^^orraiqijgs; Edition
'i
«•' ;i?\\v '•
,.Ik '
3m
:.K«
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4- .«y:v'
m
M^.
i
i
n.
CONTENTS
T. n. I (TERROR 'n TINSELTOWN)
6
DR. FEELGOOD
7
SLICE OF YOUR PIE
20
RATTLESNAKE SHAKE
30
KICKSTART MY HEART
39
WITHOUT YOU
53
SAME OL' SITUATION (S.O.S.)
61
STICKY SWEET
73
SHE GOES DOWN
82
DON'T GO AWAY MAD (JUST GO AWAY)
94
TIME FOR CHANGE
-.r*^
106
Photography by William Homes lllustrotion by Don Broutigon
Original artwork and logo design by Kevin Brady •U
Key To Notation Symbols Guitar
Halfstep bends
Whole step bends
Extended bends
Bend and release
Pre-bend and release
0
0
-8
0-
0" --0
Pull-off
Hammer-on
Legato slide
Picked slide
Quarter step bend (microtone)
flr I Rake
Vib. bar
Sweep
^ Vib.bar
Vib.bar
zt
dive
P.M.
Vibrato with bar
Vibrato
>
$
rm
I*
>
i»
i»
i»
0
Rake or Sweep
0—0—e-
Palm muting
Vibrato bar
>
i"
(•
fr-r
m
3 TP
A.H.
m
A.H.
Harm.
P
-9—6—O•6
Percussive tone
with no pitch
y^- ' -- - ^
6006660
-6
Right hand tapping
Accented notes
6-
Artificial har monic (wipick)
Harmonics
A
-f—i—f— _£—?—\i
—J ji
-a
j
* •
Let ring
Picks
rr
0
II
7
0
1
Ghost note
Tremolo picking
Pick slide
Unison bend
Chord shape arpeggiation
0
T.n.T. (Terror 'n Tinseltown) By A5
G5 00
Rubato Both gtrs. tuned down GS"
NIKKI SIXX
E5
0
0
•'
• 'i i'l-W-
*I
loco
a whole step.
Drums
/7N <
Rapidunmeasured strum.
, , ... u -)/» Gradually slowdown while shaking Rapidly shake vib. barapprox. ij^ranotherdozen times. rTs decresc. times.
iz
vib. bar dive
Heartbeat sound effect until the end.
Sirens, hospital intercom, and police radiosoundeffects.
Lowpedal E on synhesizer 'til the end.
Car tire screches.
©1990 MOTLEY CRUE MUSIC CO. &SIKKI NIXX MUSIC (BMI)
All rights administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved
Door slam.
T.n.T. (Terror 'n Tinseltown)
G5
AS
By NIKKI SIXX
E5
00
m Rubato
Both gtrs. tuned down QS a whole step. Drums
(O
^ Rapid unmeasuredstrum.
,
u ..
Gradually slow down while shaking
Rapidlyshake nb. bar apprnx.-U uaranother dozen times.
decresc.
via, bar dive
Heartbeat sound effect until the end
Sirens, hospital intercom, and police radio soundeffects.
Lowpedal E on synhesizer 'til the end
Car tire screches
®1990 MOTLEY CRUE MUSIC CO. &SIKKI NIXX MUSIC (Bl^)
All rights administered by WARNER-TAMERLANE PUBLISHING CORP. All Rights Reserved
Door slam
DR. FEELGOOD by
^
Music by
.aI sixx
NIKKI SIXX and MICK MARS
E5
D5
0
A/Cf
E7-I9
0
A5
0
G5
AS
E5
B5
0
3£r.
5fr.
7fr.
7fr.
Moderate Tempo Intro No chord
Voc.
Gtr.
Guitar tuned down a whole step
With
distortion
and delay.
/
\
r:
7^
pick pjj
-0—0—0
0
0
0
0
0
0—0
0—0—Q-
-0
"O
0-
0—&•
\
(Gtr. I continues same 2 bar Hsure as before)
1
vib. bar
vib. bar
Produce these pitches with the vib. bar-
12
•0 0 0—0
vib. bar •
0
0—0—0
0
0
0
0
«
»-
12
Si.9
12
12
12—12
12
0—0—0—0—0—0-0-
vib. bar-
vib. bar-
o
O
O
0
0
o
•»
vib. bar-
o
-42^ }
*1
7 -49-49--49-49--49--49--49--49—
7 i
1 1
bar
Gtr. II
via. bar
vib. bar
D5
AjCt
E5
El-i9
vib. bar On the 4th beat, 3rd gtr overdubs harmonic at Sth
fret hi^ strings and then dive bombs.
D5
A/Ct
D5
E5
D5
A/C}
E5
A/C?
E5
1st Verse A5
tailed
Jim-my is
a
sec-ondhand
hood,
he
deals
out
inHol-ly
-
wood..
Got a
-a—a-a—a-0
six - ty
five
Chev
ifS-
*
0-
-
y,
prim - ered fiames.
trad-ed for somepow -dered goods
riff Ij*
U
I
U
-5
oM^o
Co
A5
E5
e-f f saw
Jim-my, he's
f r rT f run-nin* a
gang
ih4
r^inr ^ but 1 hear
he's
do-in'
O.
K.
P.M.
•^=70-
-0
Got a
P.M.
9-
-0—9r -0
co - zy lit - tie job.
-tr9-
sells
the .\lex-i-can
-0
0
mob
9
pack-a-ges of can
e—o.'-KQ
-
0
0
dy-caine.
-0
9-
He's.
e
0
0—9^
!
Aid
Chorus I E5
the one they call
He's__ the one that makes ya feel
Doc-tor Feel
al
right.-
He s
a—9
the one they call
Doc- tor Feel
-
good—
2nd Verse
on
the cor
- ner al
s got it wired. 10 ; ;
- ways ig
law s_
for
-
nore
hire;
some
got it made
-
bod-y's get - ting paid
in
the shade
Got
a
• -#•
5
r ^2
il
11
lit - tie hide
a-way,
does
busi-ness all
day,
but at night
he'll
al -ways be found.
sel - ling
-2—2T=e-
-fl
0-
0
0
e-
0
0
0
0-
E5
It
fff f sug- ar
ffTr
to the sweet
peo - pie on
the street;>
call
this
Jim - my's town..
He's-
Chorus II
E5
the one they call
Doc-tor Feel
-
good—
__5 g 3 ^^"^0 ^ ^—-=
i
He's_ the one that makes ya feel
al
right.—
He's.
^^ 5 g 5 1,4 ^ -3—9-3 3-
-0—0
a—a—3—3—^
the one they call
0
5-
Doc- tor Feel
-
good._
'
0—0
He 'r—
S
a
3
gon • na be
3
<0
your
Frank
en
- stein.
u.
