Here is my second little piece of THE KING IN YELLOW. Trust me, I have a bunch more. Carcosa Mythos.Full description
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Cat John Wick RPG
MatthieuFull description
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If you could spend a few minutes with biblical heroines Ruth, Sarah, Mary, and others, what valuable lessons would they share with you? In the tradition of Running with the Giants and Learning from...
MatthieuFull description
for auditionDescrição completa
for auditionFull description
Ukulele songbookFull description
play classical music on your ukuleleFull description
A book about bold Modernism in ex-YugoslaviaFull description
Descripción: archetypes
in-the-hall-of-the-mountain-king
Recipes included in this excerpt: - Fig Tart - Blueberry Crumb Cake - Fourth of July Mixed Berry Cobbler Known for his delicious and gorgeous baked goods, John Barricelli of the SoNo Baking Compa...Full description
พระราชประณิธานเรื่องระบอบประชาธิปไตยของพระบาทสมเด็จพระปกเกล้าเจ้าอยู่หัว ในพระราชบันทึกที่มีชื่อว่า “Democracy in Siam” ความยาว ๓ หน้ากระดาษ พระราชทานลงมายังคณะกรรมการจัดระเบียบองคมนตรี ในเดือนมิถุ...
Anthony Cirone Snare drum studes,
sample excerpt of meeting
A copy of the sheet music from a Clarinet AuditionDescrição completa
EXCERPTS FROM THE KING IN YELLOW by JOHN WICK
NOTE: NOTE: This This is a compila compilatio tion n o !"c!#p !"c!#pts ts #om #om The King in Yellow !"c!#pts by mast!# RP$%!# John Wic&' as p#!s!nt!( in The Complete Curs Cursee of the Yell Yellow ow Sign campai)n o# th! Call o Cth*lh* )am!. )am! . Not! that only th! !"c!#pts an( not th! mat!#ial abo*t th! play a#! incl*(!( h!#!in+
,-ct I S*mma#y, This is an *ntitl!( .o#& incl*(!( as pa#t o th! Call o Cth*lh* )am! campai)n by John Wic&' Curse of the Yellow Sign, !t "+ " + Th!#! Th!#! is a s*mma#y o# both acts in /!#s!0 amo*ntin) to po!tic int#o(*cto#y not!s+
-ct I+ T*!"!(os an( )o.ns in( th!i# plac!s 1*t th! p#o)#am )i/!s no .a#nin) Th! li)hts (im an( th! play b!)ins Th! /iol!t o mo#nin) In C#r!os#.
Th! s*n bl!!(s in th! East Th! Hya(!s sin) th!i# (yin) th#o!s Th! sta#s #is! to claim th!i# p#i2! Th! 3*!!n4s son) still !cho!s In C#r!os#. Son)s o so##o. son)s o pain Mas&!( an( (is)*is!( -ll hop! has l!( th! 3*!!n in R!( H!# Fat! is c#ystali2!( In C#r!os#. Th! 3*!!n )#o.s .!a#y o .o#(y )am!s H!# (a*)ht!# (anc!s (!l*sion!( H!# son) sin)s h!# son)s b*t h!# h!a#t b!lon)s To th! mists an( ill*sions In C#r!os#. Th! a*(i!nc! shits *nc!#tain What is #hym! an( .hat is #!ason 5n!asy in th!i# s!ats b*t th! play is not compl!t! Th!y b!)in to s*sp!ct t#!ason In C#r!os#. -t mi(ni)ht a St#an)!# calls Th! 3*!!n is *ns*#p#is!( O Kin) in Tatt!#s th! cloc& is shatt!#!(
