kann mich nicht versteh'n, G7 a F C denn sie sah schon manch' braven Mann hier vor die Hunde geh'n. Ref: F C G7 C Der Teufel hat den Schnaps gemacht, um uns zu verderben. F C F C G7 C Ich hör' schon, wie der Teufel lacht, wenn wir am Schnaps einmal sterben. Intro: C F C F C G7 C F C Sie war so fromm, sie war so lieb und sie gefiel mir gut, G7 a F C und freundlich hab' ich ihr erklärt, dass mir der Schnaps nichts tut. G7 C F C Schon leerte ich das nächste Glas. Sie sprach: "Du tust mir leid, G7 a F C denn mancher, der so säuft wie du, hat's später dann bereut. Ref: "Der Teufel hat den .... Intro: C F C F C G7 C F C Das Mädchen sah mich zärtlich an, drum trank ich schnell noch aus, G7 a F C ich legte meinen Arm um sie und brachte sie nach Haus'. G7 C F C Sie lud mich in ihr Zimmer ein und dort erführ ich dann: G7 a F C Wer zu viel trinkt, ist leider oft nur noch ein halber Mann! Ref: Der Teufel hat den .... Intro: C F C F C Ref: Der Teufel hat den .... Intro: C F C F C

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BOLLE JBO G C D7 G Bolle wollte letzten Samstag auf eine Party gehn G C D7 G Doch blieb ihm auf dem Weg dorthin sein Auto plötzlich stehn D A7 D Ein Laster kam von hinten, ist mit ihm kollidiert G C D7 G Aber dennoch hat sich Bolle ganz köstlich amüsiert G C D7 G Aber dennoch hat sich Bolle ganz köstlich amüsiert Weiter gings auf Schuster's Rappen, das Auto war im Arsch Eine Flasche Jägermeister war die Zehrung für den Marsch Völlig Knülle hat er sich dann in der Hausnummer geirrt Aber dennoch hat sich Bolle ganz köstlich amüsiert. Das Haus war zwar das Falsche, doch bat man ihn herein Eine Selbsterfahrungsgruppe hatte hier ihr Stelldichein So hat er 18 Stunden in der Gruppe diskutiert Aber dennoch hat sich Bolle ganz köstlich amüsiert. Bolle war im Klinikum, der Blinddarm mußte raus Mit 15 Kästen Kitzmann-Bier rief er die Party aus Im Suff ham ihm die Ärzte die Beine amputiert aber dennoch hat sich Bolle ganz köstlich amüsiert Bolle kam nach seinem Tode ins Paradies hinein Dort traf eine Schönheit mit goldnen Flügelein Zwar hat der blonde Engel sich schon etwas gewehrt aber dennoch hat sich Bolle ganz köstlich amüsiert. Ihr fragt euch sicher alle: "Warum ist Bolle tot?" Wir würden es gern singen, doch gibt's da ein Verbot Wir dürfen es nicht singen es wurde uns zensiert Aber hoffentlich hat dieses Lied euch dennoch amüsiert

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DIE HÄNDE ZUM HIMMEL Kolibris Intro:  D~~~~~   G G Wenn du heut' nicht in der  Stimmung bist  Lass doch alles so sein, wie es  ist               D Wir wollen trinken, noch einen  trinken               G      C       G Weil man die Sorgen dann  vergisst  G Fühlst Du dich manchmal auch so  allein  Glaub mir das brauchte gar nicht  zu sein             D Denn heute abend, gehn wir  feiern             A       D      G Die ganze Welt ist ein Verein                D  Und dann die Hände zum Himmel       G          C       G Komm lasst uns fröhlich sein        D                     G  C      G Wir klatschen zusammen und  keiner ist allein               D                Und dann die Hände zum Himmel       G          C       G    Komm lasst uns fröhlich sein       D                     A  D      G  Wir klatschen zusammen und  keiner ist allein           G    Wir tun nur noch das was uns  gefällt  Tanzen, singen im Saal oder Zelt  Version 04 /1.01 April 2004

         D Nicht alleine denn das will  keiner         G        C     G Uns gehört die ganze Welt 

G Und an morgen wird heut nicht  gedacht  Wir feiern weiter ­ die ganze  Nacht             D Lasst uns heben, einmal  schweben         A        D     G und dabei wird nur gelacht                D  Und dann die Hände zum Himmel       G          C       G Komm lasst uns fröhlich sein        D                     G  C      G Wir klatschen zusammen und  keiner ist allein               D                Und dann die Hände zum Himmel       G          C       G    Komm lasst uns fröhlich sein       D                     A  D      G  Wir klatschen zusammen und  keiner ist allein                 D#  Und dann die Hände zum Himmel       G#         C#      G# Komm lasst uns fröhlich sein  719

      D#                    G#  C#     G# Wir klatschen zusammen und  keiner ist allein               D#                Und dann die Hände zum Himmel       G#         C#      G#   Komm lasst uns fröhlich sein

      D#                    Bb  D#     G#  Wir klatschen zusammen und  keiner ist allein       D#                    Bb  D#     G#  Wir klatschen zusammen und  keiner ist allein

WOCHENEND UND SONNENSCHEIN  G Wochenend und Sonnenschein und dann mit dir im Wald allein,          D weiter brauch ich nichts zum Glücklichsein,       G        C       G Wochenend und Sonnenschein.  G Über uns die Lerche zieht, sie singt genau wie wir ein Lied,       D alle Vögel stimmen fröhlich ein,       G        C       G Wochenend und Sonnenschein.     H7                       D       A            D    D7                 Ein Auto, eine Chaussee, und niemand steht uns im Weg.  G Wochenend und Sonnenschein und dann mit dir im Wald allein,          D weiter brauch ich nichts zum Glücklichsein,       G        C       G Wochenend und Sonnenschein.     H7                        D      A            D    D7 Ein Auto, eine Chaussee, und niemand steht uns im Weg.  G Wochenend und Sonnenschein und dann mit dir im Wald allein,          D weiter brauch ich nichts zum Glücklichsein,       G        C       G Wochenend und Sonnenschein.

 

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BOLLE REISTE JÜNGST ZU PFINGSTEN G C D7 G 1. Bolle reiste jüngst zu Pfingsten, nach Pankow war sein Ziel, C D7 G da verlor er seinen Jüngsten ganz plötzlich im Gewühl, D A D ne volle habe Stunde hat er nach ihm gespürt, G C D7 G aber dennoch hat sich Bolle ganz köstlich amüsiert, C D7 G aber dennoch hat sich Bolle ganz köstlich amüsiert. G C D7 G 2. Zu Pankow gabs kein Essen, zu Pankow gabs kein Bier, C D7 G war alles augefressen, von fremden Leuten hier. D A D Nicht mal ´ne Butterstulle hat man ihm reserviert. + REFRAIN G C D7 G 3. Auf der Schönholzer Heide, da gabs ne Keilerei, C D7 G und Bolle gar nicht feige war mittenmang dabei. D A D Hat`s Messer rausgerissen und fünfe massakriert. + REFRAIN G C D7 G 4. Es fing schon an zu tagen, als er sein Heim erblickt, C D7 G das Hemd war ohne Kragen, das Nasenbein zerknickt, D A D das linke Auge fehlte, das rechte marmoriert. + REFRAIN G C D7 G 5. Zuhause angekommen, da gings ihm aber schlecht, C D7 G da hat ihn seine Olle ganz mörderisch verdrescht, D A D `ne volle halbe Stunde hat sie auf ihm poliert. + REFRAIN

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HEUTE BLAU, MORGEN BLAU C G G7 C 1. Heute blau, und morgen blau, und übermorgen wieder, F G G7 C wenn wir dann in Stimmung sind besaufen wir uns wieder. 2. C - G - G7 - C - F - G - G7 - C C G G7 C 3. Heute blau, und morgen blau, und übermorgen wieder, F G G7 C wenn wir dann in Stimmung sind besaufen wir uns wieder. HUMBA TÄTÄRÄ G ~D ~ G D G 1. Ja, da geht's humba humba humba täterä, täterä, täterä, Ja, da

geht's humba humba humba täterä, D G da ruft der ganze Saal : "Dasselbe noch einmal!" 2. G ~ D ~ G - D - G D-G G D G D G 3. Und dann geht' s humba humba humba täterä, täterä, täterä, Ja, da geht's humba humba humba täterä, D G da ruft der ganze Saal : "Dasselbe noch einmal!" KORNBLUMENBLAU C G C G 1. Kornblumenblau ist der Himmel am herrlichen Rheine, G7 C kornblumenblau sind die Augen der Frauen beim Weine. C7 F Darum trinkt Rheinwein, Männer seid schlau, d C G G7 C -G dann seid am Ende auch ihr kornblumenblau. 2. C - G - C - G - G7 - C C7 F Darum trinkt Rheinwein, Männer seid schlau, d C G G7 C dann seid am Ende auch ihr kornblumenblau.

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MER LOSSE D'R DOM IN KÖLLE G D Mer losse d'r Dom en Kölle, denn do jehöt hä hin, D7 G wat soll dä dann woanders, dat hät doch keine Senn. G7 C Mer losse d'r Dom en Kölle, denn do es hä zo Hus, G D D7 G un op singem ahle Platz bliev hä och jot en Schoss, C G D D7 G un op singem ahle Platz bliev hä och jot en Schoss. G D 1. Stell d'r für d'r Kreml stünd am Ebertplatz, G stell d'r für d'r Louvre stünd am Ring, / D do wör für die zwei doch vell ze winnich Platz, A A7 D dat wör doch e unführstellbar Ding. G D 2. Am Jürzenich do wör vielleich et Pentajon, G am Rothus stünd dann die Akropolis, D da wöss mer överhaup nit wo mer hinjon sollt, A A7 D und doröm es dat eine janz jewess. + REFRAIN G D 3. Die Ihrestross die hiess vielleich Sixth Avenue, / G oder die Nord-Süd-fahrt Brennerpass, D d'r Mont Klamott dä heiss op eimol Zuckerhut, A A7 D do köm dat Panorama schwer en Brass. + REFRAIN G D 4. Jetz froch ich üch, wem domet jeholfe es, G wat nötz die janze Stadtsanierung schon, D do soll doch leever alles blieve wie et es, A A7 D un mir behalde uns're schöne Dom. + REFRAIN (Orig. = Capo2) Version 04 /1.01 April 2004

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EIN PROSIT D G DA D 1. Ein Prosit, ein Prosit der Gemütlichkeit, G DA D ein Prosit, ein Prosit der Gemütlichkeit. D G DA D 2. Ein Prosit, ein Prosit der Gemütlichkeit, G DA D ein Prosit, ein Prosit der Gemütlichkeit. NACH HAUSE GEH'N WIR NICHT G D D7 G 1. Nach Hause, nach Hause, nach Hause geh'n wir nicht, C G bis dass der Tag anbricht, nach Hause geh'n wir nicht. D D7 G Nach Hause, nach Hause, nach Hause geh'n wir nicht, C G D G bis dass der Tag anbricht, ja, nach Hause geh'n wir nicht. D D7 G 2. La la la, la la la, la la la la la la, C G la la la la la la, la la la la la la. D D7 G Nach Hause, nach Hause, nach Hause geh'n wir nicht, C G D G bis dass der Tag anbricht, ja, nach Hause geh'n wir nicht. OH, WIE IST DAS SCHÖN G C D G 1. Oh, wie ist das schön, oh, wie ist das schön, D D7 G so was hat man lange nicht gesehn, so schön, so schön. G C D G 2. Oh, wie ist das schön, oh, wie ist das schön, D D7 G so was hat man lange nicht gesehn, so schön, so schön.

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SCHNAPS, DAS WAR SEIN LETZTES WORT G D 1. Schnaps, das war sein letztes Wort, A D dann trugen ihn die Englein fort. G D Schnaps, das war sein letztes Wort, A D dann trugen ihn die Englein fort. 2. G - D - A - D G-D-A-D G D 3. Schnaps, das war sein letztes Wort, A D dann trugen ihn die Englein fort. G D Schnaps, das war sein letztes Wort, A D dann trugen ihn die Englein fort.

SO EIN TAG SO WUNDERSCHÖN WIE HEUTE G C 1. So ein Tag so wunderschön wie heute, D D7 G so ein Tag, der dürfte nie vergehn. D G C Denn so ein Tag, auf den ich mich so freute, D D7 G und wer weiß, wann wir uns wiedersehn. C G Ach wie bald vergehn die schönen Stunden, A D wie die Wolken verwehn. D7 G C 2. Ja, so ein Tag, so wunderschön wie heute, D D7 G so ein Tag, der dürfte nie vergehn. D G C Denn so ein Tag, auf den ich mich so freute, D D7 G und wer weiß, wann wir uns wiedersehn.

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WENN DAS SO WEITERGEHT G C G 1. Wenn das so weitergeht bis morgen früh, D D7 G stehn wir im Alkohol bis an die Knie. C G 2. Wenn das so weitergeht bis morgen früh, D D7 G stehn wir im Alkohol bis an die Knie.

WER SOLL DAS BEZAHLEN C C7 F Wer soll das bezahlen, wer hat das bestellt? C G G7 C Wer hat soviel Pinkepinke, wer hat so viel Geld. C7 F Wer soll das bezahlen, wer hat das bestellt? C G G7 C Wer hat soviel Pinkepinke wer hat soviel Geld. C C7 F Wer soll das bezahlen, wer hat das bestellt? C G G7 C Wer hat soviel Pinkepinke, wer hat so viel Geld. C7 F Wer soll das bezahlen, wer hat das bestellt? C G G7 C Wer hat soviel Pinkepinke wer hat soviel Geld.

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WIR KOMMEN ALLE IN DEN HIMMEL D G 1. Wir kommen alle, alle, alle in den Himmel, D G weil wir so brav sind, weil wir so brav sind. C Dort lässt uns der Petrus ein, G der sagt: "Ich lass gern euch ein ! D D7 G Ihr wart auf Erden schon die reinsten Engelein!" 2.

D G La la la la la la la la la la la la la, D G la la la la la, la la la la la, C G la la la la la la la, la la la la la la la, D D7 G la la la la la la la la la la la la

D G 3. Wir kommen alle, alle, alle in den Himmel, D G weil wir so brav sind, weil wir so brav sind. C Dort lässt uns der Petrus ein, G der sagt: "Ich lass gern euch ein ! D D7 G Ihr wart auf Erden schon die reinsten Engelein!"

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WIR VERSAUFEN UNSER OMA IHR KLEIN HÄUSCHEN A D A Wir versaufen unser Oma ihr klein Häuschen, E A ihr klein Häuschen, ihr klein Häuschen. D A Wir versaufen unser Oma ihr klein Häuschen, D E A und die erste und die zweite Hypothek.

JETZT TRINK'N MA NOCH A FLASCHERL WEIN G D 1. Jetzt trink'n ma noch a Flascherl Wein, hollahiaho, D7 G es muss ja nicht die letzte sein, hollahiaho. G7 C Jetzt trink'n ma noch a Flascherl Wein, hollahiaho, G D D7 G es muss ja nicht die letzte sein, hollahiaho. 2. G - D - G7 - C

- D7 - G G - D - D7 - G

G D 3. Jetzt trink'n ma noch a Flascherl Wein, hollahiaho, D7 G es muss ja nicht die letzte sein, hollahiaho. G7 C Jetzt trink'n ma noch a Flascherl Wein, hollahiaho, G D D7 G es muss ja nicht die letzte sein, hollahiaho.

