p. 6. ] 0~ co~ouse> mQf"ly people still mo.rry for I"Yloney - - it's jiA~t tO\boo to ope..,ly o.cA.....,it it now. Even whe,... it 's vtot the prirnOtry reo.son for r'Yl~rri01'3e ... wrost people e .... tering into
Z73
NOTES mQtriWJony &o co,-si&er" ti-le fin~t"'ciad SitCAG\tio.., of the persova they're mG\rryi.-,g. It's Q(So worth pointing OCAt ti-lett., o.siofe fro..,., ro.pe ( whic"' iS DlboCAt to.kin9 withoCAf givit13 CAI"''yfj.,jng )_...Sex iS o.lwo.ys C4boCAt trG\cA.e : "I WG\nt to 9ive yo«A physic01\ pleo.sL
1 203 : 1 I
At1tiquity h01s left no recoro( of G\n experience o.ki.., to the love of TrisfQn Qno( lseCAit. It is well know., tJ...tc.~t the Greeks G\r1d Romans looked on love o.s " si(..kness [ ... ] whe.,ever it we.-,t, no mQ\tter how little, beyo...,~ ti-le sel'lSCAG\I pleasc.Are w&.,ic.n WOIS considered to be its nG\tCAro.l expression. PI&At~rc.&-, cG\IIS love "G\ frerny ". "SoW~e 1-\G\ve believe~ it wo.s G\ rno.cAne !IS .... ThCAS those wL-to G\re in love I"'"'CASt be for9ive.., G\S tnoCAgh ilL" [ RoCA<3e""'ol'lt_. p.60.]
I
203 :8- 20't : l C01rtoo11ist Eric. SJ.t01..,ower h"'s bee.., retellin~ the story of ti-le Troj~n W~r cu "' series of 9r~phic1'1ovets. Acc.oro(i.,g to the first volCArn'l!, AGf.. OF BRONZE: A
THOUSAND .SHIPS, Odysse1AS l-\01d. wanted to rnG\rry Helen blAt insteG\d WG\$ 9iven her cotASin ... Penelope, CAS o. sort of col"'solatio~ prize. J tr«AH tho.t ShG\nower is bG\Sin~ tkC4t ovr some G\1"\cie,.,t versio,., of the tG\Ie, or 01t le01$t isn't- contf'adic.ti"''g the ori9it1al SOCArt&.,e.., the relevo...,t p"'ss"'9es re9G\ro(in9 0c;(ysSfCAS cu-1cA Penelope G\re 011 po.9es 126 o.1>1a 135.) l11cidently, I've bee.., e..,joyit1g the AGE OF BRONZE. ser-ies. I hope ShCA.nower mG\nG\ges to finish it. We fi"'c( isoiClltec;L recorcJ.s of pG~SsionD~te love experienc.ecA by spol.-\ses o.mong tne o.nc.ie..,t Hebrews, (,reeks> G\r'lci Ron-1Q1'1S . SCAt si..,ce o.rra..,geo( mG~~rriG~~
\-zoct:l
J
jzott:'t l1 believect for G\ wl1ile thett there eve ..,o pre-12tl1cent""ry literG~~ry works H1Qt conto.i11 cho.ro.c.ters wl-'!o first fC41l in love G\n~ the,., 9et rno.rriec.t. This is o.l,.,.,ost trtAe, hCAt not qt.cite. Re01ding THE SEVEN BASIC PLOTS by Christopher Booke.,.., I co.rne o.cross o. reference to the G\ncie..,t Greek novel DAPHNIS AND CHLOE by Long\.\s (co.. the 21"1d or 3rol cel"''t~Ary A-D). Booker's c:Aesc.ription it'tolicc:.tes tlo,Qt it's 01bo1At "' co~Aple who I'YlQrry beCG~.'-'Se
274
NOTES
ti-tey've fo.llen in love. I went OIAt o.not pic.keo( LAp 0111 tro...,slo.rion - - 8oof.APHNIS AND CHLOE .. tV.ere o.re ot&-ler s i rnilo.r- Greek o.no( lO\tin works fr-ol"'\'1 tl-tis periocJ.. [ lol"'g~s.. p. x.] It seerY~s th01t they oicJ.•1t peYSCAo.cA.e people i11 0.11y si91'tific01nt l'tiAWiber-s to ptAt m01rrio.ge-for-love into prCAc.tice .
