Speed Seduction 3 Disc One

Speed Seduction 3.0 Program Transcript:

Disc One Created By

Ross Jeffries The “Guru of Getting Some”

Website: http://www.speedseduction.biz

For the smart guy who refuses to resort to bullying bullying,, begging begging,, buying,, bs or booze buying or booze,, in his pursuit of happiness.

Copyright © 2008, Ross Jeffries. All Rights Reserved. This transcript may not be duplicated without written permission from the author.

Disclaimer This program may contain viewpoints that may be considered controversial by certain audiences. It is intended intended as a powerful guide for self-respecting, intelligent men who are looking to avoid from "real-hate-shun-ships by default" and instead claim the happiness that they deserve. I, Ross Jeffries, Ghita Services., Inc, and/or SpeedSeduction.biz (or any of our other websites or entities) cannot and will not be held responsible in any way for your actions, and will not be held liable for any and all claims from you or any other third party. You alone are responsible for your decisions and actions, even if they have an impact on others. This information is is meant for "entertainment" purposes only. While this transcript contains information, tips, tools, and strategies that are recommended by us and, in most cases, have succeeded when applied by others, this product and its contents carry no warranty or guarantee (either explicit or implied) that the purchaser or reader will achieve success with women, or in any other endeavor for which they may be used.

Ross:

Here are some rules for patterns. Just look up here and then you write it down. I want you to understand. I want them to demonstrate understanding before I allow them to write. I keep interrupting that pattern of having them write without understanding it. They want to write so they can memorize later. I want them to pay attention and understand so they don’t have to memorize ever. When you understand, you don’t need to remember the exact words. You can always write it out in your own words. If you’re looking at your notes, writing it word for word, you can’t understand, so look up here first. Rule 1 is you have to use the right theme. Remember what I said, if you can put it on a chart, graph or prospectus, it’s the wrong theme. They have to use the right theme. I’m going to start teaching this to women. I’d rather have a room full of 50 women, sorry guys. Are you enjoying this? You need to have the right theme or topic. Another element is that patterns should address the emotional processes and states and subjective experiences that you want her to go through. It’s the feeling of attraction and whatever you want her to feel. It should address the feelings, state of the mind and emotions that you want her to undergo. Patterns should also be delivery vehicles for suggestions and commands. You use weasel and ambiguity as to who is being referred to.

Speed Seduction 3.0 | Program Transcript – Disc One Copyright  2008, Ross Jeffries. All Rights Reserved. Website – http://www.speedseduction.biz

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Patterns should also be delivery vehicles you can run in the moment. Patterns can also be delivery vehicles for suggestions and commands and ambiguity as to who is being spoken about. Suggestions and commands take the form of “Feel that, do that, feel that happening, recognize that’s happening.” Feel, do recognize, realize. Those are the commands. Feel that, do that, recognize that. Suggestions take the form of “That’s what’s happening.” That’s taking place. I also said there is ambiguity as to who you’re referring to. I can realize that it’s happening. Is it happening to the people you’re describing or between you and the girl? Do you understand? A good pattern also uses ambiguity as to who you’re referring to. Are you referring to the people you’re telling the story about or what’s going on between you and the woman? Do you understand that ambiguity? Do you understand the difference between that and the wrong way to do it? The wrong way to do it, which is when you realize that’s what’s happening between you and me right now, that’s being specific. Here you want to be vague. Look here. I want you to demonstrate understanding. When you’re vague, what happens? The unconscious mind goes on a search and tries to find all available meaning and applies all of those meanings. The unconscious mind says, “Is he talking about the people in the story, or is he talking about him and me?” The unconscious mind says they’re all true. It’s both true about the people in the story and it’s also happening to us. This takes place unconsciously. They’re not aware of it.


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If you understand how the tool works, then you understand how to apply the tool. You see how I’m not just letting you write and memorize? Patterns should also be delivery vehicles for commands, suggestions and ambiguity as to who is being referred to. Patterns should also require her participation and incorporate her transwords. Let’s discuss that. Jack and Tony, I want to make you explain to me what that means. You’ll have to participate if you want to learn. What do I mean by that? Why is it important to incorporate her trans-words and require her participation? What happens if we don’t incorporate her transwords? Participant:

You don’t open up the safe door.

