LET-Review I. ART APPRECIATION 1. An art that looks looks as if it contains little or no recognizable or realistic forms forms from the physical physical world. oc!s oc!s is on formal elements s!ch as colors" lines" or shapes. A. balance #.contrast $. composition %. abstract 2.
It is a fast-drying water-based &plastic& paint val!ed for its versatility and cleans !p with soap and water. A. elastic paint #. enamel paint paint $. acrylic paint paint %. achromatic paint paint
3.
It refers to viewing a s!b'ect from above" looking downward. Also called &birds-eye view&. A. aerial view view #. aerial perspective perspective $. color view %. general perspective
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The completed work of an artist which is the e(pression of creativity or imagination" or both that portrays a mood" feeling or tells a story) works of art collectively. A. art #. art compilation compilation $. portfolio portfolio %. o!tp!t
5. A practitioner in the arts generally generally recognized as a professional professional by critics critics and peers. A. artist #. art no!vea! $. art critic critic %. interior designer designer 6. A feeling of e*!ality e*!ality in weight" attention" attention" or attraction attraction of the vario!s elements within within a composition composition as a means of accomplishing !nity A. e*!ilibri!m #. balance $. proportion %. !nity 7. It is introd!ced by the $!bists" the techni*!e of creating a work of art by adhering flat articles s!ch as paper" fabrics" string or other materials to a flat s!rface s!ch as a canvas whereby a three-dimensional res!lt is achieved. A. assemblage #. macrami $. collage %. mosaic 8. A vis!al attrib!te of things that res!lts from the light they emit or transmit or reflect) the vis!al response to the the wavelengths of light. A. color wheel wheel #. color scheme scheme $. prism %. color 9. A ro!nd diagram that shows shows the placement of colors in relationship relationship to each other. other. ItIt is from the color wheel that +color schemes, are defined. A. color permanence permanence #. color separation separation $. color distinction distinction %. color wheel 10. These are two colors directly opposite one another on the color wheel. A. complementary complementary colors #. primary colors colors $. secondary colors %. tertiary colors 11. It is the difference between elements or the opposition to vario!s elements. A. contrast #. complementary complementary $. symmetrical symmetrical %. asymmetrical 12. These are colors whose relative vis!al temperat!res make them seem cool. enerally incl!des green" bl!e-green" bl!e" bl!e-violet" and violet. A. warm colors colors #. strong colors colors $. vivid colors colors %. cool colors 13. The c!tting o!t of e(traneo!s parts of an image" !s!ally a photograph) e(cl!ding part of a photo or ill!stration to show only the portion desired or to fit a given space re*!irement. A. c!tting #. cropping $. imaging %. formatting 14. An art that !ses !ses two-dimensional geometric shapes to depict three-dimensional three-dimensional organic forms) forms) a style of painting created by ablo icasso and eorges #ra*!e in the early /0th cent!ry whereby the artist breaks down the nat!ral forms of the s!b'ects into geometric shapes and creates a new kind of pictorial space1 A. c!bism #. realism $. decorative decorative arts %. e(pressionism 15. The act of representing an image on a s!rface by means of a dding lines and shades" as with a pencil" crayon" pen" chalk" pastels" etc. Also refers to an ill!stration that has been drawn by hand. A. painting #. coloring $. etching %. drawing
16. A medi!m created by mi(ing mi(ing p!re" gro!nd pigments pigments with egg egg yolk. This was a very common common medi!m before the invention of oil paints. A. egg sol!tion #.egg yolk $. shell mosaic mosaic %. egg tempera 17. ost-2orld 2ar I artistic artistic movement" of erman origin" that emphasized the e(pression of inner e(perience rather than solely realistic portrayal" seeking to depict not ob'ective reality b!t the s!b'ective emotions and responses that ob'ects and events aro!se in the artist. A. realism #. impressionism impressionism $. e(pressionism e(pressionism %. nat!ralism
