s n o i d r o c c A
“Bringing music across the world is our mission.” Matthias Hohner 1890
Connecting people across the world through music In 1857, Matthias Hohner, the son of a poor family of weavers founds his own company. Consumed by the vision of manufacturing the world‘s finest instruments, he soon builds the biggest harmonica factory in the world. His name becomes legendary during his lifetime. His products become synonymous with quality. 150 years later, the eye of the founder can look back upon instruments that have attained cult status, upon a success story that has influenced the development of music on every continent. Upon a company, that in spite of changing environments and globalization is ready to conquer the world of music anew. And upon a strong brand that focusses on the core values of its founder in every product area, producing quality instruments for hobby musicians and professionals all over the world.
1
s n o i d r o c c A
Every HOHNER accordion is the result of over 100 years of experience in the design, construction and manufacture of high quality bellows-driven instruments. Painstaking craftsmanship and the selection of the finest materials guarantee a consistently high standard of production that truly deserves the designation “Top quality made in Germany”. The combination of skilled workmanship and modern technology is known worldwide as the distinguishing feature of HOHNER’s high-end instruments.
d r a h c i R e m ô r é J
The chromatic accordion is a very versatile instrument. The right hand operates a piano or button keyboard and can be played in all keys like the piano. The left hand operates the buttons of the standard bass. The standard bass is split into bass- and chord-rows. The playing of the left hand resembles the style of accompaniment traditionally given by a bass or rhythm guitar. Therefore the chromatic accordion player has actually three instruments available: A melodic instrument (right hand), a bass and a harmonic accompaniment (left hand) - and this for all the pitches and Keys.
TOWARDSCHIN
e
f
g
a
b
c1
d1
e1
f1
g1
a1
b1
c2
d2
e2
BOTTOM
f2
g2
a2
b2
c3
d3
e3
f3
g3
a3
b3
D R A O B Y E K O N A I P
c4
26 KEYS 34 KEYS 37 KEYS 41 KEYS 45 KEYS
TOWARDSCHIN
E
G
Bb
F#
F
A
F#
c#
e
c
G# G
TOWARDSKNEE
BELLOWS
TOP
E
TOWARDSKNEE
BELLOWS
TOP
eb
B
A
f#
d
Bb
g
c
a
f
c#
g
b bb
f#
c#1 c1
g#
e eb
bb
e1 eb1
a
c1
c#2 c2
a1
f1 e1
eb1
bb1
f#1
d1 c#1
g1
g#1
f2
c#2
a1
f#1
g2
c2
c#3
a2
c3
g#2
e2 eb2
bb2
f#2
d2
bb1
BOTTOM
e2 eb2
b1
g1
g2 f#2
d3
f3
c#3 c3
g3 f#3
eb3
b2 bb2
a2
e3
e3 eb3
bb3
c#4
a3
c4
g#3 g3
b3 bb3
f#3
a3
d4 c#4
c4
f#4
D R s A w O o B R Y 5 E K M N E T O S T T Y U S B C
f4 e4
eb4
g4 f#4
GENIUSIV120
COUNTER BASS
FUNDAMENTAL BASS
MAJOR CHORD
MINOR CHORD
7THCHORD
DIMINISHEDCHORD
TOWARDSCHIN
BELLOWS
BOTTOM
Db
A b
A
Bb
E b
E
A
Cb
Cb
E m
A7
C
D b
Gb
C b m
E7
A °7
F
Gb
E
A m
G b m
E°7
A
Eb
Ab
D b m
G 7 b
C b °7
D
Ab
Db
C b 7
120 BASS
G
Bb
A bm
G b °7
96 BASS
F
Eb
Db7
Bb
E m b
Ab7
D b7 °
E
F
B b m
Eb 7
Ab7 °
72 BASS
B
C
F m
B b7
E b 7°
G
C
F7
B b 7°
TOP
F#
C#
D
G
C m
A
D
G m
C 7
F°7
G#
E
A
Dm
G7
C °7
D#
G 7 °
B
E
Am
D7
48 BASS
A#
F #
B
Em
A7
D 7 °
F
C#
F #
Bm
E7
A 7 °
C
F#m
B7
E 7 °
G
G#
C#
B 7 °
D
D#
G#
C #m
F#7
F # ° 7
A#
D#
G #m
C#7
Gola .....................................................6 - 7 Morino Convertor ..................................8 - 9 .......................................10 - 13 Genius Convertor ..............................14 - 15 Genius ..............................................16 - 17 Fun Flash Piano .........................................18 Fun Musette ..............................................19 Fun Nova II 80 Light ..................................19 Atlantic IV 120 ..........................................20 Riviera III 96 Golden Special ......................21 Amica IV ...................................................22 Amica III 72 ..............................................23 Bravo II .....................................................24 Bravo I 49 F Freebass ................................24 Bravo III ....................................................25 Nova II ..............................................26 - 27 Nova III .....................................................27 Nova I 49 F Freebass .................................27 Basso ................................................28 - 29
e4 eb4
NOVAII48 -NOVAII40 NOVAII72 NOVAIII96 -RIVIERA III96 GOLDEN SPECIAL MORINO ARTISTE IV120 MORINO CASSOTTO IV120
TOWARDSKNEE
Piano and Chromatic Button Accordions
A#
A#m
D #m
G#7
C #° 7
D#7
G # °7
A#7
D #7 °
A # °7
4 x 2 S S A B D R A D N A T S
Diatonic Accordions Anacleto Collection Latino .........................32 Anacleto Collection Rey Del Norte .............33 Corona II Xtreme .......................................34 HOHNER Squeeze Box Accordion App ........34 Corona III Xtreme ......................................35 Corona II Classic .......................................36 Flaco Jimenez Signature ............................37 Steve Jordan Signature .............................37 Corona II ...................................................38 Compadre .................................................39 Rey Vallenato ............................................40 Corona III ..................................................41 Erica .........................................................42 Double Ray ...............................................42 Corso ........................................................43 Morgane ...................................................44 Merlin .......................................................44 Galaad ......................................................45 Wiener ......................................................45 Accessories .......................................46 - 47 Specifications ....................................48 - 52
Accordion production without skilled handiwork is unthinkable. Despite
in accordion building goes hand in hand with research and development.
s n o i d r o c c A
Every HOHNER accordion is the result of over 100 years of experience in the design, construction and manufacture of high quality bellows-driven instruments. Painstaking craftsmanship and the selection of the finest materials guarantee a consistently high standard of production that truly deserves the designation “Top quality made in Germany”. The combination of skilled workmanship and modern technology is known worldwide as the distinguishing feature of HOHNER’s high-end instruments.
d r a h c i R e m ô r é J
The chromatic accordion is a very versatile instrument. The right hand operates a piano or button keyboard and can be played in all keys like the piano. The left hand operates the buttons of the standard bass. The standard bass is split into bass- and chord-rows. The playing of the left hand resembles the style of accompaniment traditionally given by a bass or rhythm guitar. Therefore the chromatic accordion player has actually three instruments available: A melodic instrument (right hand), a bass and a harmonic accompaniment (left hand) - and this for all the pitches and Keys.
TOWARDSCHIN
e
f
g
a
b
c1
d1
e1
f1
g1
a1
b1
c2
e2
BOTTOM
f2
g2
a2
b2
c3
d3
e3
f3
g3
a3
b3
D R A O B Y E K O N A I P
c4
26 KEYS 34 KEYS 37 KEYS 41 KEYS 45 KEYS
TOWARDSCHIN
E
G
Bb
F#
F
A
G
c#
e
c
G#
F#
TOWARDSKNEE
BELLOWS
TOP
E
d2
eb
B
f#
d
Bb A
g a
f
c# c
g
b bb
f#
c#1 c1
g#
e eb
bb
e1 eb1
c1
e1
c#2 c2
a1
f1
eb1
bb1
f#1
d1 c#1
a
g1
g#1 g1
g2
f2
c#2 c2
c#3
a2
c3
g#2
e2 eb2
bb2
f#2
d2
bb1
a1
f#1
BOTTOM
e2 eb2
b1
g2 f#2
d3
bb2
f3
c#3 c3
g3 f#3
eb3
b2
a2
e3
e3 eb3
bb3
c#4
a3
c4
g#3 g3
bb3
f#3
a3
e4 f#4
eb4
b3
d4 c#4
c4
e4 eb4
g4 f#4
GENIUSIV120
COUNTER BASS
FUNDAMENTAL BASS
MAJOR CHORD
MINOR CHORD
7THCHORD
DIMINISHEDCHORD
Db
A b
A
Bb
E b
E
A
Cb
Cb
E m
A7
C
D b
Gb
C b m
E7
A °7
F
Gb
E
A m
G b m
120 BASS
Eb
Ab
D b m
G 7 b
C b °7
D
Ab
Db
C b 7
E°7
G
Bb
A bm
96 BASS
D b7 °
Bb
E m b
Ab7
E
F
Eb
Db7
G b °7
A
F
B b m
Eb 7
Ab7 °
B
C
F m
B b7
E b 7°
72 BASS
G
F7
B b 7°
TOP
F#
C
C#
D
G
G#
A
D
C m
G m
C 7
F°7
Anacleto Collection Latino .........................32 Anacleto Collection Rey Del Norte .............33 Corona II Xtreme .......................................34 HOHNER Squeeze Box Accordion App ........34 Corona III Xtreme ......................................35 Corona II Classic .......................................36 Flaco Jimenez Signature ............................37 Steve Jordan Signature .............................37 Corona II ...................................................38 Compadre .................................................39 Rey Vallenato ............................................40 Corona III ..................................................41 Erica .........................................................42 Double Ray ...............................................42 Corso ........................................................43 Morgane ...................................................44 Merlin .......................................................44 Galaad ......................................................45 Wiener ......................................................45
TOWARDSCHIN
BELLOWS
BOTTOM
Diatonic Accordions
D R s A w O o B R Y E 5 K M N E T O S T T Y U S B C
f4
NOVAII48 -NOVAII40 NOVAII72 NOVAIII96 -RIVIERA III96 GOLDEN SPECIAL MORINO ARTISTE IV120 MORINO CASSOTTO IV120
TOWARDSKNEE
Gola .....................................................6 - 7 Morino Convertor ..................................8 - 9 .......................................10 - 13 Genius Convertor ..............................14 - 15 Genius ..............................................16 - 17 Fun Flash Piano .........................................18 Fun Musette ..............................................19 Fun Nova II 80 Light ..................................19 Atlantic IV 120 ..........................................20 Riviera III 96 Golden Special ......................21 Amica IV ...................................................22 Amica III 72 ..............................................23 Bravo II .....................................................24 Bravo I 49 F Freebass ................................24 Bravo III ....................................................25 Nova II ..............................................26 - 27 Nova III .....................................................27 Nova I 49 F Freebass .................................27 Basso ................................................28 - 29
TOWARDSKNEE
BELLOWS
TOP
Piano and Chromatic Button Accordions
E
A
Dm
G7
C °7
D#
B
E
Am
D7
G 7 °
A#
F #
B
Em
A7
D 7 °
F
C#
F #
Bm
E7
A 7 °
C
G#
C#
F#m
B7
E 7 °
G
D#
G#
C #m
F#7
B 7 °
D
G #m
C#7
F # ° 7
A#
D#
A#
A#m
D #m
G#7
C #° 7
D#7
G # °7
A#7
D #7 °
A # °7
48 BASS
4 x 2 S S A B D R A D N A T S
Accessories .......................................46 - 47 Specifications ....................................48 - 52
Accordion production without skilled handiwork is unthinkable. Despite modern automation technology a high quality accordion will always remain a musical instrument that owes its soul to the precision and expertise put into its construction. Especially when putting the nal touches to the reeds and reed plates, experienced craftsmanship coupled with a feeling for music is the secret of the legendary HOHNER Sound. At HOHNER traditional handwork 4
in accordion building goes hand in hand with research and development. The most modern production and analysis procedures are utilized in the construction of every accordion. It is a particularly satisfying moment for us when an accordion is nished. Combining thousands of expertly assembled, individual components with a rigorous nal quality control results in an instrument that will give its future owner a lifetime of pleasure.
ACCORDIONS
ACCORDIONS
The name GOLA signifies the passion of playing the accordion. When nothing else counts but the realization of musical potential, this truly great instrument combines pristine sound quality with one’s own powers of imagination.
e b l A n d rea s N
The Gola represents the penultimate level of accordion building worldwide, and is the instrument of choice for only the most discerning soloists, including numerous World Champions, whether on stage or in the recording studio. The combination of top quality materials and highly skilled workmanship culminates in unmatched instruments for the most astute players. The quality of these remarkable accordions is apparent from the moment an order is placed. A Gola is not found lying around in a music store; it is constructed solely in accordance with the wishes and unique requirements of the customer. In this way, Giovanni Gola’s vision is still realized virtually unchanged today at the HOHNER works in Trossingen. Every single Gola ordered around the world is built by a small team of master craftsmen who work exclusively on this instrument.
a l o G y n a
m r e
G n i e d a M
r e t h c u e L d e r f n a M
c h ie we Ge r ha r d S
r r Sc h ne i de d D r. We r ne ne Kö l z a n t ma n, Sa b i Ma r io No r
n t he r Kö l z r Ha n s G ü Co n d uc to o h ne r k la n g, O rc he s te r H
Giovanni Gola (right) in conversation with Venanzio Morino.
Each Gola is as unique as the artist who orders it.
Gola 414
The Gola accordion is custom made for discriminating artists with needs for highly specialized features and the utmost in quality. Each Gola is unique, tailored to the specic demands the musician makes on his or her
Giovanni Gola ... born on 26 June 1907 in Stradella, Italy. At that time Stradella was a center of the Italian accordion industry. It was clear from an early age that the Giovanni Gola would become an
Gola 454C
5
The name GOLA signifies the passion of playing the accordion. When nothing else counts but the realization of musical potential, this truly great instrument combines pristine sound quality with one’s own powers of imagination. The Gola represents the penultimate level of accordion building worldwide, and is the instrument of choice for only the most discerning soloists, including numerous World Champions, whether on stage or in the recording studio. The combination of top quality materials and highly skilled workmanship culminates in unmatched instruments for the most astute players. The quality of these remarkable accordions is apparent from the moment an order is placed. A Gola is not found lying around in a music store; it is constructed solely in accordance with the wishes and unique requirements of the customer. In this way, Giovanni Gola’s vision is still realized virtually unchanged today at the HOHNER works in Trossingen. Every single Gola ordered around the world is built by a small team of master craftsmen who work exclusively on this instrument.
e b l A n d rea s N
a l o G y n a
m r e
G n i e d a M
r e t h c u e L d e r f n a M
c h ie we Ge r ha r d S
r r Sc h ne i de d D r. We r ne ne Kö l z a n t ma n, Sa b i Ma r io No r
n t he r Kö l z r Ha n s G ü Co n d uc to o h ne r k la n g, O rc he s te r H
Giovanni Gola (right) in conversation with Venanzio Morino.