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DÄNEN LÜGEN NICHT,

Otto

[1/96 [email protected]]

(C) (G) (C) Ref: Häl, häl, häl, häl, häddelhäl, häl, häl. (G) (F) (G) Häl, häl, häl, häl, häddel häl häddelhäl. (F) (G) (C) Häddel häddel häl, häddel HÄL häl häl, (G) (F) (C) (G) (C) häl häl häl häl, häddel häl, häl, häl. (C) (G) (C) 1. Du machst dich an, eine Dänin ran. (G) (F) (G) Da kommt ihr Freund, droht dir Prügel ahahan. (F) (G) (C) Sieh im Krankenhaus-spiegel dein Gesicht, (G) (F) (C) (G) (C) und du siehst ein, Dänen lügen nicht. Ref (C) (G) (C) 2. Eine Däne sagt, er kriegt Geld von Dir. (G) (F) (G) Du lachst ihn aus: warum grad von mihihir (F) (G) (C) doch sein Ballermann, überzeugt dich schlicht (G) (F) (C) (G) (C) und du siehst ein, Dänen lügen nicht Ref

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KREUZBERGER NÄCHTE         G                                                           1. Ich sitz schon seit `ner Stunde zienlich dumm                                      D     allein um einen Kneipentisch herum.                                                                        Ich trinke schnell, obwohl ich`s nicht vertrag,                      D7                      G     weil ich weder volle noch leere Gläser mag.                                             Da plötzlich setzen sich 6 Mann zu mir,                                                  D     und bestellen lautstark: Bring`se mal drei Bier!                                   Ich seh schon doppelt, und das aus gutem Grund,              D7                         G     denn in Eckkneipen geht es nun mal rund,    G                                                    D Kreuzberger Nächte sind lang, Kreuzberger Nächte sind lang,                                     D7         G erst fang`se ganz langsam an, aber dann, aber dann.           G 2.Jetzt fragt mich doch so`n Typ ob ich studier,                                                      D     ich sag: Ja, Wirtschaftspolitik, drum sitz ich hier!                                                    D7                    G     Da sagt er, daß er von der Zeitung wär, und da wär er der Lokalredakteur.     Ein Rentner ruft : Ihr solltet Euch was schäm'n!                                              D     Ein anderer meint, das läge alles am System.                                                      Das ist so krank wie meine Leber! Sagt ich barsch,               D7                                G     die 12 Semester war'n doch nicht so ganz umsonst. + REFRAIN             G 3. Und wie immer erscheint dann diese Frau,                                              D     bei der sind auch nicht nur die Augen blau.     Ich sag: verschwinde, liebe Sünde, rasch von mir,                D7                                   G     in diesem Lied bleibt`s ausnahmsweise mal beim Bier.     Frühmorgens wach` ich auf, sechzehn Uhr zehn,                                              D     die ganze Welt scheint sich um mich zu drehn.                 Nur im Magen fühle ich mich nicht so recht,                    D7                                  G     eins von den dreißig Bierchen gestern war wohl schlecht. + REFRAIN + REFRAIN (Gebrüder Blattschuß)

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An der Nordseeküstte -- Kllaus und Kllaus DG 1. Damals vor unendlich langer Zeit, DAD da machten wir Friesen am Wasser uns breit. G Die Jahre vergingen wie Saus und wie Braus, DAD aber breit sehn wir Friesen auch heute noch aus. ADG An der Nordseeküste, am plattdeutschen Strand, DGAD sind die Fische im Wasser und selten an Land. DG 2. Nach Flut kommt die Ebbe, nach Ebbe die Flut, DAD die Deiche, sie halten mal schlecht und mal gut. G Die Dünen sie wandern am Strand hin und her, DAD von Grönland nach Flandern, jedenfalls ungefähr. ADG An der Nordseeküste, am plattdeutschen Strand, DGAD sind die Fische im Wasser und selten an Land. DG 3. Die Seehunde singen ein Klagelied, DAD weil sie nicht mit dem Schwanz wedeln können - so`n Schiet! G Die Schafe, sie blöken wie blöd auf dem Deich, DAD und mit schwarzgrünen Kugeln garnier`n sie ihn gleich. ADG An der Nordseeküste, am plattdeutschen Strand, DGAD sind die Fische im Wasser und selten an Land.

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DIE ALTEN RITTERSLEUT JA, SO WARN DIE ALTEN RITTERSLEUT C a 1. Zu Grünewald im Isartal, glaubt es mir, es war einmal, d G G7 C da ham edle Ritter g`haust, ja die hat`s vor gar nix graust. C F G Ja, so warn`s, ja, so warn`s, ja, so warn`s die alten Rittersleut, C G G7 C Ja, so warn`s, ja, so warn`s, die alten Rittersleut. C a 2. So ein alter Rittersmann, hatte sehr viel Eisen an, d G G7 C die meisten Ritter, i muß sagn, hat deshalb der Blitz erschlagn. C a 3. G`suffa hams and des net wia, aus die Eimer Wein und Bier, d G G7 C hams dann alles suffa ghabt, sans unterm Tisch drunt g`flaggt. C a 4. Hatt der Ritter ein Katarrh, damals warn die Mittel rar, d G G7 C er hat der Erkältung trotzt, sich geräuspert und geschneuzt. C a 5. Ritt ein Ritter auf seim Roß, war das Risiko sehr groß, d G G7 C hat ein Roß sein Hupfer do, lag im Dreck der gute Mo. C a 6. Und der Ritter Kunibart, setzte sich verkehrt aufs Pferd, d G G7 C wollte er nach hinten sehn, braucht er sich nicht umzudrehn. C a 7. Und das Ritterfräulein Stasi, war so bleich und schrecklich kasig, d G G7 C war ihr mal ein Knecht zuwider, senkt sie barsch die Augenlieder. C a 8. So ein früheres Ritterweib war dem Ritter niemals treu, d G G7 C dem Ritter war es einerlei, er war ja auch nur halbe treu. Version 04 /1.01 April 2004

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C a 9. Und der Ritter Alexander rutsche einst auf dem Gelander, d G G7 C unten stand ein Nagel vor, heut singt er im Knabenchor. C a 10. Zu Grünewalt die Rittersleut leb`n nicht mehr seit langer Zeit, d G G7 C nur die Geister von densölben spuken nachts in den Gewölben.

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ANITA ((Costa

Cordalis)

D A 1. Ich fand sie irgendwo, allein in Mexiko, Anita, Anita. A7 G D - A Schwarz war ihr Haar, die Augen wie zwei Ste...rne so klar. D A Komm´ steig auf mein Pferd, sagte ich zu ihr, Anita, Anita. A7 D Fiesta ist heut´, die Stadt ist nicht mehr weit, A D mach dich schnell D7 G Ich seh dir an, da schlummert ein Vulkan. D Du wartest auf die Lie...be, D7 E Ich will sie wecken und alles entdecken, A A7 was keiner bisher sah. Ohohohoho. D A 2. Reite wie der Wind, bis die Nacht beginnt, Anita, Anita. A7 D A D Dann sind wir da und jeder soll es sehn, wie gut wir uns verstehn. D7 A G D Musikanten herbei, spielt ein Lied für uns zwei, A E A bei Musik und bei Wein, woll´n wir heut glücklich sein. D A 3. Ich fand sie irgendwo, allein in Mexiko, Anita, Anita. A7 G D - A Schwarz war ihr Haar, die Augen wie zwei Ste...rne so klar. D A Ich baue uns ein Nest, wo sich`s leben lässt, Anita, Anita. A7 D A D In Mexiko, denn nur bei dir allein, will ich immer sein. D7 G Um uns herum, da saßen sie ganz stumm D und machten grosse Au...gen. D7 E Die companeros mit ihren sombreros, A A7 und nun gehörst du mir. Ohohoho D A 4. Heute ist die Nacht nicht zum Schlafen da, Anita, Anita. A7 D A D D7 Denn so ein Fest, gab es noch nirgendwo, hier in Mexiko. Yey! A G D Musikanten herbei, spielt ein Lied für uns zwei, A E A bei Musik und bei Wein, woll´n wir heut glücklich sein. D A 5. Ich fand sie irgendwo, allein in Mexico, Anita, Anita. A7 G D - A Schwarz war ihr Haar, die Augen wie zwei Ste...rne so klar. D A Ich baue uns ein Nest, wo sich`s leben lässt, Anita, Anita...... (Orig. = Capo 3) (Costa Cordalis

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ANTON AUS TIROLL Intro: | D | G | (Chor brüllt ”Anton!, Anton!”) | G | Em | Bm | C D | G Ich bin so schön , ich bin so toll D Ich bin der Anton aus Tirol Meine gigaschlanken Wadln C San a Wahnsinn für die Madln GDG Mei Figur a Wunder dar Natur G I bin so stoak und auch so wild D Ich treib es heiss und eisgekühlt C Wippe ich mit dem Gesäß schrein die Hasen SOS GDG Und wollen den Anton aus Tirol. D Blaue Pille, Sellerie des braucht so a Anton nie A Koa Tattoo und koane Scmäh A koa Piercing, koa Juche G Bin koa Softie, bin a Tiger AD Girls, so an Typ wie mi des gab´s noch nie => Refrain: 2x | G | Em | Bm | C D | D Abends dann im Discostadl zoag i mi mit 15 Madl A Denn gewinnen kann nur i Ui, so schön woa i no nie. GA Lass alle Buam im Regen stehen Koana is so urig schön D Ahhh, bin i schön. A Ahhhh, is der schöN” DA Stoaka Bua, von dir kriag i net gnua GAD Komm her und mochs mit mir Du mein Tiroler Stier => Refrain: AE Lalalala lalalala lalalalalalalala D Lalalalalalala lalalalalalala Version 04 /1.01 April 2004

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AEA Lalala lalalalalalala

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ALLE JAHRE WIEDER C F C G C G Am Dm C G 1 . Al l e J a h r e w i e d e r kommt d a s C h r i s t u s k i n d C F G Am F C G G7 C a u f d i e E r d e n i e d e r, w o w i r M e n s c h e n s i n d . C F C G C G Am Dm C G 2. Kehrt mit seinem Segen ein in jedes Haus, C F G Am F C G G7 C g e h t a u f a l l e n We g e n m i t u n s e i n u n d a u s . C F C G C G Am Dm C G 3. Steht auch mir zur Seite, still und unerkannt, C F G Am F C G G7 C daß es treu mich leite an der lieben Hand.

AM WEIHNACHTSBAUM DIE LICHTER BRENNEN C F C 1. Am Weihnachtsbaum die Lichter brennen, Dm G C wie glänzt er festlich, lieb und mild, Dm G C als spräch er: "Wollt in mir erkennen Dm G C getreuer Hoffnung stilles Bild!". C F C Dm G C 2. Die Kinder stehen mit hellen Blicken, das Auge lacht, es lacht das Herz. Dm G C Dm G C O fröhlich seliges Entzücken! Die Alten schauen himmelwärts. C F C 3. Zwei Engel sind hereingetreten, Dm G C kein Auge hat sie kommen sehn. Dm C Sie gehn zum Weihnachtstisch und beten Dm G C und wenden wieder sich und gehn. C F C 4. Kein Ohr hat ihren Spruch vernommen, Dm G C unsichtbar jedes Menschen Blick, Dm G C sind sie gegangen wie gekommen, Dm G C doch Gottes Segen bleibt zurück

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C F G C Am F C-G Am-G C 1. Es ist ein Ros' entsprungen aus einer Wurzel zart. C F-G C - Am F C-G Am G C Wie uns die Alten sungen, aus Jesse kam die Art Am Dm G Am D G und hat ein Blümlein bracht. C F C G-Am F C Dm C G C Mitten im kalten Winter, wohl zu der halben Nacht. C F G C Am F C G-Am-G C 2. Das Blümlein, das ich meine, davon Jesaias sagt, C F G-C-Am F-C G Am-G C hat uns gebracht alleine Marie, die reine Magd. Am Dm G Am D G Aus Gottes ew'gem Rat C F C-G-Am F C Dm C G C hat sie ein Kind geboren wohl zu der halben Nacht. C F G CAm F C -G Am G C 3. Das Blümelein so kleine, das duftet uns so süß; C FG C-Am F C G Am G C mit seinem hellen Scheine vertreibt's die Finsternis. Am Dm G Am D G Wahr Mensch und wahrer Gott, C F-C G-Am F C Dm C G C hilft uns aus allem Leide, rettet von Sünd und Tod. C F G C Am F C-G Am- G-C 4. Wir bitten dich von Herzen, du edle Königin, C F G C-Am F C G Am G-C durch deines Sohnes Schmerzen, wann wir fahren dahin Am Dm G Am D-G aus diesem Jammertal. C F C- G- Am F C Dm C G C Du wollest uns begleiten bis an der Engel Saal! (Michael Prätorius)

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IHR KINDERLEIN KOMMET D A D 1. Ihr Kinderlein kommet, o kommet doch all, A D zur Krippe her kommet in Bethlehems Stall. A A7 D G Und seht, was in dieser hochheiligen Nacht D A D der Vater im Himmel für Freude uns macht. D A D 2. O seht in der Krippe im nächtlichen Stall, A D seht hier bei des Lichtes hellglänzendem Strahl A A7 D G den lieblichen Knaben, das himmlische Kind, D A D viel schöner und holder, als Engelein sind! D A D 3. Da liegt es, das Kindlein, auf Heu und auf Stroh, A D Maria und Joseph betrachten es froh. A A7 D G Die redlichen Hirten knien betend davor, D A D hoch oben schwebt jubelnd der Engelein Chor. D A D 4. O beugt, wie die Hirten, anbetend die Knie, A D erhebet die Händchen und betet wie sie. A A7 D G Stimmt freudig, ihr Kinder, wer wollt sich nicht freun, D A D stimmt freudig zum Jubel der Engel mit ein!

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KLING, GLÖCKCHEN, KLINGELINGELING C G G7 C 1. Kling, Glöckchen, klingelingeling, kling, Glöckchen, kling! G C G G7-C Laßt mich ein, ihr Kinder, s`ist so kalt der Winter, D D7 G a D D7-G öffnet mir die Türen, laßt mich nicht erfrieren! C G G7 C Kling, Glöckchen, klingelingeling, kling, Glöckchen, kling! C G G7 C 2. Kling, Glöckchen, klingelingeling, kling, Glöckchen, kling! G C G G7 - C Mädchen, hört, und Bübchen, macht mir auf das Stübchen, D D7 G C D D7-G bring euch viele Gaben, sollt euch dran erlaben! C G G7 C Kling, Glöckchen, klingelingeling, kling, Glöckchen, kling! C G G7 C 3. Kling, Glöckchen, klingelingeling, kling, Glöckchen, kling! G C G G7 - C Hell erglühn die Kerzen, öffnet mir die Herzen, D D7 G C D D7-G will drin wohnen fröhlich, frommes Kind, wie selig. C G G7 C Kling, Glöckchen, klingelingeling, kling, Glöckchen, kling!

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KOMMET, IHR HIRTEN C F C F C G C 1. Kommet, ihr Hirten, ihr Männer und Frau'n, F C F C G C kommet, das liebliche Kindlein zu schaun. Am G Christus, der Herr ist heute geboren, C Am G den Gott zum Heiland euch hat erkoren. C G C Fürchtet euch nicht! C F C F C G C 2. Lasset uns sehen in Bethlehems Stall, F C F C G C was uns verheißen der himmlische Schall. C Am G Was wir dort finden, lasset uns künden, Am G lasset uns preisen in frommen Weisen. C G C Hal...le...luj...ah. C F C F C G C 3. Wahrlich, die Engel verkündigen heut F C F C G C Bethlehems Hirtenvolk gar große Freud. Am G Nun soll es werden Friede auf Erden, C Am G den Menschen allen ein Wohlgefallen. C G C Ehre sei Gott.

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LASST UNS FROH UND MUNTER SEIN C G G7 1. Laßt uns froh und munter sein und uns recht von Herzen freun! C G C Lustig, lustig, trallerallala, bald ist Nikolausabend da, G C bald ist Nikolausabend da! C G G7 2. Dann stell' ich den Teller auf, Nikolaus legt gewiß was drauf, C G C Lustig, lustig, trallerallala, bald ist Nikolausabend da, G C bald ist Nikolausabend da! C G G7 3. Wenn ich schlaf', dann träume ich: Jetzt bringt Nikolaus was für mich. C G C Lustig, lustig, trallerallala, bald ist Nikolausabend da, G C bald ist Nikolausabend da! C G G7 4. Wenn ich aufgestanden bin, lauf ich schnell zum Teller hin. C G C Lustig, lustig, trallerallala, bald ist Nikolausabend da, G C bald ist Nikolausabend da! C G G7 5. Nikolaus ist ein guter Mann, dem man nicht genug danken kann. C G C Lustig, lustig, trallerallala, bald ist Nikolausabend da, G C bald ist Nikolausabend da!

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LEISE RIESELT DER SCHNEE

C G C 1. Leise rieselt der Schnee, F C still und starr ruht der See, G G7 Am weihnachtlich glänzet der Wald : Dm G7 C Freue dich, Christkind kommt bald ! C G C 2. In dem Herzen ist`s warm, F C still schweigt Kummer und Harm, G G7 Am Sorge des Lebens verhallt : Dm G7 C Freue dich, Christkind kommt bald. C G C 3. Bald ist heilige Nacht, F C Chor der Engel erwacht, G G7 Am hört nur, wie lieblich es schallt : Dm G7 C Freue dich, Christkind kommt bald !