_g= 3 -3 -3
•^0 • Q
2
a
3
9
*
5-
0
'
0
0—2
a
3—9—
5-
03-
/'ve_
'
Bridge 1 G5
got one
A5
(Doc-tor Feel - good.—) I
G5
He's
thing, you'll un-der-stand—
not
whatyou'd call
a glam - rous man..
(Doc• tor Feel - good.—)
(Doc - tor Feel • good.—)
rij Got_ one
thing that's eas - i - ly un-der- stood
D5 A/a
the one they call
Doc-tor
E5
Oh, yeah.
Feel - good
D5
Aid
E5
13
3rd Verse
tell you he's the king of these bar-ri - o streets, mov - ing up to Shan-gri-Ia
I
Came by his wealth as a mat-ter of luck,.
m 3L
-a—a•a—a0 0
says
he ne-ver broke
3
-i—a-
i
-9—9-
no
law.
i rS—^
time
to
move out
quick-
Heard
a
ru- mor go- ing round,
Jim
- my s go - in down; this
Chorus III
lE5)
rime
it's
gon
- na
stick
^
the one thev
He's.
^
^
TT
-ar
5:
call
Doc- tor Feel
-
good—
5:
.P.M. -2—a-
-3
9-
Q
0
0
0
9-
-9
9-
_a
-a—3-
He's.
14
al
the one that makes you feel
-
right-
He's-, the one they call Doc-tor Feel
-
good—
He's-
(Doc-tor Feel • good.-)
Bridge II
gon-rta be your Frank-en -stein. Let _ himsootheyour soul, just take his hand-
Som
(Doc- tor Feel - good.—)
n~i peo - pie call_ him an
Let
e - vil man
him in -tro-duce_ him-self
(Doc- tor Feel - good.—)
good.
He's
the on - ly one they call
"Feel - good.
real
15
Solo
Simulate "wind blowing" with vib. bar after picking harmonic at A str, 12th fret.pick
^
43=; -i-rif
j
-d- It -9- ir -w -d-d
ddd irddd d
dd
ddd d
d
d
d
d
dd
ddd d
d
^
d
d dir
P.M.—^
I
1 0 00
0
0
0
0
0
0 0-1i-ooo 00 00
0—0-0—1 0 0 0
0 0
0 0—0 0 0-l-CM>-0—8—0
0 0 01
(vib. bar)
Continue same low E pedal tone figure for the next 4 bars.
(vib. bar)
vib. bar H
14 IS
11
II
12 14 2-44—w
IG
1a 1446
1314 15 12 14 IS
1214 15
H
ig 14 4*
12 14 15 .*%
-m
*n
tg M IS ; *
M
16
Tap these notes with the pick
'3 tr^
6-e-fl
ft-C 0
0 0 0
D5
Overdub
Sva
1
vib. barz^zZ dive j r ^ Overdub
Overdub
D5
A/Ct
E5
long dive w/vib. bar
o
long dive w/vib. bar
D5
A/C)
E5
long dive w/rib. bar
3515=^
A/Ci
E
17
G5
E7+9
A5
I've
0
0
a
a—3 3
4
r~ii
got one thing
you'll un-der-stand-
0
s
D5
A/CI
(Doc-tor Feel •
not-what you call
D5 MCt G5 Feel • good.-)
(Doc- tor
Bridge III
He's
0
a e—a
3
4
5
G5
good.-)
Got_ one thing that's eas - i - ly un-der- stood
a glam - 'rous man.
-3 -3
a-^ 3-3-9—
0
T=:a-
(Doc • tor
0 -a 2—3 3
4
5
A/a Feel • good.—)
9
i He's_
the one thev
call
Doc - tor
Feel -
Wow!
good.
i 1
;
3
r
'
'
g
2—a
3
2
^
i_
^0 0 2 2 3 3 4 5
^
—S
5
•^3^ "^3
?
"3
?-
7^7
:
Si^S
^0
Last Chorus
Gtr. ! plays same 2 bar background figure as on previous choruses. E5
D5
A/C? E5
Same chord progression until the end E7+9
Doc - tor Feel Gtr.
good._
(Doc - tor Feel - good.—)
' !
u
18
Doc - tor
(Doc-tor Feel • good
Feel
(Doc-tor Feel - good
Doc-tor Feel
Gradually fade out
good—
Doc - tor Feel '•m ^
^
J
V "i i ^
.»♦"
1
1^ 1
^
# Ji 3
1
\
_
'
fl ^ r
* Pt
I
r
IV
•»
m
t ,* '#• 1* '*-1 1
.-ti
(Doc-tor Feel-gooa
1
ilc_' 1 iji
1
3—t—®
«/•
—30
QJUIJ
1
.
_
jiQ
«
o—a—n
330Q
—0
3—
3—a-5^5
3
i
} A
Feel -good, Feel - good. Feel- good,. Feel -good, wow/.
Feel-good. Feel - good. Feel -good. Feel -go<
19
Filll
D5
E5
A/Ct
E5
E7+9
E5
3--
-«7^
•4a
17
»-
17
—
-W-
14
18
14
ig 14 ia 14 14 H
P
vib. bar aive
tap side ot pick high up on G string
Fill 2
sd
go go
pick with R.H
'
tremolo
sL -47-
H
H
TP
-7—9—ia—7-
index finger
20
SLICE OF YOUR PIE Words by
Music by
NIKKI SIXX
NIKKI SIXX and MICK MARS E5 0
E7J9 0
F#7|I9
A7II9
C5
D5
B7
Bb7
A7
A5
E5
E5
0
6fr.
Ifr.
m"-
7fr.
3fr.
6fr.
7fr.
5fr.
Guitars tuned
down a whole,step
J = 83 Voc,
F#7j|9
E7jf9
E5
A7*9
C5
D5
Ooh,.
Gtr.
Acoustic gtr.
i pirf
pirf
15 Lead - in notes are played by the bass but can be played on guitar.
0
-s
-40
-tO
1—6)-
1—6f
g a-
HO-
-40—1-04-
-40
e-
1—04-
-e-
Overdub 1
A71I9
Fl7#9
E7#9
C5
D5
El. gtr. with distortion
Swing (wing 16th)
1st Verse N.C.
i Tat
- too
crawl - in' down her
leg
so
sex
y;
i H
-G -G—9-
e—1
P
H
e
-G—e—1—e-
e
3
P
3-
-G
9-
so
young,
e
- ver
get
caught _ they d ar - rest
me. _
p
£
_
^
-—
e—e—1 a
^
0
e
e
a
a
—a
a
School
girl
stud - ied up well_ on hoo-chie
Lick
lips,
kit - 'en with a whip,
so
Bb7
coo
un - dress
a—a
0
1
0
0
a
3
- chie;.
me—
Un-dress
me._
A7
Hey, Pret -ty Fret -ty with the sweet sweet eyes, — or -der me up_ an - oth - er slice_ of your pie.
