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The Basics of Maqam for Oud and Other Instruments ����� � ��������� ������ ������� ������� �������� ����� ����� ��� ��� ������������ �� ����� �������� �� "�����������" �� ��� �������� �������� �� ������ ������� ��� ������ �������� �������� ������������������� �������������������� � ��������������������
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The Basics of Maqam for Oud and Other Instruments ����� � ��������� ������ ������� ������� �������� ����� ����� ��� ��� ������������ �� ����� �������� �� "�����������" �� ��� �������� �������� �� ������ ������� ��� ������ �������� �������� ������������������� �������������������� � ��������������������
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Table of Contents 3
The Basics of Maqam /
38
Iraq -
4
Table of Contents -
40
Bastanikar -
5
Preface –
42
Mustaar -
7
Maqam Families -
44
Sika Baladi –
8
Ajam -
46
Hijaz -
10
Jaharka -
48
Hijaz Kar –
12
Shawk Afza -
50
Shahnaz -
14
Nahawand -
52
Kurd -
18
Farah Faza –
54
Hijaz Kar Kurd –
20
Buslik -
56
Saba-
22
Rast -
58
Nawa Athar –
24
Suznak -
60
Nakriz-
26
Bayat -
62
Ancient Notes Names –
28
Bayat Shuri –
63
Oud Fingerboard -
30
Huseini -
64
Plucking -
32
Sega -
65
Groove in Plucking –
34
Huzam -
66
Rhytmic Accompaniament Accompaniament –
36
Raht el Arwah –
72
Ornaments -
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Do (C) Major - Maqam Ajam Do ' - '
Maqam Ajam Do scale K arar (Tonic) Do, R'amaz ("Dominant") Sol / AjamDo + Ajam Sol Second position 0
2
1
1
0
1
3
0
2
1
1
1
1/2
1/2
1
Maqam Ajam Ashiran - bB Major Karar (Tonic) Do, R'amaz ("Dominant") Sol / Ajam bB + Ajam Fa, First Position
3
1
0
3
0
2
3
1
Intervals between the notes
Traditional Dulab Ajam ' Allegretto
4 4
mf
Maestoso
2.
1.
Fine
Maqam Jaharka ' Maqam Jaharka Fa scale Karar (Tonic) Fa, R'amaz ("Dominant") Do /Ajam Fa + Rast Do Second and 3th position
1
2
0
1
0
2
3
1
Intervals between the notes
Traditional Dulab Jaharka ' Allegretto
4 4
mf 5
9
1.
2.
Bat Yam Promenade - Jaharka ' - Allegretto
5
9
4 4
M.T.
13
1.
2. 17
rit.
Maqam Shawk Afza
Maqam Shawk Afza scale Karar (Tonic) Do, R'amaz ("Dominant") Sol / Ajam Do + Hijaz Sol Second position & First Position 0
2
1
0
1
3
0
2
1
1
1
1/2
1/2
Intervals between the notes
Traditional Dulab Shawk Afza
Allegretto
4 4
mf
Maestoso
2.
1.
Fine
Ya Mustafa, Ya Mustafa ,
Mohammed Fawzi 1918 - 1966
Allegretto
4 4
2
3
1
4
), "Ya Mustafa", also spelled "Ya Mustapha" (in Arabic is a famous Egyptian multilingual song composed by Mohammed Fauzi whose lyrics are composed in 3 different languages: E gyptian Arabic, French and Italian. There are also versions in the Greek (" "), Turkish and Serbian ("Mustafa") languages, where they are very popular in the respective countries. There was also a Hindi version used in the soundtrack of a Bollywood film. The music of the song is influenced by Greek music. The song was very popular in the 1950s and early 1960s, but its popularity is revived with newer versions of the song. (Wikipedia)
Do Minor - Maqam Nahawand Do -
Maqam Nahawand Hasas - Karar (Tonic) Do, R'amaz ("Dominant") Sol, Do Minor Harmonic First Position 4 0 1 0 3
1
0
3
Nahawand Kurdi Karar (Tonic) Do, R'amaz ("Dominant") Sol, Do M inor Natural / Nahawand + Kurd
0
3
3
1
0
0
3
1
Tars Jadid K arar (Tonic) Do, R'amaz ("Dominant") Sol, Do Minor Melodic / Nahawand + Ajam
2
4
0
0
3
1
0
3
3
1
Nahawand Murassa Karar (Tonic) Do, R'amaz ("Dominant") Fa / Nahawand + Hijaz Fa
3
3
0
2
4
3
1
0
Maqam Nahawand Kabir Karar (Tonic) Do, R'amaz ("Dominant") Sol / Nahawand + Nahawand
0
3
3
2
0
0
3
1
Traditional Dulab Nahawand Do
Allegretto
5
9
4 4
mf
2.
