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Violin Online Fingering Chart BLUE GOLD GREEN PURPLE
Click here for interactive fingering assistance E tring
G string D string A string E string
A tring
+ tring
string
For -n e.p)-n-tion of shifting' %isit the hifting and *ositions page. A)tho/gh f)-ts -nd sh-rps -re not sho&n -((ident-)s' the s-e finger is gener-)) /sed for r-ised or )o&ered notes e.g. on the E string' 1st finger is /sed for F F5+
V#O$#" F#"ER#" A*E•
To -ssist 6eginning %io)inists' soe %io)in te-(hers /se thin strips of colored tape e.g. 1789 gr-phi( (h-rt t-pe or pinstripe -/to det-i)ing t-pe to -r* &here st/dents sho/)d p)-(e their fingers on the %io)in finger6o-rd+ Other %-rieties of t-pes /sed in()/de commercial musical instrument tape, (ir()e sti(*er dots' or -s*ing' p-inting' %in) or e)e(tri(-) t-pe (/t to the desired thi(*ness+ On(e 6eginners *no& &here to p)-(e their fingers' the t-pe is reo%ed+ If - sti(* resid/e is )eft' -n instrument cleaner - 6e /sed to ()e-n the finger6o-rd+ If the resid/e is diffi(/)t to reo%e' isoprop) -)(oho) (-n 6e /sed to ()e-n the finger6o-rd do not )et the -)(oho) to/(h the instr/ent %-rnish or it (-n (-/se signifi(-nt d--ge+
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The t-pe is often /sed to -r* - reg/)-r 1st finger s/(h -s the note : on the A string' high 2nd finger e.g. ,5 on the A string' third finger e.g. the note D on the A string' -nd 4th finger e.g. the note E on the A string so/nds the s-e -s open E+
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R-ther th-n /se pre(ise e-s/reents to p)-(e fingering t-pe' it
V#O$#" F#"ER%OAR+ C0AR•
A (h-rt of the %io)in finger6o-rd is pro%ided in the i-ge -t the top right of this p-ge+ Fingering for notes p)-ed in the 1st position (-n 6e fo/nd to the right of the finger6o-rd+ >ost %io)in /si( for 6eginners /ses on) the 1st position+
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Fingering for notes p)-ed in the 3rd position (-n 6e fo/nd to the )eft of the finger6o-rd+ These notes re/ire the %io)inist to 9shift9 the position of their h-nd to - higher position on the *e6o-rd in order to p)- these notes+ For -n e.p)-n-tion of shifting' %isit the hifting & *ositions page+
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The finger6o-rd (h-rt sho&s -n inst-n(es of t&o /si(-) )etters 6eing p)-(ed on the s-e sp-(e+ This indi(-tes those t&o notes -re enh-roni(' e-ning' e%en tho/gh the -re n-ed or 9spe))ed9
different)' the so/nd the s-e pit(h+ For e.-p)e' in the first position on the A string' D5 -nd E6 h-%e the s-e so/nd -nd -re enh-roni( notes+ This note (o/)d 6e fingered /sing either - high 3rd finger' or - )o& 4th finger+ The pit(h &o/)d 6e the s-e+ •
A)) %-ri-tions of notes -nd fingerings in higher positions &ere not )-6e)ed -nd sho&n the entire )ength of the finger6o-rd (-n 6e /sed to finger -nd p)- notes+
Finger/oard Chart ()i(* on indi%id/-) notes for p3 so/nd fi)es
$hen %io)in /si( is &ritten in 91st position9 or 93rd position'9 this refers to &here the h-nd is )o(-ted &hen fingers -re p)-(ed on the %io)in finger6o-rd+ "isit the Finger *lacement page for inter-(ti%e finger p)-(eent -ssist-n(e+