4:
..
1
10^:^ '
10 8—
—
1
w
^
—9— —9
—
z
J
—
7
—6-J —G-
-
L-0
H
22
2nd Verse N.C.
Whip
lash,
I
ne - ver looked at
child.
al
you _ in
high
school
Overdub 2
hot
hind you - ways walk be-hma you
for the rear
view,
rear
view
C5
C5
God,
Nine - teen,
D5
ba - by, ba - by, blow my fuse
se
duc-tive bal -ler - i
-na, so
when you walk this
way
D5
23
B7
Bb7
A7
^ Hey,
Pret - ty Fret - ty with the sweet
sweet
eyes,
J J J
or-der me
He -8
7-
-7 -«
6e-
-7
6-
up
an
-
oth
- er
slice
of your
Overdub 2 continued
N.C.
i Slice of
pie.
yoi4r
pie.
H
P
-e—e—1—e
-e—e—t-G—e-
e—t-
-e—e-
Bb7
Hey,
Fret - ty
Or-der me up
Fret - ty from a - cross
an
the room,
got
some - thing stick - y
sweet-for
m
you.
Beginning of Solo Ooh,_
slice
of
you.
8va- ^slowly release the bend
Guitar solo
Trill BtoFtby fingering the Band rapidly tapping theFt with thesi'de of thepick
vib. bar
26
Sweet, sweet
thing.
pick H
—?—^
0
-e
0
1
-e
e—3—3-
P
-&-0—t-e e—3—3-
e—t-
Overdub 3
Hey, Pret -ty Pret-ty with the sweet sweet
eyes,_
I'm guar - an
teed— to
sa
- tis
-
fy.
•&
M3-3-
"N
Slower tempo Bb7
A7
ns
or -der me up_ an - oth - er
Just one
slice— of your_
vib. bar
Ending •'.= 47
E5(add2)
E7J9
ViliS
A7?9
E5(add2)
F«7|I9
A7#9
pret - ty
(with vocal ad lib)
let ring
E5(add2)
E7J9
F#7*9
A7>9
E5(add2)
E5(add2)
E5(add2)
E7<9
E7#9
Overdub 4.
E5(add2)
E7J9
FJ7J9
A7t9
E5(add2)
Elt9
SSIiilSSPliKSllini gradually fade oui
itz t-
TT.
Overdub 4
E5(add2)
E7jf9
E5(add2)
E7t9
faded
28
lOVERPUB ll
Acoustic gtr. or Dobro in
"D" tuning (DAD F| AD) (slide)
si.
si. si.
si.
«-42-
-40-
(SHde gtr. in "D" tuning)
lOVERDUB 2l
si.
(2
si.
si
(wa—45
t-
Im 0^1 .
1
33333
1^^"!===^===
=:^===i-J-4—Jr '"I'T
-^=^==
OVERDUE 3
rmm la
(Straight gtr. tuned down a whole step)
1
iV.!?
I0VERDUB4
~
—=11
RATTLESNAKE SHAKE Music by
NIKKI SIXX, MICK MAR^i and TOMMY LEE D5
D6
D7
A5
A7
E7
E9
G9
cmnsfr. ffm6fr. fflTOAfr.
iSfr. isqirnSfr. UTTTISfr.
J= 104 Both girs. tuneil down a wholestep. Vocals are written at concert pitch.
,
D5
D6
D7
D6
D5
D7
D5
D6
D6
D5
D7
D7
D5
'C; 19a9, 1990 MOTLEY CRUE MUSIC CO./SIKKI NIXX MUSIC/MICK MARS MUSIC/ KRELL TUNES & BORDELOBROTHERS MUSIC (BMI)
D6
D6
\)1
D7
Hold the bendand rapidly tap the B string at the }6th fret with the pick to trill from the D to f Ij. 1
1st Verse A5
Chorus I A7
si
Shake, Vil
shake,
si
shake..
si
si
Rat - tie - snake
si
si
Shake-
si
si
H
Make my bo-dy ache—
33
D5
Rat - tie-snake Shake.—
D6
D7
D5
Shake,shake, shake._
Rat-tie-snake Shake.—
H
7 6 6—e
7
5—5—7
7
-f
9
10 10 0 0 710 7
6 0 C
.iK
•j
a
-6-9-
-5-5-
It's all
D7
1 can take,.yeah.
H
5 65 0
D6
7 5 0 71—&•5 5 -3
9
10
3
ar
10—9-740 7 -6-9-
&-
Overdub 1
sl.
sl.
si.
sl.
sl.
sl.
sl.
sl.
sl.
sl.
sl.
6—-7—
sl.
sl.
6--7 O*—'6——5-"6 0
0*
0-— 1—
e——
6
sl. 7
—5>-*G 0
0" *7
7
5- • C 0
G—
1—0
L-O 2nd Verse A5
She got
sass.
M Bring you to her knees, when she shakes her
ass
She's a
Voo-doo,Voo-doo Child;—
just one
A.H. P
P
P
g
-6—e
>^03
e
9-0-3-6-
r
-6—9-6-6-6-3-
P
-e—2
-0—e
e—9-e-6-3-
-3-6-
si
si
si
Rat - tie-snake Shake..
si
s_i
Shake,shake, shake..
si
si
si
sj.
Rat-tie-snake Shake..
si
H
It's
all
I can take., yeah.
Instrumental bridge E9
G9
Bass solo
3th Verse AS
36
Guitar solo E7
(with heavy delay) 3
H
tZ 14 15
:r—-c-41-42-44 11 12 14
ta i< IS
^
12 14 10
g 14-16
g14 16
H
(Same background figure asin the lasttwobars of the Verses.) Chorus III A7
Do the
H
H
H
Rat-tie snake Shake.-
H
1214 15 1315-10 141617 15 17 ID 16 10 10 17
D5
D6
07
Shake,shake, shake..
D5
Shake,
D6
shake,
Rat - tie-snake Shake._
Rat - tie-snake Shake-
Make my bo-dy ache-
D7
shake—
Rat - tie-snake
Shake—
It's
all
I
can take..
Rat - tie-snake Shake,
6 6
yeah. _
Do the
Rat-tle-snakeShake
Shake it, ba-by.
7 8 6 0?
Rat-tle-snake Shake.
