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AUTOMATIZACION
Basic Chord Progr P rogression ession With Three-Note Chords
With Four-Note Chords
3 3 3 2
�
1
2 4 3
2
1
4 3
E B G D A E
4
4 3
2
3
1
1
2
2
4
3
3
1
1
2
2
3 3 3
1 3 2
1 2 2
1 2 1
3 3
3 2
2 2
2 1
3
2
1
2
3
2
1
2
Chords Shapes Similar to Familiar Chords G 7 11 Similar to C7
Gm7 Similar to A
�
� �
2 2 2 0
3 3 3
1 3 2 3
3
Fmaj7 Similar to Am
� �
1 3 2
1 2 2 0
2
B7 Similar to F dim
�
1 2 2
2 0 2 1 2
1
1 2 1 2
G 7 Substitution for C7 C7 and G 7 share two notes, so…
�
3 2 3
3 2 2
instead of playing C7 in a ii–V–I…
* ii
V
3 3
3 2 3
3
I
ii
II
I
1 2 2
3 3
3 2
1 2 2
1
3
2
1
*chord “functions” �
you can substitute G 7
Jazz Harmonies Colorful jazz-harmony extensions are bossa nova’s foundation. When you see a progression, instead of playing this: …play this:
3 3 3 5 5 3
2 2 3 4 4 2
1 1 2 3 3 1
3 3
3 2
1 2 2
3
2
1
�
Basic Bossa Nova Rhythms Bass Line
E B G D A E
�
3
3
2
2
1
1
2
2
Basic Rhythm
Count: � �
�
3 3 3
3 3
3 3 3
� �
� �
� �
3 2
2 2
2 1
2
3 2
3 2 2
1
�
2 2
2 2 1
2
2 1
2 1 2
Rhythm Variation (in first and third measures)
� �
Count: � � 3 3
3 3
3 3
3
3 2
3 2
�
� �
2 2
2 2
1
2
2 2
3 2
2
3
�
2 1
2 1
2 1
2
1
�
2
Breaking Down the Rhythm Variation Practice Rhythm on Second Half of Measure
Count:
�
3 3 3
�
Practice Fingers-Thumb
Practice Thumb-Fingers
3 3
3 3 3
3
� �
�
3 3
3 3
3 3
3
3
�
3 3
3 3
3
3
3
Rhythm Variation (in all measures)
�
3 3 3
3 3
3 3 3
3 2
3 2 2
3 2
2 2
2 2
2
1
�
2 2 1
2 1
2 1 2
2 1 2
2 1
Full Variation with Syncopated Pickup
�
3 3
3 3 3
3 3
3 2 2
*Dampening Practice
3 2
2 2
2 2
2 2
1
2
3 2
3
Count:
2 1
2 1 2
1
2 1
2 1
2
Chord Change with Dampening
**
Count:
�
3 3
3 3
3 3
3 3
3
�
3 2
3
3
2
**dampen on the “&”
*practice individually with both lefthand and right-hand dampening
†Chord Progression with Dampening
*
Count: � �
�
3 3 3
3 3
3 3 3
� �
3 2
3 2 2
†dampen on the “&” of beat 2 in each measure. *don’t play first note on repeats.