En9lis~
''l"~"CA '' 01 s ex-slowe? D1Aring oiArpost-co i to.l co ..wersO\tion, "Lo.IAro." told. rYTe o.bot.At 01 trip sne·~ jLAst to.ken bo.c.k to her l-lomelo.ncA o..,c-J how she'cJ. visiteci I-ter fo.,.,.,ily while there. Tho.t indico..tes to 1"11E' o. greo.ter clesree of mobility o.no'. fr-eedoi"YY tho...,., o..,e woll\lc.l e)Cpec.t o. s ex-slo.ve to ho.ve .
I 201 : z- 208 ' I WCI\s 1
I
209 3 '
I
l
2 I 0 : 6 - 2 II : '2.
J',..., 01ot o. teetoto.tler, blAt it's ro.r-e thO\t I drink ""'Y k i no( of odcohol .. so I 11ever ho.ve G\t"'y
I ,.De1'11Se . " _, , c.
b ,_ . L • re..,.,em er t.-"s n01ppe'"'"".9 · After she reo.o( tl-le book? si-te a.skecJ. .. ''Reo.lly? I for9ot to pic.k LAP the mol'1ey th01t first tiW~e ?" Yes,. she d.icJ. . Misto.kes like tho.t co..., h01ppe11. A few yeo...-s lo.ter- I forgot to plAt the money OIAt.. which lea< to rt-u.A.ttAod embar-r-OISS..,.,ent. Sl-1e wo.s eWibetrrCAsseo< to 1-towe to o.sk for it.. et11d I wo..s eP'I"''bo.r-retsst•o( bec..GI\~ S e I dicAn't WG\1'1t he,.- to think tl-to.t ICA. been tryin9 to 9et a.wo.y with not pe~~yi"'~· I 11ow ho.ve "' check - list of thit"'gS to r-eP'I"''e..,ber to a
I ztz.. : z.. 3
J It P'I'701Y seem h01rc;t to believe tho.t I wc.o work ins so hG\r~ th01t I coiAio(n'r spetre o.n hoLAr or two ~ mo..,tJ., to see 01 prostit~Ate. All I COin S<"AY is .. tho.t wa.s Hre 11eo.o-spa.ce I w01s ;., , Ye s ~ I coLAio( howe pG\ic:l for se)C G\ fe~A~ More timeS in 2003 011""10 Still nGI\Ve rYIO.c(e the pLAblico.tion c.tea.dline for LOUIS RIEL Gl\110. coMplete~ e~~IC of P'I"''Y promotione~~l c.ttAties.. blAt I wo.s in StACh o. po.nickeo( st01te tha.t- I felt- like I dio(n 't h01ve o., extrO\ ,..,;..,lAte. I'm ;.., o. s;..,.,;lo..r po..nickeot StO\te. o..s I finish this book. Tl-te oV~Iy reo.son why I '" "' hCAvil'19 sex (i(t.Aring this dea.~line- c rc.Anc.h is beca.~ s e ""'Y rela.tio11ship witl-t "Denise" is too f;,...,..,ly esto.blished ;"' my life . 1 first met Sook- Yi., .. she br-Oiic:{ed. 1-ler ~0\ir like this most of the tiwte. Over- tl-,e yeo.rs sl-1e 9ro.dlAetlly stoppe~ d.oil'1~ so. By 2008 sne wot.Alo( not ho.ve wort"'' he r 1-1 o. i r i.., t-1-1 is sty Ie .
I Z 21 :a I Wnen I
223 ~ 1
I
I t'"eW'Ie""'1bE'I" the point uorGl m~~e in this c.onversG\tion , b"'t ..,ot ex01ctly how 1-,e ~xpre ss ec.( it. He Z'Z2 =S -
Z75
NOTES ciid. not LASe "'"" im"''='in01ry cov.ple n01n-~eol J01ck 01nol J01ne to
d01rify wh01t he WCAS .S01yin9. ( 6y the w01y_, my brother is Ylot himself ;.., 0111 open J01ck-omoi - Jcv1e sltt.tO\tion. He's i , 01 committe~, rnono9c.molAS ,-e/01tlon s hip.)
5' ~
3 't \ 22 I' ve fG\ile& to convey how 01mv.sect Seth WC"AS w '-1 e.., I "'c4 mitt eo( t h C\ t I I o v e. "0 en is e ". Set.., d. I were 01c.tv.G\1fy sitti119 ;, 01 rest01v.r"'n't on Gv.ee.., Street G\t the tiYY~e
I
0\,
- - Terron i.