Each Gola is as unique as the artist who orders it.
Gola 414 The basic model of the Gola range has the equipment 41 piano-keys, 4 sets of reeds in treble, 120 basses. Other features can be dened by the customer.
6
y n a
m r e
G n i e d a M
The Gola accordion is custom made for discriminating artists with needs for highly specialized features and the utmost in quality. Each Gola is unique, tailored to the specic demands the musician makes on his or her instrument. An overview of the properties of the Gola is provided in a data sheet readily available at the download area on www.playhohner.com and through your accordion dealer.
ACCORDIONS · GOLA
Giovanni Gola ... born on 26 June 1907 in Stradella, Italy. At that time Stradella was a center of the Italian accordion industry. It was clear from an early age that the Giovanni Gola would become an accordion maker. He gained a reputation as a superb craftsman, and in 1952 he was appointed to Trossingen in the succession of Venanzio Morino. There, in 1956 he established the rst Gola series. Until 1972, Giovanni Gola headed the department for top instruments, which still bears his name.
Gola 454C The Convertor-Bass version of the Gola series is equipped with 45 piano keys, and a bass part featuring a Convertor with 120 standard basses and 58 tones free bass. Other features are unique to each individual customer’s specications.
ACCORDIONS · GOLA
7
Morino Convertor
When it comes to instruments meeting the highest performance requirements, we depend on a simple philosophy: the accordion must adapt to the player and not the other way around! In keeping with this vision, you can choose between 41 or 45 treble keys, 2 or 3 free bass voices, and a variety of reed plate designs, including “De Luxe” plates. These premium reed plates are individually egalized by hand in the upper tone range to achieve the highest standards in playability.
h i r u no v A le xa n de r S
In Trossingen we customize your accordion to meet your personal requirements! All Morino convertor models benefit greatly from HOHNER’s collective know-how, gained over a long tradition of making top quality Cassotto instruments.
a s t to r y S te p ha n ie M H O H N E R Co n se r va he S t u de n t a t t
a m a r G n i r o D o r in G ra ma to r y r va ga n g a n d D Ra d u La x he H O H N E R Co n se a t t S t u de n t s
HOHNER Production in Trossingen, Germany
Morino IV 120 C45 De Luxe
Technology in Perfection
r va to r y o r d io n A r t o f Acc he H O H N E R Co n se o f t E n se m b le
The Gola, Morino, Atlantic and Corona accordions are created in Trossingen, Germany by expert craftsmen for worldwide distribution. The production of HOHNER accordions without handcrafted details is unthinkable. The craftsmanship of each accordion is augmented by research and development using only the most up-to-date design and analysis tools. The results are highly efficient, material-saving procedures that culminate in the production of an accordion that meets the needs of even the most
y n a m r e G n i e d a M
Morino Convertor
When it comes to instruments meeting the highest performance requirements, we depend on a simple philosophy: the accordion must adapt to the player and not the other way around! In keeping with this vision, you can choose between 41 or 45 treble keys, 2 or 3 free bass voices, and a variety of reed plate designs, including “De Luxe” plates. These premium reed plates are individually egalized by hand in the upper tone range to achieve the highest standards in playability.
r S h i r u no v A le xa n de
In Trossingen we customize your accordion to meet your personal requirements! All Morino convertor models benefit greatly from HOHNER’s collective know-how, gained over a long tradition of making top quality Cassotto instruments.
a s t to r y S te p ha n ie M H O H N E R Co n se r va he S t u de n t a t t
a m a r G n i r o D o r in G ra ma va to r y r ga n g a n d D Ra d u La x he H O H N E R Co n se a t t S t u de n t s
HOHNER Production in Trossingen, Germany
Morino IV 120 C45 De Luxe
The Gola, Morino, Atlantic and Corona accordions are created in Trossingen, Germany by expert craftsmen for worldwide distribution. The production of HOHNER accordions without handcrafted details is unthinkable. The craftsmanship of each accordion is augmented by research and development using only the most up-to-date design and analysis tools. The results are highly efficient, material-saving procedures that culminate in the production of an accordion that meets the needs of even the most demanding professionals. All this guarantees the lasting value signified by HOHNER instruments.
r va to r y o r d io n A r t o f Acc he H O H N E R Co n se o f t E n se m b le
Technology in Perfection This clever development from HOHNER offers the player high reliability, ease of movement and ease of use to guarantee playing comfort. All chin registers offer 2 different sounds, which may be selected by simply turning the switch. Thus, 8 sounds on the chin can be reached. As another highlight the HOHNER engineers have built in a transportation protection system: All chin registers can be pressed simultaneously without affecting the mechanism if damaged. 8
ACCORDIONS · MORINO CONVERTOR
ACCORDIONS · MORINO CONVERTOR
9
y n a
m r e
G n i e d a M
ne w
Experience a new dimension of the legendary Morino sound
o r d i n uo u s acc r d i n co n t i i n u te s. wo r ld reco l de r o f t he fo r 2 9 h o u r s a n d 1 6 m h me l z le, ho T ho ma s Sc e p la ye d h i s Mo r ino o n p la y i n g. H
For decades, the Morino has set standards in the accordion scene. Its legendary sound, both balanced and powerful, has become the benchmark, especially for accordion orchestras. These great tonal qualities have also made it a favorite of soloists, because this is what ensures that a concert can become a truly remarkable experience. Consistent further development of the instrument, both in terms of construction and materials, have enabled a hitherto unprecedented brilliance of tone and exceptional power in both treble and bass. Experience the new Morino sound in all the facets that the ambitious accordion player needs to express his art. Discover the new Morino quality for yourself! z l ö K r e h t n ü G s n a H
He i n z Ho x
7 he s te r 1 9 2 Ho h ne r O rc
Morino+ IV 120
Venanzio Morino came to Trossingen in 1928. His inventive talent and brilliant engineering abilities, combined with the highest level of skilled craftsmanship, laid the foundation for HOHNER‘s most successful accordion series. Even though materials and manufacturing technologies which he could only have dreamed of are now being used to make these instruments, his spirit lives on in every Morino built today. rc he s t ra Co m pa n y O H O H N E R
Morino+ IV 96
Noticeable reduction in weight for better handling and greater ease of playing.
y n a
m r e
G n i e d a M
ne w
o r d i n uo u s acc r d i n co n t i i n u te s. wo r ld reco l de r o f t he fo r 2 9 h o u r s a n d 1 6 m c h me l z le, ho T ho ma s S e p la ye d h i s Mo r ino o n p la y i n g. H
Experience a new dimension of the legendary Morino sound
For decades, the Morino has set standards in the accordion scene. Its legendary sound, both balanced and powerful, has become the benchmark, especially for accordion orchestras. These great tonal qualities have also made it a favorite of soloists, because this is what ensures that a concert can become a truly remarkable experience. Consistent further development of the instrument, both in terms of construction and materials, have enabled a hitherto unprecedented brilliance of tone and exceptional power in both treble and bass. Experience the new Morino sound in all the facets that the ambitious accordion player needs to express his art. Discover the new Morino quality for yourself! z l ö K r e h t n ü G s n a H
He i n z Ho x
7 he s te r 1 9 2 Ho h ne r O rc
Morino+ IV 120
Venanzio Morino came to Trossingen in 1928. His inventive talent and brilliant engineering abilities, combined with the highest level of skilled craftsmanship, laid the foundation for HOHNER‘s most successful accordion series. Even though materials and manufacturing technologies which he could only have dreamed of are now being used to make these instruments, his spirit lives on in every Morino built today. he s t ra m pa n y O rc H O H N E R Co
New additional bass sound for greater variation.
10
More powerful and expressive ground basses for greater volume.
Noticeable reduction in weight for better handling and greater ease of playing.
Morino+ IV 96
New reed plate design for even better response and volume, while staying in tune longer.
Optimized treble keyboard for fastest possible reaction time and fluid, effortless playing.
New Cassotto construction for powerful, expressive sound.
ACCORDIONS · MORINO IV 96 · MORINO IV 120
New look in gunblack for classic, timeless design.
ACCORDIONS · MORINO IV 96 · MORINO IV 120
y n a
m r e
G n i e d a M
Each one is unique
ne w
All Morino components can now be specially built and modified according to your wishes.
he s t ra r Wo r ld O rc a s Ho h ne i 2 011 e b l u n d d A n d rea s N Mo n d ia l i n S ha n g ha pe u be i m Co
This singularity in sound and fitments even extends to the optical design of these instruments. No matter how outrageous, every design idea can be realized through professional airbrushing, creating valuable "one of a kind" instruments for discerning accordionists in all musical styles who also want to offer their listeners a visual treat. Spotlight on! What will your "Custom" look like?
Ask your HOHNER specialist retailer for the current Morino catalogue. Here you can nd detailed information on "the new level" as well as the unique MORINO CUSTOMIZING. You can nd your HOHNER specialist retailer in the internet at www.playhohner.com
e l d n e r B f l a R
i n d w i ll re ma u s ic." o r ino i s a n Ho h ne r M a r s o f O be r k ra i ne r m la v ko A v se n i k he t e, r m ye " Fo 011, S r d fo r 4 0 A p r il 5 t h 2 t he s ta n da Morino+ V 120
Morino + V 120 de Luxe
Morino+ V 120 Slavko Avsenik Retro
11
y n a
m r e
G n i e d a M
Each one is unique
ne w
All Morino components can now be specially built and modified according to your wishes.
he s t ra r Wo r ld O rc a s Ho h ne i 2 011 e b l u n d d A n d rea s N Mo n d ia l i n S ha n g ha be i m Co u pe
This singularity in sound and fitments even extends to the optical design of these instruments. No matter how outrageous, every design idea can be realized through professional airbrushing, creating valuable "one of a kind" instruments for discerning accordionists in all musical styles who also want to offer their listeners a visual treat. Spotlight on! What will your "Custom" look like?
Ask your HOHNER specialist retailer for the current Morino catalogue. Here you can nd detailed information on "the new level" as well as the unique MORINO CUSTOMIZING. You can nd your HOHNER specialist retailer in the internet at www.playhohner.com
e l d n e r B f l a R
i n d w i ll re ma u s ic." o r ino i s a n Ho h ne r M a r s o f O be r k ra i ne r m la v ko A v se n i k he t e, ye " Fo r m 011, S r d fo r 4 0 A p r il 5 t h 2 t he s ta n da Morino+ V 120
Morino + V 120 de Luxe
Through the combination of modern production methods and loving attention to detail, HOHNER‘s accordion builders create instruments with soul - a HOHNER quality appreciated by musicians all over the world. 12
ACCORDIONS · MORINO V 120 · MORINO V 120 DE LUXE
Morino+ V 120 Slavko Avsenik Retro
The new keyboard design enables a pleasant, easy and interactive playing feel. A series of nely detailed improvements allow easier handling and make the new Morino class exceptionally servicefriendly. ACCORDIONS · MORINO V 120 SLAVKO AVSENIK RETRO · MORINO CUSTOMIZING
13
sConvertor u i n e G
y n a
m r e
G n i e d a M
Genius accordions bring a new dimension to professional grade instruments played by virtuosos in the Champions-League. Over 100 years of accordion making combined with input from technical and artistic professionals worldwide, as well as modern ingenuity result in the production of state of the art buttonconverter-accordions. In addition, superior quality reed plates give exceptional treble and bass tone projection. The ergonomic, compact design and light weight are features of this instrument. All treble registers can be activated by chin switches and an additional repeat switch. Ingenious switch mechanics allow two tonal colors for each button. The strong design of this mechanism forgives the accidental activation of more than one switch simultaneously.
J u l ie Ke l le r
o k n a m o R r o t k i V
Modern construction methods
Genius IV 120 C Bayan
The 8 chin registers are all pre-programmed with 2 tone colors, so that the on-
le s e d y“ Go n za J u l ie n ” S pe
For nearly 20 years, HOHNER engineers have used modern CAD Computers (computer aided design) for designing instruments instead of drawing boards. The CAD system allows the designer to perform tests during the early stages of product development, formerly only possible with prototypes at much later stages of design. Data necessary for production machines are thus automatically available (water jet cutting, EDM, nibbling, etc.). The flow of information for pre-fabrication and manufacturing is paperless so as to minimize the risk of error. The entire production control is computerized giving the
sConvertor u i n e G
y n a m r e G n i e d a M
Genius accordions bring a new dimension to professional grade instruments played by virtuosos in the Champions-League. Over 100 years of accordion making combined with input from technical and artistic professionals worldwide, as well as modern ingenuity result in the production of state of the art buttonconverter-accordions. In addition, superior quality reed plates give exceptional treble and bass tone projection. The ergonomic, compact design and light weight are features of this instrument. All treble registers can be activated by chin switches and an additional repeat switch. Ingenious switch mechanics allow two tonal colors for each button. The strong design of this mechanism forgives the accidental activation of more than one switch simultaneously.
J u l ie Ke l le r
o k n a m o R r o t k i V
Modern construction methods For nearly 20 years, HOHNER engineers have used modern CAD Computers (computer aided design) for designing instruments instead of drawing boards. The CAD system allows the designer to perform tests during the early stages of product development, formerly only possible with prototypes at much later stages of design. Data necessary for production machines are thus automatically available (water jet cutting, EDM, nibbling, etc.). The flow of information for pre-fabrication and manufacturing is paperless so as to minimize the risk of error. The entire production control is computerized giving the Service Department permanent access to the latest records. This ensures documents are always up to date for each customer.