3 2
�
2 2
2 2
2
1
�
�
2 2 1
� �
2 1
2 1 2
2 1 2
3 3
Turnarounds Turnaround 1 with Rhythm
Turnaround 1 Chords
��
�
�
5 5
5 4
��
�
�
3 4
1
4
4 3
3
4
1
3 2
E B G D A E
�
2
2
5 5
5 4
5
4
2
1 3 2
4 5 3 4
5
2
4 5 3
1 3 2
4
4
2
Turnaround 2
�
1 2 2
��
�
�
1 2 2
1
1 2 2
1 2 2 1
1 2 2
1
1 3 2
1 2 2
1 3 2
1 3 2
2
1
1 3 2 2
2
1 3 2 2
Turnaround 2 with Anticipation Rhythm (as in Turnaround 1)
�
�
�
1 2 2 1
��
1 2 2
1 2 2 1
1 2 2
1 2 2 1
1 2 2
1 3 2
1 3 2
1
2
�
1 3 2 2
1 3 2 2
2
Progression Play Along Verse Progression
E B G D A E
�
1 1 2 2 2 2
1 2 2
1 1 2 2 2 2
1
1
1
5 4 3
1 5 2 4 2 3 3
1
5 5 4 4 3 3
3 3 4 4 3 3
�
3 3 3 3 3 3
1 3 2
3 3 3
3
3
��
� � � �
3 3 4 4 3 3
3
3
� � �
� �
� � �
� �
�
�
�
1 3 2
1 3 2
2
3
2
Verse Progression with Turnaround
�
1 2 2
1 2 2
1
1 2 2
1 2 2
1 2 2
1
1
1 2 2
1 2 2
1 2 2 1
1
��
�
�
3 3 3 3
3 3 3 3
1 3 2
1 3 2 2
1 3 2
1 3 2 2
� � � �
� �
�
�
�
1 2 2
1 2 2
1 2 2
1
1
5 5
5 4
�
3
1
5
5 5 4 4 3 3
1 2 2
4
4
�
1 3 2
1 3 2 2
3 3 4
3 4 3 3
��
�
�
4 5 3
3
3
5 4 3
5 5 4 4 3 3
1 2 2 1
3 3 3
The ii–V Relationship The ii–V commonly resolves to I
Chord Relationships in Our Progression
ii
II
ii
V
ii
II
5 4 3
3 3 3
1 3 2
3 3
3 3
3 2
3
3
2
3
1 3 2 3
3
2
*I
II
1 2 2 1
*chord “functions”
Intros and Vamps
Intro/Vamp Chords
�
Our progression substitutes II for V in a ii–V
Intro/Vamp with D7 Chord
�
�
�
�
�
or
E B G D A E
�
5 4 0
5 5 0
7 7
5 4 5
5 5 5 5
7 6 7 0
7
5
Quick-Change Intro/Vamp with Am6 Chord
�
�
7 7 7
7 7 7
7 6
7
�
�
7 6
7 6 0
5 5 5
5 5
5 4
�
7 7
7 7
0
7 �
�
7 6
5
5
5 4
5 7 4 7
5
Quick-Change Intro/Vamp with D7 Chord
5 5 5 4
7
�
7 6
5 5 5 5 5
5
�
5 7 4 7
7 7 7
�
7 6
�
7
7 6
�
Introduction for “Manhã de Carnival”
�
5 5 0
5 5
5 4
�
7 7
5 5
5 4
5
�
�
7 7
7 7
�
8
7
7 6
7
5 5
7 6
5 5
5 4
5
0
7 7
7 7 7
0
5 5
7 6
6
7 7
0
�
�
5
4 7 6
7
0
5 4
5 6 7
5
5 5
5
0
5 5
�
5
0
5 7 7
5 5
7 6
�
7 6
7
0
�
5 5
7 6 0
�
7 6
7
�
7 7
0
0
Turnaround
�
�
�
5 5 5
5 4
5 3
5 3 0
0
5 2
5
5
5 0
0
0
�
5
0
5
3
4 0
2 0
7
�
Hold the Place Composed by Aaron Gilmartin and Dorothy Potter Published by Fishy-Virgin Music, ASCAP, Used by Permission
Intro
�
3
6
3
�
6
5
4 5
2
3
0
1
�
1
�
6
9 8
10
9
10
8
9
8 8 8 10 10 10 9 9
10
3
8
8
1 2 2
3
3
5
10
10
1
3
3
�
10
�
5
5
E B G D A E
2 2
1
2 1
2 2
2 1
2 1
2
1
0 0
2
Verse
�
�
3 3 3
3 3 3
�
3 2
3
3 2
3 2
3
�
2 2
0 0 1
�
2 2 1
0
2 1 2
2 1
2 1 2
1
fie
2 x 34 xx
�
com - ing
I’m
3
to
back
3 5
5
3 2
0
And
2 2
mo
-
3 3
ment
you
3 3
