Rhinoceros
®
NURBS modeling for Windows
Training Manual Level 1
Version 4.0
R40TML1
Sep-2008
Simply Rhino Limited, UK, www.simplyrhino.co.uk for the exercises on SmartTrack and Constraints.
Robert McNeel & Associates
ii
T A B L E
O F
C O N T E N T S
Table of Contents List of Exercises ............................................................................ v
Part One: Introduction ............................................................... 1 Before You Start ............................................................................ 3 Course Objectives 3 Example Schedule 4 Rhino Basics ................................................................................. 5 The Rhino for Windows Interface The Rhino Screen Menus Toolbars Graphics Area Command Area The Mouse Entering Commands Help View the Command Line History View Recent Commands Navigating Around the Model Move Objects Copy Objects Changing the View of Your Model Panning and Zooming Resetting Your View
5 6 7 7 8 11 11 11 13 14 14 20 22 24 25 26 26
Part Two: Creating Geometry................................................. 31 Creating Two-Dimensional Objects ............................................ 33 Drawing Lines 33 Drawing Free-form Curves 36 Modeling Aids 37 Model Setup 39 40 Saving Your Work Layers 40 Selecting Objects 45 Precision Modeling...................................................................... 49 Absolute Coordinates Relative Coordinates Polar Coordinates Distance and Angle Constraint Entry Robert McNeel & Associates
49 50 51 52
58 Object Snaps Other modeling aids 62 Viewports and Construction Planes 67 Analysis Commands 74 Drawing Circles 76 Drawing Arcs 81 Drawing Ellipses and Polygons 87 Modeling Free-Form Curves 93 Modeling Helix and Spiral 96 Editing Objects...........................................................................103 Fillet 103 Blend 107 Chamfer 111 Move 115 Copy 117 Undo and Redo 118 Rotate 118 119 Group Mirror 120 Join 121 Scale 121 124 Array Trim 127 129 Split 130 Extend Offset 133 Point Editing...............................................................................139 Nudge Controls
144
Part Three: 3-D Modeling and Editing .................................147 Creating Deformable Shapes .....................................................149 Modeling with Solids..................................................................165 Creating Surfaces ......................................................................173 Importing and Exporting Models ...............................................217 Importing and Exporting Rhino File Information 217 Rendering...................................................................................221 Rendering with Flamingo 228
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T A B L E
O F
C O N T E N T S
Dimensions................................................................................ 231 Dimensions 231 Making a 2-D Drawing from a 3-D Model 234 Layout and Printing ................................................................... 235 Layouts and Details 235 239 Printing
Part Four: Customizing Workspaces and Toolbars ......... 241 Rhino Settings ........................................................................... 243 Options 243 Document Properties 246 Custom Toolbar Layouts ........................................................... 247
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L I S T
O F
E X E R C I S E S
List of Exercises — — — — — — — — — — — — — — — — — — – – – — — — — — — — — — — — — — — — — — — — Robert McNeel & Associates
— — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — —
v
Part One: Introduction
2
N ot es:
1
Before You Start
The Rhino for Windows Interface Rhino uses NURBS for all curve and surface geometry.
Duration:
Course Objectives
—
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N o t e s:
Example Schedule Day 1
To p i c
8-10AM
I n t r o d u ct io n , Rh i n o I n t er f a ce
1 0 A M - 1 2 PM
Rh i n o I n t er f a ce, Pan n i n g & Zo o m in g
1 - 3 PM
Cr e at in g g e o m e t r y
3 - 5 PM
Cr e at in g g e o m e t r y
Day 2
To p i c
8-10AM
Ed i t in g
1 0 A M - 1 2 PM
Ed i t in g
1 - 3 PM
Ed i t in g
3 - 5 PM
Co n t r o l p oi n t ed i t i n g , m o d e li n g w i t h s o l id s
Day 3
To p i c
8-10AM
Su r f a cin g
1 0 A M - 1 2 PM
Su r f a cin g
1 - 3 PM
M o d e l i n g p r a ct i ce
3 - 5 PM
I m p o r t - Ex p o r t , Ren d er i n g , D i m en s i o n in g , Pr in t i n g , Cu s t o m iz at i o n
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N o t e s:
2
Rhino Basics
The Rhino for Windows Interface
—
To op e n Rh i n o :
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N o t e s:
The Rhino Screen Screen Area
Description
Menu Bar
Access commands, options, and help.
Command area
Lists prompts, commands you enter, and information displayed by the command.
Toolbars
Access shortcuts to commands and options.
Graphics area
Displays the open model. Several viewports can be displayed. The default viewport layout displays four viewports (Top, Front, Right, and Perspective).
Viewports
Displays different views of the model within the graphics area.
Status bar
Displays the coordinates of the pointer, the status of the model, options, and toggles.
Men u b ar
Watch the command line to find out what is happening.
Co m m an d h i s t o r y w i n d ow Co m m an d p r om p t St a n d ar d t o o lb ar Gr ap h i cs a r e a W o r ld a x es i co n Vi e w p o r t t i t l e M a i n 1 an d M ain 2 t o o l b ar s Os n ap To o lb ar St a t u s b a r
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N o t e s:
Menus
Toolbars
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N o t e s:
Tooltips
Flyouts
Graphics Area
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N o t e s:
Viewports
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N o t e s:
Viewport tabs View Vie w p o r t Lay ou t
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Sh o w Vi e w p o r t Tab s
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N o t e s:
Command Area
The Mouse En t e r
Ct r l
Entering Commands
En t e r Sp aceb ar Not e
En t er
Sp a ceb ar Ct r l
Clickable options
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N o t e s:
Autocomplete command name
Repeating commands En t e r ,
sp a ceb a r
Canceling commands Es c
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N o t e s:
Help F1
F1 Co m m an d H e lp
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N o t e s:
View the Command Line History
F2
View Recent Commands
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N o t e s: Exercise 1 Rhino basics To g e t s t ar t ed : 1 2 3
Rh i n o H e lp D o u b l e - cl i ck Op en
Lea r n Rh in o Op e n Tu t o r i al Mo d el s
Lev el 1 St ar t .3 d m
You w ill find t his m odel in t he Training folder. I f you haven’t copied t he f
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Open
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N o t e s: 4
Vi ew
V i ew p o r t Lay o u t
4 Vi e w p or t s 4 Viewports
5
St a t u s Ba r
Sn ap
on, t he w ord ― Snapǁ w ill be black in t he st atus bar. I f it is off, t he w ord ― Snapǁ w ill be gray.
Not e
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N o t e s: 6
Pe r sp e ct i v e Shaded Viewport
7 ( RM B)
8
Ri g h t M o u se Bu t t o n Per s p e ct i v e Sh ad ed
Ren d e r
Re n d er Render
9
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N o t e s: 10
Pe r sp e ct iv e X-Ray Viewport
11 Pe r sp e ct i v e X- r ay 12 Pe r sp e ct i v e Gh o s t ed
Ghosted Viewport
13 Pe r sp e ct i v e Re n d e r ed
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Rendered Viewport
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N o t e s: 14 W i r ef r a m e 15 Wireframe Viewport Right Click
16
Sh ad ed
To g e t b a ck t o y o u r o r ig in al v i e w : Ho m e I f y o u ar e ―l o s t in s p a ce ǁ i n t h e p er s p e ct i v e v i ew : Vi ew
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V i ew p o r t Lay o u t
4 Vi e w p or t s
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N o t e s:
Navigating Around the Model Pe r sp ect iv e
To p a n in a v i e w p o r t : Pe r sp e ct iv e
1
2
Sh i f t
Instead of panning or rotating, something funny happened. If you right-click quickly once in viewport, the last command starts again. You must hold the right mouse button down while panning or rotating.
Pa n
view port s it ’s not
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N o t e s:
Zooming in and out z o o m in g in and out . I f you don’t have a w heel m ouse,
Ct r l
To z o o m i n a n d o u t : 1
2
Pe r sp e ct iv e
Ct r l
Zooming extents
To z o o m ex t en t s i n a v i ew p o r t : Vi ew
Zo om
Zo o m Ex t en t s
Zoom Extents Left Click
Zo o m Ex t en t s A ll
Zoom Extents All Viewports Right Click
To zo o m e x t en t s i n al l v i e w p o r t s : Vi ew
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Zo om
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N o t e s:
Move Objects Sn ap
To m o v e o b j ect s : 1
2
Per sp e ct iv e
co n s t r u ct i o n p l an e Per sp ect i v e To p
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N o t e s: 3
4
Fr o n t
Pe r sp ect i v e
5
Re n d e r ed D isp l ay
Tr y o n Yo u r Ow n 1 2 Fr o n t
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To p
Pe r sp ect iv e
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N o t e s:
Copy Objects To s t a r t w i t h a n ew m od e l : 1
Fi l e
Op e n
2 3
Op en
St ar t .3 d m
To co p y o b j e ct s : 1 2
Tr a n s f o r m
3
Co p y
Copy
To p
4
5
6 En t e r
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N o t e s: Tr y o n Yo u r Ow n
Changing the View of Your Model
Viewports
Parallel vs. Perspective Projection
To t og g l e a v i e w p o r t b e t w e en p ar a l l e l a n d p er sp e ct i v e v i e w : 1 2
Vie w p o r t Pr o p er t i e s V i e w p o r t Pr o p er t i es
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Pa r a l lel
Pe r sp ect i v e
OK
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N o t e s:
Panning and Zooming Sh i f t Ct r l
Key
Action
+ Ctrl
Left Arrow
Rotate left
Pan left
Right Arrow
Rotate right
Pan right
Up Arrow
Rotate up
Pan up
Down Arrow
Rotate down
Pan down
Page Up
Zoom in
Page Down
Zoom out
Home
Undo View Change
End
Redo View Change
Resetting Your View
To u n d o a n d r ed o v ie w ch an g es : Hom e
En d
To s e t y o u r v i ew s o y o u ar e l o o k i n g s t r a ig h t d ow n o n t h e co n s t r u ct i o n p l a n e: Vi ew
Se t V i ew
Pl a n
To b r in g al l y o u r o b j e ct s i n t o v i ew : Vi ew
Zo om
Zo o m Ex t en t s
To b r in g al l y o u r ob j ect s i n t o v i ew i n al l v i ew p o r t s : Vi e w
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Zo om
Zo o m Ex t en t s A l l
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N o t e s: Exercise 2—Display options
Ca m er a .3 d m
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N o t e s: To ch a n g e t h e n u m b e r o f v i ew p o r t s : 1
To p
2
Vi ew Vi e w p o r t Lay o u t Sp l i t H o r iz o n t a l
3 4
Split Viewport Horizontally
Fr o n t Vi ew Vi e w p o r t Lay o u t Sp l i t Ve r t i cal
Split Viewport Vertically
5
Rig h t
6
Bottom View
To p Se t Vi e w Bo t t o m
7
Left View Fr o n t
Se t Vi e w 8
Lef t Rig h t
Back View
Se t V i ew Ba ck
To ch a n g e t h e s h ap e o f v ie w p o r t s : 1
2
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N o t e s: To s y n ch r o n i ze t h e v i ew p o r t s : 1 2
Fr o n t
3
Vi ew Zo o m Ex t en t s
Zo o m
4
Fr o n t Se t Ca m er a Sy n ch r o n i z e V i ew s
Synchronize Views
5
To z o o m t o a w i n d o w : 1
Vi ew
Zo om Zo om W in d o w
Zoom Window
2
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N o t e s: To z o o m a sel e ct ed o b j e ct : 1 2
Vi ew
Zo om Zo o m Sel e ct ed
Zoom Selected
To r o t a t e t h e v i ew : 1 2 To m a x im i ze an d r est or e a v i e w p or t : 1 2
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Part Two: Creating Geometry
N o t e s:
3
Creating Two-Dimensional Objects
Drawing Lines Li n e Li n es Li n es
Po ly l in e
Li n e Po ly l in e
Option
Description
Close
Closes the shape by drawing a segment from the last point picked to the first point picked. This ends the command.
Undo
Deletes the last point picked.
Exercise 3 Drawing lines 1 2 3 4
Fi l e
New
Te m p l a t e Fi l e Fi l e Sav e
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Sm a ll Ob j e ct - M i l l im e t er s .3 d m Sav e A s Li n es
Sav e
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N o t e s: To d r a w l i n e s eg m en t s : 1
Cu r v e Se g m e n t s
Lin e Li n es
Li n e Line Segments Right Click
2 3 4 5
6
En t e r
To u s e t h e Cl o s e o p t i on : 1 2
Li n es St a r t
3 4
Clo se
To d r a w a p o l y l i n e: 1 2
Cu r v e Po l y li n e St a r t
3 4
Po ly l i n e
Po ly l i n e Polyline Left Click
En t e r
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N o t e s: To u s e t h e Un d o op t i o n : Po ly l in e
1 2
St a r t
3 4
Und o
5 6
En t e r
Cl os e
To d r a w a si n g l e l in e s eg m e n t : 1
Cu r v e Li n e
2
St a r t
3
En d
Lin e
Si n g l e Li n e Line
To u s e t h e Bo t h si d es o p t i o n : 1
Cu r v e Li n e
2
B o t h s id es
3
M id d l e
4
En d
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Lin e
Si n g l e Li n e
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N o t e s:
Drawing Free-form Curves I n t er p Cr v
Cu r v e Cu r v e
I n t er p Cr v
Option
Description
Close
Closes the shape by drawing from the last point picked to the first point picked. This ends the command.
EndTangent
After choosing a point on another curve, the next segment will be tangent to the point you picked and end the command.
Undo
Deletes the last point picked.
Degree
You can set the degree of the curve.
Knots
Determines how the interpolated curve is parameterized. When you draw an interpolated curve, the points you pick are converted into knot values on the curve. The parameterization means how the intervals between knots are chosen.
Sharp
When you make a closed curve, it will come to a point instead of making a smooth closure as it normally does.
Exercise 4 Drawing interpolated curves 1
Fr e e- f o r m I n t er p o l a t e Po i n t s
2
Curve: Interpolate Points
St a r t
3 4
Clo se
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En t er
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N o t e s: Exercise 5 Drawing curves from control points 1
Cu r v e
Fr e e - f o r m
Con t r o l
Po i n t s 2
Control Point Curve
St a r t
3 4
Clo se
En t er
Notice that most of the points you pick are off the curve as control points.
Modeling Aids
Sn ap Or t h o Pl a n a r
H is t o r y
Snap Sn a p
F9
S
En t er
Ortho
Or t h o
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F8
Sh i f t
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N o t e s:
Planar
Pl a n ar
P
History
Re co r d
No
Reco r d H is t o r y
Grid Pressing F7 hides or shows a reference grid in the current viewport of the graphics screen at the construction plane.
Exercise 6 Drawing lines and curves using mode functions 1
Sn ap
2
Sn ap
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Or t h o
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N o t e s:
Model Setup
To ch a n g e t h e o p t i o n s : 1 2 3 4 5
Fi l e
Pr o p e r t i es
D o cu m en t Pr o p e r t i es M od el i n g A id s Or t h o
Rh in o Op t i o n s
M od el i n g Ai d s
Document Properties
Or t h o Ob j e ct Sn ap Gr id Sn ap 30
D o cu m en t Pr o p e r t i es
Gr id
Gr id p r o p e r t i es
6
Gr id Ex t en t s
7
Mi n o r g r i d l in es e v e r y
10
8
M aj o r l in es ev er y
9
Sn ap Sp aci n g
4 25
10
The value for Grid extents is for each quadrant.
