FUNDAMENTALS OF VIOLONCELLO TECHNIQUE D otzauer G r a n t A NEW NE W METHOD for the the VIOLONCELLO VIOLONCELLO BASED BASE D on the CELEBRATED SCHOOLS SCHOOLS of
R o mb e r g L e e & K ummer
VOLUME 2 POSITIONS II T H R O U G H V II 10300102
L u d w
i g
71lastcrs
$13.95
r PUBLICATIONS
6403 West Rogers Circle • Boca Raton, Florida 33487
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FUNDAMENTALS OF VIOLONCELLO TECHNIQUE by FRANCIS GRANT
Including Pedagogical Literature of
D O TZ A U E R , R OM B E R G , L E E & K U M M E R
-PREFACE“Fundamentals of Violoncello Technique” has been designed to provide a modern and practical prac tical approach to the th e art ar t of o f ‘cello playing. Althoug Alth oughh it contain con tainss a genero ge nerous us amount amou nt of original material, material, it draws heavily upon the incomparable pedagogical literature o f a number of master teachers from the nineteenth century. J. J. F. Dotzauer (1783-1860), (1783-18 60), Bernhard Romberg (1797-11879), Sebastian Lee (1805-1887), and Friedrich Kummer (1797-1879) were, among the most successful of the virtuoso players who, at the height of their perform per forming ing careers, career s, devo devoted ted a large larg e part par t of their thei r energi ene rgies es to teaching teachi ng and the writing writ ing of studies for their instrument. With only minor editorial changes, the celebrated “schools” of these writers have constituted the major part of beginning instructional material for the ‘cello up to the present day.. “Fundamentals of Violoncello Technique” is day is essentially a compilation of the best and most effective excerpts from a number of such works. Arranged in progressive progressiv e sequence, it eliminates superfluous material, emphasizes the need for physical development of the hands and, perhaps most important of all, moves toward the goal of preparing the student for modem technical demands. With these objectives in mind, I have attempted to create a modem method for the ‘cello using the most valuable material of proven worth, organized within a context that is consistent with contemporary ideas and practices. practices. —Francis —Franc is Grant Gran t
BK-16 © Copyright 1988 by Ludwig Music Publishing Co., Inc., Cleveland, Ohio 44110-1999. Internat International ional Copyright Se cured. ALL R IGHTS R ES ER VE D including public performances for profit profit..
An A n y copyi c opying ng , arran ar rangigi ng or adapti adap ting ng of thi s work wor k without the o wner' wne r'ss cons co ns ent en t is an infr in fr inge in gement ment of the copyrig copyr ig ht.
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W.B. n l l l p
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139
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44 Andante W.B. n
" Z C H NI C A L
45
SUPPLEMENT
”je following finger drills should be played on all strings.
n “ 37
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46
47 MAJOR AND MELODIC MINOR SCALES IN TWO OCTAVES C M AJOR
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A MAJOR
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