Maquina de Escribir, La (Partes).pdf

Arr. J. V. D. Heyde

Flute 1, 2



The Typewriter

Allegro Vivace h = 160

  

f

    

6

    





    

28

      



    

  

        

34













Leroy Anderson



  











 

p        39                 

  

60

    

 65       f

                  p                  p

    

 

71

       

75

79

Coda 

 





   

   

1.

f







     













p















 

  f

 f





           

f

 

   

    p



D.C. hasta Ø y Coda

       

cresc.

ff



   

a2

mf  90            

(To Coda)

f

2.





Ø







The Typewriter

Oboe 1, 2

             

                 f Allegro Vivace h = 160

      

29

             

   

              f         f

 





    

  









   

   

1.

2.

f

 a2

    

   



        

    

f

     

f

75

   

 



                 p f

p

71

79 Coda

    

   

                 

      

65

    



 





   

p

     

   

  

Arr. J. V. D. Heyde

   

   

p

39

60



Ø(To Coda)

    

  

34

89



     

  

7

Leroy Anderson



a1



p



cresc.



  ff

    











p

D.C. hasta Ø y Coda











The Typewriter

Bassoon

Allegro Vivace  h = 160

  





 



    

30



     

36

42

 



 







         



       



79 Coda

  











f

  ff

p

     

  

        

          p

                               p f

 p  

   

     

        f 



 



         f

1.

 



 

    

p

75



p

                 f

                 f

70



(To Coda)









Ø

64

 

                    





      

90

Arr. J. V. D. Heyde

f

8

Leroy Anderson

    2.

    







D.C. hasta Ø y Coda





   









a2

cresc.



 

  

   



Arr. J. V. D. Heyde

Clarinet 1

 6



The Typewriter



                         

Leroy Anderson



Allegro Vivace h = 160

f

 

 

             mf

        

11

                              

15

Ø

                            

19

(To Coda)

                     

23



  mf

                          

27

              

31



             f

mf

                          

35

f

                          

39

          

43

mf



2

Clarinet 1

                            

47

                             

51

    

55

      

59



 



1.





2.



D.C. hasta Ø y Coda

                                 

79

78Coda

f

mf

                                 

84

p

                    cresc.

89

ff

   



Clarinet in Eb



Allegro Vivace h = 160





f

  

6



   



The Typewriter

    

      

Arr. J. V. D. Heyde

  



                 



 





f



Ø (To Coda)

f





     



 

        



f

40

61



       

          

33

Leroy Anderson





 

1.     2.                     

   



f



   p

73

f

79 Coda

 90









   

a2

mf

         ff

D.C. hasta Ø y Coda

       

cresc.













The Typewriter

Clarinet 2

      

         

Allegro Vivace h = 160

   

f

       

7

  

13

 



20

   

26



 32





Ø











  





Arr. J. V. D. Heyde

     





p

(To Coda)

 

  

 





    



















  





  









  





p

 

    

38

 

Leroy Anderson



f

 

  

         

f

p

   



    



2

Clarinet 2



43

  









    





 



                 f



p

50

57

 







f

     p

       

   

74

79

Coda

 

85

 

89







  

     



f

       

 













     p

              

                    



  





63

69



p

     

f

   

    

2.           

1.

D.C. hasta Ø y Coda

f

  

 

p

 ff

  cresc.

 

       

p

     

 

 



The Typewriter

Clarinet 3

Arr. J. V. D. Heyde

Allegro Vivace h = 160

        f

7

     

 



20

  



 

27

p

34





p





  











 





   



p







  









   



    

  



 

       



    





Ø (To Coda)

  

  39       f f







  

  

              

   

  

13

Leroy Anderson



 

 



   



2

Clarinet 3 43

  p





  











50

    













       

79



 

Coda





86

       

90







p



 

 

 



 

ff



    

D.C. hasta Ø y Coda

           

  

   

f



cresc.

f

1.



f

p

2.           