1
30° OK
Sn ap
5.0
Or t h o
3.5
1.0
Or t h o 11
Sn a p
1.5
Or t h o
3.0
3.0
3.0
To r es et t h e m o d e li n g a id s o p t i o n s : 1 2 3
To o ls Rh in o Op t i o n s Or t h o
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Op t i o n s M od e l in g A id s 90
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N o t e s:
Saving Your Work To s a v e y ou r m od e l : Fi l e
Sav e
Command
Description
Save
Saves your model and keeps it open.
SaveSmall
Save your model without render or analysis meshes and preview image to minimize file size.
IncrementalSave
Save sequentially numbered versions of your model.
SaveAs
Saves your model to a specified file name, location, and format.
SaveAsTemplate
Save as a template.
Save
It is good practice to save your model in stages under different names, using the Save As command. This lets you go back to an earlier version of your model for modifications if necessary.
Layers
Edit Layers
Lay er s
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N o t e s: Exercise 7 Layers To cr e at e a n ew l a y er : 1
Ed i t
2
Lay e r s
3
La y er s
Ed it La y e r s
N ew Lay er 0 6 ,
Lin e
En t e r 4
New
5
Lay er 0 6 ,
Cu r v e
En t er
To as si g n a co lo r t o a l a y er : Col o r
1 2
3 4
Re d
Hue is controlled by moving the line around the circular portion of the color wheel. Hue is the color that is referred to as a scale ranging from red through yellow, green and blue and then circularly back to red.
OK Lay e r s
5 6
Li n e
Sel e ct Co lo r
– OK
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Cu r v e
Blu e
Saturation and Value are controlled by moving the small circle around in the square portion in the middle of the color wheel. Saturation is the vividness of hue. Value is the relative lightness or darkness of a color.
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N o t e s: To m ak e a l a y er cu r r e n t : 1
St a t u s Ba r
2
Lay e r p o p u p
Lay er Li n e
3 4 5
La y er Cu r v e
6 7
To l o ck a l ay er : 1
St a t u s Ba r
2
Lay e r p o p u p
Lay er Lo ck
Lin e
To t u r n a l ay er o f f : 1
St a t u s Ba r
2
Lay e r p o p u p
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Lay er On / Of f
Cu r v e
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N o t e s: Exercise 8 Selecting objects To s e l ect a s i n g le o b j ect :
To s e l ect m o r e t h a n o n e ob j ect : 1 2
Sh i f t
To s e l ect m o r e t h a n o n e ob j ect u s i n g a w i n d o w : 1 2
3 4
Sh i f t
To s e l ect m o r e t h a n o n e ob j ect u s i n g a cr o ss i n g w i n d o w : 1 2
3 4
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Sh i f t
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N o t e s: To h id e an o b j e ct : 1 2
Ed i t
Vi si b il i t y
Hid e Hide Objects
To s h o w h id d e n o b j e ct s : Ed i t
Vi si b il i t y
Sh o w
Vi si b il i t y
Lo ck
Show Objects
Sh o w
To l o ck an ob j e ct : 1 2
Ed i t
Lock Objects To u n l o ck l o ck ed o b j e ct s : Ed i t
Vi si b il i t y
Un l o ck
Unlock Objects
Un l o ck
To ch a n g e an o b j e ct f r o m o n e l ay e r t o an o t h er : 1 2 3
Ed i t Lay e r f o r o b j e ct OK
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La y er s
Ch a n g e Ob j e ct Lay er Change Object Layer
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N o t e s:
Selecting Objects D el e t e
Exercise 9 Practice using selection options 1 2
Fi l e Op en
Op e n D e l et e.3 d m
Op e n
D el e t e.3 d m 3 4
Ed i t
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D e l et e
D el e t e
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N o t e s: To s t a r t t h e f i r s t p r a ct i ce: To p
1
2 3
Ed i t
Delet e Per s p ect i v e
4
5
To p
Ed i t
Delet e
6
7 8
Ct r l Ed i t
Delet e
9 Sh i f t Ct r l
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N o t e s: To u n d o a n d r ed o d el et i o n s : Ed i t
1
Un d o Un d o
2
Ed i t
Red o Und o
3
Un d o
Additional selection options
Command
Menu Label
Description
SelAll
Button
All Objects (Ctrl+A)
Select all objects.
SelNone
None (Esc)
Deselect all objects. Note: SelNone does not run inside a command to clear preselected objects.
Invert
Invert
Deselects all selected objects and selects all visible objects that were not previously selected.
SelPrev
Previous Selection
Re-selects the previous selection set.
SelLast
Last Created Objects
Selects the last changed objects.
SelPt
Points
Select all point objects.
SelCrv
Curves
Select all curves.
SelPolyline
Polylines
Select all polylines.
SelSrf
Surfaces
Select all surfaces.
SelPolysrf
Polysurfaces
Select all polysurfaces.
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N o t e s: To s e l ect o b j ect s u s i n g s e lect t o o ls : 1
Ed i t
Se l ect Ob j e ct s
Cu r v es
2
Ed i t
Se l ect Ob j e ct s
I n ver t
3
Ed i t
Se l ect Ob j e ct s
None
4
Ed i t
Se l ect Ob j e ct s
Po ly l i n es
5
Ed i t
Se l ect Ob j e ct s
Su r f a ces
6
Ed i t
Se l ect Ob j e ct s
Po ly su r f aces
7
Ed i t
Se l ect Ob j e ct s
None
Ed i t
Se l ect Ob j e ct s
La s t Cr e at ed Ob j e ct s
Select Curves
Invert Selection
Select Polylines
Select Surfaces Select Polysurfaces
8 9
Select None
Select Last Created Object
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N o t e s: Set the units and tolerance of the model before you begin.
4
You can change the tolerance after you start, but objects created before the change still have the old tolerance value.
Precision Modeling
coo r d i n at es St ar t o f l in e St ar t o f p o ly l i n e St ar t o f cu r v e
N ex t p o in t
Cross-shaped cursor
To p Pe r sp e ct i v e
Absolute Coordinates ab so l u t e
Exercise 10
Setting up a model
1
Fi l e
2 3
New
Sm a l l Ob j e ct - M il l i m e t er s.3 d m Fi l e
Sav e A s
Op e n BOXES
BOXES.3 d m
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N o t e s: Exercise 11 Entering absolute coordinates 1 3
Cu r v e St a r t
0
Po ly l i n e
5,5
Po ly l i n e
Polyline Left Click
En t er
4
0 Nex t p oin t
5 ,0
En t er
5
Nex t p oin t
5 ,5
En t er
6
Nex t p oin t
0 ,5
En t er
7
0,5
To p
2
0,0
Clo se
5,0
Relative Coordinates r e l a t iv e l as t
Next Point
p o in t
R @
Change in Y
R
Last Point Change in X Exercise 12 Entering relative coordinates 2 3 4 5
Cu r v e St a r t
8 ,0
Po ly l i n e
Po ly l i n e
R-5,0
R5,5
En t e r
Nex t p oin t
R5 ,5
Nex t p oin t
R- 5 ,0
En t er
5.00
1
En t e r
Clo se
8,0 Robert McNeel & Associates
5.00 50
N o t e s:
Polar Coordinates
60
0 12
Next Point
90
Po l ar co o r d in at es
15 0
Distance
30
Angle En t e r R
180
Last Point
@
0 33 0
270
0 30
240
0 21
Exercise 13 Entering polar coordinates 1 2
Cu r v e St a r t
0 ,8
Po ly l i n e
3
Nex t p oin t
R5 < 0
4
Nex t p oin t
R5 < 9 0
5
Nex t p oin t
R5 < 1 8 0
6
Po ly l i n e
R5<180
R5<90
En t er En t e r En t er En t er
Clo se
0,8
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R5<0
51
N o t e s:
Distance and Angle Constraint Entry En t er
En t er
Us in g t h e Sh i f t k ey t o t o g g l e Or t h o o n a n d o f f : Sh i f t
Exercise 14 Distance constraint entry 1 2 3 4 5 6 7 8 9
Cu r v e St a r t
Po ly l i n e
8 ,8
Nex t p oin t
Po ly l i n e
En t er 5
En t er
5
En t er
Sh i f t Nex t p oin t
Distance Constraint
Sh i f t Nex t p oin t
5
En t er
Sh i f t Clo se
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52
N o t e s: Exercise 15 Distance and angle constraint entry 1 2
Cu r v e St a r t
3
Po ly l i n e
1 6 ,5
Po ly l i n e
En t er
Nex t p oin t
5
< 45
Nex t p oin t
5
En t er
< 45
Nex t p oin t
5
En t er
< 45
Angle Constraint
4 5 En t er 6 7 En t er 8 9
Clo se
10
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53
N o t e s: Exercise 16 Practice using distance and angle constraint entry 1
Sm a ll Ob j e ct s - M il l i m et e r s.3 d m
Arr ow
START MODEL AT -11,0
2.00
2.00
1.00 2.00
1.00 8.00
11.00
6.00
Ab so l u t e x ,y Cu r v e
2 3
Po ly l i n e
St a r t of Po l y l i n e
Po ly l i n e
- 1 1 ,0
Re l at iv e x ,y 4
Nex t p oin t
r - 2 ,- 2 .
D is t a n ce co n s t r a i n t 5
Nex t p oin t
8
Or t h o
Re l at iv e x ,y 6
Nex t p oin t
r 1 ,1 .
Re l at iv e p o l ar 7
Nex t p oin t
r11< 0.
D is t a n ce co n s t r a i n t 8
Nex t p oin t
1
Or t h o
Re l at iv e x ,y 9
Nex t p oin t
10
Nex t p oin t
r 6 ,2 . En t er
11
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54
N o t e s: To m ak e a co p y o f t h e p o l y l in e : 1 2
Tr a n s f o r m
3
Po in t t o co p y f r o m
4
Po in t t o co p y t o
Co p y 6
Copy En t e r
Or t h o
To m ak e a m i r r o r i m ag e o f t h e p o ly l in e: 1 2
Tr a n s f o r m
3
St a r t of m ir r or p l a n e
4
En d o f m ir r o r p l a n e
Mirr or 0
Mirror
En t e r
Or t h o
To m ak e i t 3 - D : 1 2 3
So l id Ex t r u s io n d is t a n ce
Robert McNeel & Associates
Ex t r u d e Pl a n ar Cu r v e 1
En t er
St r a ig h t
Revolve
55
N o t e s:
To m ak e i t 3 - D ( al t e r n at e) : 1 2
St a t u s b ar
3
Osn ap t oo lb a r
4
Os n ap
Su r f ace
5
St a r t of r ev o lv e a x is
6
En d o f r ev o lv e a x is
En d Rev o l v e
7
En t e r
St ar t a n g l e
8
En t e r
Re v o l u t i on a n g l e
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56
N o t e s: Exercise 17 Practice using distance and angle constraints 1
4
Sm a l l Ob j ect s – M i l l im et e r s .3 d m V- B l o ck
45°
2
18 20
Fr o n t
4 4
6.54 3
4 4 4
0
Fr o n t
8 10
5
20
120°
20
8 10
60
Fr o n t
6 7 8
So l id
Ex t r u d e Pl a n ar Cu r v e
Ex t r u s io n D is t an ce
60
St r ai g h t
Extrude Planar Curve
En t er Per s p ect iv e
9
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57
N o t e s:
Object Snaps Ob j ect Sn ap s
― eyeballǁ m et hod To op e n t h e Os n ap t o o l b ar Os n ap
Command
Button
Description
End
End snaps to the end of a curve, surface edge corner or polyline segment end.
Near
Near snaps to the nearest point on an existing curve or surface edge.
Point
Point snaps to a control point or point object.
Mid
Midpoint snaps to the midpoint of a curve or surface edge.
Cen
Center snaps to the center point of a curve. This works best with circles and arcs.
Int
Intersection snaps to the intersection of two curves.
Perp
Knot
Perpendicular To snaps to the point on a curve that makes a perpendicular to the last selected point. It doesn't work on the first point that a command prompts you to pick. Tangent To snaps to the point on a curve that makes a tangent to the last selected point. It doesn't work on the first point that a command prompts you to pick. Quad snaps to the quadrant point. The quadrant point is the maximum or minimum direction on a curve in the x or y construction plane direction. Knot snaps to knot points on curves or surface edges.
Project
Projects the snap point to the construction plane.
SmartTrack
SmartTrack is a system of temporary reference lines and points that is drawn in the Rhino viewport using implicit relationships among various 3-D points, other geometry in space, and the coordinate axes' directions. Temporarily turns off persistent object snaps, retaining settings
Tan Quad
Disable
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N o t e s: Exercise 18 Using object snaps 1 2
Op e n
Os n ap .3 d m Sn ap
Or t h o
Us in g En d an d M id p o in t o b j e ct s n ap s : 1
Os n ap Osn ap
2 3
En d
M id
Cu r v e Po ly l i n e
4
St a r t o f Po l y l i n e
5
Nex t p oin t
6
Nex t p oin t
7
Po ly l i n e
En t e r
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59
N o t e s: Us in g N e ar a n d Per p e n d i cu l ar t o ob j ect s n ap s : 1
Os n ap En d M id
N ear
2
Cu r v e Si n g l e Lin e
Lin e
3
St a r t o f l i n e
4
En d o f l i n e
Per p
Us in g I n t er s e ct i o n a n d Ta n g en t t o ob j e ct s n ap s : 1 Near 2
Os n ap Per p Cu r v e Si n g l e Lin e
3
St a r t o f l i n e
4
En d o f l i n e
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I nt
Ta n
Lin e
60
N o t e s: Us in g Ce n t e r o f o b j e ct s n ap : Os n ap
1
Cen
I nt
Ta n 2
Cu r v e Si n g l e Lin e
3
St a r t o f l i n e
4
En d o f l i n e
Lin e
Us in g Qu ad r an t o f ob j e ct s n ap : 1
Os n ap
2
Cu r v e Po ly l i n e
3
St a r t o f Po l y l i n e,
4
Nex t p oin t
5
Nex t p oin t
6 7 8
Qu ad
Ce n
Po ly l i n e
Nex t p oin t Clo se Sa v e A s
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A n a ly z e
61
N o t e s:
Other modeling aids
Exercise 19—Smart Track int s t hat work in conj unct ion w it h Rhino’s object
To u s e t h e Sm ar t Tr a ck t o o l : 1
Co n s t r a in t s.3 d m
To p
2 3 4
En d N ear Po i n t M id Ce n Sm ar t Tr a ck
I nt
Osn ap
Cu r v e Si n g l e Po i n t
Po i n t Ob j e ct
5 En d
6
7
8
Po in t Ob j e ct
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62
N o t e s:
Exercise 20 – Tab Constraint
To u s e t h e Tab Co n s t r a i n t : Con s t r ai n t s .3 d m
1 2 3
Sm a r t Tr a ck Cu r v e Si n g l e Li n e.
