NOLI ME TANGERE TANGERE
SCRIPT GROUP MATES:
CHAPTER 59- PAG IBIG SA BAYAN CHARACTERS:
KAPITAN TINONG DON PRIMITIVO KAPITAN TINCHANG
GOVERNOR-GENERAL (xtra) TOWN-PEOPLE (xtra)
SETTINGS:
KAPITAN TINONG’S HOUSE NEIGHBORHOOD FOR GOSSIPING PROPS:
RING
SCENE 1-
(download video in Internet na nagkagubot mga tao, conversation etc.) SCENE 2
Capitana Tenchang’s House In the living room, she was pacing around, lecturing her husband, Kapitan Tinong who was sitting on a chair. K. TENCHANG:
Ia!" #a! !a !$a %a &'!a&a%' &a '" Na*" V'r$'! +, Car.,!" B'r/,! !$ A!t'0" K. TINONG:
(rubbing his orehead and chin) Waa a aa!$ &'!a&a%' &a a'!" Ia1 !$a 't!$ $*&t a'%'$a!'! &'a a&' .aa.a! &a" K. TENCHAN:
(stops pacing around, points at K.Tinong) H" Waa a!$ &'!a%' !a 0a'!$$a! . a" (2!t'!*,& 0a2'!$) K. TINONG:
(& +1!3 +,4,at,+) K. TENCHANG:
(stops pacing, looks up to ceiling)
La/at !$ 0'!a$/'ra0a! 5.a1a1aa &a '&a!$ '$a06 K*!$ aa, a!$ &a!a a""" I/a/a!+$ a!$ a'!$ &,r%'&6 K. TINONG:
(looks up to K. Tinchang) D' %a/ !a&*$0 !a a!$ 0a$-aa&a7 K. TINCHANG:
Ga*! 0a .a!" M,r!$ %a!$ /*.ara0 at '$ta& !a.a.7 K. TINONG:
A%a" H'!+' %a /*.ara0 &' Pa+r, B*r$&7 K. TINCHANG:
(looks around, scared then points at Tinong) (whisper) Wa$ !a 1a$ . a!$ &a&a.%'t'! !a 0a!$aa!6 G*&t . %a!$ .a%'ta &a %a$*.%aa!7"
NARRATOR:
D*.at'!$ &' DO! Pr'.'t'8 at &'!a%'/a! &'a !a &*!*$'! a!$ .$a &*at3 aat !a $a'!$ a' I%arra *0a!$ 1aa!$ ,%'+,!&a6 I!*t*&a! r'! !' DO! Pr'.'t'8 !a %'$a! !$ &'!$9x a!$ G,!,ra %'a!$ '&a!$ 0a.a&6 Scene:
!ideo o "on #rimitivo arriving at the house, talking to K.Tinchang video o K.Tinchang holding a ring !ideo o K. Tinchang giving the ring to the $eneral, NARRATOR:
Sa &*.*!+ !a ara13 *&a0-*&a0a! &a %aa! !a !a$ %'$a &' K6T'!2/a!$ !a .a.a/a'!$ &'!$9x &a H,!,ra6 Na$taa a!$ a/at +a/' 't a !a0aara.t6 Scene:
video o town people gossiping.
