Fu Ho U vs. Do Re Mi: The Technology of Notation Systems and Implications of Change in the Shakuhachi Tradition of Japan Author(s): Riley Kelly Lee Source: Asian Music, Vol. 19, No. 2, East and Southeast Asia (Spring - Summer, 1988), pp. 71-81 Published by: University of Texas Press Stable URL: http://www.jstor.org/stable/833867 Accessed: 30-05-2015 18:19 UTC
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