4
St a r t o f Li n e
5
En d o f Li n e En d
6
Li n e, En d
Tab
En d o f Li n e Tab M o v e Cop y Ro t at e
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63
N o t e s:
Exercise 21 – Project Constraint
To u s e t h e Pr o j e ct Co n s t r a in t : 1
Co n s t r a i n t s.3 d m
2
Or t h o
3
La y e r 0 1
4
To p
5
On La y er 0 2
Po l y l i n e
D e l et e
6
Pr o j e ct
7
Os n ap
To p Po ly l i n e
Pr o j ect 8
Sa v e
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64
N o t e s:
Exercise 22 – Planar Constraint
const raint w ill override Rhino’s default behavior of snapping back t o t he const ruct ion plane. To u s e t h e Pl an a r Co n s t r a i n t :
1
Co n s t r a i n t s.3 d m
2
Or t h o
3
Po ly l i n e
4
Pl a n a r
To p
Po ly l i n e Gr e en
5
6 d el e t e Pl a n ar 7 8
Po ly l i n e
Pol y li n e D e l et e
Po ly l i n e
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65
N o t e s: To cr e at e a Pl an ar cu r v e t h a t s t a r t s ab o v e t h e act i v e co n s t r u ct i o n p l a n e an d r e f e r en ces ob j ect sn ap s a t d i f f er e n t h eig h t s :
1
Pl an ar
2
On
To p Gr e en
Po ly l i n e
3
Bl u e Go ld
4
D e l et e
Po ly l i n e
5
Pe r sp e ct iv e Po ly l i n e Gr e en
6
Pr o j ect On
7 Blu e
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Go l d
66
N o t e s:
Viewports and Construction Planes
Exercise 23—Viewports and construction planes Ch a ir .3 d m
Viewports
Construction planes
To p Ri g h t Fr o n t Per sp ect iv e
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To p
67
N o t e s:
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N o t e s: Exercise 24—Modeling in 3-D space
e l ev a t o r m od e
El e v a t or m o d e
1
Pl an ar
2 3
Or t h o
Poi n t Cu r v e Po ly l i n e
4 5
Sn ap
Po ly l i n e Fr o n t
St a r t
6 7
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Rig h t
69
N o t e s: 8
Fr o n t diagonal line. Don’t click at t his t im e.
9 Ct r l Ct r l 10
Ct r l Pe r sp e ct i v e
11
12
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Cl o s e
70
N o t e s: To m ak e a cu s t o m co n s t r u ct i o n p l an e:
1
St a t u s Ba r
Osn ap
En d
Set Cplane by 3 points
2
Per sp e ct iv e Gr id
3
Vi ew 3 Po in t s
4
CPl an e or ig i n
F7 Se t CPl an e 1
5
6
CPl an e or i en t at io n
3
To cr e at e a n am ed con s t r u ct i on p l a n e 1
Vi ew
2
N am ed CPl a n es
3
Sav e CPl a n es
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Se t CPl an e
N a m e d CPl a n es
Sav e Ch a i r B ack
OK
Named CPlanes
71
N o t e s: To cr e at e a n am ed v i e w : Vi ew
1
Se t V iew
Pl a n Plan View of CPlane 2
Vi ew N a m e d V i ew s
Se t V iew Edit Named Views
3
N am ed V i e w s
4
Sav e V i ew s OK
5
Sav e Ch ai r Ba ck
Pe r sp ect iv e
6
Vi ew
Se t V iew
Pe r sp ect i v e
7
Perspective View
To m ak e i t so l id : Ch ai r Fr a m e
1
Pipe
2 3
So l id
4 5
St a r t
Pip e En d Rad i u s
3
En t e r
Sa v e
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72
N o t e s: On y o u r o w n :
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73
N o t e s:
Analysis Commands
Command
Description
Distance
Displays the distance between two points.
Length
Displays the length of a curve object or surface edge.
Angle
Displays the angle between two lines.
Radius
Measures the radius of curvature of a curve, circle, or arc at the point where you pick the curve and displays it on the command line.
EvaluatePt
The Cartesian coordinates of the point, in both world and construction plane coordinates are displayed on the command line in x,y,z format.
To f in d t h e d is t an ce b et w e en t w o p o i n t s : 1
A n a ly ze .3 d m Distance
I f you didn’t 2
A n a ly z e
D is t a n ce
3 4
5
F2 CPl a n e an g l es an d d el t as : W o r ld an g l es a n d d el t as : D is t a n ce
To f in d t h e l en g t h o f a l i n e : 1
A n a ly z e
Le n g t h Length
2 Len g t h
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74
N o t e s: To m e as u r e t h e an g l e b e t w e en t w o l i n es : 1
A n a ly z e Angle
2
Angle
3
4
5 Angle To m e as u r e t h e r ad i u s o f a ci r cl e : A n a ly z e
1
Rad i u s Radius
2
Ra d i u s
To ev a l u a t e a p o i n t : 1
A n a ly z e
Po in t Evaluate Point
2
Po i n t i n w o r ld coo r d i n at es CPl an e co o r d i n a t es
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75
N o t e s:
Drawing Circles
Button
Command
Description
Circle
Draw a circle using the center and radius.
Circle 3Point
Draw a circle through three points on its circumference
Circle Diameter
Draw a circle using two diameter points.
Circle Tangent, Tangent, Radius
Draw a circle tangent to two curves with a given radius.
Circle Tangent to 3 Curves
Draw a circle tangent to three curves.
Circle AroundCurve
Draw a circle perpendicular to a curve at the chosen point.
Deformable
Draws an approximation of a circle with a defined number of control points..
Vertical
Draw a circle perpendicular to the construction plane.
Exercise 25 Drawing circles Cir cl e s.3 d m
R2.00
R4.00
TTR
7.50
15.00
Op e n
Ø4.00
2P
10.00 20.00
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76
N o t e s: To d r a w a ce n t e r , r ad iu s ci r cl e : 1
Cu r v e
Ci r cl e
2
Cen t e r o f ci r cl e
3
Rad i u s
4
Cen t e r , Rad i u s Circle: Center, Radius
En t er
To d i v i d e a cu r v e b y t h e n u m b er o f seg m en t s :
D i v id e 1
Cu r v e Po i n t Ob j e ct N u m b er o f s eg m en t s
2 3
bot t om lin e
D iv i d e Cu r v e b y
cu r v e t o d i v i d e
N u m b er o f s eg m en t s
4
En t e r En t er
To d r a w a d i a m e t e r ci r cl e : 1
On
Po in t
2
Cu r v e 2 Po i n t s
3
St a r t o f d i a m et er
4
Ci r cl e,
Circle: Diameter
En d o f d i am e t er 4 En t e r Or t h o
5
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77
N o t e s: To d r a w a t a n g e n t , t an g e n t , r a d i u s ci r cle: 1
Cu r v e Ci r cl e, Ta n g e n t , Tan g en t , Ra d i u s
2
Fir s t t an g e n t cu r v e
3
Se co n d t an g en t cu r v e
4
Rad i u s
Circle: Tangent, Tangent, Radius
2
En t er
5
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78
N o t e s: To m ak e i t 3 - D : 1 2
So l id
Ex t r u d e Pl a n ar Cu r v e
St r a ig h t 3
Ex t r u s io n D is t an ce,
2
En t e r
4 5
So l id
Ex t r u d e Pl a n ar Cu r v e
St r a ig h t 6
Ex t r u s io n D is t an ce
-6
En t er
7 8
So l id
Ex t r u d e Pl a n ar Cu r v e
St r a ig h t 9
Ex t r u s io n D is t an ce
Robert McNeel & Associates
4
En t er
79
N o t e s: Exercise 26—Using circle-related object snaps 1
Li n k .3 d m
2
3
4
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80
N o t e s: To d r a w t h e t a n g e n t l i n es : 1
Cu r v e Lin e Ta n g e n t t o 2 Cu r v es
2
f i r s t t an g e n t p o i n t
3
s e co n d t an g en t p o in t
Line Tangent to 2 Curves
4
Drawing Arcs
Button
Command
Description
Arc
Draw an arc from the center, start, and angle.
Arc : Start, End, Point on Arc
Draw an arc from three points.
Arc: Start, End, Direction
Draw an arc from start point, end point, and the direction from the start point. The direction can be entered after the start point is entered or after the end point is entered.
Arc: Tangent, Tangent, Radius
Creates an arc from tangents and radius.
Arc: Start End Radius
Creates an arc from start point, end point, and radius.
Convert Output=arcs
Converts a curve to arc segments that are joined together.
Arc options Option
Description
Deformable
Creates an arc shaped NURBS curve
Extension
Extend a curve with an arc.
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81
N o t e s: Exercise 27 Practice drawing arcs (1) Op e n A r c1 .3 d m
Arc: Start, End, Direction
Arc: Start, End, Radius
R2.00
R2.00 R2.00
4.00
R6.00
Ø2.00
R3.00 Arc: TTR
Arc: Center, Start, End 2.00
7.00
Extend Curve: By Arc Extend Curve: By Arc to a Point
To d r a w a ce n t e r , s t a r t , en d o r an g l e ar c: 1
Cu r v e
2
Cen t e r o f a r c
3
St a r t o f a r c
4
En d p o in t o r an g l e
Robert McNeel & Associates
A r c,
Ce n t e r , St ar t , A n g le Arc: Center, Start, Angle
82
N o t e s: To d r a w a s t ar t , en d , d i r ect io n ar c: 1 2
Cu r v e
3
En d
4
Or t h o
5 6
Ar c
St a r t , En d , D i r e ct i on Arc: Start, End, Direction at Start
St a r t
D ir e ct i o n Ar c St a r t
7
En d
8
Or t h o
R2 ,- 2
En t e r
To ad d m or e a r c s eg m en t s u s i n g ex t en s io n o p t io n : 1
Cu r v e
2
Ex t e n s i o n
3 4 5
A r c,
Ce n t e r , St ar t , A n g le Arc: Center, Start, Angle
Se l ect n e ar cu r v e e n d En d o f ar c
4
En t er
Or t h o
Robert McNeel & Associates
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N o t e s: To ad d m or e ar c s eg m en t s u s i n g t h e e x t e n s i o n o p t i o n : 1
Cu r v e
2
Ex t e n s i o n
A r c,
Ce n t e r , St ar t , A n g le Extend: By Arc to Point
3
Se l ect n e ar cu r v e e n d
4
En d o f ar c
To d r a w a t a n g e n t , t an g e n t , r a d i u s a r c: Cu r v e
1
Ar c
Tan g e n t , Tan g e n t ,
Ra d i u s
Arc Tangent, Tangent, Radius
2
Fir s t t an g e n t cu r v e
3
Rad i u s
4
Se co n d t an g en t cu r v e p
3
En t er
5
6
Cu r v e
Ar c
Tan g e n t , Tan g en t ,
Ra d i u s 7
Fir s t t an g e n t cu r v e
8
Rad i u s
9
Se co n d t an g en t cu r v e p
6
En t er
10
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84
N o t e s: To m ak e i t so l id :
1 2
Ed i t
Tr i m
3
4
Ci r cl e
5 6
So l id
Ex t r u d e Pl a n ar Cu r v e
St r a ig h t 7
Ex t r u s io n d is t a n ce
Robert McNeel & Associates
1
En t e r
85
N o t e s: Exercise 28—Practice drawing arcs (2) 1
Sm a ll Ob j e ct s A r c2
I n ch es .3 d m 2 Li n e Ci r cle
Ar c
To m ak e i t so l id : 1 2
So l id
Ex t r u d e Pl a n ar Cu r v e
St r a ig h t 3
Ex t r u s io n d is t a n ce
Robert McNeel & Associates
1
En t e r
86
N o t e s:
Drawing Ellipses and Polygons
Ellipses Button
Command
Description
Ellipse
Draw an ellipse by specifying the center point and axis ends.
Ellipse Diameter
Draw an ellipse by specifying the axis ends.
Ellipse FromFoci
Draw the ellipse from the focus points
AroundCurve
Draw an ellipse whose axis is perpendicular to a curve.
Polygons Button
Command
Description
Polygon
Creates a polygon from its center and radius.
Polygon Edge
Draw a polygon by specifying the ends of one edge.
Polygon Star
Draw a star from a polygon.
Polygon options Option
Description
NumSides
Specify the number of sides for the polygon.
Circumscribed
Draw a polygon that is circumscribed about a radius. The default is to draw a polygon that is inscribed in a specified radius.
Rectangles Button
Command
Description
Rectangle
Draw a rectangle using opposite corners.
Rectangle Center
Draw a rectangle from center and a corner.
3Point
Draw a rectangle through three points.
Vertical
Draw a rectangle that is perpendicular to the construction plane.
Rounded
Create a rectangle with rounded corners (arc or conic).
Robert McNeel & Associates
87
N o t e s: Exercise 29 Practice drawing ellipses and polygons
20 19
Sm al l Ob j ect s M i l l im e t e r s .3 d m To y
9 8
5
8 14 18
4 10
R1.5 for all polygons
To d r a w a r e ct a n g l e f r o m d i a g o n a l co r n er s : Cu r v e
1
Re ct a n g l e
Co r n e r t o
Co r n e r 2
Fir s t Co r n er
3
Le n g t h
4
W id t h
Robert McNeel & Associates
- 1 0 ,- 5 20 10
En t er
Rectangle
En t e r En t er
88
N o t e s: D r a w r e ct a n g l es f r o m a ce n t e r p o i n t w i t h a l en g t h an d w id t h , an d r o u n d ed co r n e r s : 1 2
Cu r v e R
Re ct a n g l e
Cen t er , Co r n er
En t er
Rectangle: Center, Corner
3
Cen t e r o f r e ct a n g le
4
Le n g t h
5
W id t h
6
Rad i u s
0
19
En t er
En t e r
9
En t e r
1
En t e r
Co r n er 7
To d r a w an e l li p s e f r o m i t s cen t er a n d a x is e n d s: 1
Cu r v e
El l ip se
2
El l ip s e cen t e r
3
En d o f f i r s t ax is
4
Or t h o
5
En d o f s e co n d ax is
Fr o m Ce n t er
0
Ellipse
En t er 4
En t er 2 .5
En t er
6
To d r a w a p o l y g on f r o m i t s cen t er an d r a d i u s : 1
Cu r v e
2
N u m Sid es
Po ly g o n
3
Cen t e r
- 7 ,- 2
4
Co r n er
1 .5
Ce n t er , Rad i u s 3
Polygon
En t er
5 6
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N o t e s: To m ak e t h e r o u n d ed r e ct a n g l es s o l id : 1 2
So l id
Ex t r u d e Pl a n ar Cu r v e
So l id
Ex t r u d e Pl a n ar Cu r v e
Extrude closed planar curve
St r a ig h t 3 4 5 St r a ig h t 6
B o t h s id es
7
To m ak e t h e r o u n d ed r e ct a n g l e h o ll o w : 1 2
So l id
3
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Boolean Difference
D i f f e r en ce En t er
90
N o t e s: To m ak e t h e r e ct a n g l e so l id : 1 2
So l id
Ex t r u d e Pl a n ar Cu r v e
St r a ig h t 3
Bo t h s id es
No
4
To m ak e t h e el l ip s e s o li d : 1 2
So l id
Ex t r u d e Pl a n ar Cu r v e
St r a ig h t 3
Bo t h s id es
Yes
4
To cu t t h e e l l ip s e s o li d f r o m t h e r e ct a n g l e: 1 2
So l id
3
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D i f f e r en ce ,
En t e r .
