Ella Fitzgerald.pdf

ELLA FITZGERALD @H;RlGINAL KEYS FOR S I N G E R S

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I'm Beginning To See The Light I'm Putting All My Eggs In One Basket I've Got My Love To Keep Me Warm If You Can't Sing It (You'll Have To Swing It) Ill Wind (You're Blowin' Me No Good) It Don't Mean A Thing (If It Ain't Got That ~wlkg) ~. Just One Of Those Things

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The Lady Is A Tramp Let's Call The Whole Thing Off Lullaby Of Birdland Midnight Sun 128

Misty

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Oh, Lady Be Goodl

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S N i Doll

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SWmplnf At The Savoy A

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FITZGERALD The music of Ella Fitzgerald will be forever remembered through her sultry ballads, her prodigious scatting, and her immortal renditions of American standards. With the voice of an angel, she seduced the world for half a century, During her lifetime, she was not only appreciated by her fans, but was revered among her fellow jazz musicians as an equal, a jazz giant, and an innovator. Ella was born on April 25, 1917 in Newport News, Vlrgbia. Moving to New York City with her mother, Tempie, when she was ju6t a babe in arms, she began her education at Public School 10 in the city of Yankers in September 1923. Despite her situation as an impoverished girl north of Harlem, she was a continually cheerful and outgoing girl deterrnhed to make it in show business - as a dancer. Although a fine dancer, she was thankfully discovered as a singer at the age of seventeen. In the winter of 1934, Ella sang in and won the Apollo Theatre's Amateur Night contest, as she had drawn the short straw

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discovered and brought forward into stardom.

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among a group of friends. It was at that performance where she was

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g:;q. * { q , . ?;e # & ~ . b &her n ~mother, Ella was an orphan teenager without direction for . .+-,

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al talent, It was a popular bandleader of the time, Chick Webb, d as a surrogate father and mentor during her early career. f&band in 1934, it was not very long before she drew large

r performances at Harlem's famous Savoy Ballroom. .. ,

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W l d recorded "A-Tisket, A-Tasket: a swing rendition of <, , <,'I.

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@!hyme, arranged by Chick and her. This became a "-5

@%odaystill remains a Swing Era anthem. After Webb's , the band was left in Ella's hands. She gave it up

:years, as she was not suited to the demanding

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$hktrue beginning of her solo career. She made a reardings for Milt Gabler, her producer at Decca, as - f i q & m a n Granz, her next producer on the Verve label. In blossom into a bebop singer as well, playing d for several years, It was during this period

Her career a8 f b w~rld.renowned singer finally emerged in 1949, as GrafFm pf&mnted her in the Jazz at the Philharmonic concert series. This

papwiar wriw featured the finest instrumentalists in jazz, from Charlie Parker to Lester Young. From 1956 to1964, she recorded some of her most r n m r a b l e versions of standard songbooks, including those by Cole Porter, Duke Ellington, the Gershwins, Johnny Mercer, Irving Berlin, and Rodgers and Hart, Ella continued to record and tour through the 1990s, when failing health finally ended her amazing career. On June 15, 1996, Ella Fitzgerald passed on, leaving us a lifetime full of memories through her timeless recordings, Throughout her lifetime, she received accolades from U.S.

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presidents, universities, the Grammy@ awards, and every other persan

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who heard the purity and genius of her music. She was a singer who responded to the musical imperati,vw'.dfb direction, transcending each note and word as sweetly and

Hs the trumpet of Louie Armstrong, the saxophone of J~hnny the clarinet of Benny Goodman. Her love for music was une her passion was unmistakable in every concert she everp6

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A-TISKET, A-TASKET Words and Music by-ELLA FITZGERALD and VAN ALEXANDER

Moderate Swing *

G6

*Recorded a halfstep higher.

0 1938 (Renewed 1966) EM1 ROBBINS CATALOG INC. All Rights Controlled by EM1 ROBBINS CATALOG INC. (Publishing) and WARNER BROS. PUBLICATIONS U.S. INC. (Print) All Rights Reserved Used by Permission

tis

1

sent

ket, a - tas

a

- it.

- it.

let

-

-

ter

I

dropped

A

ket,

a

to - my

lit - tle

it, I

girl

- ie

mom

brown

-

dropped-

picked

and

yel-low

bas

my.

On

the

it,

yes,

on

it

up -

and

-

ket.

way,-

'

I

the way -

put it

dropped

I

dropped-

in her pock -

1

-

et.

1

not

a

-

I

took

She was

sin

-

gle

truck - in'

thing -

to

on

down

do.

the

e - nue,

av

She went

peck,

a - round.

it,

my

lit - tle

ye1 -

low

bas

ket,

and

peck - ing

peck,

she

with

it,

took

if

she

does-n't

all-

she

bring -

back, -

I

think

that

I

will

die.

I

I

I

A

lost

my

yel-low

don't know what I'll

bas

ket

bas

-

ket,

do. -

can

-

and

tis

if

that

Oh

J

be. -

-

ket, a - tas

do

we, -

ket, -

don't - re - turn -

girl - ie

dear,

(So

-

so

I

it,

I

won - der where my

do

w e ,

so

do

we, -

I

I

oh

I

_

wish

-

so

that -

do

we,-

lit - tle

so

do

girl -

w

e

,

I

so

could

do

gee,

see.

w e ,

so

(So

do

I-

do

we,-

we.)-

L

Oh,

why

was

I

so

care - less

with

that

bas

-

ket of

mine? -

it - ty,

That

" W

r m

bit - ty

I

I

L \

wu

id'

I I

I

I I

bas

a

L

ket

-

my

ye1 - low

bas

-

make-

L

me

joy

of

mine. -

Won't

I

I

I

8 L

L

L

I)

I

I

I

a - tas - ket,

I

3'

ket.

a

I Y

A - tis - ket

lost

was

some- one

help -

me

I

find-

no,

green?)

no.

lit - tle

I

ye1

(Was

-

low

A

no,

it

bas

no.

(Was

No,

blue?)

it

no,

-No,

red?)

no,

n o .

ket.

lit - tle

ye1

-

low

bas

ket.

Just

no,

a

BLACK COFFEE Words and Music by PAUL FRANCIS WEBSTER and SONNY BURKE

Moderate Ballad Em

E b dim7

I

I'm

walk

the

floor

and watch

the

Em

feel - in' - might-y

door,-

and

G13

E bdim7

Em

lone- some,

have-n't slept a wink. -

in

be - t w e n I

Copyright 0 1948 (Renewed) Webster Music Co. and Sondot Music Corporation International Copyright Secured All Rights Reserved

-

dnnk

I

nev - er know a

I'll

1

-

1

this -week

in

the shad

ows

-

from

I I CJ

bV?

slow the

one

0'-clock

to

-

I

how'

-

day -

~'rn

talk - ing - to

Lord,

day

room._

n

I

Sun -

I

I

mo- ments go -

And

I

I

hrl

rl

? ?

four. -

I I

7

when

all

I

do

is

pour-

black -

- cof

- fee.

Since

the

blues -

caught - my

I'm -hang - ing out on -Mon - day

-

-

to - dry.

in P .

A

wom - an's

my Sun - day

Now a

born to weep

eye,

man -

and

fret, -

is-

born

dreams -

to

go

to

I

stay

at home

cof - fee

and

- mourn - in'

not

and

much

t e n d her

cig - ar - ettes. -

all

heart

the night,

to

fight

ov - en

and

I'm

mood- y

and

black

in

drown her past

all -

be - tween

re - grets

in

and -

the mom - in',

it's nic - o - tine

cof

and

fee.

Feel

in'

low

as

- - I

I

I

It's driv- in' me cra - zy,

ground. -

I

I

I

the

I

I

I

I

I

I

I

St

bid

I

I

I

I

I

I

I

3

id

Dm

this wait - in'

I

for

my

-

ba

a

-

n

m

r m

I

I

L

St' to

-

by

I

*

,

"-

I I

may - be

I

I

come

I

I

round.-

-

I

I\

e

i

-_

I

'

m

wait

I

I

A.

I

V

-

I I

1-

/

a - round. ?

-

ing for my b a - by -

il

BUT NOT FOR ME Music and Lyrics by GEORGE GERSHWIN a n d IRA GERSHWlN

Moderate Ballad D6/9

I

I

Pedal throughout

I

I

I

A

A7

Dl3

G9

luck - y

~ b 9

star's

G9

a

G13sus/A

With.

O 1930 WB MUSIC CORP. (Renewed) All Rights Reserved Used by Permission

-

bove, -

G9

love

to

I

lead

the

I've

found more

clouds

of

grey -

To Coda

tee.

I -

I

and

get

that

way.

was

a

fool

to

Hi

fall -

ho,

a -

and

I

I

-

A1 - though

his

a1

I

lack - a

SO -

can't

dis

-

day.

miss-

I

kiss, -

-

the

guess he's

mem

-

'ry

not

I

A

.

D9sus

~7 b9

G(add9)/D

Em7

~ b 9Dl3

D9sus

D.S. a1 Coda

22

CODA

(R,

D~SUS

I

1t-

End instrumental

a

fel

7 3 . -

When

ev - 'ry

-

be

gan

so

well, -

- ler

I

-

all-

-

hap

t

PY

plot

I

I

ends

with

a

I

mar

riage

knot,

and

guess

he's

there's

not

no

CHEEK TO CHEEK

from the RKO Radio Motion Picture TOP HAT Words and Music by IRVING BERLIN

Moderate Swing

I'm I'm

Heav - en, Heav - en.

heav - en, heav - en, -

v

and and -

my the

heart cares

beats that

in in

that Ia - round-

so hung

-

-

can me

hard - ly through the

and seem -

speak,week-

I

I

I

b 4

4

I

I

I

I

I

I

I

I

I

4

O Copyright 1935 by Irving Berlin Copyright Renewed International Copyright Secured All Rights Reserved

'43

id

I to

I

seem to van - ish

findlike-

when -

the hap a gam

we're

-

-

I Y

pi - ness bler's luck

out

-

to

seek streak -

geth - er

-

cheek.

Oh, I'd

love love

to to

Instrumental

1

climb go - out

a

moun fish

-

tain, in'

to

cheek. -

and in

to a

reach riv -

the er

high - est or a

as as

but but

peak, creek, -

muchmuch-

does - n' t don't en

it

I

-

thrilljoy,

me it

half half-

as -

Fm

Instrumental ends

~mll

-

A

I

3

I

Lead vocal ad lib.

D b7

1

want my

arm

a

-

bout

YOU, -

the

charm -

-

-

I

I

I

I

I I

b 4

I

-d

I

I

b-d

I

-d

I I

o

I

kl

I

I

I

I

I

1 V I

I I

I

b 3

I

-

a

-

bout

To Coda ~7 b9

will

you-

$

car

ry

me -

through -

F6

en. -

- heav - en,

and

my

heart

beats

SO

that

I-

I

I

seem

to

find-

the hap

-

when we're out -

b

F6

$A

to

-

I

geth - er

seek

I

in I

danc

Dm7

cheek.

to

CODA

pi - ness

F6. -3-

Dm7

cheek -

D.S. a1 Coda (with repeat)

I

I

and

-

ly -

my

heart

beats

I

that

SO

I

and

speak,

can

seem

to

hard

the hap -

find-

-

I I

-

I

I

w

pi - ness

I

Y

I

I

I

I

I

we're out -

-

-.

-

-

er

I

I

\

I

I

0..

1

seek

to

-

geth

danc

-

in'

cheek

to

I

cheek.

danc

Out

-

in'

cheek

to

cheek.

to - geth - er,

Out

I

, in

cheek

t

to - geth - er,

o

cheek.

danc

-

EASY TO LOVE (You'd Be So Easy to Love) Words and Music by COLE PORTER

Rubato

I know too well that I'm -

Fmaj9

Dm9

Gmll

C9

Fmaj7

- just wast - ing pre-cious time, and think- in'such a thing could be

that you could ev-er care - for me. A

I'm sure you hate to hear that

I

a-dore you, dear,

but

grant me just the

Copyright O 1936 by Chappel15 Co. Copyright Renewed, Assigned to John F. Wharton, Trustee of the Cole Porter Musical and Literary Property Trusts Chappell 5 Co. owner of publication and alliedrights throughout the world International Copyright Secured All Rights Resewed

same,

I'm not en -

Moderate Ballad Bm7

(

El3

tire - ly

A(add9) ~b(add9)

to blame,

Em9

for

you'd

9 eas

d SO

I

Y

2u

eas

Oth

SO

u

rit.

I

be

3

'-"

to

love,

I

I

L

I\

I

I

I

I

I hA

d'

d

#

ers

a - bove, -

i

s

Y

to

i

-

do1 -

--I

ize-

I

I

#

I

the yearn

worth

SO

so

swell

to

keep I

I

bum

-

i

n

g

ev - 'ry

home fire I

for.

I

c,

for,

ing-

I

aI

be

SO

D

We'd

grand

at

the

game, -

SO

,

I

care

-

free

to - geth

-

er, -

that

it

does

seem

a

shame-

that

I

see

can't

YOU

your

fu

ture

with

me, -

-

'cause

you'd

be

oh, 7

3

3

1

SO

love.

eas

SO

eas

Y

EMBRACEABLE YOU Music and Lyrics by GEORGE GERSHWIN and IRA GERSHWIN

Rubato

Slowly A

~b

,

f y6 cr

I

$

I

LI\

I

I

I

I

I

-;.cudEm - brace

F7

I

4

id' my

me,

L

sweet

I

I

-

~ b m / ~ b

Em - brace

Q 1930 WB MUSIC CORP. (Renewed) All Riahts Reserved Used by Permission

me,

I

w

em - brace

Cm7

I

4

you. -

a - ble

F7

~13b9

7

3I

you

ir

-

re -

place

a - ble

-

you. -

I

YY

@

I

I v-'

L

id'

L

I

I 1

I

\

#

I

Just

-

I

id.

at

you, -

I

I V

tip - sy -

my heart grew

one' look

.-

1

1

1

me.-

-

and-

you

a - l o n e

I

I

bring out -

11

a tempo

u

a - bout

charms

I

I

-

Don't

want

be a

my

A - bove

you.

a

arms

naugh - ty ba

-

-

- bout

all,

you. -

come to Ma - ma, - come to

by,

To Coda

my

sweet

em - brace

-

a - ble

$

"

u\ you.

