from Velvet Revolver - Libertad
Let It Roll Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash C5
G5
D5
A5
E
Eb
D
7fr 134
2
Ab
34
G
13
11
1333
1333
Bb5
F5
G5
D5
III
4fr 1342
5fr 1333
134
134
134
5fr 1342
Db5
V
5fr 1342
A
6fr
134
B5 4fr
134
134
Intro Fast q = 208
Play 3 times
* E5
Eb5
Ab5
G5
D5
End Riff A
mf
A5
Riff A
Gtr. 1 (dist.)
D5
12
0
11
0
10
10
0
5
0
4
0
3
3
10
0
*Chord symbols reflect implied harmony.
Gtr. 1: w/ Riff A (5 times)
Eb5
D5
A5
Ab5
G5
D
Oh,
**Gtr. 2 (dist.)
E
Eb
D
E5
A
yeah.
Rhy. Fig. 1
8 8 8 6
X X X X
7 7 7 5
7 7 7 5
X X X X
Ab
G
D
X X X X
5 6 6 4
f
7 7 7
9 9 9 7
X X X X
6 7 7 5
**Doubled throughout
Ab
G
6 7 7 5
X X X X
5 6 6 4
X X X X
4 5 5 3
D
E
Eb
7 7 7 5
9 9 9 7
X X X X
X X X X
7 7 7 5
7 7 7 5
X X X X
8 8 8 6
D
A
6 7 7 5
X X X X
4 5 5 3
Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission
End Rhy. Fig. 1
7 7 7 5
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 1
E
Eb
Riff B Gtr. 3 (dist.)
D
A
Ab
D
E
Eb
mf
X
G
7
X
6
X
5
D
A
7
X
Ab
G
D
7
X
6
X
5
7
Verse Gtr. 3 tacet
E
1. She’s
the
one
with
lips
like
can
-
dy,
can
-
dy.
D5
End Riff B
Gtr. 3
7
Rhy. Fig. 2A Gtr. 4 (dist.)
mf
1 2 2 0
Gtr. 1
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
End Rhy. Fig. 2A
1 2 2 0
1 2 2 0
Rhy. Fig. 2
2
3 2 0
0
3
End Rhy. Fig. 2
2 2 0
0
2
3 2 0
0
3
Gtrs. 1 & 4: w/ Rhy. Figs. 2 & 2A (3 times)
E
Like
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
a
dog,
well,
I’m
a
com
-
ing
run
-
ning.
D5
E
She
got
E
eyes
told
me
that
burn
right
her
name,
calls
her
Chorus C5
Rhy. Fig. 3 Gtr. 1
-
self
Can
G5
D5
Can’t
burn
her
out
of
my
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
3 3 4 5 5 3
X X X X X X
Eb
D
A
Ab
G
Rhy. Fig. 4
9 9 9 7
X X X X
8 9 8 6
X X X X
7 7 7 5
7 7 7 5
X X X X
6 7 7 5
X X X X
X X X X
4 5 5 3
5 6 6 4
7 7 7 5
dy,
Can
-
dy.
7 7 7 5
7 7 7 5
7 7 7 5
drink
her
off
of
my
Eb5
7 7 7 5
7 7 7 5
7 7 7 5
D
E
7 7 7 5
A5
7 7 7 5
She
mind.
5 5 6 7 7 5
X X X X X X
9 9 9 7
7 7 7 5
7 7 7 5
7 7 7 5
A
7 7 7 5
Ab
G
D End Rhy. Fig. 3
me.
E
D5
-
through
head,
D
me,
Gtr. 2
through
D5
9 9 9 7
X X X X
8 8 8 6
X X X X
7 7 7 5
7 7 7 5
X X X X
6 7 7 5
Let
it
X X X X
X X X X
4 5 5 3
5 6 6 4
End Rhy. Fig. 4
7 7 7 5
Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3: w/ Riff B
E
roll.
Eb
D
A
Ab
G
Let
D
it
E
roll.
Eb
D
A
Ab
G D
2. She
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Verse * E5
got
a
head
that
makes
you
Gtr. 1
2 2 0
2
more
of
her.
X
9
w/ bar grad. dive
0 0
She
got
Gtrs. 1 & 4
-1
E5
0 0
*Chord symbols implied by bass, next 7 meas.
hairs
that
makes
you
want
more
of
-2 1/2
D5
it.
2
D5
**fdbk.
w/ heavy chorus
think
mf
Pitch: G **Microphonic fdbk., not caused by string vibration.
Gtr. 5 (dist.)
0
3 2 0
3 2 0
3 2 0
3
Gtr. 5
w/ bar
0 0
0 0 -2 1/2
slack
Gtrs. 1 & 4: w/ Rhy. Figs. 2 & 2A (2 times) Gtr. 5 tacet
E
Lip
-
stick
than
quite
in
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
smile
E
more
-
sane,
that
tastes
of
cher
that
makes
you
want
-
ry
bran
her
bad
-
D5
dy.
-
ly.
She’s
D5
Chorus Gtr. 1: w/ Rhy. Fig. 3 (2 times)
C5
G5
D5
A5 Gtr. 2
Can’t
burn
her
out
of
my
Riff C Gtr. 6 (slight dist.)
head,
mf
9 X 7
7 X 5
7 X 5
X X X
End Rhy. Fill 1
drink
her
off
of
E
Rhy. Fill 1
my
mind.
11 X 9
14 X 12
14 X 12
X X X
13 X 11
Gtr. 2: w/ Rhy. Fig. 4
Eb
D
A
Ab
End Riff C
13 X 11
11
12 X 10
12 X 10
11 X 9
D
13
G
E
A
Ab
G
D
11 X 9
Gtr. 2: w/ Rhy. Fill 1
G5
D5
head,
Can’t
burn
her
out
of
my
E Eb D
A
D
Gtr. 6: w/ Riff C
C5
Eb
Gtr. 2: w/ Rhy. Fig. 4
A5
mind.
drink
her
off
of
my
E
Eb D
A
Ab
G D
Gtrs. 1 & 2: w/ Rhy. Fig. 1
G
Let
Gtr. 6
7 X 5
E
it
Eb
D
A
Ab
Da,
ba,
ba,
ba,
F5
C5
ba, da,
5 X 3
5 X 3
X X X
9 X 7
E
Can - dy
O.
Eb
D
A
ya,
ba,
Ab
G D
ba,
G D
roll,
Interlude Bb5 Gtr. 2
D
Ab
G5 III
D5 V
ba, da,
ba,
7 X 5
7 X 5
X X X
11 X 9
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Can
-
dy,
Can
-
dy, Can
-
1
B5
1
11
C5
Db5
Bb5
dy,
Can
-
dy,
Can
1
(cont. in notation)
1
A5
-
dy
1
1
15
14
13
12
11
10
17
16
15
14
13
12
9
Guitar Solo Gtr. 4: w/ Rhy. Fig. 2A (4 times) Gtr. 6 tacet
E
D5
Gtr. 2 tacet
O.
mf 1
1
0
0
3
Gtr. 2
0
3
0 0
0
3
1/4 1/2
1
0
0
1/4
2 2
0
3
Gtr. 7 (dist.)
2
2
0
0
3
3
5
0
0
3
0
2
3
4
4
3
E
Spoken:
Can
-
dy
burn - ing,
3
3
D5
Can - dy
1/2
2
0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
2 2
4
0
3
3
0
0 2
2
0
2
2
2
0
2
4
3
3
2
0
3
2 3 2 0
2
2
2
0
2
2 2
0
1
2
0
E
1 1/2
2
2
E
1 1/2
1/4
2
2
0
0
2
2 X X
X X
5
7
5
7
7
5
1 1/2
7
5
6
- ing.
burn
D5
7
6
5
3
1 1/2
0
3
3
3
0
D5
Burn.
5
7
5
7
5 6
5
5
7 0
7
9
7
9
Chorus F/A
8v a
Gtr. 7
11
C
Can’t
burn
her
out
of
my
1
15
1
1 1 2 3 0
11
14
G
12
head,
14
12
14
16
15
12
14
12
14
15
12
14
14
12
drink
her
off
of
my
mind.
3 1 0 2 3
3 3 0 0 2 3
grad. bend
12
A/C#
12
D
15
15
*Gtrs. 1 & 2
9
1 1/2 1 17
2 3 2 0
2 2 4
*Composite arrangement
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1
A5
1
Gtr. 6
-
dy,
1
D
Gtr. 7
Can
1
-
dy, Can
E
-
dy,
22
22
1
1
18
D5
1
1
1
1
1
10
11
12
13
14
15
17
12
13
14
15
16
17
19
3 3 1
4 4 2
5 5 3
6 6 4
9 9 9 7
7 7 5
Gtr. 6 tacet
A
Ab
roll. 8v a
C#5
dy,
G
Let
D
it
E
Eb
D
A
Ab
Eb
-
1
2 2 0
Gtrs. 1 & 2: w/ Rhy. Fig. 4
C5
17
2 2 4
dy, Can
1
Gtrs. 1 & 2
-
16
1
Can
15
B5
Can
15
A#5
15
8v a
Gtr. 7
roll,
G
Can
D
-
dy
G
D
Can
-
dy
22
Gtr. 6
17 19
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (3 times)
E
Eb
D
A
O. 8v a
Gtr. 7
22
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Ab
G
D
Let
it
roll,
E
Eb
D
A
Ab
Gtr. 3: w/ Riff D (2 times)
E
Eb
1
12
12
14
X
1
12
13
X
15
3
7
3
12
1
A
1
15
X
E
Let
it
roll,
12
12
15
15
12
15
15
12
15 12
E
6
X
Gtr. 7
Eb
D
A
Ab
G
15 12
3
12 15 12
14
3
3
1
12 15 12 14
D
12 15
3
12 15
G
D
14
Gtr. 3
14
X
12
13
12
12
12
X
12
14
12 15
12
15 12
14
12
14 12
14
O.
-
dy
1
14
14
µ
Can
1/2
14
12
14
Ab
3
1
14
A
3
1
15
3
12
15 12
D
12
7
5
3
Eb
15
1
12 15
3
3
1
12
D
15
D
3
12 15 12
Eb
End Riff D
G
12 15
12
1
1
E
12
D
Ab
Gtr. 7
G
3
15
Riff D
Gtr. 3
Ab
Gtr. 7
A
O.
D
12
14
12
12
14
12
7
14
X
13
6
12
X
10
10
10
w/ heavy reverb
5
7
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Libertad
She Mine Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash G5
A5
Bb5 5fr
134
Intro Moderately q = 132
134
F5
D5
6fr 134
C5 5fr
134
134
134
***A5
*Gtr. 3 (slight dist.)
†† pp
5
5
7
7
5
5
6
6
5
5
8
mp
2
End Riff A
mf
*Bkwds. gtr. arr. for gtr. ††Fade in Gtr. 1 (dist.)
Riff A
8
5
5
5
5
7
7
5
5
6
6
5
5
8
0
3
2
8
5
5
0
3
**Gtr. 2 (dist.)
† pp
mf
w/ bar
0
0
**w/ random fdbk. throughout ***Chord symbols reflect implied harmony. †Fade in Gtr. 3: w/ Riff A
Gtr. 1
-1/2
Gtr. 1 tacet
G5
Gtr. 4 (dist.)