91
N o t e s: To ex t r u d e t h e p o ly g o n s : 1 2
So l id
Ex t r u d e Pl a n ar Cu r v e
St r a ig h t 3
To cu t h o l es w i t h t h e s o l id p o ly g o n s : 1 2
So l id
3 4
D i f f e r en ce D e l et eI n p u t
s e co n d s et of su r f aces o r p o ly s u r f a ces En t er
Robert McNeel & Associates
92
N o t e s:
Modeling Free-Form Curves Button
Command
Description
Curve
Curve by control points draws a curve from specified control points. Control points mostly do not lie on the curve, but they determine its shape.
InterpCrv
Interpolated curve creates a curve going through specified interpolate points. These points lie on the curve and determine its curvature.
Conic
Draws a conic curve, which is part of an ellipse, parabola, or hyperbola.
Option
Description
Undo
Allows you to back up one point.
Close
Makes a closed curve.
Autoclose
Move the cursor close to the start point of the curve, and pick. The curve will close automatically. Press ALT to suspend autoclose.
Sharp
If Yes, when you make a closed curve, it will have a kink at the start/end point instead of making a smooth (periodic) closure.
Degree
Allows you to set the degree of the curve.
Exercise 30—Practice drawing curves (1) 1
Op e n
Cu r v e.3 d m
2
Os n ap
3
En d Or t h o
Robert McNeel & Associates
En d
N e ar
Sn ap
93
N o t e s: To d r a w a cu r v e b y co n t r o l p o in t s : Cu r v e
1 2
St a r t o f Cu r v e
3
Nex t p oin t,
Fr e e - f o r m
Con t r o l Po in t s Control Point Curve N e ar Control points control the curvature of the curve, but the points are usually not on the curve.
4 5
En t e r
To d r a w a cu r v e in t er p o l a t e t h r o u g h p o i n t s : 1
I n t e r p o l a t ed Cu r v e
2
Cu r v e
Fr e e - f o r m
I n t erp olat e
Curve: Interpolate Points
Po i n t s 3
St a r t o f Cu r v e N e ar
4
Nex t p oin t, Nea r
5
En t e r
To d r a w a co n i c cu r v e : 1 2
Con i c Cu r v e
Co n i c
Conic
3 4 5 6
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94
N o t e s: To m ak e t h e co n t r o l p o in t cu r v e i n t o a s u r f ace : 1 2
Su r f ace
Revolve
Re v o l v e 3
St a r t o f r ev o lv e a x is
4
En d o f r ev o lv e ax is
5
St a r t a n g l e
Fu ll Ci r cl e
To m ak e t h e i n t er p o l a t ed cu r v e i n t o a s u r f a ce : 1 2
Su r f ace Re v o l v e
3
St a r t o f r ev o lv e a x is
4
En d o f r ev o lv e ax is
5
St a r t a n g l e
Robert McNeel & Associates
Fu ll Ci r cl e
95
N o t e s:
Modeling Helix and Spiral
Button
Command
Description
Helix
Draw a helix. User can specify a radius, the number of turns, the length and direction of the axis.
Spiral
Draw a spiral. User can specify two radii, the number of turns, the length and direction of the axis.
Option
Description
Vertical
The helix or spiral axis will be perpendicular to the construction plane in the active viewport.
AroundCurve
Select a curve for the helix or spiral to wind around to create "phone cord" shapes.
Flat
Lets you draw a planar spiral.
Mode
Determines whether the number of turns or the distance between turns is used to create the helix or spiral
Turns
Allows you to set the number of turns along the axis.
Pitch
Allows you to set the distance between turns along the axis.
ReverseTwist
Allows you to reverse the twist direction of the helix or spiral.
Exercise 31—Practice drawing curves (2) 1
Op e n
H el i x - Sp i r al .3 d m
2
Os n ap
3
En d Or t h o
Robert McNeel & Associates
En d
Po in t
Sn ap
96
N o t e s: To d r a w a h e l i x Helix
1 2
Cu r v e St a r t o f a x is Pe r sp e ct i v e
4
En d o f ax is Pe r sp e ct i v e
5
M od e
6
Tu r n s
7
( 1) ( 2) Mo d e = Tu r n s .
N u m b er o f t u r n s
8
Helix
Helix
3
10
En t e r
( 3)
To d r a w a sp ir a l : Sp i r al
1 2 3 4
Cu r v e
( 1)
En d o f ax is
5
M od e
6
Pi t ch
( 2) Mo d e = Pi t ch .
7
Pi t ch
8
Rev e r s eTw is t Tw is t = Ye s
9
Spiral
Sp ir a l
St a r t o f a x is Pe r sp e ct i v e
15
En t e r Rev e r s e
( 3)
10
Robert McNeel & Associates
( 4)
97
N o t e s: To d r a w a h e l i x ar o u n d a cu r v e : H e l i x A lo n g Cu r v e
1 2
Cu r v e
3
A r o u n d Cu r v e
Helix
Helix
4 5
M od e = Tu r n s
6
Tu r n s
7
25
8
Rev e r s eTw is t = N o
9
Rad i u s
10
Robert McNeel & Associates
En t er 5
En t er
St a r t p o i n
98
N o t e s: Exercise 32 Drawing free-form curves
1
Sm a ll Ob j e ct s - M il l i m et e r s.3 d m Scr e w d r i v er
2
Co n s t r u ct io n
Cu r v e
To cr e at e t h e co n s t r u ct i o n l i n es : 1
50
20
6
42
Co n s t r u ct i o n 2
Po ly l i n e, To p
8 18
11
25 3 10
- 7 0 ,0
To cr e at e t h e cu r v e b y co n t r o l p o i n t s : 1 Cu r v e 2
3
Cu r v e
Sa v e
Robert McNeel & Associates
99
N o t e s: To m ak e i t so l id : Sn ap
1
Or t h o
2 3
Revolve
Su r f ace Re v o l v e
4
St a r t o f r ev o lv e a x is
5
En d o f r ev o lv e ax is
6
St a r t a n g l e
Fu ll Ci r cl e
A d d d e t ai ls o n y o u r ow n : Since w e haven’t discussed m any of t he com m ands that you need t o com plet e this m odel, use Co m m a n d H e lp 1
2
Sin g l e Li n e
Ex t r u d e
3
Di r
4 Fl ip
Robert McNeel & Associates
100
N o t e s: 5
Mir ror
6
Bo ol e an D i f f er e n ce
7
Cu r v e
8
Pip e
9
Ar r ay Po l ar
Robert McNeel & Associates
101
N o t e s: 10
11
Bo ol e an D i f f er e n ce
Ren d e r
Robert McNeel & Associates
102
N o t e s:
5
Editing Objects
Fillet Option
Description
Radius
Sets the fillet radius. A radius of 0 extends or trims the curves to a corner, but does not create a fillet.
Join
Yes, joins the fillet to the curves. No, does not join the fillet to the curves.
Trim
Yes, trims the curves to the fillet arc. No, does not trim the curves.
Exercise 33 Fillet Op e n
Fi l l e t .3 d m
Rules to follow when filleting curves: The curves must be coplanar. The created fillet is determined by picking on the curve portion to keep. The radius cannot be so large that it runs past the end of the curve.
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N o t e s: To f i ll e t l i n e s at a z er o r a d i u s : Cu r v e
1 2
Rad i u s
3
0
Fi l l e t Cu r v e s Fillet Curves En t er Remember to pick on the part of the line that you want to keep.
4 5
6 7
En t e r Fi l l et
To j o in t h e f i l l e t ed ob j ect s: 1 2
Ed i t
Robert McNeel & Associates
Jo i n
Join
104
N o t e s: To f i ll e t l i n e s u s i n g a n ar c: Cu r v e
1 2
2
3
Jo i n
Fi l l e t Cu r v es En t e r
4 5 6
En t e r
7 8
En t e r
9
1
En t e r
10 11 1 2 Fi l l et
Robert McNeel & Associates
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N o t e s: To f i ll e t ci r cles : Cu r v e
1
Fi l l et Cu r v e s 2
3 En t er
3 4
5 6 7
Ed i t
Tr i m
8
To f i ll e t a n d j o in a r cs an d li n es : 1
Cu r v e
Fi l l e t Cu r v es
2
3 4
Robert McNeel & Associates
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N o t e s: To f i ll e t t h e co r n er s o f a clo sed p o l y l i n e: 1 2
Cu r v e
3
Fi l l e t Co r n e r s
Fi ll et
2
Fillet corners
En t e r
Blend Bl e n d
Bl e n d Cr v
Option
Description
Perpendicular
When Continuity=Tangent or Curvature, allows you to blend a curve to a surface edge perpendicular to the surface with continuity.
AtAngle
When Continuity=Tangent or Curvature, orients the direction of the blend curve other than perpendicular to the edge.
Continuity
Continuity describes the relationship between curves and surfaces. Types of continuity: Position (G0), Tangent (G1), and Curvature (G2).
To b l e n d t w o cu r v es : 1
Cu r v e
2
3
Cu r v es t o b len d
Bl e n d Cu r v es Blend Curves
D e l et e
Robert McNeel & Associates
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N o t e s: To b l e n d t w o cu r v es w i t h A d j u s t a b le cu r v e b l en d : 1 Bl e n d Cr v cu r v e b le n d
2
Ad j u s t ab l e Cu r v e To o ls
Adjustable curve blend
Cu r v es t o b len d
3
co n t r o l p o i n t t o ad j u s t ( 1)
4
co n t r o l p o i n t t o a d j u s t (2),
5
Robert McNeel & Associates
( 2) En t er
108
N o t e s: To m ak e a l o f t ed s u r f ace w i t h cl o s ed cu r v es : The curves in this model are at two different elevations. You are going to connect the curves at different elevations with a surface.
Su r f aces
1 2 To p 3 4
Per sp e ct iv e Su r f ace
Lo f t
I f t he seam s don’t line up at corresponding
5 6
Loft
En t e r Lo f t Op t i o n s
OK
Lo f t Op t io n s
OK
7 8 9
Robert McNeel & Associates
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N o t e s: To m ak e a l o f t ed s u r f ace w i t h o p e n cu r v e s : Lo f t
1
2 St y l e
Lo f t Op t io n s Lo os e Pr ev i e w
3
St y l e
St r a ig h t s e ct i o n s
4
St y l e
N o r m al .
5
6
Pr ev i ew
Cr o s s- s ect io n cu r v e o p t i o n s Reb u i ld w i t h co n t r o l p o i n t s 12 Pr ev i ew Re f i t w i t h in
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Pr e v i e w
110
N o t e s:
Chamfer
Option
Description
Distances
The first chamfer distance specifies the distance from the chamfer end on the first curve to the point where the two curves would intersect. The second chamfer distance specifies the distance of the chamfer end on the second curve to the intersection point. A chamfer distance of 0 trims or extends that curve to the intersection point. If the chamfer distance is nonzero, a chamfer line is created that far from the intersection, and the curve is extended to the chamfer line. If you enter 0 for both distances, the curves are trimmed or extended to their intersection, but no chamfer line is created.
Exercise 34 Chamfer Op e n
Ch am f er .3 d m
To ch a m f er li n es : Cu r v e
1 Ch a m f er 2 3
Di s t a n ce En t e r
1 ,1 ,
Chamfer Curves
Jo i n = Yes
4 5 6 7
En t e r
8
Di s t a n ce En t e r
3 ,2
9 10
Robert McNeel & Associates
111
N o t e s: 11
To t u r n t h e cu r v es i n t o su r f a ces : Su r f aces
1 2
Ed i t Cu r v es
3
Su r f ace
4
Ad j u s t t h e s ea m En t er
5
6
Lo f t Op t i o n s
Se l ect Ob j ect s
Select Curves
Lo f t
OK
Sa v e
Robert McNeel & Associates
112
N o t e s: Exercise 35 Practice with Fillet and Chamfer 1
Op e n Fi l l et e x .3 d m
2
Fi ll et
Ch a m f er
Robert McNeel & Associates
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N o t e s: To m ak e i t so l id : 1
Ed i t
2
So l id
Se l ect Ob j ect s
Cu r v es
Ex t r u d e Pl a n ar Cu r v e
St r a ig h t 3
Ex t r u s io n d is t a n ce
1
En t e r
To f i ll e t t h e t o p ed g e o f t h e so l id : 1 2
So l id Cu r r e n t Rad i u s
3
Robert McNeel & Associates
Fil l e t Ed g e
Fi l l e t Ed g e
0 .2 5 En t e r
114
N o t e s:
Move Option
Description
Vertical
Moves the selected objects vertical to the current construction plane.
Exercise 36 Move 1
Op e n
M ov e.3 d m
2 3
Or t h o
Sn ap
Cen
To m o v e u si n g ob j ect s n ap s f o r p l ace m e n t : 1 To p 2
Move
Tr a n s f o r m Mov e
3
Po in t t o m o v e f r o m
4
Po in t t o m o v e t o
Robert McNeel & Associates
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N o t e s: To m o v e u si n g ab so l u t e co o r d i n at es : Ed i t
1 Ob j ect s 2
Se l ect Cu r v es
Tr a n s f o r m Mov e
3
Po in t t o m o v e f r o m
4
Po in t t o m o v e t o En t er
0 ,0
0 ,0
To p
To m o v e u si n g r el a t i v e co o r d in at e s : 1 2
Tr a n s f o r m
3 4
Mov e To p
Po in t t o m o v e t o
Robert McNeel & Associates
r 0 ,- 2 5
En t e r
116
N o t e s:
Copy
Option
Description
Vertical
Copies the selected objects vertical to the current construction plane.
InPlace
Duplicates the object at the current location.
Exercise 37 Copy To co p y u s i n g o b j e ct s n ap s f o r p l ace m en t : 1 2
Tr a n s f o r m
3
Po in t t o co p y f r o m
4
Po in t t o co p y t o
5
Co p y
Copy
En t er
To m ak e m u l t ip l e co p i es : 1 2
Tr a n s f o r m
3
Po in t t o co p y f r o m
4
Po in t t o co p y t o
5 6
Co p y
En t e r Un d o
Robert McNeel & Associates
117
N o t e s:
Undo and Redo Red o Rhino Button
Mouse Button
Command
Description
Left-click or Ctrl+Z
Undo
Cancels the effects of the last command.
Right-click or Ctrl+Y
Redo
Restores the effects of undo. Op t io n s U
Gen e r a l
Un d o
Rotate
Option
Description
Copy
Duplicates the object as it is rotated
Exercise 38 Rotate 1 Rotate 2-D 2
Tr a n s f o r m
3
Cen t e r o f r o t at i o n
4
An g l e
Robert McNeel & Associates
-28
Ro t a t e
En t e r
118
N o t e s:
Group
Rhino Button
Mouse Button
Command
Description
Left-click or Ctrl+G
Group
Makes a group from selected objects.
Left-click or Ctrl+Shift+ G
Ungroup
Removes grouping.
Left-click
AddToGroup
To add objects to a group.
Left-click
RemoveFromGroup
To remove objects from a group.
Left-click
SetGroupName
To name groups
Exercise 39 Grouping To g r o u p s el ect e d o b j ect s :
Group
1 2
Ed i t
Gr ou p s
Gr o u p
To ad d o b j e ct s t o a g r o u p : 1 Add to group
2 Ad d To Gr o u p Ad d To Gr o u p Gr o u p in g
En t e r
3
Robert McNeel & Associates
119
N o t e s: To r em ov e a n o b j e ct f r o m a g r o u p : 1 Re m o v eFr o m Gr o u p 2
Re m o v eFr o m Gr o u p Gr o u p i n g
Remove from group
Se l ect o b j e ct s t o r e m o v e f r om g r o u p En t e r .