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MORGEN, KINDER, WIRD’S WAS GEBEN

G D G D G 1. 1. Morgen, Kinder, wird's was geben, morgen werden wir uns freu'n! D G D G Welch ein Jubel, welch ein Leben wird in unsrem Hause sein! C D G Em C D G Einmal werden wir noch wach, heissa, dann ist Weihnachtstag! G D G D G 2. 2. Wie wird dann die Stube glänzen, von der großen Lichterzahl! D G D G Schöner als bei frohen Tänzen, ein geputzter Kuppelsaal! C D G Em C D G Wißt ihr noch, wie voriges Jahr es am Heiligen Abend war? G D G D G 3. 3. Wißt ihr noch mein Räderpferdchen, Malchens nette Schäferin ? D G D G Jettchens Küche mit dem Herdchen und dem blankgeputzten Zinn? C D G Em C DG Heinrichs bunten Harlekin mit der gelben Violin? G D G D G 4. 4. Wißt ihr noch den großen Wagen, und die schöne Jagd von Blei? D G D G Unsre Kinderchen zum Tragen und die viele Nascherei? C D G Em C D G Meinen fleiß'gen Sägemann mit der Kugel unten dran? G D G D G 5. 5. Welch ein schöner Tag ist morgen! Neue Freuden hoffen wir. D G D G Unsere guten Eltern sorgen, lange, lange schon dafür. C D G Em C D G O gewiß, wer sie nicht ehrt, ist der ganzen Lust nicht wert.

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O DU FRÖHLICHE

G C G C G 1. O du fröhliche, o du selige, D A D G D A D gnadenbringende Weihnachtszeit. D7 G Welt ging verloren, Christ ist geboren, C G C G D G fre....ue, freue dich, o Christenheit! G C G C G 2. O du fröhliche, o du selige, D A D G D A D gnadenbringende Weihnachtszeit. D7 G Christ ist erschienen, uns zu versühnen, C G C G D G fre....ue, freue dich, o Christenheit! G C G C G 3. O du fröhliche, o du selige, D A D G D A D gnadenbringende Weihnachtszeit. D7 G Himmlische Heere jauchzen dir Ehre, C G C G D G fre....ue, freue dich, o Christenheit!

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O TANNENBAUM C G C 1. O Tannenbaum, o Tannenbaum, G G7-C wie grün sind deine Blätter! F G Du grünst nicht nur zur Sommerszeit, G7 C nein, auch im Winter, wenn es schneit, G C o Tannenbaum, o Tannenbaum, G G7-C wie grün sind deine Blätter! C G C 2. O Tannenbaum, o Tannenbaum, G G7-C du kannst mir sehr gefallen. F G Wie oft hat doch zur Weihnachtszeit G7 C ein Baum von dir mich hoch erfreut. G C O Tannenbaum, o Tannenbaum, G G7-C du kannst mir sehr gefallen. C G C 3. O Tannenbaum, o Tannenbaum, G G7-C dein Kleid kann mich was lehren. F G Die Hoffnung und Beständigkeit G7 C gibt Trost und Kraft zu jeder Zeit. G C O Tannenbaum, o Tannenbaum, G G7-C dein Kleid kann mich was lehren.

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SCHNEEFLÖCKCHEN, WEISSRÖCKCHEN

C G G7 C 1. Schneeflöckchen, Weißröckchen, da kommst du geschneit, F G C du kommst aus den Wolken, dein Weg ist so weit. C G G7 C 2. Komm, setz dich ans Fenster, du lieblicher Stern, F G C malst Blumen und Blätter, wir haben dich gern. C G G C 3. Schneeflöckchen, du deckst uns die Blümelein zu, F G C dann schlafen sie sicher in himmlischer Ruh'.

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STILLE NACHT, HEILIGE NACHT G 1. Stille Nacht, heilige Nacht, D D7 G alles schläft, einsam wacht, C G nur das traute hochheilige Paar. C G Holder Knabe im lockigen Haar, D D7 G - Em G D7 G schlaf in himmlischer Ruh! Schlaf in himmlischer Ruh. G 2. Stille Nacht, heilige Nacht, D D7 G Hirten erst kundgemacht C G durch der Engel Halleluja C G tönt es laut von fern und nah: D G - Em G D7 G Christ, der Retter, ist da, Christ, der Retter, ist da. G 3. Stille Nacht, heilige Nacht, D D7 G Gottes Sohn, o wie lacht! C G Lieb aus deinem göttlichen Mund, C G da uns schlägt die rettende Stund, D D7 G - Em G D7 G Christ, in deiner Geburt! Christ in deiner Geburt.

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SÜSSER DIE GLOCKEN NIE KLINGEN C G G7 C 1. Süßer die Glocken nie klingen als zu der Weihnachtszeit, C7 F C G7 C ´s ist, als ob Engelein singen wieder von Frieden und Freud! G C G C Wie sie gesungen in seliger Nacht, G C G C wie sie gesungen in seliger Nacht, C7 F C G7 C Glocken mit heiligem Klang, klinget die Erde entlang! C G G7 C 2. Oh, wenn die Glocken erklingen, schnell sie das Christkindlein hört, C7 F C G7 C tut sich vom Himmel dann schwingen, eilet hernieder zur Erd. G C G C Segnet den Vater, die Mutter, das Kind, G C G C segnet den Vater, die Mutter, das Kind, C7 F C G7 C Glocken mit heiligem Klang, klinget die Erde entlang! C G G7 C 1. Klinget mit lieblichem Schalle über die Meere noch weit, C7 F C G7 C daß sich erfreuen doch alle seliger Weihnachtszeit. G C G C Alle aufjauchzen mit herrlichem Sang, G C G C alle aufjauchzen mit herrlichem Sang! C7 F C G7 C Glocken mit heiligem Klang, klinget die Erde entlang!

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VOM HIMMEL HOCH, DA KOMM ICH HER

G D C D G C D7 G D-Am Em 1. Vom Himmel hoch, da komm ich her, ich bring euch gute neue Mär, C D Em A D G-D C G Em C - D G der guten Mär bring ich so viel, davon ich singen und sagen will. G D C D G C D7 G DAmEm 2. Euch ist ein Kindlein heut geborn, von einer Jungfrau auserkorn, C D Em A D G D C G Em C - D G ein Kindelein, so zart und fein, das soll euer Freud und Wonne sein! G D C D G C -D7 G D-Am Em 3. Es ist der Herr Christ, unser Gott, der will euch führn aus aller Not. C D Em A D G D C G Em C - D G Er will euer Heiland selber sein, von allen Sünden machen rein. G D C DG C D7 G D Am Em 4. Des laßt uns alle fröhlich sein und mit den Hirten gehen hinein, C D Em A D G D C G Em C D G zu sehn, was Gott uns hat beschert mit seinem lieben Sohn verehrt. G D C D G C D7 G D Am Em 5. Lob, Ehr sei Gott im höchsten Thron, der uns schenkt seinen eignen Sohn. C D Em A D G D C G Em C - D G Des freuet sich der Engel Schar, und singet uns solch neues Jahr. (Martin Luther)

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750

GUTEN ABEND, GUTE NACHT D A7 1. Guten Abend, gute Nacht, mit Rosen bedacht, D mit Näglein besteckt, schlupf unter die Deck. G D A7 D Morgen früh, wenn Gott will, wirst du wieder geweckt, G D A7 D morgen früh, wenn Gott will, wirst du wieder geweckt. D A7 2. Guten Abend, gute Nacht, von Englein bewacht, D die zeigen im Traum dir Christkindleins Baum. G D A7 D Schlaf nun selig und süß, schau im Traum`s Paradies, G D A7 D schlaf nun selig und süß, schau im Traum`s Paradies.

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JINGLE BELLS C Jingle Bells, Jingle Bells, klingt es weit und breit – F C D7 G schön ist eine Schlittenfahrt im Winter, wenn es schneit. C Jingle Bells, Jingle Bells, klingt es weit und breit – F C G7 C mach mit mir ´ne Schneeballschlacht, denn nun ist Winterzeit! C F Ein kleiner weißer Schneemann, der steht vor meiner Tür, d G C ein kleiner weißer Schneemann, war gestern noch nicht hier! C F Und hinter´m Haus der Schlitten, der läd uns alle ein, d G C zur aller ersten Schlittenfahrt ins Winterland hinein! C Jingle Bells, Jingle Bells, klingt es weit und breit – F C D7 G schön ist eine Schlittenfahrt im Winter, wenn es schneit. C Jingle Bells, Jingle Bells, klingt es weit und breit – F C G7 C mach mit mir ´ne Schneeballschlacht, denn nun ist Winterzeit! C F Durch den Winterwald saust der Schlitten schnell d G C Die Peitsche lustig knallt, Glöckchen klingen hell! C F Gelächter weit und breit aus aller Munde springt. d G Wie schön ist doch die Winterzeit, wenn´s Schlittenlied erklingt!

C

C Jingle Bells, Jingle Bells, klingt es weit und breit – F C D7 G schön ist eine Schlittenfahrt im Winter, wenn es schneit. C Jingle Bells, Jingle Bells, klingt es weit und breit – F C G7 C mach mit mir ´ne Schneeballschlacht, denn nun ist Winterzeit! -----------------------------------

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JINGLE BELLS C F 1. Dashing through the snow in a one-horse open sleigh, G G7 C o´er the fields we go, laughing all the way. F Bells on bobtail ring, making spirits bright, G G7 C what fun it is to ride and sing a sleighing song tonight. C F C Jingle bells, jingle bells, jingle all the way, F C D G - G7 oh, what fun it is to run in a one-horse open sleigh. C Jingle bells, jingle bells, jingle all the way, F C G G7 C oh, what fun it is to run in a one-horse open sleigh. C F 2. A day or two ago, I thought I`d take a ride, G G7 C and soon Miss Fanny Bright was seated by my side.

F The horse was lean and lank, misfortune seemed his lot, G G7 C we got into a drifted band and we, we got upset. + Refrain C F C Jingle bells, jingle bells, jingle all the way, F C D G - G7 oh, what fun it is to run in a one-horse open sleigh. C Jingle bells, jingle bells, jingle all the way, F C G G7 C oh, what fun it is to run in a one-horse open sleigh.

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753

KOMMET, IHR HIRTEN

C F C F C G C 1. Kommet, ihr Hirten, ihr Männer und Frau'n, F C F C G C kommet, das liebliche Kindlein zu schaun. a G Christus, der Herr ist heute geboren, C a G den Gott zum Heiland euch hat erkoren. C G C Fürchtet euch nicht! C F C F C G C 2. Lasset uns sehen in Bethlehems Stall, F C F C G C was uns verheißen der himmlische Schall. a G Was wir dort finden, lasset uns künden, C a G lasset uns preisen in frommen Weisen. C G C Hal...le...luj...ah. C F C F C G C 3. Wahrlich, die Engel verkündigen heut F C F C G C Bethlehems Hirtenvolk gar große Freud. a G Nun soll es werden Friede auf Erden, C a G den Menschen allen ein Wohlgefallen. C G C Ehre sei Gott. !

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754

LASST UNS FROH UND MUNTER SEIN

C G G7 1. Laßt uns froh und munter sein und uns recht von Herzen freun! C G C Lustig, lustig, trallerallala, bald ist Nikolausabend da, G C bald ist Nikolausabend da! C G G7 2. Dann stell' ich den Teller auf, Nikolaus legt gewiß was drauf, C G C Lustig, lustig, trallerallala, bald ist Nikolausabend da, G C bald ist Nikolausabend da! C G G7 3. Wenn ich schlaf', dann träume ich: Jetzt bringt Nikolaus was für mich. C G C Lustig, lustig, trallerallala, bald ist Nikolausabend da, G C bald ist Nikolausabend da! C G G7 4. Wenn ich aufgestanden bin, lauf ich schnell zum Teller hin. C G C Lustig, lustig, trallerallala, bald ist Nikolausabend da, G C bald ist Nikolausabend da! C G G7 5. Nikolaus ist ein guter Mann, dem man nicht genug danken kann. C G C Lustig, lustig, trallerallala, bald ist Nikolausabend da, G C bald ist Nikolausabend da!

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755

WINTER WONDERLAND

H Sleigh bells ring, are you listenin' F# In the lane, snow is glistening F#7 C#m F# E A beautiful sight, we're happy tonight C# F# H Walking in a Winter Wonderland H Gone away is F# In his place F#7 He's singing C# Walking in a

the blue bird is the new bird C#m F# E our song, as we go along F# H Winter Wonderland

Bridge: Eb Bb Eb In the meadow we can build a snowman Eb Bb Eb Then pretend that he is Parson Brown F# C# F# He'll say "Are you married ?", We'll say "No man, F# C# F# But you can do the job when you're in town." H Later on, we'll conspire F# As we dream by the fire F#7 C#m F#7 E To face unafraid, the plans that we made C# F# H Walking in a Winter Wonderland Eb Bb Eb In the meadow we can build a snowman Eb Bb Eb And pretend that he's a circus clown F# C# F# We'll have lots of fun with Mr.Snowman F# C# F# Until the other kiddies knock him down H When it snows, ain't it thrillin' F# Though you know, kids are chillin' F#7 C#m F#7 E We'll frolick & play, the Eskimo way C# F# H Walking in a Winter Wonderland (wo oh oh ...) C# F# H Walking in a Winter Wonderland Version 04 /1.01 April 2004

756

DER QUINTENZIERKEL

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757

CHORDS A or Amaj [0 0 2 2 2 0] (Db E A) : major triad A or Amaj [0 4 x 2 5 0] (Db E A) : major triad A or Amaj [5 7 7 6 5 5] (Db E A) : major triad A or Amaj [x 0 2 2 2 0] (Db E A) : major triad A or Amaj [x 4 7 x x 5] (Db E A) : major triad A #5 or Aaug [x 0 3 2 2 1] (Db F A) : augmented triad A #5 or Aaug [x 0 x 2 2 1] (Db F A) : augmented triad A/Ab [x 0 2 1 2 0] (Db E Ab A) : major triad (altered bass) A/B [0 0 2 4 2 0] (Db E A B) : major triad (altered bass) A/B [x 0 7 6 0 0] (Db E A B) : major triad (altered bass) A/D [x 0 0 2 2 0] (Db D E A) : major triad (altered bass) A/D [x x 0 2 2 0] (Db D E A) : major triad (altered bass) A/D [x x 0 6 5 5] (Db D E A) : major triad (altered bass) A/D [x x 0 9 10 9] (Db D E A) : major triad (altered bass) A/G [3 x 2 2 2 0] (Db E G A) : major triad (altered bass) A/G [x 0 2 0 2 0] (Db E G A) : major triad (altered bass) A/G [x 0 2 2 2 3] (Db E G A) : major triad (altered bass) A/Gb [0 0 2 2 2 2] (Db E Gb A) : major triad (altered bass) A/Gb [0 x 4 2 2 0] (Db E Gb A) : major triad (altered bass) A/Gb [2 x 2 2 2 0] (Db E Gb A) : major triad (altered bass) A/Gb [x 0 4 2 2 0] (Db E Gb A) : major triad (altered bass) A/Gb [x x 2 2 2 2] (Db E Gb A) : major triad (altered bass) A5 or A(no 3rd) [5 7 7 x x 5] (E A): root and 5th (power chord) A5 or A(no 3rd) [x 0 2 2 x 0] (E A) : root and 5th (power chord) A5 or A(no 3rd) [5 7 7 x x 0] (E A) : root and 5th (power chord) A6 [0 0 2 2 2 2] (Db E Gb A) : major triad plus 6th A6 [0 x 4 2 2 0] (Db E Gb A) : major triad plus 6th A6 [2 x 2 2 2 0] (Db E Gb A) : major triad plus 6th A6 [x 0 4 2 2 0] (Db E Gb A) : major triad plus 6th A6 [x x 2 2 2 2] (Db E Gb A) : major triad plus 6th A6/7 [0 0 2 0 2 2] (Db E Gb G A)major triad plus 6th, minor 7th A6/7 sus or A6/7 sus4 [5 5 4 0 3 0] (D E Gb G A)sus4 triad plus 6th, minor 7th A6/7 sus or A6/7 sus4 [x 0 2 0 3 2] (D E Gb G A) sus4 triad plus 6th, minor 7th A7 or Adom 7 [3 x 2 2 2 0] (Db E G A) : major triad, minor 7th A7 or Adom 7 [x 0 2 0 2 0] (Db E G A) : major triad, minor 7th A7 or Adom 7 [x 0 2 2 2 3] (Db E G A) : major triad, minor 7th A7(#5) [1 0 3 0 2 1] (Db F G A) : minor 7th, sharp 5th A7/add11 or A7/11[x 0 0 0 2 0] (Db D E G A) major triad, minor 7th, plus 11th A7sus4 [x 0 2 0 3 0] (D E G A) : sus4 triad, minor 7th A7sus4 [x 0 2 0 3 3] (D E G A) : sus4 triad, minor 7th A7sus4 [x 0 2 2 3 3] (D E G A) : sus4 triad, minor 7th A7sus4 [5 x 0 0 3 0] (D E G A) : sus4 triad, minor 7th A7sus4 [x 0 0 0 x 0] (D E G A) : sus4 triad, minor 7th Aadd9 or A2 [0 0 2 4 2 0] (Db E A B) : major triad plus 9th Aadd9 or A2 [x 0 7 6 0 0] (Db E A B) : major triad plus 9th Aaug/D [x x 0 2 2 1] (Db D F A) augmented triad (altered bass) Aaug/G [1 0 3 0 2 1] (Db F G A augmented triad (altered bass) Ab or Abmaj [4 6 6 5 4 4] (C Eb Ab) : major triad Ab #5 or Abaug [x 3 2 1 1 0] (C E Ab) : augmented triad Ab/A [x x 1 2 1 4] (C Eb Ab A) : major triad (altered bass) Ab/F [x 8 10 8 9 8] (C Eb F Ab) : major triad (altered bass) Ab/F [x x 1 1 1 1] (C Eb F Ab) : major triad (altered bass) Ab/Gb [x x 1 1 1 2] (C Eb Gb Ab) : major triad (altered bass) Ab/Gb [x x 4 5 4 4] (C Eb Gb Ab) : major triad (altered bass) Ab5 or Ab(no 3rd)[4 6 6 x x 4] (Eb Ab): root and 5th (power chord) Ab6 [x 8 10 8 9 8] (C Eb F Ab) : major triad plus 6th Ab6 [x x 1 1 1 1] (C Eb F Ab) : major triad plus 6th Ab7 or Abdom 7 [x x 1 1 1 2] (C Eb Gb Ab) : major triad, minor 7th Ab7 or Abdom 7 [x x 4 5 4 4] (C Eb Gb Ab) : major triad, minor 7th Abdim/E [0 2 0 1 0 0] (D E Ab B) : diminished triad (altered bass) Version 04 /1.01 April 2004

