CONSUMER HEALTH HEALTH
Consumer health aims to develop a person’s ability to evaluate and utilie health in!ormation" produ#ts" and servi#es ser vi#es $isely and e%e#tively& e%e#tively&
Consumer health has three #omponents' health information, health products, and health services. services.
Health (n!ormation
is any #on#ept" step" or advi#e that various sour#es )ive to aid the health status o! an individual& The in!ormation is #riti#al as it may alter the health #onditions o! a person& Another important #hara#teristi# o! health in!ormation is that it is #ontinuously and rapidly #han)in)&
Health *rodu#ts
are !ood" dru)s" #osmeti#s" devi#es" biolo)i#als" va##ines" in+vitro dia)nosti# rea)ents" and household,urban haardous substan#es and,or a #ombination o! and,or a derivative thereo! -./A A#t"01123&
Health Servi#es
This pro)rams aim to appraise the health #onditions o! individuals throu)h s#reenin) and e4aminations" #ure and treat disorders" prevent and #ontrol the spread o! diseases" provide sa!ety" emer)en#y #are" and 5rst aid" and ensure a !ollo$+up pro)ram !or individuals $ho have done treatments&
Health servi#es are usually o%ered by health#are providers&
A health#are provider is a trained pro!essional $ho provides people $ith health#are&
Health *ro!essionals
(ndividuals $ho are li#ensed to pra#ti#e medi#ine and other allied health pro)rams&
An e4ample o! a health pro!essional is a physician&
A physi#ian re#ords the medi#al history o! individuals" provides dia)nosis" per!orms medi#al e4aminations" and pres#ribes medi#ations&
There are di%erent types o! o! physi#ians based on their area o! spe#ialiation&
Health#are *ra#titioner
An independent health#are provider $ho is li#ensed to pra#ti#e on a spe#i5# area o! the body&
E4amples' /entist" Optometrists
Allied Health *ro!essionals
Trained Trained health#are provider $ho pra#ti#es under the supervision o! a physi#ian or health#are pra#titioner& pra#titioner&
E4amples' Nurses" *harma#ists" physi#al therapists&
Health .a#ilities
Health#are !a#ilities are pla#es or institutions that o%er health#are servi#es& There are di%erent types o! health#are !a#ilities' ◦
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Hospital
An institution $here people under)o medi#al dia)nosis" #are and treatment&
A hospital o%ers di%erent types o! medi#al #are li6e inpatient and outpatient #are&
7inds o! Hospitals' private" voluntary" )overnment and tea#hin)
Classi5#ations o! Hospitals' 8eneral and Spe#ialty
9al6 in Sur)ery Center (t is a !a#ility that o%ers sur)ery $ithout the patient bein) admitted in the hospital
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Health Center
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The servi#es in a health #enter #ater to a spe#i5# population $ith various health needs&
E4tended Health#are .a#ility
A !a#ility that provides treatment" nursin) #are" and residential servi#es to patients" o!ten the elderly&
Health (nsuran#e
A 5nan#ial a)reement bet$een an insuran#e #ompany and an individual or )roup !or the payment o! health#are #osts& This also may pertain to a :prote#tion that provides bene5ts !or si#6ness and in;ury<&
Health insuran#e may be sour#ed !rom both publi# and private #ompanies&
E4ample' *hilHealth
Republi# A#t No& =>0? -Traditional and Alternative Medi#ine A#t o! @223
*rovisioned the #reation o! the *hilippine (nstitute o! Traditional and Alternative Health#are -*(TAHC3
*(TAHC+approved alternative modalities
Naturopathy
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Bie$s diseases as mani!estation o! an alteration in the pro#esses by $hi#h the body naturally heals itsel!& O%ers a $ide ran)e o! natural pra#ti#es in#ludin) herbal medi#ine" a#upun#ture" a#upressure" nutritional therapy" and ventosa #uppin) massa)e therapy&
Herbal Medi#ine
There are @1 herbs that are proven and tested to have medi#inal value and approved by the /epartment o! Health&
ALTERNATIVE MEDICINE
A#upun#ture ◦
Bentosa #uppin) massa)e therapy ◦
A !orm ener)y medi#ine $here lon) thin needles are inserted to spe#i5# parts o! the body to a%e#t the ener)y o$& A#upun#ture is believed to treat mus#ulos6eletal dys!un#tions&
This pro#edure is done by pla#in) inverted )lasses that have ames !rom burnin) #otton" on spe#i5# points in the body& (t is believed to relieve mus#le and ;oint pains
Ree4olo)y ◦
Similar to a#upun#ture" ree4olo)y !o#uses on treatin) spe#i5# di sorders throu)h massa)in) o! the soles o! the !eet&