Mirror
Exercise 40 Mirror 1 2
Tr a n s f o r m
Mirror
Mir ror 3 4
0 ,0 Or t h o
5 6
Ed i t
Robert McNeel & Associates
Gr ou p s
Un g r o u p
Ungroup
120
N o t e s:
Join
Exercise 41—Join 1 2
Ed i t
Jo i n Join
Scale
Option
Description
Copy
Preserves the object as it creates a new scaled one.
Scale factor
Inputs a value for scale factor. Less than one reduces the size, more than one increases the size.
Exercise 42 Scale 1
Ed i t
2
Tr a n s f o r m
3
Or ig i n p o in t
0
4
Sca l e f act or
75
Robert McNeel & Associates
Se l ect Ob j ect s Sca l e
Cu r v es Sca l e 2 - D
En t e r
Scale 2-D
En t er
121
N o t e s: To s ca l e u s in g t h e r ef er en ce p o i n t o p t io n : 1 2
Tr a n s f o r m Sca l e 2 - D
Sca l e
3
Or ig i n p o i n t
4
Fir s t r e f er e n ce p o in t
5
Se co n d r e f er e n ce p o in t
1 .3 7 5
En t er
To m ak e i t so l id : 1
Ed i t
2
So l id
Se l ect Ob j ect s
Cu r v es
Ex t r u d e Pl a n ar Cu r v es
St r a ig h t 3
Ex t r u s io n d is t a n ce
Robert McNeel & Associates
1
En t er
122
N o t e s: To s ca l e i n 3 - D : 1
Ed i t
2
Tr a n s f o r m
Se l ect Ob j ect s
3
Or ig i n p o in t
0
4
Sca l e f act or
1 5
Sca l e
Po ly su r f aces Sca l e 3 - D
Scale 3-D
En t er En t er
To s ca l e i n o n e d im en s i o n : 1
Ed i t Ob j ect s Po ly su r f a ces
2
Se l ect Scale 1-D
Tr a n s f o r m Sca l e
Sca l e 1 - D
3
Or ig i n p o i n t , En t e r
4
Fir s t r e f er e n ce p o in t Pe r p e n d i cu l a r
5
0
Se co n d r e f er e n ce p o in t
Robert McNeel & Associates
5
En t er
123
N o t e s:
Array
Exercise 43 Polar Array To cr e a t e a p o l ar ar r ay : 1
A r r ay .3 d m
Op e n
2
To p
3
Tr a n s f o r m Po l ar
Polar Array A r r ay
4
Cen t e r o f p o l ar ar r ay
5
N u m b er o f i t em s
10
En t er 6 360
7
You must include the original and the copies as the number in the array.
An g l e t o f i l l En t e r
Sa v e
To m ak e t h e s h ap e f o r t h e co l u m n : 1 2
Cu r v e Cu r v e Bo o l e an
3
Cu r v e Ed i t To o ls
Reg i o n s t o k e ep
4
D el e t eI n p u t All
En t er
Robert McNeel & Associates
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N o t e s: To m ak e t h e co l u m n : 1 2 3
So l id
Ex t r u d e Pl a n ar Cu r v e
Ex t r u s io n d is t a n ce
14
St r a ig h t
En t er
To m ak e a p ar t i al p o l ar a r r ay : 1
B as e
2 3
Ed i t
Gr ou p s
Gr o u p
4 5
Tr a n s f o r m
A r r ay
6
Cen t e r o f p o l ar ar r ay
7
N u m b er o f i t em s
8
An g l e t o f i l l
Robert McNeel & Associates
0 6
-180
Po l a r En t e r En t er
En t er
125
N o t e s: To cr e at e a r ect an g u l ar a r r a y : 1 2
Tr a n s f o r m
A r r ay 4,
Rect an g u l ar
3
N u m b er i n X d i r e ct io n
En t e r
4
N u m b er i n Y d i r e ct io n
4,
En t e r
5
N u m b er i n Z d i r e ct i on
1,
En t er
6
X sp a ci n g
12
En t er
7
Y sp a ci n g
12
En t er
Rectangular Array
8
9
En t e r
10
Robert McNeel & Associates
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N o t e s:
Trim
Exercise 44 Trim
To t r im cu r v es : 1
Op e n
2
Zo o m W i n d o w To p
Tr i m - Sp li t .3 d m Zoom Window
3 4
Ed i t
Tr i m
5
6
En t e r
To t r im s u r f a ces : 1
Zo o m W i n d o w Pe r sp ect i v e
2 Pe r sp ect i v e Trim 3
Ed i t
Robert McNeel & Associates
Tr i m
127
N o t e s: 4
5
Ob j ect t o t r im
En t e r
Robert McNeel & Associates
128
N o t e s:
Split
Exercise 45 Split
To s p l i t a cu r v e : 1
Zo o m W i n d o w To p
2 3
Ed i t
4
Sp li t
Split
En t er
To s p l i t a s u r f a ce : 5
Vi ew Zo o m Ex t e n t s All
6
Ed i t Sp li t
7 En t e r 8
Robert McNeel & Associates
En t e r
129
N o t e s:
Extend
Exercise 46 Extend 1 2
Op e n
Ex t e n d .3 d m Cu r v e
Ex t en d Cu r v e
Extend Curve
Ex t en d Cu r v e 3 b o u n d ar y o b j ect s
4 5
6 7
En t e r cu r v e t o ex t en d
cu r v e t o ex t e n d Ty p e= N a t u r a l Ty p e= Li n e
8
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N o t e s: 9 10
cu r v e t o ex t e n d
Ty p e= Li n e
Ty p e= A r c
11
12 13
cu r v e t o ex t e n d
Ty p e= A r c
Ty p e= Sm o o t h
14
15
En t e r
To ex t en d w i t h a s e t e x t e n s io n l en g t h : 1 2
Cu r v e Ex t en d Cu r v e Ex t e n d Cu r v e En t er e x t en si o n le n g t h En t er
4
3
4
En t e r
Robert McNeel & Associates
131
N o t e s: To ex t en d a cu r v e d y n am i ca l ly : Cu r v e
1
Ex t en d Cu r v e Ex t en d Cu r v e 2
En t e r
3
4 5
En t e r
To ex t en d t o a su r f ace : Cu r v e
1 Cu r v e Cu r v e 2
3
Ex t en d Ex t en d
b o u n d ar y o b j e ct s
En t e r
4
Ty p e= A r c
5
Robert McNeel & Associates
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N o t e s:
Offset
Exercise 47 Offset 1 2
Op e n
Of f s e t .3 d m To p
Offset Curve
3 4 5
Cu r v e
Of f s et Cu r v e
Sid e t o o f f s et
To o f f s et w i t h t h e t h r o u g h p o in t o p t i o n : 1
En d
2 3 4 5
Cu r v e
Of f s et Cu r v e
Sid e t o o f f s et Th r ou g h p o i n t Th o u g h p o i n t
Robert McNeel & Associates
133
N o t e s: To o f f s et a p o l y l i n e w i t h s h ar p co r n er s : 1 2 3 4
Cu r v e 1
Of f s et Cu r v e En t e r
Sid e t o o f f s et
To o f f s et a p o l y l i n e w i t h r o u n d co r n er s : 1 2
Cu r v e
3
Cor n er = Sh ar p
4
Of f s et Cu r v e Co r n er = Ro u n d
5
Sm o o t h
Ch am f er
To o f f s et a cu r v e w i t h t h e b o t h si d es o p t i o n : 1 2
Cu r v e
3
B o t h s id es
4
Sid e t o o f f s e t
Of f s et Cu r v e
5
Robert McNeel & Associates
134
N o t e s: To o f f s et a su r f a ce : 1 2
Su r f ace
Of f s e t Su r f a ce
3
Offset Surface
4
En t e r
Robert McNeel & Associates
135
N o t e s: To o f f s et a su r f a ce t o a s o l id : 1 2
Su r f ace
Of f s e t Su r f a ce
3 4 5
So li d En t e r
To o f f s et a p o l y s u r f ace : sett ing polysurfaces usually doesn’ 1 2
3
Su r f ace
Of f s e t Su r f a ce
En t e r
Robert McNeel & Associates
136
N o t e s: Exercise 48 Practice 1
Sm a ll Ob j ect s - I n ch es .3 d m t e m p l at e Ga sk et 1 .
2
Ci r cl e A r c Tr i m Fi l l e t Jo i n
3
Ex t r u d e Pl a n ar Cu r v e > St r a ig h t So l id .1 2 5
Exercise 49 Practice 1
Sm a ll Ob j e ct s - I n ch es .3 d m Ca m
2
Ci r cl e A r c Li n e Tr i m Jo i n
3
Ex t r u d e Pl a n ar Cu r v e > St r a ig h t
A r r ay So l id
0 .5
Robert McNeel & Associates
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N o t e s: Exercise 50—Practice 1
Sm a ll Ob j e ct s Li n k
I n ch es .3 d m
2
Li n e Ar c Tr i m Of f set Jo in Fi l l e t
3
Ex t r u d e Pl a n ar Cu r v e > St r a ig h t
Ci r cl e So l id
0 .5
Exercise 51 Practice 1
La r g e Ob j e ct s - I n ch es .3 d m Bu i ld in g
2
Li n e Ar c Tr i m Of f set Cu r v e Fi l l et
40'0"
Cir cle
12'0"
16'0"
12'0"
16'0"
32'0"
16'0"
R1'6"
8'0
"
8 '0
"
6'0"
Robert McNeel & Associates
138
N o t e s:
6
Point Editing
co n t r o l p o i n t ed i t in g Rhino’s curves are represent ed internally wit h non co n t r o l p o i n t s k not s
A few facts about control points, edit points, and knots
Robert McNeel & Associates
139
Exercise 52—Control point editing
To ed i t co n t r o l p o i n t s : 1
Op e n
Co n t r o l Po i n t .3 d m Control Points On
2
Or t h o
Sn ap
3
Ed i t Cu r v es
4
Ed i t Co n t r o l Po in t s Co n t r o l Poi n t s On F1 0
5
Se l ect Ob j ect s
Fr o n t
6
Robert McNeel & Associates
8
140
To ch e ck t h e d i f f e r en ces : 1
off
F1 1 Es c
2
Pl an e
3 4
Cu r v e o b j ect s
Cu r v e f r o m I n t er s ect i o n
5
6
To co n t in u e ed i t i n g co n t r o l p o in t s : 1
Fr o n t
2 3
5 off
F1 1 Es c
Robert McNeel & Associates
141
To m ak e a l o f t ed s u r f ace : 1 2
Su r f ace
3
Lo f t o p t i o n s
Lo f t OK
4 5 Ca n n o t t u r n o n p o i n t s f o r p o ly s u r f ace s 6
Un d o
To ch a n g e t h e p o ly l i n es i n t o cu r v es w i t h ou t k i n k s: 1 2 3
Ed i t Reb u il d Cu r v e 11 OK
Robert McNeel & Associates
Reb u i ld
Rebuild 3
142
To l o f t a su r f a ce o v er t h e cu r v es : 1 2
Su r f ace
3
Lo f t Op t i o n s
Lo f t OK
4 5
To r eb u i ld a s u r f a ce: 1 2 3 4
Rebuild Surface Ed i t
Reb u i ld
Reb u il d Su r f a ce 8
13 3
De l e t e in p u t .
Robert McNeel & Associates
143
Nudge Controls
To ch a n g e t h e n u d g e s e t t in g s : 1
To o ls
2
Op t io n s M o d e l i n g A id s set t in gs
Robert McNeel & Associates
Op t i o n s Nudge
144
To u s e N u d g e k e y s t o m o v e co n t r o l p oi n t s : Fr o n t
1 2
Alt
3
Alt
Ct r l
4
Alt
Sh i f t
5
Alt
Pag e Up
Pag eD o w n
Z
To u s e s e t p o in t s t o ad j u s t p o i n t s : 1 Set XYZ Coordinates
2 Tr a n s f or m Se t Po i n t s 3
Set Po i n t s Se t Z
Se t X
Se t Y
4 5
Robert McNeel & Associates
145
Exercise 53 Practice with curves and control point editing 1
Sm a ll Ob j e ct s M i l l im e t e r s .3 d m t e m p l at e Gl as s
2
Cu r v e
3
To m ak e i t 3 - D : 1
Su r f ace
Re v o l v e
2
En t er
3
St a r t o f r ev o lv e a x is
4
En d o f r ev o lv e ax is
5
St a r t A n g l e
De f o r m a b l e = Ye s
St a r t A n g l e
Fu l lCi r cle
6 7
Sa v e
8 9
I n cr em en t al Sa v e
10 11
1 2 I n cr em en t al Sa v e
Robert McNeel & Associates
146
Part Three: 3-D Modeling and Editing
N o t e s:
7
Creating Deformable Shapes
—
index for ― cont rol point s.ǁ
Robert McNeel & Associates
149
N ot es: Exercise 54 Creating a rubber duck 1
Sm a ll Ob j e ct s - M il l i m et e r s.3 d m D u ck
2 For m ore inform at ion about layers, look up ― layerǁ in t he
Create the body and head shapes
To cr e at e t h e b a si c s h ap es : 1
So l id
2
Sp h e r e
Ce n t e r , Rad i u s
Fr o n t
3 4
Robert McNeel & Associates
Sphere
150
N ot es: To m ak e t h e s p h e r es d e f or m ab l e : 1 2
Ed i t
Rebuild Surface
Reb u i ld 3
Reb u il d Su r f a ce Po i n t Co u n t 8 U V
4
D eg r e e
5
D e l et e I n p u t OK
Robert McNeel & Associates
3
U
V
Cu r r en t Lay e r
151
N ot es: To m o d if y t h e b od y sh ap e: 1 2
Ed i t
Control Points On
Co n t r o l Po in t s Co n t r o l Po in t s On 3
4 5
Fr o n t
Tr a n s f o r m
Set XYZ Coordinates
Se t Po i n t s
Set Po i n t s
Se t Z
A l ig n t o W o r ld
6 Fr o n t
To s ca l e t h e sp h er e s h ap e: 1 2
Tr a n s f o r m Sca l e1 D
3
Or i g i n p o i n t
4
Fi r s t r ef e r e n ce p o i n t
Sca l e
Scale 1D
Or t h o Fr o n t
5
Se co n d r e f er e n ce p o i n t Fr o n t
Robert McNeel & Associates
152
N ot es: To r es h ap e t h e ch es t an d t ail 1 2
3
To p Fr o n t
Fr o n t
Robert McNeel & Associates
153
N ot es: To ad d co n t r o l f or f u r t h e r sh ap i n g t h e t ail :
1
Ed i t I n s er t Kn o t
2
Co n t r o l Po in t s
Su r f a ce f o r k n o t i n s e r t i o n
Insert Knot
3 4
Po in t o n su r f ace t o ad d k n o t ,
5
En t e r
6 Remember to use a window to select the control points. There may be multiple control points in the same location in this view.
7
8
Sa v e
Robert McNeel & Associates
154
N ot es: To cr e at e t h e h e ad : 1
Fr o n t
2
Ed i t Co n t r o l Po i n t s Co n t r o l Poi n t s On
3
Remember to use a window to select the control points. There may be multiple control points in the same location in this view.
