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Some off-beats on the kick ideas....Description complète
FAST DOUBLES WITH RIGHT FOOT VARIED NOTE VALUES ODD TIME SIGNATURES
COMPOSERS:
sive M et q =120 Pro g re s si
120 BPM
CHARLIE GRIFFITHS
A
y œ Aœ œ œ œ
& JASON BOWLD PERSONNEL:
CHARLIE GRIFFITHS (GTR) JASON BOWLD (DRUMS) DAVE MARKS (BASS)
OVERVIEW ‘Meet Darth Ear’ is a prog metal track celebrating the style of bands in the vein of Dream Theater, Megadeth and Annihilator. The track features time signature changes, fast doubles with the right foot, and complex fills that accelerate through different note values among its techniques.
STYLE FOCUS Prog metal requires a great degree of focus and accuracy to ensure the drums perfectly accentuate specific guitar riffs and accents. Rhythmic changes to the groove and time signature are a natural occurrence in this style so you must be familiar with the ‘road map’ of the song before embarking on a full performance of it.
THE BIGGER PICTURE Prog metal is a sub-genre of metal with its roots in progressive (prog) rock of the 1970s. Bands such as King Crimson, Uriah Heep and Rush championed the style commercially at that time and the latter continue to do so to this day. Neil Peart of Rush set the standard for all aspiring prog metal and prog rock
Rockschool Drums Grade 8
drummers and is revered as one of the world’s most influential players. The prog tag comes from both genres’ use of odd time signatures, complex structures and a wide range of influences from jazz to classical. Prog metal emerged as a genre in its own right during the mid 1980s. At this point, Queensrÿche, Dream Theater and Fates Warning were born, all blessed with talented drummers (Mike Portnoy of Dream Theatre especially became widely respected). Even bands of other genres of metal have injected aspects of prog into their sound, including Megadeth and Pantera, while prog metal’s spirit continues today in Mastodon, Opeth and Coheed And Cambria.
RECOMMENDED LISTENING Portnoy’s drumming encompasses the modern prog metal sound and ‘Under A Glass Moon’ from their 1992 album Images And Words is a good point of reference. Brann Dailor’s drumming for Mastodon is worth investigating, investigating, especially on their 2011 album The Hunter . For something vintage that still stands up, Peart’s style can’t be ignored. ‘Spirit Of The Radio’ and other songs display a broad range of styles and techniques that are essential to the prog sound.
