Partituras de Tango Empa

Compilado de Síntesis de Melodía y Cifrado de Tangos

EMPA AREA TANGO

1

9 de Julio José Padula

Gm

                                    A

D7

D7

Gm

                                       G7

Cm

D7

Gm

Gm

D7

D7

D7

Gm

(D7)

Gm

                                   Gm D7Gm Gm D7                           G7

Cm

B

        

G

Am

1.

D7



para el trío

G         D7



2.

              G



D7

                                      D7

G

       G

G

D7

D7

D7 G                        

G

Am

D7 G



 C                                G

G

D7

G

                                 C

C

Am

C

                            D7

G

D7

G

                         D7

G

A7

D7

G D7 G



El Yerta Javier Cohen

EMPA AREA TANGO

2

Absurdo Homero Expósito Virgilio Expósito A

 

Am

 

Am

   



  

F#m7b5



Am

Am/G

     



  

EØ

 C



B





Am

    

 F7









Dm7

 

  





Am

 

 Dm7

F



 

 

       



 





  



 

 Bb

 





G7



  



Dm7

E7



1.







Am

G7





C



 E7



 A7

Gm6





2.



Am

 





 C

  















BØ

  

 A7



B7

  





     



Gm6



E7



 

  



Am







 



Am





Dm7



E7







Bb



    



 G7

E7

 



E7











E7

E7

 

Dm

Am



     

 









F7



Bb







Dm7/F







E7

F

 



A7

  

E7

   C



B7/F#

     



F7

     



 

Am/G

 

 

   





G7

Dm7

B7

 

B7/F#

 




EMPA AREA TANGO

3

Adiós Nonino Astor Piazzolla

versión 1 A1

          

Fm7

            Fm

          

          

Gb/F

    

G7

Fm7

Dbmaj7

G/F





    Ab



       

Bbm





Eb7b9

  

     

Fm/Ab C7/G

C7/E



F

Bbm6

 Bbm7 Ab            

Fm/Ab Eb/G Db/F

Eb/G



C7



   



         

Fm Eb Db

G7





Abmaj7

    

Eb7



Bbm7 Eb7

    

Ebm/Gb





 

F7sus4

 



C7/G

F7





B1

    

Bbm

    



Cm7

   



Gm7b5



    

Bbm

    





   

Gm7b5



  

    



Eb/G



 Bbm7/Ab







C7b9





 



Gm7b5





 G7

 



 



 Bbm7 Eb7b9

    

Dm7b5



G7

    

Ebm/Gb



Dm7b5

G7



3

Fm7/Eb

 

Db9/Ab

  







 Ab







Gm7b5

3

F/A





accel.

Fm7

 



Ab



  

C7



  

Bb



      B2



Bbm7/Ab





rall.







F7sus4

F7





C7





Db79+11





 



Fm

G/F

Gb/F

Fm










EMPA AREA TANGO

4

A2

2

        Fm

 

        Fm

 

 

Am

 

 



Am

 

 

 

     



Cm

Cm



 





 

   G7



 

 

B3

    Ab



Bbm

    





Cm7

        

Gm7b5



 

Ebm/Gb



F/A

 





 







 F7





Dm7b5

G7





G7sus4

   





    

Db9/Ab







G7

  

  





 Ab





  Gm7b5

3



F7sus4



  

Bb





Bbm7/Ab

  

C7











Eb/G







 

  



 

 



G7



 

  

E7





 

 









  





 



 

 

 



   

E7





C7





 

   







  

     





C7

   

G7





B4

C

      

Dm

Am7







accel.







 

   

Bm7b5



G/B



  

Dm7/C



Gm/Bb

 Am

   



 





Bm7b5



3

Am7/G E7b9



F#m7b5





B/A





rall.



 Bb/A



A7sus4









E7

F79



A7

 

Am




EMPA AREA TANGO

5

Adiós Nonino versión 2 Astor Piazzolla A1

               Am

Am

G



 Am/C G/B                Am7

Am7

B/A

Bb/A

     



Fmaj7



E7

  

     



E7/G#

Dm

B7

Dm6 Am/C

 Dm7             

F/A

   G7b9      

A

   



 

       

F

B7



C E7/B



    

Cmaj7



G7

Dm7 G7

    



E7/B

 

B1

C

 

  Bm7b5

   

 

G/B

 F#Ø

  

BØ

E7







  

E

  

  

B/D#

D

 



F9/C



A7



 

Dm



  

Dm7/C



3

C F#Ø/C              

      



B2

    



A7sus4

B7 Em7

A/C#

 

Gm/Bb

B7sus4

Bm/D C#7sus4        

C#7 F#m7





B7

    





  F#m/E 



B7



 3

D#Ø



F#7    

  G#7sus4   G#7 

F7 



  

accel.

C#m7





E7



C#m/B   





Eb7

rall.

   



A#Ø



D7



 A79 G7     

El Yerta Javier Cohen Referencia Nuevo Quinteto

EMPA AREA TANGO

6

A2

2

            C#m7

C#m7

        Dm7

           Dm7

  

Ebm7  

    



    

Em7              



           





Em7

B3

G







Bb7











           













         



B7

   



 

  Am7/G      



BØ E7





          B7





Am7

3



F#m7b5





Bb7



  Dm/F  

  D/F#  



        

  





        

A7





A7



     

     

         





Ebm7

G#7





  

         





          

G#7



  

F#m7b5

B4



Bm



  

B7

     B

  

C#m7b5 F#7    

 



E/G#



 

A 



Em7/G







F#7sus4

 



F#7

  

3

D#7

accel.

   



    

             

A#Ø



G#7 C#m7   C#m7/B       F#/A#   F#m/A    G#7sus4         

    

A#Ø

F#7  G       C#m7b5     



D#7

G#m

G#m

rall.

   

G#m/F#

   

A#/G#

FØ

    A/G#

   



E79

  

   

G#m

El Yerta Javier Cohen Referencia Nuevo Quinteto

EMPA AREA TANGO

7

Afiches Homero Expósito Atilio Stampone

Cm

Fm

          Eb

Cm7

Cm

            

D7

       

      

Bb7

G7

Ebmaj7

Fm7

Cm7

Cm7/Bb

                Cmaj7

  

D7

     

Cmaj7

  

  

Dm7

  

   

Ebmaj7

     

Fmaj7

A7



Dm7

     



 

Cm7

           

G7

 

Cmaj7



Fm7

Bb7

  

D7

G7

Dm7 G7

Dm7 G7

 

A7

       

Cmaj7

 

      C G7 C



3







El Yerta Javier Cohen Referencia Editorial Julio Korn

EMPA AREA TANGO

 

Ebmaj7 G7

EØ



  



    

Em7



 

G7



G7sus4 Db7 C7

  

G7

    

       

    

      

Cm7

B7

D7

 





Fm7

Ab7

D7/A

Bb7

       

      

                Dbmaj7

Fm7

8

A Homero Aníbal Troilo Cátulo Castillo A

   

 

Gm

D7

Gm

 

Gm

    

Am7b5

D7

 F7    Bb          D7             

Gm

A7

           Gm

D7

3

Dm7b5    G7      Cm    

   

A7

              

D7

Gm

Eb7

      

 



      

A7

     

 

D7 Gm D7 Gm



B

D7

  

F7



       

    

D7

 



Bb



 

Gm





A7







      

A7



Dm7 Cm7 D7 Gm       G7                D7 Gm Gm/F Eº7  Eb7                     

Cm7



Am7b5





      Gm  D7 Gm  

D7


EMPA AREA TANGO

9

a la gran muñeca miguel oses / jesús ventura

E7

(G F7)

Am

Am

E7

                        



E7

    

A7 Am Am                             A7

E7

6

(Bb7 A7) E7 Dm     Am                     (      ) Dm

11



Am

Am

Am

E7

E7

E7

Am

Am

Am

A7

                   

Am

16



22

E7

28

Dm

                                 

Bb

Am

 A       

33

E7



          E7

39

 

44



Am

E7

                       

D

Hernán Possetti

Am



Dm



A

   E7

A



 



        E7

      

Am

E7



                 EMPA AREA TANGO

Em

Am

A7





      Am

 

E7

Am



10

A Media Luz Carlos Lenzi Edgardo Donato A

                     Am

  

 

      Am

 

Am

       

(Bm7b5)



  





  





A7

(A7)



Dm







Dm



(Bm7b5)





 E7  



Am

     

E7



E7

E7

Am



E7

(B7 E7)





Am



   

     

Am



   E7





                                Am

E7

Am

E7

A

B

        A

A

      

(Bm)

     

                     E7

      

(Bm7)



A

E7

     

A E7 A





El Yerta Javier Cohen Referencia Editorial A. Perrotti

EMPA AREA TANGO

11

AMURADO Cm

G7/F

(G7 G7

Ab7/9

pedro maffia / pedro laurenz

Dm/5b

Cm

Cm/Eb Cm

Db7 C7)

G7/9b

Cm   C7                                        

Dm7/5b

G7

G7 Cm

Dm7/5b/Ab G7

G7/F

G7

Ab7/9

                                      Fm7

G7/9b

Cm/Eb

Cm7

Cm

Cm7/Bb

Dm/5b

Cm

Db7 Gm7/5b

G7/9b

G7

                G7          Dm7/5b G7 Fm

G7

         

Cm

       

Cmaj7

        

Cmaj7

Am7

Cmaj7

Cmaj7

Gm7

Cmaj7

C7

 

D7



Hernán Possetti



C7

 

A7 Cm

 

         

G7

Cmaj7

 

Fm

Cm

       

A7 Cmaj7

 

Dm7

C#º7



Bb7

      

Eb

        

G7

       



G7

Dm7

C#º7

C7 Fm7

Fm7

Fm6

G7

G7

 

G7

Cmaj7

G7

C7

Cm/Bb Fm/Ab G7

Cm

G7

Dm7

Cm

C7/9b

Dm7





Cm7 Bb7 Ab7



EMPA AREA TANGO

G7





     

G7 Cm           G7

Cm

12

A San Telmo A

F

               

 

                     B7

B7

F#m7



E

       

E          

F#m7

E

C

G7

            

C

G7



B7b9

F#m7

B7

  

E

        

       

Roberto Grela Hector Ayala

   

                                Dm7

B

C

G7

Am

(G

F) E7

(E7

Am

(F7)

G7

D7

A7)

A7

Em7b5

Am

E7

C

3                                       

E7

Am

E7

E7

E7

Am

  3                                               Dm

               Am



Em7b5

     

C

F

G7

C6

A7

    

E7

     

Dm



                  

Dm

A7

F7

E7

Am C7

 

            

E7

Am

   3    3                      E7

Am

F7

E7

Am

E7

Am

Final

F7 E7 Am7 E7  Bm7b5              1.



