JUAN ANTONIO MURO
BASIC PIECES Volume II Easy entertaining guitar pieces for beginners Leichte Citarrenstiicke fur Anfanger Pieces de guitare faciles et agreables pour debutants Piezas de guitarra faciles y agradables para principiantes A Compact Disc, now available as a separate item or together with Volume I, is recommended for use with this series. Ask your dealer for details.
CONTENTS OF COMPACT DISC 1-73. See Volume / of printed edition
Volume I1 of Printed Edltlon 74. The Olive Trees, page 4 75. A Rhyme, page 8 76. In the Shade of a Palm Tree, page 10 77. The Battle, page 14 78. Minuetto, page 17 79. Hungarian Song, page 18 80. An Evening Song, page 22 8 1. Raindrops, page 24
82. A Prayer, page 25 83. Study, page 30 84. Prelude, page 31 85. Prelude, page 34 86. Mist, page 35 87. An old-time Dance, page 36 88. The Cathedral, page 37 89. Milonga, page 40 90. The Ladybird, page 44 9 1. Cottonweed, page 44 92. Relaxing, page 47 93. Evening Garden, page 51
Me1 Bay Publlcatlons Inc., Paclflc, Missouri, 63069 Catalogue No. M895722 ISBN Ck7866-1769-1 Dlstrlbuted excluslvely outside North America by: Chanterelle Verlag, Postfach 103909, D69029 Heldelberg Catalogue No. ECH 782 ISMN M-2047-0004-2
C3 1996 by Guitar Heritage Inc., Columbus, Ohio Reprinted 1999 All Rights Reserved. International Copyright Secured. Manufactured In the U.S.A. All Composltlons by Juan Antonlo Muro lllustratlons by Ewa Tervala Music Engraving by Stuart Mcqowan
Tento material venovalo
Zdruienie pre klasicku gitar Bratislava 2006
About the Author
JUAN ANTONIO MURO completed his studies at the Barcelona ConservatorioSuperior de Musica in 1973.His teacher there wa the present professor of guitar at the Conservatory,Jose Luis Lopdtegui. At the end of his studies he won the Conservatory' Prixd 'Honneur.Afterwards he continuedhis studies with other teachers, among them Narciso Yepes, for musical interpretation and in 1973-74, composition with the Finnish composer Enojuhani Rautavaara.
Juan Antonio Muro composes for chamber groups, the guitar being an important element in his compositions. He has madc many recordings for Television and Radio and participated in numerous international music courses and festivals. Ht regularly performs in chamber music ensembles all over Europe. He is a member of the Finnish Guitar Trio who have recordec his arrangement of the complete score of De Falla's El Amor Brujo for Chorus Productions in Finland, together with a selectior of contemporary Finnish guitar music. He is a lecturer of guitar, pedagogy and modem chamber music at the Helsink Conservatory since 1973. Juan Antonio Muro is also a professional painter and holds regular exhibitions. In 1992he received his Diploma from the Fret Art School of Helsinki for concrete and abstract painting.
FOREWORD
VORWORT
PROLOGUE
PROLOGO
BASIC PIECES is above all a collection of works offering an alternative to traditional methods. As it has been planned to provide didactic material as well as a repertoire of small works suitable for concerts it may be, and indeed is being, used as a method. It can however also function well in a complementary r61e with another teaching method.
BASIC PIECES ist vor allem eine Sammlung von Werken, die eine Alternative zu den traditionellen Methoden anbietet. Da es als didaktisches Material und auch als ein Repertoire von kleineren Werken, die fiir Konzerte geeignet sind, geplant wurde, kann es und wird es auch erfolgreich als eine Methode benutzt. Es k a m aber auch in Zusammenhang mit einer anderen Lehrmethode funktionieren.
BASIC PIECES est avant tout une collection de pieces offrant une alternative aux methodes traditionnelles. Conqu pour prodiguer un materiel didactique et un repertoire de petites pieces convenant au concert, l'ouvrage peut @tre(et sera) utilise comme une methode, et peut egalement avoir un r6le complementaire avec n'importe quelle autre methode.
BASIC PIECES es ante todo una colecci6n de obras que ofrece una alternativa a las escuelas tradicionales. Puedt utilizarse y de hecho se, utiliza con exit0 como sistema diddctico per0 puede tambien tener una funci6n de complemento junto a cualquier otro metodo de ensefianza, ya que ha sido concebido a la vez como material diddctico y como repertorio de pequefias obras de concierto
This Second Volume develops the principles explained in the 1st volume, whose main didactic purpose is the development of the basic right hand mechanisms which form the foundation of guitar technique.
Dieser zweite Band erganzt die Grundlagen die im ersten Heft erklart wurden. Demzufolge ist das wichtigste didaktische Ziel die Ausbildung der Spieltechnik der rechten Hand, die die Grundlage der Gitarrentechnik darstellt.
Ce second volume est le developpement du premier dont le principal propos didactique est les developppement des mecanismes de base pour la main droite qui forment le fondement de la technique guitaristique.