   

74

     

p

     

p



              

f

    

 

f

                    

 







           

63

69





    

57







p

  



 

 



The Typewriter

Alto Clarinet in Eb

   

Leroy Anderson Arr. J. V. D. Heyde

Allegro Vivace h = 160



f

           p 15         8

22



  29

 36



 

 

  

40





 

  







  













  









 













        

 



 

 

 



  





  

p

Ø

f

   

(To Coda)

 







    f

 

 

   

  

p

  

2 43

 51



Alto Clarinet in Eb   





p



  58





 

 

 









        

75

79

Coda

 



85

 

 

    

89





 





 











 



             p

     f 



f

 



    

   

  

1.

 







                       p f

    

p

  

      f

           f     

 

  



64

70

 



   2.

 

p

 ff



 

 cresc.  



 p 

    D.C. hasta Ø y Coda

  

   

   



 

 



The Typewriter

Bass Clarinet



 



8

    

14

 20



   26







  

32



    

 















(To Coda)

 p

  



                            p   

Ø

      

38

Arr. J. V. D. Heyde

Allegro Vivace h = 160

f

Leroy Anderson

 



 

      f

 





 



 

   

     f   

 p



                

 

  

  











 





 

 

  



  



  









 



2

Bass Clarinet 43

     p 

49





55





  









61

 





















 























         

 

 

 











    



 







 

        f   

             f     p   



   p

                p

67

         f     

1. 2.                              f   

73

79 Coda











85

 

89





    

 

 

f

 



 

    





p



 ff

 

 

cresc.

 



p



 

     

D.C. hasta Ø y Coda

   



 

 



The Typewriter

Alto Saxophone I



 

Allegro Vivace h = 160

 10

 17

 24



f

   







 



 



    



 







   



45





52



  

f

      p

75





  

p

    



1.



  





















    



p





  f



p

 





  



















       p



   

                   

64

70





Ø (To Coda)

     

f

        

 

    

     

59







Arr. J. V. D. Heyde

     

  





 

      



 

          



 



39

f

 

Leroy Anderson

 f



     

   2.

f

    





    D.C. hasta Ø y Coda

2

Alto Saxophone I 79 Coda

 

  



  





f







ff

p



  



     

     

85

90





       

p

   

 







 

p cresc.

The Typewriter

Alto Saxophone II



  f

Allegro Vivace h = 160





 



 



10

17

24



 

   





           f

 



  

 





52

     

59







        









1.

Ø



(To Coda)



 f



  



 







  





p

















p



   









          p

p

   

p

  





                

f

70



     

f

64

75



   

          



    

  







  

39

45





    





Arr. J. V. D. Heyde

       

  

  





Leroy Anderson

 f

f

    



   2.

   

   



D.C. hasta Ø y Coda



2

Alto Saxophone 79

Coda

  

  86

    

90









  



f





p



 ff

 

           

p

 

  



 





p cresc.



The Typewriter

Tenor Saxophone



  f

Allegro Vivace h = 160

 11

    

  

  19

 

  



26

   

40

 



Ø

(To Coda)



    





54

           

60

f





    



 



p



  











    

76

1.

 f



    





    

f

f

  





p

                       

72

  

               

66

p



f

 



        







    







p









       f

47

  





 

  







Arr. J. V. D. Heyde

      

   









 

Leroy Anderson

   2.

        

    



p

    D.C. hasta Ø y Coda

2

Tenor Saxophone 79

Coda

 



  





f

  

     

    

  

      

  

  

85

90

ff

p

       

p

  



 

p cresc.

   

The Typewriter

Baritone Saxophone







9



15





Arr. J. V. D. Heyde

  

Allegro Vivace h = 160

f

   

  

                   p

        

         

21 Ø (To Coda)



   27











 



f

     

41

47









    















     p













    

                 f

59

65







                     



    



   

     

         

















                p f

                   p f

     71      



       f

                    

53

       





        

Leroy Anderson

   

     p

   



2

  

75







      

 



 f

 



85

90



1.

f

79 Coda

 

Baritone Saxophone

 

  ff



f



 

 









  

 p

2.  







  

 

 

  

D.C. hasta Ø y Coda

 

 





   

 

The Typewriter

Horn in F I

   

 



Allegro Vivace h = 160



f

  

Leroy Anderson

     

 

Arr. J. V. D. Heyde

f

                      

9

       

p

                

          

15

21 Ø (To Coda)

                       



 



27

  p

34

  f

     

39

f

       



 



p

  





  

   

 

 

   

 

 

2

Horn in F I

                      

43

       

p

                

          

49

      

    

       

    

55

60

f

           

 

   

    

  

1.

f

          

       

90

f

   

f







  

ff

2.