758

Abdim/E bass) Abdim/E bass) Abdim/E bass) Abdim/Eb bass) Abdim/F bass) Abdim/F bass) Abdim/F bass) Abdim7 7th Abdim7 7th Abdim7 7th Abm Abm/D Abm/E Abm/E Abm/E Abm/Gb Abm7 Absus triad Absus2/F Adim/Ab bass) Adim/E bass) Adim/F bass) Adim/F bass) Adim/G bass) Adim/Gb bass) Adim7 7th Am Am Am Am Am/B Am/B Am/D Am/D Am/Eb Am/F Am/F Am/F Am/F Am/F Am/G Am/G Am/G Am/G Am/Gb Am/Gb Am6 Am6 Am7

or

Absus4

Version 04 /1.01 April 2004

[0 2 2 1 3 0] (D

E

Ab B) : diminished triad (altered

[x 2 0 1 3 0] (D

E

Ab B) : diminished triad (altered

[x x 0 1 0 0] (D

E

Ab B) : diminished triad (altered

[x x 0 4 4 4] (D

Eb Ab B) : diminished triad (altered

[x 2 0 1 0 1] (D

F

Ab B) : diminished triad (altered

[x x 0 1 0 1] (D

F

Ab B) : diminished triad (altered

[x x 3 4 3 4] (D

F

Ab B) : diminished triad (altered

[x 2 0 1 0 1] (D

F

Ab B) : diminished triad, diminished

[x x 0 1 0 1] (D

F

Ab B) : diminished triad, diminished

[x x 3 4 3 4] (D

F

Ab B) : diminished triad, diminished

[x [x [0 [0 [x [x [x [x

Ab Eb E E E Gb Gb Eb

B) : minor triad Ab B) : minor triad (altered bass) Ab B) : minor triad (altered bass) Ab B) : minor triad (altered bass) Ab B) : minor triad (altered bass) Ab B) : minor triad (altered bass) Ab B) : minor triad, minor 7th Ab) : no 3rd but a 4th from a major

x x 2 x x x x x

6 0 1 6 1 4 4 6

4 4 1 4 1 4 4 6

4 4 0 4 0 4 4 4

4] 4] 0] 0] 0] 4] 4] 4]

(Eb (D (Eb (Eb (Eb (Eb (Eb (Db

[x 1 3 1 4 1] (Eb F Ab Bb) : sus2 triad (altered bass) [x x 1 2 1 4] (C Eb Ab A) : diminished triad (altered [0 3 x 2 4 0] (C

Eb E

A) : diminished triad (altered

[x x 1 2 1 1] (C

Eb F

A) : diminished triad (altered

[x x 3 5 4 5] (C

Eb F

A) : diminished triad (altered

[x x 1 2 1 3] (C

Eb G

A) : diminished triad (altered

[x x 1 2 1 2] (C

Eb Gb A) : diminished triad (altered

[x x 1 2 1 2] (C

Eb Gb A) : diminished triad, diminished

[x [x [x [8 [0 [x [x [x [0 [0 [1 [1 [x [x [0 [x [x [x [x [x [x [x [0

E E E

0 2 2 1 0] (C 0 7 5 5 5] (C 3 2 2 1 0] (C 12 x x x 0] (C 0 7 5 0 0] (C 3 2 2 0 0] (C x 0 2 1 0] (C x 0 5 5 5] (C 3 x 2 4 0] (C 0 3 2 1 0] (C 3 3 2 1 0] (C x 2 2 1 0] (C x 2 2 1 1] (C x 3 2 1 0] (C 0 2 0 1 3] (C 0 2 0 1 0] (C 0 2 2 1 3] (C 0 5 5 5 8] (C 0 2 2 1 2] (C x 2 2 1 2] (C 0 2 2 1 2] (C x 2 2 1 2] (C 0 2 0 1 3] (C

A) : minor triad A) : minor triad A) : minor triad E A) : minor triad E A B) : minor triad (altered bass) E A B) : minor triad (altered bass) D E A) : minor triad (altered bass) D E A) : minor triad (altered bass) Eb E A) : minor triad (altered bass) E F A) : minor triad (altered bass) E F A) : minor triad (altered bass) E F A) : minor triad (altered bass) E F A) : minor triad (altered bass) E F A) : minor triad (altered bass) E G A) : minor triad (altered bass) E G A) : minor triad (altered bass) E G A) : minor triad (altered bass) E G A) : minor triad (altered bass) E Gb A) : minor triad (altered bass) E Gb A) : minor triad (altered bass) E Gb A) : minor triad plus 6th E Gb A) : minor triad plus 6th E G A) : minor triad, minor 7th

759

Am7 [x Am7 [x Am7 [x Am7(b5) or Ao7 [x : half-diminished 7th Am7/add11 or Am7/11 [x plus 11th Amaj7 or A#7 [x Amin/maj9 [x plus 9th Asus or Asus4 [0 triad Asus or Asus4 [x triad Asus or Asus4 [5 triad Asus or Asus4 [x triad Asus2 or Aadd9(no3)[0 triad Asus2 or Aadd9(no3)[0 triad Asus2 or Aadd9(no3)[0 triad Asus2 or Aadd9(no3)[x triad Asus2 or Aadd9(no3)[x triad Asus2/Ab [x Asus2/C [0 Asus2/C [x Asus2/D [0 Asus2/D [x Asus2/Db [0 Asus2/Db [x Asus2/Eb [x Asus2/F [0 Asus2/G [3 Asus2/G [x Asus2/G [x Asus2/Gb [x Asus2/Gb [x Asus4/Ab [4 Asus4/B [0 Asus4/Bb [0 Asus4/C [x Asus4/C [x Asus4/Db [x Asus4/Db [x Asus4/Db [x Asus4/Db [x Asus4/F [x Asus4/G [x Asus4/G [x Asus4/G [x Asus4/G [x Asus4/Gb [0 Asus4/Gb [0 Asus4/Gb [2 Asus4/Gb [x Asus4/Gb [x Asus4/Gb [x Asus4/Gb [x B or Bmaj [x B #5 or Baug [3 B #5 or Baug [3 B/A [2 Version 04 /1.01 April 2004

0 0 0 x

2 2 5 1

0 2 5 2

1 1 5 1

0] 3] 8] 3]

(C (C (C (C

5 7 5 8 0] (C

E E E Eb

G G G G

A) A) A) A)

: : : :

minor triad, minor 7th minor triad, minor 7th minor triad, minor 7th diminished triad, minor 7th

D

E

G

A) : minor triad, minor 7th,

0 2 1 2 0] (Db E 0 6 5 5 7] (C E

Ab A) : major triad, major 7th Ab A B) : minor triad, major 7th

0 2 2 3 0] (D

E

A) : no 3rd but a 4th from a major

0 2 2 3 0] (D

E

A) : no 3rd but a 4th from a major

5 7 7 x 0] (D

E

A) : no 3rd but a 4th from a major

0 0 2 3 0] (D

E

A) : no 3rd but a 4th from a major

0 2 2 0 0] (E

A

B) : no 3rd but a 2nd from a major

0 2 4 0 0] (E

A

B) : no 3rd but a 2nd from a major

2 2 2 0 0] (E

A

B) : no 3rd but a 2nd from a major

0 2 2 0 0] (E

A

B) : no 3rd but a 2nd from a major

x 2 2 0 0] (E

A

B) : no 3rd but a 2nd from a major

0 0 3 2 2 0 0 2 0 x 0 0 0 2 x 2 1 x x 0 x x x x 0 0 0 0 0 0 x 0 x 5 9 2 2 x x

2 7 2 0 0 2 7 1 3 2 2 5 4 4 0 0 x 0 0 0 0 0 0 7 2 2 2 0 0 4 0 2 2 4 7 4 1 1 1

1 5 2 2 2 4 6 2 2 2 0 4 4 2 2 2 2 2 5 2 2 6 9 7 0 0 2 0 2 2 2 2 2 2 7 4 0 0 2

0 0] (E Ab 0 0] (C E 0 0] (C E 0 0] (D E 3 0] (D E 2 0] (Db E 0 0] (Db E 0 0] (Eb E 0 0] (E F 0 0] (E G 0 0] (E G 5 0] (E G 0 0] (E Gb 5 2] (E Gb 3 0] (D E 0 0] (D E 3 0] (D E 1 0] (C D 5 5] (C D 2 0] (Db D 2 0] (Db D 5 5] (Db D 10 9] (Db D 6 0] (D E 3 0] (D E 3 3] (D E 3 3] (D E x 0] (D E 3 2] (D E 3 0] (D E 3 0] (D E 3 2] (D E 3 2] (D E 3 0] (D E x 0] (D E 4 2] (Eb Gb 0 3] (Eb G 0 3] (Eb G 0 2] (Eb Gb

A A A A A A A A A A A A A A Ab A A E E E E E E F G G G G Gb Gb Gb Gb Gb Gb Gb B) B) B) A

B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) A) : sus4 triad (altered bass) B) : sus4 triad (altered bass) Bb) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) A) : sus4 triad (altered bass) : major triad : augmented triad : augmented triad B) : major triad (altered bass)

760

B/A B/A B/A B/Ab B/E B/E B5 or B5 or B6 B7 or B7 or B7 or B7 or B7/add11 or plus 11th B7/add11 or plus 11th B7sus4 B7sus4 Baug/E bass) Baug/E bass) Bb or Bb or Bb or Bb #5 or Bb b5 Bb/A Bb/Ab Bb/Ab Bb/Db Bb/E Bb/G Bb/G Bb5 or Bb5 or Bb6 Bb6 Bb6/add9 or 9th Bb7 or Bb7 or Bb7sus4 Bbadd#11 Bbaug/E bass) Bbdim/C bass) Bbdim/D bass) Bbdim/G bass) Bbdim/G bass) Bbdim/Gb bass) Bbdim/Gb bass) Bbdim7 diminished 7th Bbdim7 diminished 7th Bbm Bbm/Ab Bbm/D Bbm/Gb

[x [x [x [x [x [x B(no 3rd) [7 B(no 3rd) [x [x Bdom 7 [2 Bdom 7 [x Bdom 7 [x Bdom 7 [x B7/11 [0 B7/11

0 2 2 x 2 x 9 2 x x 0 2 2 0

1 1 4 4 2 4 9 4 4 1 1 1 4 4

2 2 2 4 4 4 x 4 4 2 2 2 2 4

0 0 4 4 4 4 x x 4 0 0 0 4 4

2] 2] 2] 4] 2] 0] 2] 2] 4] 2] 2] 2] 2] 0]

(Eb (Eb (Eb (Eb (Eb (Eb (Gb (Gb (Eb (Eb (Eb (Eb (Eb (Eb

Gb A B) Gb A B) Gb A B) Gb Ab B) E Gb B) E Gb B) B): root B): root Gb Ab B) Gb A B) Gb A B) Gb A B) Gb A B) E Gb A

[0 2 1 2 0 2] (Eb E

Gb A

: major triad (altered bass) : major triad (altered bass) : major triad (altered bass) : major triad (altered bass) : major triad (altered bass) : major triad (altered bass) and 5th (power chord) and 5th (power chord) : major triad plus 6th : major triad, minor 7th : major triad, minor 7th : major triad, minor 7th : major triad, minor 7th B) : major triad, minor 7th, B) : major triad, minor 7th,

[x 0 4 4 0 0] (E Gb A [x 2 4 2 5 2] (E Gb A [3 x 1 0 0 0] (Eb E G

B) : sus4 triad, minor 7th B) : sus4 triad, minor 7th B) : augmented triad (altered

[x x 1 0 0 0] (Eb E

B) : augmented triad (altered

Bbmaj Bbmaj Bbmaj Bbaug

G

[1 [x [x [x [x [1 [x [x [x [x [3 [x Bb(no 3rd)[6 Bb(no 3rd)[x [3 [x Bb6/9 [x

1 1 x x x 1 1 x x 1 5 x 8 1 5 x 3

3 3 0 0 0 3 3 3 0 3 3 3 8 3 3 3 3

3 3 3 3 3 2 1 3 6 3 3 3 x 3 3 3 3

3 3 3 3 x 3 3 3 6 3 3 3 x x 3 3 3

1] 1] 1] 2] 0] 1] 1] 4] 6] 0] 3] 3] 6] 6] 3] 3] 3]

(D (D (D (D (D (D (D (D (Db (D (D (D (F (F (D (D (C

F Bb) : major triad F Bb) : major triad F Bb) : major triad Gb Bb) : augmented triad E Bb) : flat 5th F A Bb) : major triad (altered bass) F Ab Bb) : major triad (altered bass) F Ab Bb) : major triad (altered bass) D F Bb) : major triad (altered bass) E F Bb) : major triad (altered bass) F G Bb) : major triad (altered bass) F G Bb) : major triad (altered bass) Bb): root and 5th (power chord) Bb): root and 5th (power chord) F G Bb) : major triad plus 6th F G Bb) : major triad plus 6th D F G Bb) : major triad plus 6th and

Bbdom 7 Bbdom 7

1 x 1 1 x

3 3 3 3 4

1 3 1 3 3

3 3 4 3 3

1] 4] 1] 0] 0]

(D (D (Eb (D (D

F F F E E

Version 04 /1.01 April 2004

[x [x [x [x [2

[x 3 x 3 2 0] (C

Ab Ab Ab F Gb

Db E

Bb) Bb) Bb) Bb) Bb)

: : : : :

major triad, minor 7th major triad, minor 7th sus4 triad, minor 7th major triad, augmented 11th augmented triad (altered

Bb) : diminished triad (altered

[x x 0 3 2 0] (Db D

E

Bb) : diminished triad (altered

[x 1 2 0 2 0] (Db E

G

Bb) : diminished triad (altered

[x x 2 3 2 3] (Db E

G

Bb) : diminished triad (altered

[2 4 2 3 2 2] (Db E

Gb Bb) : diminished triad (altered

[x x 4 3 2 0] (Db E

Gb Bb) : diminished triad (altered

[x 1 2 0 2 0] (Db E

G

Bb) : diminished triad,

[x x 2 3 2 3] (Db E

G

Bb) : diminished triad,

[1 [x [x [x

Bb) : minor triad Ab Bb) : minor triad (altered bass) F Bb) : minor triad (altered bass) Gb Bb) : minor triad (altered bass)

1 1 x x

3 3 0 3

3 1 6 3

2 2 6 2

1] 1] 6] 2]

