DADDY YANKEE
DADDY
YANKEE
PROMOTER SHALL PROVIDE THE FOLLOWING:
DADDY YANKEE
01. PROMOTER REPRESENTATIVE An experienced experienced representa representative tive of the the Promoter, Promoter, to be available available on on site from from the beginning beginning of load in until load out is completed. Promoter Representative shall have decision-making authority, especially in matters pertaining to show costs and labor. Promoter Representative's contact information (including mobile and email) shall be provided to the Production Manager (hereinafter referred to as "the PM") 21 days before the event. (1.A) CELLULAR PHONE One requires 5 cellular telephones with international calls from the arrival to the country and the same are given when coming out of the country. 02. PERMITS AND RESTRICTIONS All permits necessary necessary to carry carry on the production production of the event event must must be in order order prior to show day. The PM shall have access to copies of all such permits. Promoter shall advise the PM in writing of any legal, local or facility codes, ordinances, restrictions or limitations which could prevent or delay any of the Artist's production requirements from being properly carried out. 03. GROUND TRANSPORTATION When applicable: 01 Luxury SUV with room for 6 Passengers, 24 hr/day, for exclusive use of the Artist during stay. 02 Luxury 15 Pax Van, to be used by Dancers and Artist's Staff during stay, as needed. 01 Luxury Mini-Van, to be used by the PM during stay, as needed. 01 Luxury 15 Pax Van, to be used by Artist's Crew during stay, as needed. 01 24' Luggage/Cargo Truck, with driver and assistant, to handle luggage transfers, as needed. Drivers must be responsible, mature adults with valid driving permits. Drivers must be experienced and have full working knowledge of the local area, including location of convenience stores, pharmacies, restaurants and hardware stores. 04. LOCAL STAFF 01 Dressing Room/Catering Coordinator-Attendant, day of show. Report to the PM at the beginning of load in or at other previously arranged time. 01 Runner/PA w/own car, day of show. Report to the PM at the beginning of load in, to remain on call thru end of load out or other previously arranged time.
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05. VENUE ACCESS Production must have full access to venue from 7:00AM on day of show thru end of load out. This shall include access to all venue facilities relevant to the production, specifically access to the production office, catering room, the stage and venue power sources. 06. POWER All power must be 120/208v 3-phase, five wire (3 hots, ground, neutral), or, if the corresponding local power is different, appropriate provisions must be made for transformers to supply power for touring gear. This will be advanced by the PM. Separate services must be provided for sound/DJ rig, lighting/video, props, rigging and pyro. The stage must be grounded by the house electrician prior to the start of load in. In the event that power is provided by generators different specs will be supplied 14 days before the event. Sound/DJ200Amps 3 Phase, at USL Lighting/Video2 x 400Amps 3 Phase, at USR Helicopter (at FOH) 220VAC @ 100Amps w/Camlocks, + 30Amps 110v at FOH Applicable only where helicopter prop is being used. 07. STAGE A working stage area 60' wide x 40' deep + 60" high is required to properly carry out the Artist's production requirements. Temporary stages (i.e., arenas) need stairs w/handrails USC and both at SR + SL. The stage must be level, preferably with a black surface, and free of any irregularities. 