4
5
6
Es c
Robert McNeel & Associates
155
N ot es:
Separate the bill from the head
To s p l i t a s u r f a ce w i t h a cu r v e : 1
Fr o n t
2 3 4 5
Ed i t
Sp li t
Cu t t i n g o b j e ct En t e r
Robert McNeel & Associates
156
N ot es:
Create the duck’s neck
To t r im t h e h ea d a n d t h e b o d y : 1
Lin e
2
3 4
5
Ed i t
Tr i m
Ob j ect t o t r im , Trim
6
Sa v e
Robert McNeel & Associates
157
N ot es: To cr e at e t h e b l en d s u r f a ce b e t w e en t h e h e ad an d b o d y : Su r f ace
1 2
Bl e n d Su r f a ce
Seg m e n t f o r f ir s t ed g e
3 4
En t e r
5
Seg m e n t f o r s e co n d ed g e
6
Al l
7 8
Blend Surface Al l
En t e r Bl en d B u l g e Pr ev i e w
9 OK
1 0 Sa v e
To j o in t h e p ar t s : 1 2
Ed i t
Jo i n Join
Robert McNeel & Associates
158
N ot es: To m ak e an e y e :
1 2 3
Or t h o
Sn ap
Cu r v e Fr o n t
Co n i c Rig h t
St a r t o f Con i c ( 1 ) , En d o f Co n i c ( 2 ) , Ap e x ( 3 ) , Cu r v at u r e p o in t . 4
5
Sm ar t Tr a ck ,
Po i n t En d
Cu r v e M u l t ip l e Po i n t s
Po i n t Ob j e ct
6
Lo cat i o n o f p o in t o b j e ct
7
Lo cat i o n o f p o in t o b j e ct
Robert McNeel & Associates
I nt
159
N ot es: To s p l i t t h e cu r v e : 1
l in e
2 3 4
Ed i t
Sp li t
Cu t t i n g o b j e ct
To m ak e t h e s u r f a ce : 1 2
Su r f ace
Re v o l v e
3
St a r t o f r e v o l v e a x is
4
En d o f r ev ol v e a x is
5
St a r t A n g l e
Robert McNeel & Associates
Fu ll Ci r cl e
160
N ot es: To as si g n d is p l ay co l o r an d m a t e r i al co l or : 1 2 3 4
Ed i t Ob j ect Pr o p e r t ie s
Object Properties
Di sp l ay Pr o p er t i es M a t er i al Co l o r
B as i c
5
6
Ren d er
Re n d er Pr e v ie w
To p l a ce t h e ey e o n t h e h ead : 1 2
To p Ed i t
Gr ou p s
Gr o u p
3 4
Tr a n s f o r m On Su r f a ce
5
Re f er e n ce p o i n t 1
6
Re f er e n ce p o i n t 2
7
Su r f a ce t o Or i e n t o n
Robert McNeel & Associates
Or i en t
161
N ot es: 8
Or i e n t o n Su r f a ce Un i f or m Rig id OK
9
Po in t o f su r f ace t o o r i en t t o
1 0 Mir ror
Render a picture of the ducky creates a ― realist icǁ pict ure of your m odel w it h colors you assign. These render colors are different from
To r en d e r t h e d u ck y : 1 2
Ed i t
3
Pr o p er t i es
4
Sel e ct Co lo r
Ob j ect Pr o p e r t ie s M a t e r i al
Render Basic
l i ck t h e col o r s w a t ch .
5 6 7 8
Ed i t Pr o p er t i es Ren d e r
Robert McNeel & Associates
Ob j ect Pr o p e r t ies M a t e r i al
Bas i c
Re n d er
162
N ot es: To p l a ce l ig h t s : 1
Ren d e r Sp o t l i g h t
Cr e at e Create Spotlight
2
3 4
To p Ct r l Fr o n t
5
Ren d e r
Robert McNeel & Associates
Re n d er
163
N ot es:
Robert McNeel & Associates
164
N o t e s:
8
Modeling with Solids
Rhino’s polysurface objects are deform able
Button
Command
Description
Box
Draw a rectangular box from two diagonal corners and a height.
Box 3Point
Draw a box from two adjacent corners, a point on the edge across from them, and a height.
Sphere
Draw a sphere from a center point and a radius.
Sphere 2Point
Draw a sphere from the two ends of a diameter.
Sphere 3Point
Draw a sphere from three points on its surface.
Cylinder
Draw a solid cylinder from a center point, a radius, and a height.
Tube
Draw a solid tube from a center point, two radii, and a height.
Cone
Draw a solid cone from a base point, a base radius, and a height.
TCone
Draw a truncated cone that ends in a circular plane from a base point, two radii, and a height.
Robert McNeel & Associates
165
N o t e s: Button
Command
Description
Ellipsoid
Draw an ellipsoid from a center point, and three axis endpoints.
Torus
Draw a solid Torus from a center point, a radius for the center of the tube, and a tube radius.
Pipe
Draw a pipe around an existing curve. The pipe has a circular cross-section and optional caps at the ends. The Thick option lets you specify two radii at each end of the curve to create pipes with holes bored through the middle like tubing.
TextObject
Draw text as outline curves, surfaces, or solids.
ExtrudeCrv
Draw a solid by extruding a closed planar curve vertically.
ExtrudeSrf
Creates a solid by extruding a surface vertically.
Cap
Creates planar surfaces to close planar holes in a surface or partial solid.
BooleanUnion
Boolean operation in Rhino to combine solids.
BooleanDifference
Boolean operation in Rhino to subtract surfaces and solids from one another.
BooleanIntersection
Boolean operation in Rhino to create the intersection of two surfaces or solids.
Exercise 55
Model a bar with text
1
Sm a l l Ob j e ct s - M i l li m e t er s
Sa v e
Ba r 2
Box So l id
Bo x
3
Fi r s t co r n er
4
Le n g t h
5
W id t h
6
He ig h t
Robert McNeel & Associates
Co r n e r t o Co r n e r , He ig h t
0 ,0 15
6 1
En t e r En t er En t e r En t e r
166
N o t e s: To ed i t a s u r f a ce : 1 2
So l id
Ex t r a ct Su r f a ce
Su r f a ce t o ex t r a ct En t er
Extract Surface
3
4 5
Ed i t
Reb u i ld
6
Reb u i ld Su r f a ce Po i n t co u n t 4 U V, OK
De g r e e
7
8
F1 0
Co n t r o l Po i n t s On
Rebuild Surface 3 Control Points On
Ri g h t
9 10
F1 1
Robert McNeel & Associates
Co n t r o l Po i n t s Of f
167
N o t e s: To m ak e t h e b a r s o l id : 1 2
Ed i t
Jo i n
3 4
So l id
Cap Pl a n ar H o l es Cap Planar Holes
To f i ll e t t h e ed g es : So l id Fi l le t Ed g e
1 2
Fi l le t Ed g e ,
Cu r r en t Rad iu s= 1 .0 .
3
Se l ect ed g es t o f i l l et En t e r
4
Se l ect f i l l et h an d l e t o ed i t
5
En t er
Fi ll et Ed g e
6 7
Fillet Edge
Cu r r en t Rad iu s= 0 .2 . Se l ect ed g es t o f i l l et En t er
8
Se l ect f i l l et h an d l e t o ed i t
Robert McNeel & Associates
En t er
168
N o t e s: To m ak e a co p y o f t h e b a r o n a d if f er en t l ay e r :
1 2
Ed i t o b j ect s t o l ay e r
3
Se l e ct l ay er t o cop y o b j e ct s La y er 0 1 OK
4
La y e r s
Co p y
Copy Objects to Layer
La y e r 0 1
To m ak e s o l i d t ex t : 1
La y er 0 2
2
So l id
3
Te x t Ob j e ct Fo n t
Te x t
Cr e at e
Text Object
So l id s
Te x t s iz e H e ig h t 3 .0 0 So li d t h i ck n es s 1 .0 0 Gr o u p ob j e ct s OK 4
I n s er t i o n p o i n t To p
5
Fr o n t
Rig h t
Robert McNeel & Associates
169
N o t e s: To en g r av e t h e t e x t i n t h e b ar : 1 2 3
So l id
D i f f e r en ce
Se l ect s e co n d s et o f s u r f a ces o r p o l y s u r f a ces En t e r
D el e t e I n p u t = Yes
Using a model for illustration m odel for illust rat ion purposes. I n this case w e’re going to divide t he
To m ak e a l a b el : 1
La y e r 0 1
2
So l id
3
Def a u l t Ex t r a ct Su r f a ce En t e r
4 5 6 7 8
Lo ck To p So l id Te x t Ob j e ct Cu r v es OK
Te x t Cr e at e
I n s er t i o n p o i n t To p
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170
N o t e s: To s p l i t t h e t o p su r f a ce o f t h e b ar w i t h t h e t e x t : To p
1
Per sp e ct iv e
Ed i t
2
Sp li t
3
4
En t e r
H id e
5 6
Ed i t
Gr o u p ,
Gr ou p
7 8
Pr o p er t i es
9 10
M a t e r i al
Basic
Per s p e ct i v e Re n d e r ed
To em b o ss t h e t e x t i n t h e b ar : 1
2
Ed i t Se l ect i o n So l id
Se l ect Ob j ect s
Ex t r u d e Su r f a ce
3
Ex t r u s io n d is t a n ce D e l et eI n p u t = Yes
4
Ex t r u s io n d is t a n ce
Robert McNeel & Associates
Pr ev i o u s
St r ai g h t
Extrude Surface
Bo t h s id es = Ye s Cap = Yes .1
En t er
171
N o t e s: 5
H id e
6
Don’t forget t o delete t he center of let ters. Su r f ace Su r f a ce Ed i t Un t r im To o ls
7
Untrim
Se l ect an ed g e t o u n t r i m
8
Un l o ck
9
Sh o w
Jo i n Boolean Union
10 11
So l id
Robert McNeel & Associates
Unio n
172
N o t e s:
9 Button
Creating Surfaces
Command
Description
SrfPt
Creates a surface by picking three or four points in space for corners.
EdgeSrf
Creates a surface by selecting two, three, or four existing curves whose ends meet exactly.
PlanarSrf
Creates a surface from planar curves that enclose an area.
Patch
Creates a surface that approximates a set of curves and/or point objects.
Revolve
Revolves a curve around an axis to create a surface.
Loft
Creates a surface from shape curves; the normal, loose, and tight options make a surface with no creases as it passes over the shape curves. The StraightSections option creates a surface with creases at each shape curve and straight sections between the shapes curves.
Sweep1
Creates a surface from shape curves that follow along a rail curve that defines one edge of the surface.
Sweep2
Creates a surface from shape curves that follow along two rail curves that define two edges of the surface.
FilletSrf
Creates a fillet or round between two surfaces.
BlendSrf
Makes a smooth surface between two existing surfaces
Robert McNeel & Associates
173
N o t e s: Button
Command
Description
RailRevolve
Revolves a shape curve holding one end along a rail curve. This command is very useful for putting a smooth end cap on an irregularly shaped surface.
ExtrudeCrv
Extrudes a curve perpendicular to the construction plane with option to taper the surface with a draft angle.
ExtrudeCrvAlongCurve
Extrudes a curve following along a second curve.
ExtrudeCrvToPoint
Extrudes a curve to a point.
Plane
Creates a rectangular planar surface parallel to the construction plane from two diagonal points.
Plane 3Point
Creates a rectangular planar surface from 3 points.
Plane Vertical
Creates a rectangular planar surface from 3 points that is vertical to the construction plane.
Exercise 56—Basic techniques for making surfaces 1
Sm a ll Ob j e ct s - M il l i m et e r s.3 d m Su r f a ces
2 3
Sn ap
Plane: Corner to Corner Pl an ar .
Su r f ace
4
Fir s t co r n er o f p l a n e
5
Ot h er co r n er
Pl a n e
Co r n er t o Co r n e r
Pl a n e
V e r t i ca l
To cr e at e a v er t i ca l p l an e : 1
Su r f ace
2
St a r t o f ed g e
3
En d o f ed g e
Vertical Plane
4
Robert McNeel & Associates
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N o t e s: To cr e at e a p l a n e f r o m 3 p o i n t s : Su r f ace
1 Pl a n e
3 Po i n t s
2
St a r t o f ed g e
3
En d o f ed g e
4
H e ig h t
Rectangular Plane: 3 Points
Sm ar t Tr a ck
To cr e at e a p l a n e f r o m co r n er p o i n t s : 1
Su r f ace Co r n e r Po i n t s
2
Fir s t cor n e r
3
Se co n d co r n e r
4
Th ir d co r n er
5
Fo u r t h co r n er
Robert McNeel & Associates
Surface from 3 or 4 Corner Points
175
N o t e s: To cr e at e a su r f a ce f r o m p l a n a r cu r v es : 1
Pl an ar Surface from Planar Curves
2
3
Su r f ace Pl a n ar Cu r v e s
4 5 En t er
To cr e at e a su r f ace f r o m ed g e cu r v es : Su r f ace
1 Cu r v es 2
Robert McNeel & Associates
Ed g e Surface from 2, 3, or 4 Edge Curves
176
N o t e s: Exercise 57—Extruding surfaces
To ex t r u d e a cu r v e : 1 2
Op e n
Ex t r u d e.3 d m To p Su r f a ce
Extrude Straight
3 4
5
Su r f ace Ex t r u d e Cu r v e St r a ig h t Ex t r u s io n d is t a n ce - 3 .5 En t e r
Robert McNeel & Associates
177
N o t e s: To ex t r u d e a cu r v e a lo n g a n o t h er cu r v e : ( 1)
1
Extrude Along Curve 2
Su r f ace Ex t r u d e Cu r v e A l o n g Cu r v e
3
( 2)
If you do not get the answer you expected, undo and try picking near the other end of the path curve.
To ex t r u d e a cu r v e w i t h a t ap e r ( d r af t a n g l e ) : 1 2
Su r f ace Ex t r u d e Cu r v e Ta p er ed
3
Ex t r u s io n d is t a n ce D r a f t A n g le
4
Dr a f t an g l e En t e r
5 375
-3
Ex t r u s io n d is t a n ce En t er
Robert McNeel & Associates
178
N o t e s: To cr e at e a su r f ace f r o m p l a n ar cu r v e s : 1
Su r f ace Pl a n ar Cu r v e s
Surface from Planar Curves
2
3
En t e r
4 5
Ed i t
Jo i n
To m ak e t h e e x t r u d ed s u r f a ces f or t h e o t h e r h alf o f t h e p h o n e :
1
B o t t o m Su r f ace Extrude Straight
2 3
4
Su r f ace Ex t r u d e Cu r v e St r a ig h t Ex t r u s io n d is t a n ce - 3 .5 En t e r
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179
N o t e s: 5 6
( 1) Su r f ace Ex t r u d e Cu r v e A l o n g Cu r v e
7
( 2)
8 9
Su r f ace Ex t r u d e Cu r v e Ta p er ed
10 - 1 .3 7 5
11
Ex t r u s io n d is t a n ce En t e r
Su r f ace Pl a n ar Cu r v e s
12
13
En t e r
14 15
Ed i t
Robert McNeel & Associates
Jo i n
180
N o t e s: To cr e at e an ex t r u d ed s u r f a ce o n b o t h s id es o f a cu r v e: Ex t r u d e St r a ig h t -
1 b o t h s id es 2 3
Su r f ace Ex t r u d e Cu r v e St r a ig h t
4
Ex t r u s io n d is t a n ce Bo t h s id e s
5
Ex t r u s io n d is t a n ce
To t r im t h e s u r f a ces : 1
2 3
Ed i t
Tr i m
Ob j ect t o t r i m
Robert McNeel & Associates
181
N o t e s: To sp l i t t h e t r i m m ed su r f a ce: 1 2 3
Ed i t
Sp li t
Se l ect cu t t i n g o b j e ct s
I s o cu r v e
4 To g g le on t he com m and line if it ’s not t he correct 5
Sp l i t p o in t
To j o in t h e s u r f aces :
1 2
Ed i t
Jo i n .