   

  

    D.C. hasta Ø y Coda

       





p



       

79 Coda



p

f

        

  

           

p

75

85

    

   

                

65

71

    

p



 





p cresc.





 

The Typewriter

Horn in F II

   



Allegro Vivace h = 160



 

f

f

    

Leroy Anderson

   

                 

9

       

Arr. J. V. D. Heyde

           

p

                   

15

         

21 Ø(To Coda)

                            



 



27

  p

34

  f

     

39

f

       



 



p

   





  

    

 

 

   

 

 

2

Horn in F II

                 

43

          

p

                   

49

         

55

     

         

60

      f

     

65

    



 

  

1.

       

     

75

f

79 Coda

            





      

90



    

   

              p f

                         p f

71

85

    



   2.

       

f





  

ff

   

    

       p

   





D.C. hasta Ø y Coda

         

p



 





p cresc.





 

Horn in F III

The Typewriter



Allegro Vivace h = 160

 

  f

   

             

16

    















 



 

 

 







35

 



p

39

     f

  



  





   

 



     



 



 



Ø(To Coda)

   

                       

     p

       

22

28

Arr. J. V. D. Heyde

      

  

10

Leroy Anderson

   



p

   f 

 



2

Horn in F III 43

                   p

49

          

55

     

f

     

65

    





 

        

  

    f  

79 Coda

          



      

90



1.

75

85



 









                   p f

    

2.



         

f





  

ff



    

    

                   f    p

71

  

     

     

     



                      

     

60



    





  





  p   

D.C. hasta Ø y Coda

       

p



 





p cresc.





 

The Typewriter

Trumpet 1

    

         

   

Allegro Vivace h = 160 mute

f



7





    

    

 

       

35

p

   

41

Open

f



70



79



Coda



 





   

Cup mute









    





1.

      f



f

 



            Open

f



 f

  

  

      f





   2.



            





  

         

Str. mute

      

88



  

      

64

  

Arr. J. V. D. Heyde

p

  

29



(To Coda)

Ø

Leroy Anderson

    

 ff

 



D.C. hasta Ø y Coda

         p

   

cresc.



The Typewriter

Trumpet 2

      

Allegro Vivace h = 160

f



       

7

  

      



p

     

Open

       

64

f



70

 





   

   



        

 

         f

        f

Open

   



f



   

 f

    f





   2.



Str. mute

      

88

   



1.

    

Cup mute

      

         

35

41



(To Coda)

Ø

Arr. J. V. D. Heyde

p

  

29

79 Coda

              

   

mute

Leroy Anderson

               

    

 ff

 



   D.C. hasta Ø y Coda

            p cresc.    



The Typewriter

Trumpet 3

Allegro Vivace h = 160

        f

7

  

      

     

Open

64





88





1.



         f

   2.

f

  

   f 

Str. mute

      

               

    

  

ff

  

         f





      f



Open



  

    p

   



  

       f

70



Arr. J. V. D. Heyde

Cup mute

      

           p

41



(To Coda)

Ø

   

  

35





     

29

79 Coda

              

   

mute

Leroy Anderson

   



   D.C. hasta Ø y Coda

          p cresc.     



Trombone 1

 

The Typewriter

Allegro Vivace h = 160

  



(Hrns.)

f

      

14

  

20

 

26

Play

 

32

 

38

 



44

 

 





      

61













 



 

f



f



 

  

 

  

   

 





  

f







 





 

 







 



   

p

 

 

  

 

 

   

 

  

 

 



  







  







   

 

Open





 



 



  





 

Hrn. 2







p

  

           

 

    f

 



 

Arr. J. V. D. Heyde





    

     

      





p

50

56





 



Cup mute

  



 

 

p

 

Play.







Ø (To Coda) 

 

 





Hrn. 2

8

 

 

(Brts)

Leroy Anderson

   

 



   

Open

 



Play







 

f



 

2 68

   

79 Coda

 

87

  

      f

 





 

Str. mute



      

Trombone 1

  

open

f



  ff

1.



f



 

  

  

2.