18. Art created for p!rely aesthetic e(pression" comm!nication" or contemplation. ainting and sc!lpt!re are the best known of this. A. ine art #. fig!rative art $. fi(ative art %. comm!nication art 19. Art of people who have had no formal" academic training" b!t whose works are part of an established tradition of style and craftsmanship. A. primitive art #. folk art $. legendary art %. tribal art 20. A room or series of rooms where works of art are e(hibited. A. gallery #. show room $.m!se!m
%. art room
21. A type of painting representing scenes of everyday life for its own sake" pop!lar from the 34th cent!ry to the 35th cent!ry A. fresco #. genre $. m!ral %. canvas 22. The !nity of all the vis!al elements of a composition achieved by the repetition of the same characteristics or those which are similar in nat!re A. balance #. contrast $. harmony %. symmetry 23. In a painting" a level line where land or water ends and the sky begins. 6anishing points" where two parallel lines appear to converge" are typically located on this line. A horizon line is !sed to attain the perspective of depth. A. vertical line #. horizon line $. front line %. horizontal line 24. The name of the color" s!ch as red" green or yellow. It can be meas!red as a location on a color wheel" and e(pressed in degrees) the main attrib!te of a color which disting!ishes it from other colors A. cool color #. harmony $. h!e %. warm color 25. A loose spontaneo!s style of painting that originated in rance abo!t 3740. This style of painting is characterized chiefly by concentration on the general impression prod!ced by a scene or ob'ect and the !se of !nmi(ed primary colors and small strokes to sim!late act!al reflected light. A. impressionism #. e(pressionism $. nat!ralism %. realism 26. It refers to an oven in which pottery or ceramic ware is fired. A. b!rner #. kiln $. cave
%. pithole
27. A painting" drawing or photograph which depicts o!tdoor scenery. They typically incl!de trees" streams" b!ildings" crops" mo!ntains" wildlife" rivers and forests A. landscape #. seascape $. r!ral scenes %. panoramic 28. A style of art that developed in the si(teenth cent!ry as a reaction to the classical rationality and balanced harmony of the 8igh Renaissance) characterized by the dramatic !se of space and light" e(aggerated color" elongation of fig!res" and distortions of perspective" scale" and proportion. A. minimalism #. pointillism $. mannerism %. fa!vism 29. The art or process of prod!cing certain patterns of a veined or mottled appearance in imitation of marble by means of colors so prepared as to float on a m!cilagino!s li*!id which possesses antagonistic properties to the colors prepared for the p!rpose. A. marbling #. color blending $. color mi(ing %. origami 30. A work done with e(traordinary skill" especially a work of art" craft or intellect that is an e(ceptionally great achievement. A. best work #. masterpiece $. best shot %. e(pertise 31. A movement and style of art from the /0th cent!ry which attempts to red!ce art to the basic geometric shapes with the fewest colors" lines" and te(t!res. It does not seek to be representational of any ob'ect. A. dadaism #. abstractionism $. pointillism %. minimalism 32. A painting done in a range of tones of a single color. A. monogram #. monochrome $. painting on canvass %. man!script 33. An art medi!m in which small pieces of colored glass" stone" or ceramic tile called tessera are embedded in a backgro!nd material s!ch as plaster or mortar. A. collage #. montage $. macrami %. mosaic 34. A rench term which refers to9 the s!b'ect matter or content of a work of art) also refers to a vis!al element !sed in a work of art. A. color scheme #.color choice $. motif %.vis!al impact 35. A large wall painting" often e(ec!ted in fresco. A. drawing on canvas #. rock painting $. cave painting %.painting 36. $olors of very low sat!ration" approaching grays. A color which in color theory is neither warm no r cool. These are said to res!lt from the combination of two complementary colors :e.g." red and green" bl!e and orange" and yellow and p!rple;. A. strong color #. ne!tral color $. earth color %. coal color
37. The art of pict!ring ob'ects on a flat s!rface so as to give the appearance of distance or depth. A. color ill!sion #. line of pro'ection $. perspective %. angle of pro'ection 38. A style of art which seeks its inspiration from commercial art and items of mass c!lt!re s!ch as comic strips" pop!lar foods and brand name packaging. A. modern art #. commercial art $. entreprene!rial art %. pop art