Este segundo volumen desarrolla el mismo concept0 elaborado en el primero, es decir, su principal objetivo pedag6gico es la prPctica de 10s mecanismos bdsicos de 12 man0 derecha que forman el fundamento de la tecnica guitarristica. Juan Antonio Muro, 199:
Contents . Inhalt Index Indice
I
Melody and Single Note Accompaniment 1 The Olive Trees . . . . . . . . . 4 2. ABallad . . . . . . . . . . . . 6
.
. .
Three-note Chords
22 Autumn . . . . . . . . 23 Prelude . . . . . . . . 24.Mist . . . . . . . . . 25. An old-time Dance
U
. . . .
. . . .
. . . .
. . . .
33 34 35 36
Two simultaneous Notes on adjacent Strings 3 ARhyme . . . . . . . . . . . . 8 4. In the Shade of a Palm Tree . . . . 10
.
El
El Melody and two-note Accompaniment .
W
5. AWaltz . . . 6 Ontheswing . 7. The Battle . . 8. Study . . . .
. . . .
. . . .
. . . .
12 13 14 16
Two simultaneous Notes on non-adjacent Strings 9. Minuetto . . . . . . . . . 10. Hungarian Song . . . . . . . 11. Spanish Song . . . . . . . . 12.A Song and a Dance . . . . .
. . . .
. . . .
17 18 19 20
.
"Arpeggio" for Thumb and three Fingers 26.The Cathedral . . . . . . . . . 37 27 Reflections . . . . . . . . . . . 38 28.Milonga . . . . . . . . . . . . 40
. . . .
. . . . . . . . . . . . . . . . . . .
.
!
Legato
"Arpeggio" for the Thumb and two Fingers 13. An Evening Song . . . . . . . . 22 14. A Circle Dance . . . . . . . . . 23
Melody in the Upper Voice 15 Rain-drops . . . . . . . . . . 16. A Prayer . . . . . . . . . . . 17. Sunday morning . . . . . . . 18.Study. . . . . . . . . . . . 19. Study . . . . . . . . . . . . 20. Prelude . . . . . . . . . . . 21.Study . . . . . . . . . . .
.
. . . . . . .
24 25 26 28 30 31 32
.
29. Phrases . . . 30.The Ladybird 31. Cottonweed 32. Villanesca . . 33. A Waltz . . . 34. Relaxing . . . 35. A Folk-dance . 36.Left Hand . .
Scale Technique 37.Major and Minor . . . . . 38. Evening Garden . . . . . 39. Profiles . . . . . . . . . 40 Shadows . . . . . . . .
.
. . . .
. . . .
. . . .
50 51 52 54
Melody and Single Note Accompaniment Melodie mit einstimmiger Begleitung Melodie avec accompagnement d'une seule note Melodia con acompaiiamiento de una sola nota
The Olive Trees Die Olivenbiiume Les Oliviers Los olivos
calmo 1
1
2. A Ballad Ballade . Ballade Balada
cantabile
U Two simultaneous Notes on adjacent Strings Zwei gleichzeitig gespielte Noten auf benachbarten Saiten Deux notes jouCes simultankment sur des cordes adjacentes Dos notas tocadas simultineamente en cuerdas adyacentes
A Rhyme Kinderreim Ritournelle enfantine Rima infantil
molto tran.quillo
.---
p semplice e lontano, un po ' burlesco
poco rit.
a tempo
mf
.
poco staccato, deciso
-
mp legato, dolce
mf poco staccato, deciso
p legato
semplice e lontano
pp come una riposta
4.
In the Shade of a Palm Tree Im Schatten der Palme A l'Ombre du Palmier Bajo la palmera Andantino
I
I
-= poco= E=======
a tempo
poco rit.
*
ossia
PI
P
Melody and two-note Accompaniment Melodie mit zweistimmiger Begleitung MClodie avec accompagnement de deux notes .Melodia con acompafiamiento de dos notas
A Waltz Walzer Valse Vals Allegretto
poco ten.
6. On the Swing Auf der Schaukel . Sur la galangoire En el columpio
Allegretto
Fine
D.C. a1 Fine
The Battle Die Schlacht La Bataille La batalla Agitato
poco rit.
a tempo
cresc.
cresc.
* W
..........................
7
f senza rit.
f
sempre
Study Etude Etude Estudio
Mosso
A
I
.
.
. . - .
l
.
.
.
.
.
P .
poco rit.
fi
3
H
Two simultaneous Notes on non-adjacent strings Zwei gleichzeitig gespielte Noten auf nicht benachbarten Saiten Deux notes joukes simultankment sur des cordes non adjacentes Dos notas tocadas simultineamente en cuerdas no adyacentes
*
y
9.
Minuetto
Menuett . Menuet Minueto
Maestoso
I
I
I
I
I
I
I
I
l
I
D.C. a1 Fine
Hungarian Song Ungarisches Lied . Chanson hongroise Cancibn hungara
Allegretto 1
.