08. WINGS Wherever possible, temporary stages (i.e., arenas) will require a working area 4' wide x 24' deep + 60" high USR + USL, with stair access from the floor. 09. SET/SCENIC Production travels with set consisting of various scenic elements and props relevant to the tour 10. BARRICADE Stage must be protected by a free-standing Barricade running a minimum of 80' side to side, spaced 10' at center. Bicycle rack Barricade may be used to complete the sides
DADDY YANKEE
(depending on width of audience area). Absolutely no bike rack may be used in front of the stage. Blow-thru Barricade must be used in front of any area with speakers. Bicycle rack Barricade must also be placed around FOH/Mix position to secure personnel and equipment involved in the running of the show. 11. FOH Sound12' wide x 8' deep + 12" high Lighting12' wide x 8' deep + 24" high (behind Sound) Video8' wide x 8' deep + 24" high (behind Lighting) FOH/Mix position must be located 100'-120' from DS edge positioned splitting center line. Cable ramps (Yellow Jackets) or cable through must run from Stage to FOH Position. 12. RIGGING See Rigging Plot (separate) 13. LIGHTING. Promoter/Venue shall provide 3 FOH 2.5K spots in good working order. See Spot Call in ITEM 18. House lights must be controlled by the LD at FOH. This includes concessions, advertising, etc. 14. SOUND Monitor mix position is DSL; in arenas it is on the floor, not on the stage. SPEAKER SYSTEM A High Quality Professional 4 Way Sound System With Enough Power To Provide Sufficient (SPL) Audio Reproduction For A High Level, Professional Concert Event. System Must Be Able To Produce A Minimum of 120- 130 DB Clear, Undistorted Sound of Level, Coverage of Floor (Including Front Fill), Middle and Upper Balconies and Sides When Seating is 180-270, System Large Enough to Properly Cover Entire Venue. VERTICAL LINE ARRAYS ONLY : X-Line Electro Voice, Adamsom Y-18 T-21 Subs, Meyer Sound MILO, Meyer Sound
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Sub 700-HP, GALILEO Management System F.O.H. CONSOLE A YAMAHA PM 5D RH IS REQUIRED FOR THE F.O.H. AUDIO ENGINEER MUST BE PLACE CENTERED IN FRONT OF STAGE AT 80 TO 100 FEET
F.O.H. OUTBOARD GEAR (1) REAL TIME ANALYZER WITH CALIBRATED MICROPHONE OR “SMART SYSTEM” ON A LAPTOP COMPUTER (2) EQ’s 31 BANDS 1/3 OCT (1) CD PLAYER UPPER BOWL P.A. ADDITIONAL COVERAGE (P.A.) WILL BE REQUIRED IF ANY VENUE HAS MULTIPLE LEVELS. THE UPPER BOWL SEATING LEVEL, THE SPEAKER SYSTEM CONFIGURATION CAN NOT PROVIDE ADEQUATE AUDIO THROW THOSE PARTICULAR UPPER BOWL SECTIONS. P.A. SYSTEM MUST BE PROVIDE TO COVER THOSE SECTIONS. *ABSOLUTELY NO EXCEPTIONS!!!!!! ¬ MONITOR CONSOLE A YAMAHA PM 5D RH IS REQUIRED FOR THE MONITOR AUDIO ENGINEER *ABSOLUTELY NO EXCEPTIONS!!!!!! ¬
MONITOR OUTBOARD GEAR (1) 3- WAY INTERCOM SYSTEM (FOH/MON/STAGE) (3) IN-EAR WIRED SYSTEM SHURE (7) IN-EAR WIRELESS SYSTEM SENNHEISER 300 G2 (20) AA DURACELL BATTERIES
