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Table of Contents Key......................................................................................................................ii About the Authors..............................................................................................iii Introduction.......................................................................................................vi “Why The Weaker Side?”..................................................................................vii Systems for Practicing The Weaker Side...........................................................viii Section 1: Straight Triplets..................................................................................1 Section 2: Straight Sixteenths...........................................................................11 Section 3: Broken Triplets.................................................................................20 Section 4: Broken Sixteenths.............................................................................33 Section 5: Flam Triplets.....................................................................................40 Section 6: Flam Sixteenths.................................................................................46
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S=Strong Side W=Weaker Side Note: In order to keep the pages uncluttered, the letters S and W appear only in the first measure of each section. The notes on the top line are always played by the weaker weaker side, while notes on the bottom are played by the stronger side. All notes should be played on one sound source. *** Other forthcoming books from Wizdom Media Publications that work in conjunction with this book include: Open-Handed Playing by Claus Hessler and Dom Famularo Pedal Control by Dom Famularo and Joe Bergamini 8th-Note Rock and Beyond by Beyond by Glenn Ceglia Please check our website, wizdom-media.com website, wizdom-media.com,, for information about current and future releases.