Genius IV 120 C Bayan
The 8 chin registers are all pre-programmed with 2 tone colors, so that the onselection can be made with a simple turn of a switch. Thus all available tone colors can be switched with the chin. The arrangement of the chin registers were ergonomically optimized through collaboration with professional players, so that the sounds are easily switchable. 14
y n a
m r e
G n i e d a M
le s e d y“ Go n za J u l ie n ” S pe
ACCORDIONS · GENIUS CONVERTOR
ACCORDIONS · GENIUS CONVERTOR
y e r F r e t e P r e t s e h c r o n o e d r o k k A . g e R
Genius Ergonomic-compact and light weight are key features of this instrument. Discerning button chromatic players requiring high performance choose the Genius. The standard bass version was modelled on the Genius Convertor, widely acclaimed by professionals.
wa h le n A le xa n de r Z
The Genius de Luxe features hand-finished reed plates of the highest quality, painstakingly finished by hand in the upper tone range. This attention to detail ensures the best responsiveness possible. The Genius de Luxe performs with extreme sensitivity and evenness throughout the registers. The gold plated trim of the Genius de Luxe gives an especially opulent appearance. This professional instrument is “Made in Germany” to guarantee lasting value. u ta x C h r is te l Sa
Don't miss the new video series "Masters of the Accordion" and "Accordion Sessions" featuring portraits of well-known HOHNER artists, up now on the HOHNER Youtube channel - www.youtube.com/user/HohnerHMI
Genius IV 120 de Luxe Genius IV 120
The Genius standard bass version comes with the bass
Based on Computer Aided Design, the newly
15
y n a m r e G n i e d a M
y e r F r e t e P r e t s e h c r o n o e d r o k k A . g e R
Genius Ergonomic-compact and light weight are key features of this instrument. Discerning button chromatic players requiring high performance choose the Genius. The standard bass version was modelled on the Genius Convertor, widely acclaimed by professionals.
wa h le n A le xa n de r Z
The Genius de Luxe features hand-finished reed plates of the highest quality, painstakingly finished by hand in the upper tone range. This attention to detail ensures the best responsiveness possible. The Genius de Luxe performs with extreme sensitivity and evenness throughout the registers. The gold plated trim of the Genius de Luxe gives an especially opulent appearance. This professional instrument is “Made in Germany” to guarantee lasting value. u ta x C h r is te l Sa
Don't miss the new video series "Masters of the Accordion" and "Accordion Sessions" featuring portraits of well-known HOHNER artists, up now on the HOHNER Youtube channel - www.youtube.com/user/HohnerHMI
Genius IV 120 de Luxe Genius IV 120
The Genius standard bass version comes with the bass mechanism adopted from the Morino series years before. It features easy touch and low noise.
16
Based on Computer Aided Design, the newly developed treble keyboard includes 64 tones. Both B-System and C-System are available.
n sc h w i le r Na d ja E g ge
ACCORDIONS · GENIUS IV 120 DE LUXE · GENIUS IV 120
ACCORDIONS · MASTERS OF ACCORDION · ACCORDION SESSIONS
Fun
z e l u J
The Fun Line accordions were designed by Frédéric Deschamps to meet the needs of a new generation of accordionists who want to improve their musical skills.
Emergence of the Fun Line accordions Available for the last 12 years, this series of instruments was designed for a new generation of accordionists. The idea came during a fun evening at a nightclub. Product designers were haunted by the image of a drag queen dressed in many fluorescent colors under black light. The next day the first fluorescent Fun accordion was born.
i g nea u M ic kaë l V
The main advantages of this accordion series are ergonomics, appearance, tone, and elasticity of the keyboards, the compression of the bellows and the light weight of the instrument.
The Fun Flash accordion has become an integral part of the accordion family. The variability of this series is valued by leading international artists of the new generation.
The role of the accordion has grown in the last few years, becoming an established part of popular music. Consequently, the Fun Line was specifically adapted to be played on stage.
The Fun Line accordions are constantly developing and improving, not only in regards to aesthetics, but also in keeping with the teaching methods of its inventor, Frédéric Deschamps.
L i u Z hao
Pe ta r Ma r ic
The instruments of Fun Line have been developed to all music styles such as international Pop, Folk, Musette and others. These models are ideal for the accompaniment of singers and incorporation into various musical styles including jazz, rock, pop, rap, and slam.
We i B i ju n
”You make your accordion“ The colors of the body, keyboard and bellows in the Fun Line accordions can be customized according to individual preference. Find more information regarding available colors and different models at www.playhohner.com or through your local dealer.
d y E l sa Go u r
Fun Nova II 80 Light ic ha r d Jé rô me R
F u n N o v a I I 8 0 L ig h t C ol or s Standard color +4 celluloid colors (blue,black, red,white)
Gold glitter
Red to gold
Green
Color samples for custom instruments on request
Fun Flash Piano
Fun Flash Piano
Fun Musette
B lu e- wh it e
The bellows of any of the
The low way of action of
The design of the tone holes
V io le t- wh it e
Red-black
Black-airbrush
17
Fun
z e l u J
The Fun Line accordions were designed by Frédéric Deschamps to meet the needs of a new generation of accordionists who want to improve their musical skills.
Emergence of the Fun Line accordions Available for the last 12 years, this series of instruments was designed for a new generation of accordionists. The idea came during a fun evening at a nightclub. Product designers were haunted by the image of a drag queen dressed in many fluorescent colors under black light. The next day the first fluorescent Fun accordion was born.
i g nea u M ic kaë l V
The main advantages of this accordion series are ergonomics, appearance, tone, and elasticity of the keyboards, the compression of the bellows and the light weight of the instrument.
The Fun Flash accordion has become an integral part of the accordion family. The variability of this series is valued by leading international artists of the new generation.
The role of the accordion has grown in the last few years, becoming an established part of popular music. Consequently, the Fun Line was specifically adapted to be played on stage.
The Fun Line accordions are constantly developing and improving, not only in regards to aesthetics, but also in keeping with the teaching methods of its inventor, Frédéric Deschamps.
L i u Z hao
Pe ta r Ma r ic
The instruments of Fun Line have been developed to all music styles such as international Pop, Folk, Musette and others. These models are ideal for the accompaniment of singers and incorporation into various musical styles including jazz, rock, pop, rap, and slam.
We i B i ju n
”You make your accordion“ The colors of the body, keyboard and bellows in the Fun Line accordions can be customized according to individual preference. Find more information regarding available colors and different models at www.playhohner.com or through your local dealer.
d y E l sa Go u r
Fun Nova II 80 Light ic ha r d Jé rô me R
F u n N o v a I I 8 0 L ig h t C ol or s Standard color +4 celluloid colors (blue,black, red,white)
Gold glitter
Red to gold
Green
Color samples for custom instruments on request
Fun Flash Piano
Fun Flash Piano
Fun Musette
B lu e- wh it e
The bellows of any of the instruments shown can be customized.
The low way of action of the button keyboard allows precise and fast playing.
V io le t- wh it e
Red-black
Black-airbrush
The design of the tone holes in the treble is modern in appearance while allowing for maximum radiation of sound. Yellow-black
18
ACCORDIONS · FUN FLASH PIANO
ACCORDIONS · FUN MUSETTE · FUN NOVA II 80 LIGHT
c i t n a l t A
y n a
m r e
G n i e d a M
19
z t i r f m m o P , s l e F
For over 100 years, the combination of aesthetics and functionality at HOHNER have gone hand in hand to create the perfect accordion. This philosophy continues with the new Atlantic IV 120.
m i h c a o J
The popularity of the accordion has increased with musicians both young and old. The new Atlantic IV 120, with its versatility and flexibility, is the perfect Instrument for all ages.
Accordion production without skilled handiwork is unthinkable. Despite modern automated technology, a high quality accordion will always remain a musical instrument that owes its soul to the precision and expertise put into its construction.
In addition to a lower weight, the new Atlantic IV 120 offers even more versatility than previous models. This accordion is equally well suited for playing in an accordion orchestra, the classroom or practicing at home as well as professional use on the stage.
a r e i v i R y n a m r e G n i e d a M
Since the 1970s, the Riviera has been a popular button accordion, especially appreciated by advanced accordion students. As with the Atlantic, this model was reworked by the HOHNER Engineers using state of the art techniques. The 3-reed Riviera is characterized by a pleasant sound and extreme responsiveness to the use of high-quality reeds. Atlantic IV 120
All-rounder and perfect companion
Riviera III 96 Golden Special
The Riviera III 96 Golden Special has
c i t n a l t A
y n a m r e G n i e d a M
z t i r f m m o P , s l e F
For over 100 years, the combination of aesthetics and functionality at HOHNER have gone hand in hand to create the perfect accordion. This philosophy continues with the new Atlantic IV 120.
m i h c a o J
The popularity of the accordion has increased with musicians both young and old. The new Atlantic IV 120, with its versatility and flexibility, is the perfect Instrument for all ages.
Accordion production without skilled handiwork is unthinkable. Despite modern automated technology, a high quality accordion will always remain a musical instrument that owes its soul to the precision and expertise put into its construction.
In addition to a lower weight, the new Atlantic IV 120 offers even more versatility than previous models. This accordion is equally well suited for playing in an accordion orchestra, the classroom or practicing at home as well as professional use on the stage.
a r e i v i R y n a
m r e
G n i e d a M
Since the 1970s, the Riviera has been a popular button accordion, especially appreciated by advanced accordion students. As with the Atlantic, this model was reworked by the HOHNER Engineers using state of the art techniques. The 3-reed Riviera is characterized by a pleasant sound and extreme responsiveness to the use of high-quality reeds. Atlantic IV 120
Riviera III 96 Golden Special
All-rounder and perfect companion The reliability, robustness and strength of sound has always been the hallmark of the HOHNER Atlantic, inspiring accordion players of all a ges. This tradition continues with the new Atlantic. This instrument is pure fun! The Atlantic series is available in 4 versions: LMMH version: Atlantic IV 120, Musette version (LMMM): Atlantic IV 120 M. Both versions are also available with palm switch, marked with the sufx ‚P‘. 20
The Riviera III 96 Golden Special has 3 reeds in the treble, 96 basses and is equipped with high-quality reeds.
ACCORDIONS · ATLANTIC IV 120
ACCORDIONS · RIVIERA III 96 GOLDEN SPECIAL
a c i m A
More accordion for creative performances. Who does not want greater choice of timbres to move freely around the whole wide world of accordion music? The added fourth voice in the Amica 4-voice models brings 11 different timbres into existence. This makes it perfect for use in orchestras as well as on stage in keeping with the standard of all HOHNER accordions.
21
The Amica III 72 continues the legacy of our legendary Concerto III T as an all-around superb instrument. The Amica III 72 inherited some valuable characteristics from its predecessor. The T keyboard and the modular HOHNER bass mechanism were adopted almost without changes, guaranteeing a very enjoyable playing experience. The compactness of the Amica III 72 makes it an ideal instrument for taking to lessons or playing at home. It consistently rewards its owner with the full sound of an authentic HOHNER Accordion.
s r e t o o H e h T
r t n i n co nce D ie P r in ze
f f l o W e d e n n A
Amica III 72 Amica IV 96
Amica IV 120
All standard bass accordions of the Amica, Bravo and Nova Series are equipped with the HOHNER patented modular bass mechanism. Amica Colors
H u g e c h o ic e !
This technology combines maximum playability
a c i m A
More accordion for creative performances. Who does not want greater choice of timbres to move freely around the whole wide world of accordion music? The added fourth voice in the Amica 4-voice models brings 11 different timbres into existence. This makes it perfect for use in orchestras as well as on stage in keeping with the standard of all HOHNER accordions.
The Amica III 72 continues the legacy of our legendary Concerto III T as an all-around superb instrument. The Amica III 72 inherited some valuable characteristics from its predecessor. The T keyboard and the modular HOHNER bass mechanism were adopted almost without changes, guaranteeing a very enjoyable playing experience. The compactness of the Amica III 72 makes it an ideal instrument for taking to lessons or playing at home. It consistently rewards its owner with the full sound of an authentic HOHNER Accordion.
s r e t o o H e h T
r t n i n co nce D ie P r in ze
f f l o W e d e n n A
Amica III 72 Amica IV 96
Amica IV 120
All standard bass accordions of the Amica, Bravo and Nova Series are equipped with the HOHNER patented modular bass mechanism. Amica Colors
This technology combines maximum playability and reliability with light weight design. It is easily serviced and can be repaired quickly by any experienced technician.
H u g e c h o ic e ! 4 voices in the treble section allow for a total of 11 different timbres. The Amica comes with a hard shell case with trolley. Blue
22
Black
Red
White
ACCORDIONS · AMICA IV
ACCORDIONS · AMICA III 72
o v a r B
) n e s o H n e t o T ( o n i p m a C t i m m i K r e h t s E
The Bravo Series sets the gold standard for students and beginners. The rugged and musically versatile instruments in this series offer performance features previously available only in considerably more expensive instruments. A good example is the Bravo’s incorporation of the T-keyboard mechanism, offering outstanding playability and ease of service. The HOHNER project team was led by the input of both accordion teachers and students regarding another important aspect of design: the instrument should be as light as possible, especially for the youngest pupils. The 48 bass accordions weigh only 4.9 kg (10.8 lbs.), making them perhaps the lightest available instruments in their class on the market. The larger instruments are also exceptionally light.
lä r m ) pe l ( L u x u s Da ve Re m
Bravo III 120
Bravo III 96 Bravo II 48
Bravo II 60 Bravo III 72 Bravo Colors
Bravo I 49 F Freebass MIII - quality consistent from the beginning The Bravo I 49 F is consistent along music educational needs and in close cooperation been developed with leading accordion teachers. It matches the tonal range in bass and treble to the usually used literature in the MIII training and
ne w Blue
The Bravo I 49F, Bravo II 48,
All Bravo models feature
Black
Red
Child-friendly gig bag
23
o v a r B
) n e s o H n e t o T ( o n i p m a C t i m m i K r e h t s E
The Bravo Series sets the gold standard for students and beginners. The rugged and musically versatile instruments in this series offer performance features previously available only in considerably more expensive instruments. A good example is the Bravo’s incorporation of the T-keyboard mechanism, offering outstanding playability and ease of service. The HOHNER project team was led by the input of both accordion teachers and students regarding another important aspect of design: the instrument should be as light as possible, especially for the youngest pupils. The 48 bass accordions weigh only 4.9 kg (10.8 lbs.), making them perhaps the lightest available instruments in their class on the market. The larger instruments are also exceptionally light.
lä r m ) pe l ( L u x u s Da ve Re m
Bravo III 120
Bravo III 96 Bravo II 48
Bravo II 60 Bravo III 72 Bravo Colors
Bravo I 49 F Freebass MIII - quality consistent from the beginning The Bravo I 49 F is consistent along music educational needs and in close cooperation been developed with leading accordion teachers. It matches the tonal range in bass and treble to the usually used literature in the MIII training and for that reason there is no tremolo voice. The result is one of the lightest accordions in its class with 3.9 kg (8.6 lbs.) only.