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(4) 9V DURACELL BATTERIES (2) SHURE UHF-R WIRELESS SYSTEM WITH KSM9 CAPSULE (4) STRAIGHT MIC STAND (2) GAFFER TAPE 1 WHITE, 1 BLACK
FLOOR MONITORS
(4) FLOOR MONITOR WEDGES - MEYER SOUND UM-1P OR EAW OR CLAIR BROTHERS. ETC. (4) SIDE FILL – 2 PER SIDE MSL-4 + 650-P, EAW KF850 + SB850 (2 SYSTEM P/SIDE) 3 SUB P/SIDE
CABLES & MIC STANDS ALL NECESSARY AND REQUIRED (XLR) AND UNBALANCE CABLES, MICROPHONE AND D.I. BOXES MUST BE PROVIDED FOR THE SOUND SYSTEM. 1 SNAKE WITH 56 CHANNELS AND 12 RETURNS FROM THE MONITOR CONSOLE TO THE F.O.H. CONSOLE MUST BE PROVIDED. ALL NECESARRY AND REQUIRED SUBSNAKES MUST BE PROVIDED. ALL NECESSARY AND REQUIRED ASSORTED MIC STANDS MUST BE PROVIDED. POWER REQUIREMENTS POWER REQUIREMENTS PROVIDE 120VAC 60HZ TO ALL NECESSARY AREAS. DJ REQUIREMENTS 2 CDJ-800MK2 PIONEER OR 2 CDJ-1000MK3 & 1 MIXER DJM-600 OR DJM-800
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1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48
INPUT KICK SNARE UP SNARE DOWN SNARE 2 HI HAT TOM 1 TOM 2 TOM 3 OVER HEAD L OVER HEAD R DRUM TRIGGER L DRUM TRIGGER R BASS GUITAR LEFT GUITAR RIGHT CONGA CONGA BONGO TIMBAL DOWN TIMBAL OH DJEMBE TOP TOYS LEFT TOYS RIGHT PAD KEY L DIRECTOR KEY R DIRECTOR MOTU LEFT DIRECTOR MOTU RIGHT DIRECTOR KEY LEFT KEY RIGHT KEY LEFT KEY RIGHT KEY LEFT KEY RIGHT DJ LEFT DJ RIGHT PAD CLICK TRACK DJ VOCAL BASS VOCAL PINTO VOCAL COCHY VOCAL DADDY YANKEE DADDY SPARE VIDEO LEFT VIDEO RIGHT MIC DIRECTOR MIC JAVIER
ST1 ST1
AMB LEFT IN MON CONSO AMB RIGHT MON CONSO
MICROPHONE / D.I. SHURE BETA 52 SHURE SM-57 SHURE SM-57 SHURE SM-57 SHURE SM-81 SHURE BETA 98 SHURE BETA 98 SHURE BETA 98 SHURE SM-81 SHURE SM-81 DIRECT BOX DIRECT BOX DIRECT BOX SM-57 OR DIRECT BOX SM-57 OR DIRECT BOX SHURE SM-57 SHURE SM-57 SHURE SM-57 SHURE SM-57 SHURE SM-81 SHURE SM-57 SHURE SM-81 SHURE SM-81 DIRECT BOX DIRECT BOX DIRECT BOX DIRECT BOX DIRECT BOX DIRECT BOX DIRECT BOX DIRECT BOX DIRECT BOX DIRECT BOX DIRECT BOX DIRECT BOX DIRECT BOX DIRECT BOX DIRECT BOX SHURE SM-58 SHURE SM-58 UHF-R KSM9 UHF-R KSM9 UHF-R KSM9 UHF-R KSM9 DIRECT BOX DIRECT BOX SHURE SM-58 IN MONIT SHURE SM-58 SHURE SM-81 SHURE SM-81
STAND SHORT BOOM SHORT BOOM SHORT BOOM SHORT BOOM SHORT BOOM CLAW CLAW CLAW BOOM STAND BOOM STAND
SHORT BOOM SHORT BOMM CLAW OR BOOM CLAW OR BOOM SHORT BOOM SHORT BOOM BOOM STAND BOOM STAND BOOM STAND BOOM STAND
IN MONITOR CONSOLE BOOM STAND BOOM STAND WIRELESS WIRELESS WIRELESS WIRELESS
BOOM STAND IN MONITOR CONSOLE BOOM STAND BOOM STAND
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MONITORS AND IN-EARS MIXES MIX 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 CUE L CUE R
DESCRIPTION SIDE FILL LEFT SIDE FILL RIGHT DRUMS WIRED EAR LEFT DRUMS WIRED EAR RIGHT BASS WIRELESS EAR LEFT BASS WIRELESS EAR RIGHT GUITAR WIRELESS EAR LEFT GUITAR WIRELESS EAR RIGHT PERCUSSION WIRED EAR LEFT PERCUSSION WIRED EAR RIGHT DIRECTOR WIRELESS EAR LEFT DIRECTOR WIRELESS EAR RIGHT KEY WIRED EAR LEFT KEY WIRED EAR RIGHT DJ MONITOR WITH SUB PINTO WIRELESS EAR MONO COCHY WIRELESS EAR LEFT COCHY WIRELESS EAR RIGHT YANKEE WIRELESS EAR LEFT YANKEE WIRELESS EAR RIGHT DRUMS SUB REB 1 REB 2 REB 3 JAVIER WIRELESS EAR LEFT JAVIER WIRELESS EAR RIGHT
