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Compiled
.lIl,1 C llll trtr n
bv
.'
ie Compiled
n d E di di ttee d b y
ANNIE ANNIE LAWTON LAWTON and
B OG OG A
GILL",
EDUCAC/\O
C R OW E
WHITT~~n
AR
ns nc
OUf
3. 1.
li t- iD ng aD ar et of in er an to ur th these two-part examples are suggested: I) Each pan to solf solfa. a.
a~
he lc
to
""ys
nt in o f u si si n
2)
ar t two p ar 4) Each pan t o s) The melody
'C{
f-
0.;;(
:: t.LJ lL
"'I;(
o-
::
t o I O a , with expr exprel elli lion on mark marks. s. I aa aa . in l is is o ( pa pa sa sa in in a f ro ro m B ta ta v t o s ta ta v w he he r n ec ec e s ar ar y) y) , t o I aa aa , with exPr exPreW eWon on mari mari •. in unison (passin, e sc sc a nece necess ssar ary) y) to Iaa, with expr express ession ion marlt marlts. s. parts t o I aa aa . 7) I.a.a. with expression mariti. t wi wi ~ t hr hr ou ou ah ah . I) 2) 3)
Th melo melody dy in u ni ni so so n t o 1Olfa. Each part to 10lfa.
7)
In
lo in unison to I.a.a. pan: to lu s) Each pan: tw
exprea easi sion on mart marti, i, pans with expr
twic twic
thro throug ugh. h.
Bach part t o I Ol Ol f IOlf•• •• In two partl to IOlf 3) Each p an an : t o I.a.a. two partl t o l aa aa . s) Th melo melody dy in unison. I)
3)
through,
ni so so n t o 1 01 01 & in u ni el is cxpresl slion ion marks marks with cxpre 3) Th desc descan an in unis unison on to IOlf IOlfa. a. nwb. 4) The deacant in unis unison on to I O l f . . with apraaion s) In tw pam to I O l f • . parts to Iaa. 6) 7) In two pans t o l aa aa . with expreWOI1 marta, twice twice throU throUSh Sh I) Each pan to IOlf IOlfa. a.
2) Each p ar ar t t o l aa aa . pam t o l aa aa . 4) The melody in unison. s) In tw pa to it
e xp xp ra ra ai ai o
~~~
HARMOr'JIA AR UR
U ~ m S 1,~USICAIS
LI
~?O
t'~
a rU rU , t wi wi c
t hr hr ou ou ah ah .
I) In two pArts
to 101fa.
lO n in u ni lO
he melo melody
2)
ac pan
3)
to
l aa aa .
4)
la
laa. xp
marks,
io
twic twic
throu through. gh.
solfa. laa.
1) he melo melody
3) 4)
in u ni s laa,
Allegro
t o l aa aa . it x pr pr es es si si o
m ar ar k
t wi c
he se io
hi b el el o g s imla y.
la
se
ld
li
h ou l
lass lass sh ul
S om e i m ys
th
poin
le
is
i ca l
p, lo
ak
style
he
ha
th
m el el od y
in pp it augm augmen enta tati ti
xa s,
le v oi c dimi diminu nuti ti
M.
been
ac h ou gh gh t
r al al l sh
be
ld al ay io de
ad
be
in
te
be il s ar ar y
ly r ef ef r i n f r
cresco
s, order
slig slight htly ly
more more io
Db
~)
i n l ud ud i
ia
is
t o x pr pr e zk
h ei ei r i nd nd eb eb t d n in is ir ll
li
l,
fe
SECTION
un
......__
All egre tt
II
it
Nos. 44-50. m od ul ul at at i
British
gg er
P;;;;,t
-.....
t o Mess"
'- ....
Des.
It may
--.-.......
'PJiitl M.
m od e
mi
m od e
mp
::::::-........
........-1
l~
____...:11
dim.
-.
dim.
( k y s s ta t d ) ;-
Copyrigh Copyrigh .1933
..__ he
fo
n i e rs rs u
P re re s• s• . L on on do do n
ne
cresc,
...__
""""" cresco
m aj aj o
t'!'\
I..