(Db (Db (Db (Db

F F D F

761

Bbm7 [x Bbmaj7 or Bb#7 [1 Bbmaj9 or Bb9(#7) [x plus 9th Bbsus2 or Bbadd9(no3)[x triad Bbsus2/G [x Bbsus4/Ab [x Bdim/A [1 bass) Bdim/A [x bass) Bdim/A [x bass) Bdim/Ab [x bass) Bdim/Ab [x bass) Bdim/Ab [x bass) Bdim/G [1 bass) Bdim/G [3 bass) Bdim/G [x bass) Bdim7 [x 7th Bdim7 [x 7th Bdim7 [x 7th Bm [2 Bm [x Bm [x Bm/A [x Bm/A [x Bm/A [x Bm/A [x Bm/A [x Bm/G [2 Bm/G [2 Bm/G [3 Bm/G [x Bm7 [x Bm7 [x Bm7 [x Bm7 [x Bm7 [x Bm7(b5) or Bo7 [1 : half-diminished 7th Bm7(b5) or Bo7 [x : half-diminished 7th Bm7(b5) or Bo7 [x : half-diminished 7th Bm7/add11 or Bm7/11 [0 plus 11th Bm7/add11 or Bm7/11 [0 plus 11th Bmaj7/#11 [x augmented 11th Bsus or Bsus4 [7 triad Bsus or Bsus4 [x triad Bsus2 or Badd9(no3)[x triad Version 04 /1.01 April 2004

1 3 1 2 1] (Db F 1 3 2 3 1] (D F 3 3 3 3 5] (C D

Ab Bb) : minor triad, minor 7th A Bb) : major triad, major 7th F A Bb) : major triad, major 7th

x 3 3 1 1] (C

Bb) : no 3rd but a 2nd from a major

F

3 5 3 6 3] (C F 1 3 1 4 1] (Eb F 2 3 2 3 1] (D F

G Bb) : sus2 triad (altered bass) Ab Bb) : sus4 triad (altered bass) A B) : diminished triad (altered

2 0 2 0 1] (D

F

A

B) : diminished triad (altered

x 0 2 0 1] (D

F

A

B) : diminished triad (altered

2 0 1 0 1] (D

F

Ab B) : diminished triad (altered

x 0 1 0 1] (D

F

Ab B) : diminished triad (altered

x 3 4 3 4] (D

F

Ab B) : diminished triad (altered

x 0 0 0 3] (D

F

G

B) : diminished triad (altered

2 0 0 0 1] (D

F

G

B) : diminished triad (altered

x 0 0 0 1] (D

F

G

B) : diminished triad (altered

2 0 1 0 1] (D

F

Ab B) : diminished triad, diminished

x 0 1 0 1] (D

F

Ab B) : diminished triad, diminished

x 3 4 3 4] (D

F

Ab B) : diminished triad, diminished

2 2 x 0 2 2 2 x 2 2 2 x 0 2 2 2 x 2

Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb F

B) B) B) A A A A A G G G G A A A A A A

: minor triad : minor triad : minor triad B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad, minor 7th B) : minor triad, minor 7th B) : minor triad, minor 7th B) : minor triad, minor 7th B) : minor triad, minor 7th B) : diminished triad, minor 7th

2 0 2 0 1] (D

F

A

B) : diminished triad, minor 7th

x 0 2 0 1] (D

F

A

B) : diminished triad, minor 7th

0 2 4 3 2] (D

E

Gb A

B) : minor triad, minor 7th,

2 0 2 0 2] (D

E

Gb A

B) : minor triad, minor 7th,

4 4 0 4 0 0 4 0 0 0 0 4 4 0 0 4 0 3

4 4 4 4 2 2 2 2 0 0 0 4 4 2 2 2 2 2

3 3 3 3 0 3 3 0 0 3 0 3 3 0 3 3 0 3

2] 2] 2] 2] 2] 2] 2] 2] 3] 3] 2] 3] 2] 2] 2] 2] 2] 1]

(D (D (D (D (D (D (D (D (D (D (D (D (D (D (D (D (D (D

2 3 3 4 2] (Eb F

Gb Bb B) : major triad, major 7th,

9 9 x x 0] (E

Gb B) : no 3rd but a 4th from a major

2 4 4 x 0] (E

Gb B) : no 3rd but a 4th from a major

4 4 4 x 2] (Db Gb B): no 3rd but a 2nd from a major

762

Bsus2 triad Bsus2/E Bsus4/A Bsus4/A Bsus4/Ab Bsus4/Ab Bsus4/Ab Bsus4/Db Bsus4/Eb Bsus4/Eb Bsus4/G Bsus4/G Bsus4/G Bsus4/G C C C C C C C #5 C b5 C/A C/A C/A C/A C/B C/B C/B C/Bb C/D C/D C/D C/D C/D C/D C/D bass) C/D C/F C/F C5 C6 C6 C6 C6 C6/add9 9th C7 C7sus4 C9(b5) 7th, plus Cadd9 Cadd9 Cadd9 Cadd9 Cadd9 Cadd9 Cadd9 Cadd9 Cadd9 Cdim/A bass) Cdim/Ab bass)

or

or or or or or or or

Badd9(no3)[x x 4 4 2 2] (Db Gb B) : no 3rd but a 2nd from a major

Cmaj Cmaj Cmaj Cmaj Cmaj Cmaj Caug

[x [x [x [0 [0 [2 [x [x [x [0 [0 [0 [2 [0 [0 [3 [3 [x [x [x [x [0 [x [x [x [0 [x [x [x [3 [x [x [x [x [x [x

4 4 4 0 4 4 2 4 2 2 2 1 x 4 1 2 2 1 4 4 4 2 2 4 x 4 4 2 2 0 2 4 0 x 4 0 2 2 0 3 2 0 3 5 5 3 2 0 x 2 0 3 2 0 3 5 5 3 2 1 x 4 5 0 2 0 0 2 0 0 2 2 0 5 5 3 2 0 2 2 0 3 5 4 3 5 3 x 0 0 3 0 0 3 2 0 3 2 0 x 0 0 x 0 5 10 12

x 0] (Db 0 0] (E 5 2] (E 0 2] (E 0 0] (E 0 0] (E x 0] (Db 4 2] (Eb 4 0] (Eb 0 2] (E 0 0] (E 0 0] (E 0 0] (E 1 0] (C 5 3] (C 1 0] (C 1 0] (C 1 0] (C 5 0] (C 1 0] (C x 0] (C 1 3] (C 1 0] (C 1 3] (C 5 8] (C 0 0] (C 1 0] (C 5 3] (C 5 3] (C 1 0] (C 1 0] (C 3 0] (C 3 3] (C 1 0] (C 5 3] (C 12 13 0]

E Gb Gb Gb Gb Gb E E E Gb Gb Gb Gb E E E E E E E E E E E E E E E E D D D D D D (C

5 3 x 3 0 0 0 0 5

x 1 1 x 1 1 1 5 8

D E G) E F G) E F G) G): root E G A) E G A) E G A) E G A) D E G

or

[x [x [x C(no 3rd) [x [0 [x [x [x C6/9 [x

or

Cdom 7

9th or or or or or or or or or

[x 3 5 3 5 3] (C [x 3 5 3 6 3] (C [0 3 x 3 3 2] (C

E F D

G G E

C2 C2 C2 C2 C2 C2 C2 C2 C2

[3 [x [x [x [x [x [x [x [x [x

D D D D D D (C D D Eb

E E E E E E

or

Version 04 /1.01 April 2004

5 3 3 5 2 2 2 5 7

5 0 0 5 0 0 2 5 5

x 0 0 3 0 0 3 2 0 3 2 0 x 0 0 x 0 5 10 12 3 2 0 5 5 5 x 1 2

0] 0] 0] 3] 3] 0] 3] 8] 0]

(C (C (C (C (C (C (C (C (C

Gb B) : sus2 triad (altered bass) A B) : sus4 triad (altered bass) A B) : sus4 triad (altered bass) Ab B) : sus4 triad (altered bass) Ab B) : sus4 triad (altered bass) Ab B) : sus4 triad (altered bass) Gb B) : sus4 triad (altered bass) Gb B) : sus4 triad (altered bass) Gb B) : sus4 triad (altered bass) G B) : sus4 triad (altered bass) G B) : sus4 triad (altered bass) G B) : sus4 triad (altered bass) G B) : sus4 triad (altered bass) G) : major triad G) : major triad G) : major triad G) : major triad G) : major triad G) : major triad Ab) : augmented triad Gb) : flat 5th G A) : major triad (altered bass) G A) : major triad (altered bass) G A) : major triad (altered bass) G A) : major triad (altered bass) G B) : major triad (altered bass) G B) : major triad (altered bass) G B) : major triad (altered bass) G Bb) : major triad (altered bass) E G) : major triad (altered bass) E G) : major triad (altered bass) E G) : major triad (altered bass) E G) : major triad (altered bass) E G) : major triad (altered bass) E G) : major triad (altered bass) D E G) : major triad (altered

1 0] (C 1 0] (C 3 0] (C 3 3] (C 1 0] (C 5 3] (C 12 13 0] 3 0] (C x 0] (C 1 2] (C

[x x 1 1 1 2] (C

: major triad (altered bass) : major triad (altered bass) : major triad (altered bass) and 5th (power chord) : major triad plus 6th : major triad plus 6th : major triad plus 6th : major triad plus 6th A) : major triad plus 6th and

Bb) : major triad, minor 7th Bb) : sus4 triad, minor 7th Gb Bb) : diminished 5th, minor

G) G) G) G) G) G) D E E G) E G) Gb A)

: : : : : :

major triad plus 9th major triad plus 9th major triad plus 9th major triad plus 9th major triad plus 9th major triad plus 9th G) : major triad plus 9th : major triad plus 9th : major triad plus 9th : diminished triad (altered

Eb Gb Ab) : diminished triad (altered

763

Cdim/Ab bass) Cdim/D bass) Cdim7 7th Cm Cm Cm/A Cm/Bb Cm6 Cm7 Cmaj7 or Cmaj7 or Cmaj7 or Cmaj9 or plus 9th Csus or triad Csus or triad Csus2 or major triad Csus2 or triad Csus2 or triad Csus2 or triad Csus2/A Csus2/A Csus2/B Csus2/B Csus2/E Csus2/E Csus2/E Csus2/E Csus2/E Csus2/E Csus2/E bass) Csus2/E Csus2/F Csus4/A Csus4/A Csus4/B Csus4/Bb Csus4/D Csus4/E Csus4/E D or D or D or D or D or D or D or D #5 or D/B D/B D/B D/B D/B D/C D/C D/C D/C

[x x 4 5 4 4] (C

Eb Gb Ab) : diminished triad (altered

[x 5 4 5 4 2] (C

D

[x x 1 2 1 2] (C

Eb Gb A) : diminished triad, diminished

C#7 C#7 C#7 C9(#7)

[x [x [x [x [x [x [0 [x [x [x

Eb Eb Eb Eb Eb Eb E E E D

G) G) G G G G G G G E

Csus4

[x 3 3 0 1 1] (C

F

G) : no 3rd but a 4th from a major

Csus4

[x x 3 0 1 1] (C

F

G) : no 3rd but a 4th from a major

3 x x 3 x 3 3 2 3 3

5 5 1 5 1 5 2 2 5 0

5 5 2 3 2 3 0 0 4 0

4 4 1 4 1 4 0 1 5 0

3] 3] 3] 3] 3] 3] 0] 0] 3] 0]

(C (C (C (C (C (C (C (C (C (C

Eb Gb): diminished triad (altered

Cadd9(no3)[x 10 12 12 13 3] (C

D

: minor triad : minor triad A) : minor triad (altered bass) Bb) : minor triad (altered bass) A) : minor triad plus 6th Bb) : minor triad, minor 7th B) : major triad, major 7th B) : major triad, major 7th B) : major triad, major 7th G B) : major triad, major 7th

G): no 3rd but a 2nd from a

Cadd9(no3)[x 5 5 5 x 3] (C

D

G): no 3rd but a 2nd from a major

Cadd9(no3)[x 3 0 0 3 3] (C

D

G) : no 3rd but a 2nd from a major

Cadd9(no3)[x 3 5 5 3 3] (C

D

G) : no 3rd but a 2nd from a major

Dmaj Dmaj Dmaj Dmaj Dmaj Dmaj Dmaj Daug

Version 04 /1.01 April 2004

[x [x [3 [x [3 [x [x [x [x [x [x

5 7 5 x 0 2 3 0 0 3 0 0 x 0 0 3 0 0 3 2 0 3 2 0 x 0 0 x 0 5 10 12

8 3] (C 1 3] (C 0 3] (C 0 3] (C 1 0] (C 1 0] (C 3 0] (C 3 3] (C 1 0] (C 5 3] (C 12 13 0]

D D D D D D D D D D (C

G G G G E E E E E E

[x [3 [3 [x [x [x [3 [x [x [x [x [2 [x [x [x [x [x [x [x [x [x [x [x [x [x [x

5 3 x x 3 3 3 3 x 5 9 0 0 0 x x x 0 2 2 2 x 5 0 3 5

x 1 1 1 0 6 1 1 1 3 x 3 3 3 3 7 3 3 0 3 3 0 7 1 3 7

D D F F F F D E E Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb D D D D

E G) : sus2 triad (altered bass) F G) : sus2 triad (altered bass) G A) : sus4 triad (altered bass) G A) : sus4 triad (altered bass) G B) : sus4 triad (altered bass) G Bb) : sus4 triad (altered bass) F G) : sus4 triad (altered bass) F G) : sus4 triad (altered bass) F G) : sus4 triad (altered bass) A): major triad A): major triad A) : major triad A) : major triad A) : major triad A) : major triad A) : major triad Bb) : augmented triad A B) : major triad (altered bass) A B) : major triad (altered bass) A B) : major triad (altered bass) A B) : major triad (altered bass) A B) : major triad (altered bass) Gb A): major triad (altered bass) Gb A) : major triad (altered bass) Gb A) : major triad (altered bass) Gb A) : major triad (altered bass)

5 0 3 3 3 5 0 3 3 4 7 0 0 4 0 0 0 4 0 0 4 0 7 0 x 7

5 0 2 2 0 3 0 0 0 2 7 2 2 2 2 7 3 4 2 2 2 2 5 2 2 5

0] 1] 1] 3] 3] 3] 1] 0] 0] 2] 2] 2] 2] 2] 2] 5] 2] 2] 2] 2] 2] 2] 2] 2] 2] 5]

(C (C (C (C (C (C (C (C (C (D (D (D (D (D (D (D (D (D (D (D (D (D (C (C (C (C

A): sus2 triad (altered bass) A) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) G) : sus2 triad (altered bass) G) : sus2 triad (altered bass) G) : sus2 triad (altered bass) G) : sus2 triad (altered bass) G) : sus2 triad (altered bass) G) : sus2 triad (altered bass) D E G) : sus2 triad (altered

764

D/Db bass) D/Db D/E D/E D/E D/E D/E D/E D/E D/G D/G D5 D5 D6 D6 D6 D6 D6 D6/add9 9th D6/add9 9th D7 D7 D7 D7 D7sus4 D7sus4 D9 plus 9th D9 plus 9th D9 plus 9th D9(#5) plus 9th Dadd9 Dadd9 Dadd9 Dadd9 Dadd9 Dadd9 Dadd9 Daug/E Db Db Db Db Db Db #5 Db #5 Db b5 Db/B Db/Bb Db/C Db/C Db5 Db6 Db7 Dbaug/D bass) Dbaug/G bass) Dbdim/A bass)

[x x 0 14 14 14] (Db D

or

[x [0 [0 [2 [x [x [x [x [5 [3 D(no 3rd) [5 D(no 3rd) [x [x [x [x [x [x D6/9 [0

or

D6/9

or or or or

Ddom Ddom Ddom Ddom

or

or or

x 0 0 x 0 x 5 9 x x 5 0 0 2 2 2 x 0

0 0 4 0 2 2 4 7 4 0 7 0 4 0 0 4 0 2

2 2 2 2 2 2 2 7 0 2 7 2 4 2 2 2 2 4

2 3 3 3 3 3 3 x 3 3 x 3 3 0 3 3 0 3

2] 2] 0] 0] 2] 2] 0] 0] 5] 2] 5] 5] 2] 2] 2] 2] 2] 2]

(Db (D (D (D (D (D (D (D (D (D (D (D (D (D (D (D (D (D

Gb A) : major triad (altered

D Gb A) : major triad (altered bass) E Gb A) : major triad (altered bass) E Gb A) : major triad (altered bass) E Gb A) : major triad (altered bass) E Gb A) : major triad (altered bass) E Gb A) : major triad (altered bass) E Gb A) : major triad (altered bass) E Gb A) : major triad (altered bass) Gb G A): major triad (altered bass) Gb G A) : major triad (altered bass) A): root and 5th (power chord) A): root and 5th (power chord) Gb A B) : major triad plus 6th Gb A B) : major triad plus 6th Gb A B) : major triad plus 6th Gb A B) : major triad plus 6th Gb A B) : major triad plus 6th E Gb A B) : major triad plus 6th and