( )
2
mf
grad. dive
3
0 0
0 0
Gtr. 2
w/ bar +1/2
0 0
-1
( )
w/ bar
0
2 0
2 0 -3/4
Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission
-1/2
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
( )
w/ bar
0 0
0
0 0
-1/2
( )
w/ bar
w/ bar
0
2 0
2 0
2 0
-1
(cont. in slashes)
A5
w/ bar
0 0
0
0
X X X
0
-3/4
w/ bar
Harm.
*
2 0
2 0
2.25 2.25 2.25 *Harm. located approx. one-fourth the distance between the 2nd & 3rd frets. Pitches low to high: E-A-D.
-1/2
G5 A5
G5 A5
Bb5
A5
G5 A5
Gtr. 4 Rhy. Fig. 1 Gtr. 2 Rhy. Fig. 1A
5 5
6 7 7
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
X X X X
X X X X
4 5 5
6 7 7
7 8 8
6 7 7
4 5 5
6 7 7
X X X X
G5 A5
X X X X
4 5 5
6 7 7
G5 A5
X X X X
X X X X
4 5 5
6 7 7
Bb5
7 8 8
A5
6 7 7
G5 A5
4 5 5
6 7 7
X X X X
X X X X
G5 A5
G5 A5
Bb5
Gtr. 5 (dist.)
A5
G5 A5
G5 A5
G5 A5
Bb5
A5
G5 A5
End Rhy. Fig. 1A
mp 8
10
X
X
8
10
Riff A Gtr. 6 (dist.)
10
7
5
7
6
Gtr. 2
4 5 5
6 7 7
X X X X
X X X X
4 5 5
10
w/ slide
5
8
8
6
X
8
7
5
7
10
X
X
8
10
6 7 7
7 8 8
6 7 7
7
6
4 5 5
6 7 7
X X X X
5
7
7
5
5
4 5 5
6 7 7
X X X X
X X X X
4 5 5
10
8
10
End Riff A
7
8
7
7
5
7
7
6 7 7
7 8 8
6 7 7
A5 B5
C5
X X X X
11
10
X
mf
11
10
End Rhy. Fig. 1
5 6 7 7
4 5 5
5
5 6 7 7
Verse
1st time, Gtrs. 4, 5 & 6 tacet 2nd time, Gtr. 6 tacet *A5 B5 A5 B5
B5
A5 B5
1. Love 2. Cool
C5
songs kids
keep keep
mf
1
12
0
10
0
7
0
pump - in’ on my ra - di - o. mov - in’ as the car ex - plodes.
Gtr. 7 (slight dist.)
0
A5 B5
8
0
7
0
9
You split on Roll a - round on
B5
Mon Sun
-
0
12
0
10
0
7
0
8
0
Gtr. 2
9
9
9
9
9
9
9
9
9
9
9
9
9
9
day, day.
7
1
9
**w/ wah-wah P.M.
A5 B5
0
9
9
P.M.
9 10 9
7
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9 10 9
7
*Chord symbols implied by bass, next 8 meas. **Used as filter.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5 B5
A5 B5
C5
B5
A5 B5
took your ma - chine Du - al di - ag - no -
A5 B5
that kept, uh, me a - float. sis is the way to go,
1
12
0
10
0
7
0
8
0
7
0
0
9
12
0
9
9
9
9
9
9
9
9
9
9
9
9
10
9
B5
Tues can
-
0
7
0
8
0
7
9 10 9 7
9
9
9
0
9
9
9
9
9
P.M.
9
day. dy.
A5 B5
1
9
P.M.
C5
Now you’re back, it’s pop - ping pills like
0
A5 B5
9
9
9
9
7
7
7
7
7
Pre-Chorus Gtr. 7 tacet
2nd time, Gtr. 4: w/ Fill 1
C
B
I
call it
Gtr. 2
wah-wah off
5 5 3
Gtr. 4
5 5 5 3
5 5 3
5 5 3
5 5 3
love
in
-
san
-
i
-
0 0 5 5 3
4 4 2
0 0 4 4 2
0 0 4 4 2
0 0 5 5 3
0 0 5 5 3
4 4 4 2
4 4 4 2
4 4 4 2
4 4 2
4 4 2
4 4 2
0 0 4 4 2
0 0 4 4 2
Fill 1 Gtr. 4
1 2 2 0
1 2 2 0
0 0 1 2 2 0
X X X X
X X X X
0 0 1 2 2 0
2 2 0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 1 2 2 0
0 4 2
let ring P.M.
X X X X
X X X X
1 2 2 0
1 2 2 0
2 2 0
1 2 2 0
2 2 0
0 1 2 2
2 2 0
4
4
0
let ring
0
ty.
0 0 5 5 3
E
0 4 2
0 4 2
0
0 4 2
0 4 2
X X X X
X X X X
0 4 2
0 4 2
let ring 0 1 2 2 0
0 0
4
0
C
I
call it
my
re
5 5 3
5 5 3
5 5 3
5 5 3
0 0 5 5 3
0 0 5 5 3
5 5 5 3
B
5 5 5 3
0 0 5 5 3
0 0 5 5 3
5 5 5 3
4 4 4 2
4 4 4 2
-
al
-
i
-
4 4 2
0 0 4 4 2
4 4 2
4 4 2
4 4 2
4 4 4 2
4 4 4 2
ty.
0 0 4 4 2
2nd time, Gtr. 4: w/ Fill 2
E
0 0 4 4 2
0 0 4 4 2
4 4 4 2
X X X X
She
1 2 2 0
X X X X
0 0 1 2 2 0
1 2 2 0
1 2 2 0
grad. bend
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
9
9
0 0 1 2 2 0
0 0 1 2 2 0
P.M.
2 2 0
2 2 0
9
9
3/4
9
9
9
0
2 2 0
1/2
9
2 2 0
1/4
2 2 0
2 2 0
2 2 0
2 2 0
2 1
5
3 2
3 2
4
Chorus Gtrs. 2 & 4: w/ Rhy. Figs. 1 & 1A
G
A
G
A
Bb
A
G
mine.
G A
Mine,
all
G
A
G
A
Bb
A
G
A
mine.
She
T o Coda
Gtr. 5: w/ Riff A
A
G
A
Bb
A
Mine,
all
G A
mine.
Fill 2 Gtr. 4
2 2 0
0
G A
G
A
Bb
A
G A
mine.
0
0
0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude A5 B5
A5 B5
C5
B5
D.S. al Coda
A5 B5
A5 B5
Gtr. 6
7
9
7
9
9
10
9
7
9
9
A5 B5
8
7
9
C5
B5
7
9
A5 B5
9
10
9
7
9
9
8
Gtr. 2
mp w/ wah-wah P.M.
9
9
9
9
9
9
9
mf P.M.
9
9
P.M.
9
9
9
9
9
9
10 9
7
9
9
9
9
9
9
9
9
9
9
9
9
9
9
9
10 9
7
Coda
Bridge F5
Rhy. Fig. 2 Gtr. 2
G5
D5
C5 End Rhy. Fig. 2
While a
12 X 10
14 X 12
Gtr. 4
2 3 3 1
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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way,
14 X 12
11 X 9
(Oo.
Gtr. 5
-
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
11
12 X 10
9
let ring
3 2 0
3 2 0
3 2 0
3 2 0
2
2
3
0
3
11 X 9
9 X 7
0 2 3
2
0
0
Gtr. 2: w/ Rhy. Fig. 2 (2 times)
F
G5
D
our
old mis
oh,
14 X 12
-
takes
14 X 12
14 X 12
14 X 12
11 X 9
let ring
1 2 3 3 1
C5
Oo.
Dsus2
3
2
0 3
0 X 3
F
14 X 12
14 X 12
14 X 12
let ring
3 2 0
0
14 X 12
2 3 2 0
3 2 0
2
0
3
3
2
0 2 3
G5
D
0
2
Dsus2
break
the
fray.
Oo.
Gtr. 7
let ring
14
15
12
15
14
15
12
15
14
15
12
15
14
15
12
15
14
14 X 12
14 X 12
14 X 12
14 X 12
11 X 9
3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2 3 2 0
Gtr. 5
Gtr. 4
1 2 3 3 1
3
2
0
3
15
12
15
14
15
12
15
3
3
let ring
2 3 2 0
2
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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C5
F5 Gtr. 2
C5
Change.
12
15
15
14
12
15
15
5
7
6
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
0
2 3 3 1
2 3 3 1
2 3 3 1
let ring
0
0
3
2
3
2
0 6
7
let ring
Oo.)
let ring
14
let ring
0
5
5
0
5
5
5
0
5
5
1
3
5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
(cont. in slashes)
5 5 3
Guitar Solo Gtrs. 2 & 5 tacet
Gtr. 4
G5 A5
Gtr. 6
8
Gtr. 7
w/ bar steady dive
G5 A5
w/o slide w/ heavy reverb 1/2
8
G5 A5
Gtr. 4 tacet *A5
8
1/2
8
8
8
-1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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5
5 5
8
Bb5
A5
1/2
8
G5 A5
*Chord symbols implied by bass, next 6 meas.
1/2
8
G5 A5
1/2
7
1
7
7
10
10
Gtr. 7 tacet
G5
A5
G5 A5
Bb5
A5
G5 A5
G5 A5
G5 A5
Bb5
Gtr. 4
P.S.
10
1/2
7
Gtr. 2
1/2 1
1
7
7
5
8
10
5 8
She
Gtr. 6
1
8
7 7
1/2 1/2 1 1 7 7
7 7
(77)
5
7
5
7
7
6
5
5
3
3
5
5
15ma
Harm. *
2.6 2.6 *Harmonic located six-tenths the distance between the 2nd & 3rd frets. Pitches low to high: C-F.
Chorus Gtrs. 2 & 4: w/ Rhy. Figs. 1 & 1A (3 times)
G
A
G
A
Bb
A
G
mine.
Mine,
all
(She
A
G
A
G
A
Bb
5
5
5
5
5
3
5
Gtr. 6: w/ Riff B (6 times)
G A
G
5
mine,
A
Bb
She
Riff B
mine.
End Riff B
w/ slide heavy reverb off
8
7
5
7
7
6
A
G
mine.
A
all
6
G
She
7
3
A
mine.
steady gliss.
Gtr. 6
mine,
Mine,
all
mine.
A
G A
G
A
Bb
A
G
A
She
all
mine.
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G A
G A
Bb
A
G
mine.
Mine,
(Love
songs
keep
A
She
pump
-
in’
on
the
ra - di - o.
G5 A5
Bb5
Cool
kids
keep
She
Gtr. 2
4 5 5
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
6 7 7
A
G A
She
You
split
on
Mon
-
day.
A5
G5 A5
mine.
Bb
mine.
Gtr. 4
A
mine.
G5 A5
G
G A
all
mov
-
in’ as
Mine,
all
X X X X
X X X X
7 8 8
6 7 7
4 5 5
6 7 7
X X X X
A5
G5 A5
X X X X
Sun
-
day.)
all
Roll a - round on
6 7 7
Bb5
mine.
mine,
4 5 5
the car ex - plodes.
G5 A5
G5 A5
mine.)