C/G Bb/F Dm/Bb    

E7

Am E7 Am

   



El Yerta Javier Cohen Referencia versión de Roberto Grela

EMPA AREA TANGO

13

AVE DE PASO

   

F#m7

Dmaj7

B7

A7/E

F

Em7

B7/9b

                               B7/9b

Em7

E7

Eb7

A7

          

Dmaj7

enrique cadícamo / charlo

D/F#

D#º7

Em7



D/F#

A7

D6/9





Fº7

 



Em7

A7







B7/9b

F#m7

B7/9b

A7

F#m7

B7/9b

                         Em7

Em6

Bb7 A7

E7

D A7 D

Dmaj7

                            Em7

A7/9b

Dmaj7

            E7

C7

B7

       Dmaj7

A7

 

  

Em7

     D/F#

    

 



Bm7

  

 



E7







  

    

A7



   



B7/9b

F#m7

A7

Em7



 

F#7

   

Dmaj7

B7

 

   

 

A7/9b

  

C#m7/5b

Em7

 

Fº7

  

  

 

D

A7

D







Hernán Possetti

EMPA AREA TANGO

14

BARRIO DE TANGO Ánibal Troilo / Homero Manzi

F

F#º

Gm7

Db7

         

(Ab Eb/G

(Bbm6)

                F

Gm

Db/F Db

Gb7

F

Dbm/E

F

Ab



Ebm/Gb



F7

CØ/Gb

Cm/G

              

Ab/Eb)

Dbm

Ab

C7

F

Bbm

Fm

G7

Gm7

C7

Gm7

        

C7

    

F

Db7 C7)

G7/D

(Fm/Eb C7

F

              

F

         

         

Db7

(Db7) C7

                      

         

Gm7

C7

                     

                          Bbm

Fm

Fm

Db7

   

(F7 Fº7

 



   









C7

   

Hernán Possetti



   

GØ

  

(Db7) C7

F





  

D7

    

F/C)

Bº7

Bb Gm7

Fm



F



D7

   

Gm7

  

EMPA AREA TANGO

C7

  

F





C7



F

 15

Berretín Pedro Laurenz

Gm7 C7 F   F   F7   Bb                            A

  

3

(

)

     

5

F/A

        

Abº7

Gm7

Gm7 F    Dm7           

       F/A

Abdim7

         Gm7

C7

   



C7        G7

C7

    

F

C7

         3

)

(

  

         F

          

F C7 F

B

                                

Gm7b5

Fm

C7

Fm G7 C7 Fm Eb7 Db7  Ab                                        C7

Db7

        C7



 C7

         





                        

Fm

Fm



Gm7b5

    





               G7

C7

Fm7 C7 Db7 C7 Fm C7 Fm     Fm                             El Yerta Javier Cohen Referencia Editorial Julio Korn

EMPA AREA TANGO

16

Boedo A

          D



         D

5

B7



A

Julio De Caro Dante Linyera

D A7 D G  A G                       

Em7

    

    

A7

    

D

    

    

                                    D

A7

         D

B7

A7

Em7

    

    

D

A7

    

    

                          D

D7

G

G#º7

    

D

A7

D

A7

    

D

                                      B

Em7

A7

      G

G#º7

D

F#7

Bm7

   D/A A7 D            Em7                 

                                      Em7

A7

      G

C

 

A7

 

G

 

Em7

 

G

G#º7



D

D

D  A7    3

   

A7





   

A7



Bm7

   D/A Em7 A7 D A7 D                        

D  3   





F#7



D

 Bm7





F#7

 

G7



 Bm7   

    

 

Em7

Bm7

3

Em7    F#7





A7







Bm7

3





 



D   

    

A7



D7





 

D7





D       

A A D A7 D  G  Gm   A  D                          El Yerta Javier Cohen Referencia Editorial Ricordi

EMPA AREA TANGO

17

CAMBALACHE D

   

E. S. DISCÉPOLO

D

                          



D

A7

A7

B7/D#

Em7

Em7

A7

D

A7

D7

C7

Gmaj7

                                        Dmaj7

Bm7

       

Dmaj7

Bm7

E7

A7

A7

E7

D

                  

 

G

B7/F#

Em

Em

    

A7

       

Em7

 

Em7

        



A7

A7

A7

A7/5#

D

D7

         

D

B7

D

D7



E7

D



D#º

  

G

  

 Em7



B/F#



B7/D#

A7/5# D

         

   

D

C7

D

D

A7

 

D

     

Gmaj7

D7

              

      

Em7

Am7

D

  

Em7

       

A7

D

A7 D

                       



Hernán Possetti

EMPA AREA TANGO

18

Caminito Juan De Dios Filiberto A

   5



Am



B7/F#

  

  

B7

Em

Em

B7

Em

E7

Am E7 Am

                      



Am/G

  

Em

F#7



 



C7

B7 C7 B7

  

  

E7



 



 

Am

                     

Am7

D7

  

G

 

Em7





 

F#Ø





B7

  

 

INTERLUDIO

 

                              E

C#7

F#m7

B7

E

C#7

F#m7

B7

E

C#7

B

 

F#m7

   

B7



B7

 

 

   

B7 E         

 

E

E



 B7





G#m7

E



  F#m7       C#7

C#7

 



C#7   

 

F#m7



 

 

F#m7

  E B7 E     

B7


EMPA AREA TANGO

19

Chorra Enrique Santos Discépolo

                            

 

Bm

F#7

Bm

F#7

Bm

F#7

Bm

Bm F#7 Bm F#7 Bm F#7 Bm                              

5

  

A7



       D   

F#7 Bm              



F#7



              

C#Ø





F#7

Bm

D                         A7

D                                      B

A7

A7

D

F#7 Bm A7 D                                  A7  D                                      

                             F#7

Bm

Em

Bm

F#7

Bm




EMPA AREA TANGO

20

COMO DOS EXTRAÑOS LAURENZ / CONTURSI

  

   



Gm7

C7



D7/9b

Am7

   





C7

Gm7

   

     

(Am7/5b) D7

F

Gm

Bbm

F/A

Abº7

Gm7

C7

 

Am7

   



Gm

Bbm

Am7

 



Gm7

C7

D7

Gm7

  

  

  



  

Am7

 

Hernán Possetti

D7

 



   (F F7 F

C7

      

Gm7

     

F

    

Gm7

D7

C7



C7

    

Gm7



F

  

F

Gm7

 



E7

Eb7

D7) Am7

       D7

Gm7

  F





 

D7

       

Gm7

  

C7

EMPA AREA TANGO



C7

       

  

  

D7



           

Abº7

F/A

G



F

Am7/5b

C7

Gm7

D7/9b

                    

F

C7

                      

 

 

Gm7

C7

 

   D7

     C7



 

  

C7



F

 21

Comme il faut A

E7

Am

E7

Am

      

       

      

E7

Am

       

E7

      

E7

       

         

Am

        

Eduardo Arolas Am

E7

Am

  

    

E7

  



 



Am

Am



Am

   

E7

      

E7

E7

Am

        





                             B

F

C7

G7

C7

F

(C7)

   

                         F

Am

E7

Am

Am

(C7)

                              F

C7

G7

C7

                 F

C

Am

A7

    

A7





      

Am

E7

C

       El Yerta Javier Cohen

     

A7

Am

 

E7



 C

  

Dm

  

(C7)

Am

E7

    

Am





E7



   

 G7

   E7





F

     



EMPA AREA TANGO

E7



  

G7



Am

 E7





   E7

 

Am



22

Contraluz Rodolfo Mederos A

 

   

Bm7b5

Am7/C A7/C# Dm7 Eb7 Dm                      

Am

E7

E7/B

Am

Am/G

         

5

Am

  



E7

      A7

   

A7/C#

Bm7b5/D





F7           

 

Am

   

C

  

Am

Am

E7



G7          

   

Am





 Am



  

E7 

B7

Dm7 Dm/C



  

 



G7

 

Em7b5

   A7     

Dm

Am

E7

 

 



  

   

Bm7b5



 



G7

Bm7b5

E7

   E7

  



    

 



E7

    



C



 



G7

Am

 

     Dm7b5

  



D7

E7



E7

     

     

B7

E7

 

A7

   

  



  

B7

       

   

      

                 

Am

Am

E7

         

C7

B

F7

G7   Dm7  C          

Am7

      

B7/D# 

F#dim7



Em7b5



A7



E7

C

 

Am E7 Am

  




EMPA AREA TANGO

23

Corralera Milonga

Anselmo Aieta

                  

          

Cm

5

Cm

Cm

D7

     







Ab7

Db





Dm7

 



Cm

Cm





G7

    

G7





G7







         

Dm7b5

   

G7



                  Cm

        

Dm7b5

C7

C

G7

 



 

 C



       

F7

Bb7

  



Eb7





Am7

                               Dm7

G7

         Dm7

 

Dm7      

 

Gm7

C7

 

 



C7

 

 

G7

     

 

 

F



C7



A7



         



 

    

F

 



 



 

Dm



C7

 



  F

 

 

  

 1.



F











       

A7













 

       

G7

C6

C

         

D7

 

C7

 



       

G7



C

       

  





 





F

        

   





 

       

Bb

C7

2.

      G7

F



  


EMPA AREA TANGO

24

Cuando tú no estás M. Battistella y A. Le Pera

C. Gardel y M. Lattes

3                               

Db6

Dbº

Eb-7

Ab7

Ab9

Eb-7

Ab7sus4

3

    

7

Db/F

Eb-7 Ab9

 

           Db6

Bb-

Eb7

Ab

Ab6

 

3

Bb-7          

13

      Eb9sus4

Bb-7/Ab

Ab7 Abº Ab7

Eb7







Ab9

3

Db6         

17

3

     

23

Db6

       

Dº

Ab7/Eb

3

Db/F

Ab7

Eb-11 Ab9

                 

Ab9/Eb

35



Ab13



3

Eº

Bb-7/F

 

Ab7/Eb





3

 Bbº 3

Ab7

 

Dº

Db6

  

3

C7(b9)

3

   

Ab9(#5)

Eb-11            

 

Ab7/Eb

29

 Ab7/Eb

F-/Ab

     

3



Db                              3

41

Gb^

Adrián Lacruz

Dbº

Db6

Bb13(b9)

EMPA AREA TANGO

Eb-11

3

Ab7sus4 Ab9

25

Cuando tú no estás M. Battistella y A. Le Pera

       

5

A6

 A6        

17

  

21

  

25

 

29

 

33

 

F#-7



 



 





Adrián Lacruz





B-7





E9















B9sus4

 B-7

A/C#





B7

  B7







A#º





















E7/B

E

E6





E7

 



 







E9(#5)











B#º

Eº





E7

 

E9









A#º



 3







G#7(b9)





3





 



A6



 

B-11



E7







A/C#















C#-/E

 

F#º



E9

E13



E9



B-11

E9/B





F#-7/E

E7/B

3



E7

3



E7

3

F#-7/C#













F#-

3

A6

 B-7

3





E7/B



  



3

D^   

45





3

 

41



Aº

3



A6





3

 

E7/B

37



E7sus4

9

13

C. Gardel y M. Lattes

 



3



B-11

 

 





Aº

E7sus4







E9



A6



3

3

EMPA AREA TANGO



 





F#13(b9)

A

  26

Cuesta Abajo Carlos Gardel Alfredo Lepera

A

          Em



B7

Em

B7

Em

C7

B7

C7



  

C7

Em

B7

  

Am

E7



F#m7b5

 

                          Em

B7

B7

Em

B7

E7

                       Am

Am7

D7

G

Em

F#Ø

B7

Em

              B



E

F#m7



    

F#m7

G#m7 F#m7

C#7 F#m



C#7

F#m7

     





          F#m7

B7

E

B7



  

                E

 

C#7

F#m7

B7



 

G#m7



C#7

                     





E



Bm7

E7

     

A

F#m7

E

F#m7

F#m7







Am7

Am6

     B7

C#7

        G#m7

F#m7

      E

      

       

E





B7 E



El Yerta Javier Cohen Referencia Editorial Soubern Music Publishing

EMPA AREA TANGO

27

Danzarín Julián Plaza

  

A



  

         B7             D7





     G    

C Cm6 G/B Bbº7 Am7 D7                         

5









D7

 

 



        B7                    

 



   

C Cm6 G/B Bbº7 Am7 D7 G D7 G                                

   G



 



Am7

  

 

D7

      

G

 

G Am7 D7 G                                          C (Cmaj7)      

  C



C

  

  

       

Gm

Eb7



Gm7

  

 Eb7

  

  

G/B

Bbdim7

Gm6



Am7b5 D7





Gm7

G7





Am7

D7

 

Am7

D7

  

       Eb7



)

     

Am7b5 )





Cm7

      (

D7

  

   

 D7



  

   Cm7



G

     

 

Gm



Ab7

( Ebm7

Bbdim7     

G/B

Cm6       

   

  

 



G

D7





 Cm6

      

 

    

Gm

 Cm6



Gm

  

D7

            D7 Gm6






EMPA AREA TANGO

28

DERECHO VIEJO

Fm

C7

Fm

    

Fm

Fm

C7

    

Bbm

C7

       

       

C7

C7

            

Bbm

C7

                    

                  Fm

E. Arolas

                          

             C7

Fm

Fm

C7

C7

Bbm

Fm C7 Fm

         

Fm

Fm

Fm

Bbm

                            C7

       Fm

Fm

      

   



Fm

C7

Db7



      Fm

C7

                                    Fm

Bbm

Ab

Eb7

                      C7

           C7

    

Hernán Possetti

Bbm

Fm

Fm

 Fm

      



Fm

C7

             Eb7

Abmaj7

                     Fm C7

Fm

       



C7

      

EMPA AREA TANGO





29

De Vuelta y Media Máximo Barbieri

Milonga

  

Em



B7/F#







Em         B7/F#                              

                                   Em B7                             Em



Em







Em



  

Em



B7/F#



  





    

Em

Dm6





    

C#m

Cm6

E7/B











B7





Bbm

Am6

Em/G











B7/F#





     B7                       

Em  

   

C7





 

B7

 





Am6



  B7/F#  

Em/G

                                 Em D C B7 F#dim7                                       Em

Em

F#7

B7

Am6

Em/G

B7/F#

Em B7                                 

     Em

B7

Em7

A7

       

D/F#

G

G7

            C7 Am7 B7 G    Bm7 C Eb7 D7                                    

Bm7    




Am7

 

G7

 

   

F#7

EMPA AREA TANGO

F7     



Em



30

DIVINA    

  



(Eb9(#11) D7/9)





Dm



F







Dm



   



    

(F7) E7     

  

(Gm7) C7



Eb

Dm

(Bb7

A7)

Eb

EØ

A7

F F7(#5) Bb7      

Dm

    

     F

(Gm7) C7

Dm

Gm7 A7

Gm7

Dm

Gm7

JOAQUIN MORA / J. DE LA CALLE

D7







Gm7

Dm





C7

B7

                     

A7        Em7

D

D7

G

F#7

            

Bm



     

                                G

Gm6

A7       G

G

Gm6

D

D7 (Eb7) E7

Bm7 E7

             D

D7

D

(D/F# Bb7/F) Em7

             

G



F#7

E7

A7

(Ab7)

Bm

   

A7

D A7

D

   

Hernán Possetti

EMPA AREA TANGO

31

DON JUAN

   

A

E7

E7

   

 

Ernesto ponzio

A

   

    

     

                               A

     E7

 

E7

D

A

E7

A7

A

  D

D

          A7



  

  

 



A7



D

     

A7

                

D

        

                   A7



D

                  A7

    

A7   D                 

                 A7

E7

D

       

E7

A

A

A7

EMPA AREA TANGO

D



      D



A7



D





32

EL AMANECER (Cm Bb Ab7)

   



G7

Cm

G7

G7

Cm

                                   

Fm

Cm

G7

Cm

Ab7

                                  

6

Roberto Firpo

Cm

(Fm7

Bb7

G7

Cm

                 

Ebmaj7 Abmaj7 Dm7/5b

G7)

Cm G7 Cm                                             

12

Cm

G7

        

18

  

Cm

 

        

22

Cm

C7

G7



F7

        

26

Fm

  

G7

     

         



G7



Abm7

Cm/Eb

                        

30

C

G7

G7



D7/F#

      G7

 



Hernán Possetti

Fm/Ab G7

G7)

C

Eb

C

 



Ab

Ab7

  

1.D.C. al trío 2. para trío Cm (Bb Ab7) Cm G7 Cm







C

C

(C/Bb C







A7

    

G7

       

           



    

  

                G7

  

  

 Bb7

G7/D

Cm

   Cm

     

    

G7

D7/5b/Ab D7 Ab7

G7

Cm

G7

G7

C

G7

C

                   EMPA AREA TANGO

33

El Abrojito A

     D

D



D7

D

 

  D

G

 

D



B7

Dº7

G





     





E7

A7

        A7





 D

        

 E7

A7

    

     

     

D

 

A7



 



Am7















A7

E7

     

Am7

A7

Gm

 

B7





 

     

D7

D

E7

D

             





A7

Gm

       



 

     

          

Dº7

Luis Bernstein J. Fernández Blanco



  D





B

    Dm

Dm

   G7

          Dm

Dm

 

Gm6

   D7

C7

   

       

Em7b5

F7

     

Gm6

     

Gm

  

  



Bb

  

Em7b5

A7

  

Dm

 

  

 

     

Bb7

A7

Dm

 

A7

  







 

A7

     

A7

Dm

     



Dm A7 Dm

 







El Yerta Javier Cohen Referencia Editorial B. Yadarola

EMPA AREA TANGO

34

EL BULÍN DE LA CALLE AYACUCHO C.FLORES-SERVIDIO

     

Fm

Cbº

Csus4/7

        

   

(C7/G

Fm



Fm/Ab

            Cbº

Bbm

CØ

Fm7

C7

          

C7

Bbm7

  

Db7

   

Ebm/Gb

C/G

           



Bbm/Db

 

C7

Fm

     





Ab







Bbm7





   GØ

Db7

  Fm





 

C7

       

           

C7

G7/5b

 

C7

         

     

Eb7   

Bbm7

  Fm    

Bbm7

 

Bbm

Abmaj7 Ab Eb7 Bbm7 Eb7                           

Fm

C7

  

F7)

Bbm7

      

Bbm

F7

                      

 

Bbm7

C7





Db7



C7



Hernán Possetti

EMPA AREA TANGO

 

C7



   Fm

 

Abmaj7

Eb7



C7



  Fm



35

El Choclo    

Dm

A

 



   Dm

Angel Villoldo

Dm (Bb7) A7                

A7 Dm     A7                          Em7b5

5

Am7b5 D7 Gm                  

           Dm

Dm

Em7b5 A7 Dm A7 Dm Gm7    C7     F   Bb                        B

 

Gm7

 

C7 F Dm7 Gm7 G#dim7 F/A                              

      Dm7    



Em7b5 A7

   

3

 

Gm7 G#º7 F                              

Gm7



G#º7 A7    Gm7          

C7

F

Dm7

G#º7 A7     Dm  Em7b5   A7      Gm7               3

 

   

D Em7 A7 D                                 C

B7 Em7 E7 Em7 A7                                 D A7 D     Em7                            F#m7b5 B7 Em7 E7 A7 D A7 D                              El Yerta Javier Cohen Referencia Editorial A. Perrotti

EMPA AREA TANGO

36

EL DIA QUE ME QUIERAS F^               

    Dm7

G7

G7

Dm7

C/E

F

Gm7

                C/G

         F#º

Gm7

 

Db7



Cm7

F7

C7

 



 

Gm7

 

Bbm6

 

 

Dm7

      (Db7/9)

(Dbm7) Cm7

F7

   