Do the
Rat - tle-snakeShake
Yeah
Ending D5
05
D6
D6
07
D7
D5
05
D6
06
07
D7
05
D5
D6
D6
D7
D7
D5
05
06
06
D7
07
D5
38
lOVERDUB II
(This passage canalso be played withjust the top line and an octave box.)
Two gtrs
44—«
42
44
42
KICKSTART MY HEART Words and Music by NIKKI SIXX G5
ens
A5
AS
DS
Dsus4
D
Am7
F5
G5
GfS
AS
0
miP3fr. GiPiP4fr. fflimSfr. Cm
pmsfr. [1 rmsfr. fTlTTiSfr. m
TTlSfr. CmXi
trJXD3fr. t.IJJXl4fr. tlTTFlSfr
j D5
C5
E5
A
C5
0
Oimsfr. I ♦ I I I |3fr.
D5
Dsus4
D
rnm
pmn
mm
I f I I I |7ff.
[TTT
G5
with Distortion
(Twice as fast) J =180 G
D
D5
fTim^fr. tmHSfr. mimiofr.
Tempo J =90
Freely (not in tempo)
Dsus4
Divided between 2 Gtrs. C5
0
Gtr. is tuned down s whole step
^ „
B5
GtS
AS
Dsus4
D
OS
AS
AS
G5
Play 3 limes GfS AS
40
D8Us4
D
Ist Verse
G5
fuel
fun-ny car's a drug
for me—
G|5
A5
When
I
G5
high, I
get
high on
my heart,-
My heart,-
G*S
kick start my heart.
G5
Dsus4
D
D5
Dsus4
D
05
G|5 A5
echo
Al -ways got the cops
com-m
G
Dsus4
D D5
Dsus4
Dig. delay echo
Dsus4
start
-H
D
my
heart. Give
Dsus4 D
it
a
start
D
G5
G|5
A5
Am?
42
Dsus4
Dsus4
D
Dsus4
D
Whoa,—
yeah._
yeah.—
G5
GJ5
A5
•These voicing divided betwttwo different
Ikl
44
G5
GS
GfS
A5
r\
loo -kin' for a - no - tlier good
Overdub 1 continaed
Dsus4
My hea.
D delay edao-
C5
heart,- kick - start
Overdub 2
A5
tinie.
my heart
G<5 A5
Am7
Am7
are you
rea-dy
girls?
are you rea- dy
vib. bar dive
Chorus II
yeah.
P.M.--
Dsus4
D
Dsus4
D
Dsus4
D
46
Gtr. 11 Clean so
(end of G phrase) decresc.
doco a poco'
Bridge
Clean sound w/dlg. delay
Dsus4 D
it
When
star - ted this
band
nee
- ded.
(led - a - was—
a
laugh
^
Dsus4 D
or
hit -
tin' the stage,—
'dren - a -lin
rush - m through- my
vems—
and I sa
Gtr. II clean
kick
-
start my heart, I hope it nev-er
stops.- And I thin
48
we
Whoa,
did
Chorus 111 DS
Dsus4
Dsus4
Whoa
yeah._
DS
Dsus4
D
Whoa,
Overdub 3
Dsus4
yeah._
Overdub 3 continued
Start
my
heart,
hope
it
Dsus4
D
Guitar solo
A5
A5
Backcround Gir.
D5
Dsus4
D
50
Chonis IV G5
A5
D5
Dsus4
Dsus4
kick
-
start my heart,
give
i -9
3 3"^
m
•a—&—«—&—4—5-
it
a
start, _
Whoa,
T—f ^
P.M.
r!o
A5
w
w yeah,
D
9-
*•_
-_
-s—^—0-
Dsus4
Whoa,
yeah,
yeah. _
D5
Dsus4
Kick -
start
Dsus4
D
my heart,
hope it
ne - ver
D
A5
stops._
Whoa.
G5
0
K
boys, _
let's
rock
the house._
G85
Ending A5
G5
G|5
A5
Make percussive sounds by rapidly scraping shori strokes on the bass strings with the pick
G5G(5 A5 G5 G*5 A5 GS G|5 ^pick slide
52
lOVERDUB II
si.
si.
B—6—»
lOVERDUB 21
vib. bar
^
vib. bar dive
% lOVERDUB ^
w/Talk box
1/2 vib bar
Push down the vib. bar,
pick the low E sting and gradually release the bar
1/4
53
WITHOUT YOU I'tni
»
'/Si^ords by
Music by
Ikki SIXX
NiKKI SIXX and MICK MARS
G5
Em
A5
B5
C5
Am7
00
7fr,
D
Bl>
5fr.
Am
7fr.
B5
8fr.
C5
lOfr.
5fr.
G6
0 h6fr.
Bm7 7fr.
Em7 0
0
C M^7
C5
G5
Ballad G5
Em
Am q3fr. H
lOfr.
5fr.
3fr.
8fr.
5fr.
D
D5 S-IOfr.
5fr. ffmp3fr.
G/B
8fr.
0
5fr.
A5
G5
Bm
C(add2)
0
n
n
Em
G5
»3fr. iJJJXJSfr.
m'-m
AS
B5
C5
With - out
Guitar 1
(Distortion and dig. delay) si.
si
si
si
si si
si
si
si
13-
-«—0 >ia.
-IF •+«
-na-
M-
Guitar 11
i
i
f
/
let ring
i
f
let ring
(Distortion) si -9
9-
-4—5-
[E * Note: AU guitars are tuned down a whole step.
1st Verse
you,_
there's
no
my nights
change,
and
days_
are grey.
ir
I
m (clean sound)
M
si
I'
—^
UJ
...
s^...
——^2 14
Continuation of last note of slide gtr. intro.
® 1989, 1990 MOTLEY CRUE MUSIC CO./SIKKI NIXX MUSIC & MICK MARS MUSIC (BMI|
\2 14
U
lij
—
54
Am7
Bm7 Cmaj7
'J
Em
G5
*
reached out and touched the rain,,
it just would-n't be the samSTl
With - out
you,
I'd be lost._
Overdub
si. si. •«-4e—le-fr •«He—ie-fr
iai3^ liMB
ig tifia tifia
.ia H ia M ia
Bm7
C
9
I'd
down from the top—
slide
down
so Iow,_
9
girl, you'd ne-ver, ne-ver, know
Overdub
ene—w a
ta
10
With - out-you,
with-out— you, a
sai -lor lost-
10 x
With-out_ you,
at sea
i
wo-man,—
i
(Distortion)
2nd Verse
world comes down, on
With-out
me—
you
in my life,
I'd
slow-ly
end of synth. overdub
Overdubed synth. on three multi-tracked single note gtrs S
Gtr. I
Overdub 1
wilt and die— Gtr III
Gtr. 11
18 V4 ia laid lata ia ioia ia ia 10 ia
the
56
3th Verse
you,
my hope is small-
Let me be me all
a-long,.
let the fires, rage, in -side, know-in' some-day I'd
(clean sound) end of slide part -e—a3
-3 ^2-^*
Bin7C
Am7
G6
Overdub distorted guitar -e—3—3— -3
3-
—e 3-
-3
3
3
9
3
e -3—a—
3-
-4—4-
4-
-7—e-
With-out_ you,
grow strong—
with-out. you, a
sai - lor lost, at sea.