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Shifting refers to the h-nd sooth) o%ing /p or do&n the finger6o-rd in order to p)- notes &ith the h-nd in - different position on the finger6o-rd+
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The (on(ept of positions -nd shifting is soe&h-t sii)-r to -n e)e%-tor tr-%e)ing to different f)oors in 6/i)ding+ >ost /si( for %io)in 6eginners is &ritten &ith the h-nd in 1st position' &here the h-nd re-ins ()oser to the s(ro)) of the %io)in+ sing the e)e%-tor -n-)og' /si( for 6eginning %io)inists gener-)) re/ires the h-nd to re-in on the 1st f)oor in 1st position to finger -)) of the /si(-) notes+
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For soe of the higher notes in interedi-te -nd -d%-n(ed %io)in /si(' it
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A)tho/gh 1st -nd 3rd positions -re the t&o ost (oon) /sed positions in 6eginning -nd interedi-te %io)in /si(' there -re se%en reg/)-r positions /ti)iCed in %io)in p)-ing' -nd for %er -d%-n(ed %io)in /si(' 8th -nd higher positions note -d%-n(ed %io)inists -re /s/-)) )ess (on(erned &ith positions' -nd ore fo(/sed on se)e(ting fingering th-t &or*s &e)) &ith p-rti(/)-r p-ss-ges of /si(+ To %ie& - (h-rt of 1st th positions' %isit o/r Advanced *ositions Fingering Chart+
Violin Care and #nstrument aintenance Wondering how to take care of your violin? The following tips provide guidelines for the proper care and maintenance of your violin. •
Tighten o/r %io)in 6o& 6efore p)-ing 6 gent) t/rning the tension s(re&+ A%oid -*ing the 6o& h-irs too t-/tthe sep-r-tion 6et&een the 6o& sti(* -nd h-ir sho/)d 6e -6o/t the &idth of - pen(i)+
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$hene%er o/ h-nd)e o/r %io)in 6o&' tr not to to/(h the 6o& h-irs &ith o/r fingers or h-nd+ The n-t/r-) oi)s on o/r s*in &i)) ip-(t the -6i)it of the 6o& to grip the string+
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P/t - s-)) -o/nt of rosin on o/r 6o& 6efore p)-ing+ !o)d the rosin in o/r )eft h-nd' p)-(e the 6o& h-irs f)-t on the rosin -nd s)o&) o%e the 6o& 6-(* -nd forth on the rosin+ Rosin pro%ides the 6o& h-ir &ith fri(tion in order to prod/(e - so/nd &hen the 6o& is p/))ed -(ross the %io)in strings+
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If o/ do not h-%e eno/gh rosin on o/r 6o&' o/r 6o& &i)) s)ide -(ross the strings -nd prod/(e %er )itt)e or no so/nd+ Too /(h rosin (-n prod/(e - r-sp' s(r-t(hing so/nd' -nd (-n res/)t in rosin (-*ing the strings+ "isit o/r rosin & sound p-ge for dire(tions on ho& to -pp) rosin
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After p)-ing the %io)in' gent) ()e-n it &ith - soft' ()e-n' )intfree ()oth to reo%e rosin 6/i)d/p on the strings -nd -n d/st' oi) or s&e-t on o/r instr/ent' in()/ding the (hinrest+
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Po)ish is r-re) needed' -nd &hen ne(ess-r' on) - commercial violin polish sho/)d 6e /sed+ ,)e-ning the %io)in &ith f/rnit/re po)ish or &-ter (o/)d d--ge the %-rnish -nd -(o/sti(s of the %io)in &-ter (o/)d -)so (-/se the %io)in se-s to open+
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$hen o/ -re not /sing o/r %io)in -nd 6o&' -)&-s p)-(e the in o/r (-se+ The (-n e-si) f-)) -nd 6e(oe d--ged if o/ )e-%e the on - (h-ir or -nother s/rf-(e' e%en tepor-ri)+