Ross:

You don’t open up the safe door if you don’t use the combination.

Participant:

Trans-words are like pre-wired words.

Ross:

Trans-words are like pre-wired fishing lines right down in the level of her mind that responds to this stuff. It’s like a trail of bread crumbs. You want to use her trans-words because they open up those paths in her mind where there is no resistance. It’s her word. You’re feeding her word back to her. How can there be resistance? It’s like you’re mentally throwing your voice into her head.

Participant: Are you saying that’s when you should also, in terms of rapport, deliver it how she says it? Ross:

You don’t even have to go there. You just use her words. I use her words now online. “How did you understand me?” Well, I read your profile and


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picked out your trans-words and sent them back to you, Debbie. It took me one minute and 30 seconds. I’ll show you the email I’m getting. “It’s remarkable how well you understand me. How do you do it?” I read a profile. I knew what to look for. I ignored everything else. Those three words popped out at me and got bigger. I’ll use those, end of story. I even title my email, “Passion, compassion and joy.” She used those words. Those are her trans-words. My email said, “Passion, compassion and joy.” “It’s amazing to see a woman who really wants to experience passion, compassion and joy with me. I think about what it would be like to meet someone you could really cherish. Wouldn’t that be a wonderful thing to experience? I’m curious to learn more about the person wrapped inside all of the pretty. Find me.” Is this fair? Participants: Yes. Ross:

Who gives a fuck! That’s the wrong answer. Is it manipulative?

Participants: Yes. Ross:

Of course it is. Just looking at my picture they would never give me a second look. Why should I allow their first response to fuck up their chance to be with someone like me? That’s not fair. I’m not kidding. It’s funny, but it’s serious. Is that fair to them?

Participants: No.


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Ross:

It’s not fair to them either. You can rationalize anything, but it’s not fair.

Participant:

I have a question around your conscious.

Ross:

Stop a minute. One of the things I always watch to see is who interrupts themselves with too many questions. Over time I will begin to reshape that pattern. Initially I take every question and then by listening I begin to see what their pattern is of asking questions. Do they want too much detail? Do they want me to provide a lot of reassurance that, yes, they can do it? Are they asking a question to just demonstrate to me how much they already know? Are they confused? If they’re confused is it because they don’t understand or they have ideas up here that conflict? I don’t know yet. Go ahead with your question.

Participant:

I can talk with a woman. I can sit down. I can say, “This man or woman over here,” I can talk about how good they may be.

Ross:

Stop. I’m not describing. I’m talking about something I saw two weeks ago. I’m not talking about something I’m actually observing because it may not fit.

Participant:

Okay. My moral conscious is listening to my story. It’s just gone into her head. She’s not saying it or directly talking about it.

Ross:

That’s right, because she doesn’t know consciously. Unconsciously she thinks, “He’s talking about me and him.”

Participant: Basically this unconscious mind is about build up. Ross:

I don’t know if it’s about build up. Yes, you do understand.


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Participant:

Do all of these patterns require that you’re alone with her? Let’s say that you’re at a party or there are people interrupting.

Ross:

No, once you start communicating with her like this, you may as well be alone. No one else will matter. You don’t need to take the girl into physical isolation. You’re so fascinating that no one else exists in that room. You see how they’re not thinking at the right level? Eric, how is your comic going?

Participant: Volume 2 is coming out in three weeks. You said to play a fun game and then you followed that by going into something deeper and more meaningful. You talked about fractionating that. Ross:

A good pattern requires her investment and involvement. If we get her into us, then first of all it’s more real for her. Second, she’ll be giving us words that we can feed back. A good pattern gets her to invest and incorporates her answers. A good pattern also fractionates back and forth between you. A good pattern should be preceded and followed by something that fractionates around it. It’s usually something not as serious. These are the basic building blocks.

Participant:

If you use that pattern you start interacting. What if she interrupts you and starts talking about something?

Ross:

It’s not an interruption. Usually it’s her wanting to participate.