M-:-
INDEX I. Nos. 1-43· i s l la la n s, i nv nv ol vi vi n time time hr mati mati notes. tes.
.......
cresco
i.~ 'P
bu
SECTION
.... /':"\
.._......
'L di rs
Slovakian
be
--........
f~
'P
-4~
sight-reading.
in
b.1I been ma&ttrtd, it sh ul
m o e s. s. co co m o un un d
..._
4J
6(8, t a
Nore.- The
m in in o
li
ut al imit imitat atio ions
contrap ntrapun untal tal
r ea ea tm tm e in d eg eg r as as It
de an
n~
<':U:.
fre
an
da
i vi vi si si o
Tower
thi
m aj aj o
part
i t s ta v
the
exam exampl ples es above.
bl'
n vo vo l i n
Il.~
t hr hr o g h
may t ak ak i thes thes give
i sc sc el el l n eo eo u c ol ol le le ct ct io io n i me me , c hr hr om om at at i n ot ot e
S.
9t
de
+:! >-
::,.
Russian
II
>-
.---t-cJ
f>
-~
::..
>-
>-
.-#..
Dell,
>-
">~
:->
-".
::;a:
:>
Polish
Moderato >-
:"Ji-:-4-
5!...
ni __
PP
..
..,
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~-+
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Allegretto
1\
4
_
Polish
+"
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-~
~.
=~--F
-T
M.
--
_ . i .
e..I
.-
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pn
..... ~;
P,;;;,_ :>
r----.
ymn
un
_.d_
Allegretto
French
Maestoso
Frenc~
"If"_______
PI'
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r.m::..::Ii:
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Drll.
t-
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M.
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cresc.
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cresco
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;;>
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Slow Slowly ly an
ft.
"!
ft~
"if
_fj_~tt
French on th
m od od ul ul at at o
J6
:»:>
tt
d'1m
:;;0:,
i'
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dim.
---
t:'\
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minor.
---...
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crcsc
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ft.~
z: cresc -"T---:-
M.
French
m.
T
I..
-t
r.-.
sole solemn mnly ly
-~-
10
r--.-f
M. J6
PP
De•.
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PrllctiBr.
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e8
Tune
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t-
M.
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rit.
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M.
cresc
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l'
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dim
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d,·m.
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t.
rit.
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legg leggic icro ro
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p>--
t.
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crete, ......
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t ---- -+-+ - -
fa
4+4+6
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r.:«:
>-
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mode modera rato to
-_
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Alle Allegr gret etto to I'P
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dim.
dim.__.__
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rlt. "
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: ; := := - - - -
,:
Br it ish
CJ-U-----__p
1 c t : : :-: - : ~ L
........
Brithb
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rit 1":\ ; . . -
f lO lO ' "
fl..,tt
rit.-=-~_~
----
..
Norwegian
Moderato
he
mast master ered ed
li
in
4+
-It
Prac Practitl titl
al tb
---.
f - l-l- - ---- - - -
De".
he .hi. .hi. ha been been maatere maatered, d, Bing it more quic quickly kly ill~ time time
"!r
4+
"J
:-r= J : . .:-r=
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e ", .
-
......
M.
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r,
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mp
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-=:=
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tJ
Croatian
Allegro
moduia duiato tor.
r .
: - " ' :::: : : '1
d't
if fu~
""
~71
dlm._
-
tJ
.,
cresco
fl
French
[I
~ f
::>
......._
ri
Slow Slowly ly an
::>
~~~~:M'_
..
sole solemn mnly ly
Practise
r.-.
'I~
r,..
..
-----¥-
M.
/.
Du~
--
.s-:
III
the
modulator
(=
fill)
::::"....,,:,
= = = - - r.-. ::1:1:
mp
mf
IO
Andante
Latin
Su:inKingly
,-
'l,
D"....
22
crcsc. t..
1\1-
j_
--=:
dim,
.... Moderato
fhL,lil'r Millur
British
..
PP.
1\1. ~l
..
....