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If o/ /se - sho/)der rest or sho/)der p-d' -)&-s reo%e it fro o/r %io)in 6efore p/tting o/r %io)in 6-(* in its (-se+
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#oosen the h-ir on o/r 6o& 6efore p/tting it 6-(* in the (-se+
Do not store o/r %io)in in e.tree hot or (o)d )o(-tions' -nd ne%er )e-%e o/r instr/ent in dire(t s/n)ight or in the tr/n* of o/r (-r on - &-r d- the he-t (o/)d e)t the %-rnish+
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If o/ )i%e in - dr ()i-te' o/ - &-nt to (onsider /sing - humidifier -de for %io)ins e.(essi%e drness (-n (-/se (r-(*ing or the se-s of o/r %io)in to open+
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If o/r %io)in e%er h-s (r-(*s or the se-s 6egin to open' t-*e it to - /si( store' %io)in -*er or )/thier to 6e profession-)) rep-ired+ Ne%er /se (oer(i-) g)/e to rep-ir (r-(*s on o/r %io)in+ Instr/ent -*ers /se - spe(i-) g)/e for %io)in se-s -nd rep-irs+
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If o/r %io)in 6ridge e%er needs to 6e -d/sted' it is iport-nt to note th-t the %io)in 6ridge is he)d in p)-(e 6 press/re -nd proper p)-(eent' not g)/e tension fro the %io)in strings ho)ds it in p)-(e+ "isit o/r violin /ridge ad1ustment section for ore infor-tion+
ticking or $oose Violin *egs •
!/idit or teper-t/re (h-nges (-n soeties (-/se &ood pegs to sti(* or to h-%e diffi(/)t t/rning+ If o/ e.perien(e this' o/ - &-nt to tr -n ine.pensi%e prod/(t (-))ed peg compound-)so (-))ed Gpeg dopeH+ Peg (opo/nd &i)) not on) )/6ri(-te the peg' 6/t it &i)) -)so pro%ide eno/gh fri(tion so the peg &i)) not s)ip+ $hen /sing peg (opo/nd or -n other prod/(t to he)p &ith sti(*ing or )oose pegs' /se it sp-ring) 6e(-/se - resid/e (-n 6/i)d /p o%er tie soe %io)inists -%oid these prod/(ts+
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To -pp) peg (opo/nd' reo%e the string fro the peg' -nd s)ide the peg o/t of the peg6o.+ App) s-)) -o/nt of peg (opo/nd to the p-rt of the peg th-t (ont-(ts the peg6o. -nd reinsert the peg+ T/rn the peg - fe& ties to -*e s/re it t/rns sooth)+ $ipe off -n e.(ess peg (opo/nd 6efore restringing the peg+
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If o/r pegs -re too )oose -nd *eep s)ipping' tr p/shing the peg in se(/re) &hi)e t/rning the peg fir)+ If this doesnBt &or*' soe %io)inists /se either peg (opo/nd or -nother prod/(t (-))ed peg drops to stop pegs fro s)ipping peg drops' -)so *no&n -s peg grip -re /sed so)e) for s)ipping pegs+
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To -pp) peg drops' reo%e the string fro the peg' s)ide the peg o/t of the peg6o.' -nd -pp) one or t&o drops to the p-rt of the peg th-t (ont-(ts the peg6o.+ Reinsert the peg -nd tr t/rning it to -*e s/re the peg sti(*s 6efore restringing the peg+
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If o/ need - tepor-r /i(* fi. for s)ipping or tight pegs' soe %io)in te-(hers /se these tips for sti(*ing pegs' p/)) the peg p-rti-)) o/t' -nd r/6 pen(i) gr-phite on the sti(*ing p-rt of the peg+ For )oose pegs' p/)) the peg p-rti-)) o/t' -nd r/6 6irthd- (-nd)e &-. on the peg to he)p it sti(* soe te-(hers re(oend (h-)* or rosin to he)p pegs sti(*' 6/t these s/6st-n(es (-n 6e -6r-si%e+