Bravo I 49 F
24
ne w Blue
The Bravo I 49F, Bravo II 48, Bravo II 60 and Bravo III 72 are now being offered in attractive instrument boxing.
Black
All Bravo models feature an adjustable, artificial leather bass strap.
Red
Child-friendly gig bag for easy accordion transport.
ACCORDIONS · BRAVO II · BRAVO I 49 F
ACCORDIONS · BRAVO III
a v o N
NOVA has been designed for the smallest accordionists in compliance with all the features of the best HOHNER models: Elasticity of the keyboards, short key drop, and aesthetically pleasing with a rounded, compact shape. Leaving each player room for their own musical interpretation, our engineers developed a new button keyboard that meets the international ergonomic standards. For the player this means a faster response to the tones at the same time very balanced and pleasant feel. The exciting look of the Nova is dominated by the grill, but it is much more than just a chic appearance. It characterizes the assertive, yet very sophisticated sound of the instruments. The precisely calculated holes allow the listener to enjoy a very balanced mix of low and high frequencies.
Nova I 49 F Freebass MIII - consistently from the beginning The Nova I 49 F features the characteristics of professional button accordions. Even at the lowest model of the Nova series, the button keyboard is ergonomically placed so that children begin their musical careers using only correct positioning. The extremely light weight of 4,4 kg (9.7 lbs.) allows even the youngest musicians to comfortably transport the instrument. Together with the tonal range, which was created in collaboration with musical educators, this model is the best entry into the MIII world.
Nova I 49 F
Nova II 48
Nova II 60A
Nova III 96 Nova Colors
Nova II 80A
M A K IN G S T U FF A documentary for kids about the production of
Child-friendly gig bag for easy accordion transport.
Blue
The bass strap of the small
Black
Red
White
The position of the keyboard is
25
a v o N
NOVA has been designed for the smallest accordionists in compliance with all the features of the best HOHNER models: Elasticity of the keyboards, short key drop, and aesthetically pleasing with a rounded, compact shape. Leaving each player room for their own musical interpretation, our engineers developed a new button keyboard that meets the international ergonomic standards. For the player this means a faster response to the tones at the same time very balanced and pleasant feel. The exciting look of the Nova is dominated by the grill, but it is much more than just a chic appearance. It characterizes the assertive, yet very sophisticated sound of the instruments. The precisely calculated holes allow the listener to enjoy a very balanced mix of low and high frequencies.
Nova I 49 F Freebass MIII - consistently from the beginning The Nova I 49 F features the characteristics of professional button accordions. Even at the lowest model of the Nova series, the button keyboard is ergonomically placed so that children begin their musical careers using only correct positioning. The extremely light weight of 4,4 kg (9.7 lbs.) allows even the youngest musicians to comfortably transport the instrument. Together with the tonal range, which was created in collaboration with musical educators, this model is the best entry into the MIII world.
Nova I 49 F
Nova II 48
Nova II 60A
Nova III 96 Nova Colors
Nova II 80A
M A K IN G S T U FF A documentary for kids about the production of HOHNER accordions in Trossingen. Watch now on the HOHNER YOUTUBE CHANNEL: www.youtube.com/user/HohnerHMI
26
Child-friendly gig bag for easy accordion transport.
The Nova I 49F, Nova II 40, Nova II 48 and Nova II 60A are now being offered in attractive instrument boxing.
ne w
Blue
Black
Red
The bass strap of the small accordions is padded for comfort. Velcro allows for easy adjustment.
White
The position of the keyboard is similar to that of professional grade instruments. This allows an ergonomically correct hand position during play.
ACCORDIONS · NOVA II
ACCORDIONS · NOVA II · NOVA III · NOVA I 49 F
7 2 9 1 r e t s e h c r O r e n h o H
y n a
Basso
m r e
G n i e d a M
The newly updated Basso 372 was specially designed for orchestra playing. Its light weight and compact size maximize playing versatility and comfort. The sound-activegrille was designed for acoustic playing and accents the lower range of tones preferred by Ensemble players. The built-in microphone system is optimized for low frequency sounds with all types of amplifiers. Performance is maximized with the use of special bass amplifiers, which are able to bring out the deep sound of Helicon-Bass reeds.
Originally initiated by HOHNER, the accordion orchestra movement is an integral part of the accordion music. The traditional, classic “Hohner Akkordeon Orchester 1927” and the modern Orchestra “Hohnerklang” enjoy unbridled popularity. The most recent addition to the accordion orchestra family is the “HOHNER Company Orchestra” founded in 2009. Despite its recent establishment, the HOHNER Company Orchestra, consisting only of HOHNER employees, can already count numerous successful performances.
h ne r k la n g O rc he s te r Ho
The Basso grill is optimized to create a resonating chamber,
27
7 2 9 1 r e t s e h c r O r e n h o H
y n a
Basso
m r e
G n i e d a M
The newly updated Basso 372 was specially designed for orchestra playing. Its light weight and compact size maximize playing versatility and comfort. The sound-activegrille was designed for acoustic playing and accents the lower range of tones preferred by Ensemble players. The built-in microphone system is optimized for low frequency sounds with all types of amplifiers. Performance is maximized with the use of special bass amplifiers, which are able to bring out the deep sound of Helicon-Bass reeds.
Originally initiated by HOHNER, the accordion orchestra movement is an integral part of the accordion music. The traditional, classic “Hohner Akkordeon Orchester 1927” and the modern Orchestra “Hohnerklang” enjoy unbridled popularity. The most recent addition to the accordion orchestra family is the “HOHNER Company Orchestra” founded in 2009. Despite its recent establishment, the HOHNER Company Orchestra, consisting only of HOHNER employees, can already count numerous successful performances.
n g r Ho h ne r k la O rc he s te
The Basso grill is optimized to create a resonating chamber, resulting in deep tones that sound full and pleasant. Basso 372
28
ACCORDIONS · BASSO
c i n o t a i D
ACCORDIONS · BASSO
Diatonic Accordion in Europe There remains debate concerning the origin of the diatonic button accordion. Some scholars maintain that it was invented in Germany in 1826, while others maintain its origins are in the Vienna of the early 19th century. In any case, over the following 120 years, this wonderful and easy to learn instrument was successfully integrated into folk music across Europe. In Germany, it has been the classical musical instrument of the working population for many generations. Hans Albers played the accordion throughout his cinematic career. Today many old men in the Sorbian Areas around Bautzen still play ”La Paloma“ with passion. In France, the diatonic button accordion is a mainstay of traditional dance music along with the violin and flute. In Ireland and England, special tuning techniques were used to modify the sound of the accordion to suit regional tastes. The diatonic button accordion revitalized the dance music scene in Austria as seen with the influences of the band “Hotel Palindrone” in world music. In Germany, the band “Laway” has also become a leader in excellent accordion-driven dance music.
History of the Accordion in North America
k ma n n Pe te r B ra u
It is believed that the accordion came to America with travelling German merchants, and gained popularity in various communities, including Germanic regions of the northern Midwest, French Louisiana, and the Texas/Mexico border area. The legacy of the accordion is still evident in the genres of folk music that remain in those regions. One of these merchants was Fritz Veerkamp, a HOHNER employee. In the early 1900s, Veerkamp travelled extensively through New York City, Louisiana, Texas, and into Mexico, taking the button box accordion with him. Although the accordion had been in North America for some time as German families immigrated to the US and Mexico with their instruments, Mr. Veerkamp was the first to establish direct channels of distribution between Germany and North America. He purchased accordions directly from HOHNER for sale to both dealers and individual musicians. It is clear that the button box made its way into the US and Mexico simultaneously.
History of the Accordion in Colombia a d n i L a r a T d n a z e n e m i J o c a l F
Pac ho Ra da
Corona II & III, 31 Button, GCF g TOWARDS CHIN
PUSH PULL
d
G D
c g
C G
f c
e
b bb
E
a
A
a
m
A
dm
D
1
f
1
a
1
g
1
b
F C
b
B
TOWARDS KNEE
b
Bb
BELLOWS 3 W eb2 O R #2
c
c 22
e
23
24
1
c
b1
d
25
2 2
26
f
2
e
2
a 27
2 2
g
c 3 28
b2
b
f3 29
3
d
30
a
3
e
3
31
Fingering Chart Three-row diatonic accordions are similar to the two-row diatonics with the third row either a semi tone higher than the original (now middle) row, or a fourth above the second row. The bass notes and relevant chords are the root of the scale for the in (pushing) bellows and fth of the scale for the out (pulling) bellows. The chart shows all of the notes for both pulling and pushing on the bellows. It also
Vallenato originates from farmers who mixed the tradition of Spanish minstrels or Juglares with the musical customs of the West African inherited griots (African version of juglar) that travelled through the region with their cattle in search of pastures or to sell them in cattle fairs. Because they travelled from town to town and the region lacked rapid communications, these farmers served as bearers of news for families living in other towns or villages. The only form of entertainment during these trips was singing, and playing guitars or indigenous gaita flutes, known as kuisis in the Kogi language. In the Kogi tradition, news were transmitted through songs. It is said that troubadours from Aruba and Curacao probably introduced the accordion into the region. According to one legend, a shipwreck brought the accordion to Colombia. The ship was enroute from Germany to Argentina when it wrecked in the Magdalena river off the Colombian coast of the Atlantic. Even though there is much speculation when and how the accordion made its way into Colombia, we know for a fact
29
c i n o t a i D
Diatonic Accordion in Europe There remains debate concerning the origin of the diatonic button accordion. Some scholars maintain that it was invented in Germany in 1826, while others maintain its origins are in the Vienna of the early 19th century. In any case, over the following 120 years, this wonderful and easy to learn instrument was successfully integrated into folk music across Europe. In Germany, it has been the classical musical instrument of the working population for many generations. Hans Albers played the accordion throughout his cinematic career. Today many old men in the Sorbian Areas around Bautzen still play ”La Paloma“ with passion. In France, the diatonic button accordion is a mainstay of traditional dance music along with the violin and flute. In Ireland and England, special tuning techniques were used to modify the sound of the accordion to suit regional tastes. The diatonic button accordion revitalized the dance music scene in Austria as seen with the influences of the band “Hotel Palindrone” in world music. In Germany, the band “Laway” has also become a leader in excellent accordion-driven dance music.
History of the Accordion in North America
k ma n n Pe te r B ra u
It is believed that the accordion came to America with travelling German merchants, and gained popularity in various communities, including Germanic regions of the northern Midwest, French Louisiana, and the Texas/Mexico border area. The legacy of the accordion is still evident in the genres of folk music that remain in those regions. One of these merchants was Fritz Veerkamp, a HOHNER employee. In the early 1900s, Veerkamp travelled extensively through New York City, Louisiana, Texas, and into Mexico, taking the button box accordion with him. Although the accordion had been in North America for some time as German families immigrated to the US and Mexico with their instruments, Mr. Veerkamp was the first to establish direct channels of distribution between Germany and North America. He purchased accordions directly from HOHNER for sale to both dealers and individual musicians. It is clear that the button box made its way into the US and Mexico simultaneously.
History of the Accordion in Colombia Vallenato originates from farmers who mixed the tradition of Spanish minstrels or Juglares with the musical customs of the West African inherited griots (African version of juglar) that travelled through the region with their cattle in search of pastures or to sell them in cattle fairs. Because they travelled from town to town and the region lacked rapid communications, these farmers served as bearers of news for families living in other towns or villages. The only form of entertainment during these trips was singing, and playing guitars or indigenous gaita flutes, known as kuisis in the Kogi language. In the Kogi tradition, news were transmitted through songs. It is said that troubadours from Aruba and Curacao probably introduced the accordion into the region. According to one legend, a shipwreck brought the accordion to Colombia. The ship was enroute from Germany to Argentina when it wrecked in the Magdalena river off the Colombian coast of the Atlantic. Even though there is much speculation when and how the accordion made its way into Colombia, we know for a fact the three-row button accordion has become the national symbol of this country.
a d n i L
a r a T d n a z e n e m i J o c a l F
Pac ho Ra da
Corona II & III, 31 Button, GCF g TOWARDS CHIN
PUSH PULL
d
G D
c g
C G
f c
F C
e
E
a
A
bb bb
Bb
a
m
m
A
d
D
B
TOWARDS KNEE
b
BELLOWS 3 W eb2 O R
c
2 #1 W f O #1 R
g
#2
c1
11
1 W c #1 O R eb1
e1
22
f1
c
b
d1
12
a
a1
e 13
c1
c2
f2
14
e1
c
a1 15
b1 16
f #1
a2
e
a
1
c 3
2
17
6
c2
3
d
f 2 18
a2 19
7
e
e
b2
8
f
#2
d3
20
21
3
b2
2
31
g3
3
c
g2
e3
30
3
g
d2
a3
f3
bb2 29
28
2
d2
b1 5
g2
27
2
g
g1 4
e2
26
1
d1 3
d2
25
1
f1
b 2
bb1
24
1
g
g 1
g1
23
Fingering Chart Three-row diatonic accordions are similar to the two-row diatonics with the third row either a semi tone higher than the original (now middle) row, or a fourth above the second row. The bass notes and relevant chords are the root of the scale for the in (pushing) bellows and fth of the scale for the out (pulling) bellows. The chart shows all of the notes for both pulling and pushing on the bellows. It also displays the placement of the octaves as well as a numbering system for ordering reed parts from HOHNER.
d 9
a2
10
ga Ma n ue l Ve
30
DIATONIC
DIATONIC
e t r o N l e D s e r g i T s o L , z e d n a n r e H o d r a u d E
31
l a e r r a l l i V n a u J
T i jua na o s T uca ne s de Go n zá le z, L „ E l Z u r do”
Unmatched Feel & Response In creating the Anacleto Series, HOHNER consulted with the world’s most famous artists to specifically address fingerboard dimensions, tactile feel, and smooth mechanism action for precise playing. Eduardo Hernandez of Los Tigres Del Norte commented when playing the new Anacleto Series “When I first placed my hand on the fingerboard, I could tell right away what I had in my hands without even playing it.”