4 5 5
6 7 7
X X X X
X X X X
4 5 5
6 7 7
7 8 8
6 7 7
4 5 5
6 7 7
6 7 7
from Velvet Revolver - Libertad
Get Out the Door Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash B5
A5 9fr
Drop D tuning: (low to high) D-A-D-G-B-E
333
D5
F#5
7fr
G#5 4fr
111
111
A#5 4fr
8fr
333
111
111
Intro Moderate Rock q = 130
A5
B5
D5 E5 D5
X X X
X X X
Gtr. 1 (dist.)
mf
7 7 7
9 9 9
A5
12 14 12 12 14 12 12 14 12
7 7 7
B5
9 9 9
D5
9 9 9
X X X
E5 D5 A5
12 12 14 12 12 12 14 12 12 12 14 12
Gtr. 1 tacet
B5
D5 E5 D5
A5
E5 D5 A5
7 7 7
D5
Rhy. Fig. 1
*Gtr. 2 (dist.)
B5
mf
7 7 7
9 9 9
End Rhy. Fig. 1
X X X
X X X
12 14 12 12 14 12 12 14 12
7 7 7
9 9 9
9 9 9
X X X
12 12 12
12 12 12
14 12 14 12 14 12
7 7 7
*Two gtrs. arr. for one.
B5
X X X
9 9 9
9 9 9
D5 E5 D5
A5
Gtr. 2
9 9 9
X X X
12 14 12 12 14 12 12 14 12
7 7 7
B5
D5
9 9 9
X X X
12 12 12
E5 D5 A5
12 12 12
14 14 14
12 12 12
7 7 7
B5
D5 E5 D5
X X X
12 14 12 12 14 12 12 14 12
A5
B5
D5
E5 D5 A#5
X X X
9 9 9
7 7 7
9 9 9
X X X
12 12 12
12 12 12
14 14 14
12 12 12
8 8 8
Verse
2nd time, Gtr. 5 tacet
B5
µ
1. Come 2. Like
9 9 9
9 9 9
9 9 9
on Trans
clos - form
-
er, ers,
F#5
G#5
won’t girl,
you there’s
tell more
me than
what meets
you the
got. eye.
mp
f
6 6 6
6 6 6
6 6 6
4 4 4
µ
A#5
0
Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission
8 8 8
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B5
µ
F#5
Wait a An - oth - er
9 9 9
9 9 9
min - ute, beer and
girl, you’re then I
µ
feath - ers to An - gel - os
and and
fro. Toms.
6 6 6
6 6 6
6 6 6
Pre-Chorus B5
(1.) door. (2.) vard. I’ve
string noise
X X
9 9 9
9 9 9
8 8 8
6 6 6
6 6 6
that you’re not. end up buy - in’.
0 0 0
9 9 9
9 9 9
9 9 9
road
be
-
fore.
cit - ies scream - ing, cit - y screams, it’s
X X X
9 9 9
9 9 9
9 9 9
8 8 8
F#5
G#5
6 6 6
6 6 6
4 4 4
C#5
D5
so
A5
long
with
X X X
2 2 2
4 4 4
4 4 4
X X X
12 12 12
12 12 12
A5
B5
11 11 11
X X X
µ
4 4 4
A5
you walked up Sun - set
to my Bou - le -
X X X
miles
and
miles
of
7 7 7
9 9 9
9 9 9
X X X
12 12 12
14 14 14
14 14 14
7 7 7
E5
End Rhy. Fig. 2
D5
0 0 0
B5
driv - ing full of
D5
when of
Big The
µ
Rhy. Fig. 2
F#5
hit it dan - ger
this
D5
Mm, brass in pock - et, thought you Nev - er un - der - es - ti - mate the
down
C#5
µ
14 14 14
B5
14 14 14
A#5
12 12 12
B5
X X X
F#5
E5
F#5
some - thing might, a,
D5
D5
been
Rhy. Fig. 3
A#5
4 4 4
G#5
G#5
X X X
2 2 2
A5
Get
out
the
Oh. freaks
4 4 4
4 4 4
X X X
12 12 12
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11 11 11
12 12 12
End Rhy. Fig. 3
X X X
7 7 7
9 9 9
steady gliss.
9 9 9
7 7 7
Chorus
1st time, Gtr. 2: w/ Rhy. Fig. 1 (3 times) 2nd time, Gtr. 2: w/ Rhy. Fig. 1 (4 times) 3rd time, Gtr. 2: w/ Rhy. Fig. 1 (3 1/2 times)
B5
D5 E5 D5
door.
Riff A
Gtr. 3 (dist.)
A5
Get
out
7
7
10
9
mf
2
0
D5
door.
A5
Gon
-
na
End Riff A
12
10
End Riff A1
7
Gtr. 4 (dist.)
E5
Riff A1
D5
the
mf
9
B5
4
7
6
9
0
7
Gtrs. 3 & 4: w/ Riffs A & A1 (3 times)
B5
kick
you
when
B5
D5
D5
I
D5
E5
E5
saw
what
you
D5
door.
A5
B5
were
pack
B5
D5
kick
you
when
I
Gtr. 2
9 9 9
X X X
12 12 12
E5
14 14 14
-
A5
B5
Get
out
the
To Coda 2
A5
saw
what
you
were
pack
12 12 12
X X X
7 7 7
ing,
gon
-
na
kick
D5
E5
D5
A5
it
out
the
E5
door.
D5
D5
B5
9 9 9
-
D5
A5
Gon
ing,
gon
9 9 9
X X X
-
D5
E5
D5
na
kick
it
out
-
na
To Coda 1
A#5
the
(2nd time, cont. in slashes)
12 12 12
12 12 12
14 14 14
12 12 12
8 8 8
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Interlude
D.S. al Coda 1
Gtr. 1: w/ Rhy. Fig. 1
B5
F#5
G#5
A#5
B5
F#5
G#5
D5
A#5
door.
Gtr. 5 (dist.)
mf
4
6
9
7
4
6
*w/ phaser & octaver
9
7
5
2
5
*Octaver set for one octave below.
Gtr. 2
9 9 9
4 4 4
6 6 6
8 8 8
9 9 9
9 9 9
4 4 4
6 6 6
6 6 6
0 0 0
X X X
8 8 8
Coda 1
Interlude B5
A5
B5
A5
B5
A5
B5
D5
Rhy. Fig. 4
Gtr. 2
door,
oh,
Riff B Gtr. 6 (dist.)
mf
ah,
9
9
9
9
9
9
w/ talk box
9
Gtr. 2: w/ Rhy. Fig. 4 Gtr. 6: w/ Riff B
B5
9
A5
7
9
9
B5
7
A5
9
B5
9
7
A5
ow,
0
7
9
B5
oh, Gtr. 3
End Riff B
9
A5
End Rhy. Fig. 4
D5
A5
ah,
ow,
9 10
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Bridge Gtr. 2: w/ Rhy. Fig. 4 Gtr. 6: w/ Riff B (2 times)
B5
oh. I’ve
A5
been
down
this
road
10 11
10 11
X X
Riff C
B5
miles
9 9 9
9 9 9
B5
X X
5 6
7 7
7 7
X X
A5
B5
3 4
5 6
5 6
X X
D5
and
miles
of
freaks
be
-
fore.
3 4
5 6
5 6
X X
7 7
9 9
9 9
X X
5 6
7 7
7 7
X X
A5
think
I
strong
I
stop
and
9 9 9
9 9 9
B5
7 7 7
9 9 9
9 9 9
A5
B5
9 9 9
7 7 7
D5
A5
could
I
been
so
wrong,
so
9 9 9
9 9 9
7 7 7
9 9 9
9 9 9
0 0 0
9 9 9
9 9
but
End Riff C
A5
9 9
er
A5
-
9 9 9
9 9
nev
9 9 9
9 9
with
X X
7 7
long
10 11
Gtr. 2
10 11
Think
so
B5
A5
Gtr. 3: w/ Riff C
B5
X X X
(cont. in slashes)
7 7 7
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Sorgdal
Guitar Solo B5
Gtr. 2
G#5
wrong.
F#5
A#5
B5
F#5
G#5
D5
1
12
12 14
14
Gtr. 2: w/ Rhy. Fig. 2
B5
6
21
1
µ
15 16
0 0
9
9 11
11
15 16
15 16
1
F#5
G#5
15 16
15 16
12 13
12 13
12
A#5
D5
A5
B5
D5
E5
2
9 9
7 7
7 7
7 7
15
12
12
µ
F#5
12 13
12 13
12 13
12 13
10 11
10 11
10 11
10 11
9 9
9 9
9 9
F#5
C#5
2
15
12 13
B5
Gtr. 2: w/ Rhy. Fig. 3
G#5
12 14
14
µ
Gtr. 6
A#5
15
15
16
16
D5
A5
2 1
16
15 14
14
21
D.S.S. al Coda 2 Gtr. 1: w/ Rhy. Fig. 1
B5
D5
E5
F#5
19
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
19
A5
B5
D5 E5 D5
1 1/2
6
C#5 D5
1
19
17
1/2 17
17
17
17
Gtr. 6 tacet
17 15 17
15
16
16
A5
B5
D5
E5 D5 A5
Get out the
Coda 2
B5
A#5 B5 A5
B5
D5
A#5 B5 A5
B5
D5
A#5 B5 A5
B5
D5
A#5 B5 A5
Rhy. Fig. 5
End Rhy. Fig. 5
Gtr. 2
pack - ing, gon - na kick
out the
door,
oh,
(Get out the Screamed: (Get out the
it
door. door.
Gon - na
kick you when I
saw what you were
Riff D Gtr. 6
End Riff D
(cont. in slashes) Gtr. 2
9 9 9
9 9 9
9 9 9
Gtr. 2: w/ Rhy. Fig. 5 Gtr. 6: w/ Riff D
B5
9 9 9
9 9 9
8 8 8
D5
A#5
9 9 9
Gtr. 2
8
9
B5
7
D5
kick
it Get
out out
the the
door. door.
A#5
B5
A5
kick
you
when
9
9
Gtr. 6
B5
9
A5
7
9
B5
I
saw
what
you
were
B5
Get
out
the
door.
A#5
B5
A5
pack - ing,
0
9
9
9
7
D5
8
9
0
D5
gon - na
B5
8
A#5 B5
9
7
A5
Gon - na
ow.
kick
you
out
the
8
oh,
0
D5
9
A#5
ah,
9
ow,
gon - na
B5
A5
0
pack - ing,
B5
9
9
ah,
7 7 7
door.)
0
9
9
9
8
7
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Libertad
She Builds Quick Machines Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash F
G 5fr
7fr
132
132
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately q = 150
C5 D5
C5 D5
C5 D5
B5 D5
B5 F5
C5 D5
Rhy. Fig. 1 Gtr. 1 (dist.)
C5 D5
C5 D5
B5 D5
B5 F5 End Rhy. Fig. 1
mf
10 10 10
10 10 10
12 12 12
10 10 10
0 0
12 12 12
0 0
10 10 10
12 12 12
9 9 9
12 12 12
9 9 9
0 0
3 3
3 3
0
0
12 12 12
0 0
10 10 10
12 12 12
0 0
10 10 10
12 12 12
9 9 9
12 12 12
9 9 9
0 0
3 3
3 3
0
0
Gtr. 1: w/ Rhy. Fig. 1
C5 D5
C5 D5
C5 D5
B5 D5
B5 F5
C5 D5
C5 D5
C5 D5
B5 D5
B5 F5
Gtr. 2 (dist.)
mf
10
10 12
Gtr. 3 (dist.)