De".
!J
-.
"i
l.L
,..::;..-
"if
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-- f-d
l.A:
t..
f-
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T:·i:-i:'~r='·tt:
="=E_ dim,
f+- .- f+ ..
-.:
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t:
PfJr,-..
.1
di
.............. JlPr,-..
12
Moderato
mf
13
....
Moderato
Austrian
--
Finoltb
...-;:
If'
t\I.
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De...
crrsc. __.--
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d'1m.
,.
Dell.
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I'V
M.
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!!
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1~
dim
D"IiI~
cress-
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>-
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[P
dim.
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>-
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Andante
Dutch
Allegretto
Pr_cti~c
,..-
_............--
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M.
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tJ
Dell.,
M-:--
-'
...........
"1-
d!_!&. I"""'--
dim.
:>-
'}Ji
:>-
"""i
•...
--=------.
,-......._
o du du l o r
Britilh
if
Dc.,;.
rit
dim
Dc,..
tf;.n:--
-...
.......__
:>-
M.
I\~
....._
ontb
==-pp
---...._::
if
cresco
II Ie
n...".
l ) ~ " .
II
Ie
If
'\~
cn>SC.__.__
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_l
-.1-
>-
··If*q ··If*q--- __JJ.'.
rit.
.-
lb
wh
it
,,'.(
fJ.... of
--.:
,-----
i-.n
last phr
l~
Br
vh
Anda Andant nt
espr espres essi sivo vo
----......
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-...:__
t. '\It
-s>:
fI
-!
........
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M,
II
J~JJJ ...... -.- -~--.
ft
...:=:
'-
._
t.
.t
Andant
:>
tile
+',
Pract
-===
11(,
o n
,~
1\
>,....._
>-
l+
....____._...
t.
Larghetto
Prall",
de
th
--===
Lithuanian
m od ul ul at o
===--
-f ~--# 1\
;; ;.., ;..,.. ..
!ncs,
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t-
--.:
-~
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mf/~
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n",.,,--
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or
German
dim.
16 3, thri
Allegretto
_British
l"'l
II'!
e...
-601
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c"
,.
M.
....
cresc,
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I.
\1./
I' r:
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----
N-
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Des,
PI}
ri!~
'dim,
"'_jpp
Dl'''.
cresco
fa
M.
ri!.f
Prench
en the modulator
:>
===-
:"d,III
11
Practillc
::--
.".,-
-..l
''______''''-
M.
.lm.
'11~ t.
./II
tJ
phrue.
if
I~
t.
D"..,
"I ..
lIif
II
..ooe:::::::::
I.
~~
= - =--...- -
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.I-I::l
'1 I.
------------------------~d~,~m~--------------pp ,.-.. _ ; ,
Des.
dim,
-~
M-:--
:::::::=--____.
...-
lIif
,,-...
::::
P-r
1:--
-...._
M.
.....
II
German
==--
' " . ,
:::=.-
JJ
t.
,-::::
lP
--==
'I
Triumphantly
'!J£:.
M' ...o...It
Chorale
Finnish
-------- ,.------
:..:t:.
pp
'_
--->-
_,.-
:>
-c
_.
crcsc
--........ j , i -
M.
19
Andantino
Andante
Finnish
,.-... .D ...
~1.
-====
~J-'
De...
fl
===-
!YI.
lIif
-:-:-:,-,
.-t-
===
fI
l u ot ot e
ill nd hr
.k
aT"
ir
re~UIII!
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_-----
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ti
cr,'se.
fl
,.
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rn sb
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Ft
flL
110
l " t i u. u. . . !wt I
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(\lIlK
a.M
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rc sc
De..:--
the
Czech
~-
mf
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,_,
_p
..._, IIf rl4 ~-t;-"-
f-\4'1 l}r..
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-
crrsc.
f.J.
~.,..
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-.'
i~
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:.t-
------
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-1
--.
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M.
.....
'::::--
-t-
'-roT
....__
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~--~ ~:
~+1r.
dim.
1m
"'.~
1"';,.,.