Overdub H
12 14 IB 14 IB ia
i'^\
With - out_
you,
the world
wo-man,
comes down,
on
me.
... i
4th Verse
I d
Overdub 2
slow
wilt
and
die—
Wth-out
(clean sound)
T
58
On -ly you that I'll hold, when I'm young,.
on -ly you
as we grow
old—. start ofslide Gtr. solo. Gtr. I
n
slowly slide up Gstr si
Slide solo
These 2 bars also overdubbed 8va
(with echo) Gtr. I
si
si
si si si si
si
Gtr. II
With - out
si 17'IS 15
17 ID 12^7
fioaoaTaa^^'—
si
mf clean sound
Bm
85
C(add2)
C(add2)
/•
60
lOVERDUB n
let nng
(clean sound)
k)VRRDUB 2l
let ring
(clean sound)
lOVERDUB 31
Synth, or Gtr M—14 1< 12—12 ia—12
is is IS is H 11 11 11
13 13 13 13 12 12 12 «
15 IS 15 tfl 14 14 14 14
12—12 13
12—12 10 10 10—W
13—13—13 12 12—12—12
SAME OL' SITUATION (S.O.S.] fords by
Music by NIKK! SIXX . MICK MARS
„KKI SIXX AS
E5
0
0
D5
CtS
FR=HSfi-
C5
B5
E5
and TOMMY LEE
|TOP3fr. ffffiqifr. cmn
AU gtrs, are tuned down a whole step
J= 140
1St Verse AS
al - ii - ga - tor bag,
to
iaao
match;-
1QQ/^ ««r»Ti c
dressed
black- on
blac
She s got a
62
Phil-i-pin-o girl -ie she claims— is her friend.—
I tell you,boys,_
you just got to laugh..
Now I
used^
Gtr. 11
-=72-
ES
10
to call
^
A5
W—Wl
I guess
her Lin-dy, she changed-her name to "Sin.'
it's
the name of her game—
~m
wz:z.
I
real
-ie—<-
-a—4—07
-e-e-
Gtr. J plays same exact part as the 1st eight bars of 1st Verse.
ly used to love her then, the kit-ty she dis-cov-ered
-S -0
-=70-
2 0
4-
i:
r
0
0
it's got to be a
sex - ual thing.
-4—a-
-2—4 -0
A5
CJS C5 B5
Now all
a-round the
world,—
.5^
0—0—0-
ah, girls
will be
girls—
It s
the same
3rd Gtr. pick slide -
64
2nd Verse AS
E5
AS
j IJ J"!
1 duced me to her lo-ver in
a
eel-lo-phanedressthen
they bid
!» Last
me a sweet fare - well—
Gtr. II
Gtr. I
time I saw them they were kiss-ing so
soft - ly to the sound
of wed-ding
bells.—
Gtr. I continues to play the same part as the first 4 bars of 2nd Verse
AS
BS
I n Well, all a-round the
-7 -7
-5
7T-
0—9
5-
ah, girls
world,-
7
6
•7—e-
-S—♦-
will be
4
girls.
—4-
-6—a—5—e—a-
It's
4 -4
the same _
<—»• 4-
-a—a—
Chorus II
sit - u
Overdub 2
It s
the same
Overdub 2
Overdub 2
CtS C5 B5
66
(Beginning of Solo)
Overdub 4
^
(Longslow? bendfrofn B !o E)
_
2
^
}9
«
«
^
^
u
\Z
IS 12
12 Iki
II:
1£
1^
\ ^
Ijnaii* V
Overdub 5
|» p
H P H 10
ia
same_
oP
ball and
chain.-
Girl,
it's
the
same —
68
E5
same —
You know we
. ta
just got - ta
say say
or
all
ball
and
a - round the
chain.-
world
It's
Chorus IV
same
Ovcrdub 2
the
same
4
Overdub 2
yeah.—
e
1
Overdub 2 continued
a
Overdub 6
yeah, —
yeah. _
yeah. _
i
m
D -I Overdub 6 Overdub 6
(Not in Tempo)
yeah. _
Vib. bar vib. bar
Fade out
72
(Background gtr. on solo)
lOVERDUB 5l E5
A5
AS
#—0
si.
j/. ^
«2
»
8
5^
f-
0
0
0—
9- -9
_e—a
8
2
0
0
==
9w
e
^
A
a s C5 B5
lOVERDUB 61
9
9
9-
9
f)
0—9
a
9
—4
8^
?
STICKY SWEET Words by
Music by NIKKI SIXX and MICK MARS
kKK\ SIXX G5
Fsus2
D5
Pim3fr. ITrVi
F5
C5/D
Bt5/C
Bb5
AS
F™=|5^^ Fwnsfr. Bmafr. oxn
El's
Eb
F
3q=ra6fr. (XCmfifr. pccmefr.
Cm(add2)
AkS qraii
C5
Cm7
m=ra3fr. fTFmafr.
F5 nTT
Medium Rock J-96 Fsus2
• IM
(Distortjon)
Fsus2
C/E
G5
© 1989, 1990 MOTLEY CRUE MUSIC CO./SIKKI NIXX MUSIC & MICK MARS MUSIC (BMI)
C/E
74
D5
When she
^ If
If' I
If'
' *eJ tf' ^3 U" I'fcf llif -€—0
-f—6—5-7
7-5—5-7-
-7—5—5—7
7-5—5-7-
6 6 -7-5
-6—5-
—5-7-7—5—5-^
pick
5-7
7-5—5-7-
-7-5—5-7—7-^ -7—7-HH
1St Verse
calls me
up, my voice,,
it starts to
She says,"Come right o-ver,
shake.
oh good God, there's a
fire—
o-ver right, a -way.Z
m my pants
Chorus 1
G5
light- ning strikes and she laughs that.e
Fsus2 C/E
- vil laugh.-
She's
D5
so stick-y,
so stick-y,
so stick-y.
6
6
6
6
75
C5/D Bb5/CB!»5 A5
Ab5
G5
hJ •-5F
She's so stick-y,
so stick -y, she's_
so
stick -y
U Li' 'fef lJ
sweet.—
Ooh
cm I
3©
JP]j' ^ 1/4
sl. ^ -T
5 5
6 5
7 7
7S 7—5
5 5
^ 7-
-5 -5
3 3
3 3
a 2
11
1—1
3tS
-5-9rS
5-3
Fsus2 (Stick
-
C/E y
6
G5 sweet.
yeah.
