Ritmica e Levadas Brasileiras - DeMO

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ÍNDICE PRIMEIRA PRIMEI RA PARTE: ESTUDOS RÍTMI RÍTMICOS COS 1 Fundamentos de bateria e percussão aplicados ao piano Single Stroke ( (toque simples )

      single stroke        Double stroke ( (toque duplo )

      

Triple Stroke (toque triplo) Paradiddle   paradiddle ( (paradiddles de 2 a 8) Paradiddle  

         Cantaloupe Island   

2 Rítmica na melodia                      

10 11 12 13 14 16 16 18-25 26 26 27

28 30 30 32 35

SEGUNDA PARTE: FIGURAS RÍTMICAS BRASILEIRAS 1 Bossa Nova PADRÕES 1 e 2

              PADRÕES 3 e 4

     PADRÃO 5 PADRÕES 6 e 7

       Você vai ver )           

2 Exercícios de contratempo para a música brasileira          

38-39 40 41 41-42 43 44 46 46

47-49 51

3 Samba PADR 

             Samambaia             PADR 

52 54 55 56 57

PADRÕES 3 e 4

     

58-59 60

4. Samba-canção PADRÕES 1 a 4

61-62

5. Partido Alto PADRÕES 1 a 5 MÚSICA: Por outros sambas

 

63-68 69

6. Samba-Funk PADRÕES 1 e 2

   Don't Go  

70 72

7. Baião PADRÕES de 1 a 4

   

73-75 78

8. Choro PADRÕES de 1 a 4

   

79-82 83

9. Maracatu PADRÕES de 1 a 3

   Maracatu  

84-85 85

10. Frevo e Marcha-Rancho PADRÕES 1 e 2

86

APÊNDICE: EXERCÍCIOS DE COORDENAÇÃO E INDEPENDÊNCIA Exercícios  

88-89 90

PREFÁCIO                                                                 Köln Concert                           paradiddle   ostinato                                                                                                                                                                                                                    swing                                                                                         Rítmica e levadas brasileiras para o piano                    levada                                 levada                                                                                              

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APRESENTAÇÃO                                                                                                                 paradiddles  strokes                                                                                                                                                                                     

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                        swing                    !

                                                                   Samambaia                     Samambaia        Solo brasileiro 

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        paradiddle               

Como aproveitar este livro ao máximo                                                                                                                                                                                                                     "

!"#$ &'(("#) * +,-.$/) 0 (01)2)3 4#)3$(0$#)3 5)#) ' 5$)6'

                                                                                                                                                                                                                                         

Sem ritmo não há nada. Sem o ritmo e sua alternância não há estações, não há vida nem morte, não há respiro, não bate coração.

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1 FUNDAMENTOS DE BATERIA E PERCUSSÃO APLICADOS AO PIANO                                                                       S INGLE STROKE 

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TRANSCRIÇÃO DE PADRÕES: HERBIE HANCOCK       toque duplo,         (1)

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                                             Ao Vivo             The brazilian guitar book. &!




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3 SAMBA O samba                                                        (1)     PADRÃO 1                       (2)

PADRÃO 1

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                    staccato           

      

 &%

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                                                                                                                     +(




!"#$%&' )'*+", -.#$*'/ *0+1.2'/ 3*'/.4".*'/

5 PARTIDO ALTO O partido alto                            partido alto                                                            partido alto                   

   

   

   

   

   

                                                   

      





D

D







E

E

E



D





E

E

!*




!"#$%&' )'*+", -.#$*'/ *0+1.2'/ 3*'/.4".*'/

Por outros sambas  !*

 

  

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8 CHORO             choro        polka  schottisches        maxixe                                                        choro                                                                            (1)            

 "#'$

  Gaúcho   batuque   

          batuque   

          ",




Ritmica e Levadas Brasileiras - DeMO

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