---pp
i':"\
dim. ·F-+
I~
21
Allegretto
39~
_ 1 . _
In"•.
-:---.
P,>-
DeN.
f:::::::
di
.....-
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>~
~----~ ndant ndantino ino
A! ~~
----
espre espressi ssivo vo
.1
====-
r'4f--
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:.,.oa
M.
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-....
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ltd•
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mf.-:
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>-
M.
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:>
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L~
>----
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t+
Tf
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L~
<1
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>-> - - --.. ... . .
>-
M.
42
Flnnhh
dim
French
"if>.--
_,...-
.
....._
Allegretto
--.
..z=
.+
P,;;;;;;;
>--:=:-
M.
--,. l-C-1 l-C-1
...........-
dim.
.._,
-.....
hell.
DH:--
-----
-...-........
.-
M.
........__
-~
Deli.·
--=::::::--..
---.....t:'
pp
>-
Finnish
8uDff
M.
pp
'\
">
m od ul ul at at or . wer.
:::::---
""""i
M.
">
n\h
,~,,_
'>-
....__
~.
,....,...,
se
r.
.....
·f
a.1'
Pr:ctise II.
::;::::-..._
:I'">~ M.
Andantino
Britlsh
Note the lIequence
LI.
=~.=+
........
'rrif >j
>-
:>
p_
22
SECTION uick uickly ly
nd pe kily kily
PI'
fl
-~
.......
----------,.
se.d
1f
~.
D"H.
Practise
.,...,_.-
OD
British
the modula modulator tor
-=:::: ::::::=-
cresco
c or or re re sp sp o d in in g
h an an g
I n t h e Bolfa.
23 stated ed toge togethe the is stat
with the Dutch
Slowly an
-fi-:
Nos.44-5
Solem Solemnl nl
W hen hen mllH mll Ht~ t~re r ed, d, to be
IIUng
cresco
.1--~
[_m__
'-~'
----
=-----
cresco
Dutch J",
M, Ods,
...-
U~..,
ercsc. f+---i:
erne,
.=l.
-~
.J>_;
----
t,
'~ kD.
IJ,e!:l.
Moderato
Dutch
>:--...........
_U
M.
lJ
__l
-~.-.~ nH(
-- f-----f------
,!'lor
=---
-=-
=----
f>-._.......-
-r
----
..-:
>-
>-
==--
/"'"_
>-
M.
ftp_r,;
.-~
cresc. ~'f-
L _
if
cresco
1.Jt.
----
>~
---t---t-
-_
>~
~.
.It :::
>-
.-
Du.·
-~
~'4
2S
German
Adagio
..=...----
n..,-:-:dim.
pp
1m. di
-~
;;;.. ;;;..,,- ,....,....--. -.
GL
mf
--
pp
LS.Jl_
-.J
I"""t
. f-
b_jf L..~
Slowly Slowly and Solemn Solemnly ly
Practise
mf~
se
Ii
onth ..modulato ..modulator. H:HZ+ H:HZ+S. S.
"1--1":'\
M.
nif.-
:\
cr
Dl
M.
.1
crt)'.
.~ _1':\
-...
Irlr'
:::t:-
De•.
Dottl. ll
----........
:P
- -- -
..-..
...,.,
FII1I.~
1':\
-;-
::::::::::::",
.....-::::=:
t,
»~ '1
.....,...,...
n--. ~I':\
>-
:>
1':\
G
L'"""_
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lU '>-
>-
>-
>-~-
.~
.._,
rit.
1':\
t, .I
-.
>-
1':\
....__
_f""\
rit.
:>.
Andante
Begi Begin. n. InC mi
German
minor.
ande andead ad.i .i
Cmi Smidt
~m~
s:
~-
pCm~
rd
..... "II"
Gm
:::::,....._
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ICmi-
1;
f_
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M. _::r:
and.
1m. 'f
-====
tni.~t dim.
~-------------------~ Turkllb
Lento. , . -
tl
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M.
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1 I IIII . '
-== :::: :::: ,.
0 . . ; ; : ..[
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r.a..
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