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Sostenuto: A Variation on the "Remington" Long Tones Play with with a centered, centered, resonant tone. Use a tuner, but don't stare at it. it. Listen first, evaluating your pitch with your ear; then look at the tuner to verify what you are hearing. Even long tones tones should should have musical musical direction. direction. Use a slight crescendo to prevent prevent the the notes notes from from becoming becoming stagnant. = 50 - 60
? 43 b ˙ .
Mid-range
quick gliss.
œ
(
Œ
bœ
simile
œ Œ bœ
˙.
(
)
simile
)
subtle
œ Œ bœ
b˙ .
optional repeat
? ˙.
bœ
œ Œ
b˙ .
bœ
œ Œ
1x: 6th (2x: 1st)
.. ˙ .
œ Œ bœ
Lip slur
1x: 7th (2x: 2nd)
? ˙.
b œ œ Œ .. b ˙ .
œ Œ
bœ
˙.
œ Œ
bœ
optional repeat
1x: 6th (2x: trigger 1st)
bœ . œ Œ . ˙.
? b˙ .
œ Œ
quick gliss.
Low-range
? œ Œ bœ
bœ
1x: 7th (2x: trigger flat 2nd)
bœ . . b˙ . œ Œ
˙.
simile
œ Œ bœ
˙.
œ Œ bœ
b˙ .
˙. 7
?
Œ bœ œ
b˙ .
Œ bœ œ
lip slur b 3
?
#5
V
Œ bœ œ
b˙ .
Œ bœ œ
V
V
œ
Œ bœ
˙.
6
˙. b7
œ
Œ bœ
˙. V
V
b7
?
˙.
Œ bœ œ œ
Œ bœ
b˙ .
(Lip down)
˙.
œ
Œ bœ
b˙ .
(Continued next page)
lightly tongue
High-range (up to 6th partial)
?Œ Œ ?
?
œ
Œ
bœ
n˙.
n˙ .
bœ
œ
b1
œ
Œ
˙.
bœ
œ
?Œ
Œ
n˙ .
˙.
bœ
?
Œ ? Œ Œ bœ
n˙ .
bœ
simile
Œ Œ b˙ .
bœ
#˙ .
bœ
b˙ .
œ Œ
bœ
bœ b˙ .
b˙ .
Œ
œ 3
Œ
b3
(9th partial)
Œ
#3
œ 1
œ
Œ
b˙ .
bœ
(slow gliss)
4
Œ
œ
b˙ . Œ
Œ bœ
(8th partial)
b˙ .
œ
œ
œ
(slow gliss)
˙.
bœ
˙.
2
bœ
#4
#2
?Œ
Œ
Œ
˙.
bœ
Œ bœ
(7th partial)
?
œ
œ
bœ
b˙ .
bœ
b˙ . œ Œ
bœ
(slow gliss)
Œ bœ b˙ .
œ Œ
bœ b˙ .
Continue this pattern pattern as high as you wish. wish. Be sure to play low notes after hitting the top of each partial. Always start each new new partial with the same pitch in an alternate position.