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monologue
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P/V/G score
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Monologue MenFull description
This is a piece featuring a solo vibraphonist and percussion ensemble. It may be performed with one or multiple soloists, and one or multiple percussion quartets.
Monólogo II
Monologue II
Reflexiones sobre Rayuela de de Julio Cortazar
Reflections on Rayuela by by Julio Cortazar
para vibráfono y electrónica en vivo
for vibraphone and live electronics
José G. Martínez R
The Monologue is proposed as an analogy to the form of the novel Rayuela (Hopscotch) by Julio Cortázar. In this counter-novel, as he calls it, the Argentinian writer offers an unusual order for the reading. It is based on a lineal story set up with two parts called “del lado de allá” (from that side) and “del lado de acá” (from this side). In between the reading of these linear chapters there are gaps named Inserciones/Insertions where chapters coming from the second section “de otros lados” (from other sides) are inserted. These chapters may support, refute, complement the story or the simple pleasure for the reading and might lack any relationship with the main story. This way the novel is several novels at once and gives in to multiple interpretations. interpretations. The Monologue II has two sections formed by chapters. Numbered chapters (pages 1 to 8) work as a solid piece that narrates a lineal discourse. Named chapters with independent names compose the second section and they will be inserted in the gaps within the score marked as Inserciones/Insertions. The decision on the order for these insertions is absolutely up to the performer who might even determine not to insert any chapter at all. In the piece, analogue to Cortázar’s novel, the player (reader) will become an active performer and her/his decisions will shift the discourse of the piece and will bring variety to every single performance. performance. Named chapters are attached to a patch programmed in Max/Msp 6.0. This patch is in charge of the signal processing to the live electronics. A different person than the performer must monitor the computer controlling this patch which needs to know in advance the order for the insertions. The page 8, the last page of the piece, is designed so that the music keeps going continuously and the performer has once again the will to decide the order and the repetitions to be played. In order to achieve the actual end s/he needs to follow his instinct and will stop wherever it is desired.
! Sof Mallets # Medium-hard Mallets $ Hard Mallets % Medium-hard Xylophone Mallets $G Glockenspiel Mallets (plastics)
Damp the indicated note Play with the shaft of the mallet D.S.
Dead Stroke Staccatissimo note
m Cello or Contrabass Bow
Short duration note
Two bows are necessary. necessary.
Medium duration note Long duration note
About the pedal
Short breath Two kinds of notations are used: The first one is the slur and the second one is the following symbol:
Long breath }
Technical Requirements - A computer with Max/Msp 6.0 - A interface with at least two inlets and four outlets - A Console with at least two inputs and four outputs. - Two microphones (cardioid) - Four speakers
Duration of this fermata is as long as performer desires
Monólogo II
1
para vibráfono y electrónica en vivo
Reflexiones sobre Rayuela de de Julio Cortazar
a Daniel Mejía Parado en una esquina, harto del cariz enrarecido de su reflexión, Oliveira se había puesto a mirar lo que ocurría en torno y que como cualquier esquina de cualquier ciudad era la ilustración perfecta de lo que estaba pensando y casi le evitaba el trabajo. Rayuela Cap. 23
u
G rubato
q = c 60
m Inserción / Insertion
José G. Martínez R. 2012 - 2013 Dur. aprox. 20min uG
rubato
m
}
3 :2 3 :2
m
!
}
Vibráfono 5 :4
largo / long
p p '& & ' dejar sonar todo / let vibrate ! !
dejar sonar todo / let vibrate
let vibrate
p
dejar sonar todo / let vibrate
m
uG 5 :4
3 :2
}
! 5 :4
!
largo / long dejar sonar todo / let vibrate
secco
pedal poco a poco
José G. Martínez R. memo_percusion@yahoo.com
Inserción / Insertion
Monólogo II
Cosmogonía / Cosmogony Presto q = 130 ~ 140
5
3
5
5
7 :
5 :
1/2 pedal 3
6
3
3
5 :
5 :
3
secco
3
5 : 3
3
6
Moderato 3
3
5
7 :
q = c 80 3
5 :
3
3
5 :
3
3
3
cantabile
poco rit.