Participate: Would you? Speed Seduction 3.0 | Program Transcript – Disc One Copyright  2008, Ross Jeffries. All Rights Reserved. Website – http://www.speedseduction.biz

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Ross:

Stop. This is an example of you not hearing my answer. He set his head. You need to be able to see them. It’s not an interruption. It’s her participating and giving you information that’s flowing out of that deep part of her mind. That’s not an interruption. That’s her feeding you the answers. Her unconscious likes the whole thing. It’s not an interruption, usually. Are you talking about her changing the topic completely? What do you mean by interruption?

Participate: Yes, basically she interrupts you and changes the topic as well. Would you try to recover? Ross:

I’ve never had it happen. Not once, I’ve had women show no interest in the topic to begin with. I’ve had women not participate. It was like pulling teeth, so I walked away. I’ve had women show a bad attitude. They’re not worth the time to me. Good bye. I’m not open minded enough to give a gift to someone who is not open minded enough to eagerly and gratefully accept it. I’m not kidding.

Participant:

I have a question about the fractionating. You brought up the example of candy and the girl. Could it be anything from the three other levels of the mind? It could it be something less personal?

Ross:

Yes, a good pattern is preceded and followed by a fractionation of something that is lighter in tone. A good pattern, usually, not always, is preceded by something that is lighter in tone and followed by something that is lighter in tone. Does everyone know what I mean by the word “precede”? It means “to come before.”


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A good pattern is something before it that is light in tone. It is followed usually by something after it that is lighter in tone. It’s fractionating back and forth overall. These are the elements of a good pattern, but you need to have the right topic so there are connections. That is just one topic. I haven’t given you the other five. There are five more, so I have a big overall loop of topics and themes. Within that I have to work with their understanding. I have to answer their questions. I have to get them to participating, demonstrating and understanding. Participant:

Do I suggest Pattern 1 then fractionation, Pattern 2 then fractionation?

Ross:

Yes, but fractionation is a pattern of seduction, even though it doesn’t require a lot of language. Anything that moves the transaction along is a pattern. Touching their arm is a pattern. It is language pattern, fractionation and then Language Pattern 2. Language Pattern 2 will appropriate all of the responses we got from Language Pattern 1. We’re not just going to leave them behind. Think of the metaphor of an avalanche. To create an avalanche, you don’t have to shake the whole mountain. You just have to know the vulnerable spot and make sure the snowball starts from there and keeps rolling down the hill. The next pattern you’ll use will incorporate all of those juicy responses, verbal and nonverbal, she gave us for the first one and all of the information you gain about her seduction map of the world.


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At each point you’re tugging the safe door, if it’s ready to spring open after the first pattern, will we keep talking? Yes or no? Participants: No! Ross:

You’re not answering, yes or no?

Participants: No! Ross:

Remember one of the metaphors to carry along with you is opening the safe. You’re opening the safe. You’re tugging that safe.

Participant:

Could you fractionate two or three times on each thing so it’s connection is what you’re fractionating about?

Ross:

I can’t give you an exact number. I’m always fractionating. That’s how I do this.

Participant: Can you give an example of fractionating? Ross:

You can fractionate back and forth between a more hypnotic topic and actually doing something ridiculous like saying, “When you were a little girl, was there some kind of candy that was the king of your candy castle?” I’ll go into that pattern later. To fractionate you could say, “Look at those guys over there. I bet that guy farts in bed.” Anyway, it’s something like that. You point to something in the environment. Remember you start off by looking at the environment. Then you look back at the environment. You can fractionate to the focus of attention.


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The focus of attention is you and her speaking, then focus outwardly. You can fractionate whether it’s paying attention to each other or paying attention to the environment. You can fractionate between being serious and being funny. You can fractionate inside of the pattern. You can fractionate what vibe you’re coming from. You can fractionate intensity. How intense are you? There are all sorts of levels. Fractionation is huge. It is the “F” word. You notice how I’m taking the general principle of fractionation and talking about incorporating it into another broad topic, which is themes and tying it back to specific pieces within that pattern. I’m training them to teach. Participant: When embed a command, can it be any question? Would you fractionate that by slowing down and then on the path of what you’re saying speed up somewhat? Ross:

No, he’s thinking of a very small chunk. It’s not. Now that’s a fixed way of learning. It’s not useful. You would do better by chunking up and focusing on the broader principles rather that being so detailed. Remember, you’re dealing with very chaotic systems. You’re dealing with women, who are chaotic. I don’t mean that in a negative way. Chaos is sexy to me. It is. But they’re chaotic. I specifically mean that they’re complex and at any given moment any of the elements can control all of the other elements, even if it seems to be a very small interplay. It can take over and control the whole system. It’s like a butterfly flaps it’s wings in Margaret Thatcher’s crotch and a thunderstorm develops. It’s my imagery that’s funny. You won’t forget that.


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Before you walked in that door, you didn’t even know to think about fractionation, most of you. Now you’re asking me questions about where you apply it. That tells me you’re starting to get it. Another theme is indulgence. There are connections and indulgence. What kind of things do we indulge in? We indulge in things we like. Indulgence, escape, fantasy and adventure, as one theme. Here’s another one. I clump them into one theme category. That’s another. Indulgence, escape, fantasy and adventure. Would these be useful things to get a woman talking about? Oh yes. Do you think? This is a good one. Participant:

Is it useful to talk about the past sexual experience of the girl with other guys or lovers?

Ross:

I don’t know. You have to put it in context. At what point in the seduction, and in what context is it being brought up?

Participant:

At the start of the seduction.

Ross:

No, absolutely not. Usually you don’t go there.

Participant:

Might it arouse her when that’s my choice?

Ross:

I wouldn’t do it. Leave it alone. Here’s a good question I like to ask. Look up here. You have to kill your initial autopilot response, which is to look down as soon as they start talking. That’s the wrong response. That’s like putting your pants on when she says, “I want to fuck you.”


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My metaphors are shocking. I know. Here’s a really good question. Who’s going to look down and write it? If you could go somewhere where no one knew who you were and nothing you did would ever get back to anyone who did know you, what kind of experiences would you like to try? What kind of feelings? What kind of person? That’s a good question because in order to answer the question, what part of her mind does he have to reach deep down into? Whether she answers you verbally or not doesn’t matter. Ask me about that tomorrow. I’ll tell you what to say to get her thinking about that whether she answers verbally or not. It may actually help for not to answer verbally. If she doesn’t answer verbally and starts thinking that way, you can give her suggestions to start looping them. You can say, “I find that when I let those thoughts run through your mind, keep seeing the pictures and feeling the feelings, for whatever mysterious reason, your mind moves in a new direction. It’s like there’s another part that you want to take on.” Now I have that anchor so when I want to fire off those looping thoughts, I do that. She didn’t even have to answer me verbally. If she answers me verbally, so much the better. Participant:

If she gives you a nonverbal response when you ask that question, do you mirror back what she responds? Would that be a good thing to do as well?


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Ross:

The kind of nonverbal responses that I want you to mirror back are the ones she does just before she starts talking. For instance, if she takes a deep breath.

Participant:

I should ask the question just before she starts responding.

Ross:

Yes, but I’m saying she doesn’t even have to respond verbally for this to work because she’s going to be thinking about it. Then you can give her commands to loop all of this stuff. Just because she runs the suggestion once doesn’t mean it has power. If you can install a looper she keeps ruminating on, then it has power. You have to give those commands for her to ruminate on it by saying, “I find that when I let those thoughts run through your mind…” Do you feel that temporary little shift to confusion? “I find that when I let me teaching run through your mind…” You have to do that. Then you can anchor it and they’ll keep running those thoughts. Would it be useful for a woman within the first 20 minutes of talking to you to be running all sorts of sexual fantasies of things she would do if no one would ever catch her? You say to her, “It almost seems like you’re looking at those thoughts as something you have to have. There’s another part you have to take on.” Now not only is she looping those thoughts, she’s looking at you through those thoughts. Then you talk to her saying, “There’s another part you want to take on, a much bigger part that you want to take on tonight.” That ambiguity means she wants to take your penis. “Debbie, I’m going to bring up a topic that would cause you to think about your most exciting, vulgar and vile sexual fantasies. I’m going to arrange it