FOR FURTHER QUESTIONS Javier Diaz
[email protected]
TYPE 2 MSL-4, 3 650-P OR 700 2 MSL-4, 3 650-P OR 700 SHURE SHURE SENNHEISER 300 G2 SENNHEISER 300 G2 SENNHEISER 300 G2 SENNHEISER 300 G2 SHURE SHURE SENNHEISER 300 G2 SENNHEISER 300 G2 SHURE SHURE 2 UM-P OR UPA-1P, 1 650P SENNHEISER 300 G2 SENNHEISER 300 G2 SENNHEISER 300 G2 SENNHEISER 300 G2 SENNHEISER 300 G2 1 USW-1P OR 650-P
SENNHEISER 300 G2 SENNHEISER 300 G2
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15. VIDEO Video control must be set at FOH, to be used solely at the discretion of the Video Director. Triax Multi-camera Composite Field Production Package: STAGE 01 LED Screen center inside stage 15 x 20 06 LED Screen 5 x 7 (inside structures) 04 LED Screen 3 x 8 (Front rizer of the musicians ) 02 15' X 20' RP Screen, SR and SL outside PA array 03 Christie LX100 12K Video Projectors (RP) Applicable lenses for projectors 03 Video Hum Eliminators All motors, truss and rigging for above 03 Sony DXC35 Cameras as follows: 01 Studio Configuration at FOH, 36x Sports Lens 01 Studio Configuration at Mid House, 18x Lens 01 Handheld on Stage 03 CCU 06 ISO 8" Preview Monitors 01 Preview Monitor 01 Program Monitor 01 Waveform Monitor 01 Vectorscope 01 Sync Generator 02 Panasonic AG-MX70 Switcher or Sony BVS3100 03 Kramer Video Amplifier 01 Kramer VP-88 Matrix Video Switcher 01 Professional DVD Player w/Remote Control 01 Mackie Audio Mixer 01 Stereo Audio Hum Eliminator 01 Six-Station Intercom System 01 Technical Director (Switcher) 01 Engineer (configure, shade cameras, monitor system) 01 Playback/Matrix Router Operator 01 Projectionist 03 Experienced Camera Operators
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16. PYROTECHNICS/SPECIAL FX’S It should come as no surprise that this production will feature extensive and varied pyrotechnic effects which play an important role. These effects occur only on stage and over the stage area. Sparktacular is the Pyro vendor. Contac person: Miguel Hernandez
[email protected] www.sparktacular.com Pyrotechnics will be shipped from Miami by Sparktacular once they get in touch with the promoter rep or local production SPECIAL FX’S 08 Cryo Jets (with hoses and fittings) 06 Fire Fly Propane system 02 Dragon Fly Propanes system 02 Confetti machine (50 lb confetti white & silver ) GAS REQUIREMENTS 12 75 Lb. Co2 Tanks (SYPHON TYPE ONLY) 06 25 Lb. Propane tanks All gas requirements must be provided by promoter since obviously the crew cannot travel with tanks. LOCAL PROMOTER IS RESPONSABLE AND MUST PROVIDE: PERMITS FOR THE SHOW, A LOCAL COMPANY WITH TWO LICENCED TECHNICIANS TO SUPERVISE, SAFETY EQUIPMENT AND IS ALSO RESPONSABLE FOR TAKING THE PRODUCT OUT OF CUSTOMS AND HAND IT TO THE CREW, ONCE IT HAS ARRIVED IN THE COUNTRY Overweight (in commercial flights) paid for equipment to be used during the show, must be reimbursed by promoter. Pyro staff will need a office or pyro room secure enough to work with the product. Promoter must pay 100% of the pyro budget before the showstarts in cash (Only US Dollars will be accepted), if payment hasn’t been received before the show, pyrotechnics and special effects will not be used and operational costs will be charged.