F5
C5
(Stick
Ooh
^ 1/4
5-
3-3-
Now when
ow.
^ 1/4
f
TTl
^
h; n
1/4 s/.
-5
-5—3-
-5
S
-5—3-
-S—3-
3-
3
j'-S-3—6
-3—6
•3—6-
3-3-
2nd Verse G5
F5
G5
F5
sweet,...
It:
I I've done good, she slaps _
It takes more than ten sec-onds to
me on the ass.
s:
3.
-4
J
m
sat - is - fy
s•n- b5
1/4
-e—5^ -H
9-
-K
3-
-X
3-
-»«
^
-«
1-
-X
this
"3: •5'
»-
A F5
G5
m
i L...
The way she walks, I swear, should be a
lass..
G5
(Yeah, ba - by.
crime. Overdub 2
Is
1
a
P.M.-
Overdub mixed
Overdub 1
2
2
"9
'1—3
K—+
^
M-11—3
5 -3
5 i
5 3
5 3
5 3
5— 3—'
76
Chorus II D5
Fsus2
Sir • ens scream ev - 'ry time
she walks
So stick-y,
Bye- bye
by.
so stick-y,
Overdub
Overdub
7^ -M -M
99-
-M
V-
•^—5
5
7
7^
5
7-
-7—5-
S
7
C5/DBb5/CBl>5 A5 AbS
She's so
so stick - y.
stick - y,
so stick - y, she's-
so stick - y
sweet—
si
O -^7-5
5 5
-6
6^
-5
5-5-5-
•^7
S
5
7
7-5
5
-5 9 3 -5—a—3
7-
7-
Fsus2
(Stick
my,
my,-my,
C/E
-
<
9=5
sweet.)
way
she walks, the way_ she talks,
Fsus2
(Stick
sweet.. .
the
—
1
G5
y
The
yeah
a 7—1 a—t H
time
C/E
•
y)
5-
Bend into notes with vib. bar
Bend into each note with vib. bar
Gtr. solo
Cm(add2)^Qj^ 1has athin clean sound
Cm(add2)
with compression, delay and chorus)
vib. bar
let ring
^orus III Voc.
D5
_
V
-r
so
so stick - y,
So stick - y
She's so
stick - y
stick-y,
stick-y, she s
Fsus2 (Slick
^ C5/DBt5/CBb5 A5 Ab5
so stick - y
so
-
C/E y
sweet. _
C5 y
G5
GS
sweet.
sweet.)
stick-y
way she walks, the way— she talks,
P
I /a
all Ih® time.-
the
All—
time.
I,: T
F5
C/E
G5
V
sweei.)
rr So
era
(stick
C5
•
y
sweei.)
Make it up,
shake it up,
give
it up,
break it
off
F5 sweei.)
C5
G5
fsric/c • y)
Make it up, shake it up, give
sweet,^
it up, break it off
ba ba
ba ba_ ba ba ba
Fsus2
(stick
sweet.)
(stick
Ah — break out.-(digital delay echoes on voice)
m
G5
sweet )
Fsus2
C/E
G5
Child.
"dr
if
'—0 '
/
0
'
^
iV
1/4
-V-
-S—3-
-S—3-
/S 3—6
rS
3—3-
1/4
1/4
si.
-6
ijnj' '
0--iz:70
-5
3-
5-
-3
6-
-3—6
3-3-
ba ba
OVERDUB I
0VERDUB2
vib. bar dive
iS-
82
SHE GOES DOWN Words by
Music by
NIKKI SIXX and MICK Mars
NIKKI SIXX
E5
E5
E7
AS
A9(no3rd)
0
i E/GH
A7
0
F}S
CS
BS
E5/A
D5
A/Ct
12fr.
C|0(no3rd)
Sfr.
Dsus2
Gtr. is tuned down a whole ste
Voc.
m
4fr.
A/C|
CO 4fr
B5
AS
0 4fr.
7fr.
7fr.
Sfr.
E 0
TO
E5
ES
AS
p
p
4
4
-a
^2
EES
0^
0-
P
—..e ^
4—a—e-
9 -Tf—
9—*•
0/ 3
P
5^—^5
^ y-
4
a
0
^0 N.C.
AS
i '-3-
i
f p
4
p
4
-a—a
4—8—0-
0^ 0
^0
^0
-a
3"
4
0
0—-4
1989, 1990 MOTLEY CRUE MUSIC CO./SIKKI NIXX MUSIC & MICK MARS MUSIC (BMI)
3
4
4-
0
1st Verse
A9(no3rd)
A
tie Miss
Muf-fet, sweet girl's-
school stuff and
a coun - try smile- and charm
84
Chorus I
A5
E5
A5
down, -
down,-
E5
she
goes
down,
night
all
down,
down,.
down, _
•3-
P
P
P
g -a—a—4
a
-4
a
0
0^0 0
3
0
She
goes
down,-
p
p
p
a^e
-e—a— -a—a 4
0
p
P
8
she
goes
0
down,
4-
a, a a .a 0^=6-
-a—84
a
down
0
>-T?-
-ep=4-
4
a
0
down,_
r~3
Overdub Solo 1
2nd Verse A
Sas
- sy lit -tie las -sie,
A9(no3rd)
walk - ingright past nre
down in
Ten
-
ne-see.-
85
A1
-
ways
a
la - dy,
I
love_
south-ern
la - dies.
Overdub 2
A7
E5/A
They
T
just know how to
please
T •4a
M-
-M
«-
E7
It's
like
con - nec - ting the dots. _
vib. bar Overdub 3-
•43 -M
H ta
44«-
4
4 -a
4
•4
8-
Start
at
the
4 a-
hot - torn
and
lick
It
to
-e
9-
-6
?-
the top. She
Chorus II
E5
A5
A5 all
E5
i
i'J down,_
she
goes -3-
down,_
she -3-
goes
down,
J
down,.
down, r-3
Ft down,
night
T~^
86 A5
A
You know she makesme f«„i
down,-
she
goes
aiL,-
down,
down,-
down,
she
y - way,
down.-
goes
down,_
o—1
Overdub 4
0—•
She
goes
down
she
goes
down
down,-
down,
down..
r-3
C)[°(no3rd)
All of the day
-9—3-
all
of the
Dsus2
Clt°(no 3rd)
night,-
lick
-0
?-
of
those
lips
-B—9-
do you up
Dsus2
right.
68
Guitar solo E5
A5
—
E5
«
(5-
-«
"15,
3
a
a
0" •!!