Ed i t
Jo i n .
3 4
Robert McNeel & Associates
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N o t e s: To r o u n d t h e e d g es o f t h e p ol y s u r f a ces : 1
2
So l id Fi l le t Ed g es
Fil l et Ed g es .2 Variable Radius Fillet
Se l ect ed g es t o f i l l et En t e r
3
Se l ect f i l l et h an d l e t o ed i t Pr ev i ew
4 En t e r 5
To cr e at e an ex t r u d ed s u r f a ce f r o m a cu r v e t o a p o in t : 1
Ex t r u d e t o a p o in t
2 3 4
Su r f ace
Ex t r u d e Cu r v e
To Po i n t
Extrude To Point
Po in t t o ex t r u d e t o
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183
N o t e s: 5
Bo ol e an D i f f er e n ce
Dir
6 7
Su r f ace
Ex t r u d e Cu r v e
8
Po in t t o ex t r u d e t o
9
Bo ol e an D i f f er e n ce
1 0 Sa v e
Robert McNeel & Associates
To Po i n t
Ph o n e
184
N o t e s: To cr e at e t h e b u t t o n s : Cu r v es f o r Bu t t o n s
1 2
Fr o n t
3
So l id
Ex t r u d e Pl a n ar Cu r v e
St r a ig h t 4
- .2
En t er
5 6
Fi ll et Ed g e .0 5
7
Sa v e
Robert McNeel & Associates
185
N o t e s: Exercise 58—Lofted surfaces 1
Op e n
Lo f t .3 d m
2
3
Su r f ace
Lo f t Loft
4
Lo f t Op t i o n s St y l e St r a ig h t s e ct i o n s Pr ev i e w
Robert McNeel & Associates
186
N o t e s: 5
Lo f t Op t i o n s St y l e Lo os e
6 St y l e
7
Mir ror
8
Jo i n
Pr ev i ew
Lo f t Op t i o n s N o r m al
OK
Mirror
Join
To m ak e a s ea t : 1
2 3 4
H u ll Cu r v es Se at Cu r v es
Se at
Project to Surface
Sea t Cu r v es Fr o n t Cu r v e Fr o m Ob j e ct s Pr o j e ct .
Robert McNeel & Associates
Cu r v e
187
N o t e s: 5
Su r f a ce t o p r o j e ct o n t o
6 7 8
Su r f ace Lo f t
Lo f t OK
To cr e at e s e ct io n cu r v es f r o m t h e s u r f a ces : 1 2 3
Section
Sect i o n s Cu r v e Fr o m Ob j e ct s Se ct i o n .
4
St a r t o f s ect i o n
5
En d o f s e ct i o n
Robert McNeel & Associates
Cu r v e
To p
Or t h o
188
N o t e s: To cr e at e co n t o u r cu r v es a cr o ss t h e h u l l s u r f a ces : 1 2 3
Contour
Con t o u r s Cu r v e Fr o m Ob j e ct s Co n t o u r .
Cu r v e
4
Co n t o u r b ase p o i n t
5
Di r ect i o n p e r p e n d i cu l ar t o co n t o u r p l an es
6
Di s t a n ce b e t w e en co n t o u r s
12
En t e r
To cr e at e an ed g e cu r v e f r o m t h e s u r f a ce s : To p Ra i l
1 2
Cu r v e Fr o m Ob j e ct s D u p l i cat e Ed g e.
Cu r v e
Duplicate Edge
3 4 En t er
Robert McNeel & Associates
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N o t e s: Exercise 59—Revolved surfaces 1
Op e n Re v o l v e.3 d m
2
S
Revolve
3 Su r f a ce Rev o l v e 4 St a r t o f r e v ol v e a x i s 5
En d o f r ev o l v e a x is
6
En t e r
St ar t An g l e
7
En t e r
Re v o l u t i on A n g l e
Robert McNeel & Associates
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N o t e s: Exercise 60—Using a rail revolve
To cr e at e a r ai l r ev o lv e : 1 2
Op e n Re v o l v e.3 d m
Rai l Rail Revolve Right click this button
Pr o f i l e Cu r v e
3
Su r f ace Rai l Rev o lv e
4
Ra i l cu r v e
5 Ra i lRe v o l v e ax is 6
7
Ra i lRev o lv e ax is
Bo w l
8
Robert McNeel & Associates
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N o t e s: Exercise 61—Using 1-rail sweeps to create surfaces On e cr o ss - s e ct i o n : 1
Sweep 1 Rails 1 Ra i l Sw e ep .3 d m
2 3 4
Su r f ace Sw e ep 1 Rail Op t i o n s
Sw eep 1 Ra i l OK
Tw o cr o ss - s e ct i o n s : 1 2
Su r f ace
3
Sw e ep 1 Rail Op t i o n s Gl o b a l s h ap e b l en d i n g
4
Sw e ep 1 Rail Op t i o n s
Sw eep 1 Ra i l
OK
M u l t ip l e cr o s s - s e ct io n s : 1 2
Su r f ace
3
Sw e ep 1 Rail Op t i o n s Gl o b a l s h ap e b l en d i n g
4
Sw e ep 1 Rail Op t i o n s
Robert McNeel & Associates
Sw eep 1 Ra i l
OK
192
N o t e s: To cr e at e a 1 - r a il s w eep t o a p o i n t : 1 2 3 4
5 6
Su r f a ce 0 2 Su r f a ce 0 1 Su r f ace Sw eep 1 Ra i l Ra i l Se l ect cr o s s s e ct io n cu r v es, select the Po i n t Pi ck en d p o i n t Sw e ep 1 Rail Op t i o n s
En d OK
To cr e at e a r o ad l ik e 1 - r a i l sw e ep : 1
Su r f a ce 0 3 Su r f a ce 0 2
2 3
Su r f ace Sw eep 1 Ra i l
4
Se l ect cr o s s s e ct io n cu r v es, select the En t er
5
Ro ad l ik e Rig h t Pr ev i ew
6
Ro ad l ik e Fr o n t Pr ev i ew
7 Pr ev i ew
Robert McNeel & Associates
Ro ad l ik e To p OK
193
N o t e s: Exercise 62—Using 2-rail sweeps to create surfaces Op e n
2 Ra i l Sw e ep .3 d m
To cr e at e t h e b a se —Pa r t 1 :
1 2
Ba s e Su r f a ce Su r f ace
4 5
Sw eep 2 Ra i ls .
Sweep 2 Rails
r a i l cu r v e s ( 1 ) .
3
cr o ss - s ect i o n cu r v e ( 2 ) . En t e r surface doesn’t conform t o t he circle at the top
6
Sw e ep 2 Rail Op t i o n s M a i n t a i n h eig h t Pr ev i ew
7
Sw e ep 2 Rail Op t i o n s Ca n ce l
Robert McNeel & Associates
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N o t e s: To cr e at e t h e b a se —Par t 2 : r a i l cu r v e s
1 2
Su r f ace
3
Sw eep 2 Ra i ls
cr o ss - s e ct i o n cu r v es
4
En t e r
5
Sw e ep 2 Rail Op t i o n s
OK
To cr e at e t h e h o u s i n g : 1
H o u s in g Su r f a ce H o u s i n g Cu r v e s Mirr or
2
H o u s in g Su r f ace
3
Su r f ace
4
Sw eep 2 Ra i ls
r a i l cu r v e s
5
cr o ss - s ect io n En t er
6
Sw e ep 2 Rail Op t i o n s
OK
To j o in t h e t w o p a r t s : 1
Se l ect t h e b as e an d t h e h ou sin g su r f aces.
2
So l id Un i on
3
Fi ll et Ed g e .2 5
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N o t e s: Exercise 63—Using a network of curves to create surfaces 1
Op e n
2
N e t w o r k su r f .3 d m Su r f ace
Cu r v e
Net w or k 3
Se l ect cu r v e s i n n e t w o r k En t er
4
Su r f ace Fr o m Cu r v e Net w or k Cu r v a t u r e OK
Robert McNeel & Associates
196
N o t e s: Exercise 64— Practice using one-rail sweeps:
To cr e at e t h e l eg s : 1
Op e n Ta b l e.3 d m
2 Su r f a ce Sw e ep 1 Ra i l 3 4
5
En t e r
6
En t e r
7
Sw e ep 1 Rail Op t i o n s
OK
To cr e at e t h e b r a ce : 1 Br a ces 2
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197
N o t e s: To cr e at e t h e t o p an d f i n is h t h e t ab l e : 1 To p 2 Su r f a ce Sw e ep 1 Ra i l 3 4 5 6
En t e r Sw e ep 1 Rail Op t i o n s
OK
7 8 9
So l id
Cap Pl a n ar H o l es
M ir r o r 0 ,0
Robert McNeel & Associates
To p
198
N o t e s: Exercise 65— Creating a toy hammer: I n t his exercise you w ill use m ost of t he techniques t hat you’ve learned in
1
Op e n
H am m e r .3 d m Co n s t r u ct i o n Li n es Cu r v e s H a n d l e Ta n g H e ad
H o l e Cu t o u t
Cl aw 40 19 ALL FILLETS AND ROUNDS 2mm.
R4
60
R50
8
90
R80
40
42
32
R21
13 20
Ø12
16 42
2
Robert McNeel & Associates
21 40
110
25
To p
199
N o t e s: To cr e at e t h e cl aw :
1
Cu r v es
2
To p
3
Ci r cl e
4
Ci r cl e
5
Ar c
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200
N o t e s: 6
Tr im
7
Jo i n
8
Cl aw
9 10
Ex t r u d eCr v
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N o t e s: To cr e at e t h e h e ad : Cu r v es
1 2
Cu r v e
3
H e ad
4
Rev o lv e
5
To ad d t h e h ead t o t h e cl aw p a r t : 1
Bo ol e an Un i o n
2
Fi ll et Ed g e
3
Sa v e
Robert McNeel & Associates
202
N o t e s: To cr e at e s lo t f o r t h e cl aw p ar t o f t h e h am m er : 1
Cu r v e
2
Li n e
3
Jo i n
4 5
Ro t a t e
6
Cl a w
7
8
Ex t r u d eCr v
Sa v e
9
Bo ol e an D i f f er e n ce
10
Fi ll et Ed g e
Robert McNeel & Associates
203
N o t e s: To cr e at e t h e s h ap e cu r v e f o r t h e t a n g an d t h e h an d l e : Rig h t 1
Cu r v es Or t h o
2
Cu r v e
3
Mirr or
4 5
Jo i n Sa v e
Robert McNeel & Associates
204
N o t e s: To cr e at e t h e t a n g : 1
Cu r v e
2
Mirr or
3
Ta n g
4
Sw eep 2
5
Cap
6
Sa v e
To f in i sh t h e h am m er h ead : 1 2
Bo ol e an Un i o n
3
Fi ll et Ed g e
4
Sa v e
Robert McNeel & Associates
205
N o t e s: To cr e at e t h e h a n d le: Cu r v es
1 2
Cu r v e
3
Mirr or
4
Hand le
5
Sw eep 2
6
Cap
7
Sa v e
Robert McNeel & Associates
206
N o t e s: To cr e at e t h e h o l e f or t h e h a n d l e : 1
Ci r cl e
2
Ex t r u d eCr v
3
Sa v e
4
Bo ol e an D i f f er e n ce
5
Fi ll et Ed g e
6
Sa v e
Robert McNeel & Associates
207
N o t e s: Exercise 66— Creating a squeeze bottle:
50
1 2
Sm a ll Ob j e ct s - I n ch es .3 d m Bo t t l e
3 4
Co n s t r u ct io n Cu r v e Bo t t l e B o t t l eTo p Th r e ad s Cap 1 Ca p 2
Cap Top
Con s t r u ct i on
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208
N o t e s:
Create the bottle shape
To d r a w t h e co n s t r u ct i o n cu r v es : 1
Re ct a n g l e Rectangle
Ellipse 2 3
Us e t h e Lo ck El l ip s e
4 5
Us e t h e M o v e .2 5 Fr o n t
6
Us e t h e Cir cl e
7
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209
N o t e s: To d r a w t h e p r o f i l e cu r v es : 1 Cu r v e 2
Cu r v e
Fr o n t
3
Rig h t
Mirr or
To cr e at e t h e s u r f a ce f o r t h e b o t t l e: Bo t t l e
1 2 3 4
Lo f t
Loft
Se l ect cu r v e s t o l o f t En t e r Lo f t Op t i o n s OK
Robert McNeel & Associates
Cl o s ed lo f t
St y l e N or m al
210
N o t e s:
Cap the top and bottom I f you close t he bott le, thereby creat ing a solid, Rhino can calculat e the bot t le’s volum e. I f you w ere creat ing t his
To cap t h e t op an d b o t t o m : 1
Se l ect t h e s u r f a ce .
2
Cap
Robert McNeel & Associates
Cap Planer Holes
211
N o t e s:
Flatten the sides
To cr e at e t h e t r i m m in g su r f a ce : 1
Cu r v e
2
Fr o n t
3
Rig h t
Loft
4 5 6
Mov e
Lo f t Lo f t Op t i o n s OK
7
Mir ror
8
Sa v e
Robert McNeel & Associates
212
N o t e s: To r em ov e t h e s u r f a ce f r o m t h e b o t t l e : Bo t t l e
1 2
Di r Boolean Difference
3 4
Bo ol e an D i f f er e n ce
Create the bottle’s top
To cr e at e t h e p r o f i l e cu r v e: Cu r v e
1 2
Fr o n t
Li n es Ar c
3 4 5
Us e t h e Jo i n
Robert McNeel & Associates
213
N o t e s: Ti p
6
o b j e ct sn a p s
d i s t an ce co n s t r a in t ,
or t h o
Us e t h e M o v e
7
Bo t t l e To p
To cr e at e t h e t o p s u r f ace : 1 2
Rev o lv e
3
0
4
Or t h o
5
Revolve En t e r
St ar t A n g l e
Fu l lCi r cl e
N o t e:
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214
N o t e s:
Adding the threads
To cr e at e t h e p a t h cu r v e h e l i x : 1
Cu r v e
2
Cu r v e
Helix
Helix
3 4 5
Tu r n s
6
1 .5
7
To d r a w t h e t h r e a d p r o f i le: 1
Po l y g o n
2 3
Tr a n s f o r m A lo n g Cu r v e
A r r ay
4 5
6
A r r a y A l o n g Cu r v e Op t i o n s N u m b er o f i t e m s 5, Ro ad l ik e OK
To p
7
Robert McNeel & Associates
215
N o t e s: To cr e at e t h e t h r e a d su r f ace : 1
Bo t t l eTop Sweep 1 Rail
H id e Sw eep 1
2
Su r f ace
Sw eep 1 Ra i l
3 4
Se l ect cr o ss - s e ct i o n cu r v es En t er
5
P
En d
6 7
P En t e r
8
En d
9
En t e r
10
Sw e ep 1 Rail Op t i o n s St y l e Ro ad li k e To p OK
1 1 Sh o w 12 13
Bo ol e an Un i o n
Robert McNeel & Associates
216
N o t e s:
10
Importing and Exporting Models
t he index for ― im port and export .ǁ
Importing and Exporting Rhino File Information
There are t w o m ethods t o export m odels t o other form ats. You can ― Save Asǁ and choose a specific export t o export an ent ire m odel. You can select som e obj ects and ― Export Selectedǁ t hen choose a specific export form at t o export a port ion of the m odel. I n t he follow ing exercise you w ill use t he ― Save Asǁ m et hod t o export three of
Robert McNeel & Associates
217
N o t e s: Exercise 67— Exporting models To ex p o r t a m o d el t o a m es h f o r m a t : 1
Op e n
2 3
Ex p o r t .3 d m Fi l e
Sav e A s
Sav e Sa v e as t y p e St er eo l i t h og r ap h y ( * .s t l) .
