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47 and 56 (eights) Michael Clifton
A.
Eights
B.
Tapcents Michael Clifton
Snare
R. .
L. .
R. .
Tenorline
Bass Drums
R Cymbal Line
5
S. D.
L. .
R. .
L. .
R. .
L . .
T. Dr.
B. Dr.
Cym.
2
Tapcents
10
S. D. R
L
R. .
T. Dr. R
L
L
R
R. .
B. Dr. 3
3
3
3
L Cym.
14
S. D. L. .
R. .
L. .
R. .
T. Dr.
B. Dr.
L. . Cym.
R. .
R. .
Tapcents
3
19
S. D. R. .
L. . T. Dr. L.
.
R. .
B. Dr. 3
3 3
L.
3
R. .
.
Cym.
23
S. D. R
L. .
L
RR L L
L R L
L
RR L L
L R L
R R L L
L R L
T. Dr. L . . R B. Dr. L . Cym.
.
R
3
3
3
All dynamics:
Rebound Shuffle
mp, mf ,f, ff Snareline R
R....
R R L R
R
R....
R R L R
R
R....
R R L R
Tenorline
Bass Drums
4
S.Dr. L....
L L R L
R....
R R L R
L....
L L R L
R....
R R L R
L.....
L L R L
R....
R R L R
T. Dr.
B. Dr.
©
2 7
S.Dr. L....
L L R L
R
R R L R L
L L R L
R
R R L R L
L L R L
L....
L L R L
R
R R L R L
L L R L
R
R R L R L
L L R L
L....
L L R L
R
R R L R L
L L R L
R
R R L R L
L L R L
T. Dr.
B. Dr.
10
S.Dr. R R R L L L R R R L L L
R R L L R R L L R R L L
R
R R R L L L R R R L L L
R R L L R R L L R R L L
R
T. Dr.
B. Dr.
Rebound Blue Stars 2009
3 3
j. c ‰ ‰ . ‰ ã œ
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R
R
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3
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3
3
3
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3
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L
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3
3
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3
3
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L
3
3
3
3
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3
3
3
3
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R R L R L
3
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3
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L
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L
R
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R
L
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L
L
L
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R
R
3
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L L R L
3
10
R
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3
L L R L
3 7
ã
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3
3
3
R R L R
4 œ
3
3
3 œ
3
3
3
3
3
3
3
3
R
R
©2009 Blue Stars
L
L
R
Œ
Ó
œ
L
œ
œ
L
L
Fab D "Flam Accent Break Down"
Snare
R
r
r
r
R
r r
r
.
R
r
r
r
R
r r
r
.
R L
R
L .
Tenorline
Bass Drums
.
Cymbal Line
2
S. D.
R l r L r l R
R l l l
l
l l l
L
l l l
L
l l l
T. Dr.
R l l l
R l r L r l R
B. Dr.
R r rr Cym.
R
r r r
.
.
LRLR . .
l
l l l
L
l l l
L
l l l
Flam Accent
2 4
S. D.
Lrl Rl r L..
ll
L
l l l
Lrl Rl r L..
ll
L
l l l
T. Dr.
B. Dr.
L
l l l
L l l l
..
. . .
LRLR . .
Cym.
6
S. D.
R l r L r l R
r r
R
r r r
R
. . .
Rl r Lrl R. . .
r r
R
r r r
R
. . .
T. Dr.
B. Dr.
r r
Cym.
R
r r r
R
. . .
R L R L R L
Flam Accent
3
8
S. D.
R R R R
Lr l R lr L. .
T. Dr.
R R R R
Lr l R lr L. . B. Dr.
L Cym.
l l l
L l l l
..
. . .
Flam Thing Break Down Snare R
r r r
R
r
.
. .
R
r r r
R
r
.
. .
R
r r r
R
r
.
. .
Tenorline
Bass Drums
5
S. D. R l r r r l R l r l
. . .
R l r r r l r r r l r r r l R l r r r l
R l r r
R l r r r l R l r l
. . .
R l r r r l r r r l r r r l R l r r r l
R l r r
T. Dr.
B. Dr. R l r l . .
9
S. D. L
l l l
L
l
.
. .
L
l l l
L
l
.
. .
R
r r r
R
r
.
. .
T. Dr.
B. Dr.
2 13
S. D. L r l l l r L r l r . . .
L r l l l r l l l r l l l r L r l l l r
L r l l
R
L r l l l r L r l r . . .
L r l l l r l l l r l l l r L r l l l r
L r l l
R
T. Dr.
B. Dr. R l r l. .
Coastal Flam Thang Snare R l.
.
R L
R L
r r
l l r Lr l R
R l.
.
