OCP
sheet
music
30100942
Tanging Yaman Manoling Francisco, SJ; Philip T. Gan, SJ
SATB, Descant, filipino Keyboard, Guitar
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INTERCULTURAL MUSIC SERIES Tanging Yaman Assembly, SATB Choir, Keyboard, and Guitar Manoling Francisco, SJ Choral arrangement by Norman Agatep and Manoling Francisco, SJ Keyboard accompaniment by Ricky Manalo, CSP
Manoling Francisco, SJ Philip T. Gan, SJ
INTRO Gently (q = 100–104) C maj7 NC
Keyboard
#4 & 4 œ œœ œœ ? # 44 Œ Ó
# & Œw œ ww
˙˙ ˙ œ.
D/C
œ j œ œ œ
Am9
Em7
œ
?# w w
œ
˙˙ ˙
w
œ œ ˙ œ œ
œ œ
˙˙ ˙
ww w
˙˙ ˙
w
˙˙ ˙
œ.
D7
Œ œ ww
Bm7
j #œ œ œ œ
C/G
œ
œ
w œ. œ
œ œ J œ ˙.
œ œ
© 1986, 2003, 2009, Jesuit Communications Foundation, Inc. Published by OCP, 5536 NE Hassalo, Portland, OR 97213. All rights reserved.
From the collection GENTLE STRENGTH Octavo Packet #30100306 Compact Disc #12052
1.800.548.8749
ocp.org
2
% REFRAIN
# Soprano & Œ œ œ œ
I - kaw ang
& V
# Alto Œ œ œ œ #
I - kaw ang
Œ
Tenor
?# Œ
a
˙
I - kaw ang
a
œ œ œ
G
G7
? # œ n ˙˙ .. œ ˙.
V
˙
œ œ œ
# Œ & œ œ˙ . œœ œœ œ ˙.
&
a
˙
-
œ
˙
œ Œ
˙
king
-
king
-
king
˙
# # #
œ
œ. œ.
œ
na
di
œ
œ
œ.
œ
?# œ
œ ˙ J
lu - bu
j œ ˙
na
di
lu - bu
œ
œ.
œ ˙ J
na
di
lu - bu
œ
œ.
œ ˙ J
œ.
j œ ˙œ .
# Œ & w œ ww Em7
C maj7
˙˙ ˙
?# w w
Edition 30100942 Tanging Yaman
Am
Œ
˙
œ œ
˙
ta - nging
ya
œ œ
˙
ta - nging
ya
œ Œ
œ œ
˙
œ
ta - nging
ya
Bass
%
&
˙
œ œ
Œ
œ j œ œ œ ˙ -
-
-
œ
˙
œ
sang
˙ -
man
˙
˙˙ ˙
˙˙ ˙
œ j œ œ #œ
œ. œ
œ.
j œ w
œ
œ.
j œ ˙
ma - sum - pu - ngan.
˙
œ
Am(# 7)
C/D
˙˙ # œ ˙ J œ œ #˙ œ ˙
man
ma - sum - pu - ngan.
#˙
sang
œ œ
w
sang
-
Bm7
˙˙ ˙
œ
˙
man
˙
˙
D/C
˙˙ ˙
-
n œww w w w
œ
œ.
œ J
w w
œ œ
ma - sum - pu - ngan.
œ
œ.
œ J
œ
œ.
j œ w G
œ
œ ˙ œ œ
3
#
œ ‰œ œ œ J
˙
˙
Mong
œ
Œ œ œ
w
j‰ œ œ œ œ
# j & nœ ‰ œ œ œ
˙
˙
œ Œ œ œ
w
j œ ‰œœœœ œ œ
# œ œ œ œ J ‰
˙
˙
œ Œ œ œ
w
&
Ang ni - lik - ha
Ang ni - lik - ha
V
Mong
Ang ni - lik - ha
?# œ ‰ œ œ œ J &
#
G7
œ œ œ
Πww w
?# nw w & &
#
˙
˙˙ ˙
Sul - yap
œ
Œ
œ œ
w
Sul - yap
w
œ ‰ J
Bm7
œ œ
˙˙ ˙
˙˙ ˙ œ.
˙˙ ˙
œ j œ œ#œ
Πww w
œ œ œ
w w Final
w
Œ œ œ œ
˙
œ œ
˙.
w
# w
Œ œ œ œ
˙
œ œ
˙.
w
w
˙.
w
C/G
1, 2 G
Final Em7
#
ka - gan - da - han.
ka - gan - da - han.