Instntn~entalsolo

D.S. a1 Coda ~ 1 3 b 9 B13#11

Solo ends

rit.

r-l

m

-1

I

EV'RY TIME WE SAY GOODBYE

41

Words and Music by COLE PORTER

Moderate Ballad

I Ev

-

'ry

time

we

say good - bye, Instrumental

I

die

a

lit - tle.

I

Ev -'ry

1

time

Why the gods

we

a - bove

me,

say good - bye,

who

must

I won - der

be

in

the

why

know,

Copyright Q 1944 by Chappell & Co. Copyright Renewed, Assigned to John F. Wharton. Trustee of the Cole Porter Musical and Literary Property Trusts Chappell & Co. owner of publication and allied rights throughout the world International Copyright Secured All Rights Reserved

a

lit - tle.

think

I

so

lit - tle

of

me

When y o u ' r e near -

I

sing

can

a - bout

hear

it.

they a1 - low

there's such

an

you

to

go. Instrumental ends

air

a

l a r k

There's

no

of

some - where-

love

song

spring -

a - bout it.

be - gin

fin - er, -

to

but

1

how strange

from ma - ;or

the change

to

ev

mi - nor, -

- 'ry - time

D.S. a1 Coda

we

say

good

-

bye.

CODA +A

Slowly ,

F13sus

sb6

ev - 'ry

, Bb6/~

we

time

Cmll

Bb6 I

say

~ 7 b 9 rn

good

Bb6

-

bye.

Cmll

HOW LONG HAS THIS BEEN GOING ON? Music and Lyrics by GEORGE GERSHWIN and IRA GERSHWIN

Ballad

salt - y tears. up my spine,

I could cry There were chills

With pedal

Where have I and some thrills

I

tell me now, I re - peat, -

I

how how

Lit - tle Lis- ten

de - fine.

can't

long has this been -

go

-

in' on? -

I

O 1927 WB MUSIC CORP. (Renewed) All Rights Reserved Used by Permission

wow, sweet, -

long has this

been -

go

-

in' on? -

I

feel that

Piu mosso E bmaj7

E bmaj9

I

could

melt.

In

I

know

how Col - um - bus

n I>

Dm

D b7 b9

E bmaj7

~b13 - 3 1

,

A

Y

A b7

-

heav - en

to

Cmll

felt, -

F9

I'm

hurled.

-

find - ing an - 0th me dream that

{ Let

Fdim7

I

er it's

world. true. -

-

u

c,

\

Kiss me once, Kiss me twice,

then then

once once

more. more.

I was let's make

What a dunce That makes thrice,

be-fore. it four.

What a

break, -

I D.S. a1 Coda

I

for heav-en's

+

sake, -

how long has this

been -

go

in'

-

on?

CODA A

, Cm7

c7b9

has

this

-

been

go

F13

-

in 7

sb9

on?

~bi3

I GOT IT BAD AND THAT AIN'T GOOD Words by PAUL FRANCIS WEBSTER Music by DUKE ELLINGTON

Rubato ~ b 6

n

F+

~ b 6

-

F+

F7sus I I

A

-

1

Y

I

The L.H.

po - ets say that all who love are

I

is.

I

The

blind,

good book says "go

but

seek and

I'm

ye

in love and - I know what time

shall

find."

Copyright Q 1941 (Renewed 1968) by Famous Music Corporation and Webster Music Co. in the U.S.A. Rights for the world outside the U.S.A. Controlled by EM1 Robbins Catalog lnc. (Publishing) and Warner Bros. Publications U.S. Inc. (Print) International Copyright Secured All Rights Reserved

it -

Well,

I

have sought

and - my

life is just like the weath- er,

I

when A

he's

gone,

I'm

-

ei - ther sink

it

cloud - y .

or swim

what a climb

it -

MY

is.

When he's near, I'm fair and warm - er,

chang-es with the hours. -

with show - ers.

e - mo - tion, like the

In

o - cean,

-

when a

wom - an loves

a

man -

like

I

love

it's

Ballad F7sus

~7b9

n ,

I.,

Nev - er treats Instrumental

him. 3

i

-

gen

tle,

I

Ibr

I

the way

Y

I I

V

I

I

I

L

I

\

d'

u

bad,

My

and

poor

heart-

that

is-

I

he should.

I

1 1 1

P \. C,

1

sweet and

me

II

---I I

ain't -

got it

-

++&-

?3

good.

sen

-

ti - men - tal, -

notmade

of

To Coda G 7 # 9 / ~ C7/F Cm7/F ~ 1 3 b 9

wood.

got it-

and - that Instrumental ends

bad,I

I

A

Bb6

G9 ~ b 7 ~/ 7~# ~5 b 7 # 5 ( # 9 ) ~ 9 / ~ ~b13b9 b

o

1

round,

-

ver -

and

I

'

I

I

Ebrnajl~

But when-

I

Mon - day

end

up

$

the week

-

rolls -

end's

a -

like

I

start

Dm11

-

~ 1 3 b 9~ 1 3

out,

I

just

He don't -

love-

me-

Bdim7/C

G+/C C7/E E ~ / F

Cm7

cry -

like I

my lil'

in 9

love

C7/F

heart

F7#9

out.

no -

him.

D.S. a1 Coda F13sus ~ 1 3 b 9 Y ll

, II

I

dW+.\ ain't

good.

CODA

I

I

got,

it

so - bad. -

so bad,

in - ten - tions -

t e l l

me

to

Though folks w i t h good

save -

my - tears, -

Bb6p

G7/C

- glad I'm mad -

I

a - bout

-

with - out

him.

him,

I

Lord

I'm -

~ b 6 / ~

Cmll

can't - live-

a-

bove me,

make

him-

love

me-

the

way-

he

should. -

Rubato A

. Cmll

Like a lone - ly weep- ing

wil - low lost - in the

wood,

the things I tell my pi1 - low, -

Cmll

- n

o wom-an should.

I

got

it

bad,

bad.

So -

I'M BEG,INNINGTO SEE THE LIGHT Words and Music by DON GEORGE, JOHNNY HODGES, DUKE ELLINGTON and HARRY JAMES

Moderate Swing

nev - er cared nev - er went

I

nev - er winked back can - dle - light on

-

yourdown-

eyes,low, -

at the

fire mis

I'm I'm

be be -

-

much in

flies, tle - toe, -

for for

I or

moon - lit skies, af - ter - glow, -

but but

gin - ning to - see the

now that now when

light. -

Copyright Q 1944 (Renewed 1971) by Famous Music Corporation in the U.S.A. Rights for the world outside the U.S.A. Controlled by Chappell & Co. International Copyright Secured All Rights Reserved

the stars you turn

are the

inlamp -

I

I

- gin - ning

to-

see

the

light. -

shad - ow - box - ing

\ Y: $j

I

1

I I

-

I

I

4

I

+I-

then you came and

now.

I

I

u

I

I

Y

b4-

caused

nev - er

-

a

spark

made

I

I

I

I

the

dark,-

.

ram - ble

by

a

I

I

4

I

rt

four - a - l a m

lan

-

I

4-

-

I hA

I

I

I

rn

that's

love

to

I

-

I h-l I

I I

in

Used

fire

tern shine,-

I

I

nev - er

rain - bows

saw

-

I

I

I

4

Edim7

-

in

I

I

-l

wine, -

my

I

I I

I

h-l

I

I I

b 4

-

I

-

I

I rl

I I

I

I

d

d

I I

G7

see

nev - er cared

are bum -

your lips

mine, -

I

much

for moon

-

lit

the

skies, -

light. -

I

c

A b7

nev - er winked

now that

D9

A7

ing

I

but

but

now that

the

stars -

are

1

in

I

nev - er went

"

be - gin - ning

I'm

your eyes,-

in

to - see the

a . - ter - glow,-

for

7

3

u

w

to

see

the

can - dle - light

or

on

the

1

turn

ning

light. -

light. -

the

Used to

ram - ble

through -

I

the -

park, -

shad - ow - box - ing

-

I

.

*-I

I

I

I

4

4

caused -

then you came and

nev - er saw

I

I

rain - bows

-

I I h-l I

I

1

in

the -

dark, -

-

a

I

M A

nev - er made

in

I J I I

my -

I

I I

h -l

I

that's

love

wine, -

I I

I

7-

spark-

I

I

a I

I

I

four - a - larm

a

my

but

I I

lan - tern

now that

fire -

shine, -

your

lips

now. -

I

are bum -

ing

mine, -

I'm

be - gin - ning

to

I

I

I

#t

Now

the

that

light. -

the

I I 1 I1

I

id

stars-

are

s e e

the

-

I

I

I

in - your eyes, I'm

Now

when you turn

light. -

-

I

I

+

bid

be - gin - ning

the

lamp

I

I

4

to

I

I

I. 111

-

see

down low,-

I'm

be -

I

I

they you came and

Wee

caused -

a spark

that's a

four-a- l a m

yow.

fire

now.

I

I

Now that your lips are

gin -ning to

-

see -

burn - ing mine, -

the

I'm be - gin - ning to

light. -

Now - that your lips - are bum

I'm

-

see

the light. -

be - gin -ning

to

ing mine, I'm be - gin

I'm

see

the

be -

light. -

I'M PUTTING ALL M Y EGGS IN ONE BASKET from the Motion Picture FOLLOW THE FLEET Words and Music by IRVING BERLIN

/

I've

I

I

h! I v ,J

cl"

\'

I

7

Too

been a roam - ing

4'

4

1 4

but

now

my

hI

man - y

1

i - rons

Ju - li - et,

i

4

have been man - y,

I

+

roam- ing

in

Ro - me - os

my

the

days -

fire -

have -

is

worse

gone.

than

0 Copyright 1936 by Irving Berlin Copyright Renewed International Coovrioht Secured All Riqhts Reserved

not

hav - ing

an -

y.

Medium Swing

I've

had

my

share

put - ting -

and

-

from-

all - my

-4

u

now -

on,

eggs -

in -

bas -

one

&-

id.

id'

ket.

I'm

bet - ting

id

t,, ev -

Cmll

I

- 'ry- thing I've-

got

Eb6

on

you.

Eb6

giv - ing

~bmaj7

Bbm7

E b9

love - t

all -

me

I

- my

ba

-

by -

don't -

c

o

m

e

through. -

if-

I've

my-

1

-

I'm

a

got

love

di - vid

-

great,

ac - count, -

ed

in

put - ting -

.

two

all - mY

big

a - mount-

saved

hon - ey, and

I've -

won't -

do,

eggs -

i

n

one

de

-

up

cid - ed

in

love -

bas -

~bmll

G b dim7

Gmll I I

I

I

d.

id.

id'

I'm

bet - ting

~bi3

'ry

L

I

ket.

Fmll

-

I

- thing

I've -

d ev

-

Eb6

got

on

I

put - ting

I'm

bas

-

you. -

ket.

all - my

I'm

eggs -

bet

-

in-

ting ev -

A

I

Fm7

-

'ry- thing I've - got

I

._

/

h l '

on

you.

giv - ing

I'm

1

I

I

I

4

P

I I

through. -

i

love -

all - my

-

Emaj7# 11

Fmll

Eb6

to

ba -

one

,

-

I

-

I

I

I

4

I

I

I

4

4

I've - got -

a-

I

4

I

great,

I

4

big

I

4

a - mount -

hon - ey,

I

I've

de - cid

-

ed

love

-

I

s

div - id

-

ed

in

o

I'm-

two

I

put - ting

all -

won't

I

my

I

love-

I

and

do, -

L

in-

I

-

you.

I'm

I

on

you.

bet - ting

'ry

-

thing

I've-

I'VE GOT M Y LOVE TO KEEP ME WARM from the 20th Century Fox Motion Picture ON THE AVENUE Words and Music by IRVING BERLIN

Bright Swing

I

The

1

I

I

-

-

ing, -

snow is Instrumental

I

but

What-

do

I

snow

can

-

weath

care

how

C

C

ing,-

- er

the

the

O Copyright 1936, 1937 by Irving Berlin Copyright Renewed International Copyright Secured All Rights Reserved

blow -

storm.

much-

O Arrangement Copyright 1948 by Irving Berlin

is

wind

it C

may

C

F

C

F

storm, CC-

I've

to -

can't

watch

re

-

those -

mem

keep

-

m

e

ber-

i - ci-cles

got

my

warm.

a

form.

I

worse

De - cem - ber. - Just -

What-

do

I-

- care - if

I

I

I

hid

I

I

b4

I

-

-

Instrumental ends

glove.

-

i

I

I

iI

ci

I

- cles

-

I I

I

I

I

Off with Lead vocal ad lib.

I

my

-

I

o

need

I

I

I

-

I

I

4

id b i d

ver - coat, -

no

I

I

f.

I

-

-I

off

o - ver - coat, -

I

I

I

4

I

with

my

I'm

I

I

I.. -

-

bum - ing

-

fire,

I

will

-

What-

w i t h

love.

the -

weath

do

I

heart's

flame

-

care-

grows -

er

the

high - er,

storm,-

how

on

storm. -

storm, -

much

it

may

L

storm, -

I

I've

to

1

I've-

warm.

got - my

keep

love

me

warm.

keep

got

my

love-

IF YOU CAN'T SING IT (You'll Have to Swing It)

from the Paramount Picture RHYTHM ON THE RANGE Wbrds and Music by SAM COSLOW

Rubato

Cm7 ~ 7 # 9

Bbm7

Eb

con - cert was

The

mae-stro took bow af - ter bow.

I

"

'

t

He

r.

a

I

T J I .

4

sor- ry,

it's all

o-ver now."

I I

said, "My

I

I I

Deutsch - land - halle,

dear friends, I have giv - en my

-

n.1-I

I

I'm

_

r~m

w

When from the bal- co- ny, way

Copyright Q 1936 (Renewed 1963) by Famous Music Corporation International Copyright Secured All Rights Reserved

all.

the

r I

up high,

there

sud - den - ly

-

came

a mourn

ful

u

Cry...

h

Ballad (1218 feel) (Double-time feel on repeat) A bmaj9

Fm9

Mis - ter -

I

And

1

And

if

B bmaj7

Pa - ga - ni - ni,

you can - not

u if

you

play

please play

it,

won't

sing -

you

my rhap - so - dy.

it? -

sing

-

-

can't

Dbl3#11

it,

you'll

sim - ply

r

have

-

to

eJ

I

bru - dit

-

n

-

I

di - doo - dle - ya - doo - di - dru

-

bi -

1 bow,-

I

1 001 -

J

is - ten, Pa - ga - ni - ni, -

1

I

-

we breath - less - ly

Go on, -

a - wait -

and swing

it.

your - mas - ter - ful

A

n

d

i

f you can't -

ba - ton. -

swing it,

I

I

you'll sim - ply

to -

boop - boo - ba - dee - da - do - ba

n

deel - ta - doo - di - doo - da- doot - - do01 - ya - ow.

and at

I

have -

plause.

the fi - nal bar, -

-

boop - m - be - dee- doo- dee dle-

We've heard your rep - er - toire, -

we

But

greet - ed

what

you

a great ov - a

with round

-

tion, -

ap -

79

To Coda

your

I

in - ter- pre - ta - tion

nev - er blinked back

-

don't you

at

be

fire

a

-&

of? Ba - boo

-

flies" -

mean - ie. -

would

nev - er cared much for moon

- lit skies,

So P a g - a - n i - ni,-

do.

What have

you

up your

sleeve?-

I

you'll sim - ply

have -

to.. . -

et

-

n-deet-n-doo-dit-n-dit-doo-boo-booie.-

D.S. a1 Coda

I

0

6

Boo - dit - n - di - dit - n - doo - dit - n - di

-

6

dit - n - di - dit - n - di - din - di - dee - da - do - do.

CODA

1

I

doo - be - yoo - be - doo - ba - doo - be - de - ba - dat

doo-ba-doo-be-yoo-ba-da-ba-doo-be-ya-ba do ...-

rit.

-

da,

ba -

. . Lis - ten - Pag - a - ni - ni, -

a tempo

Y

now,

And

1

to

.

don't you

be

Come

on-

if

you

swing

What have you

and

spring

--

r 3

a mean - ie. - 3 1

can't

-

it,

spring

you'll

up your

sleeve?-

it. -

sim - ply

have-

it. h

ILL WIND

(You're Blowin' Me No Good) Lyric by TED KOEHLER Music by HAROLD ARLEN

Ballad G+

ill

Blow, Instrumental

Let me

wind,

. rest

blow - in' me

no

good,

a-

You're -3-

I

blow

n

o

good. -

Copyright O 1934 (Renewed 1962) Ted Koehler Music and Harold Arlen Music All rights for the extended term administered by Fred Ahlert Music Corporation on behalf of Ted Koehler Music All rights administered by SA Music on behalf of Harold Arlen Music International Copyright Secured All Rights Resewed

ill -

Go,

Skies

are

go

a - way.

a - round-

oh, -

bor - hood, -

sun - shine

wind,

and that's - so good. Instrumental ends

)

I'm

need - in'.

You're

on - Ly

my neigh -

rnis-lead- iq'

the

I

trou - bles

that creep up -

from

ill -

out

wind,

of

no - where -

when love's

to blame.

blow a - way.

To Coda

I

Let me

rest

to - day.

You're -

blow

in'

me

no -

4

Fm7

no

good. -

CODA

I

1

good. -

no

ill

Blow,

blow.

3

wind, -

D.S. a1 Coda ~7b9

IT DON'T MEAN A THING (If It Ain't Got That Swing) Words and Music by DUKE ELLINGTON and IRVING MILLS

Fast Swing

It

-

swing.

don't

mean a

thing -

if

Doo- wah - doo - wah - doo - wah

wah - doo - wah - doo - wah - doo - wah.

It

don't

mean a

it

-

ain't

got -

that -

doo - wah - doo - wah - doo -

thing -

Copyright 8 1932 (Renewed 1959) and Assigned to Famous Music Corporation and EM1 Mills Music Inc. in the U.S.A. Rights for the world outside the U.S.A. Controlled by EM1 Mills Music Inc. (Publishing) and Warner Bros. Publications U.S. Inc. (Print) International Copyright Secured All Rights Reserved

all

you

Doo - wah - doo - wah

-

doo - wah -

To Coda

no

I

dif-f rence

if

just -

it's

give

or -

sweet

that

rhy - thm

ev

'ry

-

$

hot,

thing

you -

mean a

that

got -

swing. I

I

I

-

doo - wah - doo - wah

Boot - doot - dot

-

- doo - wah - doo - wah

m - bop

.

thing -

Doo - wah - doo - wah

if

it

yoot

-

-

I

-

doo - wah

ba - doot - n - dee - dee - dit

-

do0 - wah. -

doot - doo

-

I

I

I

4

i

-

d

-

Doot - m

-

I

- bop - m - boop

I

I

be - doot - n - doo - de - doot

-

doot - do01

-

yoo - da.

wah.

Doo.. .

It

makes

no

dif

-

frence

give

it's

sweet

that

rhy

or

-

thm

u

just

hot,

ev

-

'ry

-

thing

do0 - doot,

doo

-

yoo - doo- doot,

doo,

boo - dee - yoo - doo- doot,

n Y

c9 I

I

h

I

A7

F6 I

I

I

I

I

D.S. a1 Coda

t

/

wah ...

+

CODA

n

Y

m

F9 ,

I

I

cr makes

-

I

I

I

I

no

I

I

I

I

I

dif - f'rence

give

I

-

I

I

I 0

if

it's

that

Oh,

~ b 6

-

I

I

rhy - thrn

L

don't

I

I

rl

V

I

sweet

or

'V

ev

it

I

\

a

-

mean

thing

you've

a

thing

if

it

ain't -

got -

that

swing.

/

wah.

I

mean

a-

thing ...

A

THE LADY IS A TRAMP Words by LORENZ HART Music by RlCHARD RODGERS

Bright Swing G6

Am7

I

I

1

~'ve

- er

wished

grift - ed

too, -

nev

for

tur

wined

-

from Maine

and

dined

key,

to

as

A1

-

mu1 - li - gan

on

bu - quer

I

hitched

-

and

que.