39. Red" yellow" and bl!e. 2ith these three colors :and black and white; all other colors can be made. A. secondary color #. tertiary color $. intermediate color %. primary colors 40. A sense of appropriateness in the size relationship of different parts of a work. A. proportion #. formal balance $. vis!al impact %. level of appropriateness 41. A style of painting which depicts s!b'ect matter :form" color" space; as it appears in act!ality or ordinary vis!al e(perience witho!t distortion or stylization. A. pointillism #. minimalism $. realism %. impressionism 42. A contin!ance" a flow" or a feeling of movement achieved by the repetition or reg!lated vis!al !nits. A. line #. rhythm $. cascade %. pattern 43. reen" p!rple" and orange. These three colors are derived from mi(ing e*!al amo!nts of two of the three primary colors. A. secondary colors #. primary colors $. intermediate colors %. tertiary colors 44. A portrait an artist makes !sing himself or herself as its s!b'ect" typically drawn or painted from a reflection in a mirror. A. portrait!re #. self pro'ection $. self portrait %. confession 45. A color prod!ced by adding black to a pigment. A. $olor tone #. tint $. mi(t!re %. shade 46. lass that has been colored or stained thro!gh different processes. This term is also !sed to refer to the art of c!tting colored glass into different shapes and 'oining them together with lead strips to create a pictorial window design. A. broken glass #. stained glass $. smokey glass %. crystals 47. A painting or other two-dimensional work of art representing inanimate ob'ects s!ch as bottles" fr!it" and flowers. Also" the arrangement of these ob'ects from which a drawing" painting" or other art work is made. A. fr!it arrangement #. still life $. flower arrangement %. composition 48. An art style developed in E!rope in the 35/0
55. A tool !sed to look thro!gh to compose an image. This tool is helpf!l in selecting the most interesting composition to be fo!nd in a larger image by cropping o!t !nwanted perimeters. A. foc!s lens #. flash $. perspective %. view finder 56. A painting of or incl!ding a body of water. It might otherwise be called a marine pict!re" a seascape" or a riverscape" etc. A. waterscape #. landscape $. dreamscape %. cityscape 57. 6an ogh=s painting which opened o!r eyes to the intensity of e(pressive color. 8e !sed color to e(press his feelings abo!t a s!b'ect" rather than to simply describe it. In a letter to his brother Theo he e(plained" ‘Instead of trying to reproduce eactly !"at I see #efore my eyes$ I use color more ar#itrarily to epress myself forci#ly.% A. daisy #. red roses $. carnation %. s!nflowers 58. >!nich=s famo!s painting which provides !s with a psychological bl!eprint for E(pressionist art9 distorted shapes and e(aggerated colors that amplify a sense of an(iety and alienation A. thriller #. the scream $. sho!t %. the e(orcist 59. Are those creations we can look at" s!ch as a drawing or a painting" sc!lpt!re" architect!re" photography" film and printmaking A. fine arts #. performing arts $. vis!al arts %. a!ditory arts 60. Refers to line" shape" form" space" te(t!re" val!e and color . Artist can
62. @ational Artists of the hilippines in 3550 in painting. An ill!strator and artistic director" an infl!ential painter who refined hilippine c!bism. 8is social realist works depicting the s!fferings of !rban beggars and laborers were presented in a distinctive e(pressionistic style that made !se of geometric fragmentation to create a powerf!lly dist!rbing mood. A. Bose Boya #. $esar Legaspi $. ernando Amorsolo %. #en $abrera 63. The hilippine c!bist painter known for pop!larizing $!bism. In 3573" he was posth!mo!sly recognized as one of the @ational Artists of the hilippines in 6is!al Arts. A. 6icente >anansala #. $esar Legaspi #. $. ernando Amorsolo %. #en $abrera 64. A ilipino artist given the distinction as one of the @ational Artists of the hilippines for Cc!lpt!re. 8e is also entitled as the &ather of >odern hilippine Cc!lpt!re&. The first and only #oholano given the distinction as @ational Artist of the hilippines in the field of 6is!al Arts. A. 6icente >anansala #. $esar Legaspi $. ernando Amorsolo %. @apoleon Ab!eva 65. 8e was named a @ational Artist in 354D. 8is artistic ability s!rfaced d!ring his early years that by seventh grade" his teachers were so impressed with him that he was d!bbed +apprentice teacher, in his art class. A. 6icente >anansala #. 6ictorio Edades $. ernando Amorsolo %. @apoleon Ab!eva 66. ne of the greatest ilipino vis!al artists and m!ralists. 8e was posth!mo!sly recognized as a hilippine @ational Artist by the government in 354?. 