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sing too /(h for(e &ith st/(* or s&o))en pegs (-n (-/se the pegs or peg 6o. to (r-(*+ If o/Bre sti)) h-%ing pro6)es &ith o/r pegs' o/ - need to t-*e o/r %io)in to - %io)in -*er or instr/ent rep-ir person to resh-pe or rep)-(e the pegs+
%ow %ugs •
!-s it 6een - &hi)e sin(e o/B%e p)-ed o/r %io)in If o/ open o/r %io)in (-se -nd noti(e th-t -n of o/r %io)in 6o& h-irs -re f-))ing off -nd )oo* )i*e the h-%e 6een (/t' o/ ight h-%e 6o& 6/gs+
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:o& 6/gs' -)so *no&n -s 6o& ites or /se/ 6eet)es' (oe fro the derestid-e f-i) of 6eet)es+ The thri%e in d-r*' dr p)-(es s/(h -s ()osed %io)in (-ses' -nd feed on s/6st-n(es s/(h -s 6o& h-ir+
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If o/ thin* o/ h-%e 6o& 6/gs' reo%e o/r %io)in -nd 6o& fro the %io)in (-se' thoro/gh) %-(// the (-se espe(i-)) the (r-(*s -nd (re%i(es' -nd )e-%e the (-se open in indire(t s/n)ight for - fe& d-s )e-%e o/r %io)in -nd 6o& o/t of the (-se d/ring this pro(ess+ Soe indi%id/-)s h-%e fo/nd it he)pf/) to p/t - s-)) 6-g of oth 6-))s or - (otton 6-)) &ith rose-r oi) or (-phor oi) in their %io)in (-se (op-rtent to he)p er-di(-te the 6o& 6/gs+
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If o/r 6o& h-irs -re he-%i) d--ged' o/ sho/)d h-%e o/r 6o& reh-ired' -nd if o/r (-se sees he-%i) infested' o/ - need to 6/ - ne& %io)in (-se+
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The e-siest &- to -%oid 6o& 6/gs' is to p)- o/r %io)in often+ If o/ *no& o/ &onBt 6e p)-ing o/r %io)in for -n e.tended period of tie' -nother &- to -%oid 6o& 6/gs is to periodi(-)) open o/r %io)in (-se -nd e.pose o/r %io)in 6o& -nd (-se to indire(t s/n)ight for 6rief periods of tie ne%er )e-%e o/r %io)in in dire(t s/n)ight or e.tree he-t or the %-rnish (o/)d e)t+
harps, Flats & "aturals harp A sh-rp set 6efore - note r-ises the pit(h of the note - h-)fstep' -nd re-ins in effe(t for the rest of the e-s/re+
Flat A f)-t set 6efore - note )o&ers the pit(h of the note - h-)fstep' -nd re-ins in effe(t for the rest of the e-s/re+
"atural A n-t/r-) set 6efore - note restores the n-t/r-) pit(h of - note' -nd is often /sed -fter - f)-t or sh-rp+
Sh-rps or f)-ts p)-(ed -t the 6eginning of e-(h st-ff -re (-))ed *e sign-t/res+ This *e sign-t/re &ith -n F5 indi(-tes th-t -)) F notes in this pie(e sho/)d 6e p)-ed -s F5+
This *e sign-t/re &ith - : -nd E f)-t indi(-tes th-t -)) :
@es -re /sed to org-niCe - pie(e of /si(+ For e.-p)e' /si( &ritten in the *e of , &o/)d (enter -ro/nd the tone of ,' -nd &o/)d /se notes fro the , s(-)e no sh-rps or f)-ts+ There are 15 Major Minor !ey "ignatures. #s illustrated $elow% each major key signature has a corresponding minor key signature &e.g. $oth C Major and a minor do not have any sharps or flats'.
, >-or
>-or
D >-or
A >-or
E >-or
: >-or
F5 >-or
- inor
e inor
6 inor
f5 inor
(5 inor
g5 inor
d5 inor
F >-or
:6 >-or
E6 >-or
A6 >-or
D6 >-or
6 >-or
d inor
g inor
( inor
f inor
:6 inor
E6 inor
Circle of Fifths # circle of fifths is an arrangement of keys $y ascending fifths. (t displays how many sharps or flats are in each key. Major keys are noted in capital letters and are found on the outer part of the circle &C%) etc.'% and minor keys are in lower case letters on the inner part of the circle &a% e etc.'.