 

   



D.C. hasta Ø y Coda

 

open



   

The Typewriter

Trombone 2

 



Allegro Vivace h = 160

  

(Hrns.)

 

f

8

      



 

Play.



(Brts)

Ø

p

26

 

Play

32

 

38

 

 

44

 





p





        





       

61













   





     



   

  











f

 

p

      

     

    

  

 

Open















 

  





 

 

  

Hrn. 3

p

                 

                

 

            



f







  

     

50

56







   



  





Cup mute

 



(To Coda)



 

             



                    

  

Arr. J. V. D. Heyde

Hrn. 3

14

20

Leroy Anderson







Open      Play        

   f



f

 



 

2

Trombone 2



             

68

f

79 Coda

 

87

  







Str. mute



  

open

f



  ff



    2.    

1.

f



 

  

  

   



D.C. hasta Ø y Coda

 

open



   

The Typewriter

Trombone 3

 

Allegro Vivace h = 160

  



(Hrns.)

 



       

     



36

 



f



70

  

87

 



 



 





       

  



 

64

79 Coda



Ø(To Coda)

  

   

 

f



   

Str. mute



f



      f





 ff

  2.

     







       

p

   

D.C. hasta Ø y Coda

      

   

  Open   

    

      

f

open

f

Open

   

   

f









       

Play

1.



   

 

  

Cup mute

p

    

30

42

 

f

8

Arr. J. V. D. Heyde

Play.



(Brts)

Leroy Anderson

  

open   

    

Euphonium

The Typewriter



 

Allegro Vivace h = 160

  

 



f

9

    



  

p

  







  

 

  

32

           f

46

       



53

 

f

     

65

71

 





    

 Ø(To Coda)

p

f

p

 

     











 

  







 

  

 



p

  









    





              p

                        p

  

  



 







  

      







    

  

     

60



  







39

 

  



    

24

 

Arr. J. V. D. Heyde

f



17

  

Leroy Anderson

   

f

    



f

      p

  



2

75         

79 Coda



  

        





Euphonium

f

  







 

ff

 

   2.

  



f

   

85

90

  1.     

     

 



D.C. hasta Ø y Coda

        

  











   



Tuba

The Typewriter



  

Arr. J. V. D. Heyde

  f 

Allegro Vivace h = 160



9

   

  

                    p

15

 

21

      

Ø (To Coda)

 



27

 

 p

33

 











40

 

   p

      

58

 

62

 

 



 

 







 



  













         





















 



 



 

   

f



 







           

       f

       

 



 



 



       

               p

                

 











 



  



      

46

52





Leroy Anderson













 

     f

   









  

 







  

 

2

Tuba 67

   

75

  

 

f

1.









           



f

79 Coda

85

f





 



                  









 

2.





 

D.C. hasta Ø y Coda

 

 

ff

 

 







 

 

Bell



Allegro Vivace h = 160





21Ø (To Coda)

 41

54

 

70

 79 Coda

Bell.

f



 

   

f



1.







ff

 







 





 2.

Arr. J. V. D. Heyde





 

 















Leroy Anderson









 



















 





The Typewriter





 

D.C. hasta Ø y Coda



Typerwrite

The Typewriter 

Leroy Anderson Arr. J. V. D. Heyde

        

Allegro Vivace h = 160



Carriage return

(Keys)

f

         

13

                             

17

21 Ø

(To Coda)

    

25

  

     

   



     

  

30

35

        

38

  

  



   

f



 



   



  



  ff

f

       

  



2

Typerwrite

         

43

f

                            

47

        

51

55

    

59

   

    f

      

75

 



            

p

f

               

65

71

   

p

f

  

   



 1.



  

   



 





f

2.



p

   



D.C. hasta Ø y Coda

               

79 Coda

ff

84

     

    

f

              p

cresc.

88

       ff



Guiro (ad lib.)

Allegro Vivace h = 160





The Typewriter





21Ø (To Coda)

 33

 

50

 



 



  



  

66

79Coda





f





 







  







 



1.

 



 



  





p



  



 

ad lib. Carriage return

 



 

Arr. J. V. D. Heyde





  





 



f



   

 2.

Leroy Anderson

p

  

D.C. hasta Ø y Coda