Fine
I
i
b
D.C.al Fine
Spanish Song Spanisches Lied Chanson espagnole Cancibn espaiiola Allegretto m
i
m
A Song and a Dance Lied und Tanz ~ h a n s o net Danse . Cancio'n y danza
Andante
poco piu mosso
ritmico
3.
U
3.
3-
poco accell.
12.
/
I
T
I
woco rit.
Tempo primo
/'
rit.
mp dolce
I
fi "Arpeggio"for the Thumb and two Fingers
*
"Arpeggio"fiir Daumen und zwei Finger Arpege pour le pouce et deux doigts Arpegio para el pulgar y dos dedos
,
An Evening Song Abendlied Chant du Soir Cancio'n de atardecer Andantino m i m i m
m
14.
A Circle Dance Ringelreihen Une Ronde El corro Allegro
Melody in the Upper Voice Melodie in der oberstimme MClodie dans la voix supCrieure Melodia en la voz superior \
Regentropfen . Gouttes de pluie . Las gotas de lluvia
//
A Prayer Ein Gebet Priire . Oracibn Lento
m , cantabile
ritardando
Sonntagmorgen Dimanche matin Dia festivo
Allegretto H
7 d
L
rit.
A -
-
e
.
ordinario
ordinario
Y
J
l Lento
ritardando
Tempo primo 0
LT-
Study Etude Etude Estudio Molto tranquil10
simile 4
-
dim.
Study Etude Etude Estudio
Andantino
I
a tempo
I
cresc.
Prelude Prael udium Pre'lude Prel udio
Study Etude E t u d e . Estudio Moderato
ml,
-
poco sostenuto
poco sostenuto
mf
a tempo
a tempo
D.C. a1 Fine
1
(i
Three-note Chords
Dreistimmige Akkorde Accords de trois notes. Acordes de tres notas
Autumn Herbst Automne Otofio
Adagio
mp
sul tasto
ritardando molto
Prelude Praeludium Prilude . Preludio Moderato
poco rit.
l
I
a tempo
m
24.
Mist Nebel Le Brouillard . La niebla
P
P
p lontano, molto legato (melody in the middle voice)
D.C.
non ritardando, diminuendo a1 niente
25. An old-time Dance Alter Tanz Danse ancienne Danza antigua Allegro -
-
-
l
I
D.C. a1 Fin1
:.
"Arpeggio" for Thumb and three Fingers "Arpeggio"fiir Daumen und drei Finger Arphge pour le pouce et trois doigts Arpegio para el pulgar y tres dedos
The Cathedral Die Kathedrale La Cathidrale La Catedral Andante
.
serioso
I
Reflect ions Spiegelbilder Reflets Reflejos
Andantino
I
I p i
m a m
poco rit.
1
l
I
I
I
D.C. a1 g e Coda
dim.
CODA
28. Milonga
a m i
P
D.C.
Legato Das "Legato" Le Legato El Ligado
29. Phrases Phrasen Phrases Frases
12 Preparato y Exercises for Legato 12 Vorstudienjiir das Legato Spiel 12 Exercices priparatoires pour le legato . l 2 Ejercicios preparatorios para el legato
The Ladybird Der Marienkafer La Coccinelle La rnariquita
31. Cottonweed Wollgrass La patte du Chat La pata del gato
Villanesca Villanesca . Villanelle Villanesca
Danse -
f Cempre con ,etizione
L
7.
L
sempre con ripetizione
4
LLl'
I
I
I
lI
I
I
I
'0
Coda
f=\
a1 # 6Dale poi%Coda
33. A Waltz Ein Walzer Une valse Un vals
L?.
-, "
Allegretto
\
\
\
34. Relaxing Entspannung . En se reposant . Relajhndose
Comodo
11.
1 12.
Fine
Dal
% a1 Fine
A Folk-dance Volkstanz . Danse populaire Danza popular Allegro
l
I
Fine
D.C. con ripetizione e Fine
Left Hand Linke Hand . Main gauche . Mano izquierda
Vivace
(left hand only)
L
pizz.
I
+
Scale Technique Tonleitertechnik . Technique de gammes Tkcnica de escalas
Major and Minor Dur und Moll . Majeur et mineur Mayor y menor
//
Evening Garden Garten a m Abend Le Jardin a u Soir . El jardin de la tarde
Andante poetic0 1
Shadows Schatten Ombres Sombras Andante misterioso
m
i
m
i
i
m
m
l
1
Juan Antonio Muro
BASIC PIECES Easy entertaining guitar pieces for beginners Leichte Gitarrenstucke fur Anfanger Pieces de guitare faciles et agreables pour debutants Piezas de guitarra faciles y agradables para principiantes
This unique collection of original, attractive and entertaining graded teaching pieces is specifically planned for developing technical, rhythmical and musical skills in beginning classical guitarists. Unusual and welcome are the many teacher's accompaniments, which greatly enhance the learning experience for pupil and teacher alike. This collection, aiready a natural choice for teachers, may be used as a method or as a supplement.
Bar code to be used for distribution outside North Amerlca.
Bar code to be used for distribution within North America.
ISVN V-2047-0004-2
ISBN 0-78hh-L769-L >> 9 9 - 7 5