Every Ancleto comes with a velvet-lined instrument case and a genuine leather strap system.
Latino III For further model variants, see page 51 or look on www.playhohner.com P r e m i u m - q u a l i ty d e t a i l e d w o r k m a n s h i p
Anacleto Collection Colors
Blue Mediterranean
Strong Ice
London Grey . s a x e T n o t s u o
RedVelvet
GreenAbsinthe
GoldVintage
Orange Light
Violet Reex
Azure Dream
Yellow Beach
Snow White
Black Mystery
Green Stone
Red Glamour
Blue Jazz
Red Imola
White Scooter
Blue France
Rey Del Norte III L For further model variants, see page 51 or look on www.playhohner.com F i n es t s o u n d q u a l it y
H f o . C . L . L , s t r o p m I & s n o i d r o c c A i l l e n a b a G o t y a w y n a n i d e t a l e r e s i w r e h t o r o , y b d e v o r p p a , o t d e t c e n n o c t o n e r a s n o i d r o c c a f o e n i l ” o t e l c a n
A “
e t r o N l e D s e r g i T s o L , z e d n a n r e H o d r a u d E
l a e r r a l l i V n a u J
T i jua na o s T uca ne s de Go n zá le z, L „ E l Z u r do”
Unmatched Feel & Response In creating the Anacleto Series, HOHNER consulted with the world’s most famous artists to specifically address fingerboard dimensions, tactile feel, and smooth mechanism action for precise playing. Eduardo Hernandez of Los Tigres Del Norte commented when playing the new Anacleto Series “When I first placed my hand on the fingerboard, I could tell right away what I had in my hands without even playing it.”
Anacleto Collection Colors
Blue Mediterranean
Orange Light
Latino III For further model variants, see page 51 or look on www.playhohner.com
GreenAbsinthe
Violet Reex
Yellow Beach
Snow White
Black Mystery
Green Stone
Red Glamour
Blue Jazz
Red Imola
White Scooter
Blue France
The HOHNER Squeeze Box Accordion App. This intuitive three-row diatonic accordion does it all like your traditional instrument. Now you can practice chord combinations, scales, and songs anywhere you go. • Inspired by the HOHNER look and style of the three-row button accordion, the apps look and sound like a Corona II Classic, and come in different colors for each key combination. • Play your favourite songs or practice scales on an airplane, at a restaurant, during your lunch break, at your ofce desk; there is no limit. • Amplify your experience by plugging in a headset, computer speakers, or other sound enhancing devices. • See the notes displayed on the white perloid buttons as you play, or simply turn this feature off. The buttons are large enough to play with ease. • This app is ideal for the beginning student or professional musician who needs a simple carry-on companion to compliment his or her actual accordion. • Go to the Apple store and download all key combinations: HOHNER-FBbEb, HOHNER-EAD, HOHNER-ADG, and HOHNER-BbEbAb. The HOHNER-Mini is also available for the Apple iPod. This only comes in GCF.
e t r o N l e d s e r g i T s o L , z e d n a n r e H e g r o J
Black Space
The Corona Xtreme is made for the professional musician who demands both quality and functionality. The 34 button system as well as the option for different tonalities in each register, makes this Xtreme ideal for all genres of music including Tex-Mex, Norteño, and Vallenato.
i m ie n Te r re nce S
Apple,iPhone,iPod Touch and the Apple logo are registered trademarks of Apple Inc.in the USA and other countries.
Corona Xtreme Colors rea l J ua n V i lla r
Jet Black (JB)
Red Pearl (RP)
Blue Pearl (BP)
Gold Pearl (GoP)
Black Pearl (BlP)
Availa ble Colors: WP, GP, BlP, RP, BP, GoP Corona II Xtreme
Availa ble Colors: WP, JB, RP Corona II T Xtreme
Availa ble Colors: WP, JB, RP Corona III N Xtreme
o p m I
& s n o i d r o c c A i l l e n a b a G o t y a w y n a n i d e t a l e r e s i w r e h t o r o , y b d e v o r p p a , o t d e t c e n n o c t o n e r a s n o i d r o c c a f o e n i l ” o t e l c a n A “
n a . c n I , R E N H O H
Red Vintage
DIATONIC · ANACLETO COLLECTION · REY DEL NORTE
HOHNER introduces a revolutionary new application for the Apple iPad:
H f o . C . L . L , s t r
e h t d
Violet Orchid
Grey Pearl (GP)
Azure Dream
F i n es t s o u n d q u a l it y Every Anacleto Series accordion is made using hand made (a mano) reeds of the highest quality available.
DIATONIC · ANACLETO COLLECTION · LATINO
White Pearl (WP)
GoldVintage
Rey Del Norte III L For further model variants, see page 51 or look on www.playhohner.com
P r e m i u m - q u a l i ty d e t a i l e d w o r k m a n s h i p Each accordion is hand crafted and designed with crystal patterns and color schemes to t the artist’s taste and create stage presence.
32
London Grey . s a x e T n o t s u o
RedVelvet
Every Ancleto comes with a velvet-lined instrument case and a genuine leather strap system.
Strong Ice
Availa ble Colors: WP, JB, RP Corona III V Xtreme
33
y n a m r e G n i e d a M
e t r o N l e d s e r g i T s o L , z e d n a n r e H e g r o J
HOHNER introduces a revolutionary new application for the Apple iPad:
The HOHNER Squeeze Box Accordion App. This intuitive three-row diatonic accordion does it all like your traditional instrument. Now you can practice chord combinations, scales, and songs anywhere you go. • Inspired by the HOHNER look and style of the three-row button accordion, the apps look and sound like a Corona II Classic, and come in different colors for each key combination. • Play your favourite songs or practice scales on an airplane, at a restaurant, during your lunch break, at your ofce desk; there is no limit. • Amplify your experience by plugging in a headset, computer speakers, or other sound enhancing devices. • See the notes displayed on the white perloid buttons as you play, or simply turn this feature off. The buttons are large enough to play with ease. • This app is ideal for the beginning student or professional musician who needs a simple carry-on companion to compliment his or her actual accordion. • Go to the Apple store and download all key combinations: HOHNER-FBbEb, HOHNER-EAD, HOHNER-ADG, and HOHNER-BbEbAb. The HOHNER-Mini is also available for the Apple iPod. This only comes in GCF.
The Corona Xtreme is made for the professional musician who demands both quality and functionality. The 34 button system as well as the option for different tonalities in each register, makes this Xtreme ideal for all genres of music including Tex-Mex, Norteño, and Vallenato.
y n a
m r e G n i e d a M
i m ie n Te r re nce S
Apple,iPhone,iPod Touch and the Apple logo are registered trademarks of Apple Inc.in the USA and other countries.
Corona Xtreme Colors rea l J ua n V i lla r
White Pearl (WP)
Grey Pearl (GP)
Jet Black (JB)
Red Pearl (RP)
Blue Pearl (BP)
Gold Pearl (GoP)
Black Pearl (BlP)
Availa ble Colors: WP, GP, BlP, RP, BP, GoP
Availa ble Colors: WP, JB, RP
Corona II Xtreme Key Combinations: EAD, FBbEb, GCF, and ADG Features: 34 perloid buttons, dynamic action, noiseless fingerboard technology, adjustable bass strap, upgraded gig bag and upgraded straps included Voice Configuration: MM 34
Availa ble Colors: WP, JB, RP
Corona II T Xtreme Key Combinations: EAD, FBbEb, GCF, and ADG Features: 34 perloid buttons, 3 registers switches, dynamic action, noiseless fingerboard technology, adjustable bass strap, upgraded gig bag and upgraded straps included Voice Configuration: MM
Corona III N Xtreme Key Combinations: EAD, FBbEb, GCF, and ADG Features: 34 perloid buttons, 5 register switches dynamic action, noiseless fingerboard technology, adjustable bass strap, upgraded gig bag and upgraded straps included Voice Conguration: LMM
DIATONIC · CORONA II XTREME
Availa ble Colors: WP, JB, RP Corona III V Xtreme Key Combinations: EAD, FBbEb, GCF, and ADG Features: 34 perloid buttons, 5 register switches dynamic action, noiseless fingerboard technology, adjustable bass strap, upgraded gig bag and upgraded straps included Voice Configuration: MMM DIATONIC · CORONA III XTREME
y n a
35
The Corona II Classic accordion is made with the professional in mind. It is ideal for the musician who demands great quality and the signature HOHNER sound. Using the workmanship of days past, each instrument is lovingly finished in great detail. The wooden keyboard covered with celluloid in matching colour, gives the instrument a lavish appearance, and is its most striking detail.
m r e
G n i e d a M
z e n e m i J o c a l F
Ta ra L i n da
e r he y de n D wa y ne V
A j Ca s t i llo
Corona II Classic Colors
Black
White
Red
Dark Blue
L gi h tB ul e
Br ow n
Orange
Green
Mexico
Purple
Corona II Classic
Corona II Flaco Jimenez Signature It has been said that what B.B. King is to the blues or George Jones is to traditional country, Grammy-winning accordionist Flaco Jimenez is to the world of Tex-Mex Conjunto. While there are many masters of the accordion along the Texas-Mexican border, only Flaco have toured the world over and recorded with major pop, rock and country artists. By all accounts, he is an international icon for the accordion-driven Conjunto genre. The HOHNER accordion has been Flaco‘s signature sound, forming a part of his family‘s tradition; his
Corona II Steve Jordan Signature Esteban “Steve“ Jordan is known as the Jimi Hendrix of the accordion; the accordion wizard and lightning ngers among many other names. He was recently acknowledged as the best accordionist ever by many other serious players. More than any other accordionist, Jordan pushes the diatonic accordion to its limits, both musically and physically, playing traditional Tex-Mex, Rock, Jazz, Salsa, Zydeco and more.
y n a
The Corona II Classic accordion is made with the professional in mind. It is ideal for the musician who demands great quality and the signature HOHNER sound. Using the workmanship of days past, each instrument is lovingly finished in great detail. The wooden keyboard covered with celluloid in matching colour, gives the instrument a lavish appearance, and is its most striking detail.
m r e
G n i e d a M
z e n e m i J o c a l F
Ta ra L i n da
e r he y de n D wa y ne V
A j Ca s t i llo
Corona II Classic Colors
Black
White
Red
Dark Blue
L gi h tB ul e
Br ow n
Orange
Green
Purple
Mexico
Corona II Classic The Corona I Classic is available in a wide range of colors and the following key combinations: GCF, FBbEb, EAD, ADG.
36
Corona II Flaco Jimenez Signature It has been said that what B.B. King is to the blues or George Jones is to traditional country, Grammy-winning accordionist Flaco Jimenez is to the world of Tex-Mex Conjunto. While there are many masters of the accordion along the Texas-Mexican border, only Flaco have toured the world over and recorded with major pop, rock and country artists. By all accounts, he is an international icon for the accordion-driven Conjunto genre. The HOHNER accordion has been Flaco‘s signature sound, forming a part of his family‘s tradition; his Grandfather, Patricio Jimenez, and his legendary father, Don Santiago Jimenez Sr. also played HOHNER accordions. Flaco‘s Conjunto style is derived from many cultural backgrounds, spanning its Tex-Mex roots to include Honky-Tonk, Country, Rock‘n‘roll and Tejano. His unique accordion playing has earned him ve Grammy Awards. He continues to inspire accordionists around the world.
DIATONIC · CORONA II CLASSIC
Corona II Steve Jordan Signature Esteban “Steve“ Jordan is known as the Jimi Hendrix of the accordion; the accordion wizard and lightning ngers among many other names. He was recently acknowledged as the best accordionist ever by many other serious players. More than any other accordionist, Jordan pushes the diatonic accordion to its limits, both musically and physically, playing traditional Tex-Mex, Rock, Jazz, Salsa, Zydeco and more. When Steve performed at the 1988 Berlin Jazz Festival in Germany, HOHNER took notice of his incredible musical ability and his custom tuned HOHNER leading to the creation of the latest generation of the Signature line.
DIATONIC · CORONA II STEVE JORDAN SIGNATURE · CORONA II FLACO JIMENEZ SIGNATURE
y l l o M g n i g g o l F , y e l s n e H t t a M
Many accordions have been developed throughout the years but never has there been an accordion to achieve iconic status like the Corona II. It was the Corona II that started it all in the three-row button accordion world. Its unique design, signature sound and quality has made this the preferred instrument a must for all styles of music around the world.
Ce l so P i na
Corona II Colors
Black
White
Red
Dark Blue
L gi ht B ul e
Br ow n
Mexico
Economy Line
Compadre Grey
Corona II
37
Gold
The Compadre accordion is the perfect 2-voice model for beginning and experienced players alike! Features include an adjustable left-handed bass
Compadre Colors
y l l o M g n i g g o l F , y e l s n e H t t a M
Many accordions have been developed throughout the years but never has there been an accordion to achieve iconic status like the Corona II. It was the Corona II that started it all in the three-row button accordion world. Its unique design, signature sound and quality has made this the preferred instrument a must for all styles of music around the world.
Ce l so P i na
Corona II Colors
Black
White
Red
Dark Blue
L gi ht B ul e
Br ow n
Mexico
Economy Line
Compadre Grey
Gold
Corona II The Corona II gives the professional musician the ability to own a great accordion at an affordable price. The Corona II is available in GCF, FBbEb, and ADG HOHNER upgraded the current line of accordions with new adjustable bass strap and logo. The Corona comes with a gigbag and updated straps as well. 38
The Compadre accordion is the perfect 2-voice model for beginning and experienced players alike! Features include an adjustable left-handed bass strap and redesigned wide open web grille, allowing for even greater volume while providing solid protection.