[0 2 0 2 0 2] (D

E

Gb A

Ddom 9

[x [x [x [x [x [x [0

(C (C (C (C (C (C (C

D D D D D D D

Gb Gb Gb Gb G G E

A): major triad, minor 7th A) : major triad, minor 7th A) : major triad, minor 7th A) : major triad, minor 7th A): sus4 triad, minor 7th A) : sus4 triad, minor 7th Gb A) : major triad, minor 7th

or

Ddom 9

[2 x 0 2 1 0] (C

D

E

Gb A) : major triad, minor 7th

or

Ddom 9

[x 5 7 5 7 0] (C

D

E

Gb A) : major triad, minor 7th

[0 3 x 3 3 2] (C

D

E

Gb Bb) : augmented 5th, minor 7th

or or or or or or or

D2 D2 D2 D2 D2 D2 D2

or or or or or or or

Dbmaj Dbmaj Dbmaj Dbmaj Dbmaj Dbaug Dbaug

or

Db(no

or

Dbdom

7 7 7 7

[0 [0 [2 [x [x [x [x [2 [4 [x [x [x [x [x [x [x [x [x [x [x 3rd)[x [x 7 [x [x

Version 04 /1.01 April 2004

5 0 3 5 5 x 0

0 0 x 0 x 5 9 x 4 4 4 x x 0 0 x 4 1 3 4 4 1 4 x

7 0 x 7 7 0 0

0 4 0 2 2 4 7 4 6 3 6 3 6 3 x 3 3 3 3 6 6 3 3 0

5 2 2 5 5 2 2

2 2 2 2 2 2 7 3 6 1 6 1 6 2 2 0 4 1 1 5 6 1 4 2

7 1 3 7 8 1 1

3 3 3 3 3 3 x 3 6 2 6 2 6 2 2 2 0 2 2 6 x 2 0 2

2] 2] 2] 5] 3] 3] 2]

2] 0] 0] 2] 2] 0] 0] 0] 4] 1] 4] 1] 4] 1] 1] 1] 4] 1] 1] 4] 4] 1] 4] 1]

(D (D (D (D (D (D (D (D (Db (Db (Db (Db (Db (Db (Db (Db (Db (Db (C (C (Db (Db (Db (Db

B) : major triad plus 6th and

E Gb A) : major triad plus 9th E Gb A) : major triad plus 9th E Gb A) : major triad plus 9th E Gb A) : major triad plus 9th E Gb A) : major triad plus 9th E Gb A) : major triad plus 9th E Gb A) : major triad plus 9th E Gb Bb)augmented triad (altered bass) F Ab) : major triad F Ab) : major triad F Ab) : major triad F Ab) : major triad F Ab) : major triad F A) : augmented triad F A) : augmented triad F G) : flat 5th F Ab B) : major triad (altered bass) F Ab Bb) : major triad (altered bass) Db F Ab) : major triad (altered bass) Db F Ab) : major triad (altered bass) Ab): root and 5th (power chord) F Ab Bb) : major triad plus 6th F Ab B) : major triad, minor 7th D F A) : augmented triad (altered

[1 0 3 0 2 1] (Db F

G

A) : augmented triad (altered

[3 x 2 2 2 0] (Db E

G

A) : diminished triad (altered

765

Dbdim/A bass) Dbdim/A bass) Dbdim/B bass) Dbdim/Bb bass) Dbdim/Bb bass) Dbdim/D bass) Dbdim/D bass) Dbdim7 diminished 7th Dbdim7 diminished 7th Dbm Dbm Dbm Dbm/A Dbm/B Dbm/B Dbm7 Dbm7 Dbm7(b5) or Dbo7 : half-diminished 7th Dbmaj7 or Db#7 Dbmaj7 or Db#7 Dbsus2 or Dbadd9(no3) triad Dbsus4/Bb Ddim/B bass) Ddim/B bass) Ddim/B bass) Ddim/Bb bass) Ddim/Bb bass) Ddim/C bass) Ddim7 7th Ddim7 7th Ddim7 7th Dm Dm/B Dm/B Dm/B Dm/Bb Dm/C Dm/C Dm/C Dm/Db Dm/E Dm6 Dm6 Dm6 Dm7 Dm7 Dm7 Version 04 /1.01 April 2004

[x 0 2 0 2 0] (Db E

G

A) : diminished triad (altered

[x 0 2 2 2 3] (Db E

G

A) : diminished triad (altered

[0 2 2 0 2 0] (Db E

G

B) : diminished triad (altered

[x 1 2 0 2 0] (Db E

G

Bb) : diminished triad (altered

[x x 2 3 2 3] (Db E

G

Bb) : diminished triad (altered

[3 x 0 0 2 0] (Db D

E

G) : diminished triad (altered

[x x 0 0 2 0] (Db D

E

G) : diminished triad (altered

[x 1 2 0 2 0] (Db E

G

Bb) : diminished triad,

[x x 2 3 2 3] (Db E

G

Bb) : diminished triad,

[x [x [x [x [0 [x [0 [x [0

Ab) : Ab) : Ab) : Ab A) Ab B) Ab B) Ab B) Ab B) G B)

4 x 4 0 2 4 2 4 2

6 2 6 2 2 6 2 6 2

6 1 6 1 1 4 1 4 0

5 2 x 2 2 5 2 5 2

4] 0] 0] 0] 0] 4] 0] 4] 0]

(Db (Db (Db (Db (Db (Db (Db (Db (Db

E E E E E E E E E

minor triad minor triad minor triad : minor triad (altered bass) : minor triad (altered bass) : minor triad (altered bass) : minor triad, minor 7th : minor triad, minor 7th : diminished triad, minor 7th

[x 3 3 1 2 1] (C Db F Ab) : major triad, major 7th [x 4 6 5 6 4] (C Db F Ab) : major triad, major 7th [x x 6 6 4 4] (Db Eb Ab) : no 3rd but a 2nd from a major [x x 4 3 2 4] (Db Gb Ab Bb) : sus4 triad (altered bass) [x 2 0 1 0 1] (D F Ab B) : diminished triad (altered [x x 0 1 0 1] (D

F

Ab B) : diminished triad (altered

[x x 3 4 3 4] (D

F

Ab B) : diminished triad (altered

[x 1 3 1 3 1] (D

F

Ab Bb) : diminished triad (altered

[x x 3 3 3 4] (D

F

Ab Bb) : diminished triad (altered

[x x 0 1 1 1] (C

D

F

[x 2 0 1 0 1] (D

F

Ab B) : diminished triad, diminished

[x x 0 1 0 1] (D

F

Ab B) : diminished triad, diminished

[x x 3 4 3 4] (D

F

Ab B) : diminished triad, diminished

[x [1 [x [x [1 [x [x [x [x [x [1 [x [x [x [x [x

F F F F F D D D D E F F F D D D

A) A A A A F F F F F A A A F F F

0 2 2 x 1 5 x x x x 2 2 x 5 x x

0 3 0 0 3 7 0 0 0 7 3 0 0 7 0 0

2 2 2 2 2 5 2 5 2 7 2 2 2 5 2 5

3 3 0 0 3 6 1 6 2 6 3 0 0 6 1 6

1] 1] 1] 1] 1] 5] 1] 5] 1] 0] 1] 1] 1] 5] 1] 5]

(D (D (D (D (D (C (C (C (Db (D (D (D (D (C (C (C

Ab) : diminished triad (altered

: minor triad B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) Bb) : minor triad (altered bass) A) : minor triad (altered bass) A) : minor triad (altered bass) A) : minor triad (altered bass) A) : minor triad (altered bass) A) : minor triad (altered bass) B) : minor triad plus 6th B) : minor triad plus 6th B) : minor triad plus 6th A) : minor triad, minor 7th A) : minor triad, minor 7th A) : minor triad, minor 7th

766

Dm7(b5) or Do7 [x : half-diminished 7th Dm7/add11 or Dm7/11 [3 plus 11th Dmaj7 or D#7 [x Dmaj7 or D#7 [x Dmin/maj7 [x Dsus or Dsus4 [5 triad Dsus or Dsus4 [3 triad Dsus or Dsus4 [x triad Dsus or Dsus4 [x triad Dsus2 or Dadd9(no3)[5 triad Dsus2 or Dadd9(no3)[x triad Dsus2 or Dadd9(no3)[0 triad Dsus2 or Dadd9(no3)[x triad Dsus2 or Dadd9(no3)[x triad Dsus2/Ab [4 Dsus2/B [0 Dsus2/B [x Dsus2/Bb [0 Dsus2/C [x Dsus2/C [x Dsus2/Db [x Dsus2/Db [x Dsus2/Db [x Dsus2/Db [x Dsus2/F [x Dsus2/G [x Dsus2/G [x Dsus2/G [x Dsus2/G [5 Dsus2/G [x Dsus2/Gb [0 Dsus2/Gb [0 Dsus2/Gb [2 Dsus2/Gb [x Dsus2/Gb [x Dsus2/Gb [x Dsus2/Gb [x Dsus4/B [3 Dsus4/B [3 Dsus4/C [x Dsus4/C [x Dsus4/E [x Dsus4/E [x Dsus4/E [x Dsus4/E [5 Dsus4/E [x Dsus4/Gb [5 Dsus4/Gb [3 E or Emaj [0 E or Emaj [x E #5 or Eaug [x E/A [x E/D [0 E/D [0 E/D [x E/D [x Version 04 /1.01 April 2004

x 0 1 1 1] (C

D

F

Ab) : diminished triad, minor 7th

x 0 2 1 1] (C

D

F

G

x x x x

0 0 0 0

14 14 14] (Db 2 2 2] (Db D 2 2 1] (Db D 0 3 5] (D G

A) : minor triad, minor 7th,

D Gb A) : major triad, major 7th Gb A) : major triad, major 7th F A) : minor triad, major 7th A): no 3rd but a 4th from a major

0 0 0 3 3] (D

G

A) : no 3rd but a 4th from a major

0 0 0 3 3] (D

G

A) : no 3rd but a 4th from a major

x 0 2 3 3] (D

G

A) : no 3rd but a 4th from a major

5 7 7 x 0] (D

E

A): no 3rd but a 2nd from a major

0 0 2 3 0] (D

E

A): no 3rd but a 2nd from a major

0 2 2 3 0] (D

E

A) : no 3rd but a 2nd from a major

0 2 2 3 0] (D

E

A) : no 3rd but a 2nd from a major

x 0 2 3 0] (D

E

A) : no 3rd but a 2nd from a major

x 2 2 1 x x 0 x x x x 0 0 0 x 0 0 0 x 0 x 5 9 0 2 5 x 0 0 0 x 0 x x 2 7 3 0 2 2 2 x

0 0 0 x 0 0 0 0 0 0 7 2 2 2 0 0 0 4 0 2 2 4 7 0 0 7 0 2 2 2 0 0 4 0 2 6 2 2 0 2 0 0

2 2 2 2 2 5 2 2 6 9 7 0 0 2 0 0 2 2 2 2 2 2 7 0 2 5 2 0 0 2 0 0 0 2 1 4 1 1 1 1 1 1

3 0] (D E 0 0] (D E 3 0] (D E 3 0] (D E 1 0] (C D 5 5] (C D 2 0] (Db D 2 0] (Db D 5 5] (Db D 10 9] (Db D 6 0] (D E 3 0] (D E 3 3] (D E 3 3] (D E 3 0] (D E x 0] (D E 3 2] (D E 3 0] (D E 3 0] (D E 3 2] (D E 3 2] (D E 3 0] (D E x 0] (D E 0 3] (D G 0 3] (D G 8 3] (C D 1 3] (C D 3 0] (D E 3 3] (D E 3 3] (D E 3 0] (D E x 0] (D E 3 5] (D Gb 3 2] (D Gb 0 0] (E Ab 5 0] (E Ab 1 0] (C E 0 0] (E Ab 0 0] (D E 3 0] (D E 3 0] (D E 0 0] (D E

Ab A) : sus2 triad (altered bass) A B) : sus2 triad (altered bass) A B) : sus2 triad (altered bass) A Bb) : sus2 triad (altered bass) E A) : sus2 triad (altered bass) E A) : sus2 triad (altered bass) E A) : sus2 triad (altered bass) E A) : sus2 triad (altered bass) E A) : sus2 triad (altered bass) E A) : sus2 triad (altered bass) F A) : sus2 triad (altered bass) G A) : sus2 triad (altered bass) G A) : sus2 triad (altered bass) G A) : sus2 triad (altered bass) G A) : sus2 triad (altered bass) G A) : sus2 triad (altered bass) Gb A) : sus2 triad (altered bass) Gb A) : sus2 triad (altered bass) Gb A) : sus2 triad (altered bass) Gb A) : sus2 triad (altered bass) Gb A) : sus2 triad (altered bass) Gb A) : sus2 triad (altered bass) Gb A) : sus2 triad (altered bass) A B) : sus4 triad (altered bass) A B) : sus4 triad (altered bass) G A): sus4 triad (altered bass) G A) : sus4 triad (altered bass) G A) : sus4 triad (altered bass) G A) : sus4 triad (altered bass) G A) : sus4 triad (altered bass) G A) : sus4 triad (altered bass) G A) : sus4 triad (altered bass) G A): sus4 triad (altered bass) G A) : sus4 triad (altered bass) B) : major triad B) : major triad Ab) : augmented triad A B) : major triad (altered bass) Ab B) : major triad (altered bass) Ab B) : major triad (altered bass) Ab B) : major triad (altered bass) Ab B) : major triad (altered bass)

767

E/Db E/Db E/Eb E/Eb E/Eb E/Gb E/Gb E/Gb E11/b9 7th, flat E5 E5 E6 E6 E7 E7 E7 E7 E7/add11 plus 11th E7/b9(b5) 7th, flat E7sus4 E9 plus 9th E9 plus 9th Eadd9 Eadd9 Eadd9 Eb Eb Eb Eb #5 Eb #5 Eb/C Eb/D Eb/Db Eb/Db Eb/Db Eb/E Eb5 Eb6 Eb7 Eb7 Eb7 Ebaug/E bass) Ebaug/E bass) Ebdim/B bass) Ebdim/B bass) Ebdim/B bass) Ebdim/B bass) Ebdim/C bass) Ebdim7 7th Ebm Ebm/Db Ebm7 Ebmaj7 Ebsus2/Ab

[0 [x [0 [0 [x [0 [0 [2 [0

2 4 2 x x 2 x 2 0

2 6 1 6 1 2 4 2 3

1 4 1 4 1 1 1 1 4

2 5 0 4 0 0 0 0 3

0] 4] 0] 0] 0] 2] 0] 0] 4]

(Db (Db (Eb (Eb (Eb (E (E (E (D

E E E E E Gb Gb Gb E

Ab Ab Ab Ab Ab Ab Ab Ab F

9th, plus 11th or E(no 3rd) [0 or E(no 3rd) [x [0 [x or Edom 7 [0 or Edom 7 [0 or Edom 7 [x or Edom 7 [x or E7/11 [x

2 7 2 4 2 2 2 x 0

x 9 2 6 0 2 0 0 0

x 9 1 4 1 1 1 1 1

x x 2 5 0 3 3 0 0

0] 0] 0] 4] 0] 0] 0] 0] 0]

(E (E (Db (Db (D (D (D (D (D

B) B) E E E E E E E

: root and 5th (power chord) : root and 5th (power chord) Ab B) : major triad plus 6th Ab B) : major triad plus 6th Ab B) : major triad, minor 7th Ab B) : major triad, minor 7th Ab B) : major triad, minor 7th Ab B) : major triad, minor 7th Ab A B) : major triad, minor 7th,

[0 1 3 1 3 1] (D

E

F

9th

B) B) B) B) B) B) B) B) Ab

: : : : : : : : A

major major major major major major major major B) :

triad triad triad triad triad triad triad triad major

(altered bass) (altered bass) (altered bass) (altered bass) (altered bass) (altered bass) (altered bass) (altered bass) triad, minor

Ab Bb) : diminished 5th, minor

or

Edom 9

[0 2 0 2 0 0] (D [0 2 0 1 0 2] (D

E E

A B) : sus4 triad, minor 7th Gb Ab B) : major triad, minor 7th

or

Edom 9

[2 2 0 1 0 0] (D

E

Gb Ab B) : major triad, minor 7th

or or or or or or or or

E2 E2 E2 Ebmaj Ebmaj Ebmaj Ebaug Ebaug

or

Eb(no

or or or

Ebdom Ebdom Ebdom

[0 [0 [2 [x [x [x [3 [3 [x [x [x [x [x [x 3rd)[x [x 7 [x 7 [x 7 [x [3

2 x 2 1 x x 2 x 3 6 1 6 x x 6 3 1 6 x x

2 4 2 1 1 5 1 1 5 8 1 8 1 5 8 5 1 8 1 1

1 1 1 3 3 3 0 0 3 7 3 6 3 3 8 3 3 6 3 0

0 0 0 4 4 4 0 0 4 8 2 8 2 4 x 4 2 8 2 0

2] 0] 0] 3] 3] 3] 3] 3] 3] 6] 3] 6] 3] 0] 6] 3] 3] 6] 3] 0]

