lick No.8 from Paul Wardingham seriesFull description
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kertas kerjaFull description
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GG Toys calculation
TAB
Guthrie Govan
20 ESSENTIAL LICKS LICK 8 JTC SAYS
In this excerpt of what is arguable one of Guthrie’s most popular JTC solo’s we once again see a great example of how Guthrie uses his staccato type phrasing to grab the listeners attention. Not only is this t ype of phrasing technique called upon often by Guthrie, Gut hrie, but it’s the way he combines it with small three to five note repetitive motifs that makes things interesting and unique. Pay attention to how how he twists and turns and offsets the rhythmic timing by by adding a single note or an added rest form time to time. This Idea is being played over over a Cm9 chord which is preceded by a G7b9 chord. Guthrie leads into the staccato phrase by by climbing up a sequenced Bb minor pentatonic pentatonic scale. This is a great way to introduce some of the altered notes when playing over an altered dominant chord. In this case he is playing over an altered altered G7 chord ... so he plays a minor pentatonic scale up a minor third. This gives you the #9, b5, #5, b7 b7 and b9 ... all the juicy sounds for a healthy adventurous musician to play over altered chords! Next we get into the featured staccato phrase. This is a relatively simple phrase consisting consistin g of notes right out of the C minor blues scale (pentatonic (pentatonic scale with a b5 added). It’s really just repeating the same 3 and 4 note phrase while alternating between between the Bb and C notes notes
TAB
To end this set of ideas Guthrie plays a series of sequenced four note arpeggios on the B and E string (Eb Major, G minor, Bb major and a Bb major 9). This is a great way of getting up and down the fretboard quickly in a really melodic way.
LICK 8 As recorded by jamtrackcentral.com
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(From the 2014 Album GUTHRIE GOVAN'S 20 ESSENTIAL LICKS)
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