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LIGHTING (2) LASER 40 WATTS (1) CONSOLE –GRAN-MA (26) MAC 2K WASH (30) MAC 2K PROFILE (8) MAC 600 (12) MAC 700 SPOT (10) ATOMIC STROBE 3000 (4) MOLE FYE -8 (6) MOLE FYE-6 (16) PAIRS OF BAR(64) to 6 (16) individual can lights PAIRS (64)(inside truss) (2) F100 SMOKE MACHINE (2) DF50 HAZER (3) LYCIAN 1290 (75) VERSA TUBE OR R,G,B TUBE LED (I)METER WHIT DMX CONTROL (TO FHO) PROFESIONAL INTERCOM SPEAK COMUNICATION ALL EQUIPMENT & Cables,etc all necessary Positions and the subject plot of lights to size of the place of the event STRUCTURES or SCAFFOLDS (20) Layher de 2.07 x 2.07 x 2m (by modulate) (12) Platform of layher (5) Set of stairs 2 meter MUSICAL RISER (4) RISER 2.44 X 2.44 X 1M( diamond or squared form)
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Scissor lifts or similar effect it is used as it leaves from intro of the show is placed front the stage in the floor it needed a corridor underneath stage so that artist arrives to the scissor
17. MEDICAL Promoter Rep will provide the PM with the name, phone number, address and directions to the nearest local hospital or emergency attendance service. 18. LABOR AND SCHEDULE Absolutely no volunteer labor shall be permitted. Labor shall be provided exclusively by a professional labor company. General show day schedule and crew calls are outlined below. PM will provide a more accurate show day schedule and crew calls during the advance. 7:00AM Breakfast 7:00AM Rigging Measure and Mark Floor 8:00AM Load In 01 Crew Chief or Supervisor 06 Riggers (TBD on advance as per venue needs) 15 Stagehands 01 Fork Operator 04 Truck Loaders
01 House Electrician 12:00PM Lunch (set up for 2 hours) 4:00PM Dressing Rooms ready
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4:00PM Sound Check 6:00PM Dinner (set up for 2 hours) 6:30PM Doors open (or 90 minutes before the start of Show) 7:00PM Show Call (or 30 minutes before the start of Show) 03 Spot Operators 04 Stagehands (06 if there is a support act) Note: Must be big guys, they will work on a moving gag 01 House Lights/House Electrician 8:00PM Show 10:30PM Load Out 01 Crew Chief or Supervisor 06 Riggers (TBD on advance as per venue needs) 15 Stagehands 01 Fork Operators (second Fork Op TBA) 02 Truck Loaders 01 House Electrician Calls may change depending on venue requirements, support acts and/or other necessities. 19. SOUND CHECK Artist requires a two hour CLOSED sound check. No guests, press or other non-working personnel shall be allowed in venue during sound check. 20. SUPPORT ACT During the advance, the PM should be advised if it is a regional, local, or venue requirement that a local support act open the show. Support acts must be approved in writing by the Tour Producer. Once approved, promoter must arrange for separatetransportation, dressing rooms, catering, FOH and MON desks, snakes and sub-snakes, microphones, etc. for the support act. Support act shall be allowed a line check and maximum of 25 minutes performance time.
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21. DOORS OPENING Doors shall not be opened to the public until permission has been given by the PM. This issue is not negotiable, and failure to adhere to it is grounds for cancellation. 22. PROGRAM MUSIC (WALK-IN MUSIC) AND ANNOUNCEMENTS Production will provide and control all program music -- music played during audience walk in or egress -- as well as any announcements made before the start of the show. Announcements shall be restricted to messages containing public safety and/or emergency action information. Announcements on behalf of sponsors, and/or announcements of future concert dates shall not be permitted unless previously cleared with the PM Producer. In no situation shall there any form of announcement presenting the show, or an on stage presentation by guest radio or television personalities, or any other sort of MC. The show has a very dynamic and powerful opening and we do not wish to spoil it for the fans. 23. PASSES (CREDENTIALS) Credentials are controlled and provided by the PM. DY laminated passes and stick-on passes will be provided as needed, and will be the only passes honored backstage or in other areas where work is being carried out. There shall be absolutely no access to the Artist's Dressing Room area without the express permission of the Tour Producer or the PM. This includes The promoter, promoter's staff and venue personnel. Access to the Dressing Room area, backstage, or the stage is strictly forbidden to any member of the media, and especially to any type of photo or video camera. 24. SECURITY Promoter is responsible for the safety of the Artist and his Entourage, Staff and Crew, as well as the security of all equipment, materials, tools, etc. carried by the Tour. Security personnel must be provided by a professional Security Company and must be experienced adults. NO ONE UNDER 18. NO VOLUNTEERS. Personnel must be uniformed and carry no firearms. We shall not tolerate any sort of violent act. Security Personnel must be posted in the pit between the stage and the barricade, at all access points to Dressing Room areas, hospitality room, catering room, stage and wings. Personnel must also be posted at FOH and MON world, as well as at all