(E (E (E (Eb (Eb (Eb (Eb (Eb (C (D (Db (Db (Db (Eb (Eb (C (Db (Db (Db (Eb

Gb Ab B) : major triad plus 9th Gb Ab B) : major triad plus 9th Gb Ab B) : major triad plus 9th G Bb) : major triad G Bb) : major triad G Bb) : major triad G B) : augmented triad G B) : augmented triad Eb G Bb) : major triad (altered bass) Eb G Bb) : major triad (altered bass) Eb G Bb) : major triad (altered bass) Eb G Bb) : major triad (altered bass) Eb G Bb) : major triad (altered bass) E G Bb) : major triad (altered bass) Bb): root and 5th (power chord) Eb G Bb) : major triad plus 6th Eb G Bb) : major triad, minor 7th Eb G Bb) : major triad, minor 7th Eb G Bb) : major triad, minor 7th E G B) : augmented triad (altered

[x x 1 0 0 0] (Eb E

or

Eb#7

Version 04 /1.01 April 2004

G

B) : augmented triad (altered

[2 x 1 2 0 2] (Eb Gb A

B) : diminished triad (altered

[x 0 1 2 0 2] (Eb Gb A

B) : diminished triad (altered

[x 2 1 2 0 2] (Eb Gb A

B) : diminished triad (altered

[x 2 4 2 4 2] (Eb Gb A

B) : diminished triad (altered

[x x 1 2 1 2] (C

Eb Gb A) : diminished triad (altered

[x x 1 2 1 2] (C

Eb Gb A) : diminished triad, diminished

[x [x [x [x [x

Gb Eb Eb Eb F

x x x 6 1

4 1 1 8 3

3 3 3 7 1

4 2 2 8 4

2] 2] 2] 6] 1]

(Eb (Db (Db (D (Eb

Bb) : minor triad Gb Bb) : minor triad (altered bass) Gb Bb) : minor triad, minor 7th G Bb) : major triad, major 7th Ab Bb) : sus2 triad (altered bass)

768

Ebsus4/F Edim/C bass) Edim/D bass) Edim/Db bass) Edim/Db bass) Edim/Eb bass) Edim7 diminished 7th Edim7 diminished 7th Em Em Em Em/A Em/A Em/A Em/C Em/C Em/C Em/D Em/D Em/D Em/D Em/D bass) Em/D Em/D Em/D Em/D bass) Em/Db Em/Eb Em/Eb Em/Gb Em/Gb Em/Gb Em/Gb Em6 Em7 Em7 Em7 Em7 Em7 Em7 Em7 Em7 Em7 Em7 Em7(b5) or Eo7 : half-diminished 7th Em7/add11 or Em7/11 plus 11th Em7/add11 or Em7/11 plus 11th Em7/add11 or Em7/11 plus 11th Em9 plus 9th Em9 plus 9th Em9 plus 9th Version 04 /1.01 April 2004

[x 1 3 1 4 1] (Eb F [x 3 5 3 5 3] (C E

Ab Bb) : sus4 triad (altered bass) G Bb) : diminished triad (altered

[3 x 0 3 3 0] (D

E

G

Bb) : diminished triad (altered

[x 1 2 0 2 0] (Db E

G

Bb) : diminished triad (altered

[x x 2 3 2 3] (Db E

G

Bb) : diminished triad (altered

[x x 5 3 4 0] (Eb E

G

Bb) : diminished triad (altered

[x 1 2 0 2 0] (Db E

G

Bb) : diminished triad,

[x x 2 3 2 3] (Db E

G

Bb) : diminished triad,

[0 [3 [x [3 [x [x [0 [x [x [0 [0 [0 [0 [x

2 x 2 x 0 0 3 2 3 2 2 2 2 x

B) B) B) A A A G G G G G G G E

: minor triad : minor triad : minor triad B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) G B) : minor triad (altered

[x [x [0 [x

x 0 9 x 2 4 x 0 0 10 12

[0 [3 [x [0 [0 [0 [2 [0 [0 [0 [0 [0 [x [x [x [x [0 [x [3

2 2 0 2 0] (Db E x 1 0 0 0] (Eb E x 1 0 0 0] (Eb E 2 2 0 0 2] (E Gb 2 4 0 0 0] (E Gb x 4 0 0 0] (E Gb 2 2 0 0 0] (E Gb 2 2 0 2 0] (Db E 2 0 0 0 0] (D E 2 0 0 3 0] (D E 2 2 0 3 0] (D E 2 2 0 3 3] (D E x 0 0 0 0] (D E x 0 12 12 12] (D x 0 9 8 7] (D E x 2 4 3 3] (D E x 0 0 0 0] (D E 10 12 12 12 0] (D x 0 3 3 0] (D E

2 2 5 2 2 5 2 2 5 0 0 2 2 0

0 0 0] (E G 0 0 0] (E G x x 0] (E G 2 0 0] (E G 0 0 0] (E G 4 5 0] (E G 0 0 0] (C E 0 1 0] (C E 4 5 3] (C E 0 0 0] (D E 0 3 0] (D E 0 3 0] (D E 0 3 3] (D E 12 12 12] (D 8 7] (D 3 3] (D 0 0] (D 12 12 0]

E G B) : minor triad (altered bass) E G B) : minor triad (altered bass) E G B) : minor triad (altered bass) (D E G B) : minor triad (altered G G G G G G G G G G G G G E G G G

B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad (altered bass) B) : minor triad plus 6th B) : minor triad, minor 7th B) : minor triad, minor 7th B) : minor triad, minor 7th B) : minor triad, minor 7th B) : minor triad, minor 7th G B) : minor triad, minor 7th B) : minor triad, minor 7th B) : minor triad, minor 7th B) : minor triad, minor 7th E G B) : minor triad, minor 7th G Bb) : diminished triad, minor 7th

[0 0 0 0 0 0] (D

E

G

A

B) : minor triad, minor 7th,

[0 0 0 0 0 3] (D

E

G

A

B) : minor triad, minor 7th,

[3 x 0 2 0 0] (D

E

G

A

B) : minor triad, minor 7th,

[0 2 0 0 0 2] (D

E

Gb G

B) : minor triad, minor 7th

[0 2 0 0 3 2] (D

E

Gb G

B) : minor triad, minor 7th

[2 2 0 0 0 0] (D

E

Gb G

B) : minor triad, minor 7th

769

Emaj7 Emaj7 Emaj7 Emaj9 plus 9th Emaj9 plus 9th Emin/maj7 Emin/maj7 Emin/maj9 plus 9th Esus triad Esus triad Esus triad Esus triad Esus triad Esus2 triad Esus2 triad Esus2/A Esus2/A Esus2/Ab Esus2/Ab Esus2/Ab Esus2/Db Esus2/Eb Esus2/Eb Esus2/G Esus2/G Esus2/G Esus2/G Esus4/Ab Esus4/C Esus4/C Esus4/D Esus4/D Esus4/Db Esus4/Db Esus4/Eb Esus4/F Esus4/G Esus4/G Esus4/G Esus4/Gb Esus4/Gb F F F F F #5 F #5 F/D F/D F/D F/E F/E F/E F/E F/E F/Eb F/Eb

or or or or

E#7 E#7 E#7 E9(#7)

[0 [0 [x [0

2 x x 2

1 6 1 1

1 4 1 1

0 4 0 0

0] 0] 0] 2]

(Eb (Eb (Eb (Eb

E E E E

Ab Ab Ab Gb

B) B) B) Ab

: major triad, major 7th : major triad, major 7th : major triad, major 7th B) : major triad, major 7th

or

E9(#7)

[4 x 4 4 4 0] (Eb E

Gb Ab B) : major triad, major 7th

[3 x 1 0 0 0] (Eb E [x x 1 0 0 0] (Eb E [0 6 4 0 0 0] (Eb E

G B) : minor triad, major 7th G B) : minor triad, major 7th Gb G B) : minor triad, major 7th

or

Esus4

[0 0 2 2 0 0] (E

A

B) : no 3rd but a 4th from a major

or

Esus4

[0 0 2 4 0 0] (E

A

B) : no 3rd but a 4th from a major

or

Esus4

[0 2 2 2 0 0] (E

A

B) : no 3rd but a 4th from a major

or

Esus4

[x 0 2 2 0 0] (E

A

B) : no 3rd but a 4th from a major

or

Esus4

[x x 2 2 0 0] (E

A

B) : no 3rd but a 4th from a major

or

Eadd9(no3)[7 9 9 x x 0] (E

Gb B): no 3rd but a 2nd from a major

or

Eadd9(no3)[x 2 4 4 x 0] (E

Gb B): no 3rd but a 2nd from a major

or or or or or or

Fmaj Fmaj Fmaj Fmaj Faug Faug

Version 04 /1.01 April 2004

[x [x [0 [0 [2 [x [x [x [0 [0 [0 [2 [x [0 [x [0 [x [0 [x [x [0 [3 [x [x [x [x [1 [x [x [x [x [x [x [x [x [0 [1 [1 [x [x [x [x

0 2 2 x 2 4 2 x 2 2 x 2 0 0 3 2 2 0 0 2 0 x 0 0 0 2 3 0 3 x 0 0 5 x x 0 3 x x x x x

4 4 2 4 2 4 2 4 2 4 4 2 2 7 2 0 0 2 7 1 3 2 2 5 4 4 3 3 3 3 3 x 7 0 0 3 3 2 2 3 1 3

4 2 1 1 1 4 4 4 0 0 0 0 1 5 2 2 2 4 6 2 2 2 0 4 4 2 2 2 2 2 2 2 5 2 5 2 2 2 2 2 2 5

0 5 0 0 0 x 4 4 0 0 0 0 0 0 0 0 3 2 0 0 0 0 0 5 0 5 1 1 1 1 2 2 6 1 6 1 1 1 1 1 1 4

0] 2] 2] 0] 0] 0] 2] 0] 2] 0] 0] 0] 0] 0] 0] 0] 0] 0] 0] 0] 0] 0] 0] 0] 0] 2] 1] 1] 1] 1] 1] 1] 5] 1] 5] 0] 0] 0] 1] 0] 1] 5]

(E (E (E (E (E (Db (Eb (Eb (E (E (E (E (E (C (C (D (D (Db (Db (Eb (E (E (E (E (E (E (C (C (C (C (Db (Db (C (C (C (C (C (C (C (C (C (C

Gb Gb Gb Gb Gb E E E Gb Gb Gb Gb Ab E E E E E E E F G G G Gb Gb F F F F F F D D D E E E E E Eb Eb

A A Ab Ab Ab Gb Gb Gb G G G G A A A A A A A A A A A A A A A) A) A) A) A) A) F F F F F F F F F F

B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) : major triad : major triad : major triad : major triad : augmented triad : augmented triad A) : major triad (altered bass) A) : major triad (altered bass) A) : major triad (altered bass) A) : major triad (altered bass) A) : major triad (altered bass) A) : major triad (altered bass) A) : major triad (altered bass) A) : major triad (altered bass) A) : major triad (altered bass) A) : major triad (altered bass)

770

F/G F/G F5 F5 F6 F6 F6 F6/add9 9th F7 F7 Fadd9 Fadd9 Faug/D bass) Faug/G bass) Fdim/D bass) Fdim/D bass) Fdim/D bass) Fdim/Db bass) Fdim7 7th Fdim7 7th Fdim7 7th Fm Fm Fm/D Fm/Db Fm/Db Fm/Eb Fm/Eb Fm6 Fm7 Fm7 Fmaj7 Fmaj7 Fmaj7 Fmaj7 Fmaj7 Fmaj7/#11 augmented Fmaj7/#11 augmented Fmaj9 plus 9th Fsus triad Fsus2 triad Fsus2 triad Fsus2/A Fsus2/A Fsus2/B Fsus2/Bb Fsus2/D Fsus2/E Fsus2/E Fsus4/G G

or

[3 [x F(no 3rd) [1 F(no 3rd) [x [x [x [x F6/9 [3

x x 3 8 5 x x x

3 2 1 1] (C 3 2 1 3] (C 3 x x 1] (C 10 x x 1] (C 7 5 6 5] (C 0 2 1 1] (C 0 5 6 5] (C 0 2 1 1] (C

F G A) : major triad (altered bass) F G A) : major triad (altered bass) F): root and 5th (power chord) F): root and 5th (power chord) D F A) : major triad plus 6th D F A) : major triad plus 6th D F A) : major triad plus 6th D F G A) : major triad plus 6th and

or or or or

Fdom 7 Fdom 7 F2 F2

x x x x x

1 3 3 3 0

Eb Eb F F D

or or

or or or or or

F#7 F#7 F#7 F#7 F#7

11th

[x [x [3 [x [x

F F G G F

A) A) A) A) A)

[1 0 3 0 2 1] (Db F

G

A) : augmented triad (altered

[x 2 0 1 0 1] (D

F

Ab B) : diminished triad (altered

[x x 0 1 0 1] (D

F

Ab B) : diminished triad (altered

[x x 3 4 3 4] (D

F

Ab B) : diminished triad (altered

[x 4 3 4 0 4] (Db F

Ab B) : diminished triad (altered

[x 2 0 1 0 1] (D

F

Ab B) : diminished triad, diminished

[x x 0 1 0 1] (D

F

Ab B) : diminished triad, diminished

[x x 3 4 3 4] (D

F

Ab B) : diminished triad, diminished

[x [x [x [x [x [x [x [x [x [x [0 [1 [1 [x [x [0

F Ab) : minor triad F Ab) : minor triad D F Ab) : minor triad (altered bass) Db F Ab) : minor triad (altered bass) Db F Ab) : minor triad (altered bass) Eb F Ab) : minor triad (altered bass) Eb F Ab) : minor triad (altered bass) D F Ab) : minor triad plus 6th Eb F Ab) : minor triad, minor 7th Eb F Ab) : minor triad, minor 7th E F A) : major triad, major 7th E F A) : major triad, major 7th E F A) : major triad, major 7th E F A) : major triad, major 7th E F A) : major triad, major 7th E F A B) : major triad, major 7th,

3 x x 3 4 8 x x 8 x 0 3 x x x 2

2 5 2 2 2

1 4 1 1 2

1] 5] 1] 3] 1]

(C (C (C (C (Db

3 1 1 1] (C 3 1 1 1] (C 0 1 1 1] (C 3 1 2 1] (C 6 5 6 4] (C 10 8 9 8] (C 1 1 1 1] (C 0 1 1 1] (C 10 8 9 8] (C 1 1 1 1] (C 3 2 1 0] (C 3 2 1 0] (C 2 2 1 0] (C 2 2 1 1] (C 3 2 1 0] (C 3 2 1 0] (C

: : : : :

major triad, minor 7th major triad, minor 7th major triad plus 9th major triad plus 9th augmented triad (altered

[1 3 3 2 0 0] (C

E

F

A

B) : major triad, major 7th,

11th or F9(#7)

[0 0 3 0 1 3] (C

E

F

G

A) : major triad, major 7th

or

Fsus4

[x x 3 3 1 1] (C

F

Bb) : no 3rd but a 4th from a major

or

Fadd9(no3)[x 3 3 0 1 1] (C

F

G) : no 3rd but a 2nd from a major

or

Fadd9(no3)[x x 3 0 1 1] (C

F

G) : no 3rd but a 2nd from a major

or

Gmaj

Version 04 /1.01 April 2004

[3 [x [x [x [3 [x [x [x [x

x 3 2 x 3 2 3 3 0 3 5 3 3 0 0 3 3 0 x 3 0 3 5 3 10 12

1 1] (C F G A) : sus2 triad (altered bass) 1 3] (C F G A) : sus2 triad (altered bass) 0 3] (C F G B) : sus2 triad (altered bass) 6 3] (C F G Bb) : sus2 triad (altered bass) 1 1] (C D F G) : sus2 triad (altered bass) 1 0] (C E F G) : sus2 triad (altered bass) 1 0] (C E F G) : sus2 triad (altered bass) 6 3] (C F G Bb) : sus4 triad (altered bass) 12 12 10] (D G B): major triad