A#upressure ◦
Uses the same te#hniDue as the a#upun#ture& The only di%eren#e is that a#upressure does not use needles but hands to apply pressure on #ertain points o! the body&
Nutrition Therapy ◦
Nutrition therapy approa#hes treatment o! a medi#al #ondition by providin) a tailored diet !or the patient&
ua#6ery
Ree4olo)y ◦
A#upressure ◦
Similar to a#upun#ture" ree4olo)y !o#uses on treatin) spe#i5# di sorders throu)h massa)in) o! the soles o! the !eet&
Uses the same te#hniDue as the a#upun#ture& The only di%eren#e is that a#upressure does not use needles but hands to apply pressure on #ertain points o! the body&
Nutrition Therapy ◦
Nutrition therapy approa#hes treatment o! a medi#al #ondition by providin) a tailored diet !or the patient&
MUSIC of the 20 th CENTURY
The start o! the 01th #entury sa$ the rise o! distin#t musi#al styles that ree#ted a move a$ay !rom the #onventions o! earlier #lassi#al musi#& These ne$ styles $ere' impressionism e!pressionism neo"c#assicism a$ant %ar&e m'sic an& mo&ern nationa#ism( IMPRESSIONISM
One o! the earlier but #on#rete !orms de#larin) the entry o! 01 th #entury musi# $as 6no$n as impressionism & (t is a .ren#h movement in the late @2 th and early 01 th #entury& The sentimental melodies and dramati# emotionalism o! the pre#edin) Romanti# *eriod $ere bein) repla#ed in !avor o! moods and impressions& The impressionisti# movement in musi# had its !oremost proponents in the .ren#h #omposers C#a'&e De)'ssy and Ma'rice Ra$e#& CLAUDE DE*USSY
He $as the primary e4ponent o! the impressionist movement and the !o#al point !or other impressionist #omposers&F L’ Enfant Prodigue -The *rodi)al Son3
MAURICE RAVEL
/urin) his stint $ith the s#hool $ere he stayed until his early 01’s" he had #omposed a number o! masterpie#es& Ravel’s $or6s in#lude the !ollo$in)'
Pavane for a Dead Princess (1!!"# a s$o% &ut $'rica$ reuiem )eu* d’Eau or +ater ,ountains (1!-1"
String uartet (1!-/"
Sonatine for Piano (c.1!-0"
Miroirs (Mirrors"# 1!-# a %or2 for piano 2no%n for its 3armonic evo$ution and ima)ination"
4aspard de $a Nuit (1!-"# a set of demonic5inspired pieces &ased on t3e poems o!
Aloysius Gertrand $hi#h is ar)uably the most di#ult pie#e in the piano repertoire& ARN+LD SC,+EN*ER- ./13/45/6
S#hoenber) is #redited $ith the establishment o! the t$elve+tone system I-+R STRAVINS7Y ./23/41/6 63e ,ire&ird Suite PRIMI6I7ISM
*rimitivisti# musi# is tonal throu)h the assertin) o! one note as more important than the others& Ne$ sounds are synthesied !rom old ones by ;u4taposin) t$o simple events to #reate a more #omple4 ne$ event& *ELA *ART+7 .//3/456
Si4 Strin) uartets NEO58L9SSI8ISM
Neo5c$assicism %as a moderating factor &et%een t3e emotiona$ e*cesses of t3e Romantic period and t3e vio$ent impu$ses of t3e sou$ in e*pressionism.
It %as# in essence# a partia$ return to an ear$ier st'$e of %riting# particu$ar$' t3e tig3t$'52nit form of t3e 8$assica$ period# %3i$e com&ining tona$ 3armonies %it3 s$ig3t dissonances.
SER-EI 8R+7+9IE99 ./4/3/45:6
the ballet Romeo and Iuliet and the opera 9ar and *ea#eF avant )arde
9RANCIS 8+ULENC ./443/4;:6
A member o! the )roup o! youn) .ren#h #omposers 6no$n as :Les Si4&< A$ant -ar&e M'sic
Closely asso#iated $ith ele#troni# musi#" the avant )arde movement dealt $ith the parameters or the dimensions o! sound in spa#e& The avant )arde style e4hibited a ne$ attitude to$ard musi#al mobility" $hereby the order o! note )roups #ould be varied so that musi#al #ontinuity #ould be altered& The Mo&ern Sty#e in Art E*pressionism
JK (t is an intensely personal art !orm& JK The e4pressionist artist strives to #onvey his personal !eelin)s about the ob;e#t painted" rather than merely re#ord his observation o! it& JK Compositions tend to be simpler and more dire#t" and are o!ten #hara#teried by thi#6 impasto paint" loose" !eely applied brushstro6es" and o##asional symbolism& E&
JK (t is a @2th+#entury art movement that ori)inated $ith a )roup o! *aris+based artists $hose independent e4hibitions brou)ht them to prominen#e durin) the @=1s and @==1s& JK (mpressionist paintin) #hara#teristi#s in#lude relatively small" thin" yet visible brush stro6es" open #omposition" emphasis on a##urate depi#tion o! li)ht in its #han)in) Dualities ordinary sub;e#t matter" in#lusion o! movement as a #ru#ial element o! human per#eption and e4perien#e" and unusual visual an)les& Vincent Van -o%h 3 T,E STARRY NI-,T 8u&ism