* pp
10 10 10
12 12 12
10 10 10
0 0
12 12 12
9 9 9
12 12 12
9 9 9
0 0
3 3
0
3 3
0
10 10 10
12 12 12
0 0
10 10 10
12 12 12
0 0
10 10 10
12 12 12
9 9 9
12 12 12
0 0
9 9 9
3 3
0
3 3
0
*Fade in
C5 D5
C5 D5
C5 D5
B5 D5
B5 F5
C5 D5
Rhy. Fig. 2 **Gtrs. 2 & 3
10
12 12 12
C5 D5
B5 D5
B5 F5 End Rhy. Fig. 2
f 1010
C5 D5
0 0
10 10 10
12 12 12
0 0
10 10 10
12 12 12
9 9 9
12 12 12
0 0
9 9 9
3 3
0
3 3
0
10 10 10
12 12 12
0 0
10 10 10
12 12 12
0 0
10 10 10
12 12 12
9 9 9
12 12 12
0 0
9 9 9
3 3
0
3 3
0
**Composite arrangement
Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse * C5 D5
C5 D5
C5 D5
B5 D5
1. Hold Riff A
Gtr. 2
fast,
B5 Dm
lit - tle
10
10
9
C5 D5
C5 D5
C5 D5
B5 D5
off.
Punch
12
strong,
let
10
it
roam.
10
B5 Dm
End Riff A
12
9
Riff A1
Gtr. 3
3
End Riff A1
P.M.
5
3
5
3
5
2
5
0
3
2
0
3
0
3
P.M.
5
3
5
3
5
2
5
0
3
2
0
3
0
*Chord symbols reflect implied harmony.
Gtr. 3: w/ Riff A1 (3 times)
C5 D5
C5 D5
C5
D5
B5
D5
Eyes Gtr. 2
Riff B
cold
B5
10
9
C5 D5
as
10
Dm
the
C5 D5
C5
D5
B5
snow.
She
12
B5
Dm
a
quick
built
D5
10
dream.
10
9
12
9
10
10
End Riff B
Gtr. 2: w/ Riff A
C5 D5
C5 D5
C5
D5
B5
Sis
C5 D5
C5 D5
C5
D5
-
B5
D5
ter
keep
D5
She’s Gtr. 2
Riff C
10
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
B5
Dm
her
B5
mo - tor
10
9
12
to
C5 D5
C5 D5
clean.
Dm
al - ways quick
C5
D5
B5
D5
Sol - id
C5 D5
C5 D5
C5
D5
B5
fight.
B5
Dm
vi - sions and
a
wet
D5
B5
ma - chine.
Dm
We’ll break her through to - night.
10
10
9
12
12
14
Pre-Chorus Half-time feel
A5
G5
C5
*
can feel
it when you
push
pp
Gtr. 2 tacet
G5
C5
straight
down.
I
Gtr. 2
A5
End Riff C
14
Riff D Gtr. 4 (slight dist.)
End Riff D
mf
let ring throughout
3 Gtr. 3
0
2
3
0
2
Rhy. Fig. 3
7 7
5 5
10 10
10 10
3
5
3
5
7 7
5 5
10 10
10 10
5
7
3
5
3
5
7
0
*w/ echo set for quarter-note regeneration w/ 1 repeat, till Chorus.
End half-time feel
Gtr. 4: w/ Riff D
A5
G5
C5
I Gtr. 3
7 7
Chorus
5 5
10 10
10 10
C5 D5 C5 D5
Roll Rhy. Fig. 4
10 10 10 10
12 12
12 12
3
5
3
5
7
C5 D5
Gtr. 3: w/ Rhy. Fig. 4
C5 D5
Right
B5 D5
in
B5
when they
12 12
9 9
12 12
B5 D5
my
sight,
keep
C5 D5
B5
F5
0
their
5
7 7
5 5
3 3
C5 D5
3 3
C5 D5
C5 D5
Right,
0
it through to - night.
10 10
12 12
10 10 10 10
12 12
C5 D5 I’ll
B5 D5
smash
End Rhy. Fig. 3
B5
F5
keep it through to - night.
10 10 12 12
C5 D5
right
5 5
right,
10 10
G5
10 10
C5 D5
ground.
F5
3 3
F5
0
stood
keep it through to - night.
10 10
G5
10 10
it
10 10 10 10
could feel
o - ver right,
Gtr. 2: w/ Rhy. Fig. 2 (2 times)
C5 D5
A5
9 9
12 12
B5 D5 through
End Rhy. Fig. 4
3 3
0
your
B5 F5
spot
0
3 3
-
light.
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtrs. 2 & 3: w/ Riffs A & A1
C5 D5
C5 D5
C5
B5
2. She
ran
Gtr. 2: w/ Riff B
C5 D5
C5 D5
3
5
3
C5 D5
D5
ex
in
C5 D5
Dm
to
Tex
-
C5
as
B5 Dm
Veg
-
C5 D5
At
5
X
as
5
0
B5
3
2
0
Dm
3
don’t
back
all
night
B5 D5
the
sex
show,
X
3
5
3
5
2
5
0
2
3
0
0
-
D5
keep
a - way
B5 D5
B5
Dm
the
ex
-
D5
so
far
3
5
3
C5 D5
C5 D5
End Riff E
5
2
B5
from
home.
0
3
2
B5
dashed
C5 D5
5
D5
C5 D5
cess.
B5 Dm
as.
5
1 3
C5 D5
3
to
C5 D5
C5 D5
Tex
B5
P.M.
5
D5
3
3
C5
B5 Dm
C5
0
C5 D5
C5 D5
P.M. 3
D5
burned through in - her - it - ance,
C5 D5
2
B5 D5
She
C5
Gtr. 2: w/ Riff C
Gtr. 3
B5 D5
5
Gtr. 2: w/ Riff A Gtr. 3: w/ Riff E
B5
P.M.
5
C5 D5
a - way
Old
3
D5
C5 D5
Gtr. 3 Riff E
D5
a - cross
Dm
3
0
A - mer - i - ca.
B5 D5
B5 Dm
3
5
3
5
2
5
0
2
5
3
0
Pre-Chorus
Half-time feel Gtr. 3: w/ Rhy. Fig. 3 Gtr. 4: w/ Riff D (2 times) 2nd time, Gtr. 6: w/ Fill 1
A5
*
G5
C5
I
A5
can
feel
it
when
you
push
A5
could
feel
it
when
they
stood
G5
C5
straight
down.
*w/ echo as before.
A5
G5
C5
I
G5
F5
their
ground.
End half-time feel
G5
Chorus Gtr. 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Rhy. Fig. 4
C5 D5 C5 D5
C5 D5
Roll
o - ver
Voc. Fig. 1
(Ah,
Sorgdal
B5
F5
it through to - night.
C5 D5
C5 D5
Right,
ah,
C5 D5
B5 D5
right,
17
keep
8v a
15
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
keep
ah,
Fill 1 Gtr. 6
4
right,
B5 D5
ah.)
B5
F5
it through to - night. End Voc. Fig. 1
Bkgd. Voc.: w/ Voc. Fig. 1
C5 D5
C5 D5
Right Gtr. 3
in
my
10 10 10 10
12 12
C5 D5
T o Coda
B5 D5
sight,
12 12
F5
I’ll
10 10
12 12
9 9
12 12
10 10 10
0 0
Interlude D5
12 12 12
0 0
10 10 10
12 12 12
9 9 9
12 12 12
3 3
0
0 0
0
3 3
0
9 9 9
3 3
0
3 3
0
10 10
12 12
C5 D5
smash
10 10
12 12 12
10 10
Gtr. 2
10 10 10
C5 D5
C5 D5
keep it through to - night.
10 10 10 10
B5
right
B5 D5 through
12 12
10 10 10 10
12 12
9 9
F5
your
10 10 10 10
12 12
spot - light.
0
0 0
3 3
10 10 10
0 0
12 12 12
10 10 10
0 0
12 12 12
10 10 10
12 12 12
9 9 9
12 12 12
0
0
0 0
3 3
Ah. Gtrs. 2 & 3
0 0
Bridge Gtrs. 2 & 3 tacet
D5
Gtr. 4
Riff F
mp
What
you
give
is
what
you
12 X 10
9 X 7
**
take.
End Riff F
*w/ delay
5 X 3
7 5
11
11
9
9
9
7
11 9
*Set for quarter-note regeneration w/ 1 repeat. Gtrs. 2 & 3
Gtr. 5 (slight dist.)
0 0
pp
7 7
mf
0
7 7
**w/ echo as before, next 32 meas.
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 4: w/ Riff F
Dsus4
What
you
8 7
bleed
8 7
8 7
is
what
you
8 7
7 7
Dsus4
fdbk.
D
Gtr. 5
5 X 3
7
7
5
5
Gtr. 5
8 7
fdbk.
8 7
12 X 10
14 12
8 7
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
11
9
9
9
7
D
I’d
steal
7 7
0
11 X 9
7 7
17 X 15
7 7
7 7
0 0
12
11 X 9
10
7 7
0
7 7
0
for
14 X 12
you.
19
19
17
17
you.
fdbk.
8 7
8 7
7 7
9
7 7
15
0
11
17
for
9 X 7
11
bleed
12 X 10
Dsus4
7
8 7
Harm.
8 7
break.
D
I Gtr. 4
7 7
7 7
C/F
G
7
7
5
5
4 X 2
5 5
5
5 X 3
3
3 4
take,
D5
I’d
5 X 3
I’d
7
7
5
5
3 2
let ring fdbk.
*
3 2
3
3
*Fingernail of right hand lightly touches vibrating string.
C/F
G(no3rd)
take,
I’d
take,
17 X 15
8 9
17 X 15
8 7
19
19
19
19
19
grad. bend 1/4 1/2
14 X 12
D
19
1919
3/4
1
19
19
I’d
19
19
17
7 7
19
fdbk.
(cont. in slashes)
7 7
Half-time feel Gtr. 4 tacet ***F Rhy. Fig. 5A
G
Gtr. 5
End Rhy. Fig. 5A
*Voc. Fig. 2
take, (Ah.)
I’d
Rhy. Fig. 5 Gtrs. 2 & 3
End Voc. Fig. 2
take,
I’d End Rhy. Fig. 5
3 3
3 3
f
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
3 3
0
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
0
*Refers to down-stemmed voc. only. ***See top of first page of song for chord diagrams pertaining to rhythm slashes.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
End half-time feel
Bkgd. Voc.: w/ Voc. Fig. 2 Gtrs. 2 & 3: w/ Rhy. Fig. 5 Gtr. 5: w/ Rhy. Fig. 5A
F
take,
G
I’d
Gtr. 6 (dist.)
take,
I’d
f 1/2
1
7
7
Guitar Solo D5 C5
D5
C5
D5
C5
D5
C5
D5
8
8
8
7
C5
6
B5
take. Gtr. 6
1/2
1/2
8
Gtrs. 2 & 3
0 0
D5
5
1/2
8
8
7
5
6
10 10 10
12 12 12
10 10 10
12 12 12
C5
D5
8
8
7
C5
5
6
0
D5
8
0 0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6
5
10 10 10
12 12 12
8 8
8
10 10 10
12 12 12
10 10 10
12 12 12
12 12 12
10 10 10
9 9 9
D5
C5
D5
C5
B5
3 P.M.
8
6
hold bend
8
8
8
8
7
C5
hold bend
3
Rhy. Fig. 6
Sorgdal
6
8
5
1
8
1/2
8
7
3
1
1/2
3
8
8
0 0
8
6
7
10 10 10
12 12 12
0
6
0 0
7
5
6
10 10 10
12 12 12
7
5
0 0
7
5
7
5
5
7
5
3
5
3
5
3
End Rhy. Fig. 6
10 10 10
12 12 12
12 12 12
10 10 10
9 9 9
1/2 P.M.