Compadre Colors
Yellow
Orange
Red
Purple
DIATONIC · CORONA II
Black
DIATONIC · COMPADRE
The Corona III is the ideal 3-voice accordion for the professional musician who depends on quality, sound and durability. The signature sound for Vallenato or Merengue, this instrument can be heard throughout the world especially in regions where the accordion is king.
ne la ica s de Ca C y n n i, C h
J u de x H u m be r to
m b ra no J im m y Za
do Da za L u i s E d ua r
Corona III Colors
Black
White
Red
Dark Blue
Brown
Orange
El Rey del Vallenato This accordion expands HOHNER’s economy line to a 3-voice model crafted especially for
E l R e y d e l Va l l e n a t o C o l o r s
Corona III
39
The Corona III is the ideal 3-voice accordion for the professional musician who depends on quality, sound and durability. The signature sound for Vallenato or Merengue, this instrument can be heard throughout the world especially in regions where the accordion is king.
ne la ica s de Ca C y n n i, C h
J u de x H u m be r to
m b ra no J im m y Za
do Da za L u i s E d ua r
Corona III Colors
Black
White
Red
Dark Blue
Brown
Orange
El Rey del Vallenato This accordion expands HOHNER’s economy line to a 3-voice model crafted especially for the Vallenato musician. It features a handy adjustable bass-strap and a wide open treble grill for enhanced projection.
E l R e y d e l Va l l e n a t o C o l o r s
Corona III The Corona III is available in a wide range of colors and the following key combinations: GCF, FBbEb, ADG, and BbEbAb.
Yellow
40
Orange
Red
Purple
Black
Green
Columbia with red,white or black body
DIATONIC · EL REY DEL VALLENATO
The bass wheel
DIATONIC · CORONA III
n o s t a W c i r e d e C
The Erica two-row accordion has been the preferred instrument of many musicians over generations. Its unique design and quality signature sound makes for great music, hours of spirited dancing, and an all-around wonderful time.
B i ll B uco
J ime ne z j r. Sa n t ia go
l d T i m Sc ho fie
Erica The Erica is a wonderful diatonic accordion for Cumbia,
D o u b l e R a y, B l a c k D o t The Double-Ray is a beautiful, modern Irish-style accordion with a classic
Corso HOHNER’s Corso has a 3-voice tremolo
41
n o s t a W c i r e d e C
The Erica two-row accordion has been the preferred instrument of many musicians over generations. Its unique design and quality signature sound makes for great music, hours of spirited dancing, and an all-around wonderful time.
B i ll B uco
J ime ne z j r. Sa n t ia go
l d T i m Sc ho fie
Erica The Erica is a wonderful diatonic accordion for Cumbia, English Country Dance, Morris Dance, Sea Shanties and American Folk music. With 2 rows of treble buttons, it offers a solid wood construction with celluloid nish.
42
D o u b l e R a y, B l a c k D o t The Double-Ray is a beautiful, modern Irish-style accordion with a classic feel and double strap brackets. It comes in pearl red in the keys of GC, AD, and CF. The Double-Ray features 21 treble and 8 bass buttons.
Corso HOHNER’s Corso has a 3-voice tremolo and 4-voice bass. The Corso is well suited for playing Polka and traditional music.
DIATONIC · ERICA
DIATONIC · CORSO
e d n i a n l a a r l g e a r g m o m
The Morgane is highly regarded as the diatonic accordion of choice for French, Gaelic, and Breton music. It has incredible sound and is easy to play.
vienna n n a m k u a r B r e t e P
i l A da m Ha m
The instruments come in an articial leather case.
The Pokerwork. HOHNER’s loudest 2 reed accordion, the Pokerwork, or 2915 Vienna accordion, can be heard across the liveliest dance floors. It is perfect for English Country Dance, Morris Dance, Sea Shanties or American Folk Music. It has a genuine wooden body with real leather hand and bellow straps. The color is black with gold trim and comes in the key combinations of GC, AD, CF, DG.
Vienna Model 114 C
Morgane
Merlin
The Morgane, Merlin and Galaad models come in natural color in the key combinations of GC, AD, DG, and
Galaad
Morgane, Merlin and Gallad have
43
e d n i a n l a a r l g e a r g m o m
The Morgane is highly regarded as the diatonic accordion of choice for French, Gaelic, and Breton music. It has incredible sound and is easy to play.
vienna n n a m k u a r B r e t e P
The Pokerwork. HOHNER’s loudest 2 reed accordion, the Pokerwork, or 2915 Vienna accordion, can be heard across the liveliest dance floors. It is perfect for English Country Dance, Morris Dance, Sea Shanties or American Folk Music. It has a genuine wooden body with real leather hand and bellow straps. The color is black with gold trim and comes in the key combinations of GC, AD, CF, DG.
i l A da m Ha m
The instruments come in an articial leather case.
Vienna Model 114 C
Morgane
Merlin
Galaad
The Morgane, Merlin and Galaad models come in natural color in the key combinations of GC, AD, DG, and BC, C#D. This series is made of wood and has a stepped ngerboard. The Merlin and Galaad feature 3rd row semitones that allow for additional chromatic notes.
Morgane, Merlin and Gallad have a stepped ngerboard.
Vienna Model 2915
44
DIATONIC · MORGANE · MERLIN
DIATONIC · GALAAD · VIENNA
Accessories
HOHNER Gigbags
Not only has Hohner made significant and continuing developments in instrument design and production, the complete accessory line has been improved and optimized as well. Our goal is to provide your Hohner instrument with a comfortable accessory kit that ensures the safety of the instrument. That is why we have added a moulded hard case or a tear proof gig bag to several models at no extra cost. Accurate information on the accessory kit for your instrument is available in the table on the next double page.
The outer skin of your gig bag is made of tear proof Cordura ® and features multiple seams. It’s cushioned and stiffened so that your instrument can withstand substantial shocks. These bags also sport several additional features. From the 48-bass size on, the gig bags have a large pocket for sheet music, another for notepaper as well as pen pockets and a holder for a music stand. Adjustable, cushioned shoulder straps on the gig bag provide for an ergonomical fit.
No. 52
The accessories shown here are perfect to equip your existing instrument. Let us advise you which case, strap or gigbag is best for your personal needs.
Hard Shell Cases
AZ 1950
Trolley
AZ 1959
5
Pic. 2
S t ra p N o. 5 3 Ergonomically designed strap which is comfortable to wear round the neck. Order-No. AZ 5300
AZ 1960
Gigbag diatonic
Amica III 80/96, Bravo III 80/96, Amica IV 96
AZ 1970
Corona, Compadre, El Rey delValle nato , Corso, Erica, Vienna
Amica III 120, Bravo III 120, Amica IV 120
AZ 1980
Gigbag Xtreme
Atlantic IV 120
AZ 2000
Corona Xtreme models
Ventura IV 96
AZ 2010
Gigbag 48
Ventura IV 120, Atlantic IV T
AZ 2020
Bravo II 48, Amica II 48, Student, 48, Club II B, Club Norma III, Club Norma IV M de Luxe, Nova II 48, 60A, 80A, Fun Nova II 80 light
Morino IV 96, Retro, Tremolo
AZ 2110
Mo ri no I V1 20 ,R etr o, Trem olo, d eL uxe
AZ 21 20
Morino V 120, Retro, de Luxe
AZ 2130
Morino IV 120 C, de Luxe
AZ 2140
Fun Musette, Fun Star, Fun Pro, Fun Flash Nova III 96, Concerto III T, Bravo III 72, Amica III 72, Student 72, Club Morino S, Alpina III D 2, Alpina III D 3, Alpina IV D 3, Alpina C 3
Morino IV 120 C45, de Luxe
AZ 2150
Gigbag 96 + 120
Morino V 120 C Bayan
AZ 2160
Genius IV 120 C, de Luxe, Bayan
AZ 2170
Genius IV 120, de Luxe
AZ 2180
Fun Flash Piano, Genius Ventura IV 96, Morino IV 96, Morino IV 96 Slavko Avsenik, Tango IV T, Bravo III 96, Amica IV 96, Student 96, Alpina IV 96, Ventura IV 120, Morino IV 120, Morino IV 120 de Luxe, Morino IV 120 Slavko Avsenik, Atlantic IV, Champion T, Bravo III120, Amica IV 120, Student 120, Alpina IV 120
Morino Artiste IV 120
AZ 2006
Morino Cassotto IV 120
AZ 2008
Gola 414
AZ 2007
Gola 624 M3
AZ 2004
Morino IV S, N
AZ 2005
Morino V S, N
AZ 2002
Artiste IV S, VI S
AZ 2003 Pic. 3
Back Straps, Cross Straps Short (38cm), black Order-No. AZ 7000 Short (38cm), red Order-No. AZ 7001
Order-No.
Amica III 72, Bravo III 72, Concerto III T
Aluminium-framed Plastic Case
S t ra p N o. 5 2 A longer length strap for larger players, instruments as No. 51 Order-No. AZ 5200
6
Pic. 1
Amica II 40/48, Bravo II 48, Bravo I 49 F, Bravo II 60
Hard Shell Cases with Trolley
1
No. 53
S t ra p N o. 5 1 Medium sized, suitable for most players: Bravo III 72, Amica III 72 and many other instruments. Order-No. AZ 5100
Order-No.
2
No. 50
S t ra p N o. 5 0 Suitable for children, fits 48 bass instruments: Bravo II 48, Amica II 48, Student 48 Order-No. AZ 5000
The time is long past when a simple case made with wooden framing is adequate for accordion storage. Today musicians expect hard cases made of the most modern materials that can withstand rough handling. The Hohner accordion case provides an inner cushion, specially moulded to keep the instrument safe.
For easy transportation on flat surfaces, an attachable trolley is available. (not for AZ 1950 Amica 48 case)
No. 51
Gigbag 72
Gigbag 120 (XL) Gola, Morino V 120, MorinoV 120 de Luxe, Morino Convertor,Alpina V120 C
Long (44cm), black Order-No. AZ 7100
Pic. 5 AZ 1704 Pic. 5
Long (44cm), red Order-No. AZ 7101
AZ 1710 Pic. 6 AZ 5701 Pic. 6 AZ 5710 Pic. 6
AZ 5720
Pic. 6 AZ 5730
Morino ”Ergoline“ Straps • All the features of the woven straps but made of top quality leather • Robust woven strap secured to the top of the instrument with a pushfit button fastener • Strap is secured at the base of the instrument and is fully adjustable • Tabs to fasten the back strap in the correct ergonomic position • Back straps with Snap-Fit fasteners for easy strap adjustment Morino Straps ”Ergoline“, black Order-No. AZ 5400
Hip Strap • Transfers the weight of the accordion to the hips • Takes the strain off the shoulders • Avoids back pains • Easy handling • Individually adjustable • All Morino and Ventura models are already equipped with hip strap fittings Order-No. AZ 5500
45
Accessories
HOHNER Gigbags
Not only has Hohner made significant and continuing developments in instrument design and production, the complete accessory line has been improved and optimized as well. Our goal is to provide your Hohner instrument with a comfortable accessory kit that ensures the safety of the instrument. That is why we have added a moulded hard case or a tear proof gig bag to several models at no extra cost. Accurate information on the accessory kit for your instrument is available in the table on the next double page.
The outer skin of your gig bag is made of tear proof Cordura ® and features multiple seams. It’s cushioned and stiffened so that your instrument can withstand substantial shocks. These bags also sport several additional features. From the 48-bass size on, the gig bags have a large pocket for sheet music, another for notepaper as well as pen pockets and a holder for a music stand. Adjustable, cushioned shoulder straps on the gig bag provide for an ergonomical fit.
No. 52
The accessories shown here are perfect to equip your existing instrument. Let us advise you which case, strap or gigbag is best for your personal needs.
Hard Shell Cases
AZ 1950
Trolley
AZ 1959
3 46
ACCESSORIES
S t ra p N o. 5 3 Ergonomically designed strap which is comfortable to wear round the neck. Order-No. AZ 5300
AZ 1960
Gigbag diatonic
AZ 1970
Corona, Compadre, El Rey delValle nato , Corso, Erica, Vienna
Amica III 120, Bravo III 120, Amica IV 120
AZ 1980
Gigbag Xtreme
Atlantic IV 120
AZ 2000
Corona Xtreme models
Ventura IV 96
AZ 2010
Gigbag 48
Ventura IV 120, Atlantic IV T
AZ 2020
Morino IV 96, Retro, Tremolo
AZ 2110
Bravo II 48, Amica II 48, Student, 48, Club II B, Club Norma III, Club Norma IV M de Luxe, Nova II 48, 60A, 80A, Fun Nova II 80 light Gigbag 72
Mo ri no I V1 20 ,R etr o, Trem olo, d eL uxe
AZ 21 20
Morino V 120, Retro, de Luxe
AZ 2130
Morino IV 120 C, de Luxe
AZ 2140
Fun Musette, Fun Star, Fun Pro, Fun Flash Nova III 96, Concerto III T, Bravo III 72, Amica III 72, Student 72, Club Morino S, Alpina III D 2, Alpina III D 3, Alpina IV D 3, Alpina C 3
Morino IV 120 C45, de Luxe
AZ 2150
Gigbag 96 + 120
Morino V 120 C Bayan
AZ 2160
Genius IV 120 C, de Luxe, Bayan
AZ 2170
Genius IV 120, de Luxe
AZ 2180
Fun Flash Piano, Genius Ventura IV 96, Morino IV 96, Morino IV 96 Slavko Avsenik, Tango IV T, Bravo III 96, Amica IV 96, Student 96, Alpina IV 96, Ventura IV 120, Morino IV 120, Morino IV 120 de Luxe, Morino IV 120 Slavko Avsenik, Atlantic IV, Champion T, Bravo III120, Amica IV 120, Student 120, Alpina IV 120
Morino Artiste IV 120
AZ 2006
Morino Cassotto IV 120
AZ 2008
Gola 414
AZ 2007
Gola 624 M3
AZ 2004
Morino IV S, N
AZ 2005
Morino V S, N
AZ 2002
Artiste IV S, VI S
AZ 2003
Taeschner Cases
Back Straps, Cross Straps Short (38cm), black Order-No. AZ 7000 Short (38cm), red Order-No. AZ 7001
Order-No.