A7



 F07

  

            Dm7

      G7

Dm7

A7

Gm

(D7)



      G7

   



F

  



 A7

(EØ)

  



(AØ)

Gm

D7

D7

      

 D7

(Dbm7)

Gm7

Dm7

(A7)



C#07

   

D7

Bb

       

Hernán Possetti

C7

C7

F



(EØ)



      

F



      

A7

        Dm7

D7

(AØ)



Gm7

G7

      

     

       





F

Bb

C7

A7

Bb7

C7



Gm

Carlos Gardel Alfredo Lepera



   

       F

EMPA AREA TANGO

Gm7

C7



Gm7



 F

 37

EL FLETE F7

Am

E7

jerónimo gradito / vicente greco

Am

E7

                                       E7

6

12





E7

Am

Am



E7

Am

E7

E7

  

33

 

F7

A

 Bm7

  

43



E7



Am

G7

Am

F7

F7

 

E7



E7



F7

  F7/9     

61

Am

Hernán Possetti

Bm7

F7

  

  

E7

 E7



      





F7/11+

F7

Bm7



  E7

     

 

E7

E7

           

 





     

Am

E7



 E7



EMPA AREA TANGO

E7





A7





Am

F#7

A/C#

      A

F#7

Bb7

A

E7



         

        

57







F7

Am

E7

A

A

Am

      

53



E7

        

49

    

E7



E7

Am

Dm

     

Bm7

38

Am

                       

Am E7        

Dm

E7

            

A7

Am

   

29

F7

Am E7 Am E7 E7                        

            

23

       E7             Am

Am

       

17



E7

   F7     Am



    E7

    

E7

A

F7

  

   

     



                  



Am

 Am



Am

Am

E7



E7



F7

E7

   Am



38

EL MARNE A

C7

C7

Fm

                  C7

C7

   

Bbm

B



Fm

        Fm

                  Fm



Fm

        

C7          

     

C7

Fm



    Fm   

 

EDUARDO AROLAS

Final C7

Fm C7 Fm

Fm para B

               

Bbm7 Eb7 F7 Fm                                    Fm

Ab

C7 C7 Fm       F7     Bbm       Bbm                     Fm C7 Fm                    Fm

C7

   



C(Trío)

F C7 Bb F    F                       

     C7

   F

  

F

(D7)

    F

C7



          F     Hernán Possetti

    

C7



G7         

      F

EMPA AREA TANGO

  

  

Bb

     

(D7) G7

    

C7

C7

 

D.C. al Fine

     



39

El Motivo Cm C7               A

Cm/Bb

     

 

  

Cm

Cm C7            Cm/Bb



G7





    G7  



DØ/Ab





DØ

D7/A



 



G7



      



     

DØ/Ab



     Cm        



Fm



 

D7/A

 

     

Cm     

 Fm  

Aníbal Troilo

G7



Cm









Cm7

Cm

 



B



     



  

     

D7







     





  

     

D7

C

 

Cm

C

 

Cm

F

F



Fm6



G7

 



     

G7

      





C

      

Fm6



C

 

C



Cm







C

Cm

G7

 

Cm

          

Cm

         G7

Fm7

Bb7

         G7

   

 

C7







Eb



Cm

      

Fm7



  



  

G7



  

Bb7

  

   

G7

Bb7

  

 

     

      

Eb





Cm

   











Eb



Cm G7 Cm

  





El Yerta Javier Cohen Referencia Editorial Vivona

EMPA AREA TANGO

40

EL PORTEÑITO

   

D

         1

D

A7

A7

A7

B7

D

E7

A7

    

A7

A7

D

(C7)

Fº)

                    D

D A7 D

D

E7

B7

D7

        D7

D7

G

Em7

B7

      

D7

D

         

                

G

Em7

      

A7

(C7)

D

G

(D7)



      A7

Em7



G

        

Gº7

G

D7

                                   D7

G

           Hernán Possetti

E7



D

                      

              (D/F#

(Em7)

A7

            Em7

E7

                           

            

       

A.G.VILLOLDO

B7

D

D7

Am

         

EMPA AREA TANGO



G

      

41

EL ÚLTIMO CAFÉ Dmaj7

Bm

E7

              

F#m7

    Em7

  

Bm7

E7

Em7







F#m7

           A7

          Gmaj7

  

D6/F#

(Fm7)

Em7

           Hernán Possetti

C9/5b





     

     



EMPA AREA TANGO

     



Em7

    

Bm7

A7/9

Dmaj7

Fº



   

 



Dmaj7

F#7





            



       

Em

     

Fº

Em7

    

G#Ø

Em7

                 

F

Dmaj7

Em7 A/5+

Em

B7

Dmaj7

      



C#75+



A7

Em7

     

C#7

Dmaj7

 

Em7

F#Ø

Bm

C7/5b

 



héctor stamponi cátulo castillo

D



A7/9b



Bm7/A

D7

     

      A7 D

D

      



 42

Fangal Eduardo del Piano / Virgilio Expósito Enrique Santos Discépolo / Homero Expósito

                          Cm7

    

F7

Bb

Gm7

Cm7

F7

Bb

Cm7 F7 Dm7 Gm7 Cm7 F7 Bb                                   

5

Gm7    D7      



Gm7







  

C7

 

 F

G7





D7



 

Cm7 F7 Bb G7 C7 F7 Bb F7 Bb                                 Bbm7

    



Ebm7





Bbm7

 



Cm7b5

    

F7

Bb7

Ebm7

Gb7

F7

    

Ebm7

  Bbm7






 

Bbm7



Bb7





     

Ebm7



   

Ebm7

              



   

     



F7

 

Fm7b5

           

             

    

 

Gb7



Bbm7

Gb7

    

Gb7

F7

    

EMPA AREA TANGO

F7

   Bbm





F7





Bb7



Bbm



   



43

Farol Virgilio Expósito Homero Expósito

A



Em

                  G

  

F7



E7

F#7

  

A7

 



E7

E-

           

B

E

  



F#7

B7

B7

 

E

C#7





          

E

F#-7

     

           

E-

A-



 G#Ø



E-

E-



A-6

  

   





   

B7







F#-7 B7



  



 

C#7



F#7

F#m







     







B7



                    

       

G

G

     



 

        C-

D7

  

D7

  



E-

     

B7



B-

  



A-7

     

B7

B7

     

E-






EMPA AREA TANGO

44

Flores Negras Francisco De Caro A

C#º7 Dm7                  

            

C

   

  

   

C#º7

Bm7b5

5

C

E7



 

Am7



   



 Dm7    

G7

Em7

Gm7    

Ab F7   Bb7  Eb7               Bbm7

Gm7b5

    



C7

Fm

    



Dm7

     

G7

   

Dm7

  

D7

C7       

C/G A7 Dm7 G7 F  F#º7                    B

Ebº7

G7

F

C

   Ab

      

  

G7

 





   

  

F7

         Db



F7

Bb7 Eb7 Ab Ab7 Db6                           Bbm7



   

Cm7

  

 

   

Gb7

Cm7

  

Dº7

 



Ab



F7

   

Bbm7

 

Eb7

  

   

Ab








EMPA AREA TANGO

45

Fruta Amarga    

A

Am

  

G Am7

   

G

(E7)

Am

Am7

E7/B

     

(B7)

 





D7

 



  

 

 

 



BØ

Am/C

  

D7

         Em

Am7

4

Bm7

E7

                        

A7



G

Homero Manzi Hugo Gutiérrez

Em

E7

A7



        

  



Am



D7



  

 

B7)

     

      

  

G

    



        (F#Ø





Am

B7

A7

 

  





     

   





E7/B

Bm

Am

  

     

G





   

                             B7

B



Am

Em

A#º

B7

G/B

Em

Am

D7

G

                                      F#7

B'

B7

Em

F#7

B7

         

     



F#Ø

B7

Em



C

C#º

G/D

B7

Em

                                El Yerta Javier Cohen

      

Am

      

EMPA AREA TANGO

D7

 

G

 



 46

Fuimos Homero Manzi José Dames A

 

C

Fm6/C

A7

C

Am7

Dm7

Dm7

E7

A7

Dm7

Am7

G7

Dm7



C

B7

Em7

G7



C

             

              F#m7b5

A7

Dm7

A7

D7

G7

                          C



G7

                         Bm7b5



Fm6/C

                        

Dm7



C

Fm6/C

C

Fm6/C

C

D7 G7

                  

B

 

C

Ab

       



Am7

 

E7

Am7





Bm7b5



E7

      C

Am7

      Ab

   Fm6

  

G7

G7





   





Dm7



C

C/E

G7

Ab



  

         

  



    

G7





 Bm7b5

E7



Ebdim7

Dm7

 

Bb7

C



    



 

       

G7

 



       

 

E7





C



  





Am7

  

G7

          EMPA AREA TANGO

C G7 C

Fm7

C

Bm7b5

      




   Dm7

  

Am7





C







  





 

C G7 C





47

Gallo Ciego Agustín Bardi

A

  

D7

         (Dm7b5)

5

(Am7b5)

Gm

D7

Gm

              

G7

 

 

D7

   

Cm

 

Gm

 

   

G7

(Am7b5)





Cm

D7





Gm D7 Gm

                           



B

F7           F7          

         F7

Bb7          

Bb               

F7

F7



   

Bb



   

Bb                  

             

F7

Bb

    

Bb



Bb Bb7     F7           Cm7           

Eb

C

                                    Eb

Fm7

F7

Bb7

Bb7

Fm7

Eb

Bb7

Eb

Eb

Eb

                                         F7

Fm7

   




Bb7





Bb7

     



Fm7



Eb

 



 

Eb

dim7



  

Cm

            

Bb7

EMPA AREA TANGO



Eb



Bb7



Eb



48

Garúa Aníbal Troilo Enrique Cadícamo

A

(Am G7 F7) E7

      

 

              Dm7

5

G7

C

Am

Bm7b5 E7

                            

Dm7

G7

Am   E7                     B7

Bm7b5

E7

Am

Bm7b5

             

C

F7

E7

Am





Dm6

 

           





   



    

E7 Am F7 E7      Am              

E7

G7

Am

Am

                

E7



Bm7b5

E7

Am

A7 Dm  Em7b5                 

 Em7b5

Dm7



E7

C



F



 

         

B7

E7

          

A7

 



Am

(Dm6 Am/C E7/B) Am F7 E7   E7                      



E7

  

B7

B

Am

Am E7 Am






EMPA AREA TANGO

49

Gricel Mariano Mores José María Contursi

A

Em7

Cmaj7

    

     

Fm6

Cmaj7

          B7

Em7

          Cmaj7

   



 

  

Fm6

        

   





        



Dm7

G7

Fmaj7

  

     

Cmaj7



B7

     





Cmaj7

        





Cmaj7

     

Fm6



Em7

Cmaj7

Fmaj7

 

E7



B

   

NC

Dm7

   EØ

 

A7

  

Dm7

 



     



A7

 



  



  

B7







Dm7

  

 





  



  



 

Cmaj7

 

Cmaj7

  

 

G7





E7

F#º7

Fmaj7

E7

 



G7b9





Bb7



 C








EMPA AREA TANGO

50

La Cumparsita

Gerardo Matos Rodríguez Pascual Contursi Enrique Maroni

A

(Gm F Eb)

    D7

  

5

B

 

Cm

 

D7

D7







    

D7

Gm



 

   

 



D7





Gm      

Gm/F



    Em7b5

Gm     

    

Gm/F





 





Em7b5 Eb7 D7



  

 



Gm





G7



(

Dm7b5



Bbmaj7 Gm7 Gm

G7



         El Yerta Javier Cohen

 

Ebmaj7 Gm6

Cm



 

   



    



D7

Gm





 D7    



D7







D7

Gm

       

Gm

G7



Cm





     

  

     F7

 

Bb



D7

    

 

Bb

Gm7

D7

Cm7

Cm7





F7

(

  







Am7b5



    

G7

   Eb7     

G7

Gm



Gm

    

Gm

  

Gm

    

Gm D7            Gm D7       



Eb7 D7





Gm

Gm

D7

  

    

















Gm

    



Am7b5         

C

  

Gm

Cm



Cm

D7







F7 ) D7



Gm D7 Gm















 

Am7b5 ) Eb7

  

  

     D7

EMPA AREA TANGO

D7

   

Gm ( Gm F Eb )

 51

LA TABLADA A

        

FRANCISCO CANARO

A

A                            A A E7 A E7 5                                             E7 E7 A A E7 10                                             1A

A

E7 E7 A                                     Am

Am

25 Am

E7

        

E7

    

31

37

Am

42

E7

  

          

48

Am

Am

     

       

    

E7

   

      

E7

   

Am

  

F6

Am

   

Am

   

   

E7

   

  

Am

E7

   

   

    

Am

    

Am

Am

Am

    E7

E7

  

E7

   

D

Am

   

Am

F

A

Dm

E7

    

Em7

E7

D

E7

    

     

20



A7

A

15

   

Am

 





E7 A D#º E7 E7   A                     

53

       

58

E7

A

A

      

64

A            

E7

Hernán Possetti

   

D

     

A

    E7

   

EMPA AREA TANGO

Bm

     1. A

  

E7

   

2. A E7 A

    52

LA ÚLTIMA COPA Francisco Canaro Juan Andrés Caruso

    

F#Ø

 

5

 

Bm

 

9

A7

F#7

B7

Em

F#7



B7

  Bm

Em

      

Hernán Possetti

 

F#7

Bm

D





Bm



G7

C#Ø

F#7

F#7

 



Em



  

F#7

      

Bm

A7/G

EMPA AREA TANGO

 



 







D/F#



C7

B7





 

Bm

(B7)

   

      

F#7

      





     

  

 

Bm

         







      

A7

  

F#7

     



Bm

Bm

      

   





      

Em

29

 

Em

  

25

Bm







   

  

Em

C#Ø

                   

     

    

21

G7

     

F#Ø

 

17

Bm

G7

    

13

1

Bm F#7 Bm

     







53

La Última Curda Aníbal Troilo Cátulo Castillo

A

Fm

F7

Bbm7

                Fm



G7

Eb7

Ab

G7 C7

           

C7

Fm

Gm7b5 C7

                                Fm

F7

Bbm7

                Gb



Eb7

Ab

           

Fm

G7

                     

C7

Fm

    

C7



B

Fm

Fm

Fm

Gm7b5 C7 F7

                             Bbm

Bbm7

Gm7b5

C7



Fm

                            



                             



Cm7b5

Bbm7

F7

Eb7

          Bbm7

Eb7

          

Ab

Cm7b5

Db

      

Ab

Gm7b5

F7

C7

Bbm

Fm

         Gm7b5

C7

F7



Fm C7 Fm

                    


EMPA AREA TANGO

54

La Violetera Anselmo Aieta Francisco García Giménez

                                   Am

E7

E7

Am

                              

5

A7

Dm

Am

E7

                             Am

E7

E7

Am



                            A7

Dm

  

A

     

Am

A



B7

Am

A

     





E7

E7

E7



                          C#7

  

A

F#m

B7

A

     

C#7

 F#m

E7

A



 B7

E7

      E7



 E7+5





A (E7 A)

                         




EMPA AREA TANGO

55

la viruta

   

vicente greco

Gm

D7 Gm (Eb7) D7  3                             

 

D7

Gm

D7

         

    



Bbmaj7 Am7/5b Gm7

(Cm7











Eb7

F7

Eb7)





                                             D7

Gm

D7

Gm

D7

   

Eb7 D7

Gm

D7

3

     

Gm

D7

D7

Gm

Gm

D7

      

      



Gm

Eb7

Cm7

Gm

      Gm

D7

                                 Eb7

D7

D7

Gm

                                   Cm7

Gm

   

Ø

Gm

      G

D7

       

Bbmaj7)





D7

G

(Cm7

Gm

al @ y Ø



G

D7

                         G  

             D7

D7

  

 

  D7



Hernán Possetti

Eb7

D7



  



  

 

Eb7



G

D7



G



D7



 



  

 



EMPA AREA TANGO







G









G

  G





 





 

 56

 

Libertango Am

Astor Piazzolla

B/A

                                  Dm/A

Am

                                 Am/G

F#dim7

                                  F7

 

      

A'



E7

      

Am





      

      

B/A

                                   

                                         Dm/A

Am

Am/G

F#º7

                                                                                 F7



B



E7

           

Em7b5

A7



    Dm7b5

 C

G7

      

Am

         Dm/A

         D

Cm

     

Fm/C

     

 

  

 

 

  






 



Dm6

Dmb6

    

     

Am

    



 

 



 



  

D/C



Cm

  

EMPA AREA TANGO



E7



B/A

 

   



C

       

     



Dm













  







           

    

 





  57



Los Mareados Juan Carlos Cobián Enrique Cadícamo

 5

Dm7









   





   

Am



Am

Am7

Am7/G

B7/F#

        



G

   



 F







   

   

Am7

 

  

A

A#º7

Am7/G

B7

      

B7/F#

Bm7



E7

      



  

       

  

       

  

F#7 B7    E                    

A/C#

A

Bm7

A

     

E7

         





      Dm

E7

Am





G#º7

Am7





 

Am7/G

 



Bm7 Cdim7

 



 

       E7

E7



 A

     

F7



A

A7

B7/F#

 





E7

  

A7

A

       B7



E7

A7



   E7



       



A7

Am

G7







Am

Dm

Am7

Dm7

B7

G7

C



Cº7

F#7

Dm7



E7

F7 E7

E7



                      

Dm7

B

   G   F          



A



E7

 

E7





Dm





E7







Dm





Am E7 Am

                          




EMPA AREA TANGO

58

Los Mareados Juan Carlos Cobián Enrique Cadícamo

 5

Dm7











Am7



E7

   

   

D7

C7 F7 Bb7 Em7    G7               D7

Am7

Am7/G

B7/F#

        



G7

   

C7





F7







Bb7

   

   

E7

 

  

A

Am7

Am7/G

A#dim7

B7

Cdim7

Bm7

       

B7/F#

Bm7



  

       

  

F#7 B7    E                    

A

F#7

Dm7

C

Am7



G7

A

     

E7/G#



         



     

Dm/F

E7

Am7





Am7

E7

      

 

Am7/G

B7

 



  

Gm6

       B7/F#



F7

E7

Bm7 Cdim7



Bm E7



 

A

  

E7





D/F#

 



A

     

Gm6



G#dim7



 



A

       

Bm7





G7





B7

Dm/F

Am7

Dm7

A7



A

       

A/C#



E7

       



E7



Am

  





E7

  



Em7

F7 E7

A7

Dm/F

                      

Dm7

B

Am7

A





E7







D/F#





Am E7 Am

                          




EMPA AREA TANGO

59

MADRESELVA Francisco Canaro Luis César Amadori

    

D





 

Dm

Bb7

Dmaj7

         

C7

Fmaj7

(Bb7)

C7

            A7

            

    

Gm7

D7

C7

F

D7

            

                  Gm7

   

Gm7

D7

Em7

Dm

   

   

A7

Fº

A7

Dm

  A7

    

                F

 

Em7

Fº

       D

A7

    

D/F#

D

Em7

Dº7

A7

(Eb7)

(Dm7 C7 Bb7)

Dm

                             A7



Dm

D7

Gm7

           Gm7

   

Hernán Possetti

C7

Fmaj7

      

C7

Fmaj7

    

         Bb

A7

        EMPA AREA TANGO

  

 

D7

Dm



A7 Dm



 60

Mal de Amores Pedro Laurenz

E7 Am A7        Dm                  

Am

     

                               

5

Dm

E7

Am

Am/G

B7/F#

F7

E7

E7 Am Em7b5    A7     Dm                         Am

                        Dm7

G7

     A

C

  

F#7

Am

Bm7

  



E7



Bb

A





     

 

1.

F#7

 

      Am





   

Am

E7

   

        

Am

                         

F7 F#7 G7

A

Am E7 Am

         

E7

    

Am F7 E7                     Am

E7

F7

Bm7

  

E7

E7

    

Bb7

E7



 



E7     F7             

F7 F#7 G7

A

Am

   Am



      

     

F7 F#7 G7 E7 Am E7           F7                        2.

