This lick has more of a raw sound than the others, with a range of bends in measure 1 and a hint of Billy Gibbons in measure 4. This lick is also a great example of how you can use tonal colour to make your solos more interesting... experiment with staccato (clipped) and legato (smooth) (smooth) sounds, accurate and sloppy sounds, fast and slow notes, etc.
LICK 14
As recorded by jamtrackcentral.com (From the 2015 Album 20 MELODIC ROCK BALLAD LICKS)
bVVP b V b V V V g V g V V V V V V V V V V g 4 V V V I g 4 V VVVV M M M M O O b b R g g g l g V f V P I V V V V V V V V V V V V V fV V V P fVV VV VV l V V V = 70
F m7
G m7
Cm
1
3
Full
1/2
9 12
T
Full
11 (11) (11)
A
9
Full
9
11
12
let ring
11 (11) (11)
9
12
(12)
(12)
1
4
B
P
P
F m7
2
sl. sl.
G m7
4
1
2
4
H
9
8
5
4
sl.
Am11
3
T A
6
B
9
7
6
7
P
g g g I g V
5
6
9
7
6
P
7 H
6
9
P
7
7
4
7
sl.
k fV V V f V fV V PR V V V 3
5 5
5 5
7 7 sl.
B
7
5
sl.
4 sl. H
E
3
W
T A
5 5
4
7
5
3
3
2 H
2 P
5
8
7
sl.
JamTrackCentral Ltd 2015 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org