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so that you not only have those thoughts obsessively whenever I fire off a post-hypnotic suggestion, but you’re going to look at me through all of those lustful thoughts. You’re going to imagine my penis as being the end reward for all of it.” That’s what you’re really saying, but you’re saying it to the unconscious mind. You’re really appreciating this at a very deep level, aren’t you? Yes. This is masterful, isn’t it? Yes. I’m not telling them to look into my eyes. It’s all going in, but it won’t go in if you don’t use your own words. If she’s not participating, you’re not putting it in your own words, you’re not keeping her safe and comfortable and you’re not fractionating, it’s not really going to go into effect. It might. Maybe 10% to 20% of the population are somnambulists. Any suggestion you give them will go right in and utterly make it their world. The problem with people like that is they can have a very loose grip on reality. They may suddenly decide one day that they hate your guts when a moment before they were madly in love with you. Their reality is not very stable. They’ll accept whatever reality you put in there. The next minute, you don’t know what’s going to happen. You don’t want that. You want someone who’s participating and investing. You’re fractionating. Here’s the other cool thing. You’re learning about her world. When she talks and brings this stuff up, you really are truly learning about her. When you do this M&M candy shit, you don’t learn anything because you’re doing all the talking. You’re not listening to her answers anyway. That’s not fun for me.


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This is fun, isn’t it? Someone said that this is manipulative. Hold out your hands like this. What is the most important digit on these hands? If you lose it, you’re in trouble. Participant:

The thumb.

Ross:

Right, because the thumb allows you to manipulate. The thumb works through both opposition and cooperation by moving in a way that’s opposing to the other fingers and yet in coordination and cooperation with them. It enables us to move the world unlike any other animal. Chimps have opposing thumbs, too. My cats have made it very clear to me telepathically that if they woke up one morning and had opposing thumbs, they’d kill me. They could open the cans. I had a cat that was lying on my chest one morning. She looked at me and said, “You know, Dad, if you woke up one morning the size of a mouse, I would torture you greatly before I killed you and ate you. It’s nothing personal.”

Participant:

That’s the way it works.

Ross:

Another thing is games, quizzes, tests and demonstrations. Who has the Gold Walkup DVD with the twin brother’s snap quiz? We’ll go over them tomorrow. Someone remind me.

Participant:

The cube.

Ross:

The cube. Someone remind me tomorrow to do the twin brothers and the snap quiz. SRT, signal recognition, is when you have them imagine what’s


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the first flow of feeling you get. Hand-writing analysis is one of them, as is the cube. Remember, they’re all delivery vehicles for suggestions and commands. We’re not doing it for academic curiosity. If you start doing the cube and she starts talking about sexual stuff, fuck the rest of the cube. Do you understand? Poems, jokes, demonstrations, games, tests. Participant:

Are they all part of the same group?

Ross:

They are all a part of the same group. Games, poems, stories, tests, and jokes, I have some great jokes to get her hot as hell. You don’t want to hear them. You’re tired. I may just go until midnight. Are you sleepy?

Participants: No. Ross:

That says poems as another example. Poems are great.

Participant:

How about if I use palmistry?

Ross:

Palmistry, any of these chick crap things. A guy has a thing for Paris Hilton. He worships her. He finds out that Paris Hilton has booked a cruise on this very exclusive luxury yacht. There’s only her cabin and one other cabin. It sells for $300,000. He sells his house and car and raids his kids’ college trust funds. He sells a kidney. He sells his retarded child into slavery in China. He pays the $300,000 and gets that cabin right next to Paris Hilton.