Gtrs. 2 & 3: w/ Rhy. Fig. 5
F5
G5
Gtr. 6
1 P.M. P.M. P.M. P.M. P.M. P.M. 3
0
5 5
3
5
0
5 5
5
3
0
5 5
3
5
0
5 5
3
5
0
5 5
3
5
0
5 5
3
3
5
Gtrs. 2 & 3: w/ Rhy. Fig. 6 (2 times)
5
D5 C5 D5
1/4
5
7
5
7
9
7
9 12
9
12
10 10
9
10 10
12
C5 D5
5
5
5
3
5
3
3
12
10
12
3
5
3
5
3
C5
D5
C5 D5
1
C5
1
10 10 10 10
B5
1/2
10
13 10
13
12
12 10
5
5
5
12 10 12 10
12
12
12 10
Gtrs. 2 & 3: w/ Rhy. Fig. 5 (1st meas.)
D5 C5 D5
C5
D5
C5
D5
C5
13
B5
F5 8v a
3 1
10
13
12
13
10 12 10
10
13
3
1/2
13
C5
3 1 1/2
D5
10
13 10
10
12
10
3
15
13 10
12
12
1
1/2
13
11
13
14
15
15
13
14 0
D.S. al Coda
G5
1
15
8v a
Gtr. 6
1/4
13
15
17
15
1 1/2
15
16
15
16
17
3
1/2
17 10
17
17
15
17
17
1/2
17 17
16
*Played behind the beat.
Gtrs. 2 & 3
F5
*
3 3
3 3
3 3
3 3
3 3
3 3
0
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
5 5
3 3
Coda Gtr. 2: w/ Rhy. Fig. 1 (last 2 meas.)
C5
D5
C5
I’ll Gtr. 3
D5
smash
10 10 10 10
12 12
C5
D5
right
B5
D5
through
12 12
F5
your
10 10 10 10
spot
-
light.
10 10 10 10
12 12
9 9
12 12
0
3 3
0
3 3
0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Libertad
The Last Fight Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash (E)
(F#7'4) (A'9)
(Dsus2)
(D7)
5fr
Gtr. 3: Tune down 1 step: (low to high) D-G-C-F-A-D 231
Intro Moderately slow q = 91 *D
1342
1342
13
E
2341
G
Gtr. 1 (elec.)
D
Riff A
End Riff A
mf w/ slight dist. let ring throughout
14
12
15
12
15
14
15
13
12
12
13
12
12 14
15
13
12
12 15
12
14
12 X 12
12 15
12
14
12
12 X 12
14
12 X 12
14
14 14
13 X 13
12 X 12
*Chord symbols reflect basic harmony.
E
Gtr. 1
10 10 11
14
12
15
12
15
14
15
12 13
12
12 14
13
15
10
12
12 X 12
12
14 14
12 X 12
14 14
3 0 0 X 3
3 2 0 0
Verse 1st time, Gtrs. 1 & 2 tacet 2nd time, Gtrs. 5, 6 & 7 tacet
Asus4
1. Time 2. Time
feels heals
Riff B Gtr. 3 (acous.)
B5 (C#5)
like I’ve been back in all of the burned out
0 0 4
0 0 4
0 0 4
0 0 4 6
0 0 4
do - ing noth - ing
time, more
let ring
0 0 4
A5 G5 (B5) (A5)
jail, like when I’s bridg - es filled with
mf
12 12
0 0 1 2 2
** (Bsus4)
10
12
w/ clean tone & amp tremolo
2 3 2 0
12
mf
12
Gtr. 2 (elec.)
13
D
G
0 0 4 6
6
0 4 6
0 0 4 6
0 0 4 6
0 0 4 4
0 2 2
D (E)
oh, in the can. than mis - er - y.
I
0 2 2
0 X 4
4
0 2 2
4
6
6
End Riff B
0 0 4 6
Gtr. 4
mf
w/ slight dist. P.M.
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
4 2
5 5 3
5 3
4 2
4 2
**Symbols in parentheses represent chord names respective to de-tuned guitar. Symbols above reflect actual counding chords.
4 2
4 2
4 2
4 2
2 0
5 3
5 5 3
5 3
5 5 3
5 3
5 5 3
5 5 3
4 5
4 5
4 5
Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission
4 5
4 5
0 4 5
4 5
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Riff B
Asus4 (Bsus4)
Spend all wear the
night mask
on of the
B5 (C#5)
A5 G5 (B5) (A5)
a bend - ed un - bat - tled
knee son
D (E)
just try’n’
to to
beg for
some - thing to
be - lieve.
Rhy. Fig. 1
End Rhy. Fig. 1
P.M. 2 0
2 0
2 0
2 0
Pre-Chorus E7'4 (F#7'4)
2 0
2 0
4 2
4 5
4 2
4 2
4 2
Left
home
a
pack
0 0 3 4
0
0 0 3 4
with
4
4
6
4 2
4 2
4 2
G'9 (A'9)
Gtr. 3
2 0
of
clothes,
5 5 3
5 3
5 5 3
5 3
with - out
5 5 3
G7 (A7)
a
5 5 3
5 5 3
4 5
4 5
4 5
5
5
4 5
fam - i - ly
yeah.
tree,
5
(cont. in slashes)
0 0 6 7
6 7
4 6
5 5 3
0 0
2 0
2 0
P.M.
Gtr. 4
0 0 6 7
0 0 6 7
0 0 6 7
8 9
8 9
8 9
8 9
0 8 9
8 9
0 8 9
0 8 9
Gtr. 4
P.M. P.M. 0
2 0
0
0
0
2 0
0
0
3
5 5 3
3
3
P.M. 3
5 5 3
3
5 3
5 5 3
5 3
P.M.
5 5 3
5 5 3
5 3
5 3
5 3
5 5 3
X X X
X X X
Chorus Gtr. 1: w/ Riff A
(E)
(F#7'4)
(A'9)
Rhy. Fig. 2
Gtr. 3
This
fight
last
fight,
no
giv
-
ing
and no
win
-
ning. End Rhy. Fig. 2A
P.M.
7 5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
the
End Rhy. Fig. 2
Rhy. Fig. 2A
Gtr. 4
could be
(E)
7 5
7 5
7 5
7 5
7 5
7 5
1 2 2 0
X X X
P.M.
0
0
2
P.M. 0
0 1 2 2 0
0
4 5 5 3
P.M.
5 3
5 3
5 3
P.M. 5 3
4 5 5 3
0 0
7 5
5
5
7 5
5
P.M.
7 5
5
T o Coda
(E)
(F#7'4)
One
time
Gtr. 1
10 10 11
could
14
12
15
be
the
12
15
14
all
(A'9)
15
13
the time
12
12 13
should
12
12
de - cide
to end the
12
12 15
mis
(Dsus2)
-
15
13
14
we
(E)
12 12
12
12
X X X X X X
14 X 14
er - y.
X X X
12
12
X X
5 3
Gtr. 4
P.M.
7 5
7 5
5
5
7 5
5
1 2 2 0
7 5
P.M.
1 2 2 0
1 2 2 0
X X X X
X X X X
2
2
0
0
0
let ring
5 5 3
5
P.M.
5
5 5 5 3 3 3
5 5 3
X X X X X X
7 5
5 3
D.S. al Coda
Interlude Gtr. 1 tacet Gtr. 3: w/ Riff B Gtr. 4: w/ Rhy. Fig. 1
Asus4 (Bsus4)
*Gtr. 5
B5 (C#5)
A5 G5 (B5) (A5)
14
14
14
14
mf 14
15
14 14
15
14 14
15
*Kybd. arr. for gtr.
Gtr. 6 (elec.)
mf
15
14 14
0
2
Gtr. 7 (elec.)
2
4
2
4
15
14
15
14
2
4
2
2
4
2
14
15
15
17
w/ dist.
D (E)
2
4
16
17
16
15
2
0
2
0
2
2
2
4
14 14
3
15
15
14
4
4
mf **w/ dist. & delay
2
4
2
3
**Delay set for eighth-note regeneration w/ 1 repeat.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda Bridge
Gtr. 1 tacet
(F#'4)
of feath - er
-
and gi
(A'9)
weights
Gtr. 2
(F#'4)
-
ants.
With the stain,
for - ev - er
Break the chains
(A'9)
last - ing li
-
ars.
amp tremolo off let ring throughout
7
7
9
10
Gtr. 4
12
10 7
0 0 0 0 0
3 0 0 X 3
0 0 1 2 2 0
9
7 10
10
12
w/ amp tremolo
0 0 1 2 2 0
(F#'4)
(D7)
They’re a - fraid
when we spit
7
0 0 1 2 2 0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9
out
the
liv
3
1 0 2 3
1 0 2 3
1 0 2 3
and start
5
7
(E)
fire
-
3 3 5
0 0 0 0 0
0 0
0 0 0
2 3 2 0 0
(F#'4)
liv
-
5 7
ing,
7
3 3 0 0 X 3
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
let ring
ing,
9
7
0 1 2
0 0
0 0
(A'9)
liv
-
ing,
my
Gtr. 6
friend.
1
7
Gtr. 2
10
12
7
3 0 0 X 3
9
9
7
9
9
9
9
12
12
10
9
9
10
Gtr. 4
7
9
1
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
7
9
7
Guitar Solo Gtr. 2 tacet Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A (2 times)
D (E)
E7'4 (F#7'4)
Voc. Fig. 1
(Who
Gtr. 6
-
7
9
7
9
7
9
7
9
prayer?)
1
8
9
7
my
9
9
9
D (E)
swer
1
10
1
1
9
9
G'9 (A'9)
an
10
9
will
9
10 9
9
7
9
End Voc. Fig. 1
7
7
let ring
7
11
10
10
13
13
3
10
11
10
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 1
10
3
15
15
1
15
G'9 (A'9)
X
1/4
17
17
15
16
16
15
17
1
15
15
D (E)
3
1
17
17
3
17 13
E7'4 (F#7'4)
1/2
1
17 17
19
15
17
16
13 12
13 12
3
3 1
15
12
10
10
10
11
1/4
1/2
12
12
12
10
12
10
12
13 12
13 12
13 12
13 12
13 12
13 12
10 10
12
Chorus Bkgd. Voc.: w/ Voc. Fig. 1 (till fade) Gtrs. 3 & 4: w/ Rhy. Figs. 2 & 2A (till fade)
D (E)
This
E7'4 (F#7'4)
could
be
the
last
fight
G'9 (A'9)
fight,
no
liv
-
ing
and
no
mp 10 10 10
3
11
X X
D (E)
win
-
ning.
One
time
9
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
9
7
9
7
7
7
9
7
9
7
7
9
7
9
the
all
the
9
7
X X
E7'4 (F#7'4)
1/2
7
could be
X X
7
time
should
G'9 (A'9)
D (E)
we
de
-
cide
to
end
the
mis
-
8
This
9
could
be
the
last
1
10
1
10 9
fight,
10
10
9
9
no
7
10 10
10
11
10
giv
-
ing
1
G'9 (A'9)
12
and
no
10
1
10 10
12
10
10 10
12 12
12 12
X X
win
E7'4 (F#7'4)
fight
12
9
D (E)
9
12
9
let ring
10 9
9
y.