R L
R L
r r l l r L r l R
Tenorline
Bass Drums R l r L r l R
L
4
S. D. R
L
sim.
R
L
sim.
T. Dr.
B. Dr. R
7
S. D.
T. Dr.
B. Dr.
l
r
L
r
l
R
L
Trips Michael Clifton
A.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
Snareline
RL.. 3
3
3
3
3
3
3
3
Tenorline
R L3 . .
3
3
3
3
3
3
3
3
3
3
Bass Drums
RL..
Cymbal Line
5
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
S.Dr. 3
T. Dr.
B. Dr.
Cym.
3 3
3
3 3
3
3
2
Trips
B. 9
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
S.Dr.
T. Dr.
3
3
3
B. Dr. 3
3
3
3
3
3
3
3
3
3
3
3
3
Cym.
3
13
3
3
3
3
3
3
3
3
3
3
3
3
3
C. 3
3
3
3
3
3
3
3
S.Dr. 3
3
3
3
3 3
T. Dr.
3
B. Dr. 3
Cym.
3
3
3
3
3
3
3
3 3
3
3
3
3
Trips 17
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
S.Dr. 3 3
3 3
3
3
3
3
3
3
T. Dr.
3
3
3
3
3
B. Dr. 3
3
3
3
3
3
3
3
3
3
3
Cym.
21
3
3
3
3
3
3
3
3
3
3
3
3
S.Dr. 3
3
3
3
3
T. Dr. 3 3
3
B. Dr. 3
Cym.
3
3
3
3
3
3
3
3
3
On The Go 3
3
3
3
3
3
3
Snare
R R R R R LR L L L L LRL
R R RLR L L
L R L R R R L R L L R L R R L R
3
3
3
3
Tenorline 3
3
3
R R R R R LR L L L L LRL R R RLR L L
L R L R R R L R L L R L R R L R
Bass Drums 3
3
3
3
3
3
L R L R R R L R L L R3 L R R L R
R R R R R LR L L L L LRL R R RLR L L Cymbal Line
3
6
3
3
3
3
3
3
S. D.
LL L L. .. 3
3
3
T. Dr. 3
3
3 3
LL L L. ..
3
3
B. Dr. 3
LL L L. .. Cym.
3
3
3 3
3
3
3
3
3 3
Modern Paraiddles
Snare R
l
r r l
R l l
R l
r
L R
l r r
L r l l
r L r
L r r
L r l R L r l
r L r l R L r
l l
Tenorline
Rl r L R l
r r
Lr l l
r
l R l
r r l
R l l
Bass Drums
Cymbal Line
3
S. D. R l r L r l l R R l r L r l l R L r l R l r r L L r l R l r r L R l r r l l R l r r l l R l r r
T. Dr.
R R l r L r l l R L r r L r l R L L r l R l R R L R l l R l r L B. Dr.
Cym.
R l r r L r l l r r L r l l r r
Modern Paraiddles
2 6
S. D.
Lr l l r rLr l l r r Lr l l
Rl lRLr r LRll R Lr rL
RRlr LLr l RRlr LLr l
Lrl l Rl r r l lRl r r l l
Rl lRLr r LRll R Lr rL RRlr LLr l RRlr LLr l
T. Dr.
B. Dr.
Cym.
3
9
3
3
3
3
3
3
3
S. D.
Rl r r l l R L r l l r r
L R
Rl r r l l r L r r l l
T. Dr. 3
3
3
3
3
3
3
3
3
3
Rl r r l l r L r r l l 3
3
B. Dr. 3
Cym.
3
3
3
Modern Paraiddles 3
11
3
3
3
3
3
3
3
3
3 3
3
3
3
3
3
3
3
3
S. D.
Rl r rL r l l Rl rr Lr l l Rl r r Lr l l 3
3
3
3
3
3
3
R l3 r r l3 l ......
3
3
3
R 3l l R 3L R
T. Dr.
Rl r rL r l l Rl rr Lr l l Rl r r Lr l l
B. Dr. 3
R
.
.
R
3
.
.
Cym.
13
3
3
3
3
3
3
3
3
S. D.
Lr l l r r L. . . . 3
3
3
L r r L R L R r l RL r r l R l R l l R L R 3
3
3
3
3
T. Dr.
Lr r LRL
Lr l l r r L. . . .
R R L r r l l R l r r l l R L R
B. Dr. 3
3
3
3
3
3 3
R RLR Cym.
RL
L
L L R L R
Bass Audition Learn natural and alternate sticking Bass Drums
4
3
8
3
3
3
3
Scrape-X Tenors r
4
Tenor
7
Tenor
10
Tenor
12
Tenor
l
r
l
...
r
r
l
l
r r
l
l
...