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Have you ever really wanted something? You work up your appetite for it. You think about how good it will be to finally get this. The more you think about it, the more you want it. The more you want it, the more you think about it. You start looking at the world through this kind of fuzz, like there’s another part of you. They’re on the ship. It gets tossed into the rocks by a storm. The ship sinks. Everyone dies, or so it seems. He washes up on shore. Who else washes up on the shore but Paris Hilton? She’s sub-drowning. He rips open her shirt, pumps her heart and gives her CPR. She coughs up all this water and survives. She says, “Oh my god, you saved my life! Here we are on this desert island. There’s no one around. There’s no reason at all that we can’t just drop all inhibitions because nothing we do will ever get back. We can do anything we want, and things we never knew we wanted to try. I’ll do anything for you. You’re my master. What do you want?” The guy looks at her and says, “Can I be honest with you?” She says, “You’re my master, anything.” He says, “I’ve never in my life wanted to fuck anybody the way I want to fuck you. I want to fuck you like you are the last woman on earth and I’m the last man. All the fucking we ever want to do is going to happen right now.” Who am I really talking to? She says, “Anything you want, master.” For the next six weeks, they fuck like crazy. You don’t believe me? Fuck somebody like it’s the last fuck you’re ever going to get.


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For six weeks, she fucks him like crazy. She does everything for him. She scours the island for coconuts. Apparently she learned a lot on “The Simple Life.” She goes fishing for him and brings fresh fruit. After six weeks, he’s starting to look like a little mongrel boy. She says, “Master, what’s the matter? How can I make you happy?” He says, “Paris, do you still have your makeup kit?” She says, “Of course, master.” He says, “I want you to paint a mustache and a beard on yourself with your eyebrow pencils.” She says, “I understand that you’re my master. Your wish is my command. Of course I will.” He hits her. “Paris, you see my suit jacket and tie we salvaged from the wreck. I’d like you to put those on.” “Of course master. Anything you say.” “Paris, I want you to go take a walk by the beach. Just keep walking along the ocean.” She does. He comes running up to her, tags her suit jacket, pulls on it, and says “Dude. Dude. You’ll never guess who I’m fucking?” So anyway, when you were a little girl…. You can use a joke. Do you see how? My method is I hear a joke, then I embellish it. I think, “Here’s the standard joke. How can I embellish that with verbal commands and descriptions that will get her really hot?” It could be a joke or a demo. A demo is like SRT or the blammo pattern. Do you know my famous blammo pattern? That’s a demo. A quiz could be something like, “Are you a roller, folder or thrower?” They say, “What?” “Okay. We’re on vacation. We’re going to finally go away on your ideal vacation. Our suitcases are all empty. Do you roll your clothes, fold them or just throw them in?” In America I say, “Are you a roller, folder


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or tosser?” I understand that tossing has a different meaning. It’s a fun thing. They always bite down on that. That’s your little quiz. The next topic is “Sex, but not Necessarily Sex.” What do you think makes for a really fantastic kisser? Sex, desire, or sometimes it’s directly sex if they’re really into it. You can bring it up. For me, the next topic I talk about sometimes is what I teach. It can be very fascinating to them. You can talk about what you learned at this wacky seminar. Do you understand? It’s being didactic, which means taking the role of a teacher. You could say, “It’s so interesting. You learned so much about people.” How people learn about themselves, that’s a topic. For me, it’s about what I teach. Do you get it? Participant: Can you give us a quick example of that one? Ross:

Of what I teach?

Participant: The sex one. Ross:

If they’re into it and starting to get really sexual with you, just go blatantly into it. If they’re getting really sexual with you, you can say, “So, what’s the wildest thing you’ve ever done?” if they start with the topic. I never introduce sex. I let them bring it up. If they bring it up, I’ll talk to them about it. They have to bring it up first. You can also talk about things that are sort of sexual. “So what do you think makes for an absolutely fantastic kisser?” As they describe it, they’re going to go through what it would feel like to kiss that person.


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If they bring it up right away, I know they’re a tease so I don’t do it. Deep into the conversation, if they brought it up and said something like, “You know what? I think that girls just need a really good fucking sometimes,” how do you think I’d start? Do you understand? If they bring it up, I’ll bring it up. You can bring up kissing and that sort of thing. I bring up what I teach sometimes because it’s useful to me. You could bring up how you learned so much about people. I learn so much about people by learning how they connect with their desires. Do you get it? The final thing is observations, intuitions or challenges that I throw their way. I could say, “Boy, that doesn’t look very interesting!” Do you notice what I did? I did a little thing where as I was walking away from them, I said, “That doesn’t look too interesting.”


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Speed Seduction 3 Disc One

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