A2
e
r*.
J 15
15J 15^ Ifr' 15: ^15
1
r/. si •«
-e
/V
M
15
-«
Ifi
0
e
0
» «
15 «
M «
tett
15-12-
1
•—j/.
45-
0 B
4
a
f/6. bar
J
B
}
14
«
12 14
1 1 1 1
•40
ie4 10^
ie4
1©^
10:?1©^
»
AS
E5
AS
14
1/2
si si -6
H
P
e^: 0
U
H
M
9-41-
vib. bar Harm.
vib. bar dive
doubled fivbdoubled 8vb.
Flat
on my
back,- she goes
For back-stage
down
pass,_ she goes
down._
Bass Solo
Dsus2
all of my friends,.she goes
Shegives
down
heart
at - tack,
MCt
she goes. enters
She goes
down,_
she goes
down,-
she
goes
7
down,—
down,
she
goes
-
down,_
down,
down,—
down,
down._
Freely (not in tempo) E
92
lOVERDUB II
si.
si
Verse 2
si. si.
si.
-42
44 44
« 44—45
-Kf
—» 45^6
46»
16
49
-24-
-84-21-
»-
49-26
sl.
49-44-
lOVERDUB 31
lOVERDUB 2
m 8va-
itji
A
f- r -f^
slow bend
-49
49
47
47-
-49
|fl|i||
49
—
47-
II
loco >
A
r^Of J
o
slowbend j 7-s
' *1
W
-
f/6. bar
—V TJ
e-JL-42
-H
—
"
OVERDUE 4
OVERDUE 5
' Bend into
with vih. bar
from whole step below. si.
—
P
I
I
1
t
i
Freely (not in tempo)
94
DON'T GO AWAY MAD (JUST GO AWAY) Music by
Words by
NIKKI SIXX and MICK MARS
NIKKI SIXX Dsus2
D
0
0
Dsus4
0
Em
D5
0
5fr.
7fr.
5fr.
Guitars tuned down
awhole step
j = 116
Gsus4
Em(add2)
000
00
C
00
Csus2 0
w AID
D5
G5
C5
0
lOfr. 111 I I llOfr.
7fr.
GS
lOfr.
7fr.
Es lis4
Dsus4 5fr.
Em
G5
ES
00
0
0
BlOfr.CHfflHfr.
G/D 1
p
0
llf llOfr.
.
Acoustic Gtr
Dsus4
Dsus2
D
let ring g
B
0 a
g
-a—e
0
&-
-3—«
3-
Electic Gtr. D5
with distortion si.
—9-
7^''
Dsus4 D Dsus2 D
i -3
3
3-
-3
3 3
3
3
3 3
3-
3 -a
a
0—a
g,
3—3—
-a—a
r4g-
-7
7
7
7
7-
7
7
7
?-
•43-
© 1989, 1990 MOTLEY CRUE MUSIC CO./SIKKI NIXX MUSIC &MICK MARS MUSIC (BMI) All rinhlQ arlminicfof«>H hv WARNPR-TAMPRI AMP PI IRI IRHINR OORP
Em(add2)
Em
G5
2nd Gtr. continues same power chords
1st Verse
Em(add2)
D
a - way_
or catch a
freight train_
or
a rock • et ship
er space.-
Noth - m
96
Em(ac)d2)
left to do,_
tooma-ny things- were said-
Em(add2)
Em
Dsus2
G5
to e-ver make it feel
Em
like
yes -ter -day did—
G5
Sea-sons must change,, sep-'rate paths,, sep-'rate ways;- if we blame it on an-y-thing,, let's b -lame it on the ram— I knew.
(Clean sound)
Acoustic gtr. continues same strum Em
Em(add2)
D
it all
a - long.
I
had
Dsus2
knew it
all
a - long—
That's
to write this song.
G5
Too young- to fall in love,
guess we
C
al - right.
that's
O. K.
We were
walk
-
97
D Dsus2
Dsus4
ing
D
through some youth
Dsus4
in'
smil
D
Dsus2
through the pain_
that's
al • right.
that's
o -kay
h
2 Gtrs
Let s turn
the page
r
Ac. gtr.
ii_r cj-LJ'
2nd Verse D
Em(add2)
~m
My friends
called
to-day,_
down from
Em
1^
D—
L.
G5
a—.J.
^
-L
^
They were shoot - ing pool all night, sleep • ing
A
y/
Eg! si.
-e—e—e—2—e-
-3^:3—3—3—30^
0—e—e-
Dsus2
0 —e—e-3——e—e-
-3
d:s=r3—3—3
-3
3::?=::3—3—a
3-
0 0—6—e—e-8—2 i—2—2-
0 -e
0 3
0 8-
0—0—0 3—8—3
3-
Em
D
i half
of
the
day
They said
1
could
crash
if
I
could
find my
own
way.
Ove^dub
i
1
2
®
r:^=:f=—
3— —
1
Ac. gtr. continues same strum
2
1
5
G
3
1
98
told them you were leav
- ing
on a bus
to go a way—
that s
That's a! - right
o
tB M B—M—16 W 16 U
Acous. gtr D
Dsus4
We were
two
kids
in
Dsus2
try - in'
love
Dsus4
that's o - kay
right,—
D
Dsus4
D
D Dsus2
to find our
D
Dsus2
way'.— That's al
Dsus4
D Dsus2
Held our dreams- in our hands,- let our minds— run a-way.- That's al
Dsus4
D
Csus2
now
Overduh I
We were walk
-
ing through some youth,
Dsus2 D
Overdub ] continued-
Faster tempo (j A9(no3rd)
Chorus 1
D
Dsus4
100
Solo
Dsus4
D
D
Dsus4
Beginning
si. -7 7
?
9-
-9
0-
7—9-
Background gtr. plays same 4 Barfigure aslast 4 measures throughout thesolo. 1
Gsus4
n
n
nsus4
D
E ^
Esus4
E
wide vibrato
Gsus4
Dsus4
Dsus4
G
H P
17
17
<7
14
15
14 IS 14^-12
H P 5/
18 14
Gsus4
Esus4
^
—
1
1
1
{
1
^ IS 10
?=::
1g W ••0
Esus4
Dsus4
tremolo picking 14-M 17-17 1517
14
IS 15 14
15
17
19
17
E
G
Gsus4
G
D
8
Dsus4
G
101
Don t
go
a
way
mad
1
•3rd gtr, part
(Can be omitted if necessary)
I don t
want—
you
to
stay. Overdub
same 2 bar guitar vamp continues
G/B
C5
05
1
>—-J a
f-
r
a
a
r
r
o
a
—
^
102
Ending Chonis D
Gsus4
Esus4
Dsus4
Dsus4
C - mon,_ ba - by Same 4 bar vamp-
(with vocal ad • libs.)