1.
rit.
Fine
Sol Minor - Maqam Farah Faza - Maqam Nahawand Hasas - Karar (Tonic) Sol, R'amaz ("Dominant" Re) First Position
3
0
1
1
0
2
0
3
Intervals between the notes
Traditional Dulab Farah Faza Allegretto
5
9
4 4
2
2.
1.
1
Fine
Ilahia Farah Faza - Meded ey seyidina M oderato
4 4
mf 5
9
13
17
Bulat Imami Hasan Efendi
Fine
Maqam Nahawand Re - Buslik - Re minor - - Maqam Nahawand Re - Buslik scale Karar (Tonic) Re, R'amaz ("Dominant" La) Second position
1
0
4 4
1
2
0
1
2
Intervals between the n otes
Traditional Dulab Buselik
6
4 4
1.
11
2.
Fine
Maqam Rast
Maqam Rast Karar (Tonic) Do, R'amaz ("Dominant") Sol / Rast Do + Rast Sol
1
3
0
2
4
0
0
3
3
Maqam Nairuz K arar (Tonic) Do, R'amaz ("Dominant") Sol / Rast Sol + Bayat Sol
3
1
0
3
0
3
1
0
Maqam Mahur Karar (Tonic) Do, R'amaz ("Dominant") Sol / Rast Do + Ajam Sol
3
0
1
0
3
2
3
0
4
Maqam Yaka - Rast Sol Karar (Tonic) Do, R'amaz ("Dominant") Sol / Rast Sol + Rast Re
3
1
0
1
0
3
3
1
1
Maqam Rast Murassa - Rast Do + Saba Re
2
3
1
0
3
3
0
4
Maqam Suznak Maqam Suznak scale Karar (Tonic) Do, R'amaz ("Dominant") Sol First Position 3
0
1
3
0
4
0
1
4
Intervals between the notes
Traditional Dulab Suznak Allegretto
4 4
mf
1.
2.
f
rit.
Fine
Three Roses - Maqam Suznak -
Andante
6 8
M.T.
mp
mf
rit.
Maqam Bayat Re Maqam Bayat Re Karar (Tonic) Re, R'amaz ("Dominant") Sol / Bayat Re + Nahavand Sol First position
1
0
3
0
2
3
0
2
Maqam Bayateen scale Karar (Tonic) Re, R'amaz ("Dominant" ) Sol / Bayat Re + Bayat Sol First and 2nd pos ition
3
0
1
1
0
3
0
2
Maqam Nahoft scale Karar (Tonic) Re, R'amaz ("Dominan t") Sol / Bayat Re + Rast Sol First and 2nd pos ition
3
0
1
1
0
3
0
1
Traditional Dulab Bayat
Allegretto 4 4
mf 5
2.
1.
rit. 9
Fine
Sam Sa mai Darej - Maqam Maq am Bayat - M.T.
Allegretto
3 4
mf 5
9
f
13
mf
17
21
29
25
3
3
33
3
Maqam Bayat Shuri Maqa Ma qam m Bayat Sh uri s cale Karar (Tonic) Re, R'amaz R'amaz ("Domina ("Dominant nt"" ) Sol / Bayat Re + Hij Hijaz az Sol First First pos ition ition
0
1
3
0
1
4
0
2
Intervals between the notes
Traditi Traditional onal Dulab D ulab Baya B ayatt Shuri S huri Allegretto
4 4
mf
1.
2.
rit rit
Fine
Violets Moderato
M.T.
6
8
mf
mf
mp
Maqam Huseini Maqam Huseini scale Karar (Tonic) Re, R'amaz ("Dominant") La (huseini) First position
3
0
2
3
0
2
1
0
Intervals between the notes
Traditional Dulab Huseini Allegretto
4 4
mf 5
1.