8e was affectionately called &#otong& by his family and friend. 8e is known for his masterf!l landmark m!rals that were specially commissioned by >alacaFang alace" >anila $ity 8all" hilippine eneral 8ospital" and ort Cantiago. A. $arlos rancisco #. 6ictorio Edades $. ernando Amorsolo %. @apoleon Ab!eva 67. Is the &ather of hilippine Arts&" a prod!ct of the Revival period in hilippine art. 8is works9 blation- the symbol of freedom at the camp!s) his masterpiece" #onifacio >on!ment in $aloocan G the symbol of the ilipinos< cry for freedom) his designed for the Ramon >agsaysay Award the gold and bronze medals and the seal of the Rep!blic of the hilippines that he made" named him &@ational Artist for Cc!lpt!re& in 354?. A. $arlos rancisco #. 6ictorio Edades $. ernando Amorsolo %. !illermo Tolentino
68. Is one of the most celebrated artists of the hilippines" the first to be designated a @ational Artist. 8e was a painter of portraits" genre art and landscapes with a nationalistic sensibility. 8e is partic!larly noted for his br!shwork and his skill in depicting light. A. $arlos rancisco #. 6ictorio Edades $. ernando Amorsolo %. !illermo Tolentino 69. A leading ilipino painter and a @ational Artist for 6is!al Arts. 8e first attained prominence in the hilippine arts scene in the 35D0s with a distinct style that f!sed infl!ences from c!bism" s!rrealism and e(pressionism. 8e favored s!ch s!b'ects as fighting cocks" rabid dogs" and people enrapt!red by rage or bo!nd in chains. A. $arlos rancisco #. Ang Hi!kok $. ernando Amorsolo %. !illermo Tolentino 70. A versatile artist" painter and sc!lptor. E*!ipped with different skills" he worked not only with paintings" b!t also sc!lpt!res" drawings" graphic designs and prints. 8e created masks o!t of hardwood" abstract and fig!rative paintings !sing oil and watercolor" and mi(ed media !sing metal and vario!s ob'ects. 8onored as a @ational Artist in ainting in 3555. A. $arlos rancisco #. Ang Hi!kok $. ernando Amorsolo %. Beremias @avarro 71. Is best known for his linear art and his painting series on street m!sicians" vendors" cyclists and carnival performers" also for his sc!lpt!res !sing wood" concrete and metal. In 3554 he was named one of the @ational Artists of the hilippines. A. Art!ro Rogerio L!z #. Ang Hi!kok $. ernando Amorsolo %. Beremias @avarro
72. Recognized as one of the @ational Artists of the hilippines in 6is!al Arts in 3553. 8e is known for his abstract works. 8is career in the vis!al arts began in the 350=s. 8e started e(hibiting works both in the hilippines and in other co!ntries" incl!ding in 2ashington" @ew Jork" Cao aolo" and Tokyo. A. Art!ro Rogerio L!z #. Ang Hi!kok $. 8ernando R!iz campo %. Beremias @avarro 73. It is commonly defined as a characteristic present in ob'ects" s!ch as nat!re" art work" and a h!man person" that provides a percept!al e(perience of pleas!re" 'oy" and satisfaction to the observer" thro!gh sensory manifestations s!ch as shape" color" and personality. A. design #. bea!ty $. nat!re %. composition 74. KKKKKKKKKKKKKis commonly known as the st!dy of sensory or sensori-emotional val!es sometimes called '!dgments of sentiment and taste. >ore broadly" scholars in the field define this as &critical reflection on art" c!lt!re and nat!re. It e(amines o!r affective domain response to an ob'ect or phenomenon. A. !tilitarian art #. bea!ty $. aesthetic %. design
75. These are !sed to create style and appeal. s!ally it !ses two colors that look appealing together. A. $olor harmony #. color composition $. color contrast %. color scheme 76. A presentation of essential things in drawing or any art activity witho!t ob'ects or pict!res done p!rposely. A. abstract design #. abstract harmony $. abstract collage %. >inimalism 77. Anything made by man which is appreciated or liked by another beca!se he sees or feels bea!ty in it. A. m!sic #. knowledge $. theater %. art 78. A pleasing arrangement of lines" colors" shapes" te(t!res or ob'ects formed into a pict!re. A. art creation #. art composition $. art arrangement %. portrait 79. A fig!re or a form made from c!tting or tearing. A. collage #. mosaic $. c!t-o!t
%. origami
80. A design made !p of lines" shapes or colors witho!t representing any symbol or s!b'ect) merely done for a pleasing arrangement of lines and or shapes and the bea!ty of colors and or color combinations. A. ob'ective design #. non-ob'ective design $. all of the above %. none of the above
