by Anton Kuznetsov
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16
Cmaj
17
I
Fmaj
IV 18
A7 19
V
or
, 20
22
21
23
whole tone scale on G or Dbaug(add6)/G
24
IV
24
25
25
27 26
28 29
30
31
32
33
Cmaj(add9)
!'*4 5 6 7"89'1 :/#/;'*0/81 <(/,=%'%
Bibliography
Clarke, Eric and Cook, Nicholas, Empirical musicology: Aims, methods, prospects prospects (Oxford; New York: Oxford University Press, 2004).
Cook, Nicholas. A Nicholas. A guide to musical analysis (Oxford: Oxford University Press, 1994).
Everist, Mark, and Cook. Nicholas, Rethinking Nicholas, Rethinking music (Oxford: Oxford University Press, 1999).
Schoenberg, Arnold. Fundamentals Arnold. Fundamentals of Musical Composition (London: Composition (London: Faber, 1967).
Goldman, David Paul, 1991: 'Esotericism as a Determinant of Debussy's Harmonic Language', The Musical Quarterly, Vol. 75/2, pp. 130-147.
Hoffman, Richard. “Debussy's "Canope" as Narrative Form.” College Music Symposium, Symposium, Vol. 42, (2002), pp. 103-117.
Bibliography
Clarke, Eric and Cook, Nicholas, Empirical musicology: Aims, methods, prospects prospects (Oxford; New York: Oxford University Press, 2004).
Cook, Nicholas. A Nicholas. A guide to musical analysis (Oxford: Oxford University Press, 1994).
Everist, Mark, and Cook. Nicholas, Rethinking Nicholas, Rethinking music (Oxford: Oxford University Press, 1999).
Schoenberg, Arnold. Fundamentals Arnold. Fundamentals of Musical Composition (London: Composition (London: Faber, 1967).
Goldman, David Paul, 1991: 'Esotericism as a Determinant of Debussy's Harmonic Language', The Musical Quarterly, Vol. 75/2, pp. 130-147.
Hoffman, Richard. “Debussy's "Canope" as Narrative Form.” College Music Symposium, Symposium, Vol. 42, (2002), pp. 103-117.