Copyright O 1937 (Renewed) by Chappell & Co. Rights for the Extended Renewal Term in the U.S. Controlled by Williamson Music and WE Music Corp. olblo The Estate Of Lorenz Hart International Copyright Secured All Rights Resewed

stew

and

hiked

and

A -

94

Rubato B13

I

missed

I

sad, -

I

hon - ored

I

me. A

-

7

the

No - el

Beaux

was

nev

I

-

er

Cad,-

Urn

u

I

1

I

'PII

I

I

ball,

at-

but

My

,

Arts

I

I

"Ho

-

and

what

a

par

so - cial

bo - hem - i - a"

-

I

I

I I

twice-

ty

where -

cir - cles spin too

is

I

is

I I "

the

place

as

they

fast

for

to

1

Bright Swing ~ 1b93

D7sus \'

dlV "\ be.

-

I

II

I

11

Gmaj7

., I

I

I

rl.

I

1

I I

I 1

I

I

u

/"

I

grYney,-

I I

G6

for the

like go

din - ner beach

the thea to b a l l

tre, games, -

at is

get

too

hun -

eight, di - vine. -

nev - er

but the bleach

nev - er fol - low

ers

both Win

-

er chell, -

come are

late. fine. -

with and

I

I

peo read

-

I

p l e ev

dy dy

isi

hate. line.

-a

s

That's That's

v

'

a

tramp.

tramp.

crap

games

why why

the the

la la -

u mine Cen - tral

I

and Park

pearls,Lake. -

with

-

er - a,

the and

That's That's

why why

the the

la la

rest stay -

-

of wide

I

I

dy

I

2

tl

.

dirt op-

the girls. a - wake.-

is

I

I

the to

I

I

-/I

dish go

won't I

I I

I

-.c

a a

I I ( I

tramp.tramp.-

-

I

I

-

I I

I

I

id.

h

-

.

I

N.C.

I I

.

like like

the the

free, green

fresh grass

wind un

in my hair, der my

To Coda

shoes.

I

I

I'm -

cold

broke,

it's -

and

it's

life What

with - out can I

oke.

Hate

damp. -

4

care. lose?

Cal - i - for

-

That's

nia,

why

it's

the

la -

D.S. a1 Coda D7

99

CODA

I'm-

a- l

o

n

flat,

e when

I

low - er - my -

is

that's why the la -

lamp, -

a

tramp.

rit.

JUST ONE OF THOSE THINGS Words and Music by COLE PORTER

Rubato (fast) Bbmaj7

Cmaj7

~bmaj7

G7

~maj7

~bmajl3

Dor - o - thy Par - ker once

Csus

to

lum - bus

her boy

an-nounced when he

knew

-

he

"fare -thee - well." -

was bounced,

0 1935 WARNER BROS. INC. (Renewed) All Riahts Reserved Used by Permission

As

"It

Co -

was

as

~l - o - i

Ju - li - et

s

e

a

bell,

y

cried-

swell."

"Don't

in

her

As

for - get

Ro - me-0's

to

drop

a

Ab

-

il -

line -

to

lardz

me, please."

"Ro - me - o,

ear,

Moderate Swing Am9

u face

the

fact,

my

dear?"

It A

was

just

said

why

to

As

not

Bmll

one

of

just

those -

one

things,

of

' U

those -

cra

-

-

flings.

- now

One

and

then -

ring, -

of

those -

bells -

just

that -

one

of

those -

It

was -

Bmll

-

just

one

just

I

fab

flights, -

of

those

nights, -

one

of

those -

to

the

moon-

~7b9

Dm7

~7 b9

sa - mer

just

1

one of

I

f

we'd

thought

a

start

wings, -

those -

bit

o

paint

f

-

o

the end -

ing

the

f

it-

town.

we'd have

I

af - fair, -

it

been

that our

too - hot

was

not

love -

to -

-

A

Drnll

- cool

GI3

down. -

and

~7 b9

Am9

so,

good

man,-

man, -

here's -hop -

I

i

n

g

we-

meet

now

and

then. -

It

was

-

Em7

Dm11

A13

G7

one

C6 Y

I

rm

I

A

I

-

I

I

-

To Coda

of

$

those-

I

I

4

c, , things.

D.S. a1 Coda

If

we'd

CODA

$,, ~ b i 3

I

I

/

htnigs-,

just

-

one -

of

those -

things.

LET'S CALL THE WHOLE THING OFF Music and Lyrics b y GEORGE GERSHWIN and IRA GERSHWIN

Rubato F

c l 3 b9

Things have

mance

Dm7/A

is

grow - ing

G13

flat, -

Fmaj7 3

I

go for this

and

that.

come

for

C13/G

A

,

-

Good - ness

F/A

to

you

a

~ m 7

pret - ty

like

Our ro -

pass. -

this and the 0th - er,

F/A

knows what the end

C9E

Gmll

C7/G

be,

oh,

will

O 1936. 1937 (Renewed 1963. 1964) GEORGE GERSHWIN MUSIC and IRA GERSHWIN MUSIC All Rights Administered by WB MUSIC CORP. All Rights Resewed used by Permission

while

I

I

don't

know

where I'm

at.

It

looks

as

if

we

two

will

nev- er be

Moderate Swing ~m7b5

C9/E

Fmaj7

C

b one.

n

Y

I

I

+

I

f

3

I

?

Some- thing must

I

13

-

Il h I1Y

I I

-

I

be

done.

-

I I

MI MI.

I

I

id You You

I I

say eye say. lawf

-

ther, ter,

you you

say nee say af

-

ther ter

and and

I I

say ee say laugh -

ther ter

say ny say awf

ther. ter.

-

-

and and

Ee - ther, Laugh - ter,

nee - ther, af - ter,

eye- ther, lawf - ter,

You like You like

you you

like to - ma - to sas-pa-ril-la

and and

II

ny - ther, awf - ter,

po - ta - to va - nil - la

let's let's

and and

like to - mah - to. sas-pa-rel-la.

I I

thing call the whole call the whole - thing

like like

Po - ta - to, Va - nil - la,

off. off. -

po - tah - to, va - nel - la,

po - tah - to, va - nel - la,

to -

i

f

we

call

the whole

thing

if

that

I I

might

like go

break

my

pa - jah - mas, er - sters, for

heart. -

I'll I'll

( So, so,

wear pa - ja - mas or - der oy - sters

off-

then

we

if if

and and

ev - er

you you

give up can - cel

we

must

part,

then

like pa - ja - mas go for oy- sters

and and

pa - jah - mas. the er - sters.

I

know we

need - each 0th - er,

so

bet - ter call the call - ing off

we

off. -

For we

11

Y

I I)

h

cc b. ,uI

I

--I/,-

-

I

h

I

I

I I I

Let's - call

-

I

h

7.

I

I

the

I

r

whole - thing

i

l

\

8

l

d -

off. I

- call

the

whole - thing

off.

I

say

fa - ther and

you-

I

say

pa - der,

say moth - er

I

and

you-

say ma - deer.

-

Pa - der,

ma - der,

F7sus

F9

un - cle,

ahnt - ie,

Bb 619

Gmll

I

Bb6/9

I

Gmll

say Ha - va - na

Cm7

and

I

like ba - na - nas

F13

get

Ha - vah - na.

let's

and

you

call the

like

whole thing off. -

ba - nah - nas,

Bb6/9

Ba - na - nas,

ba - nah - na, Ha -

va - na,

Ha - vah - na.

Go

Instrumental ends

your

way,

so,

I'll

go-

Instrumental soli

mine. -

if

I

go

for scal- lops

and

you

go

For we

for lob - ster...

know we

so,

a1 - right,

need - each 0th - er, so

Let's

call

We'll or - der -lob - ster.

no con- test.

we

the

bet

whole-

-

ter call the call - ing off

thing -

off. -

I

off. -

LULLABY OF BIRDLAND Words by GEORGE DAVID WElSS Music by GEORGE SHEARING

Rubato (slowly)

Moderate Swing ~7#5

Cm

G7

Oh,

a1

bale

- ways hearand

coo-

~rn7b5

~7b9

Lull - a - by of Bird - land, Have you ev - er heard two

when when

you they

sigh. love? -

that's tur

Nev - er That's the

Q 1952, 1954 (Renewed 1980, 1982) EM1 LONGITUDE MUSIC All Rights Reserved International Copyright Secured Used by Permission

G7

-

in kind

what tle

Idoves -

my word of mag

-

-

land ic

I

I

1

could there be mu - sic we

ways - to re - veal, make- with our lips -

when we

-

wil - low. wil - low. -

-

how I'd cry

my pi1 -

a

phrase, - how

And

kiss.-

He -

in

in

low-

real - ly knows how to

there's a

cry. -

if -

I

feel. -

weep - y

old

That's -

you should tell me fare - well -

To Coda

$

Cm

I

Lull - a - by

- and good-bye. -

of Bird - land,

and -

I

fly - in' high in

_

we're in

Bird - land,

sky - up

Lull -

love. I

high in the

I

whis - per

we'll

go -

a - bove, -

a - by, -

low. -

all be - cause -

lull -

~mll

Bb13 b9

Have you ev - er heard

I

tur - tle

E bmaj7/~

I

doves -

Cm(maj7) Cm

That's the kind of mag-ic

bale

Fm7

and

B b7#9

coo-

w h e n

~ b m a j 7Ab7#ll - 3 1

mu-sic we make with our lips. -

when we

they

two

love?-

D.S. a1 Coda ~ b 6 Abl3#ll G13

kiss. -

I

I

all

-

cause

we're

in

love.

be

-

MIDNIGHT SUN Words and Music by UONEL HAMPTON, SONNY BURKE and-JOHNNY MERCER

Ballad A

,

~bmaj9

I"

1

I

Your

lips

were

the sum-mer

like

night.

a

red

and

ru - by

chal - ice,

The clouds -

warm

-

er

than

were like an al - a - bas - ter

Copyright O 1947 (Renewed) by Regent Music Corporation @MI) and Crystal Music Publishing. Inc. (ASCAP) International Copyright Secured All Rights Resewed Used by Permission

pal - ace -

I

.

.

ris - mg -

I

could-

snow - y

height,

see the mid - night -

sun. -

to

a

each star, -

I

can't-

-

ex - plain

the

sil - ver

rain -

that

found

me,

.

or

was - that

a

moon

I

round me,

-

I

-

The mu

lit vale?

or was that a

your

arms

sky turned

pale,

in -

night

mi - rac - u - lous - ly

-

of the u = ni - verse -

sic

And then-

gale?

found - me.

I

could - see the

a -

Sud - den - ly

mid

-

night -

sun.

the

1-

Was

there Solo ad lib.

It's

a thrill

- mY

I

sleeve.

still -

don't - quite

be

But af

-

there

To Coda

-&

ter you were gone, -

-

The flame-

such

a

night?

lieve.

was

still some star - dust

of

it

on -

may dwin-dle to an

1

I

em - ber,

may

and the stars

see

the

mead - ow

for - get

to - shine,

in

and

De - cem - ber. -

I

see

we-

white

-

u

and - crys - tal - line,

but oh, - my dar - ling, a1 - ways I'll

were - close-

to

mine,

and I

re -

saw

D.S. a1 Coda Dbmaj9 ~ 7 b 9 ( # l l )Dbmaj9 ~ 7 b 9 ( # l l )

I

the mid - night

sun.

I

Solo ends

em - ber,

and the stars -

The

for - get

to

-

flame

of

it

may

dwin - dle -

to and

shine,

and

u we

may-

see the mead - ow -

in

De - cem

-

ber.

I

see

white-

and-

-

but oh,

I

mem -

mid - night

ber

sun,

when your lips

the

mid

w

were - close

-

night -

to

sun, -

my dar - ling, al-ways I'll

mine,

re -

and I - saw the

the

mid

-

night sun, -

the

MISTY Words by JOHNNY BURKE Music by ERROLL GARNER

Ballad B bmaj7

Cm7

Dm7

Gm7

Pedal throughout

I.

I

help-less as a kit - ten - up a

tree,

can't

get mist - y

un - der- stand,

I

and I feellike

just hold-ing

I'm cling-ing to a cloud.. -

your

hand.

Copyright O 1955 by Octave Music Publishing Corp.. Marke Music Publishing Co., Inc., Reganesque Music, Limerick Music and My Dad's Songs, InC. Copyright Renewed 1982 All Rights for Marke Music Publishing Co., Inc. Administered by BMG Songs, Inc. All Rights for Reganesque Music. Limerick Music and My Dad's Songs, Inc. Administered by Spirit Two Music, Inc. International Copyright Secured All Rights Reserved

I

I

-

Walk -

thou - sand

sound

near.

vi - o - lins

ofyourhel- lo,

that

my

be - gin

mu-sic

I

to

and

play, -

3

or

it might be

a

the

I

hear. -

Can't you

see

that

you'relead -

ing

me

on,

and

it's - just

Fmll

what

I

want -

Bb13

2 -

I

you to do.

Fmll

Bbl3

Don't you no-tice

how

hope- less - ly I'm lost?

c#l3sus

my

own, -

would I

Emaj7

wan

I

-

right

der through this won - der - land -

foot

frommy left,

my

hat

from my

glove. - I'm too mist - y

and too much in

Rubato

u

much

I

in

love.

OH, LADY BE GOOD! Music and Lyrics by GEORGE GERSHWIN and IRA GERSHWIN

Rubato Dsus

Gm/D

D7sus

Dsus

~ b 7 / ~

D

~b7#ll

I

I

-

Lis - ten to my tale of woe, it's

ter - ri- bly sad, but

mx

All dressed up, no place to go, - each

ev' - ning I'm a w - f ly blue. -

Slowly Gmaj7

I

I

D/F#

G/B

could blos - som out,

Cm6

I

D7

know, with some - bod - y just

G

like you,

Q 1924 WB MUSIC CORP. (Renewed) All Rights Reserved Used by Permission

F7/A

so...

~b

Oh,

sweet

and

Eb9

A

~bmaj7

~7#11

Cmll

Cmll

Cmll

rnis - un - der -

I I 1

I 1 1

h.

8

Y

I

A

I I

I

I

I

I

0

w\

to

me.

V

-

8

I

I

pit - y,

please have some

C13

c9#5

all

C9

a - lone -

~9#ll

in

this

F7

big

Cm7

C7

F7

cit - y.

I

tell

you,

--

just

I

c,

-

a

-

I

rl

so

lone

I

some

h

l

-I'

I

1 ; -

L

la -

-

I

I

-1

dy,

7

I

babe

n

I

I

I

-3 be

i

good

I

the

wood,

#

L

I

I 0

to

1

I

I I

II

I

I I1

/-&.

u\

please -

I

-1

1

Oh,

me.

I

-

-

all

have

I'm -

some

a - lone

in

big

this

cit - y.

w -

I

tell

YOU,

I'm

just

a

lone

-

some

babe

i

n

the

wood,

so,

la

dy,

be

good

-?-

I I

-

I

I I

I

I

u

u\

to

me.

*&

I

-2 la

-

to

me.

-

dy,

be

good

SATIN DOLL By-DUKE ELLIIVGTON

Moderately slow Swing Gm7

C9

Doo - dle - oo - doo - doo, (D.S.) Lead vocal ad lib. (scat)

I

boo

do0

-

doo.

Copyright 0 1953 (Renewed 1981) and Assigned to Famous Music Corporation in the U.S.A. Rights for the world outside the U.S.A. Controlled by Tempo Music, Inc. do Music Sales Corporation International Copyright Secured All Rights Resewed

doo.

A

1

F6

Cmll

-

I I

I

doo - doo - dee - doo

doo - doo -

yoo - doo - doo /

-

-

I

rl

I

I

I

hrl

I

I I

rn

I I

I

I_ I

I

-

I

-I

doo,

doo

do0 -

-

doo

-

doo

-

doo - dee - doo

doo -

doe.-

A

1

Gm7

-

C7

dn - doo- doo

Amll/E

-

D7

Gmll

doo,

To Coda

C7

doo

Am7lE

Doo - dle - oo - doo

doo.

-

C0,DA

I

doot - n - doo.

doo,

doo,

D.S. a1 Coda

-

-

$G9 Doo-dle - oo

doo

D9

Do0

doo,

STOMPIN' AT THE SAVOY Words and Music by BENNY GOODMAN, EDGAR SANIPSON, CHICK WEBB and ANDY RAZAF

Moderately slow Swing

Sav - oy,

the home of sweet ro -

3

mance.

I

-

Sav

gives hap - py feet

-

oy, -

a

chance-

it wins you

at -

to

a

glance. -

dance. -

Copyright 0 1936 by EM1 Robbins Catalog Inc. Copyright Renewed by Rytvoc, Inc., Ragbag Music Publishing Corporation (ASCAP). EM1 Robbins Music corp;ation and Razaf Music Co. All Rights for Ragbag Music Publishing Corporation Controlled and Administered by Jewel Music Publishing Co., Inc. International Copyright Secured All Rights Reserved Used by Permission

Sav

-

oy-

I

I

Your

- so warm and-

mine,

How

di

my

heart-

form,

sweet as

-

wine. -

just like

a cling-ing

Your

vine. -

cheeks,

-Your

so

lips, -

soft and close

to

vine.

is

sing- in' -

while

the

band-

is

1

swing- in'. -

L

Nev - er

-

I

I

I

ri

I

I

I

I

,

I 1 h -l

I

(.

-

I 1

I

I

-

stomp - in' with you

Sav

at

-

I

I

I,

I

h-l

I \

-

I I

A

1)-

-11

I

I

E bm7

the Sav - oy.

oy, -where we

can glide

and

sway.

Gb Gdim

there let me stomp a - way -

and

-

Db

A b7sus

A13

I

I

romp - in'

of

/ tired -

with

you.

Sav

-

~ b / ~ b~b13#11

oy,-

TAKE THE "A" TRAIN Words and Music by BILLY STRAYHORN

Moderate Swing N.C.

n

N.C.

Y A

II

cr

II

11.

N.C.

-

I I

I

,

I

I

'

A

Hee-doot-n-doo-ba-oov-da

I I

I

Doo

n - da - boop - m - boo bee.. .

\

P

-

-

n - dee-doo-hah

0 I

I

I

I

I

1

I

I

da - n - da -

-

how..

.. 1

h

I1

4 Copyright @ 1941; Renewed 1969 Dreamworks Songs (ASCAP) and Billy Strayhorn Songs, Inc. (ASCAP) for the U.S.A. Rights for Dreamworks Songs and Billy Strayhorn Songs. Inc. Administered by Cherry Lane Music Publishing Company, Inc. International Copyright Secured All Rights Reserved

_

-

I1

Y

I

II

t

11.

I

-

u\ You

I

must

take miss

If

fi ~ 7 # 1 1 tT

I

I

-I

"A-

"A"-

I

I v-

the the

--

Gl3sus

I

A

I

4

d

I

1

I

I

I

I J

I

-

_ you've

I

-

to you'll

train train,

-

to

missed

the - quick - est

Har

-

lem.

way -

Hur -

N.

gofind -

on,

now

it's

com

ing.

a

I

-

train.

-

thrum

Soon

-

1

you

I .

will

be

on

Hill

Sug - ar

Boo - doot - n - yee - doot - n

-

in

Har

-

--

lem.

da - ba - yoot - n - ba - ba - dee ...

You,

-

must

to

Sug

I

I

-

est

.

Hill

-

-

I

to

I

the

Ha,

up -

I

I

miss-

way

way

I

I

you-

If

ar

I

I

I

I

-

in

I

I

4

" A - train, -

I

-

I

h-l Y

Har

-

lem. -

I I I

you've

I

-d

missed

-

I

I

I

hd

the-

Ha,

quick -

Har -

I

1

-

lem. -

Hur -

Lis

-

- thrum

ry,

get on -

ten

board, -

to

those

it's

corn - in'. -

rails

a -

- min'. -

train. -

Soon

you will

be

on

Sug - ar

Hill -

N.C.

U

*.-+'in

Har

-

lem.

N.C.

A

Next

I

Come-

I

7 " m

I train.

Ll

on,

get

I

I

h

1

l

I

I

a - b o a r d

the

I n

I

stop:

Har

/ -

lem,

"A"

I n

-

I

-

4

A-Tisket, A-Tasket ~

:

C

;

o

~

But Not For Me

Cheek To Cheek

E w y To Love (You'd Be So Easy To Lova) Ev'ry Ti ,

,

.. . ,,

.

.

..

.

,

I; Don4t:Mean . , A Thing (If . , .

.

.

.

. ,.

. .

. , . ..

.,,:

. .- . .. .. . .

.

,

-.

,

.

It Ain't

.

,

, , . . .,. .., . '.8 .I ,, ,.; ,_ , ., , 1 . , , .

.

.'

..

.

.

.

.

.

'

,

.

.

I S B N 0-b34-0b342-1

U.S. $16.95

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