Amica III 80/96, Bravo III 80/96, Amica IV 96
Morino Club S
4
5
Pic. 2
Amica III 72, Bravo III 72, Concerto III T
Aluminium-framed Plastic Case
S t ra p N o. 5 2 A longer length strap for larger players, instruments as No. 51 Order-No. AZ 5200
6
Pic. 1
Amica II 40/48, Bravo II 48, Bravo I 49 F, Bravo II 60
Hard Shell Cases with Trolley
1
No. 53
S t ra p N o. 5 1 Medium sized, suitable for most players: Bravo III 72, Amica III 72 and many other instruments. Order-No. AZ 5100
Order-No.
2
No. 50
S t ra p N o. 5 0 Suitable for children, fits 48 bass instruments: Bravo II 48, Amica II 48, Student 48 Order-No. AZ 5000
The time is long past when a simple case made with wooden framing is adequate for accordion storage. Today musicians expect hard cases made of the most modern materials that can withstand rough handling. The Hohner accordion case provides an inner cushion, specially moulded to keep the instrument safe.
For easy transportation on flat surfaces, an attachable trolley is available. (not for AZ 1950 Amica 48 case)
No. 51
Gigbag 120 (XL) Gola, Morino V 120, MorinoV 120 de Luxe, Morino Convertor,Alpina V120 C
Long (44cm), black Order-No. AZ 7100
Pic. 5 AZ 1704 Pic. 5
Long (44cm), red Order-No. AZ 7101
AZ 1710 Pic. 6 AZ 5701 Pic. 6 AZ 5710 Pic. 6
AZ 5720
Pic. 6 AZ 5730
Morino ”Ergoline“ Straps • All the features of the woven straps but made of top quality leather • Robust woven strap secured to the top of the instrument with a pushfit button fastener • Strap is secured at the base of the instrument and is fully adjustable • Tabs to fasten the back strap in the correct ergonomic position • Back straps with Snap-Fit fasteners for easy strap adjustment Morino Straps ”Ergoline“, black Order-No. AZ 5400
Hip Strap • Transfers the weight of the accordion to the hips • Takes the strain off the shoulders • Avoids back pains • Easy handling • Individually adjustable • All Morino and Ventura models are already equipped with hip strap fittings Order-No. AZ 5500
Pic. 3 AZ 1611 Pic. 4
Club II B, Corso, Corona II, III
AZ 1600
Erica, 2915, 1140
AZ 1618
The GENIUS transport-protection-pad perfectly protects the grill and the keyboard of Genius models. The pad is ideal for transporting professional level instruments in gig bags. Order-No. AZ 3600
Further cases and straps are available from the HOHNER-Service Department. ACCESSORIES
47
Specifications
Right Hand
Accordions OrderNo. A4361
Amica III 72
Amica IV 96 Amica IV 120 Bravo I 49 F
Bravo II 60
Bravo III 72
Bravo III 80 Bravo III 96 Bravo III 120 Nova I 49F
red
A4364
blue
A4322
black
black red
A4054
blue
A4096
black
A4097
red
A4062
black
A4063
red
A4064
blue
A4042
black
A4043
red
A4072
black
A4073
red
A4082
black
A4083
red
A4246
black
black
A4153
red
A4251
C-System
C-System
Nova II 72 B-System
C-System
C-System
Nova III 96 B-System
Note s Chorus
**)
Bass Chorus Registers Buttons
Sizes Weight in cm in kg ****)
Accessories
black red
A 42 54
d ar kb lu e
Models
37
41
26
34 (G-E)
37 (F-F) 41 (F-A) 26 (B-C)
3 5
72
4
3
39.4x 18.5
7.4
4 11
96
4
3
44 x 18.5
9.1
4 11 1 0
120 49 (37) (G-G)
1
4
3
0
Hard Shell Case with Trolley,Straps
Hard Shell Case with Trolley,Straps
48 x 18.5
9.8
Hard Shell Case with Trolley,Straps
31 x 18.5
3.9
Gigbag Straps
26
26
26 (B-C)
26 (B-C)
34
34 (G-E)
37
37 (F-F)
37
37 (F-F)
41 48 (4 rows)
41 (F-A) 37 (G-G)
2 2
48
4
0
31 x 18.5
5.0
2 2
60
4
0
31 x 18.5
5.1
3
Gigbag Straps
Gigbag Straps
5
72
4
2
39.4x 18.5
7.4
Gigbag Straps
5 (7)
80
4
3
44 x 18.5
8.6
Gigbag Straps
5 (7)
96
4
3
44 x 18.5
8.6
Gigbag Straps
3
3
3 5 (7) 1 0
120 49 (37) (G-G)
1
4
3
0
48 x 18.5
31 x 18.5
9.2
black
A1233
red
A1234
blue
A4162
black
A4163
red
A4164
blue
A4262
black
A4263
red
A4264
blue
Anacleto Rey Del Norte II
4.4
Gigbag Straps
31 (3 rows)
31 (G-Cis)
2 2
48
4
0
31 x 18.5
5.0
31 (3 rows)
31 (G-Cis)
2 2
48
4
0
31 x 18.5
5.0
black
A1243
red
A1244
blue
A4172
black
A4173
red
A4272
black
A4273 A3708
E/A/D
Anacleto Rey Del Norte TTS (kompakt)
Anacleto Rey Del Norte TTL
48 (4 rows)
37 (G-G)
2
1 (register slide)
60 stepped
4
0
31 x 18.5
5.4
Gigbag Straps
Anacleto Rey Del Norte IV
62 (5 rows)
62 (5 rows)
38 (Fis-G)
38 (G-Gis)
2
72
4
2
39.4x 18.5
6.9
2 2
72
4
2
39.4x 18.5
6.9
Gigbag Straps
60 (4 rows)
46 (C#-Bb)
72 (5 rows)
44 (Es-Bb)
red
72 (5 rows)
44 (E-B)
black
37
37 (C-C)
2
1 (register slide)
80 stepped
4
0
37 x 18.5
6.8
3
Gigbag Straps
Gigbag Straps
5
96
4
3
39.4x 20.5
7.6
Gigbag Straps
5
96
4
3
39.4x 20.5
7.6
Gigbag Straps
47.5 x 23
8.0
Case Ergoline-Straps
3
3
Anacleto Rey Del Norte II 4
Anacleto Rey Del Norte III 4 Anacleto Latino II 48-26 Anacleto Latino II 48-30 Anacleto Latino III 48-34
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
46 (4 rows)
92 diatonic
on request
46 (4 rows)
92 diatonic
A950x
on request
26
26 (B - C)
A953x
on request
30
30 (G - C)
A959x
on request
34
34 (G - E)
A652x
A640x
G/C/F
A673x A676x A682x
A/D/G
A670x
G/C/F
A743x
E/A/D
A746x
A752x
A/D/G
A740x
G/C/F
A773x A776x A782x
A/D/G
A770x
G/C/F
A973x
F/Bb/Eb
E/A/D
A/D/G
G/C/F F/Bb/Eb F/Bb/Eb E/A/D G/C/F E/A/D A/D/G G/C/F G/C/F F/Bb/Eb F/Bb/Eb E/A/D G/C/F E/A/D A/D/G G/C/F
A976x A982x
A836x
A833x
A806x
A803x
A809x
0
Chorus
Registers
Sizes in cm ****)
Wight in kg
Accessories
12
0
3 3x 18
5 .3
Case leather straps
0
12
0
3 3x 18
5 .5
Case leather straps
3
12
0
3 5x 19
6 .2
Case leather straps
5
12
0
3 5 x 1 8. 5
6 .5
Case leather straps
5
12
0
35.5 x 19.5
6.6
Case leather straps
6
12
0
3 3 x 1 9. 5
6 .0
Case leather straps
6
12
0
35.5 x 19.5
6.5
Case leather straps
9
12
0
35.5 x 19.5
7
Case leather straps
3
12
0
36.8 x 19.8
6.6
Case leather straps
5
12
0
36.8 x 21.8
7.4
Case leather straps
3
48
4
0
3 1. 7x 1 8
6 .2
Case leather straps
3
48
4
0
3 5. 5x 1 8
6 .8
Case leather straps
5
48
4
0
3 5. 5x 1 8
7 .7
Case leather straps
2
2
2
3
3
2
2 +
2
2 +
A863x
Bass Buttons
A800x
A/D/G
Registers **)
A839x
A830x
E/A/D
Bass Chorus
A970x
F/Bb/Eb
G/C/F/Bb 2
Notes *)
A646x
F/Bb/Eb
Color
A643x
Anacleto Rey Del F/Bb/Eb Norte E/A/D III S (kompakt)
Anacleto Rey Del Norte III L
Pianokeys/ Buttons
A/D/G
G/C/F
white
A1242
Anacleto Rey Del Norte II L
Gigbag Straps
Gigbag Straps
F/Bb/Eb
Anacleto Rey Del F/Bb/Eb Norte E/A/D II S (kompakt)
Gigbag Straps
white
A1232
OrderNo. G/C/F
34
Left Hand
Treble
Standard Bass
Registers **)
white
A4253
A1241
Registers
blue
A4252
A1231
Freebass
white
A4152
A4154
Chorus
white
A4053
B-System
B-System
Basso 372
black
A4052
A4146
Nova II 48
Nova II 80A
black
A4046
A4151
Nova II 60A
black
A4332
P ia no ke ys / Notes Buttons *)
Right Hand
Diatonic
Bass
white
A4363
C-System
C-System
A4362
A4051
Bravo II 48
C ol or
Specifications
Left Hand
Treble
A866x A872x
4
A860x A893x
F/Bb/Eb/Ab A896x E/A/D/G
A902x
A/D/G/C
A890x
G/C/F/Bb
A923x
F/Bb/Eb/Ab A926x E/A/D/G
A932x
A/D/G/C
A920x
2
2 +
3
2
2
3
Specifications
Right Hand
Accordions
A4361
Amica III 72
Amica IV 96 Amica IV 120
black red
A4364
blue
A4322
black
Bravo II 48
Bravo II 60
Bravo III 72
Bravo III 80 Bravo III 96 Bravo III 120
black red
A4054
blue
A4096
black
A4097
red
A4062
black
A4063
red
A4064
blue
A4042
black
A4043
red
A4072
black
A4073
red
A4082
black
A4083
red
A4146
B-System
A4246
Nova II 48
black
black
A4153
red
A4154
blue
A4252
B-System
C-System
C-System
Nova II 72 B-System
red
A 42 54
d ar kb lu e
black
A1233
red
A1234
blue
A4162
black
A4163
red
A4164
blue
A4262
black
A4263
red
A4264
blue
A1242 A1243
C-System
Nova III 96 B-System
Basso 372
**)
Bass Chorus Registers Buttons
Sizes Weight in cm in kg ****)
Accessories
black red blue
A4172
black
A4173
red
A4272
black
A4273
red black
Models
37 (F-F)
37
41
41 (F-A)
26
26 (B-C)
3 5
72
4
3
39.4x 18.5
7.4
4 11
96
4
3
44 x 18.5
9.1
4 11
120
1
49 (37) (G-G)
0
1
4
3
48 x 18.5
0
31 x 18.5
Hard Shell Case with Trolley,Straps
Hard Shell Case with Trolley,Straps
9.8
Hard Shell Case with Trolley,Straps
3.9
Gigbag Straps
26 (B-C)
26
26 (B-C)
26
34
34 (G-E)
37
37 (F-F)
37
37 (F-F) 41 (F-A)
41 48 (4 rows)
37 (G-G)
2 2
48
4
0
31 x 18.5
5.0
2 2
60
4
0
31 x 18.5
5.1
3
Gigbag Straps
Gigbag Straps
5
72
4
2
39.4x 18.5
7.4
Gigbag Straps
5 (7)
80
4
3
44 x 18.5
8.6
Gigbag Straps
5 (7)
96
4
3
44 x 18.5
8.6
Gigbag Straps
3
3
3 5 (7)
120
1
49 (37) (G-G)
0
1
4
3
48 x 18.5
0
31 x 18.5
9.2
Anacleto Rey Del Norte II
4.4
Gigbag Straps
31 (3 rows)
31 (G-Cis)
2 2
48
4
0
31 x 18.5
5.0
31 (3 rows)
31 (G-Cis)
2 2
48
4
0
31 x 18.5
5.0
Anacleto Rey Del Norte II L
E/A/D
Anacleto Rey Del Norte III L
Anacleto Rey Del Norte TTS (kompakt)
Anacleto Rey Del Norte TTL
48 (4 rows)
37 (G-G)
2
1 (register slide)
60 stepped
4
0
31 x 18.5
5.4
Gigbag Straps
62 (5 rows)
62 (5 rows)
38 (Fis-G)
38 (G-Gis)
2
72
4
2
39.4x 18.5
6.9
2 2
72
4
2
39.4x 18.5
6.9
Gigbag Straps
60 (4 rows)
46 (C#-Bb)
72 (5 rows)
44 (Es-Bb)
72 (5 rows)
44 (E-B) 37 (C-C)
37
2
1 (register slide)
80 stepped
4
0
37 x 18.5
6.8
3
Gigbag Straps
Gigbag Straps
5
96
4
3
39.4x 20.5
7.6
Gigbag Straps
5
96
4
3
39.4x 20.5
7.6
Gigbag Straps
3
3 47.5 x 23
8.0
Anacleto Rey Del Norte II 4
Case Ergoline-Straps
Anacleto Rey Del Norte III 4 Anacleto Latino II 48-26 Anacleto Latino II 48-30 Anacleto Latino III 48-34
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
34 (3 rows)
68 diatonic
on request
46 (4 rows)
92 diatonic
on request
46 (4 rows)
92 diatonic
A950x
on request
26
26 (B - C)
A953x
on request
30
30 (G - C)
A652x
A640x
G/C/F
A673x A676x A682x
A/D/G
A670x
G/C/F
A743x
E/A/D
A746x
A752x
A/D/G
A740x
G/C/F
A773x A776x A782x
A/D/G
A770x
G/C/F
A973x
F/Bb/Eb
E/A/D
A/D/G
G/C/F F/Bb/Eb F/Bb/Eb E/A/D G/C/F E/A/D A/D/G G/C/F G/C/F F/Bb/Eb F/Bb/Eb E/A/D G/C/F E/A/D A/D/G G/C/F
A976x A982x
A836x
A833x
A806x
A803x
A809x
0
Chorus
Registers
Sizes in cm ****)
Wight in kg
12
0
3 3x 18
5 .3
Case leather straps
0
12
0
3 3x 18
5 .5
Case leather straps
3
12
0
3 5x 19
6 .2
Case leather straps
5
12
0
3 5 x 1 8. 5
6 .5
Case leather straps
5
12
0
35.5 x 19.5
6.6
Case leather straps
6
12
0
3 3 x 1 9. 5
6 .0
Case leather straps
6
12
0
35.5 x 19.5
6.5
Case leather straps
9
12
0
35.5 x 19.5
7
Case leather straps
3
12
0
36.8 x 19.8
6.6
Case leather straps
5
12
0
36.8 x 21.8
7.4
Case leather straps
3
48
4
0
3 1. 7x 1 8
6 .2
Case leather straps
3
48
4
0
3 5. 5x 1 8
6 .8
Case leather straps
5
48
4
0
3 5. 5x 1 8
7 .7
Case leather straps
2
2
2
3
3
2
2 +
2
2 +
A866x A872x
4
A860x A893x
F/Bb/Eb/Ab A896x E/A/D/G
A902x
A/D/G/C
A890x
G/C/F/Bb
A923x
F/Bb/Eb/Ab A926x E/A/D/G
A932x
A/D/G/C
A920x
A959x
on request
34
34 (G - E)
2
2 +
3
2
2
3
*) Notes = qty (deepest - highest key) **) Registers = timbres (qty of switches) ****) Sizes in cm = measured at bellows Because of the living and breathing nature of wood, measurements and weights may vary. Specifications subject to change without notice.