I'll
say
it
one
more
don't go
time. A
Same 4. bar vamp
a - way mad,
don't go Same 4 Bar vamp-
a - way ....
mad,
104
girl,_
don't go
a - way mad
IVi
vib. bar
i'^< 8°
" "
VA
t&W15"44—msM' •«
^is-
\Same 4 Bar vampDsus4
don't go
Yeah. _
a
- way
1314 la-
mad, —
wowi _
e—»
Rhythm
Rubato
Ritard
(While trilling 10th fret E str., lightly touch the 22nd fret to produce the harmonic.)
105
lOVERPUB i]
i
m 19
1
f
i
\
\
t
i
1
...
f
Ik.
106
TIME FOR CHANGE Words and Music by NIKKl SIXX and DONNA McDANIEL
G
m
Bm/Fj
Em7 000
Cadd2
D
0
0
0
S-afr
Em
D/Fl
C
Em
POO
Em/D
A 8fr.
12fr.
12fr.
5fr.
p D5
C5 3fr.
Em G/D G5 E5 tni ^1^ 5fr. nXCnSfr. CHOTVfr. 11 i TIl^ft. I-HT I
A5 11 III
FISHill 1^^^
0AS
E/G»
Guitar is tuned down a whole step
Voc. G
/
BmlFt
/
/
Cadd2
/
/
D
G
/
D Em D/FI
{Piano & Synth.)
1st Verse
Em7
Bm/Fl /
1 heard some kids
D
/
/
tel -lin' me_ how they've lost
Cadd2 /
D
all the faith.
/
G / D Em D/F?
in the
way_
(Piano & Synth.)
G
/
BmlFt
/
Em7
/
they've been talk - ing world peace now,
D
/
C
and the war's
/
D
/
in
Em/D
Em
the
streets.-
mf (with distortion) si.
© 1989. 1990
MOTLEY CRUEu-u-ii MUSIC-i CO./SIKKI NIXX MUSIC (BMI) &BARDET LARU^ • •• rs/ r>r)i tc fcni icir* r'O o MIVY KMI IQIC
(ASCAP)
107
The
A rev - ol - u - tion
or
lines
reach_
on
their
fa
out and touch the
day;—
we're o - ver
due
108
now
Change,
it's
time
Noth-ing
for change
stays the
Ooh whoa,
same
2nd Verse
I feel the fu - ture in
the
hands—
of
our youth
will
be
tell
our
Gtr.2
A
ii_r
r
Bm/Fl
D Em D/Fl
safe,—
no more
Old tired fools
lies
Overdub 1
fu -
ture
with
ta - rot cards
and
lie
of
crime. _
Acoustic gtr.
^
Overdub I
r
P-r
109
Well,
the lines
C5
D5
-: n
rns
A
re - vo - lu - tion
on
their
- ces
Em
B5
or
fa
^
JT
reach—
out
so
deep,
Em/D
C5
yeah. _
i
m
and touch the
day;.
we're ov - er
due,
w—' P.M.
P.M. H
P
-a
a-
^^Pik^ous. f.
Chorus II
D
Em D/Ff
now
Change,
E5
D5
No - thing
C5
stays
the
same.
D5
Now
G5
it's
time
it s
time
D
for change
Em
D/F1
for change
» -0
a
<
110
now
Change,
it's
time
No - thing
for change
stays the
same
D/Ff
G5
Now it's
time
for
Guitar solo
D
Em D/F#
05
change
Same background Gtr. as on the first bars of the chorus
D
Oh,
Em
yeah.
P ig 12 ie •M-
1212 ia
12 12 12 12 12 12 12
Bm/F<
P
H
HP
P
^
5—c-
U
•-HM4
14 12
12 10 12-14-
change. 8va
26
12 12 12 12-12 12
12
26
VM9
Overdub 2
Whole step bend on lower note
M-
Ill
Well, I'll
change
Not
to
H P «• si.
IS 17 15- -W 17 to 17 -IS
H P si.
17' "lO 17 10 17' .15 (la
Overdub 2
but
mor - row
to
- day
Drums
1 ^
^
-—
Overdub 2 continued Chorus III
A5
E/G}
Change,
now it's
time for change.
No - thing
stays
the
Gtr. I
HH
HH
HH
2 3
"f tr
HH
0
3
5
r
7
-8—a-5-2-4
6-=f
5
D5
E5
Now
same.
I
time
f
H 9
E/G I
A5
^ ' u uJ
Change,
i
now it's
i i J
vib. bar si.
I
97-
4-
for change.-
i
U
5
No chord
A5
it's
-41 -9
7-
-2
4
e-7
7-
time for change
J
112
No-thing
stays
Now it's
the same.-
time
change.
for.
vib. bar
9
9
?
7
—-e
e—4
0
LI
Overdub 3
now it's
Change,
2 e
No - thing
time for change.
2 0
« 9
stays
11
II
'v
y
—9
9
7
7
the
Now it's
same.
7
3
7
-5
9
time for change. _
°
y
7
*
now it's
Change,
-4
time for change.
No - thing
stays
the same._
6-
Ending solo
A5
N.C
Now it's
time
for
change.
E/Gi
Beginning of gtr. solo
V. J. V\ e—«—aH Same gtr. background as on Chorus HI
113
slowly release
^ -3
the hettd
! H6
12
1g 12
1
I
J12 12 12
ie
-12
.1
>^12 12 12 12
12 12 10
12
10
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1.
>7 17 15
ti
»t=rL
16-ie-
1
!
I
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16
10
16— 1614 M
Gradually Fade out
1
17
1
17
/A>.
17—17
1
1^—17;
Si. Si.
-1710
(faded)
P 17
P
j/.
HP
n~ —
«
16
10
14 14 1^ H 10-
—
14
-M
1014
^
^
10 14- -^1214 12
:
f4_i
M—17^ —^
14
10
J
16-
114
lOVERDUB i\
w—10 »—«
lOVERDUB 2\
si 0 -?
0 ?
-6
6-
S 7 0 7
-7
9-
0
si
0
-Or—07—7
? 010 9 7.' -O-
vib. bar and feed back
115
lOVERDUB 3]
end of 1st gtr. part o-
JJbJl ^ftr rl r r r —-r Tn--'^^ri u—Lr r M 1 ri
nj
v_>'
6
•
m—P—i •
1®
L.r u=^
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L==»
2nd gtr. overdub HH
HH
HH
HH J
7=»=^:—5 gas
^ 8
4
-8
s
5—8—9
-8
5—8—5
6
I -fi—5-
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9—8—5