2.
Allegretto
9
Fine
The Camel Rider - Maqam Huseini - M oderato
M.T.
4 4
mf 5
9
f
mp
13
17
mf
f
21
f
Fine
Maqam Sega (Sika) - Maqam Sega scale Karar (Tonic) Mi , R'amaz ("Dominant") Sol First and 2nd position
1
3
0
1
0
3
1
3
Intervals between the notes
Traditional Dulab Sega (Sika) -
5
9
4 4
2.
1.
rit.
Fine
Maqam Huzam (Sika - Huzam) - Maqam Huzam scale Karar (Tonic) Mi , R'amaz ("Dominant") Sol First and 2nd position 3
0
1
3
1
1
0
3
Intervals between the notes
Traditional Dulab Huzam (Sika Huzam) - Andante
4 4
mf 5
9
1.
2.
Maqam Raht El Arwah Maqam Raht El Arwah scale Karar (Tonic) Si , R'amaz ("Dominant") Re First and 2nd position 3
3
1
0
1
1
0
4
Intervals between the notes
Traditional Dulab Raht El Arwah Adagio
4 4
mf 5
9
2.
1.
Oazis Neve Dekalim
M.T.
4 4
mf 5
f 9
mp
13
f
p
rit.
Fine
Maqam Iraq Maqam Iraq scale Karar (Tonic) Si , R'amaz ("Dominant") Re First and 2nd position
1
1
0
3
0
3
1
3
Intervals between the notes
Traditional Dulab Iraq
5
9
4 4
2.
1.
Fine
3 4
Gecko Steps
Allegretto
3 4
M.T.
mf 5
9
13
Fine
Maqam Bastanikar Maqam Bastanikar scale Karar (Tonic) Si , R'amaz ("Dominant") Re First and 2nd position
1
0
1
3
4
3
2
3
Intervals between the notes
Traditional Dulab Bastanikar
5
9
4 4
2.
1.
Fine
Donkey Tour In Mitzpe Hoshaaya Andante
M.T.
3 4
mf 5
9
13
f
17
rit.
21
1
1
1
Fine
Maqam Mustaar Maqam Mustaar scale Karar (Tonic) Mi , R'amaz ("Dominant") Sol First and 2nd position
1
3
0
1
1
3
0
2
Intervals between the notes
Traditional Dulab Mustaar
5
9
4 4
2.
1.
rit.
Fine
Ilahi - Her Sep Teravit Taati (Turish) - anonymous
26 8
mf 2
3
4
Maqam Sika Baladi Re Maqam Sika Baladi Re scale Karar (Tonic) Re, R'amaz ("Dominant") La
1
0
3
0
1
3
1
2
Intervals between the notes
Traditional Dulab Sika Baladi
Allegretto
mf 5
1.
2.
rit. 9
Fine
Nazareth
Maqam Hijaz ' Maqam Hijaz Re scale Karar (Tonic) Re, R'amaz ("Dominant") Sol / Hijaz + Nahawand Sol First position
1
0
4
0
2
3
0
2
Maqam Zanjaran scale Karar (Tonic) Do, R'amaz ("Dominant") Fa / Hijaz Do + Ajam Fa First position
3
4
2
3
0
2
3
0
Intervals between the notes
Traditional Dulab Hijaz '
4 4
rit.
2.
1.
Maqam Hijaz Kar ' Hijaz Kar scale, Karar (Tonic) Do, R'amaz ("Dominant") Sol / Hijaz Do + Hijaz Sol First P osition
2
3
0
4
3
0
4
1
Shad Araban - (Hijaz Kar al Sol) Karar Sol , R'amaz Re / Hijaz Sol + Hijaz Re First P osition
1
4
0
3
2
3
2
0
Suzidil - (Hijaz Kar al La) K arar La , R'amaz Mi / Hijaz La + Hijaz Mi First P osition
1
3
2
0
4
1
0
2
Traditional Dulab Hijaz Kaz ' Allegretto
4 4
mf 4
1.
2.
Fine
Macedonia - Maqam Hijaz Kar ' -
7
8
M.T.
mf
4
8
12
16
f
rit.
