Flute Making Bamboo Types No part of this presentation, either wholly or partially be used as references without the mention of the Vamshidwani institution. For the propagation and promotion of the arts, conditional rights will be given upon written requests. All rights reserved.
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Objectives
To introduce commonly used bamboo for flute making To understand the challenges & appreciate the efforts in the production of flutes To understand the limitations of flute making To realize the challenge in performing classical music on the flute
Synopsis The presentation would cover the following topics:
Production Process
Challenges
Conclusion
Production Process
Introduction
Bamboo Types
Selection & Design
Introduction
Unknown to many, the bamboo is actually a type of grass & not a tree-like plant It belongs to the Poaceae grass family, a species of grass that appear to have properties of trees though biologically exhibit properties of grass plants There are over 1400 species of bamboo around the world & they can be seen in the countries of all the 3 tropic zones
Introduction
In Asia, the bamboo has found itself many uses including the manufacture of furniture, medicine, textiles, weapons, writing instruments & surfaces & even bicycles As a musical instrument, it is ideally preferred because of its uniform shape, strength, durability & excellent acoustic properties. The Chinese, Japanese & the Indonesians have made a wide of musical instruments from the bamboo alone
Bamboo Types
In India, 2 types of bamboo are used in the manufacture of the flute.
Assamese bamboo - bansuri (North Indian flute) Nilambur bamboo - venu (South Indian flute)
megforest.gov.in
www.nilambur.com
Bamboo Types
There are no discriminating factors for the choice of these 2 bamboos musically In the past, the geographical proximity of these materials at the respective places prompted flute makers to select them at their convenience Today however both types of bamboo are being played by both North & South Indian flautists as well as making them into North & South Indian flutes
Selection & Design
The most challenging part of the the manufacture involves primarily in the selection of the right type of bamboo Regardless of the type, flute makers look out for the following factors when selecting flute making bamboo:
Uniformity (Preferaby, straight bamboos are selected) Cracks (Cracks will distrupt the boring process seriously) Reed Thickness (Nilambur bamboo are usually thicker) Length (longer flutes have lower pitch) Bore Diameter (small diameters require heavy blowing)
Selection & Design
In Carnatic music, a thicker reed is often preferred as a rich tone is produced, which mimics the vocal form of the music extremely well Nevertheless, varying the length of an Assamese bamboo can also produce the same effect Competent Carnatic flautists use both bamboo types in their performances
Selection & Design
The boring process is the next most tedious part. The bamboo flute cannot be bored using conventional boring machines as it will shatter the the entire material Instead, a heated iron rod is pressed square to the surface of the bamboo producing until it passed through the reed The challenge is boring at the right distance between each hole. A wrong placement would require the entire effort to be restarted as the notes will not fall in place
Challenges
Tuning
Maintenance
Tuning
It would require, an experienced flute maker to design a concert-worthy flute. The entire boring process itself will take at least 2 months even to the most experienced flute maker Competent flute makers are often amateur flautists themselves & do possess good note recognition skills, which comes with experience & a sound music knowledge As such concert-worthy flutes are usually expensive & not produced commercially
Maintenance
Often, after the finishing, little maintenance is required unlike most South Indian music instruments which require consistent tuning The Assamese bamboo would require some oiling, (mustard oil) seasonally to keep it healthy A well-selected bamboo would not yield any fungus problems (white patches) which, even though however does not affect the thickness, or musical quality
Maintenance
Cracks should be sealed without delay with suitable wood or bamboo adhesives or better still consult an experienced flute maker or flautist for guidance They should be kept away from temperature extremes as it would affect the lifespan of the bamboo & away from moist & humid areas It is important to note, that a well used flute produces better sound than a 'green' flute as the bamboo fibres would be seasoned with consistent music practice
Conclusion
Appreciation
Carnatic Flute Makers
Appreciation
Needless to mention, the aim of this presentation is to showcase some of the most important issues that relate to the manufacture of the flute. For the most part, playing classical music on the flute is an extremely challenging feat which can be noted from the number of limited competent performers & also that they are also vocalists themselves Noted classical singers like Dr. M. Balamuralikrishna & T. N. Seshagopalan can play the flute
Appreciation
Flautists also do not engage in performing vocal music as flute playing would significantly strain the vocal chords as with Nadeswaram players It is therefore high-time to realize the sacrifice & the effort flautists take in preserving the art
Carnatic Flute Makers
Two prominent flute makers are listed in this presentation
www.anubodh.com
homepage.mac.com/ludwigpesch/sampurna/htmlpag/E/Sivadas_TA_fl utemaker.html
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