?# w # w ˙
Asus2,4
?#
œ
œ œ Œ œ Am add9
˙
œ ˙ œ œ
D7
Œ œ œ œ ww
˙.
ww w
. œ œ œ œ ˙˙ . J œ ˙. ˙ .. ˙ œ w œ.
ng
Em7
1, 2
ka - gan - da - han.
’Yong
ng
œœœœ œ œ
w
w
ng
œ ‰œ œ œ J
ka - rik - tan,
D/C
C maj7
˙˙ ˙
ka - rik - tan,
Œ œ œ œ
’Yong
&
˙
jœ œ œ œ œ.
’Yong
V
Mong
Sul - yap
ka - rik - tan,
to Verses
to Verses
w
œw œ œ œ ww w w
Tanging Yaman
4
#
Am add9
Asus2,4
& w˙ ?#
œ
D7
Πww
˙
˙ œ œ œ
C/G
œ
œ
œw .
œ
ww w
rit.
œ
G
œ œ J œ ˙.
Fine
ww
œ œ
ww
VERSES
3 # Descant Œ ‰œ œ œ œ ˙ & Œ J
# j & ‰ œ w
D/C
C
œ ˙.
œ
#
œ œ œ œ
&
&
#
2. ko
Ki - ta
œ.
j œ. œ
1. mang 2. ging
#
Am7
˙˙
? # n ˙˙ ˙
Tanging Yaman
Bm7
˙.
œ
la - ging
j œ w
œ.
na - da
w
ang sa - ya. na - da - ra - ma. Am/D
œ. ˙ ˙˙ ˙
-
j œ w w
G7
G
œ
˙ œœœ
-
œ ˙ J
ra - ma.
sa
ni- tong pu song sa kap - wa ko
na na
Am
Em
Œ œ œ œ œ. www
œ. Sa
j œ œ œ
I - kaw la ki - ta la Am(# 7)
j œ ˙
œ ˙ J
Œ œ œ œ
œ ˙ J
Œ œ œ œ
Sa Sa
gan - da I - yong
C maj7
j œ ˙
œ
kap -wa
œ œ # ˙˙ œ ˙
I - yong
œ.
w œ œww . œ n œ œ œ ‰œœ
n ww w
Œ œ œ œ
Œ œ œ œ œ.
˙
Œ œ ww œ . œj ˙œ . ˙ œ J w ˙. w œœ
œ ˙ J
˙
ha-nap sa t’wi - na
ha- nap sa t’wi ha- nap sa t’wi
?# Π&
œ œ œ ˙
Œ œ œ . œj ˙
1. I - ka’y 2. I - ka’y
j & ‰ œ wœ .
˙
2. I - ka’y a - king ha - nap
Melody
#
3
Ó
œ ˙.
m - ga lik -
ng u - ma m - ga lik D/C
Œ ww œ œ œ ww w
5
#
& w
∑
Œ
2. ha,
# & w
1. ga, 2. ha,
# w & w
Bm
? # œ. œ ˙ J
‰ œJ œ . œj œ œ œ œ ha - ngad
Œ ‰ œJ œ .
œ œ. J
Œ ‰ œj œ . ww
j Am œ ˙ ˙
na - ngu - ngu - li ha - ngad pa ring
Em
www
œ
œ ˙ J
pa
rin
Œ
la mas - dan
œœœ
˙ ˙ ˙
D7sus4
Œ
ww w
w
D.S.
ang ’Yong muk - ha.
œ œ.
j œ w
sa ’Yo, ang ’Yong
Sin - ta. muk - ha.
œ œ.
j œ ww
D.S.
G
D.S.
œ œœ
œ˙
Tanging Yaman
6
Tanging Yaman (Guitar/Vocal)
Manoling Francisco, SJ Philip T. Gan, SJ
Manoling Francisco, SJ
INTRO Gently (q = 100–104)
#4 & 4
tacet
C maj7
(Kbd)
˙
œ œ œ
% REFRAIN
# & Œ
G
# ˙ &
bu
œ œ œ
&
#
Am(# 7)
a
C/D
˙
œ
sang
D/C
-
king
œ
œ œ
ta - nging
œ . œj w
Bm7
w
Œ œ œ œ
w
Bm7
˙
ya
Em7
j‰ œ œ œ œ
-
˙
man
œ ‰ œ œ œ J
œ. œ œ J œ na
Asus2,4 Am add9 D7
˙
Œ œ œ œ
˙
Sul - yap ng ’Yong
di
lu -
C maj7
˙
ni - lik - ha
Ang
˙
w
Em7
G7
G
C/G
D7
Mong
C/G
w
ka - gan - da - han.
Final
G
˙.