Am


EMPA AREA TANGO

61



Malena

Lucio Demare Homero Manzi

A

Em

E7

                                      Am

Em

B7

                            

5

Am

Em

F#m7b5

B7

Bm7b5

E7

Am7 D7 G F#7 C7 B7                                  Am Em B7 Em                               

                       F#m7b5

B7

Em

Em/D

B

   E



C#m7

   

  

          F#m7

Gdim7

     E

   

F#m7



E/G#

D#7

    



B7



F#7/C#

C7

B7

G#m7     F#m7

  

 

Em

B7

  

A

  



  

         B7

D#7

G#m7

C#7

               

E





B7

E




EMPA AREA TANGO

62

Malevaje J. de Dios Filiberto /Enrique S. Discépolo

Dm D7 Gm7 C7 F                                Dm

A7



A

                 Dm

C

Dm

A7

     

  



Bb

   

      

A7

Em7b5

A7

    



Dm



 



D7 Gm7 A7 Dm                         Gm7

C7

F

Gm

Dm

         

D7 Gm            Dm

B



Cm7



F

   

Cm7





  interludio                E7

A7

Dm

A7

F                      C7

                          F

D7

Gm7

C7

F

  

   

                          F7

Bb

Gm

G#dim7

F/A

                       Gm7

     F7

C7

Bb



  

 

F

C7       

Gm7

    F C7 F

  


EMPA AREA TANGO

63

MANO A MANO GARDEL / RAZZANO / FLORES

Fm7 Bb7

    

Ebmaj7 Abmaj7

Dm7/5b

G7

Cm

                                 

                            Fm7

6

Bb7

Ebmaj7

G7

Cm

Abmaj7

Dm7/5b G7

Db7

Cm

Cm

C7

Fm

                     

11

C7

Bb7

Fm7

Ebmaj7

Abmaj7

Dm7/5b

G7

Cm

G7

Fm7



Cm/Bb



Cm



Fm6

C7

 

DØ/Ab

G7

                                           

16

Cm G7 Cm Bb7

  

21



 

Cm

    

26

G7

G7



Eb

Bb7

Eb

G7

                           

Cm



Ab

Cm

                      

Cm

Bb7

Ab7 G7

Cm G7

                            

30

Cm



Hernán Possetti

EMPA AREA TANGO

64

María Aníbal Troilo Homero Manzi

A

D/F# Bb7/F

A7/E

D

Bb7

A7

D7

                                     Gm

A7

Dm

E7

A7

Gm

Dm

E7

Bb7

A7

                               

5

Gm

A7

                                 Gm

A7

Bb7 A7

Dm A7

Dm7

                                     B

Bb7





A7





F

     F



Gm

Bb7

C7

Dm

C7

               

 A7

D7

        



Gm7

   

Eb

          

El yerta Javier Cohen

       

Gm7

A7

   



Dm7



       

D7

A7





A7



       Dm

       

EMPA AREA TANGO



65

María Aníbal Troilo Homero Manzi

A

D/F# Bb7/F

Em7

A7

Dmaj7

Bb7

A7

D7

                                          Gm

A7

Dm

Dm7/C

E7/B

Bb7

A7

                                

5

Gm

A7

Gm

A7

                                 Em7b5

A7

Dm

Dm/C

E7/B

Bb7 A7

Dm A7

Dm7

                                  B

Bb7





A7



Fmaj7

    

Am7b5



        D7

Em7b5 A7

   



Fmaj7

Bb7

A7



Dm/C

D7



Gm7

   

Eb/Bb

          


A7

C7

Dm

C7

Em7b5

A7

               



           Dm7

Em7b5

        

G7

A7







       Dm

       

EMPA AREA TANGO



66

melodía de arrabal batistella - le pera- gardel

Am

E7

Am

BØ

E7

Ab7

Am

                            C

G7

    

E7

 

Am

E7

 

Am

(F7)

E7

Am

(E7)

Bm

  







A6

E7





 





Am

         



Aº7)

             

Bm7 (F#7)





(A



Dm

(A7)

      



Dm

Am

    





A

Amaj7 A6

A





     



A/C#

E7



Bm

Cº7

E7

A

         



(Aº7) A

  

Bm

A





E7

A

G7

Bm (F#7)

F#7

               



A

(G7)

F#7

B7

E7

A

E7

                         

A



Hernán Possetti

EMPA AREA TANGO

67

Milonga Triste Sebastián Piana Homero Manzi

Dm

   Dm



Dm

Bdim7



Bdim7



      3

Dm





Bb

Dm

      3

Dm



      3







Bb

     



Bb

 

 

Bdim7

  





Bb





Bdim7 3













  

C7



 

    Dm



Bb

A7



  



A7











Dm

Dm



Dm



 









  





 





F

   



 

Dm



 



Dm

   





 3



   

A7

A7

Bb

 

 





Dm

   





 Dm



Gm

A7





Dm

3

 

Dm



A7







F







A7

 

   

Dm






EMPA AREA TANGO

68

Muñeca Brava Enrique Cadícamo / Luis Visca

     Am



E7



  

      

Am

E7

  

Am

Am



F7

E7

Am

E7

          

  

Dm7

  

G7

   C

 

   

                          Bm7b5

E7

Am

Bm7b5

E7

Am

Am Bm7b5 E7 Am E7                                 Bm7b5

E7

A Bm7 E7 A E7                                

                         A

Bm7

D         

        D



E7

      

A

     

A



E7

A

       E7

  

A7

   

Em7

A7

      A E7 A

      




EMPA AREA TANGO

69

Nada José Dames/Horacio Sanguinetti

F

 



Em7b5

A7

Bb

Dm7

          

 

Bb

C

Gm7 

Gm7

Bb

Eb7 



C7



Am7

    

Gm7

F/A



Gm7b5

     



Gm7

C7

               





   A7    Dm7           Em7b5

Gm7 C7   F              

  C7    F      Bbm 



Am7

  C7    F     

    

Bb

Em7b5 A7

C7



       C

Gm7 

 

F

                    

   

C7



F

Dm7

Gm7

      

    Dm7

Dm7

F

    

               

Em7b5

A7

Dm7

Gm7 C7   Am7     G#dim7            



F C7 F




EMPA AREA TANGO

70

Naranjo en Flor

Homero Expósito Virgilio Expósito

A

F

        F

       Ab

      

Gm7

  





G7





C7





Bb7





G7

Eb7



Gm7

  





B

Fm C7/E                    Fm





Bbm7

  

Bbm7

C7

Gm7

  

F

      

G7

 

C7





   F

C7

   F

Eb7



 Ab       F

Ebm6





C7



C7





Bb/D

         

Fm/Eb

Fm/D

Db7 C7



Fm C7 Fm

                             



Fm7 Edim7                    



Bbm7

Eb7

Ab

Db

Ebm6

Bb/D

         

Gb

                      El Yerta Javier Cohen

EMPA AREA TANGO



C7



Fm C7 Fm

        



71

Niebla del riachuelo Juan Carlos Cobián Enrique Cadícamo

Em7b5 A7          

                 Dm



Ddim7

Em7b5

A7

Am7b5    D7   Gm   



Ddim7

Em7b5

E7 A7              

A7

Am7b5     D7     Gm7    

D B7        

G

Em7   





Dm

Bb7

Em7 A7            



E7/B

Em7 A7   A7    D  Bm7        

Em7

D B7         

       

Bb7

 Gm7    C7     F    A7

               Dm

Dm



Em7 A7   A7    D  Bm7         

Em7

G#dim7

    



A7



D7



B7              

D/A





D



A7

D




EMPA AREA TANGO

72

NUNCA TUVO NOVIO E

     

(F#/A# Am)

E

E/G#

Gº7

               

C#m

F#7

B7

  

E7

(C#7)

A

 

F#m7

   G#m

     



F#m

Gº7

A#º

 B7

E

G#m

              Hernán Possetti

G#Ø

F#m7

E



D#7

    

D#7

E/B

G#Ø

C#7

      

   

C#7

F#m

      

F#m7

B7

 

 A#Ø

D#7

     

 

A#º7

F#7

      B7

E

                    EMPA AREA TANGO



   (A#Ø)

A

    

E

B7

D#7

   

                

E/B

E/G#

   

      

(F#/A# Am E/G#)

           

E

A

G#7

          

   

B7

F#m

F#m

(C#7)

 E

                Bm7

F#m

AGUISTIN BARDI E. CADÍCAMO

 73

Oblivion Astor Piazzolla

    Em

A



Em 



Am7

  

  





D7



  



G







Bm7b5





F#m7b5

 



  C

   

Em



  

  



  

A#º7

  

 





 

Am6

%





  

   

 %  E7b9

 

Am7



  



 

B7



 %

  





  





%

B





F#7



  

  

B7b9

 

 

B7



Em

Em/D     Em











Am7

   

 

D7



G







C

3



  



%

C



 

Am7 

F#m7b5



 



 

Em7



3



   

D7

F#7

  

B7





E7

G











3





3



B7

  





C

  





3



Em



%




EMPA AREA TANGO

74

Ojos Negros Vicente Greco

 

Aº7





Dm7

5

 

E7

     

B

E7



     A

     A

C



Am

    





 



  



Am/G

Am



E7









E7

E7

 



F#dim7

G7   







     

 



para A

Am

Bm7

Dm7

    



F7



 

   

  

Gm   

Am

E7

F#dim7



E7

Am



A

 

  

 

A

  Am



    1.





 

E7

 

A



  

E7





F

Am G7



E7

D/A

  

C7

F7

final



  

   E7

 

   

  

                          E7





A7

Am

 

     

B7 E7

Am

Gm7

 

     

C

Am

       

 

  

        



Am7

C

A

C

 



    

D



E7

    

Bm7b5



B7

G7



 

G#º7

2.