3
5
tempo primo
5
7 :
5 :
q = 140 ~ 130
3
5
6
3
3
5
3
5 :
2
Monólogo II
uG
q = c 50
5
3
p m
let vibrate
}
$
un poco más rápido / slighlty faster 3
tempo precedente / previuos tempo
m
5
p
uG dejar sonar /
!
dejar sonar / } let vibrate
m
3
3
dejar sonar / let vibrate
largo / long
rápido / fast
!#
! #
{
1/2 pedal
m
#
} 5
espress.
uG
#
uG
#
m
3 3
}
3
un poco más rápido / slighlty faster
q = c 80
5
poco rubato
3
3 veces / 3 times
6
5
diminuendo con las repeticiones / diminuendo on repetitions
Inserción / Insertion
Monólogo II Morelli ~20"
Ad libitum
q = c 70
p m
m
~15"
Nervioso
p
Ad libitum
m 250
~20"
!
m
p
p
m p 3
3
Monólogo II
q = c 80
#
3 5
3
3
5
rit.
3
3
secco
5
5
posible
q = c 90
7 :4
5
subito
$
rit.
l.v.
a tempo
a tempo 3
3
rit.
5 3
un poco más lento q = c 58 sligtly slower
5
3
5
5
3
5 6
cresc. poco a poco
q = c 80
accel. 6
6
subito dejar sonar todo / let vibrate
4 veces / 4 times
6
5
diminuendo con las repeticiones / diminuendo on repetitions
rápido / fast
! # 13 :
Inserción / Insertion
Monólogo II
Paisaje Oriental / Oriental Oriental Landscape ~35" un poco sorpresivo / suddenly
como un eco / like an echo
~25"
dejar sonar todo / let vibrate
~10" levantar poco a poco el pedal /
lift the pedal slowly
4
Monólogo II Lento e rubato
agitato
q = c 65
5 :4
!
3
3
3 5
molto espress.
un poco más lento q = c 58 sligtly slower
rápido / fast
tempo precedente / dejar sonar / previuos time let vibrate
q = c 90
q = c 65
rit.
oscuro / dull
3 5
3
3
6
5
3
crescendo molto (2da vez / 2nd time)
sempre rubato
poco rit. 3
3
molto rit.
3
3 5
3
3
3 3
dejar sonar todo / let vibrate 3
a tempo
dramático / dramatic
3
3 6
5
3 5
Largo q = c 55
$
dejar sonar todo / let vibrate
q = c 80 6
D.S.
D.S.
D.S.
5
Inserción / Insertion
5
6
Monólogo II
Wong q = c 55 molto rit.
3 :2 3
arpegios cada vez más lentos / arpegios getting slower a tempo rubato
poco rit.
3
3
3 3
3 5
rit.
Monólogo II
una sola(,) voz(s)
~25"
!
Lento
! m
! m
m
Nervioso
~30" poco a poco rit.
p secco
~35"
Lento
q = c 65
m
"
m
3
3 5
espress.
posible
6
Monólogo II
$
repetir ad libitum / repetitions ad libitum
q = c75 ~ 85
6
6
6 3
6
6
5
5
sempre diminuendo
5 3
5
6
3
repetir ad libitum / repetitions ad libitum
5
6
5
6 6
Lento
5 5
3
6
sempre diminuendo
Monólogo II
Capítulo/Chapter 115 (aka: Scrabble) q = c 80
3
4 1
2
3
5
3
?
? ?
?
?
5
rit. 5
Distribuir las notas del acorde / 6 Distribute the notes of the chord
7 5
3
3
? ?
?
?
5
4
2
3
poco rit.
?
6
todo el acorde / complete chord
Distribuir las notas del acorde / Distribute the notes of the chord
? ?
? ?
?
3
todo el acorde / complete chord
?
5
Distribuir las notas del acorde / Distribute the notes of the chord
3
3
5
? 7
?
? 3
3
?
3
?
?
3
? ?
9 :
lento
1
?
5
1
? ?
- The performer will create two four-notes chords and will name them as #1 and #2. The election on the notes is free and they can be either or not linked to the notes of this page. - Notes in these chords will fill the question marks (?) following these instructions depending on the number written in the score: 1: Play the complete chord #1 2: Choose three notes of the chord #1 3: Choose three notes of the chord #1 and transpose them a major third up 4: Choose three notes of the chord #1 and transpose them a major third down 5: Play the chord #2
- If any note surpasses the register of the instrument it should be played either an octave higher higher or lower as appropriate. - The performer needs to be aware of the different kinds of distributions and inversions of the chords since it will benefit widely the harmony and the quality of them.
Monólogo II
8
q = c 60
B
Tocar / Play A+B A+C A+D
6
5
5
6
7
Estas combinaciones pueden tocarse en el orden y las veces deseadas. La pieza debe terminar en cualquier momento y en cualquiera de las combinaciones / This combinations might be played and repeated in any orther. The piece may end at any time and in any of the sections.