CHAPTER 60- KASAL NI MARIA CLARA CHARACTERS:
CRISOSTOMO IBARRA MARIA CLARA KAPITAN TIAGO FATHER SIBA#LA PADER SALVE TIN#ENTE GUEVARRA LINARES ELIAS DON#A VICTORINA DON TIBURCIO OTHERS:
SPANISH AND CHINESE MESTIOS AND MESTIAS GUARDIA SIBIL SETTINGS:
KAPITAN TIAGO’S HOUSE MARIA CLARA’S ROOM BALCON# FOR IBARRA AND MARIA CLARA’S DRAMA PRISON CELL PROPS:
FOOD ON TABLE
SCENE 1-
%#&I' *+I. Ibarra escapes prison with the help o -lias -CUT-FADE INSCENE 2
(camera %K+#IT+ TI+$’' H'- / -T&+C-, then shits inside in the living room) ("on Tiburcio, "ona !ictorina and inares arrive) (shits to dining area, the characters were talking and eating at the same time) NARRATOR:
Sa 0a.a.a/a !' K6T'a$3 +*.at'!$ &'!a D! T'%*r2'3 D!a V'2tr'!a at L'!ar,&6 D*.at'!$ +'! &'!a Pa+r, S'%a3 Pa+r, Sa8,3 T'!,!t, G*,8arra6 Sa 0a$t't'0!3 0'!a$**&a0a! !$ .a$-a!a a!$ a&a !' L'!ar,& at Mar'a Cara6 Sa 0a$a'!a!3 !a0a$-*&a0a! +'! !'a a!$ &'!a0't !' I%arra6 I!'&'0 !'a !a 't a '0ata0! %'%ta'!66S' Mar'a Cara !a ta/'.' a!$ *.aa'! a %'$a!$ !a$&a'ta6
MARIA CLARA:
(stands up) Pa*.a!/'! 0,r a a 1aa !a!$ $a!a!$ *.a'!6 (&*++,! ,a8,&) SCENE 3:
(0aria Clara’s bedroom. 'he’s l1ing in bed acing the window. 'he suddenl1 sat up, listen to her surroundings. Then she stood up and went towards her window. The Ibarra suddenl1 appeared) MARIA CLARA:
(hugs Ibarra) (whispers) Cr'&&t." Ba't a !a!+'t7 CRISOSTOMO IBARRA:
Na!+'t a 0ara .a'ta a6 T'!aa& a !' E'a& &a **!$a!6 (holds her hands) Ia17 K*.*&ta a !a7 MARIA CLARA:
Maa& a!$ a6 CRISOSTOMO IBARRA
Ma'!'$ a!$ .a%*t' &a a'!6 Na!$a a &a a'!$ '%'!$ !$ a'!$ '!a !a 0a0a&aa/'! 'ta6 A!$ .a0a/a.a a !a!$ +a/' &a a'! aa aa'& a 0ara 0aa0a !a a!$ %*/a .6 MARIA CLARA
(with tears in her e1es) Aa. . %a3 '!*/a !'a a!$ .$a &*at . &a a'! a0a't &a &*at !$ a'!$ '!a6 Naa.a! r'! a!$ tt t*!$ &a a'!$ 0a$ata66 S' Pa+r, Da.a& a!$ t*!a !$ a.a6 ;THE# HUG EACH OTHER; CRISOSTOMO IBARRA:
Ka'a!$a! !a!$ *.a'&6 Baa .a0a!&'! !'a !a 1aa !a a at 'a1 a .a0a/a.a6 MARIA CLARA
(holds Ibarra’s ace and looks in his e1es) Ma/a 'ta Cr'&&t.6 Kaa t*.aa& a !a/" Ma$-''!$at a" (the1 hug each other) SCENE:
(Ibarra climbs out the window) (camera ocuses on Cara, then to -lias and Ibarra, riding a boat) --------END--------
CHAPTER 61- HABULAN AT BARILAN SA LAWA CHARACTERS:
ELIAS IBARRA OTHERS:
GUARDIA SIBIL SETTINGS:
SEA
BOATS GUN SCENE 1
(in the river, -ias and Ibarra are riding on a boat) (Ibarra sits on the heaps o grass while -lias is rowing the boat) NARRATOR
Sa I&a!$ %a!$a3 &aa &' E'a& at I%arra 0a0*!ta &a Sa! Ga%r',6 I0'!a'1a!a$ !' EL'a& a!$ 0a! !'a a' I%arra !a .a$ta$ .*!a &a Ma!+a*!$3 +a/'! a!$ 0,ra &a a!a at .a!$'%a!$ %a!&a !a/66Aa1 !a 't!$ .a$+*&a6 CRISOSTOMO:
(looks around solemnl1) P'!a0a!$a 6 Baa!$-ara13 /'!+' !a ta aa0'/'! !$ .$a a&t'a6 D' aa!$ .a'ta a!$ .$a ta !a$+*r*&a &a a!'a6 (looks at -lias) Kaa .a$r,r,%,+, a6 T'!ata1a$ !'a a!$ 0''%*&t,r +'%a7 Kaa tt/a!'! !a/" NARRATOR:
D*.aa! &'a &a 0aa& at !a'ta !a !a$a$* a!$ $*ar+'a &'%'6 I!*t*&a! !' E'a& &' I%arra !a .a$ta$ 'a'. &a .$a +a. *0a!$ +' 't .a'ta6 SCENE:
(The boat passed b1 a police boat) (then the police boat began chasing them) ELIAS:
I''$a1 &'a6 Tata! a at 'a1 a t*.aa&6 H*1a$ a!$ .a$-aaa3 .a$a'!$ a!$ *.a!$6 CRISOSTOMO:
Laa%a! ta" ELIAS:
Waa!$ .a!$aar'3 1aa ta!$ &a!+ata6 Ma$'ta !a!$ ta &a N2/, B*,!a3 &a 0*! !$ '!!$ L6 I'$ta& ! '!*!$ &ar''6 (he 2umps on the water) NARRATOR:
T*.a! &' E'a& &a t*%'$ /a%a!$ 0a0aa &*.a$1a! &' I%arra6 I!*a! !a.a! !$ 0*t !$ %ar' &' E'a&6 Maa0't !a &a &a 0a!$-0a!$ !$*!'t 't a !a%ar' at /'!+' !a *.'ta16 SCENE
(-lias is swimming on the water towards the beach then suddenl1 he collapsed on the water) (the water starts turning red) ----------2*t-------------------END---------
CHAPTER 62- PAGTATAPAT NI PADRE DAMASO CHARACTERS:
PADRE DAMASO MARIA CLARA SETTINGS:
MARIA CLARA’S HOUSE NEIGBORHOOD CHURCH PROPS:
NEWSPAPER SCENE:
(town people are gossiping) SCENE
(0aria Clara’s house, sitting on a chair she was reading a news paper about the what happen last night, cr1ing) NARRATOR:
Da/' &a !a!$ar' a$a%'3 *&a0-*&a0a! &a %aa! a!$ 0a$a.ata !' I%arra6 Naa.a! !'a !a 't a !aataa& at /'!a% !$ .$a $*ar+'a &'%'6 Na$+aa./at' &' Mar'a Cara &a a!a!$ &'!a0't6 PADRE DAMASO:
(suddenl1 arrives) I/a3 a!!$ !a!$ar' &a '7 (approaches her) MARIA CLARA
D*.at'!$ &' I%arra a$a%' at !a$0aaa. &a a'!6 Aa1 !'a!$ .a0a/a.a a aa *.a'& &a6 (hiccup) Ma/a !a .a/a &'a aa +' a .aa0a!'1aa!$ 0ata !a &'a6 (cr1) PADRE DAMASO
(kneels down) Wa$ a!$ *.'a6 Ma&a't &a a'! !a .a'ta a!$ $a!a!6 I!aa!a 'ta aa a!$ $a!a! a6 MARIA CLARA
(stops cr1ing, looks at "amaso) Ma/a !'! %a a7
PADRE DAMASO
OO !a.a!3 a!a 6 MARIA CLARA
T**!$a! !'! a !a 1a$ 'a&a a' L'!ar,&6 (stands up walks to the window) Aaa 3 *!$ 'aa&a a a' L'!ar,&3 %a%a' &' I%arra6 Baa!$-ara13 'tataa& !a a6 N$*!'t &a a 0ata !a3 aa 1aa !a!$ ra&! !a .a%*/a a6 PADRE DAMASO
PEr .a& .aaa%*t' &' L'!ar,& a '6 (ooks at Clara careull1, then nodded) A!!$ $*&t .!$ $a1'!7 MARIA CLARA:
G*&t !$ 0*.a& &a *.%,!t .a$0a0aa.ata a6 PADRE DAMASO:
A!77"" P,r5 MARIA CLARA
A!!$ $*&t !7 K*.%,!t '%'!$a!7" PADRE DAMASO
(looks down, then slowl1 approached Clara) S'$, 0a0aa$a! 'ta *!$ a! a!$ $*&t .6 -----2*t----SCENE:
(0+ria Clara dons her nunner1 clothes) (Then she is seen kneeling the pews on a church)
CHAPTER 63- EPILOGUE NOCHE BUENA CHARACTERS:
BASILIO SISA ELIAS
GRANDPA AND RELATIVES DON FELIPO K6 BASILIO
OTHERS:
PASSERB# = THROWS STONES AT BASILIO SETTINGS:
THE TOWN OF SAN DIEGO GRAVE#ARD THAT HAS A GATE AND A BIG TREE - TO BE USED FOR BURNING THE ELIAS’S AND SISA’S BOD# ;;;'!&t,a+ !a $ra8,ar+3 t/, &,tt'!$ 1' %, '! t/, 1+&;;; NIPA HOUSE PROPS:
FIREWOOD
SCENE
(In a hut in the woods, 3asilio is seen l1ing down on a bed with in2uries. +n old man is seen taking care o him. The relatives o the old man is seen assisting him on taking care o 3asilio.) -4a+, *t-4a+, '!(two months later, 3asilio is alread1 healed and is seen sa1ing goodb1e to the grandpa who took care o him. He is seen leaving the hut.) -4a+, *t-4a+, '!(In a nearb1 town, a huge house is seen. "on 4ilipo and K.3asilio is seen, gossiping. Then Capt. 3asilio points outside, seeing 'isa walking around) K.BASILIO
Ha !a*" Na!+a! !a !a.a! &' S'&a6 Ba'1 !a !$a taa$a3 " I0'!aa'& a&' !$ +tr +a/' !atat 't .a0a$%'!ta!$a! !a a'%'$a! !' I%arra6 Haa!" Na%a'1" DON !ELIPO
Saa! !a.a! aa a! 0*0*!ta7 SCENE
(3asilio is seen walking around, looking or his mom then suddenl1 he heard a singing voice. He saw 'isa then runs ater her. 5hile running, a passer/b1 threw a stone at him. It hits his head, bleeding but continues running ) BASILIO:
Na!a"""
SISA:
(looks behind, terri6ed, suddenl1 runs) BASILIO:
Na" A!a ! 0 a" SCENE:
(He runs ater 'isa and he hugs her rom behind. 'isa struggled but immediatel1 relented. 'he collapsed on the ground)
BASILIO
(cradles 'I'a) I!a" S' Ba&'' 0 't" A!a !'!" SISA
(opens e1es slowl1, touch 3+silio’s ace) A!a 7 Ba&''7 BASILIO:
O0 '!a" SISA:
(she smiled at him, the slowl1 closes her e1es, with slow breathing, then drops her hands) BASILIO
(shakes 'isa) I!a7 Na!a77"" (touch her chest and pulse, then puts his ears to her chest) Na7 (he suddenl1 cried while cradling 'isa) SCENE
(I TH- woods, behind a tree, a man is seen looking at 3asilio, wounded) ELIAS:
A!a a %a !a7 A!!$ $a$a1'! .7 BASILIO:
(nods) I''%'!$ 0 &a 0,r 1aa a!$ 0,ra 0a!$-'%'!$6 ELIAS
(points to the riverside with lot o woods) K*!'! . a!$ .$a a/3 &*!*$'! . a!$ ata1a! !a.'! at *!'! a!$ .$a &aa0' &a .a' /*a6 (throws a match at him) BASILIO:
(looks a -lias suspiciousl1 then looks around then picks up the match.He stood up slowl1 and went to the riverside. He gathered the woods) ELIAS:
(collapse on the ground) Ma.ata a !a /'!+' !a'ta a!$ ara16 Sa .$a !aa'ta3 %at''! ! &a at 1a$ a'.*ta! a!$ +''. !$ $a%'6 (slowl1 closes is e1es) SCENE
(In the woods, 3asilio is seen standing in ront a burning bon6re.) ----END----
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