S P EC IF IC AT IO NS
SPECIFICATIONS
Specifications
Right Hand
Left Hand
Treble
Bass
Diatonic OrderNo.
Models
Corona II Xtreme
Corona II T Xtreme
A/D/G
G/C/F
F/Bb/Eb
Corona IIIV Xtreme
A544x A546x
A548x
A/D/G
A510x
G/C/F
A512x
Bb/Eb/Ab
A514x A516x
A/D/G
G/C/F
F/Bb/Eb
A522x A524x A526x
G/C/F
F/Bb/Eb
A532x A534x A536x
A538x
A/D/G
A2361x
Corona II G/C/F A2362x Classic F/Bb/Eb A2364x
Corona II Classic G/C/F FlacoJimenez A/D/G Corona II G/C/F F/Bb/Eb A/D/G G/C/F Compadre F/Bb/Eb Bb/Eb/Ab E/A/D A/D/G G/C/F Corona III F/Bb/Eb Bb/Eb/Ab A/D/G G/C/F El Rey del F/Bb/Eb Vallenato Bb/Eb/Ab E/A/D
Erica Double Ray
D/G A/D C/F G/C B/C
available in different colors
34 (3 rows)
68 diatonic
available in different colors
34 (3 rows)
68 diatonic
available in different colors
34 (3 rows)
68 diatonic
available in different colors
31 (3 rows)
62 diatonic
31 (3 rows)
62 diatonic
31 (3 rows)
62 diatonic
Bass Buttons
Chorus
Registers
Sizes in cm ****)
Wight in kg
Accessories
0
12
5
0
3 1x 19
4 .7
Gigbag Ergoline Straps
2 (3)
12
5
0
3 1x 19
4 .9
Gigbag Ergoline Straps
5
12
6
0
3 1x 21
5 .7
Gigbag Ergoline Straps
5
12
6
0
3 1x 21
5 .7
Gigbag Ergoline Straps
0
12
5
0
3 1x 19
4 .0
Gigbag Straps
0
12
no Bass
0
3 1x 19
4 .0
Gigbag Ergoline Straps
0
12
5
0
3 1x 19
4 .0
Gigbag Ergoline Straps
0
12
5
0
3 1x 19
4 .0
Gigbag Straps
0
12
5
0
3 1x 19
4 .0
Gigbag Straps
0
12
6
0
3 1x 19
4 .6
Gigbag Straps
0
12
6
0
3 1x 19
4 .6
Gigbag Straps
0
8
5
0
2 8x 1 5
2 .7
Straps
0
8
5
0
2 8x 1 5
2 .7
Straps
0
8
5
0
3 1x 1 9
4 .0
Straps
0
8
5
0
28.5 x 15.5
3.3
Case Straps
0
8
5
0
28.5 x 15.5
3.5
Case Straps
0
12
6
1
28.5 x 15.5
3.7
Case Straps
4
2
2
0
2 8x 15
1 .6
2
2
3
3
2
ca ndy r ed
A5092
black
A 50 91
ca ndy r ed
A5093
black
A5095
gold
A560x A562x A564x A480x A482x A484x A486x A488x A5703 A572x A574x A576x A490x A492x A494x A496x A498x A2601 A2602 A2604 A2606 A2500
C#/D A/D C/F Corso G/C G/C A/D Morgane D/G B/C C#/D G/C A/D Merlin D/G
A2501
Galaad
A2670
G/C
68 diatonic
Registers **)
A2366x A 50 90
Corona II G/C/F Classic Steve F/Bb/Eb Jordan
34 (3 rows)
A530x
E/A/D
E/A/D
available in different colors
Chorus
A528x
Bb/Eb/Ab
Notes *)
A520x
A/D/G
Pianokeys/ Buttons
A518x
Bb/Eb/Ab E/A/D
Corona IIIN Xtreme
A542x
E/A/D
F/Bb/Eb
Color
A2405 A2407 A2409 A2650 A2651 A2652 A2653 A2654
available in different colors
31 (3 rows)
62 diatonic
available in 5 different colors
31 (3 rows)
62 diatonic
available in different colors
31 (3 rows)
62 diatonic
available in 5 different colors
31 (3 rows)
62 diatonic
red
21 (2 rows)
42 diatonic
red
21 (2 rows)
42 diatonic
red
21 (2 rows)
42 diatonic
nature
21 (2 rows)
42 diatonic
nature
23 (2 rows)
46 diatonic
nature
25 (2 rows)
50 diatonic
A2660 A2661
2
2
2
2
3
3
2
2
3
2
2
A2662
Vienna Model 114
C
A 33 02
Vienna
C/F D/G
A3401 A3403
go dl b ra nd
10 (1 Reihe)
20 diatonic
21
42
2
4
2
! t n i o p g n o r t s r u o e c i v r e S R E N H O
Our service is something you can rely on!
A540x
Bb/Eb/Ab
E/A/D
Accessories
A863x
A/D/G
Bass Buttons
A800x
Registers **)
A839x
E/A/D
A830x
F/Bb/Eb
Bass Chorus
A970x
G/C/F/Bb 2
Notes *)
A/D/G
G/C/F
Anacleto Rey Del Norte IV
Pianokeys/ Buttons
A646x
F/Bb/Eb
Color
A643x
Anacleto Rey Del F/Bb/Eb Norte E/A/D III S (kompakt)
Gigbag Straps
Gigbag Straps
F/Bb/Eb
Anacleto Rey Del F/Bb/Eb Norte E/A/D II S (kompakt)
Gigbag Straps
*) Notes = qty (deepest - highest key) **) Registers = timbres (qty of switches) ****) Sizes in cm = measured at bellows Because of the living and breathing nature of wood, measurements and weights may vary. Specifications subject to change without notice.
50
OrderNo. G/C/F
34 (G-E)
34
Left Hand
Treble
Standard Bass
Registers **)
white
A1244
A3708
Note s Chorus
white
A1232
A1241 C-System
black
Registers
white
A4253
A1231
Freebass
white
A4152
A4251
Chorus
white
A4053
C-System
C-System
black
A4052
A4151
Nova II 80A
black
A4046
P ia no ke ys / Notes Buttons *)
white
A4363
A4051
Nova II 60A
A4362
A4332
Bravo I 49 F
Nova I 49F
C ol or
Right Hand
Diatonic
Bass
Treble OrderNo.
Specifications
Left Hand
We are able to deliver spare parts even if the instruments were built back at the beginning of our production. We are offering: • Spare Parts - also for older instruments • General repairs • Restorations - also for ancient instrument with a sentimental value • General overhaul of instruments • Tunings – so you are in tune with your instrument • Technical consulting by our highly qualied staff
For repair and warranty services please contact your dealer.
51
Specifications
Right Hand
Diatonic
Treble OrderNo.
Models
Corona II Xtreme
Corona II T Xtreme
A/D/G
G/C/F
F/Bb/Eb
A544x A546x
E/A/D
A548x
A/D/G
A510x
G/C/F
A512x
Bb/Eb/Ab
A514x A516x
A518x
A/D/G
A520x
G/C/F
F/Bb/Eb
A522x
Bb/Eb/Ab E/A/D
Corona IIIN Xtreme
A542x
Bb/Eb/Ab
E/A/D
Corona IIIV Xtreme
A524x A526x
A/D/G
G/C/F
F/Bb/Eb
A532x A534x A536x
A538x
A/D/G
A2361x
Corona II G/C/F A2362x Classic F/Bb/Eb A2364x
Corona II Classic G/C/F FlacoJimenez A/D/G Corona II G/C/F F/Bb/Eb A/D/G G/C/F Compadre F/Bb/Eb Bb/Eb/Ab E/A/D A/D/G G/C/F Corona III F/Bb/Eb Bb/Eb/Ab A/D/G G/C/F El Rey del F/Bb/Eb Vallenato Bb/Eb/Ab E/A/D
Erica Double Ray
D/G A/D C/F G/C B/C
C#/D A/D C/F Corso G/C G/C A/D Morgane D/G B/C C#/D G/C A/D Merlin D/G
Galaad
G/C
34 (3 rows)
68 diatonic
available in different colors
34 (3 rows)
68 diatonic
available in different colors
34 (3 rows)
68 diatonic
available in different colors
34 (3 rows)
68 diatonic
available in different colors
31 (3 rows)
62 diatonic
31 (3 rows)
62 diatonic
31 (3 rows)
62 diatonic
Registers **)
Bass Buttons
Chorus
Registers
Sizes in cm ****)
Wight in kg
0
12
5
0
3 1x 19
4 .7
Gigbag Ergoline Straps
2 (3)
12
5
0
3 1x 19
4 .9
Gigbag Ergoline Straps
5
12
6
0
3 1x 21
5 .7
Gigbag Ergoline Straps
5
12
6
0
3 1x 21
5 .7
Gigbag Ergoline Straps
0
12
5
0
3 1x 19
4 .0
Gigbag Straps
0
12
no Bass
0
3 1x 19
4 .0
Gigbag Ergoline Straps
0
12
5
0
3 1x 19
4 .0
Gigbag Ergoline Straps
0
12
5
0
3 1x 19
4 .0
Gigbag Straps
0
12
5
0
3 1x 19
4 .0
Gigbag Straps
0
12
6
0
3 1x 19
4 .6
Gigbag Straps
0
12
6
0
3 1x 19
4 .6
Gigbag Straps
0
8
5
0
2 8x 1 5
2 .7
Straps
0
8
5
0
2 8x 1 5
2 .7
Straps
0
8
5
0
3 1x 1 9
4 .0
Straps
0
8
5
0
28.5 x 15.5
3.3
Case Straps
0
8
5
0
28.5 x 15.5
3.5
Case Straps
0
12
6
1
28.5 x 15.5
3.7
Case Straps
4
2
2
0
2 8x 15
1 .6
0
8
2
0
2 8x 1 5
2 .6
2
2
3
3
2
ca ndy r ed
A5092
black
A 50 91
ca ndy r ed
A5093
black
A5095
gold
A560x A562x A564x A480x A482x A484x A486x A488x A5703 A572x A574x A576x A490x A492x A494x A496x A498x A2601 A2602 A2604 A2606 A2500 A2501 A2405 A2407 A2409 A2650 A2651 A2652 A2653 A2654
available in different colors
31 (3 rows)
62 diatonic
available in 5 different colors
31 (3 rows)
62 diatonic
available in different colors
31 (3 rows)
62 diatonic
available in 5 different colors
31 (3 rows)
62 diatonic
red
21 (2 rows)
42 diatonic
red
21 (2 rows)
42 diatonic
red
21 (2 rows)
42 diatonic
nature
21 (2 rows)
42 diatonic
nature
23 (2 rows)
46 diatonic
A2660 A2661
2
2
2
2
3
3
2
2
3
2
2
A2662 A2670
Vienna Model 114
C
A 33 02
Vienna Model 2915
C/F D/G G/C A/D
A3401 A3403 A3404 A3408
nature
25 (2 rows)
50 diatonic
go dl b ra nd
10 (1 Reihe)
20 diatonic
goldbrand
21 (2 rows)
42 diatonic
2
4
2
*) Notes = qty (deepest - highest key) **) Registers = timbres (qty of switches) ****) Sizes in cm = measured at bellows Because of the living and breathing nature of wood, measurements and weights may vary. Specifications subject to change without notice.
52
S P EC IF IC AT IO NS
Accessories
A2366x A 50 90
Corona II G/C/F Classic Steve F/Bb/Eb Jordan
available in different colors
Bass Chorus
A530x
E/A/D
E/A/D
Notes *)
A528x
Bb/Eb/Ab
Pianokeys/ Buttons
A540x
F/Bb/Eb
Color
! t n i o p g n o r t s r u o e c i v r e S R E N H O H
Our service is something you can rely on!
Left Hand
Straps
We are able to deliver spare parts even if the instruments were built back at the beginning of our production. We are offering: • Spare Parts - also for older instruments • General repairs • Restorations - also for ancient instrument with a sentimental value • General overhaul of instruments • Tunings – so you are in tune with your instrument • Technical consulting by our highly qualied staff
For repair and warranty services please contact your dealer.
Authorized HOHNER Distributor:
HOHNER Musikinstrumente GmbH & Co. KG Andreas-Koch-Straße 9 · 78647 Trossingen · Germany www.playhohner.com