 Am E7 Am

   


EMPA AREA TANGO

75

Pasional A

    

Gm

Gm/F#

   

Cm

 

Cm/B

  



Gm/F

    Cm/Bb

A7/E

AØ/Eb

            

  



Mario Soto Jorge Caldara

    

A7/E

AØ/Eb

D7

D7

   



Gm Gbº7 G7/F Cm/Eb A7/E D7                                 

 

Gm



Gm/F#

Gm/F

  

Cm

Gm

Cm

Gm



   

A7/E

AØ/Eb D7

Gm D7 Gm

     





D7

Gm



(G7)

                              D7

               

Gm D7 Gm

         



Cm Gm                                 

interludio ( recitado)

B

    C7

      Eb7

    

Gm



D7

Cm

 

 G7

Gm

     

C7

F7



Bb

G7

 D7

                        

      

Cm

Cm

     

Cm

  

Gm7





Gm



 



  

D7



Cm

     

      

Gm

 Gm



(G7)

 D7 Gm




EMPA AREA TANGO

76

PAYADORA    

1



G

  

C

        

G

G

Am

JULIAN PLAZA G/D

C

                 

    

G

 

3

3

G/B

D7

     

D7

G

G







3

G7

G7

                                         C

  

C

Cm

           

Eb7/A

   

     D7

Cm

Gm



    Gm

Gm

Gm

D7

 



G7

D7

D7

D7

Gm

Gm

G7

Eb7





D7

          C

C

Cm

                                          Gm

Cm

     G

G

 





Gm

          Am

Am

Bm







D7

           3

   D7



 

D7 AØ

D7

Gm

     

Bm

Cm

D7

D7

 





Hernán Possetti

Ab7/9+



Am

Ab7/9+



G/B







Bb

Bb

Gm

D7

        

Gm

   

 3   

     

   

D7

D7 AØ

     

D7    

 Gm                  D7

G

G/D

C

C

al



G

y



G

 3   3       3     

(Bm7

C^ Am7

G^

Bm7

Am G^ F#Ø Em7 G^)

G                     

G6



   

G

D7

3

                         G

Am/C



F7

        G7

D7

              

           

          

Eb7

Gm

D7

Gm

EØ

Gm

G

Am

EMPA AREA TANGO

G/B

C

G/D

D7

77

3HGDFLWRGHFLHOR

+RPHUR([SyVLWR +pFWRU6WDPSRQL (QULTXH0DULR)UDQFLQL

$P

¡ ¡

%

Ì

¡

¡

Ì

$ P*

Ì $

¡

)

¡ ¡

)

¡

&

¡

% P

¡

Ì

¡

¡

¡ % P

¡

¡

¡

)

¡

¡ ¡ ¡

¡

¡ ¡ ¡

K ¡ ¡

Ì

¡

$

¾¡

¡

¡

¡

K ¡

¡

$

¡

¡

¡

P

¡

¡

¡

K ¡

¶ )

(

¡

¶

(

Ì

K ¶ ¡

Ì

(

¡

K ¡

Ì

¡

¶

(

¡

¡

¡

K ¡ ¡

¶

¡

'

¡

$

K ¾¡

¶

¡ ¡

¡

¡

K ¡

¶ ¡K ¡ ¡ ¡ ¡

%P

&

$

)

)

¶ ¡K

Ì

¡

$

¡

¶

(

Ì

¡

(

Ì * ¡

¡

%P

Ì

¡

¡

¡ ¡

& P

Ì

K ¡

$

¶ ¡K

(

Ì

Ì

¡

¶ ¾ ¡K

P

¶

¡

(

¡

Q¡

¡ ¡

'P

¡

¶ ¡K ¾ ¡

% P

(

¡ ¡

Ì

¡

$P

¡

Ì

'P

$P

Q¡ ¡

¡

¡

¡ ¡

Ì

Ì

(

¡

¡ ¡

(

$P

¡ ¡

$

'P

Ì

¡

¡

$P

Ì

$

Ì

¡ ¡

¶ K Ì ¡

'P

(

¡

Ì

(O\HUWD-DYLHU&RKHQ

EMPA AREA TANGO

78

QUEDÉMONOS AQUI H.STAMPONI/H. EXPOSITO

                                    D‹

D‹7

G‹6

G‹6

          

        G‹

                      D‹7

E7/B

G‹

D7

B¨7

D‹

A7

          

Em75b A7

 

D‹

C‹/E¨



D7

E7

 

       

A7

D‹

  

                 G‹

 

G7

A7

Em7b5

 



D‹

A7

C7

D‹



D‹/C

  A7

F



                          Em75b

         G‹

G‹6

Dmb6

A7



D‹

G‹

D7

       

D‹

B¨7

                 

Hernán Possetti

EMPA AREA TANGO

A7

 



D‹



 

79

Quejas de Bandoneón    Bb7

  B



Gm A7









 













Dm



Dm

A





Bb7

 

Gm

 

 





A7















A7



 

A7



 





A7





Dm



Dm







     

Dm

     

  





Dm

 







Dm

 



 













Dm







D7

 Dm

A7





Final

   





       

 

A7





Dm

A7



Dm







 





Dm A7 Dm









 













Dm

A7

 





   





Dm





A7

A7

A7

A7



A7

Gm

 

A7

 

Gm

 

     

Dm



     

Dm

  



Dm



 

A7

Juan de Dios Filiberto

Dm



A7



Dm



C

Dm

 

   

Dm

 

Dm

 

    Dm










  

Dm

  

Gm

Gm7



   

A7



Gm





A7





Gm



    



Gm



EMPA AREA TANGO

 

 Dm A7

A7







   

A7











Dm

 

Gm7

 

Dm





  Dm



a B para variación

80

Recuerdo A

 C#7/G#    

F#m       

 

 

F#m/A

           

  

C#7

   

  

F#m

  



B

  

F#m

(C#7)

  

C#7

  

F#m

  



  

C#7

 



   



C#7



            C#7

  



   



 



   



 

    

Bm

D7



F#7



F#7

   

F#m

D7

  

             

F#m

C#7

D

A

          



 

  



E7



A

(E7)



Osvaldo Pugliese

  



 

Bm

F#m

Bm

 

F#m C#7 F#m





  







  



F#m

  





  

C

                           C#7

     

F#m

Cº7   

C#7

   

C#7

 





E7

    

  C#7    F#m

 

 


EMPA AREA TANGO

A

  

   

  

D

  

D7

  

  

para variación

81

Romance de Barrio A

      

Gm6

Am7b5



Gm7



B

Gm7

Dm

  

Gm



Dm

     Gm6





F∆

 A7



Dm/C

A7



 

Dm





Gm7           

      

   D7

 EØ/Bb

Gm





C7

     

D7











 



Dm

A7

G#º7





 





Am7b5

 





Bb7

 



 







 

Dm           

  

Gm7

A7

A7

 



















E7/B



 









Bb7

Gm





 

 



F∆



C7





A7









Dm



C7



 



 

E7/B

Gm





 



    

 

D7



 





A7

 

A7



Gm6

F∆



Dm/C



 

Dm/C

 

Dm

 

 

Dm

 



 

 

  

Aníbal Troilo Homero Manzi



   C7

Bb7

C7

     

Dm

Dm/C





A7

  

A7

      Dm

D7

                       A7

Dm

Dm/C

E7/B

Bb7

A7

 Dm

                                   El Yerta Javier Cohen

EMPA AREA TANGO

82

Soledad Carlos Gardel Alfredo Lepera

A

         Eb

Eb

Ebº7

Fm7

C7

Fm7

Bb7

Eb

                        

C7

Fm7

C7



Eb

Ebº7

Fm7

Ab

Abm

Eb



F7

Bb7

Eb

Bb7

Fm7

Bb7

Bbm7 Eb7

                          

5

Bb7

C7

  

                            C7

F7

Fm7

Eb6

Bb7

   

Eb

Ab

interludio

                                   Gm7

Fm7

Eº7

F7 Bb7 Eb

                         



Bb7

    

B

Ebm

Bb7

Ebm

Eb7

Abm

Bb7

                          Ebm7

Db7

Gb

F7

Ebm7

     Bb7

                             Abm7

Db7

Gb

Ebm7

Abm7

Aº7

Bb7

                          Ebm

Bb7

Ebm

Eb7

Abm

Bb7

                         El Yerta Javier Cohen

EMPA AREA TANGO

Bb7

Eb7

       

Ebm Bb7 Ebm





83

Sur A

A


E7

Dm7

B7

E7

                                    Dm

Am

B7

F7

E7

                        

5

E7

A

A

          

             E7

C

G7

Dm7

B7

Am

E7

      

Am (Am G F)

                         





B

E7

E7

 



Am

 

  



 



Gm6

A7



 



E7





  

                 C

Dm7

Am

         Dm7

Am

B7

E7



       

Dm7

G7

Dm            

E7

A7

        Am7/G



Am

B7/F#

 F7

 E7

  

Am E7 Am

                          El Yerta Javier Cohen

EMPA AREA TANGO

84

Sur


A

               Dmaj7

D#º7

Em7

     

           

A7

Gm7

G#º7

A7

 

             

Dm/C

             

 

                

            

 

Em7b5

A7

Dmaj7

Dm

Em7

A7

Dmaj7

               A7

E7/B

Dm7

Bb7

Gm7

E7/B

A7

C7

Fmaj7

Bb7 A7

Dm ( Dm7 C Bb

            

)



B

A7

Bb7

 

Dm7

A7



C#º7

 

   

Fmaj7

Dm7



Bb7

   Cm6

   Gm7

A7

  D7

 

G#º7

A7

                      Dm7

   

Em7b5

     

Gm7

A7

Dm7

  

Dm7



 Gm7

Dm7/C

C7

   

  

Em7b5

A7

D7

 

 

          

A7

    

A7

Am7

   E7/B



Bb7 A7

Dm A7 Dm

                             El Yerta Javier Cohen

EMPA AREA TANGO

85

   9



          (A-)



  (A-)      



Taquito militar (E7)                

Mariano Mores

 

      

                               

A-

G7

3

3

G7 C A7  D                                           

18

3

3

E7  A-         A-                                  

27

C

37

    

  



              C    A-                         G7

E7 E7 A                                             

47

A-

E7

A-

                                                 

57

E7

G7  C       3  F7 E7 D.S. y 2º al                                                  3 

67

A-

76

     

82

Adrián Lacruz

     

(A-)



          D-    

E7                   

EMPA AREA TANGO

   E7



    

A-

86

Fine

Tarde José Canet



A





Em

B7

Em

                             

   Em

Am

(E7)

Am

B7

Em

                          

5



E7

E7

                      F#7



B7

Am

Am

F#7

     Em

       

C

B7

                  

Em

Am

B7

   

Em B7 Em

                             B

            E7

Am

Em

        F#7

       Am


B7

B7

      Em

      

G

           

               B7

D7

Am

D7

G

             Am

Em

            F#7

B7

Em

B7 Em

            

EMPA AREA TANGO

 



87

Te lo digo por tu bien Valle

   

G

Am7

Bm7

Am7

G

G7

C

E7

                                   

                           

5

Am

E7

Am7

E7

Am7

D7

G

Am7 D7

                          G

Am7

Bm7

Am7

G

1.