I 2 'l 6 ~ 2 - 22 1='31
TI-Ji~ po.rt of the conversOt.t-iol'l neve..-h01ppe...,ed. When I c;trew tl.,ese P"'..,els I h01cA only told "Deni se" 01bov.t feelin9 th01t e""ptil"'ess.
221 3 I2010 ' I The d01.te CAt the bottoW\finis of this p01r1el - -June 1th -- is w'-'e.., I t""'ov.ght I hec:i cA r01wit1g the WO\S
book. A feCAJ ol01ys l01ter I re
I AFTERWORD * I
Fellow cao.r+oonist D01ve Sin"! stopped resO\rcAi1'19 n"'e o.s 01, friend in 2008 beCOIIAS€ I ref&AseoC to sig.., an ;.-,ternet petitio.-, tJ.Jat ~e set up thO\t reo.c:A.s.~ "Dc:we Sit'Yl is 11ot o. miso9yr"tist." I cAon't o9ree witl-t his opinion tl-tao.t womeY'I 01.r-e intelfec.ttAG\Ity i..,ferior to mer1_, b""t my o.ffec.tio"' G\no< r-espect· for hi.,., remo.in U(nd'lo.t'lged.
I APPENt>IX
I
I " Tl-1e wo.y I' ve phrG\sed this misl-'lt seem to ir'l'lply t~01t otl-ter- coiAntrie s folfoweol. CG\n~oi.G\ 'S leo.ci in ol.ec.rimin~lizing l-tor't'l05eX""~'ity. COI.rlCAc::ACA """'S o.c.tiAcdly follo"Vin9 E..,giOI.nct's le01.c::A. ( Gv.&9eon~ p. 191. )
~ } I i1cwe no stro.-,9 opinion on the connectio.-, between 9enes "'"'c::A sex"'"'' prefere...,ce. It woi.A.Icil"l' t sv. r p r is e ""'e if there is " "9 C\ y 9 e, e "_, 01n ci i t w o lA Io("' ' t sv.rpri se me if there isn't one.
I A.
2
I A. 6
I
1<' If yo""'re wonoCerin9 wf.-\y I dic;(n't encow·1ter C"Any prostitv.tes wl1o o""'Y 901ve o,-C4(> it 's beca.v.se they n"!O.de it cleo.r in theirso I oioln't COlli the orCAI-OI'lly s e>c-worke rs.
I A· 6
~*
I Amy ,
"A 'Profe ss i on01l lover ' Spea.ks ", NATIO-
NAL POST> JlAiy 15 tl, 2006.
Z76
NOTES
I s J., o "" I c;( ~ d ..,..., i t t n 01 t I r e c::u· ,.01.., 9 e o( t h e o r cJ. e r o f the q_«Aote -- tJ.,e "[1]., folAt" yeetr"S" section atppeatrS before the ''My clients" section ;.., Amy's esso.y. A. 8
* **
Del01coste~
p.. l'lO ..
A. 8 J<'\ne <'\no( At'1<'\Nicole~ "De01r John "~ SPREA D, Wi..,ter 200S, p. IS .
~·*
I A. 8
J Mo11et, p. 221.
\ A. 9 .,.. N~rne withneld~ " Letters ", EYE W£E.KLY ( Toronto)> M<'\rc.h I st 2007~ p. 5.
I
'A. 9 (
I A. '
0
"'* I_ M onet,.. ... p. 2.20. * I Jeffreys_. pp. 260, 261. is quotir19 f,...on1 p019e
Jeffrey~ 159 of "' 1991 p«AblicQtion> RAPE. AI\ID SEXUAL ASSAUlT m : A RESEARCH HAND8001<, eclitecA. by Ann Wolpert B«Ar9ess.
I A. ** I " Denise" tells 10
me tho.t she enjoys hcwin.9 sex
with me. M<'\r1y of yo«A re"'~ing this will thil"''k th~t
she's bei..,9 less thQI.., hot1est with me. Peoo..,QIIIy, I believe her, btAt I reo.li~e th~t she prob01bly enjoys se.x w it&-, me I e H t "'\(j\ n s h e h o. s e ..,joy e ~ i t wit h the norr - p<'\yin9 se)(IAOd po.rtners she's nOI.o( "',o( "thOit, if I wo.s...,'t po.yir19 her~ she wo«Aidn't co..,tinlAe to 90 to becA with me. IL A ·
I
.