20
Maqam Shahnaz Maqam Shahnaz Re Karar (Tonic) Re, R'amaz ("Dominant" ) La / Hijaz Re + Hijaz La First position
1
0
4
0
2
3
1
2
Traditional Dulab Shahnaz Traditional muqadam
Allegretto
4 4
mf
1.
2.
Fine
Maqam Kurd - Modus Phrygian - Maqam Kurd scale Karar (Tonic) Re, R'amaz ("Dominant") Sol / Kurd Re + N ahawand Sol
1
0
2
0
1
2
0
1
Maqam Lami K arar (Tonic) La, R'amaz ("Dominant") Re / Kurd La + Kurd Re Modus Lokri
0
3
1
0
1
3
0
2
Intervals between the notes
Traditional Dulab Kurd Allegretto
4 4
mf 5
9
fine
1.
2.
Alhambra M oderato
5
9
4 4
17
mf
13
M.T.
1.
2.
Fine
Maqam Hijaz Kar Kurd - Modus Phrygian
- ' Maqam Kurd scale Karar (Tonic) Do, R'amaz ("Dominant" Sol) First position 0
4
3
1
3
0
1
3
Intervals between the notes
Traditional Dulab Hijaz Kar Kurd ' Allegretto
4 4
mf
1.
2.
f
rit.
Fine
Maqam Saba Maqam Saba scale Karar (Tonic) Re, R'amaz ("Dominant") Fa First position
0
4 4
3
4
2
3
0
1
1
Intervals between the notes
Maqam Saba Zamzama scale Karar (Tonic) Re, R'amaz ("Dominant") Fa First position
0
4
3
1
2
3
0
1
Intervals between the notes
Traditional Dulab Saba Adagio
mf
1.
2.
D.S.
rit.
Fine
Grandpa Blues
Andante
M.T.
4 4
mf
f
mf
p
Fine
Maqam Nawa Athar Maqam Nawa Athar- Karar (Tonic) Do, R'amaz ("Dominant") / S ol Nawa Athar Do + Hijaz Sol First P osition
4
0
1
1
0
3
4
0
Maqam Athar Kurd - Karar (Tonic) Do, Ramaz ("Dominant") Sol
4
0
1
1
4
3
4
0
Intervals between the notes
Traditional Dulab Nawa Athar
Allegretto
4 4
mf
1.
2.
f
Fine
Maqam Nakriz Maqam Nakriz, Karar (tonic) Do, Ramaz ("dominant") Sol / Nawa Athar Do + N ahawand Sol First position
4
0
1
0
3
2
3
0
Intervals between the notes
Traditional Dulab Nakriz Allegretto
4 4
mf 4
8
1.
2.
rit
f
Fine
Ancient Note Names Yeka Karar Hisar, Karar Tik Hisar Ashiran Ajam Ashiran '
Oud
Rast
Hijaz '
Nahoft
Kurd
Sika
Duka
Zarkula
Nawa
Hisar
Kurdan Nim Shahnaz
Buslik
Tik Hisar
Huseini
Shahnaz
Jawab Buslik Mahuran Jawab Nim Hijaz ' ' '
Muhayyr
Jawab Hijaz ' '
Ramal Tuti
Kavasht
Irak
Jaharka '
Nim Hijaz '
Ajam '
Awj '
Sumbula
Buzurk
Rhythmic Accompaniament for Do (C) Tonic
- Nahawand, Rast, Ajam, Hijaz Kar, HIjaz Kar Kurd, N awa Athar,
Rhytmic acc Maxum & Masmoodi 4/4 - &
Oud
4 4
Rhytmic acc. In Longa - 2/4
2 4
staccato
Rhytmic acc. In Waltz - 3/4
3 4
Rhythmic Accompaniament for Re (D) Tonic
- Bayat, Huseini, Buslik, K urd, Hijaz
Rhytmic acc Maxum & Masmoodi 4/4 - &
Oud
4 4
Rhytmic acc. In Longa - 2/4
2 4
staccato
Rhytmic acc. In Waltz - 3/4
3 4
Rhythmic Accompaniament for Mi (E ) Tonic
- - , Rhytmic acc Maxum & Masmoodi 4/4 - &
Oud
4 4
Rhytmic acc. In Longa - 2/4
2 4
staccato
Rhytmic acc. In Waltz - 3/4
3 4