A Yellow Mythos poem from 1994, a slightly revised in 2017; I don't know if I can call it a "classic." Certainly, this poem is MY first foray into the Carcosa Mythos. Lovecraftian Poem. 1994…Full description
This is a sample of my latest extracts from the Yellow Grimoire of Zukala-Koth; The King In Yellow. Carcosa Mythos. A divinatory Lovecraftian Ritual.Full description
A Cthulhu Mythos poem from 1994; one of my first Lovecraftian verses.Full description
Here are some more excerpts from THE KING IN YELLOW. Carcosa Mythos.Full description
From 1994 comes this classic reprint from the pages of Call of Cthulhu! One of the first (if not the THE first) essays looking into the correlations between H. P. Lovecraft's influence and D…Full description
A little-known piece of Lovecraft's NECRONOMICON.Full description
An original Cthulhu Mythos Reprint by Allen Mackey, from CTHULHU CULTUS # 4, 1996. Rated R.Full description
The Great Old One named Zathog is the subject of this brief pseudo-factual Cthulhu Mythos work. Based on Richard L. Tierney's Zathog. May the Galactics bless you, RLT!Full description
This is a collection of Cthulhu Mythos poetry based on Yig the Serpent God. Most of the poems are from the website ALLPOETRY. Edited by Allen Mackey, November 2017.Full description
An extract from the PONAPE SCRIPTURE of Cthulhu Mythos fame! Lovecraftian Occult Work.Full description
Carcosan Sorcery! Here is another chapter from The Imperial Grimoire of Cadon-Yeth, which my friend Adam Qade had channeled around ten years ago. Lovecraftian Occult Work! The KING IN YELLOW…Full description
An excerpt from the ALTUAN RITUALS, a companion piece to THE WHISPERS OF ALTUAS; a Cthulhu Mythos Grimoire from antiquity. Lovecraftian Occult Work!Full description
The first public disclosure of the K'n-yani Studies; Hollow Earth and the Cthulhu Mythos. Based on an account of the Great Road within the Hollow Earth by the SubGenius Foundation, along wit…Full description
The message, fragment 2. Pertains to the current shifts, internal and external. Begin next phase.Full description
Here is another excerpt from the incredibly ancient tome called the SSATHAAT SCRIPTURES, a dark tome of Yig rites and prayers, etc. which had been guarded by a certain Native American group …Full description
The Aklo Unveilings is a very obscure Cthulhu Mythos document. It had been a closely guarded occult text for a long, long time. Here is the infamous Last Key, the 49th! Lovecraftian Occult!Full description
An excerpt from yet another Cthulhu Mythos Tome. Lovecraftian Occult Work! Based on the "first" two progeny of AZATHOTH!Full description
This is a very brief excerpt from the Cthulhu Mythos tome called G'HARNE FRAGMENTS. I believe that Brian Lumley had access to this particular fragment, or one similar to it, for his fiction …Full description
Here is another piece of The Aklo Unveilings. Lovecraftian Occult! Cthulhu Mythos Sorcery! Elder Magick!Full description
One more chapter from THE SCARLET EDDA, an ancient tome from Lemuria. Lin Carter quoted from that Book many times in his Thongor of Lemuria tales. Lovecraftian Occult Work!Full description
A CTHULHU MYTHOS RITUAL. THIS IS AN EXCERPT FROM THE BOOK OF IOD.Full description
in-the-hall-of-the-mountain-king
playing guitar in the way of B.B.KingFull description
PLAY FRAGMENT by ALLEN MACKEY
Note: This extremely brief fragment of The King In Yellow as Yellow as fo!n" b!rie" beteen the mil"ee" #ages of some ol" o$$!lt boo% in one of the boxes of ar$ane resear$h that & ha'e inherite" from my "e$ease" frien"( A"am )a"e* & $o!l" not #la$e exa$tly what e"ition e"ition of the #lay it ha" been ri##e" from+ & only %n that it seeme" naggingly familiar* No & ha'e remembere", Play Fragment From one 'ersion of The King In Yellow( Yellow( A$t &( -$ene .*** Cor"elia: /ait00, My )!een( )!een( hat am & to "o001 "o001 2Cas 2Cassi sil" l"a a al% al%ss aay aay(( igno ignori ring ng the the #lea #leass of Cor" Cor"el elia* ia* Cor" Cor"el elia ia(( loo%ing $onf!se"( $onf!se"( an"ers the the other ay* Naotalba an" Prin$e Thale enter the $orri"or*3 Prin$e Prin$e Thale: Thale: 4%ay( 4%ay( 4 #riest #riest,, /here is this myster mystery y of hi$h hi$h yo! s#ea%1 Naotalba: Naotalba: My Lor"( Lor"( as yo! ill soon see( see( beyon" this this in"o in"o is the 5hoori$ 5hoori$ Toer* That is here this this ill be #laye" o!t( o!t( the $o!rse of e'ents hi$h ha'e be$ome be$ome entangle" ith the s$o!rge of time* As for the meaning of my or"s( or"s( my yo!ng #rin$e( the time has $ome* 6eyo 6eyon" n" the the $ase $aseme ment nt in" in"o o $an $an be se seen en a larg largee ston stonee toe toer( r( #arti #artial ally ly obs$ obs$!r !re" e" by $!rl $!rlin ing g gray gray mist mists* s* As they they loo% loo%(( the the mist mistss re$e"e an" a leering s%!ll0li%e fa$e( im#ossibly thin( a##ears on the 5hoori$ Toer* &ts hollo eye0so$%ets bla7e male'olently ith re" flames hi$h seem to be staring at them* The royal onloo%ers lo!"ly gas# in ama7ement an" sho$%* 2Naotalba smiles* For in the f!llness of time his s$hemes begin to ta%e
sha#e* The lega$y that is Car$osa be$%ons*3 Commentary: Li%e & state" at the beginning( the torn #age ith this 8Play Fragment8 as fo!n" in .9; among the #a#ers of A"am )a"e* /itho!t any other ritten $l!es( & ha'e sin$e "etermine" that there is more than a #assing similarity to the Thomas Ryng 'ersion of the #lay from <<< #!blishe" by Armitage =o!se* =oe'er( & am !n$ertain if the text is s!##ose" to ha'e been a #art of Ryng>s #lay( ?#erha#s from an 8a#o$ry#hal8 #assage@ or from another that as merely ins#ire" by Ryng>s boo%* &s it sim#ly an a""ition1 F!rther in'estigation is $alle" for* ?There is the 8boneless8 #ossiblity that the so!r$e0text has its origin in another 'ersion altogether*@