1
10
7
-
let ring 1
er
string noise
X X X
-
ning.
One
time
1
10 14
12
14
10
11
12 12
10
12
12
10
12
12
10
10
could
be
the
1
10
12
1
14
14
10
10
12
12
12
10
10
Begin fade
E7'4 (F#7'4)
all
the
G'9 (A'9)
time
1
10 10 12
1
10 10 12
1
10 10
10 12
we
de
should
1
10 10
10
1
10 12
10 12
10 10
10 10
1
10 10 12
cide
to
end
the
1
10 10
-
1
1
10 10 12
1
10 12
12
10 10
1
10 10 12
1
10 10 12
1
10 10 12
10 10 12
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D (E)
mis
-
er
-
y.
This
fight
1
1
10 10 12
10 10 12
E7'4 (F#7'4)
10 10
10 10
12
12
3
12 12 10 12
12
3
10 10
3
11
12
12
10
fight,
12
12
11
11
D (E)
win
-
9
11
9
9
9
11
9
10
10
11
could
be
the
3
10 10
10 12
giv
12
10
12
no
1/2
10
11
G'9 (A'9)
12 12
hold 1 bend
last
3
hold 1 bend
1
-
12 11 12
12
ing
3
and
no
15 15 16
15 15 16
15 15 16
15 15 16
15 15 16
15 15 16
15 15 16
15 15 16
10
0 17
ning.
One
time
could
be
the
E7'4 (F#7'4)
all
the
time,
10
10 11
17
could
be
the
let ring
12 14
14 13
14
14 14 14 14 13 13 13 13 13 13 13 13 13
13 13
14
13
14
13
14
14 14
13 13
14
14
13
14
12
13
15
13
15
12
15
13
15
12
15
12 13
15
13
15 15
Fade out
G'9 (A'9)
time
to
end
the
let ring
13
15
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
13 16
15
13 16
15
16
15
13 16
15
D (E)
-
er
-
y.
1
1
17 17
mis
15 16
1
17 17
1
17 17
17
1
1
17 17
17
17
17
from Velvet Revolver - Libertad
Pills, Demons & Etc. Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash A5
F
C'9
G
A5 open
5fr 134
134211
2
3
21
34
1144
Intro Moderately q = 115
µ
*A7
Gtr. 1 (dist.)
mf
w/ wah-wah
5
17
3
4
3
5
4
5
3
4
5
3
3
4
3
5
4
3
5
5
4
3
4
5
X X
5
X X
*Chord symbols reflect implied harmony.
G5
A5
C5
Riff A1 Gtr. 2 (dist.)
mf
10
Gtr. 1
11
12
10
11
12
10
11
12
10
A5
G5
A5
G5
A5
C5
3
4
5
3
4
5
3
4
5
3
10
12
10
12
11
12
10
11
12
10
11
3
4
3
5
4
5
3
4
5
X X
12
5
X X
3
4
5
Rhy. Fig. 1 Gtr. 3 (dist.)
mf
1/4
2 2 0
X X
3
End Rhy. Fig. 1
G5
Riff A
A5
3
1/4
2 2 0
2 2 0
3
2 2 0
3
A5
1/4
2 2 0
3
1/4
2 2 0
2 2 0
3
2 2 0
Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission
3
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Rhy. Fig. 1
A5
G5
A5
C5
A5
Gtr. 2
10
11
12
10
11
12
10
11
12
G5
A5
G5
10
10
12
12
12
10
11
12
10
End Riff A1
A5
11
C5
12
10
11
3
4
5
3
4
5
3
4
5
X X
12
3
3
4
3
5
4
5
3
4
5
3
4
5
X X
10
End Riff A
G5
Gtr. 1
A5
X X
5
X X
3
Verse
A5 Gtr. 3
Gtrs. 2 & 3 tacet
1. You,
12
12
Fill 1
you
got
skills,
C5
you
got
F#5
the
pills.
End Fill 1
* G5
You’re
get
-
ting
old -
**w/ delay
X X X 5
G5
X X X
X X X
X X X
X X X
X X X
X X X
X X X
5 *Chord symbols implied by bass, next 3 meas. **Set for quarter-note regeneration w/ 1 repeat.
A5
G5
-
er.
Gtr. 1
C5
You
F#5
G5
got
the
A5
weight
G5
of
C5
all
that’s left
F#5
you
G5
on
your
shoul -
Harm.
X X X
X X X
X X X
X X X
5 X X
Pitch: B
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 X X
5 X X
5 X X
5 X X
5 X X
5 X X
5 X X
5 X X
A5
G5
-
der.
C5
F#5
But
Gtr. 1
G5
A5
the
G5
world
C5
still
G5
waits
for
X X X
Gtr. 3
F#5
X X X
X X X
X X X
X X X
X X X
X X X
X X X
Riff B
0
3
3
A5
G5
C5
2
2
0
2
F#5
though
3
3
2
2
G5
you,
0
3
Gtr. 4 (dist.)
you
stare
mf
through
3
right
2
0
me.
delay off (cont. in slashes)
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
End Riff B
0
3
3
2
2
0
2
3
0
3
3
2
2
0
2
3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus
Gtr. 3 tacet
F
C'9
G
A5
E
open
T o Coda
F
C'9
Rhy. Fig. 2
*Gtrs. 1&4
You got your de - mons and your
Gtr. 5 (dist.)
Riff C
ways of
life.
You could
G
open
end the
End Rhy. Fig. 2
(2nd time, cont. in notation)
pull the trig - ger and you’d
2. strike. 1. strike,
you could.
EndRiff C
mp w/ chorus let ring
17
20
17 19
17
20
19
17
20
20
17 19
20
17
20
19
17
20
17 19
17
20
19
17
20
17
20
19
17
20
19
20
*Composite arrangement
Interlude Gtrs. 1 & 2: w/ Riffs A & A1
A7
Gtr. 5 tacet
Oo,
oo,
Fill 2 Gtr. 5
oo.
End Fill 2
let ring
17
Verse Gtr. 2: w/ Fill 1 **A5
G5
C5
F#5
1. Yeah,
Gtr. 1
G5
I
got
the
5
5
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
news
G5
C5
you
had
F#5
the
blues,
G5
you
bought
a
tick -
w/ delay
X X X **Chord symbols implied by bass, next 4 meas.
A5
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
A5
G5
C5
F#5
-
G5
et
A5
to
the
one
X X X
X X X
X X X
X X X
G5
C5
place
that
F#5
I
won’t
G5
be
go - ing
to
vis -
mp
X X X
X X X
X X X
Gtr. 3: w/ Riff B
A5
G5
C5
F#5
A5
What
the
-
G5
it.
G5
fuck
were
C5
you
F#5
think
G5
-
ing
mf
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
D.S. al Coda
A5
G5
C5
F#5
of?
Now
G5
A5
I
G5
stare
C5
right
F#5
through
G5
you.
(cont. in slashes)
8
8
X X
X X
8
8
X X
8
X X
X X
X X
X X
X X
X X
Coda
Gtr. 5: w/ Riff C
Dsus2
You
got
your
de
Rhy. Fig. 3 Gtrs. 1 & 4
0 3 2 0
Csus2
-
mons
and
G5
your
fan
-
cy
wine.
A5
It
would End Rhy. Fig. 3
0 3 2 0
0 3 2 0
X X X X
X X X X
3 0 X 3
3 0 X 3
X X X X
X X X X
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
X X X X
X X X X
2 2 0
2 2 0
0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F
Gtrs. 1 & 4
1 1 2 3 3 1
C'9
go
down
eas
-
G5
y
if
you’d
1 1 2 3 3 1
1 1 2 3 3 1
X X X X X X
X X X X X X
0 3 0 2 3
0 3 0 2 3
X X X X X
X X X X X
Gtr. 3
3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
spend
the
night.
3 0 0 X 3
3 0 0 X 3
P.S.
X X
15
Interlude Gtr. 4 tacet Gtr. 5: w/ Fill 2
A5
C5
Oo,
Gtr. 2
Riff D
10
11
12
10
11
12
10
11
12
10
3
4
Gtr. 3
10
12
3
4
5
3
4
5
3
10
12
4
11
12
10
11
12
10
11
12
X
3
3
5
4
5
3
4
5
3
4
5
5
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
X X X
7 X 5
X X X
X
X
X X
Riff D1
7 X 5
Sorgdal
5
oo,
Gtr. 1
10 X 8
X X
2
G5
oo,
10
11
12
10
11
12
10
11
12
10
10
12
10
12
11
12
10
11
12
10
11
12
oo,
X X
X X
X X
X X
X X
X X
Riff E
3
4
3
5
5
4
3
4
5
3
3
4
10
11
12
10
11
3
4 X 2
4
5
3
4
12
5
10
11
12
3
4
5
4
5
3
4
5
3
4
oo,
3
5
X X X
F#5
5 X 3
A5
10
3
X X X
5
X X
X X X
X X X
5 X 3
12
10
12
3
4
11
12
10
11
3
5
X X X
4 X 2
X X X
X X
X X X
X X
X X
7 X 5
G5
10
4
5
3
4
12
5
10
11
12
X X
X X
X X X
oo,
X X
X X
X X
X X
X X
X X
End Riff E
3
4
5
X X
X X
X X X
X X X
X X X
X X
5 X 3
X X
X X
X X
X X X
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
oo,
10
11
12
10
12
11
3
4
5
3
10
12
5
4
11
3
4
oo.
10
10
12
10
12
3
3
7 X 5
4
11
10
12
11
5
3
5
4
3
5
4
X X X
7 X 5
7 X 5
7 X 5
X X X
12
12
10
11
14
5
3
4
19 X 17
17
14
5
5
End Riff D1
19
7 X 5
End Riff D
19 X 17
19 X 17
19 X 17
19 X 17
Guitar Solo Gtrs. 1, 2 & 3 tacet
F#5
E5
F#5
8v a
Gtr. 6 (dist.)
F#5
E5
F#5
E5
F#5
A5
F#5
E5
A5
f
w/ wah-wah 1
1 1/2
17
17
Gtr. 4
1 1/2
1
17
1/2
1
17
17
17
19
Rhy. Fig. 4
4 4 2
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2
End Rhy. Fig. 4
2 2 0
4 4 2
2 2 0
4 4 2
2 0
4 4 2
2 2 0
4 4 2
2 2 0
4 4 2
2 0
Gtr. 4: w/ Rhy. Fig. 4
F#5
Gtr. 6
E5
F#5
A5
F#5
E5
F#5
E5
F#5
A5
F#5
14
A5
14
1
14 17
G5/A
14
14
14 12
17
14
17 14
1/2
14
17
14
16 14 16
16
14
16 14
16
18 X 16
0 0 0
14 X 12
14 X 12
A5
16
16 X 14
14
16 X 14
G5
16 X 14
18
2 2 0
5 5
A5
18 X 16
16
18 X 16
19
19 X 17
17
19 X 17
G5
A5
19 X 17
21 19
C5
21 X 19
21 X 19
2 2 0
0 0 0
A5
G5/A
2 2 0
C5
A5
0 0 0
X X X
9
11
11
2 2 0
9
0 0 0
9
7
7
9
5
7
2 2 0
5 5
5
6
7
7
4
2 2 0
7
0 0 0
7
5
G5
12
14
2 2 0
0 0 0
1
8
8
11
16
14 0
5 5
14
A5
X X X
2 2 0
A5
12
16
16
14 X 12
G5/A
14
A5
14
17
17
C5
Gtr. 4
2 2 0
14
14
17
1
1
A5
Gtr. 6
11
3 1
12
E5
7 4
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
0 0 0 0 0
Chorus Gtrs. 1 & 4: w/ Rhy. Fig. 2 Gtr. 5: w/ Riff C (1 1/2 times) Gtr. 6 tacet
F
G
You
got
your
C'9
de - mons
and
G
your
ways
of
life.
end
the
strike.