JK (t is an early+01th+#entury avant+)arde art movement that revolutionied European paintin) and s#ulpture" and inspired related movements in musi#" literature and ar#hite#ture& JK Cubism has been #onsidered the most inuential art movement o! the 01th #entury& The term is broadly used in asso#iation $ith a $ide variety o! art produ#ed in *aris durin) the @2@1s and e4tendin) throu)h the @201s& 8a)#o 8icasso .//"/41:6 " ,+RTA DE E*R+ .*RIC7 9ACT+RY AT T+RT+SA6 Dadaism
JK (t $as an art movement o! the European avant+)arde in the early 01th #entury& JK This is the European artisti# and literary movement -@2@+@20?3 that outed #onventional aestheti# and #ultural values by produ#in) $or6 mar6ed by nonsense" travesty" and in#on)ruity a)aints traditional art& JK /adaists believed an oppressive intelle#tual ri)idity in both art and everyday so#iety& DADA -ALA=Y
Surrea$ism
JK (t is any art !orm stemmin) !rom the un#on#ious mind& JK (t o!ten !eatures stran)e" hallu#inatory visuals or absurd ;ustapositions o! ob;e#ts o! $ords& JK Surrealist art$oro6 #an be an ob;e#t o! an idea" and it represents the artist’s idea o! $hat that is" based on his o$n sub#on#ious & JK A surrealist paintin) #an loo6 li6e a dream" or an ob;e#t #an be appropriated to loo6 li6e somethin) #ompletely di%erent& An&re *reton ./4;"/4;;6 " T,E 8ERSISTENCE +9 MEM+RY Sa#$a&or Da#i
JK (t is the abstra#t beauty o! paint $ithout the dilution o! a re#o)niable ima)e and it sho$s the stron) visual symbolism o! human’s de#ipherin) reality& DRI8 8AINTIN8a'# >ac?son 8o##oc? T,E +T,ER M+DERN STYLE +9 ART 8op Art
JK (t is a brash" !un and youn) art movement o! the @21’s that in#ludes di%erent styles o! paintin) and s#ulpture but all had #ommon interest in mass+media" mass+produ#tion and mass+ #ulture& JK (t $as essentially an Ameri#an movement but started in Gritain& 8op Art Sc'#pt're
JK (t $as stron)ly inuen#ed by the ideas o! the /ada movement and rea#tion a)ainst Abstra#t E4pressionism& Claes Oldenbur) -@200+3" Coos;eD Ban Gru))en -@2>0+01123 S*OONGR(/8E AN/ CHERR +8 Art
JKAn Opti#al Art is mathemati#ally themed !orm o! Abstra#t art" $hi#h uses repetition o! simple !orms and #olors to #reate vibratin) e%e#ts" more patterns" !ore)round+ba#6)round #on!usion" an e4a))erated sense o! depth" and other visual e%e#ts& JK All paintin) is based on tri#6s o! visual per#eption manipulatin) rules o! perspe#tive to )ive the illusion o! three+dimensional spa#e" mi4in) #olors to #reate the impression o! li)ht and shado$" and so on& JK The rules on Opti#al art that the vie$ers eye uses to try to ma6e sense o! a visual ima)e are themselves the sub;e#t o! the art$or6& Bi#tor Basarely -@21+@223 + one o! the !athers o! op+art&
8erformance Art
JK(t is a type o! art that is #reated in !ront o! or presented to an audien#e by the artist and non+ traditional art !orm o!ten $ith politi#al or topi#al themes they typi#ally !eature a live presentation to an audien#e or onloo6ers and dra$ on su#h arts as a#tin)" poetry" musi# dan#e and paintin)& ves 7lein P Anthropomeries ,appenin%s an& Mo)
Allan 7apro$ + History o! Happenin)s 9#ash Mo)
Gill 9asi6 P #reator o! ash mobs T,E 8RINCI8LES +9 ART A( Rhythm
JK (t is type o! movement seen in the repetition o! shapes and #olors o! pi#ture or art $or6& JK Alternatin) li)hts and dar6s also )ive a sense o! rhythm& Movement JK (t is a prin#iple o! art related to rhythm& *( *a#ance
J++Q (t re!ers to the visual $ei)ht in a pi#ture and ho$ it is divided& JK (t is a #ompositin $or6s $hen the elements are eDualied& C( Variety@Emphasis
JK Bariety in art re!ers to the use o! #ontrastin) or di%erent types o! elements in a $or6 art& JK An artist 6no$s addin) #ontrast to a $or6 o! art adds interest& Emphasis JK Sometimes an artist $ants the vie$er to loo6 parti#ularly #lose at a spe#i5# area o! the $or6& JK The artist $ill manipulate the Elements o! Art so that your eye is dra$n to a parti#ular area& D( 8roportion
JK (t means one part in relation to another& JK All people have a sense o! proportion #on#ernin) themselves as #ompared to others& JK (t is the #omparative relationship o! one part to another $ith respe#t to sie and s#ale& JK (t may also help #reate the illusion o! ?d spa#e& E( ,armony
JK Harmony in art results !rom a #ombination o! related -but o!ten di%erent3 Elemts o! Art #reatin) a pleasin) $or6 !or the eye 9( Unity
JK Unity in!ers that the $or6 o! art is presented as a :$hole<&