3 2
can see
3 2
5
0
5
ment
know
5
0
Fx dim xx 2 13
And
ture
1 2
2
0
2 1
2 1
x 21 4 xx
3 3
came
3
2
1
F maj7
C7
what
5
2
2 1
0
3
2 x 34 xx
x 32 4 xx
-
-
0
G m7
mo
2 1
2
1
1
D7
5
the fu
3
from this
2 1
2
1 342
3 3
2 2
Fxmaj7x
C7
x 21 4 xx
from this
2 2
1
3
2 34
�
door
3
5
m7 G x xx
�
your
3 3
4
dim F 2 x 13 xx
F1 xmaj7 34 xx
G m7
D7
x3 2 4 1 x
F
2
dim
2 x 1 3 xx
1 x3 4 2 x
be - fore
My
1 2 2
3 2
1 2 2
0
2
2 1
2 1
3 3
1
�
1
1
2
2
0
G m7
2 x 3 4 xx
life
�
is
3 3
full
of
3 3
3 3
lov - ing
3 2
3 2
3 2
me
I
find
my
5 4
5 4
5 4
2 1
0
3 3
F
3 2
3 2
2
dim
2 x 1 3 xx
So-
face
one
1 2 2
0
1 2 2
2
0
2 1
2 1
0
3 1
3
G m7
x 21 4 xx
to
fly
3 3
3 2
2
1
Fxmaj7x
C7
2 x 34 xx
F
in - to
3 2
3 2
3 2
blue
dim
And
sky
1 2 2
0
2
2 x 13 xx
1 3 42
3 3
2 1
2
1
1 x 3 42 x
x 21 4 xx
in just
love
0
2 1
0
F maj7
C7
5
3 3
1 2 2
2 2 1
2 x 34 xx
says
But
3
G m7
fi - a
2 x 13 xx
ple
0
3
5
3 3
-
of peo
3 2
3 3
x 32 4 xx
�
full
dim
F
1 x 3 42 x
21 4
D7
�
F maj7
7 C x xx
1 2 2
0
2 1
2 1
2 1
3
3
1
��
1
2
2
0
G m7 C 7
D7
x3 2 4 1 x
she will
�
stay
3 5 4 5
at
home
3 5 4
0
A7
E7
0 3 24 xx
2 x 34 xx x 21 4 xx
2 x34 xx
�
be
3 3
3 2
3 2
7 6
7
at home
7 6
7
3
5
�
7 6
She
says
6 5
6 5
6 5
7 6
dar-
7 5
3
5
1.
D
7
G
�
C
ling
while
you’re
7
F
I
gone
maj7
F
will h old
dim
2 x 13 xx
1 x3 4 2 x
x 21 4 xx
2 x 34 xx
x 32 4 xx
-
m7
the p lace
5 5 4
3
5 4
5
3
3 2
0
1 2 2
0
0 0
2 1
2 1
2 1
3
5
1
3
Fx
1 2 2
m7 G x xx
7 D x x
dim
2 13 xx
I said now
dar - ling
when you’re
2
1
Gx 7 11 x
2 34
3241
1
Fxmaj11 1 2 3 00
2 3 41
gone
2
I will hold
place
the
rit.
�
0 3 2 1
2 1 2
3
3 5
0
1
3
5 4
0 5
2
1
2
2
2
5 3
2
�
2
1
2
2 2
1.
I have seen the world across the waters Sofie I’m coming back to your door And from this moment you can see the future And from this moment know what came before My life is full of loving, full of people But me I find my love in just one face Sofia says to fly into blue sky And she will stay at home, be at home She says darling while you’re gone I will hold the place
2.
I have found a field of lovely flowers But only one blossom holds my gaze The silent starry horse rides the night sky And every star in heaven takes her shape Sofia gives her light to so many people And each can see her light in just one face Sofia fly into blue sky And I will stay at home, be at home I said darling while you’re gone I will hold the place I said now darling while you’re gone I will hold the place