771

G G G G G G G G #5 G #5 G/A G/A G/C G/C G/E G/E G/E G/E G/E bass) G/E G/E G/E G/E bass) G/F G/F G/F G/Gb G/Gb G/Gb G/Gb G5 G5 G6 G6 G6 G6 G6 G6 G6 G6 G6 G6/add9 9th G6/add9 9th G6/add9 9th G7 G7 G7 G7/add11 plus 11th G7sus4 G9 plus 9th G9 plus 9th Gadd9 Gadd9 Gaug/E bass) Gaug/E bass) Gb Gb Gb

or or or or or or or or or

Gmaj Gmaj Gmaj Gmaj Gmaj Gmaj Gmaj Gaug Gaug

[3 [3 [3 [3 [x [x [x [3 [3 [3 [3 [3 [x [0 [0 [0 [0 [x

2 2 5 x 5 x x 2 x 0 2 3 3 2 2 2 2 x

0 0 5 0 5 0 0 1 1 0 0 0 0 0 0 2 2 0

0 0 3] (D G 0 3 3] (D G 4 3 3] (D G 0 0 3] (D G 4 3 3] (D G 4 3 3] (D G 7 8 7] (D G 0 0 3] (Eb G 0 0 3] (Eb G 0 0 3] (D G 2 0 3] (D G 0 0 3] (C D 0 0 3] (C D 0 0 0] (D E 0 3 0] (D E 0 3 0] (D E 0 3 3] (D E 12 12 12] (D

[x [x [0 [x

x 0 9 x 2 4 x 0 0 10 12

8 7] (D 3 3] (D 0 0] (D 12 12 0]

B) B) B) B) B) B) B) B) B) A A G G G G G G E

: major triad : major triad : major triad : major triad : major triad : major triad : major triad : augmented triad : augmented triad B) : major triad (altered bass) B) : major triad (altered bass) B) : major triad (altered bass) B) : major triad (altered bass) B) : major triad (altered bass) B) : major triad (altered bass) B) : major triad (altered bass) B) : major triad (altered bass) G B) : major triad (altered

E G B) : major triad (altered bass) E G B) : major triad (altered bass) E G B) : major triad (altered bass) (D E G B) : major triad (altered

or

[1 [3 [x [2 [2 [3 [x G(no 3rd) [3 G(no 3rd) [3 [0 [0 [0 [0 [x [x [x [0 [x G6/9 [0

or

G6/9

[0 0 0 0 0 3] (D

E

G

A

B) : major triad plus 6th and

or

G6/9

[3 x 0 2 0 0] (D

E

G

A

B) : major triad plus 6th and

or or or or

Gdom 7 Gdom 7 Gdom 7 G7/11

[1 [3 [x [x

(D (D (D (C

F F F D

G G G F

B) B) B) G

: major triad, minor 7th : major triad, minor 7th : major triad, minor 7th B) : major triad, minor 7th,

or

Gdom 9

[3 3 0 0 1 1] (C [x 0 0 0 0 1] (D

D F

F G

G) : sus4 triad, minor 7th A B) : major triad, minor 7th

or

Gdom 9

[x 2 3 2 3 3] (D

F

G

A

or or

G2 G2

[3 0 0 0 0 3] (D G [3 2 0 2 0 3] (D G [3 x 1 0 0 0] (Eb E

A A G

B) : major triad plus 9th B) : major triad plus 9th B) : augmented triad (altered

[x x 1 0 0 0] (Eb E

G

B) : augmented triad (altered

or or

or or or

Gbmaj Gbmaj Gbmaj

Version 04 /1.01 April 2004

x 0 0 0 3] (D F G B) : major triad (altered bass) 2 0 0 0 1] (D F G B) : major triad (altered bass) x 0 0 0 1] (D F G B) : major triad (altered bass) 2 0 0 0 3] (D Gb G B) : major triad (altered bass) 2 0 0 3 3] (D Gb G B) : major triad (altered bass) 2 0 0 0 2] (D Gb G B) : major triad (altered bass) x 4 4 3 3] (D Gb G B) : major triad (altered bass) 5 5 x x 3] (D G): root and 5th (power chord) x 0 0 3 3] (D G) : root and 5th (power chord) 2 0 0 0 0] (D E G B) : major triad plus 6th 2 0 0 3 0] (D E G B) : major triad plus 6th 2 2 0 3 0] (D E G B) : major triad plus 6th 2 2 0 3 3] (D E G B) : major triad plus 6th x 0 12 12 12] (D E G B) : major triad plus 6th x 0 9 8 7] (D E G B) : major triad plus 6th x 2 4 3 3] (D E G B) : major triad plus 6th x 0 0 0 0] (D E G B) : major triad plus 6th 10 12 12 12 0] (D E G B) : major triad plus 6th 0 0 0 0 0] (D E G A B) : major triad plus 6th and

x 2 x 3

0 0 0 0

0 0 0 0

0 0 0 0

3] 1] 1] 1]

B) : major triad, minor 7th

[2 4 4 3 2 2] (Db Gb Bb) : major triad [x 4 4 3 2 2] (Db Gb Bb) : major triad [x x 4 3 2 2] (Db Gb Bb) : major triad

772

Gb #5 or Gbaug Gb/Ab Gb/E Gb/E Gb/Eb Gb/F Gb6 Gb7 or Gbdom 7 Gb7 or Gbdom 7 Gb7(#5) Gb7/#9 augmented 9th Gb7sus4 Gbadd9 or Gb2 Gbaug/E bass) Gbdim/D bass) Gbdim/D bass) Gbdim/D bass) Gbdim/D bass) Gbdim/E bass) Gbdim/E bass) Gbdim/Eb bass) Gbdim7 7th Gbm Gbm Gbm Gbm/D bass) Gbm/D Gbm/E Gbm/E Gbm/E Gbm/E Gbm/E Gbm7 Gbm7 Gbm7 Gbm7 Gbm7 Gbm7(b5) or Gbo7 : half-diminished 7th Gbm7(b5) or Gbo7 : half-diminished 7th Gbm7/b9 flat 9th Gbmaj7 or Gb#7 Gbsus or Gbsus4 triad Gbsus2/Bb Gbsus4/E Gdim/E bass) Gdim/E bass) Gdim/Eb bass) Gdim/Eb bass) Version 04 /1.01 April 2004

[x [x [2 [x [x [x [x [2 [x [2 [x

x x 4 x x x x 4 x x 0

0 4 2 4 1 3 1 2 4 4 4

3 3 3 3 3 3 3 3 3 3 3

3 2 2 2 2 2 2 2 2 3 2

2] 4] 2] 0] 2] 2] 2] 2] 0] 0] 0]

(D (Db (Db (Db (Db (Db (Db (Db (Db (D (Db

Gb Gb E E Eb F Eb E E E E

Bb) : augmented triad Ab Bb) : major triad (altered bass) Gb Bb) : major triad (altered bass) Gb Bb) : major triad (altered bass) Gb Bb) : major triad (altered bass) Gb Bb) : major triad (altered bass) Gb Bb) : major triad plus 6th Gb Bb) : major triad, minor 7th Gb Bb) : major triad, minor 7th Gb Bb) : minor 7th, sharp 5th Gb A Bb) : major triad, minor 7th

[x 4 4 4 x 0] (Db E Gb B) : sus4 triad, minor 7th [x x 4 3 2 4] (Db Gb Ab Bb) : major triad plus 9th [2 x 4 3 3 0] (D E Gb Bb) : augmented triad (altered [x 5 7 5 7 2] (C

D

Gb A): diminished triad (altered

[x 0 0 2 1 2] (C

D

Gb A) : diminished triad (altered

[x 3 x 2 3 2] (C

D

Gb A) : diminished triad (altered

[x 5 7 5 7 5] (C

D

Gb A) : diminished triad (altered

[x 0 2 2 1 2] (C

E

Gb A) : diminished triad (altered

[x x 2 2 1 2] (C

E

Gb A) : diminished triad (altered

[x x 1 2 1 2] (C

Eb Gb A) : diminished triad (altered

[x x 1 2 1 2] (C

Eb Gb A) : diminished triad, diminished

[2 [x [x [x

4 4 x x

4 4 4 0

2 2 2] (Db Gb 2 2 2] (Db Gb 2 2 2] (Db Gb 14 14 14] (Db

A) A) A) D

: minor : minor : minor Gb A) :

[x [0 [0 [2 [x [x [0 [0 [2 [x [x [x

x 0 x x 0 x 0 x x 0 x 0

0 2 4 2 4 2 2 4 2 4 2 2

2 2 2 2 2 2 2 2 2 2 2 2

D E E E E E E E E E E E

Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb Gb

A) A) A) A) A) A) A) A) A) A) A) A)

E

Gb A) : diminished triad, minor 7th

2 2 2 2 2 2 2 2 2 2 2 1

2] 2] 0] 0] 0] 2] 2] 0] 0] 0] 2] 2]

(Db (Db (Db (Db (Db (Db (Db (Db (Db (Db (Db (C

[x x 2 2 1 2] (C

[0 0 2 0 2 2] (Db E

Gb G

: : : : : : : : : : : :

triad triad triad minor triad (altered

minor triad (altered bass) minor triad (altered bass) minor triad (altered bass) minor triad (altered bass) minor triad (altered bass) minor triad (altered bass) minor triad, minor 7th minor triad, minor 7th minor triad, minor 7th minor triad, minor 7th minor triad, minor 7th diminished triad, minor 7th

A) : minor triad, minor 7th

[x x 3 3 2 2] (Db F Gb Bb) : major triad, major 7th [x 4 4 4 2 2] (Db Gb B) : no 3rd but a 4th from a major [x x 4 3 2 4] (Db Gb Ab Bb) : sus2 triad (altered bass) [x 4 4 4 x 0] (Db E Gb B) : sus4 triad (altered bass) [x 1 2 0 2 0] (Db E G Bb) : diminished triad (altered [x x 2 3 2 3] (Db E

G

Bb) : diminished triad (altered

[x 1 1 3 2 3] (Db Eb G

Bb) : diminished triad (altered

[x 6 8 6 8 6] (Db Eb G

Bb) : diminished triad (altered

773

Gdim/Eb [x bass) Gdim7 [x diminished 7th Gdim7 [x diminished 7th Gm [3 Gm [x Gm/E [3 Gm/Eb [x Gm/F [3 Gm/F [x Gm13 [0 7th, plus 9th and 13th Gm6 [3 Gm7 [3 Gm7 [x Gm7/add11 or Gm7/11 [x plus 11th Gm9 [3 plus 9th Gmaj7 or G#7 [2 Gmaj7 or G#7 [2 Gmaj7 or G#7 [3 Gmaj7 or G#7 [x Gsus or Gsus4 [x major triad Gsus or Gsus4 [x triad Gsus or Gsus4 [x triad Gsus or Gsus4 [x triad Gsus2 or Gadd9(no3)[5 triad Gsus2 or Gadd9(no3)[3 triad Gsus2 or Gadd9(no3)[x triad Gsus2 or Gadd9(no3)[x triad Gsus2/B [3 Gsus2/B [3 Gsus2/C [x Gsus2/C [x Gsus2/E [x Gsus2/E [x Gsus2/E [x Gsus2/E [5 Gsus2/Gb [5 Gsus2/Gb [3 Gsus4/A [x Gsus4/A [x Gsus4/B [3 Gsus4/B [x Gsus4/E [3 Gsus4/E [x Gsus4/E [x Gsus4/E [x Gsus4/E [x Gsus4/E [x Gsus4/E [x bass) Gsus4/E [x Gsus4/F [3

Version 04 /1.01 April 2004

x 1 3 2 3] (Db Eb G

Bb) : diminished triad (altered

1 2 0 2 0] (Db E

G

Bb) : diminished triad,

x 2 3 2 3] (Db E

G

Bb) : diminished triad,

5 x x 6 5 x 0

5 0 0 8 3 3 3

3 3 3 7 3 3 3

3 3 3 8 3 3 3

3] 3] 0] 6] 3] 3] 3]

(D (D (D (D (D (D (D

G G E Eb F F E

Bb) : minor triad Bb) : minor triad G Bb) : minor triad G Bb) : minor triad G Bb) : minor triad G Bb) : minor triad F G A Bb) : minor

x 5 x 3

0 3 3 3

3 3 3 3

3 3 3 3

0] 3] 3] 3]

(D (D (D (C

E F F D

G G G F

Bb) : minor triad plus 6th Bb) : minor triad, minor 7th Bb) : minor triad, minor 7th G Bb) : minor triad, minor 7th,

5 3 3 3 5] (D

F

G

A

2 0 0 2 0 0 2 0 0 x 4 4 10 12

Gb Gb Gb Gb (C

G G G G

3 0 0 3 3] (C

D

G) : no 3rd but a 4th from a major

3 5 5 3 3] (C

D

G) : no 3rd but a 4th from a major

5 5 5 3 3] (C

D

G) : no 3rd but a 4th from a major

x 0 0 3 5] (D

G

A): no 3rd but a 2nd from a major

0 0 0 3 3] (D

G

A) : no 3rd but a 2nd from a major

0 0 0 3 3] (D

G

A) : no 3rd but a 2nd from a major

x 0 2 3 3] (D

G

A) : no 3rd but a 2nd from a major

0 0 0 2 0 2 5 7 5 x 0 2 0 2 0 0 2 0 0 2 2 0 0 0 x 4 0 x 0 2 5 7 5 x 0 2 3 0 0 3 0 0 x 0 0 3 0 0 3 2 0 3 2 0 x 0 0 x 0 5 10 12

G G D D E E E E Gb Gb D D D D D D D D D D (C

A A G G G G G G G G G G G G E E E E E E

D D

E F

0 3] (D 3 3] (D 0 2] (D 3 3] (D 12 13 3]

0 3] (D 0 3] (D 8 3] (C 1 3] (C 3 0] (D 3 3] (D 3 3] (D 3 0] (D 3 5] (D 3 2] (D 8 3] (C 1 3] (C 0 3] (C 0 3] (C 1 0] (C 1 0] (C 3 0] (C 3 3] (C 1 0] (C 5 3] (C 12 13 0]

5 5 5 x 0] (C 3 0 0 1 1] (C

(altered bass) (altered bass) (altered bass) (altered bass) triad, minor

Bb) : minor triad, minor 7th

B) : B) : B) : B) : D G):

major triad, major triad, major triad, major triad, no 3rd but a

major 7th major 7th major 7th major 7th 4th from a

B) : sus2 triad (altered bass) B) : sus2 triad (altered bass) A): sus2 triad (altered bass) A) : sus2 triad (altered bass) A) : sus2 triad (altered bass) A) : sus2 triad (altered bass) A) : sus2 triad (altered bass) A) : sus2 triad (altered bass) A): sus2 triad (altered bass) A) : sus2 triad (altered bass) A): sus4 triad (altered bass) A) : sus4 triad (altered bass) B) : sus4 triad (altered bass) B) : sus4 triad (altered bass) G) : sus4 triad (altered bass) G) : sus4 triad (altered bass) G) : sus4 triad (altered bass) G) : sus4 triad (altered bass) G) : sus4 triad (altered bass) G) : sus4 triad (altered bass) D E G) : sus4 triad (altered G) : sus4 triad (altered bass) G) : sus4 triad (altered bass)

774

Dieses Buch entstand in nun fast 2 jähriger Arbeit. Jagdfieber und Freude an der Musik haben mich nicht eher ruhen lassen, bis das letzte Lied gefunden und die beste Version eingetragen war. Vieles hab ich aus dem Internet gezogen, dank dafür an Gert Guitar, Ernesto und Manny's Songarchiv, sowie den unendlich vielen Usern aus den Tauschbörsen. Manches hab ich selbst gemacht, damits bei mir etwas songtauglicher wird. Den größten Dank an Alex, die größte Inspiration Musik zu machen auch wenn es bei mir nie so klingen wird ;-). Dank auch an Joe, was haben wir schon gesungen und gespielt…. Dank an den Rest, der mich ertragen und nicht erschlagen hat. Dieses Buch kann man nicht kaufen. Es wird nur ausgewählten Personen verschenkt. Habt Spaß und verbreitet Freude, auch wenn der Ton mal nicht richtig getroffen ist. Diese Songs wurden ausschließlich zum Wohle der Musiker gesammelt und dienen nur zum privaten Gebrauch. Kauft Musikbücher und Cds'….

Günter Beier

---------------------------------gesaugt von: `&' # # www.guitarsongs.de _#_ [email protected] ( # ) / O \ ( === ) `---' Respekt für diese Arbeit ! Ich danke Günter Beier ganz herzlich, dass er mir dieses super zusammengestellte Songbook quasi für Euch zum Downloaden geschickt Version 04 /1.01 April 2004

775

hat. Da ich Günter von Spam-Mails schützen möchte, könnt Ihr etwaige Fragen oder was auch immer an [email protected] richten. Die Mails werden dann sofort weitergeleitet. Manny

Version 04 /1.01 April 2004

776