H! t*#ns to *s .ith his a.*l !y!s+
,-ct II S*mma#y, 6i&! th! ,-ct I S*mma#y', this is #om th! RP$ s*ppl!m!nt by John Wic&' The Curse of the Yellow Sign, !t I. -ppa#!ntly th!s! int#o(*cto#y .o#(s ha/! manip*lat!( th!at!#%)o!#s o# )!n!#ations+ In som!' th! /!#s! #!p!tition ca*s!( h!i)ht!n!( an"i!ty l!/!ls an( an o/!#.h!lmin) s!ns! o (#!a(+ -t th! sam! tim!' #!po#t!(ly' oth!# p!opl! .!#! *nto*ch!( by th! .o#(s+
NOTE: Th! p#!s!nt #a)m!nt' a si2abl! !"ampl!' is #om John Wic&4s Curse of the Yellow Sign, !t II. E/i(!ntly this s!ction .o*l( b! at!# th! ,-ct I S*mma#y+,
Th! O/!#t*#! $ figure #ll in 'l#!( we#ring # white m#s( st#n)s on the st#ge. No lights.& PH-NTOM OF TR5TH: This is ho. it !n(s+ This is ho. it !n(s+ 7o* ha/! call!( m! an( I am h!#!+ I am th! )at!.ay b!t.!!n .hat is t#*! an( .hat yo* .ish .as t#*!+ Th! (oo#.ay b!t.!!n antasy an( act+ It is only a littl! st!p b!t.!!n yo*# li!s an( m!+ 1*t I .ill l!a( yo* th!#!+ -ll yo* n!!( (o is ta&! my han(+ Fo# I am th! Phantom o T#*th+ I am th! 6ast Kin)+ Com! to .!( th! 6ast 3*!!n+ Th! Kin) in 7!llo. an( th! 3*!!n in R!(+ -n( I .!a# no mas&+ This is ho. it !n(s+ This is ho. it !n(s+
-ct ' Sc!n! $The st#ge is empt* s#+e for three t#ll win)ows. Outsi)e, the s(* shows the !onstell#tion of l)e'#r#n. W#l(ing on the st#ge, -EEN CSSIL #ppro#!hes the win)ow !losest STGE /IGHT.& C-SSI6;-: I can almost s!! Ca#cosa+ $0/INCESS C1ILL enters.& C-MI66-: Moth!#' .hat (#!ss (o yo* thin& I sho*l( .!a#8
C-SSI6;-: I can almost s!! Ca#cosa+ C-MI66-: Th! bl*! is lo/!ly' b*t Tosha so (o!s lo/! th! )#!!n+ -n( I <*st (o not &no. .hich o th!m I .ish to pl!as! toni)ht+ C-SSI6;-: Its to.!#s' #isin) #om th! mists+ C-MI66-: -n( th! #!(+ I lo/! th! #!(+ I I .as thin&in) only o mys!l I .o*l( .!a# th! #!(+ C-SSI6;-: Its )abl!s to*chin) th! s&y+ C-MI66-: Th! #!(' th!n+ I shall b! s!lish toni)ht+ Tosha an( =#!n can (o th!i# b!st to pl!as! m! o# a chan)!9 $'e#t& Moth!#8 -#! yo* list!nin) to m!8 C-SSI6;-: Th! Kin) in 7!llo. an( th! 3*!!n in R!(+ THE PH-NTOM: Sin) yo*# son)' my 3*!!n+ C-SSI6;-: -lon) th! sho#! th! clo*( .a/!s b#!a&' Th! t.in s*ns sin& b!n!ath th! la&!' Th! sha(o.s l!n)th!n In Ca#cosa St#an)! is th! ni)ht .h!