*'* FeW~in•st work o.., tl-te effects v.po, w oW'Ien of .se.x"'o.l violen,e, St.Ac.h o.s ro.pe, ;..,cest.. seX«A<'\ I "'Qretssment Qlnc( m~rittill ro.pe , CO.I"l be lAseft.Aily "PPiie~ to tne effects of prostitv.tion. [Jeffreys, p. 268. ]
10
~ MG\,.,V prostit~Ates ho.ve developed Hreel"'i1"19 sys'tems tho.t suc
IA.
10
I A. 11
I
* Here 's the c.ontext in which S heil01 Jeffr-eys o.sso<.io.tec:A S e)(u~l objectific<'\tion with ernotiOI1G\I i1'1c:Aiffe,...e..,
NOTES
MG\Ie seXtAG\1 be~01viour d-t01r01c teri"te~ by tl1ree efe,..,.,e..,t.s v01rio1ASiy coVYlbi..,e~: b01rter_. pro,..,.,is c. ~ity> erY~otion~l i,.,o(;ffere..,ce. Any 1"1'1011"1 is 01 prostitiAtiol"t 01buse,.. who 7 for the pl.4rposes of his sexc.AOII so.tisfO\c tion 7 h~bit1A01IIy or i ntermitte..,tly rec:;(uc.es o...,other ~um&.n beit'1S to &. sexc.Aod object by the use of rY~Ot'1ey or other merce...,o.ry co..,side..-~tions . [Jeffreys .. p.lt.] " Pros t i t ~ t i o t'1 01 bus e r " is o. t e r .,.,· she ._. s e s in t e rc 11 01 n0111in9 in AtAstY01/i01 ? Here in (o.nOIQ(OI it refers to tr01ole witho~t Mone y.
I A.
12
*
l
The best book I've re01c< 01bo1At tl"01ff ick in.9 01t1c;;( sex-work is Lo11..cr~ Mo.rio. A9u stln's SeX AT THE. MARC,INS . She Yec.o9nizes th01t mo st tro.ffickecA people c:;(o..,·t see themselves 01s helpleH victirv1S. RE>so.rolin,9 the ir o(ebt - bo..,c.lo.<3e .. s he quotes o. Coll.4W"'bio...., tY01ffickeo< il'lto Sp£Ain: I never co,.,siderecA it to be ~ debt . For ,..,e i t wo..s like o. fo.votAr th01t they c;;(icA for me. [ A<3tAStin., p. 3lt.]
I A. 12
l
¥<-JtA,.,c;(rew Rosetto.., review of .SEX TRAFFICKING.., ecCiteO. by SiclcAh01rth l-<01ro. ., SPREAD> Fotll Z009_. p. 59. The sto.tistic comes from K01r01> wi-Jo sees prostittAtiol'l ets 01 form of exploit01tion.
I A . 12 *'*' The
s how WOIS SOtANDS LikE CANADA_, hosted by S \1el019h Ro9er s. The interview s~ bjects were 8enjo.min Perrin 01no< De tee ti ve uoi"'G(OI'\ Me c~ I loc. n.
l A.
16
*
I
1'1"1'1 StAre ti1At ;,., I'YIOSt w01ys tl-'le licenc.ec.{ prosof Nev01~01 C\re si mil()lrly COI'\trollec4. ..,ow_. blAt ;.., 01 time w"'e.., o.l rY1oSt every o .-,e l-10\s C4 cell-pho..,e I woncCer if telepho11e use ; .., t"'e Nev01~01 brothels is restric.te" the wo.y it w01s ;..., the 1990 ~ . tit~Ates
A.