Dsus2
You
got
your
Gtrs. 1 & 4: w/ Rhy. Fig. 3
A5
Csus2
de - mons
and
You
could
your
F
G5
pull
fan - cy
C'9
the
trig - ger
and
you’d
A5
It
would
wine.
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F
C'9
go Gtr. 5
down
eas
-
G5
y
if
you’d
spend the
night,
spend the
night.
Oo,
let ring
17
20
17
20
19
20
17
20
19
17 19
17
20
20
17
17
20
19
20
19
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
X X X
X X X X X X
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
X X X X X X
X X X X X X
0 3 0 2 3
0 3 0 2 3
X X X X X
X X X X X
1 1 2 3 3 1
1 1 2 3 3 1
1 1 2 3 3 1
X X X X X X
17
20
Gtr. 1
Gtr. 4
17 19
0 3 0 2 3
0 3 0 2 3
X X X X X
X X X X X
X X X
P.S.
X X X
17
Interlude Gtrs. 2 & 3: w/ Riffs D & D1 Gtr. 4 tacet
Gtr. 5 tacet
A5
15
17
Gtr. 5
C5
oo,
oo,
Gtr. 1
3
4
5
3
4
5
3
4
5
3
3
4
3
5
4
5
3
4
5
3
4
5
5
17
Gtr. 1: w/ Riff E
G5
oo,
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
oo,
F#5
oo,
G5
oo,
A5
oo.
Gtr. 1
3
4
3
5
5
4
3
4
5
3
3
4
3
5
4
3
5
4
5
5
6
7
7
Gtr. 3: w/ Rhy. Fig. 1
A5
Gtr. 2
17
18
20
G5
17
18
20
A5
C5
17
18
A5
17
A5
17
19
19
11
12
A5
10
11
G5
Gtr. 2
17
18
19
17
18
12
10
11
12
10
A5
10
C5
17
18
19
12
12
10
11
12
18
17
19
18
12
10
11
10
12
11
20
G5
A5
17
17
12
10
11
17
18
17
19
12
G5
18
19
17
18
C5
A5
19
17
10
18
20
11
12
10
A5
17
18
19
10
10
11
10
12
11
12
10
11
12
10
11
12
Gtr. 3
1/4
2 2 0
3
1/4
2 2 0
2 2 0
3
2 2 0
3
1/4
2 2 0
3
18
19
19
12
17
G5
A5
A5
20
Gtr. 1
10
12
17
19
Gtr. 1
10
G5
19
G5
12
10
12
µ
19
12
1/4
3
2 2 0
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Libertad
American Man Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash B
B VII
B/D#
Em
7fr 1333
A5
B'11
7fr
7fr
134211
143121
1342
A
E
C
G
32 1
134211
Em type2
1144
1342
D
7fr 13421
Intro Moderately q = 141 µ
(Drums)
111
*A
231
E
(Bass)
C
132
G
A
E
C
G
Gtr. 1 (dist.)
** p
mf
12 12 12 *Chord symbols implied by bass, next 4 meas.
A
E
Rhy. Fig. 1 ***Gtrs. 1 & 2
0 2 2 2 0
0 2 2 2 0
C
G
12 12 12
**Vol. swell
A
E
C
G End Rhy. Fig. 1
X X X X
0 0 1 2 2 0
0 0 1 2 2 0
X X X X
0 1 0 2 3
0 1 0 2 3
3 3 4 5 5 3
X X X X
3 3 4 5 5 3
3 3 4 5 5 3
0 2 2 2 0
0 2 2 2 0
X X X X
0 0 1 2 2 0
X X X X
0 0 1 2 2 0
0 1 0 2 3
X X X X
0 1 0 2 3
3 3 4 5 5 3
X X X X
3 3 4 5 5 3
3 3 4 5 5 3
X X X X
***Gtr. 2 (dist.), played mf . Composite arrangement Gtrs. 1 & 2: w/ Rhy. Fig. 1
A
E
Rhy. Fig. 2
Gtr. 3 (dist.)
C
G
A
3 3 4 5 5 3
3 3 4 5 5 3
X X X X
E
C
G
End Rhy. Fig. 2
mp 5 5 6 7 7 5
5 5 6 7 7 5
X X X X
12 12 13 14 14 12
12 12 13 14 14 12
B
1. Free
-
Riff A
w/ chorus let ring
9
11
8 8 9 10 10 8
dom,
Gtr. 1
8 8 9 10 10 8
X X X X
3 3 4 5 5 3
Verse
Gtr. 3
X X X X
5 5 6 7 7 5
5 5 6 7 7 5
X X X X
12 12 13 14 14 12
12 12 13 14 14 12
X X X X
8 8 9 10 10 8
8 8 9 10 10 8
X X X X
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
X X X X
(cont. in slashes)
Gtr. 3 tacet *** Em9
the
na
-
ked
pow
-
er
weak
- ened
by
let ring
10 7
7
the
ag -
End Riff A
5
***Chord symbols reflect implied harmony.
Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff A (2 times)
B7
-
* B7/D#
Em9
es.
Raped,
but
not
for - got
-
Em9/G
ten.
Em9/A Em9/G
All
it’s
sup
-
ple
se -
*Bass plays note to right of slash, next 11 meas.
B7
B7/D#
-
Gtr. 2
crets,
7
7
7
7
P.M.
4 6 7
gods
and
lib
7
7
P.M.
4 6 7
4 6 7
7
7
P.M.
4 6 7
-
7
7
7
7
P.M.
er
tions.
7
7
P.M.
4 6 7
Em9/G
-
a
-
4 6 7
7
7
to
use
P.M.
7
7
7
7
P.M.
B7
it
Riff B
let ring
9
11
B7/D#
are
7
7
P.M.
5 7 7
Gtr. 2: w/ Rhy. Fig. 3
Em9/A
Those
that
try
those
that
5 7 7
try
7
7
P.M.
5 7 7
Em9
to
7
7
7
7
P.M.
sheath
it,
let ring
10 7
7
5 7 7
7
7
P.M.
Em9/G
wide a
-
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7
7
P.M.
5 7 7
Em9/A
wake. End Riff B
5 17
Sorgdal
End Rhy. Fig. 3
5 7 7
Gtr. 1
Em9
-
Rhy. Fig. 3
Chorus
Gtrs. 1 & 2: w/ Rhy. Fig. 1 (2 times) 3rd time, Gtr. 4: w/ Fill 1
A
E
Yes,
C
G
I
am
the
A - mer
-
i - can
A
E
man.
Yes,
C
G
I
am
the
A - mer
-
i - can
man.
To Coda 1 To Coda 2 1st & 2nd times, Gtr. 3: w/ Rhy. Fig. 2
A
E
Yes,
C
I
am
the
Gtr. 1
A - mer
Guitar Solo B VII Rhy. Fig. 4
G
mf
9
7
Gtr. 1: w/ Rhy. Fig. 4
B
6
2
2
7
I
am
the
9
Em
1
9
End Rhy. Fig. 4
9
10
10
7
10
10
7
10
man.
10
7
i - can
7
9
-
A - mer
9
G
B/D#
2
C
P.M.
7
Yes,
6
man.
E
Em
Gtr. 4 (dist.)
i - can
B/D#
-
A
3
7
9
7
* Em/G
7
9
Em/A
Em/G
3
3
7
3
3
9
12
11
9
12 11
9
12
11
9
12 11
*Bass plays note to right of slash, next 13 meas.
Fill 1 Gtr. 4
14
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtr. 1: w/ Riff A (2 times)
B7
Em9
2. Free
Gtr. 4 tacet
B7/D#
men
haunt
-
ed
by
the
mu
-
Em9/G
sic.
Em9/A
Ghosts
of
gen
-
er
-
12
B7
B7/D#
a
-
tions
Em9
beat
the
drums
for
free
Em9/G
-
dom.
Em9/A
Those
that
toiled
and
D.S. al Coda 1 Gtr. 1: w/ Riff B Gtr. 2: w/ Rhy. Fig. 3
B7
B7/D#
suf
-
fered,
now
those
they
Em9
try
to
Em9/G
smoth
-
er
Em9/A
wide
a
-
wake.
Coda 1
Bridge Half-time feel
A5 Gtr. 2
Where
Gtr. 1
to
Gtr. 2 tacet *A
be - gin?
A
17
C
Where
do
17
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
17
I
G
Bred
to
win.
mp
string noise
X X X
17
E
C
w/ slapback delay
5
E
G
A
go,
the
soul
5 *Chords implied by bass, next 6 meas.
worn
17
E
C
off my
skin?
13 X 10
G
15 X 12
15 X 12
15 X 12
12
9 X 7
12 10
A
E
C
G
A
E
C
G
So... Riff C
Gtr. 2
I
w/ pick & fingers
11
10 9
9 9
9
Gtr. 1
8 9
10
8 7 9
7
0
9
14
14 X 12
12
Gtr. 2: w/ Riff C (3 times)
A
E
16
16
14
14
11 X 9
cut
out the
Gtr. 1
14
14 X 12
12
A
E
So
are
we
E
read
C
I
know I
-
16
16
14
14
G
y,
feel,
E
12 X 10
12
E
y
E
End Riff D
C
to
lose?
G
feel.
9 X 7
C
feel,
0
G
14
9
you.
12
-
A
7
9 X 7
know is
14
8 7 9
I
A
End Riff C
C
read
G
12
let ring
8 9 10
14
8 9 10
soul
Gtr. 4
C
A
9 9 9
9 9
12
my
14
A
in
Gtr. 1: w/ Riff D (2 times)
hole
Riff D
12 X 10
G
C
10 9
11
mf
12 X 10
let ring
15
G
15
17
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 4 tacet
A
side
9
11
12 9
9
Riff E
7 X 5
the
8 8
8 7 9
10
8
7
9
side
the
G
walls,
12 9
9
9 X 7
12
14
10
12
7 X 5
8 8 9 10
8 9 10
9
8 7 9
8
i - ron
Gtr. 4
C
walls
G
pro
-
7 X 5
7
tect
the
A
E
souls
C
of
my old
let ring
12 12
8 8
8 8
Gtr. 2
11
Gtr. 5 (fuzz)
G
12 9
10
let ring 7 8 9 9
8
7
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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12 12 9
15 15 12
15 15 12
12 10 9
11
9
mf 4
5
0
9 X 7
boots.
5
6
9
End Riff E
7
9
7
End half-time feel
E
the
10
let ring
10 9
11
let ring
C
-
7
E
in
9
A
A
walls,
Gtr. 1: w/ Riff E
G
-
Gtr. 2
Gtr. 1
In
C
E
7
8
10
12
let ring 8 7 9
5
7
7
3
8
7
9
3
Guitar Solo Gtr. 1: w/ Rhy. Fig. 4 (3 times) Gtrs. 2 & 5 tacet
B
B/D#
Gtr. 4
Em
1
12
* Em/G
Em/A
1 1/2 12
12
12
12
1/2 11
*Bass plays notes to right of slash, next 9 meas.