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access points from the audience to the backstage area, the stage doors and loading dock, and by all personal vehicles and equipment trucks being used by the Artist and production. A security meeting with the PM shall take place at 4:00PM, or a minimum two hours before doors on day of show. PM will provide a Pass Board at that time. 25. MEDIA/PHOTO/VIDEO Only fully accredited Media approved by the Artist's Public Relations Coordinator will be allowed access to cover the event from a favored location. Appropriate tour passes will allow access to photograph and shoot video from the pit exclusively during the first THREE songs. Audio feeds will not be granted nor shall flash photography be permitted during this time. Only accredited media with a Tour credential (laminated pass or stick-on) shall be permitted to use professional photo andvideo equipment. Access to Dressing Room area or access inside the venue during sound check shall be strictly forbidden and grounds for removal from those areas, and loss of the media pass. For more information regarding media please contact: Mayna Nevarez
[email protected] SIGNS Promotion Suitable lable, logo,photo, artistic name in area where the artist frequents 26. DADDY YANKEE DRESSING ROOMS Star quality dressing rooms with climate control and private bathrooms. Once Dressing Rooms have been made ready they must be locked and the keys given to the PM. Star Dressing Room (for 8 people ready at 6:00PM) 12 Diet Pepsi 12 Pepsi 06 7Up 12 Bottles of Gatorade 01 Pitcher of fresh squeezed orange juice 24 Aquafina Water Bottles at room temperature 01 Fruit Tray, variety of seasonal fruits (not sliced) 01 Meat Deli Tray, variety of meats to include roast beef, smoked turkey, ham
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01 Cheese Deli Tray (whole wedge or sliced, NO CUBES) 01 Bread Basket, variety of fresh baked breads, rolls, etc. 01 Coffee/Tea Service,including milk, sugar, honey and a variety of teas (Earl Grey, etc.) 01 Tea Ginger o Jengibre 01 Ice Service (to be replenished as needed) 01 Glassware, Cups, Utensils, Napkins, etc. (NO PLASTIC) 01 CD player with speakers, like a boom box (IMPORTANT) 02 Comfortable sofas 02 Tables for hospitality 01 Full length mirror 01 Clothes rack with hangers 08 New, washed, medium bath-size towels DJ and Male Dancers Dressing Room (for 8 people ready at 6:00PM) 12 Diet Pepsi 12 Pepsi 12 7Up 12 Bottles of Gatorade 12 Aquafina Water Bottles at room temperature 01 Fruit Tray, variety of seasonal fruits (not sliced) 01 Meat Deli Tray, variety of meats to include roast beef, smoked turkey, ham 01 Cheese Deli Tray (whole wedge or sliced, NO CUBES) 01 Bread Basket, variety of fresh baked breads, rolls 01 Coffee Service, including milk, sugar, honey 01 Ice Service (to be replenished as needed) 01 Glassware, Cups, Utensils, Napkins, etc. (NO PLASTIC) 08 Comfortable chairs 01 Table for hospitality 01 Full length mirror 01 Clothes rack with hangers 08 New, washed, medium bath-size towels Female Dancers Dressing Room (for 8 people ready at 6:00PM) 12 Diet Pepsi 12 Pepsi 12 7Up 12 Bottles of Gatorade 12 Aquafina Water Bottles at room temperature
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01 Fruit Tray, variety of seasonal fruits (not sliced) 01 Meat Deli Tray, variety of meats to include roast beef, smoked turkey, ham 01 Cheese Deli Tray (whole wedge or sliced, NO CUBES) 01 Bread Basket, variety of fresh baked breads, rolls 01 Ice Service (to be replenished as needed) 01 Glassware, Cups, Utensils, Napkins, etc. (NO PLASTIC) 08 Comfortable chairs 01 Table for hospitality 01 Full length mirror 01 Clothes rack with hangers 08 New, washed, medium bath-size towels Musical Dressing Room (for 8 people ready at 6:00PM) 12 Diet Pepsi 12 Pepsi 12 7Up 12 Bottles of Gatorade 12 Aquafina Water Bottles at room temperature 01 Fruit Tray, variety of seasonal fruits (not sliced) 01 Meat Deli Tray, variety of meats to include roast beef, smoked turkey, ham 01 Cheese Deli Tray (whole wedge or sliced, NO CUBES) 01 Bread Basket, variety of fresh baked breads, rolls 01 Coffee Service, including milk, sugar, honey 01 Ice Service (to be replenished as needed) 01 Glassware, Cups, Utensils, Napkins, etc. (NO PLASTIC) 08 Comfortable chairs 01 Table for hospitality 01 Full length mirror 01 Clothes rack with hangers 08 New, washed, medium bath-size towels 27. PRODUCTION OFFICES Production Office One large, clean, furnished office for Tour Production. This office should have two direct dial phone lines and access to high speed internet. The key to this office should be given to the PM.
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Offices should be located as near as possible to the stage area, but always situated inside the Dressing Room area. Offices must be well lit and equipped with a minimum of eight electrical outlets, as well as adequate climate control (air conditioner/heater). The offices should be furnished with two 8' long tables, eight comfortable chairs and two trash cans. Offices must be clean and ready for use from the beginning of load in until load out is completed. Please have phones labeled with the correct numbers, including any long distance dialing codes, prior to production arrival. Please provide a cooler with ice containing the following canned/bottled beverages: 12 Pepsi 12 Diet Pepsi 12 Mountain Dew 08 7Up 24 Aquafina Water Bottles, iced Also provide: Coffee/Tea Service, including milk, sugar, honey and a variety of teas (Earl Grey, etc.) Ice Service (to be replenished as needed) Glassware, Cups, Utensils, Napkins, etc. THESE OFFICES ARE FOR THE EXCLUSIVE USE OF THE PRODUCER AND THE PM AND THE ARTIST'S PRODUCTION STAFF AND CREW . 28. CATERING To be advanced with the PM at least 10 days before the event. All Day (to be replenished as needed throughout the day) Coffee, water, sodas, ice service (to be replenished as needed) Breakfast (for 15 people, ready at 7:00AM) Hot "American Style" Breakfast including eggs, bacon, sausage links, etc. Bagels and cream cheese, whole grain breads, donuts, pastries Butter, margarine, jellies, marmalade, etc. Variety of seasonal fruits and yogurts orange juice and other fresh juices Coffee/Tea Service, including milk, sugar, honey and a variety of teas (Earl Grey, etc.) Ice Service (to be replenished as needed)
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Lunch (for 15 people, ready at 12:00PM) Variety of deli sandwiches or deli buffet, including roast beef, turkey, tuna, cheeses, etc. Variety of fresh baked breads, Potato salad, coleslaw, tomatoes, sliced onions, chips Mayonnaise, mustard, ketchup and other condiments Variety of cookies Variety of sodas (Pepsi product only) and water (to be replenished as needed) Coffee/Tea Service, including milk, sugar, honey and a variety of teas (Earl Grey, etc.) Ice Service (to be replenished as needed) Dinner (for 35 people, ready at 6:00PM) Variety of salads and dressings (different from lunch) Main selection to include choice of two: Rice,bean,chicken,Meat, Fish, and/or Poultry, tastefully prepared without heavy sauces (LATIN FOOD) Side Dishes: Choice of two to complement main selections Desserts: One sweet (cake, pie, etc.) + assortment of fresh seasonal fruits Variety of sodas (Pepsi product only) and water (to be replenished as needed) Coffee/Tea Service, including milk, sugar, honey and a variety of teas (Earl Grey, etc.) Ice Service (to be replenished as needed) Show (30 minutes before the start of Show by USR) 24 16 oz Bottles of Aquafina Water at room temperature 12 16 oz Bottles of Gatorade 12 New, washed, medium bath-size towels After Show (30 minutes after the start of load out) 06 Pizzas (04 plain, 01 mushroom, 01 pepperoni) Coffee, water, sodas, ice service (to be replenished as needed) The PM will advance Catering requirements at least 14 days before the event. Menu suggestions are welcome, particularly Chef's specialties and/or other local favorites. The above requirements include no provisions for promoter staff, venue staff or local crew . 29. MISCELLANEOUS (DO'S AND DON'TS) Show is approximately two hours long (120 minutes) without an intermission. Two dozen (24) new, washed, medium bath-size towels will be delivered to the Production Office by 2:00PM on day of show, for the exclusive use of the Artist's production. Don't embarrass yourself by providing borrowed hotel towels.
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Large garbage containers shall be placed strategically around the backstage area and USR + USL, and emptied periodically. Ten (10) rolls of clear visquene are to be provided for each outdoor event, as well as additional brooms, mops, squeegees and towels. Audience shall only be allowed the use of small commercial type photo cameras. No video cameras -- we understand there's nothing you can do about cell phones, blackberrys, etc. The NO List… No weapons of any kind are allowed inside the venue. No video cameras of any kind are allowed, except for accredited media with Tour passes. No audio recording devices of any kind are allowed, period. No backpacks, knapsacks or any type of large bags are allowed. No beverages in glass bottles are to be sold or allowed to be brought inside the venue. PRODUCTION SHALL NOT ACCEPT SUBSTITUTIONS, DELETIONS OR OTHER MODIFICATIONS MADE WITHOUT THE EXPRESS WRITTEN APPROVAL OF THE PRODUCER OR THE PM, AT LEAST TWO WEEKS (14 DAYS) PRIOR TO THE EVENT. IF YOU HAVE ANY QUESTIONS PLEASE CONTACT ONE OF THE PERSONS LISTED ON THE FIRST PAGE OF THIS DOCUMENT AND THEY WILL REFER YOU TO THE APPROPRIATE INDIVIDUAL WHO CAN RESOLVE YOUR CONCERN. THE PM WILL CONTACT YOU OR YOUR PRODUCTION REP (OR PRODUCTION MANAGER) TO ADVANCE THIS SHOW. WE THANK YOU IN ADVANCE FOR YOUR COOPERATION AND EFFORTS TO MAKE THIS A SUCCESSFUL EVENT. PRODUCTION RESERVES THE RIGHT TO ALTER, MODIFY, SUBSTITUTE OR CHANGE ANY ITEM, REQUIREMENT OR PART OF THIS RIDER AS IT SEES FIT IN ORDER TO BETTER THE QUALITY OF THE EVENT. NOTICE OF CHANGE(S) SHALL BE FORWARDED TO THE PROMOTER AS SOON AS SUCH MODIFICATION(S) ARE MADE. ONCE AGAIN, THANK YOU FOR YOUR CONSIDERATION AND COOPERATION. WE LOOK FORWARD TO WORKING WITH YOU ON A GREAT SHOW. END DADDY YANKEE 2008 PRODUCTION RIDER
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BACKLINE Drums: DW or Yamaha maple custom set,hardware-5 cymbal stands, 2 snare stands 1 hi hat stand,Toms 8x10,8x12, floor toms 14 and16, kick drum 20” double kick drum pedal.
Keyboards: 1 Korg Triton studio 76 1 Korg Triton studio 61 1 Roland Fantom 76 (first vers.not the X) or Ymaha Motif ES 76 1 Yamaha Motif 6 (Classic) o Motif XS 6 3 Ultimate Apex stands Bass: Ampeg SVT 4 Pro Amp head, Ampeg SVT-810E 8 X 10 Bass Cabinet. 1 Stand Guitar: Amp Head with effect loop Marshall o Mesa Boogie Speaker Cabinet (Flat not slanted) 4X12 1 Stand Percussion: 2 Congas LP 12” & 14” with tripod stand each. Bongo LP with stand. Timbale set LP,matador with 2 cowbells and clave. Djembe 16” with stand. Table with toys assorted (shakers,chimes etc.)
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DADDY YANKEE STAGE PLOT
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DADDY YANKEE LIGHTING PLOT TOP
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STRUCTURES
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8125 NW 33 ST SUITE 300 MIAMI FL. 33122 PH 954 6380840 FAX 305 3965699
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The lights that are appraised in this drawing are not the correct this is single a reference for the assembly
to STRUCTURES or SCAFFOLDS & screens
it is only required that rider is respected