~ Then c01 me the breD~ktl-erot..cgn H101t mat.rked [ PieYre] Tr"'cA.e01u's pc...tblic emer9e,.,c.e o.s the [ ... 1 c&.-.C4risw.at.tic. fi
19
Z78
NOTES
Tr~AGte"'v. broLA9nt before the Hov.se of (oW~t'VlOI"'S o. c;4ivorce reform bill o,nc;( sever"'! CArne..,c;A.-nenf"S to the Crimll"'"'l (ooe liber-odizi..,9 l"'ws on abortion o.n~ homosexCAcdity. This over..,Ot.v.l of soci~l le9iSlo.tion ho.O. bee,., lA..,~er wo.y ;.., the J~Astice De po.r't>'Y1eYit for ye"'rs. !)tAt' TrtAdeav. mcu:ie the c.n01.119es his own by telli,.,g the tefevisio.-. c: 01. wt e n:ll. s o v. t s; c;( e the H o v. s e ~ '' l J.t e. s to. t e h 01. s .., o pI 01. c. e ;.., the bedroovns of the n01.tion . " Thc:lt this icAeo. w01.s borrowed. direc.tly froWI 01.., ecAitoriod writte.., by M01.rtin O' Mo\lley th01t week for THE GLOBE AND MAIL we ..... t t.H1vtotic.eol. Deliver-eol by o.. Wli.,ister of the Cr-own weo.ri..,g o. le01ther coat an~ sportin9 o. (CAE!SDir h01.ircv.t, it h01o( o.n elec.trifyi"'9 effec.t o., the ptAblic iW101.9ivt01tio.., , It expressed. o. wio(ely felt need to brin9 (0\t"lrAdOI. v.p to 0.01te ;.., o. vv01y th01.t every boc(y co&.AI& CAnc;(erS.tDII"'o(, Here wo.s 01 WlOII"' wJ,o WQS willing to oeclcue himself il'1 oppositiOI'\ to the est01.blishec:A order_, o. wtOI.I'l vvho WG\S SO\yir'l9 tho.t C"'nOI.GtQ did vtot hc.we to be o. Vic.torian boo.ckwo-.ter~ o. WIIASetA..,.., of o~.Atmooteol i&eo.s. ( Clo.r-kso.,_, pp. 101, 108.] Tr~AdeOI.tA w01.s the.., the rni.,ister of jtAStic.e. This is wl-10\t ..,e 0\<. ttADIIIy SOI.io to the 01bove -W~e,.,tio,.,e<:i television co-...,..,ero.s o~ Dece...,ber 21st 1961.:
To-.ke t&.,i~ thi..,9 on ~oWiosextAodity. I thi11k the view we t01.ke here is th01t there's ..,o platc.e for- the st.o.te ;., the becAroo~s of the t'lOitiot'l. I thi11k ithOtt' vvho.t·s do..,e ;,., privo.te betwee.., o.ol~Aits does.., ''t c:o..,ce,..., the Cril'l'1il'1011 Code. Whe.., it be(omes pLAblic t h i s ; s 01. c::{ ; f f e r e..., t .,., o. t t e r., or w h e .., it r e I 01 te s to ...,;.,ors this is .o. olifferent l'l'10ttter. [ G~Adgeon., p. 199.] He becO\vne ti-le pri.,.,e ...,;..,;ster in 1968.
recom~e..,G( Cro.ot ~i/od"'ey's e>.l..4tobiogrc..phic0\l novels EXCREMENT (Charnel HotAse_, 1988) "'"'Gt PUTRID SCtAM ( CJ,o.rnel Ho~Ase_, 1991 ). u..,fort~Anately they're both OtAt of prif'lt_, bc.-tt peri-1ap.s yoi.A COtY\ finoC
I A ' * ) I hi9hly 0
~.A~ed
copies.
I 8JBLI06RAPHY LC\1.1\r"' McM·Io.. SEX AT THE. MAR61NS : MIGRATION., lABOIAR MARKETS AND THE RESCUE INDIASTRY. Lo.,olol"':
Ag~.A.Strl'l.,
Zed., 2oo;r. Alber't, Alexa. BROTHEl: MUSTANG RANCH AND
279
ITS WOMEN.
NOTES 200L New York: B~llcv1tine ~ 2002. Booker, C~ristopher. THE. SEVEN BASIC PLOTS: WHY WE
zoo-,.