#! blac& sta#s #is!' -n( st#an)! moons ci#cl! th#o*)h th! s&i!s 1*t st#an)!# still is 6ost Ca#cosa+ C-SSI6;-: Its to.!#s' #isin) #om th! mists+ C-MI66-: -n( th! #!(+ I lo/! th! #!(+ I I .as thin&in) only o mys!l I .o*l( .!a# th! #!(+ C-SSI6;-: Its )abl!s to*chin) th! s&y+ C-MI66-: Th! #!(' th!n+ I shall b! s!lish toni)ht+ Tosha an( =#!n can (o th!i# b!st to pl!as! m! o# a chan)!9 $'e#t& Moth!#8 -#! yo*
list!nin) to m!8 C-SSI6;-: Th! Kin) in 7!llo. an( th! 3*!!n in R!(+ THE PH-NTOM: Sin) yo*# son)' my 3*!!n+ C-SSI6;-: >-s&!( To Sin) Th! Son) O Cassil(a? -lon) th! sho#! th! clo*( .a/!s b#!a&' Th! t.in s*ns sin& b!n!ath th! la&!' Th! sha(o.s l!n)th!n In Ca#cosa St#an)! is th! ni)ht .h!#! blac& sta#s #is!' -n( st#an)! moons ci#cl! th#o*)h th! s&i!s 1*t st#an)!# still is 6ost Ca#cosa+ Son)s that th! Hya(!s shall sin)' Wh!#! lap th! tatt!#s o th! Kin)' M*st (i! *nh!a#( in ;im Ca#cosa+ Son) o my so*l' my /oic! is (!a(0 ;i! tho*' *ns*n)' as t!a#s *nsh!( Shall (#y an( (i! in 6ost Ca#cosa+ C-MI66-:
$)isguste)&
7o* n!/!# list!n to m!9
$E2#unt C1ILL& C-SSI6;-: I can almost s!!+++
-ct ' Sc!n! @ $-oht the Younger #n) -oht the El)er #ppro#!h the !#stle #t the g#te. The win) #n) snow 'low #roun) them.&
E6;ER: Ha/! yo* s!!n Moth!#8 Sh! loo&s as clos! to (!ath as a co#ps!+ 7O5N$ER: Clos!# to a co#ps! p*ts *s clos!# to th! Th#on!+ E6;ER: 7o*# ambition is tast!l!ss' b#oth!#+ 7O5N$ER: It tast!s s.!!t to Camilla+ E6;ER: H!# tast!s a#! <*st as bitt!# as yo*#s+ 7O5N$ER: Ho. .o*l( yo* &no.' b#oth!#8 Tast!( h!# ot!n8 E6;ER: 7o* (is)*st m!+ 6ist!nin) to yo*# plots ma&!s m! .on(!# i I sho*l( b! so conc!#n!( .h!n I sit on th! Th#on!+ 7O5N$ER: 1! sil!nt9 Som!on! app#oach!s9 $ENTE/ C#mill#& C-MI66-: $C1ILL& Hugs the El)er #n) (isses the Younger& My b#oth!#s9 -n( .hy hom! so soon8 Is th! .a# o/!#8 E6;ER: -las' no+ It s!!ms it has only b!)*n+ 7O5N$ER: O*# a#mi!s (i( not a#! .!ll a)ainst th! En!my' sist!#+ C-MI66-: Wh!n n!.s #!ach!s th! st#!!ts' th! st#!!ts shall not b! sil!nt+ 7O5N$ER: Th!y .ill .ant bloo(+ E6;ER: Th!y can in( it in th! /!ins o o*# En!my+ C-MI66-: Th!y .ill in( it in th! .al&in) co#ps! that sits on o*# Th#on!+ 7O5N$ER: -y!' i that co#ps! has any bloo( l!t in h!#+