G7

C

E7

   

                             Am7

    G

  

Am7

   G

Cm6

D7



G/B

G

D7



Am7 D7

 



G

G

G/B



G



C

      F7


E7

D7

  

Am

E7

Am/G

F#m7b5

D7

E7/B

   

 A7

  

Dm7

          G

G

F7 E7

 

D7

A7

  

Am7

C

  

D7

   

EMPA AREA TANGO

Cm6

       

     

   

F7F#7

       

D7

G7



G

     



E7

D7

Am

D7

          A7

D7

                    

G7

   

G/F#

E7

         

2.

A7

                         

Am7



E7

  



G



 Cm7

      G

 

D7



D7

G



88

Te Vas Milonga Abel Fleury

    A



Em

          

Em

Am

Em

B7

          

B7

Em

                      

D C              Em

B7 Am6 Em/G B7/F# Em                              

 B7   

Em B7 Em                                       B



B7 Em B7 Em                                           B7 Em                 C



Em7



       



B7

Em

Em D C      B7                    B7 A                  

Em

Am6

Em

B7

                             Em D C B7 Am6 Em/G B7/F# Em                                 



Em


EMPA AREA TANGO

89

Tiempos viejos Francisco Canaro Manuel Romero

A

  



                        

AØ

D7

Gm

C7

F

(A7)

                             Dm

Dm/C

Cm

D7

G/B Gm/Bb

Gm

EØ

A7

Dm

C7

F

                                                  Bb

A7

EØ

A7

Dm



 

B

             EØ

A7

Dm

             EØ

  EØ

 

A7

C7

    A7

    

Dm

  

A7

Dm

EØ

A7

Dm

            

C7

    



 

             

F

Dm

  

EØ

 

EØ

    

F

  

A7

     

 Dm

 



 

(A7 Dm)




EMPA AREA TANGO

90

TIERRA QUERIDA E7

E7 A

A

       

    

E7

A7

   

Julio De Caro Luis Diaz

A7 D                 

D D Em B7 A7                                          G

A7

A7

D

D7

D

                                         Em

Bb7

G

D7

A7                                            E7 Gm A7 Dm                                        Dm



Dm



Gm7

               

Dm



     

Dm

Dm

      Gm                            E7

Gm7

Dm

             A7

 

Dm

  

        

Hernán Possetti

Gm

A7 E7                     

Dm

Dm

        



Dm

                Dm

Gm

        

A7

    Dm

 D7

Dm

D7

   

E7

             

Dm

Gm7

        

Dm

Gm7

    

Gm7

       

                        E7

EMPA AREA TANGO

A7

Dm A7 Dm

91

Tinta Roja A

        C6

Sebastián Piana Cátulo Castillo

          

G7 C

          

Dm7

G7

C6

                           

5

C6

G

F

Em

Dm7

C

C

G

F

Em

Dm

C



     

                      

 

Gm7

C7

      C

 

Cdim7

      B



Cm

   





Cm

   

Ab7

   

Cm

   

 G7







   

F

 Dm7

   Ab7







Cm

G7





C7

Ab7

    





Ab7



      

Gm7b5

G7

  G7



Dm7b5





       

F7

G7

  

Bb7

Ab7







C



Dm7b5

C





   

Eb7

 G7





 G7



 Ab



  

 

    

 

Dm7b5

G7

F7 Eb7 Ab7 G7 Cm G7 Cm   C7    Bb7                       

Gm7b5


EMPA AREA TANGO

92

Tirate un lance versión de Edmundo Rivero Transcripción Javier Cohen

Héctor Marcó

5



C Cm G E7 A7 D7 G E7 A7 D7                                         G

Am

D7

G

G

Em

C

E7

                            A7 D7                              



Am



G

D7

Am

D7

G

Dm

E7

Am

                                                    C



Cm

B7

  

B7

    

A7



E7

Em

     

G

   

Em



    

    

D

A7



C



G

 

   



Cm

G

      Am D7

D#º7

   

C7

 

Em7



    

A7

      

A7

  

A7

D7

G

Em

C

E7



D

   

       

G

Em

    

Em

E7

   



B7



   

D

   



   



    



F

D#dim7

G D7 G

Em

    





D7

B7



D

A7

D7





G

  

   

D7



Am Am7

  

G

    



D7

                                                                               A7

   C

    Am7

D7

Cm

G

G

Am D7

E7

G

Dm

A7

             F9

   

G/B F7

  

E7



A7

D7

  

     

  

D7

E7

Am

G

  G

  

F7

E7

   

D7



G




EMPA AREA TANGO

93

TORMENTO

   

1

   

D/F#

D#º

D

D6

A7

                          D

A7

Em7

Fº7

AMADORI - CHARLO

Em7

                      

   

D

D#º

A7

Em7

             

          



Gm

Dm

A7



   

Dm/F

Hernán Possetti

     



 

F

Gm









E7

 

Dm

  

EMPA AREA TANGO

A7

D

Dm

A7

                     C7

D

        

    

Dm

   

     

 

Em7

Gm

Dm

Dm







F#7

   

B7

D/F#

G#º

G6

A7



A7

EØ

Dm

      

 

Bb7

  



A7

     

Dm



A7



Dm



94



Trenzas Dm

A7

Dm

Homero Expósito Armando Pontier

A7

      

Cm

D7

                  

5

Gm7

C7

F

Dm

A7

Dm

              

EØ

A7

A7

Dm

Dm

             

A7

      

Cm

D7

                   EØ

Gm

Dm/C

E7/B

Bb7

Gm

A7

Dm

                        Gm6

 

Gm6

 









A7

  

A7

  







Dm7

A7

  

Dm





AØ

D7

  

Eb7







     



     

     

                          D7

Gm

Cm

AØ

         

C7

F

          El Yerta Javier Cohen

Gm6

D7

Gm

       

Bbm6

Gm6

          EMPA AREA TANGO

D7

Bb7

Gm

A7



Gm7

        

A7

    

Dm A7 Dm

  



95

Tres Amigos Enrique Cadícamo R. Luna

A

Dm

A7

Dm

A7

Dm

                            D7

        

5

Dm

Gm







A7

C7

        Dm

A7

F



 Dm

A7

       A7

D

   D

            Bm

        Bm

        A7

F#7





F#7





F#7

  





     F#7

 D



             

Bm

  

     F#7





Bm

        F#7

F#7

  

    

A7

Bb7

3 3                             

B







   



Bm

Bm



   

Bm F#7 Bm

        




EMPA AREA TANGO

96



UNO C

Mariano Mores Enrique Santos Discepolo

E7

A7

Gm7

A7

                           Dm

Dm+5

Dm6



Dm7

G7

                          C^

C^

C07

                  G7

C^

A7

 

Dm

Dm#5

    G7

 

  Dm6

 



F#07

       

Dm7

A¨7

           C



        

Dm7

G7



Dm7

       

           

A7

F

          C/G

B¨7





C#5

C6







Dm6

       

Dm

Dm#5

G7

    3

A7

 







Dm6

G7

 C^

  

     



C^



Eb07

Dm

                       Dm7

G7



C^

                       C

             

A7

         Hernán Possetti

F



C

C#5

C6





   

Dm7





A7

     Fm



   

EMPA AREA TANGO



Dm





   

D7

G7

C







Dm#5

C^



G7





B¨7

C



97

Ventarrón Pedro Maffia José Staffolani

intro

Cm

Fm6

Cm

G7

Cm

Fm

Cm

D7 G7

                                  A

Cm

     

G7









C7

   

       Dm7b5



Fm

Cm

G7/B

  

Gm7b5



C7



   

G7

Fm

Cm

G7

      

                Cm

  

        

Dm7b5



Cm

  

D7

                    

G7

G7

D7

Cm

   

G7

     

Fm6

Cm



Cm

 

  



Fm6

       

Ab7 G7

Cm G7 Cm

                        

 



B

G7

   



D7

   

G7

   

D7

   

Cm

  

    









G7

 

 

Fm6

  

Cm

  

   



G7

 



 

Fm

  

Fm7



Bb7

   

Cm

 Fm7



G7

 

    Dm7b5 G7









 



Cm Cm Bb7 Ab7

Bb7

Cm







Eb

 

 Eb





 



 



Cm G7 Cm








EMPA AREA TANGO

98

Volver Carlos Gardel Alfredo Lepera

Am

Am7

Dm

E7

Am

G7

                          A

C

 

G7 C       Gm     A7     Dm7           

                     E7

Am

Dm

B7

E7



Bb7

 

A7

   

E7 Am7 B7 F7    E7  F7 E7  G7                        Dm7



C



Dm7

Am7

Dm7

Am7

F7 E7

                    

A

E7

      

B

  A

   A

A#º7



Bm7



  

Em7 A7



                    E7



D

A



Dm6

D#º7



  

B7

 

E7



A/E

G7



F#7 Bm7 Cº7 C#m7 D C#m7 Bm7 A A#º7                                   

  

Bm7



                    

E7

A

F#7

B7

E7

A E7 A


EMPA AREA TANGO

99

Yuyo Verde A

C

  





E7

 



A7



  

Homero Expósito Domingo Federico





  

G7 Cmaj7 A-7 D7 D-7                        D-

C

  



E7



 





A7

  





  

G7 E-7 A-7 D-7 G7                    

D-7







D-

Ab7

   

 G7





D-



C (G7 C)



  

B

C-

D7

G7

C-

             

C7



F-

C7

F-

        

G7 CC-/Bb D7 Ab7 G7                           DØ

C-

D7

G7

C-

             

C7



F-

C7

F-

        

DØ D7/A   G7 C-/Bb     C               

G7

  

C- (G7 C-)

   




EMPA AREA TANGO

100

Partituras de Tango Empa

Recommend Documents