œ Œ
˙
Am9
Œ œ œ œ
˙
D/C
ka - rik - tan,
#
˙
ma - sum - pu - ngan.
œ Œ œ œ
1, 2
&
˙
I - kaw ang
-
œ œ
C maj7
G7
Am
Ó
˙
Em7
Bm7
D/C
Em7 to Verses
w Œ
Asus2,4 Am add9
œ œ œ
˙
˙
D7 rit.
Œ
œ
œ
œ
C/G
G
w
w
Fine
© 1986, 2003, Jesuit Communications Foundation, Inc. Published by OCP, 5536 NE Hassalo, Portland, OR 97213. All rights reserved.
7 VERSES
# ‰ j & œ w C
Œ œ œ. j œ ˙
1. I - ka’y 2. I - ka’y
&
#
ha - nap sa ha - nap sa
œ . œj w j œ. œ
Am7
1. mang 2. ging
# & w
Bm
1. ga, 2. ha,
Bm7
D/C
Am/D
G
Em
t’wi - na t’wi - na
Œ
ni - tong pu sa kap - wa
C maj7
G7
œ. œ ˙ J
w
ang sa - ya. na - da - ra - ma.
Em
Œ œ œ œ
˙
Sa Sa
Am
‰ Jœ œ . œ œ . œ ˙ J J na - ngu - ngu - li ha - ngad pa ring
gan - da I - yong
D7sus4
Œ
la mas - dan
œ
Am
Am(# 7)
j œ. œ œ
song I - kaw ko ki - ta
D/C
Œ
œ
la la -
œ œ œ ng u - ma m - ga lik -
j œ. œ w G
D.S.
sa ’Yo, Sin - ta. ang ’Yong muk - ha.
Composer Notes Jesuit Father Manoling Francisco is one of the most prolific and beloved composers living in the Philippines. He has composed over 150 songs, including “Tanging Yaman,” one of the most popular Filipino liturgical songs ever written; the song’s popularity has become so widespread that a film based on this song was produced in the Philippines in 2000. The song stresses devotion, adoration, and gratitude towards God. These themes are particularly suitable during celebration of weddings, religious vows, ordinations, and commissioning services. Translation Refrain: You are my only treasure, though I cannot fully understand. The splendor that you have created is a glimpse of your beauty. Verse 1: I search for you always, this heart whose only happiness is you. In the beauty of the morning, I am at loss for you, my Beloved. Verse 2: I search for you always, and feel your presence in my neighbor. In your creation, I desire to see your face. —Ricky Manalo, CSP
Tanging Yaman
8
Assembly Edition TANGING YAMAN Manoling Francisco, SJ
# Refrain 4 & 4 Œ œ œ œ # & ˙ ˙ #
I - kaw ang
j‰ œ œ œ œ
#
œ.
j œ w
‰ œJ œ .
œ œ. J
1. na - ngu - ngu - li 2. ha - ngad pa ring
œ œ
œ. œ J
˙
œ Œ
na di
˙
Ang ni - lik - ha Mong
w
Œ œ œ œ
ni - tong pu sa kap - wa
Sa Sa
œ ˙ J
la mas - dan
gan- da I - yong
Œ
lu -
˙. ‰
j œ. œ œ œ
song I - kaw la ko ki - ta la -
Œ œ œ œ w
œ. œ ˙ J
w
w
ka - gan- da - han.
Œ œ œ œ
ha - nap sa t’wi - na ha - nap sa t’wi - na
1. mang ang sa - ya. 2. ging na - da - ra - ma.
# & Œ
œ‰ œ œ J œ
Œ œ œ . œj ˙ ˙
j œ. œ
˙ ˙
ta - nging ya - man
Sul- yap ng ’Yong
ka - rik - tan,
&
Œ œ œ
œ
ma- sum - pu-ngan.
& œ œ w
1. I - ka’y 2. I - ka’y
a - king
œ œ œ . œj w
bu - sang
# Verses j & œ w
˙ ˙
œ
ng u - ma - ga, m - ga lik - ha,
œ.
j to Refrain œ w
sa ’Yo, Sin - ta. ang ’Yong muk - ha.
Text: Philip T. Gan, SJ. Text and music © 1986, 2003, Jesuit Communications Foundation, Inc. Published by OCP, 5536 NE Hassalo, Portland, OR 97213. All rights reserved.
We are pleased to grant permission to reprint the assembly edition enclosed in the box at no charge for the special celebrations of ordination, religious profession, first Mass or funeral. Reprints must include title, composer’s name and full copyright notice as it appears above. If not kept as a souvenir, copies must be destroyed after use. For all other uses please contact: OCP Reprint Permission, 1-800-LITURGY.
