Yann Tiersen-Les Deux Pianos Book-SheetMusicCC.pdf

Oeuvre pour Quatre Mains,

______________ Les Deux Pianos

Yann Tiersen

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Yann Tiersen

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

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Piano II



                                        

Piano I

                                                                                      

Transcription | Gaylor Morestin

Les Deux Pianos

                                                                                                      

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2008 © Damasius Music

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                                                         

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     

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         

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                     

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       

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  

                 



  

              

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     

                

          

   

         

                                   

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    

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                 

 

     

     

         

         



     

  



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      

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                

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     

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        3

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  

       

   

 



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

 

               

  

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 

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          

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    



 

               

 

           

  

              

     

                        

              

         

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              

                             



    

   

                 



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  

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                 

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        

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   

   

3            3

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    

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   

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   



        

 

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       

   

 

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   

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                    

 

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                 

     



 

     

                    

3

   

 

              

       3                          

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   

    

 

 

 

       3                           

 



    

   

  

                 





   



   

                   

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                 

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

 

 



3

   



  

 

 

 





3

   

 



 



 



 



                  

 





              

     



 

              

3

           

       

   





 

3                                   

 

                

    



 

  



           

                        

              

         

     

      

          

         



                3

   

        



6

    





 





  





    



3



3

 





 













                       

  

  



47

    





  

        

       

  

  



44



     



    

   



      



3

3

 









        

       

 

 

  

                   

 

 

   

   

 

 

 

 

 



3





morendo

3

 







        

           

 

 

 

7




  




  

     

 

              

    

2008 © Damasius Music

   





 

   

 

 

 

                  

                        

           

       

     

             16                  




            

                                                 

                                   11                                                                   





                6                                         

Piano I

Yann Tiersen

                                                                              


Transcription | Gaylor Morestin

Les Deux Pianos



 

  




32



        




28



 



  



  

      

 

 

   

 

            

   

     

     



   

 

 

   

 

 

   



 

 

   

 

 

   



                               

 





                        

 

 

                                     





 

     

    

  

     

                   

            




24

 

   

     

                  

   



        

20




2





 



 

  

 

  

   





 



 







 

      

 

  




47

    

  




44

    




40

  




 



  



  





 

   





       

 

     



 



 







  









 

  











 

        

 

    

   

  

 

 

  

 

 

 

 

 



  

   



 



 



 



morendo









        

 





  

     

                                    

    

  

   

                                            

      

                       

  

 

                  

36

3








     

         











         








      



Yann Tiersen












2008 © Damasius Music

                                              

21








                                               

17








13

Piano II






Transcription | Gaylor Morestin

Les Deux Pianos

V.S.

 

  

 

   

 
   

   

 



 

 

          

 




   




   

        

 



 








37






 

          

 



 

      


   






 

          

 



 

        


   


      
                                       

 33                                 
                                              




 

          

  

  29   





25




2

  

 

 

       

  

 

 

               

47

  

 







   

 




 

       

 

       

 

             

45








 

morendo






 

                                       


41




     




   

3