4
Ex p o r t Sa v e
5
STL M es h Ex p o r t Op t i on s 0 .0 1
Pr e v i e w
6 7
0 .1 STL Ex p o r t Op t i o n s o p e n o b j e ct s OK
Robert McNeel & Associates
Pr e v i e w
OK B in a r y
Ex p o r t
218
N o t e s: To ex p o r t a m o d el t o I GES: Fi l e
1
Sav e A s
2
Sav e
3
I GES Ex p o r t Op t i on s s o l id s
4
Can cel
Sav e as t y p e
I GES ( * .i g s)
Pr o E W i n d o w s De t ai l ed Co n t r o ls OK
To ex p o r t a m o d el t o STEP: 1
Fi l e
2
Sav e A s
3
STEP Op t i on s
Robert McNeel & Associates
Sav e A s Sav e as t y p e
STEP ( * .s t p , * .s t ep ) .
219
N o t e s:
Robert McNeel & Associates
220
N o t e s:
11
Rendering
enough for m uch of your w ork, use another rendering program such as Rhino’s Flam ingo plug Rhino’s renderer uses color, spot light s, displays shadows, and does ant ialiasing. I t also allows t he at tachm ent of
Exercise 68— Practice rendering a model 1
Op e n
2
Ren d er .3 d m Ren d e r
Cu r r en t Re n d er er
Rh i n o
Re n d e r . Per s p e ct i v e
3
Rendered Viewport
Ren d er ed
d isp l a y
Robert McNeel & Associates
221
N o t e s: To as si g n a co lo r t o t h e h an d le : Lay e r s M at e r i a ls Hand le
1
2
M at er i al Basic Gl o ss f i n is h
—
3 4
Gl os s f i n i sh
90
Sel e ct Co lo r
5 6
Co l or Red
OK
Render
B la d e Ren d e r
Robert McNeel & Associates
Re n d er
222
N o t e s: To p l a ce a li g h t :
1
To p
2
Li g h t s
3
Fr o n t Create Spotlight
Ren d e r Sp o t l i g h t
4
Bas e o f co n e
5
Rad i u s
Cr e at e 0
En t e r To p
6
En d o f co n e To p
7
8 9
En d o f co n e Fr o n t Pe r sp ect i v e Ren d e r
Robert McNeel & Associates
Re n d er
223
N o t e s: To p l a ce a s e co n d l ig h t : To p
1 2
Fr o n t
Ren d e r Sp o t l i g h t
3
Bas e o f co n e
4
Rad i u s
Cr e at e 0
En t e r
To p 5
En d o f co n e To p
6
7 8
En d o f co n e Fr o n t Pe r sp ect i v e Ren d e r
Re n d er
To as si g n p r o p er t i es t o t h e l ig h t : 1 2 3
4 5
Ed i t Lig h t 0 in t ensit y 60.
Ob j ect Pr o p er t i es. Sh ad o w Sp o t l ig h t h a r d n ess
Pe r sp ect i v e Ren d e r
Robert McNeel & Associates
Re n d er
224
N o t e s: To ad d a b u m p y su r f a ce t o t h e h an d l e : 1
Lay e r s M at e r i a ls Hand le
2
M at er i al Ed i t o r Bu m p
3
Op en B i t m ap H a n d l e Bu m p .j p g
4
M at er i al Ed i t or M od i f y Ti l i n g
5
Op en Bu m p
Of f s et an d Ti l i n g U
V
OK 6 7
OK
M at e r i al Ed i t o r Ren d e r
Robert McNeel & Associates
Re n d er
225
N o t e s: To ad d a t e x t u r e t o t h e h an d l e : 1
Lay e r s M at e r i a ls Hand le
2
M at er i al Ed i t or Bu m p
3
M at er i al Ed i t or Te x t u r e
4
Op en B i t m ap W o od .j p g
5
Op en
Of f s et an d Ti l i n g U
V
OK
6 7
OK
M at e r i al Ed i t o r Ren d e r
Robert McNeel & Associates
Re n d er
226
N o t e s: To m ak e t h e h a n d l e t r a n sp a r e n t : 1
Lay e r s M at e r i a ls Hand le
2
M at er i al Ed i t or Te x t u r e
3
M at er i al Ed i t or Tr a n sp ar e n cy
4 5
OK
50
M at e r i al Ed i t o r Ren d e r
Robert McNeel & Associates
Re n d er
227
N o t e s: To ad d a su r f ace f o r a g r o u n d p l a n e: Pl an e
1
To p 2 3
Pr o p e r t i es M a t er i al
4
B as i c
I n t h e Te x t u r e s e ct i o n W o od .j p g
5
Ren d e r Re n d e r
Rendering with Flamingo
To as si g n a m a t er i a l : 1 2
Hi d e
3
Ren d er
4
Lay e r s
5
M at er i al Ed i t o r
6 7
Cu r r e n t Ren d er e r
M at er i a l Lib r ar y Tr a n sp a r e n t
,
M at er i al Ed i t o r
8 9
Fl am in g o Ray t r a ce.
M a t e r i al s
Hand le
Pl u g - in
Br o w s e
Pl as t i cs OK
,
OK Bl ad e M et a l \ St ee l \ Po li s h ed \ Pl a i n .
1 0 Re n d e r
Robert McNeel & Associates
228
N o t e s: To s e t u p a n e n v i r on m e n t : Op t i o n s
1 2
Rh i n o Op t i o n s
3
En v ir o n m en t
4
Fl a m i n g o
En v i r o n m en t
3 Co l or Gr a d ie n t
Gr o u n d Pl an e
5
Gr o u n d Pl an e
M a t er i al M e t a l \ A lu m i n u m \ Sa t i n \ Ch eck er
Pl a t e 6
En v ir o n m en t
7
Rh i n o Op t io n s
8
OK. OK .
Re n d e r
A m o r e co m p l e t e d is cu ss i o n o f Fl a m in g o r en d e r in g is i n cl u d ed in Lev el 2 t r ai n i n g .
Robert McNeel & Associates
229
N o t e s:
Robert McNeel & Associates
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N o t e s:
12
Dimensions
Dimensions Dimension Types
Button
Command
Description
Dim
Linear Dimension creates a horizontal or a vertical dimension.
DimAligned
Creates an aligned dimension.
DimRotated
Creates a rotated dimension.
DimAngle
Creates an angular dimension.
DimRadius
Creates a radius dimension.
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N o t e s: Button
Command
Description
DimDiameter
Creates a diameter dimension.
Text
Creates 2-D annotation text.
Leader
Draw an arrow leader.
Properties
Edit dimensions and text.
DimRecenterText
Returns text that has been moved away from its default position to its original location.
Make2-D
Creates curves from the selected objects as silhouettes relative to the active construction plane. The silhouette curves are projected flat and then placed on the world x,y-plane.
Exercise 69— Practice dimensioning 1 2 3
D i m e n s io n .3 d m
Op e n To o ls
Options
Op t i o n s
Rh in o Op t i o n s D i m en s i o n s
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N o t e s: 4
D i m en s i o n
Li n e ar D i m en si o n
5
To p
6
To p
7
Linear dimension
To p Use object snaps to locate the extension line origins.
8
D i m en s i o n Ra d i a l D i m en si o n
To move extension line or text locations for dimensions, turn on control points for the dimension and move the control points.
9 To p Radial dimension
10 11
D i m en s i o n D i a m e t er D i m e n s i o n
12
Diameter dimension
To p 13 14
1 5 Sa v e
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N o t e s:
Making a 2-D Drawing from a 3-D Model
Exercise 70— Practice making a 2-D drawing for export 1
Op e n
2
D i m en s i o n 2 - D Dr aw ing
M ak e 2 D .3 d m
3
2 - D D r a w in g Op t i o n s 4 - v i ew ( USA) Sh o w OK h i d d e n l i n es
Mak e
Make 2-D Drawing
To p To p 4
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234
N o t e s:
13
Layout and Printing
Layouts and Details
Pr i n t W id t h —N o Pr in t
Exercise 71— Practice making layouts 1
Op e n Si m p l e Lay o u t _ Pr in t .3 d m
2
To p
3 Lay o u t 4
Vi ew Pag e N e w Pag e La y o u t
N ew Pa g e La y o u t Lan d s cap e I n i t i a l D et a il 4 Co u n t OK
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N o t e s:
5
D o u b l e - cl i ck
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Rig h t
236
N o t e s: Se t s cale an d l o ck d e t a i ls: 1
Pr o p er t i es
2
Ed i t
3 D is t a n ce on p a g e ( m m ) 1, En t e r 4 D is t a n ce in m o d el ( m ) 1, En t e r 5
Rig h t Pr o f il e
Lo ck
6
To p Fr o n t
7
Per sp e ct iv e
8
Vi ew Sh a d ed
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N o t e s: To d r a w b or d er s a n d t i t le b l o ck s i n t h e l ay o u t sp a ce : 1 2 3
D o u b l e - cl i ck
Pe r sp ect i v e d e t a i l
Re ct a n g l e Fi l e
I n ser t
4
I n s er t Pr o m p t Scal e
Pr o m p t Ro t a t io n .
I n s er t io n p o i n t
5
I n s er t OK
Fi l e…
Ti t l eB lo ck .3 d m
6
Op e n
I n s er t i o n Po in t
7
To ad d d i m e n s i on s t o t h e l a y o u t s p a ce: 1
On t h e l ay o u t u s e Li n e ar d i m en si o n s t o m eas u r e s om e f e at u r e s.
2
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N o t e s: To s e t l in et y p es a n d li n e w ei g h t s f o r cu r v es :
1
Ed i t
3
Ed i t Lay e r s .
Pr i n t W id t h
Bo r d e r r e ct an g l e
4 5
La y er s ,
La y er s
2
Ti t le B l o ck
Ob j ect Pr o p e r t i es
Pr i n t W id t h
Pr i n t D isp l a y
St at e = Of f On
Printing Exercise 72— Practice printing To p r in t t h e l ay o u t : 1 2
3
Fi l e Pr i n t
Pr i n t . ,
D es t i n at io n
Print
Pr i n t e r o u t p u t
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N o t e s: 4
Ou t p u t co l o r
Pr i n t Co l or .
Pr i n t Co l o r
D isp l a y Co l o r B l a ck a n d W h i t e Si m p l e Lay o u t
5
Vi e w a n d Ou t p u t Scal e.
Vi ew
Ex t e n t s
Scal e
1 :1
6
Ca n ce l
Pr i n t
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Part Four: Customizing Workspaces and Toolbars
242
N o t e s:
14
Rhino Settings
Options Rh i n o Op t i o n s D o cu m en t Pr o p e r t i es
Rh i n o Op t i o n s
Exercise 73— Practice with options To ch a n g e m od e l in g a i d s : 1 2
3
To o ls
Op t i o n s
Rh in o Op t i o n s
M o d e l i n g A id s Nu dge
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Mod el i n g A id s
Options
Sm a r t Tr a ck Cu r so r To o lTip s
243
N o t e s: To ch a n g e Rh i n o ’ s s cr e en ap p e a r an ce : 1
A p p e a r a n ce
2 3
B ack g r o u n d co l o r Cr o ss h air s
To ch a n g e o r cr e a t e s h o r t cu t s : 1 2
K ey b o a r d D is a b l e Os n ap _ To g g l e
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F4
244
N o t e s: To ch a n g e o r cr e a t e co m m a n d a l i as es : A li a s es
1
2
New
3
L
4
! Lin e s L
En t e r
Li n es
To ch a n g e v i ew op t i o n s : View
To ch an g e g en er a l o p t i o n s : Gen er a l undo’s
To s et f i l e op t i o n s : Fi l es
1 2 3
OK Li n es
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Op t io n s D i s ab l eOsn ap
245
N o t e s:
Document Properties
Exercise 74— Practice with document properties
Document Properties
To ch a n g e t h e g r id : 1
Fi l e
2
Gr id
Pr o p e r t ie s.
To ch a n g e r e n d er o p t i o n s : 1
Rh in o Re n d er
2
M es h
Fl am in g o
To s e t u n i t s : Un it s Un i t s
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N o t e s:
15
Custom Toolbar Layouts
Exercise 75— Customizing a toolbar layout 1 2
To o ls
Too lb a r Lay o u t
3
To o lb ar s
4
Sav e To ol b ar s Co l l e ct io n Sav e
Fil e
Sa v e As Fi l e n a m e
Lev e l 1
To s h o w an o t h er t o ol b ar : 1
To o ls
2
To o lb ar s
3
To o lb ar s
4
Cu r v e To o l s
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Too lb a r Lay o u t Cu r v e To o ls Cu r v e To o ls Cl o s e
247
N o t e s: 5
Cu r v e To o l s
To s a v e y ou r t o o lb ar l ay o u t : To o lb ar s
Fil e
Sa v e
To cr e at e a n ew t o o lb a r : 1
To o ls
Too lb a r Lay o u t
2
To o lb ar s
3
To o lb ar Pr o p e r t i es OK
4
Cl o s e t h e To o lb a r s d i al o g b o x .
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To o lb a r
N ew Nam e
Tes t
248
N o t e s: To ed i t t h e n ew b u t t o n : Sh if t
1 2
Ed i t To ol b ar Bu t t o n To o l t ip s Le f t Ch an g e Las t Ob j e ct t o Lay er Rig h t
Ch an g e Al l Cu r v es t o Lay e r
3
Lef t m o u se b u t t o n co m m a n d Ch a n g eLay e r
4
Rig h t m o u s e b u t t o n co m m an d Ch a n g eLay e r
5
! Sel La s t ! Sel Cr v
Ed i t Bi t m a p
6
Ed i t B i t m a p
7
Ed i t To o lb ar B u t t o n
OK
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OK
249
N o t e s: To co p y a b u t t o n f r om o n e t o o lb ar t o an o t h e r : 1
St an d ar d
2
Lay e r Ct r l
To ad d a b u t t o n t o a t o ol b ar : To o ls
1 2
Too lb a r Lay o u t
To o lb ar
3
Te s t Tes t
A d d Bu t t o n Tes t
4
Cl o s e clicking a t oolbar’s t it le bar.
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