E6;ER: That is o*# moth!# yo* sp!a& o' b#oth!#+ 7o* .ill &!!p yo*# ton)*! ci/il in yo*# h!a( o# I .ill c*t it o*t o# yo*+ 7O5N$ER: $to C1ILL& O*# b#oth!# has not ta&!n .!ll to th! (!!ats o*# En!my has )i/!n *s+ E6;ER: 7o* sp!a& as i th!y .!#! )its+ C-MI66-: Th!y a#! )its' b#oth!#+ ;o yo* not s!!8 W! can *s! th! (!!ats an( th! #is& o #!/olt to #!sto#! sanity to th! Th#on!+ E6;ER: Sist!#… C-MI66-: Sh! says sh! can s!! Ca#cosa on th! la&!+ E6;ER: No… C-MI66-: E/!#y (ay' sh! sta#!s o*t th! .in(o.+ E/!#y ni)ht' sh! .al&s th! halls+ Sl!!pl!ss+ -#ai( to sl!!p+ Th! apoth!ca#y has )i/!n h!# a po.(!# to &!!p h!# sa! #om (#!ams+ Sh! says sh! is !a)!# to call th! Kin)+ E6;ER: 7o* .ill b! sil!nt' no.9 I this is t#*!' I shall s!! it o# mys!l9 C-MI66-: 7o* shall' 5oht+ 7o* shall+
-ct ' Sc!n! A $CSSIL #n) NOTL3 in the ueen4s Ch#m'ers& N-OT-61-: What is it yo* s!!&' my 3*!!n8 C-SSI6;-: Ha/! yo* o*n( th! 7!llo. Si)n8 N-OT-61-: No' my 3*!!n+ I ha/! not+ Th! lib#a#i!s l!n( no cl*!s+ C-SSI6;-: Th!n' .! a#! t#*ly (oom!(+
N-OT-61-: My 3*!!n loo&s ac#oss th! 6a&!+ What is it yo* s!!&8 C-SSI6;-: Ha/! yo* o*n( th! 7!llo. Si)n8 N-OT-61-: My 3*!!n al#!a(y &no.s th! ans.!# to that B*!stion+ C-SSI6;-: Th!n' .! a#! t#*ly (oom!(+ N-OT-61-: 7o*# Hi)hn!ss' my spi!s #!po#t yo*# chil(#!n a#! p#!pa#in) o# a co*p+ C-SSI6;-:
$loo(ing out the win)ow #g#in& It is no matt!#+
N-OT-61-: Th! p!opl! a#! #!stl!ss+ I th!y att!mpt to *s*#p yo*# th#on!' th! st#!!ts .ill #!/olt+ Th!#! .ill b! no l!a(!#ship+ C-SSI6;-: I th!y (o not att!mpt it' th! p!opl! .ill #!/olt+ Eith!# .ay' th! !n( is h!#!+ THE PH-NTOM: This is ho. it !n(s… C-SSI6;-:
$loo(ing #t the 0HNTO1& This is ho. it !n(s…
N-OT-61-: My 3*!!n8 ;o yo* sp!a& to m!8 C-SSI6;-: $loo(ing out the win)ow& Ha/! yo* o*n( th! 7!llo. Si)n8 N-OT-61-: My sc#ib!s an( I shall loo& a)ain+ C-SSI6;-:
$loo(ing #t the 0HNTO1& 7o* shall not in( it+
N-OT-61-: $#si)e& Th!n it is t#*!+ Th! 3*!!n is ma(+ P!#haps a poison8 P!#haps )#i!+ Sh! .ill not allo. m! to in/!sti)at!+ I th! 3*!!n b! ma(' th!n th! chil(#!n a#! to sit on th! Th#on!+ 1*t .hich on!8 Th!y a#! (!ca(!nt ools+ -h' b*t (!ca(!nt ools a#! too b*sy .ith th!i# pl!as*#!s to b! mast!#s o stat!+ -n( that l!a/!s only Naotalba to #*n it o# th!m+ 6!t th! ol( 3*!!n (i! so a n!. on! may #*l!+ - 3*!!n is still a 3*!!n #!)a#(l!ss o .h!th!# o# not sh! sits in th! th#on!…o# stan(s b!hin( it+
-ct ' Sc!n! $CSSIL #n) -OHT, THE YO-NGE/ in the TH/ONE /OO1.& C-SSI6;-: It is almost #!a(y' my b#oth!#+ 7O5N$ER: ;o yo* &no. th!#! a#! tim!s .h!n yo*# ambition #i)ht!ns m!8 C-SSI6;-: Is that all it (o!s8 7O5N$ER: No+ C-SSI6;-: Sho. m! .hat it (o!s to yo*+ $the two (iss p#ssion#tel*& 7O5N$ER: What shall .! (o .ith o*# b#oth!#8 C-SSI6;-: Th! sam! .! (o to o*# moth!#' silly+ 1oth stan( in o*# .ay+ It shall b! yo* an( I' Kin) an( 3*!!n' as it .as .ith th! Ol( Ways+ 7O5N$ER: Th! Kin) in 7!llo. … C-SSI6;-: …an( th! 3*!!n in R!(+ 7O5N$ER: Ma)ician an( Ha#lot+ C-SSI6;-: -s it .as' as it is' as it al.ays sho*l( b!+ $the two (iss p#ssion#tel* #g#in& 7O5N$ER: Wh!#! sho*l( .! )o8 C-SSI6;-:
$gesturing tow#r) the Throne& Th!#!+
7O5N$ER: O*# b#oth!# is #i)ht+ 7o* ha/! no sham!+ C-SSI6;-: My ambition m*#(!#!( my sham!+ No. &iss m!+ -n( l!t *s b! ha#lot an( ma)ician *pon th! th#on! that .ill soon b! o*#s9
-ct ' Sc!n! D $The '#llroom, full of m#s(e) figures #n) musi!. CSSIL enters we#ring # re) #n) white )ress #n) m#s(. C1ILL enters we#ring the s#me )ress #n) m#s(. The* spe#( the s#me, it is )iffi!ult to i)entif* whi!h is whi!h #s C1ILL mimi!s CSSIL.& C-SSI6;-: Is that a mi##o# I s!!8 C-MI66-: O# p!#haps a )host8 C-SSI6;-: Not a )host+ C-MI66-: Can yo* b! so s*#!8 C-SSI6;-: My )hosts sin) to m!+ I h!a# no s*ch son) #om yo*+ C-MI66-: - mi##o#' th!n+ - mi##o# o yo*#s!l+ C-SSI6;-: It cannot b!+ C-MI66-: $loo(ing out the win)ow&
C-MI66-: 7o* s!!8 Ho. can yo* b! so c!#tain8 P!#haps yo* a#! th! )host+ Ol( (!a( .oman+ C-SSI6;-: I am no )host+
C-MI66-: 7o* ha*nt th!s! halls+ 7o* sp!a& .ith th! (!a(+ 7o* s!! th! (!a( city on th! !()! o th! la&!+ Who !ls! co*l( yo* b!8 C-SSI6;-: I am no )host+ C-MI66-: 7o* a#! .hat has b!!n+ I am .hat .ill b!+ I am tomo##o.+ 7o* a#! th! )#a/!+ C-SSI6;-:
C-MI66-: -n( no. it is tim!9 Tim! to lay asi(! all (is)*is!s9 6oo& *pon m! yo* all9 6oo& *pon m! an( s!! th! t#*! 3*!!n o -la#9 -n( loo& *pon th! co#ps! that .#ith!s an( .!!ps on th! loo#9 6oo& *pon h!#9 Sh! is th! past+ -n( I am th! *t*#!+ $ENTE/ # ST/NGE/& C-MI66-: Who a#! yo*8 STR-N$ER: - h!#al(+ C-MI66-: - h!#al( .ho (a#!s int!##*pt th! t#*! 3*!!n o -la#8 STR-N$ER: I am+ C-MI66-: Th!n yo* shall (i!9 ;i! .ith h!#9 1*#i!( in th! sam! patch o lan(' yo*# bon!s c#*sh!( an( yo*# s&in b*#n!(9 STR-N$ER: I ha/! no bon!s to b! c#*sh!( an( I ha/! no s&in to b! b*#n!(+ C-MI66-: What a#! yo* th!n8
STR-N$ER: I am h! .ho yo* call!(+ To #!min( yo* that th!#! can b! no 3*!!n in -la# .itho*t a Kin)+ C-MI66-: I n!!( no Kin)+ STR-N$ER: I am th! H!#al( o th! Kin)+ C-SSI6;-: th!#!9
$loo(ing to the win)ow&
It is th!#!9 It is
C-MI66-: $to the ST/NGE/& 7o*' si#' sho*l( *nmas&+ STR-N$ER: In(!!(8 C-SSI6;-: $spe#(ing #s if in # tr#n!e& In(!!(' it is tim!+ W! ha/! all lai( asi(! (is)*is! b*t yo*+ STR-N$ER: I .!a# no mas&+ C-SSI6;-: