ëËl
IVO VAN HOVE
ONSTAGE
Edited by David Willinger
**** ry
-
E
NTS
J'
'
ir
xii
fO,1§
xiu
xuiii ,i r.rv
)ax
xxiu
Flove, virtuoso
7
-.1-illinger
.--:ion
=
1
''.,stotr and pdtterns 3 '. 1t'( \ay 1t411 Jf6yg wc dott't nttt'ttt it 6 Fletrrish dnd Dutch listorical rcntcxt 7
' =
seen frorl nrultiple rngles l) ..tre oJ experimeilt(ltioLt attd cxccss l0 ':! ûtld efirctions: n.ot tlrc l7ühod or o mcthotl
:-ùtor
::.'.rrr: '
1
Lt'precarious llrcatrital
irtne ncw Lrorld 71 ::tuû : leitm()ti.f.s tlf' gcnder idtrtitl, | $
..,.
:ttntinuum l)üu)e(n ûlit-prop itnd Ltcsthût 92
:,:.:tt08e and its double
'
-) I
\pdrc 10
.,r.lrrrrcJ dnd
-- i)t(sellt 123 ':rocluctions
-i'rld
ti$
1I6
117
151
Lords, one ttl' three djtnin.g ()(.uures d(' -7arne-s-re, AK'l' /Li:rtikddl, 1981 I 52 -)t'srre Under the Elms: arys rL,ithor.tt borders, Zuidclijk T'ontel,
viii
Contents
Splcndid's: Artaud respludent, Zuidctiik Toncel, j99.1 t62 Faccs (Koppen): poor theatrr.fitr suburlt,m narriages, Zuideliik
Tonttl, l()t)B l0-: A Massecrc
at Paris; exodst
in
style, 'Tu,rrrrrrnelt
Amstertlant, 2001 170 york l'heatre ll/orkslnp, 2001, Tonetlgrocp Anstarrlant, 2006, and Tlx: Bdrbicnn, LontlorL, 2016 171 Trrre Lor.c: sultrous and skittisl.t, Toneel.groep Arnsîerdant, 2002 1gl
A
tale
oJ'
three Heclcla Clabler-(
Rocco ancl His Ilrothers: Amstffdluil,
2009
j
.\reu1
rakin.q the gloues oll-fitr loue
,
llLill
Tonr:e{groep
.,-,,L,L
l B.;
cries and w'hispers: unbridred pain, 1'onearerotp Amstcrtrarn, 2009 tgg The Antonioni Project:-làrmal inrriury, Tonetlqrotp Artstcrddnr, 201() Perscr na : p e rs () ntll
Amsterclam,
Lrrdu,ig:
nû
i
m,t c1,, n rc t Ltph
2012
1t
5 1ç
6l
( x p an
s
t,
li,i.
Lrffiülllllill[lÙflllllllllllllf,r
191
T o nt dgro qt l
l.lùnthner Kdmrnerspiele, 201 1 1 99 Ed-,vard Il: lrcw tlrc othtr half lircs, Berlin Sclmtiltùltne , 2012 20i Nlor.r, ,rrrrl into tlrc -futurc 208 sign.s oJ madncss,
I
linri4
i:j1ght:
Johan Cdllens l,lounti n.q Bccontt,s Electrd
2_37
Institutional controvcrsics 2.10 Lona Day's Jlturnt:y irtto Nigltt 212
Ivo van FIove's cinenra olrstage: reconstructins the creative
process
Serye Cttriell,
A eift to the .,r-orld of rcsearch 2,19 'What Ivo has ro sav on the subjecr
250
Strong connections u.ith thc theatre 251 Extremel,v static fiLtrs 253
Lnbuing imnobiLitr,' rvirh nrovenrenr 257 Fro11t
and center: the characte-r 25g
Love still is lor.,e even u.hen it lacks harr,o,y: Artigone and the atternpt to humanize tragedv Clnrlottc Clrrrltc:r
2(:
Tlic q1x1,c. stâgc: Sfr\.e is both an adjective ancl a verb 26,1 The rrost terrible co,tlict is a tri'ial one: o\:eracting, uncrerachteving? 267 I{ealiry overtakes rnyth: brancis VIaes
Ivo
'an
on Tlte Rûry 277 WItcn rn.rgi,' l)cL.ont('\ rt...hrroiogr
Hove stages Dcr Ri,g,
Perspcctir.-es
2gtJ
De.s l{ibelt*rgert
''r1
1
llllitrl
;rllilrLfllllll,llllllflllll' lll
197
Front l[ou,ing B«ttrncs Elettra to Lor\g Dtty,t 1ou,.,rry into Ivo van Hor.,e directs Eugene O,Neill
l*:lll
I
m
Clontents ix
-'-.:dorn ItTlluillur
*
l
and literalism 284
-sic and the construction of rneaning 286 .,.o systems of
hi tech
291
"lü,Xurir
.-.:,rgs
'-,ian.
--1
rf
War or the play of por,ver
294
Thielemdns
-:e patterns of pow-er: theme and variations 291 I, clash of charactcrs 296 ,ioom and labyrinth 297 l.nthologv rnornents 298
i9t
7: Rornan Traqedies
300
of distractiorl: spectarori:ll lreedonr anrl (dis)enfr:rnchisenrent in Toneelgroep's RorÆ.7i r'l'raccdics
- he politics
-
Natalie
Corbett and Kererl Z'aiontz )t;1qing the Tu,itter w.rr: Toneelcroep Ânlsterdarn's llorndn Tragedies
ix 2: ,Tr-rne
-
James
R. tsall III
Interuieu, u,ith luo uan lfeÿ(: by _[ohan Rel,rritrs
2017 Anner to Etceter:r intervier.r- (2ii13) rvith
lvo
van FIove
300 304 310 322 -1; /
...SS
26:
267
\ibelungen
IF