loYlcAon : (ot'l'ti111"4"4Y"n~ TRtADEAlA AND OtAR TIMES : VOLtAME I ; THE MAGNIFICENT OBSESSION. 1~90. Toronto: McCiello.nd & Stewo.rt., 1997. Cool"'tZ ,. Step""anie. MARRIAGE., A HISTORY: FROM OBEDIENCE. TO INTIMACY. New York: Vikin9,. ZOOS. Delacoste , Freoeriq_CAe) ancA Priscillo. Alex01n~er,. ecAs. SEX WORK = WRITINGS SY WOMEN IN THE SEX INDUSTRY. Secon~ edition. SOIYl FrO\ncisco: Cleis, 1998. Gt..u:;(13eon 7 Chris. THE NAKED TRUTH: THE UNTOLD STORY OF SEX IN CANADA. Va'1C01Aver- : Greysto~"~e~ 2003. H'-'Q. ,. Co.i. A SOCIETY WITH01,4T FATHERS OR HIASBANDS: THE NA OF CHINA. Tn~ns . Ast i H~ s tvec:At. New York : Zone , 2. 00 I. jc,..e9er~ C. Stephen. ENNOBLING lOVE : IN SEARCH OF A LOH SE NS 181L ITY. Phi l01del ph i01 : UO't i v. Of Pe..,n syl V0\"1 i 01, 1999. Jeffrey.s ,. Sl1eil01. THE. IDEA OF PROSTITUTION. Melbov.,-..,e: TEll STORIES.
Clo.rkson.,
200't.
Step~e.., 7
ancA Cnristina McCo.ll,
Spir'lifeK, 1991. DAPHNIS AND CHlOE . Tr01ns. 01nd. int,-o. RonO\Ic( M<(Oiil. 2.002. OJo:ford: Oxford ()vriv.J 2009 Mc.lQ.ren., leQ.h. "T~e H"ppiest Hooker. " TORONTO LIFE, Dec.ei'Ylb e r 2010. Mor-tet_, Verot'l i c "· '' Se~i tion ." WHORE. S AND OTHER FEMINI S TS . E&. Jill N0\9le . New York: Ro"'tleo9e, 1991. O'Shea, Stephen. THE PERFECT HERESY: THE REVOLUTIONARY liFE AND DEATH Of THE MEDIEVAL CATHARS. '2000. VQ.n CoLAver : DoL(9I" s & Mcintyre., 2001. Perrin_. 8enj01n1in. INVISIBLE CHAINS : CANADA'S lANDERGROIANP WORLD OF HIAMAN TRAFFIO
longiAS.
280
Praise for PAYING FOR IT "Paying For It is a very enlightening book, as well as being entertaining: [Chester Brown] is a very skillful artist in that way." R. CRUMB,fi·om his introduction to Paying For It ''I've loved Chester Brown's work since the early days of Yummy Fur. He started out as a remarkable cartoonist telling strange stories that slowly became, over time, increasingly personal.
Paying For It is as personal as you can get. It's a clear-eyed, not-even-slightly-erotic, compulsively readable, sometimes painfully honest account of his time, reasons and experiences paying for sex. I learned things about Chester from reading this, and I learned things about sex-workers, and about the world, and, oddly, I think I learned things about myself. The argument about when or whether comics had grown up ended when people started making comics for grown-ups. This is one of them. Paying For It is the kind of book that will engage your mind and force you to think about things in ways you may never have done before. Chester would probably like that. And if you find yourself arguing with the page, or with the author's notes, I think Chester would probably like that too." NEIL GAIMAN "Chester Brown is perhaps the most transparent, honest and relevant voice remaining in contemporary comics, and this is, to my mind, his most powerful and affecting work to date. Paying For It explores life in the world's oldest customer-base, and does so with heart, intelligence, and a complete lack of sentiment or self-justification. Rewarding repeated readings, this book will love you long time." ALAN M 0 0 RE "In Paying For It, Chester Brown not only makes a compelling case for the decriminalization of sex work but he also seems like an excellent client. Sex workers and sex worker rights advocates couldn't ask for a better ally. A must read in the canon of sensible and sensitive voices making a case against prurient ideology-based rhetoric about consensual sexual behaviour." SAS HA, natio1wlly syndimted
sex columnist, playwright, and sex worker rights activist "The self-aware john, a quirky and surprisingly realistic guy, is everywhere, but he's also been silent and overshadowed by his belligerent, deluded brothers. Paying For It is a fascinating modern (and enjoyable) response to that anonymous Victorian sex classic My Secret Life. The characters encountered here evoke Armistead Maupin's Tales of the City. Chester Brown's emotional honesty is riveting. This is what sex ed looks like when we refuse to stop learning." TRACY QUAN, author of Diary of a Manhattan Call Girl and Diary of a Jetsetting Call Girl 978-1-77046-o48-s $24.95 US & CDN COMICS & GRAPHIC NOVELS I Nonfiction BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs
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