B
B/D#
3
11
11
12
12
14
12
11
1/2
11
11
let ring
12
12
14
12
15
14 15 12
Em
Oh.
11
Em/A
B/D#
Em/G
B
Em
14 14 14
15
12
12
Em/G
11
12
Em/A
1/2
1
12
1
15
15
14
14
14
14
12
11 12
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
BVII
Gtr. 1
B'11
12
14
1
1
17
1
17
0 0 0
20
17
A
E
Yes, I
am
C
the
G
A - mer
19 19
17 14
i - can
-
side
the
E
man.
Yes,
E
C
am
walls,
in
G
A
E
C
am
Gtr. 3
5 5 6 7 7 5
X X X X
the A - mer
12 12 13 14 14 12
-
C
I
Gtrs. 1 & 2
5 5 6 7 7 5
17 15
14
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14
the
A - mer
G
-
-
side
the
i - can
man.
walls.)
Gtr. 1 (Gtr. 2, cont. in notation) G
D
i - can man.
12 12 13 14 14 12
8 8 X 9 X 10 X 10 X 8
8 8 9 10 10 8
X X X X
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
X X X X
5 5 6 7 7 5
5 5 6 7 7 5
X X X X
12 12 13 14 14 12
12 12 13 14 14 12
X X X X
8 8 9 10 10 8
3 3 4 5 5 3
10 10 11 12 12 10
Gtr. 2
7 7 5 5
8
17 15 13 12
End Voc. Fig. 1
A
Bkgd. Voc.: w/ Voc. Fig. 1
Yes, I
17 15 14 15 14
-
Voc. Fig. 1
(In
A
Gtrs. 1 & 2: w/ Rhy. Fig. 1 Gtr. 3: w/ Rhy. Fig. 2
3
17
12 12
Coda 2
D.S. al Coda 2
Em type2
Em
7 7 5 5
7 7 5 5
from Velvet Revolver - Libertad
Mary Mary Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash F#5
F5
E5
B5
B5 type2
D5
A/C# 5fr
134
134
11
134
Intro Moderately q = 134 µ
13
134
311
Verse *F#5
(Drums)
F5
E5
F5 F#5
F5
E5
F5 F#5
1. Got a feel - in’, feel
-
F5
E5
F5 F#5
Got a
fe - ver, fe -
in’ in your eyes.
*Chord symbols implied by bass, next 7 meas.
F5
E5
F5 F#5
E5
F5 F#5
- ver, fe - ver in your Gtr. 1 (dist.)
F5
F5
E5
thighs,
F5 F#5
F5
E5
F5 F#5
in your
thighs.
** F5
E5
B5
mf
P.M.
0 0 4 2
0 4 2 2 0
0
X X X
4 4 2
**Chord symbols reflect overall harmony.
Mar - y, Mar
Gtr. 2 (dist.)
-
y,
Mar
E5
B5
-
y,
by my
side.
Got, a, time
and
E5
love,
F#5
the kind you
can - not
buy,
mf
4 4 2 Rhy. Fig. 1
Gtr. 1
4 4 2
4 4 2
4 4 2
End Rhy. Fig. 1
P.M.
0
2 2
X X
4 4 2
P.M. 2 0
2 0
Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission
2 2 0
0 0 4 2
X X
4 4 2
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
E5
F5 F#5
F5
E5
F5 F#5
can - not
F5
E5
F5 F#5
F5
E5
buy.
Rhy. Fig. 2
4 4 2
4 4 2
3 3 1
3 3 1
2 2 0
2 2 0
3 3 1
4 4 2
4 4 2
3 3 1
3 3 1
2 2 0
2 2 0
B5
3 3 1
4 4 2
4 4 2
3 3 1
3 3 1
2 2 0
2 2 0
3 3 1
4 4 2
4 4 2
3 3 1
3 3 1
2 2 0
2 2 0
4 4 2
X X X
string noise
4 4 2
Black
boots,
strong
legs,
got
style.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
4 4 2
2 2 0
P.M. 4 4 2
4
2 0
2 0
2 2 0
My ba - by knows
4 4 2
let ring
B
E5
X
the
you see her come for
A5
walk,
X X
4 4 4 2
4 4 2
X X
miles,
End Rhy. Fig. 2
4 4 2
2 2 0
0 0 4 2 2 0
2 2 0
0 0 4 2
12
4 4 4 2
4 4 4 2
X X X
7 7 5
G#5
G5
C#5
come for
C#7#9
F#5 G#5
miles. Voc. Fill 1
A5
End Voc. Fill 1
(Oo, oo,
Riff A
oo. End Riff A
1
14 12
12
14
14
12
13 11
11
14 X 11
12 11
10
12
Rhy. Fig. 3
P.M.
7 7 5
7 7 5
7 7 5
7 5
Pre-Chorus
7 7 5
7 7 5
X X X
6 6 4
Wan - na
Voc. Fig. 1
find
6 6 4
X X X
X X X
5 5 3
5 5 3
out
what
let ring
6 6 4
0
P.M.
6 6 4
E5
End Rhy. Fig. 3
3
4
5
4
4 4 2
B5
E5 F5
you’re
say
-
6 6 4
X X X X
7 7 5
F#5
ing.
End Voc. Fig. 1
Oo, oo,
9
9
oo.)
1
14 12
12
14
14
12
7
P.M.
7 7 5
7 5
7 7 5
X X X X X X
7 7 5
7 7 5
X X X
2 2 0
7
7
10 X 7
7
12 9
P.M. 2 2 0
0 0 4 2
2 0
2 2 0
2 2 0
X X X
4 2
4 4 2
P.M.
4 2
4 2
2
P.M.
4 2
2
P.M.
4 2
2
P.M.
4 2
2
4 2
2
2 0
3 1
1
4 4 2
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 1
F5
E5
F5 F#5
Wan - na
Gtr. 3 (dist.)
play
F5
the
E5
F5 F#5
games
F5
you’re
play
-
E5
F5 F#5
F5
B5 C#5
D5
ing.
Mar -
mp
17
Gtr. 2
4 4 2
4 4 2
3 3 1
3 3 1
2 2 0
2 2 0
3 3 1
4 4 2
4 4 2
3 3 1
3 3 1
2 2 0
P.M.
4 4 2
4 4 2
3 3 1
P.M.
2 2 0
0
3 3 1
X X X
Chorus D5
-
y, Mar - y
4 4 2
4 4 2
3 3 1
0
3 3 1
X X X
on
my
4 4 2
C5
mind,
3 3 1
2 2 0
2 2 0
3 3 1
4 4 2
4 4 2
3 3 1
3 3 1
5
P.M.
A
3 3 1
6 X 4
3 3 1
2 2 0
4 4 2
4 X 2
2 2 0
Gtr. 1
4 4 2
4 4 2
3 3 1
0
2 2 0
oh.
3 3 1
X X X
Get
4 4 2
4 4 2
3 3 1
4 X X 4 X X 2 X X
back,
X X X
7 7 5
D5
6 6 4
sug - ar
ba
-
by. Mar -
Riff B1
1
19 17
17
Riff B
19
19
18
18 17
7 5
7
18
18
17
17 17
17
7
6
6 5
6
17
7 7 5
5
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 7 5
X X X X X X
7 7 5
7 7 5
X X X
2 2 4
6
5
5
2 2 4
X X X X X X
5 5
2 2 4
2 2 4
End Riff B1
16
16
15
14
17
End Riff B
1
2 2 4
17
5
5
4
5
X X X
5 5 3
5 5 3
5 5 3
X X X X X X
4 5
Rhy. Fig. 4
16
17
1/2
5
1
17
1
5
1/2
17
5 5 3
5 5 3
X X X
5 5 3
5
4
3
2
5
End Rhy. Fig. 4 7 X 5
5 3
4 X 2
4 X 2
5 X 3
4 X 2
7 7 5
To Coda 2 Gtr. 1: w/ Rhy. Fig. 4 Gtrs. 2 & 3: w/ Riffs B & B1
A
C5
-
y,
Mar - y
on
my
mind,
oh.
Get
back,
sug - ar
ba
D5
-
by. Mar -
A
y, Mar - y
Fill 1
Gtr. 3
on my
mind,
oh.
B5
19
19
17
19
18
18 17
Gtr. 4 (dist.)
18
End Fill 1
1/2
17
E5 F#5 E5 F#5
1
17
-
To Coda 1
18
16
16
16
17
mf
P.S.
X X
Gtr. 2
7 5
7
5
1/2
7
6
6
5
5
6
6
4 19
1
4
(cont. in slashes)
4
5
0 0
19
4 4 2
Gtr. 1
let ring let ring
P.M.
P.M.
P.M.
(2nd time, cont. in slashes)
7 7 5
7 7 5
5
X X 7 X X 7 X X 5
Interlude Gtr. 3 tacet
F#5
F5
open E
7 7 5
X X X
E5 F5
2 2 4
2
2 4
F#5
X X X X 2 X X 4
F5
2 0
E5 F5
(cont. in slashes)
4 2
4 2
4 2
F#5
4 2
F5
4 2
open E
4 2
4 2
E5 F5
4 2
4 2
4 2
4 2
4 2
F#5
0
F5
2
0
4 4 2
E5
B5
P.M. P.M. *Gtrs. 1&2 Gtr. 4
4
4
3
2
3
4
4
3
2
3
4
4
3
2
3
4
4
3
2
3
4
*Composite arrangement
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtrs. 1 & 2: w/ Rhy. Fig. 1
E5
2. A mod - ern
lov
-
er,
4
4
a mod - ern
Gtr. 4 tacet
B5
kind.
E5
When we close
the
F#5
door
we’re nev - er out of
time,
4
Gtr. 2: w/ Rhy. Fig. 2
F5
E5
F5 F#5
F5
E5
F5 F#5
out of
F5
E5
F5 F#5
F5
E5
B
time.
string
Gtr. 1
noise
X
4 4 2
red
lips,
brown
eyes.
Can’t tell you how it
feels
4 4 4 2
0 0 4 2
2 2 0
X X X
hair,
B
Uh, black
E5
0 0 4 2
2 2 0
A5
that you’re mine, o
1 2
4 4 4 2
X X X
mine,
1 2
0
7 7 5
D.S. al Coda 1 Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff A
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fill 1
G#5
mine,
o
G5
C#5
mine.
C#7#9
F#5 G5
A5
Coda 1 B5
E
type2
F#
open 2fr
Gtr. 1
Guitar Solo
Gtr. 3: w/ Fill 1 (last 2 meas.)
F5 E E5 F5
open
Gtr. 5 (dist.)
* pp
mf
16 16 16
16 16 16
F5 E E5 F5 open
F#5
P.M.
P.M.
End Rhy. Fig. 5
14
14
steady gliss.
w/ slide
F#5
open
Rhy. Fig. 5
E F#5
0 0
14
14
16
*Vol. swell
Gtr. 2
4
Rhy. Fig. 6
P.M.
P.M.
4 4 2
4 4 2
3 3 1
0
2 2 0
3 3 1
End Rhy. Fig. 6
3 4 4 2
3 4 4 2
2 3 3 1
0
1 2 2 0
2 3 3 1
3 4 4 2
Gtr. 1: w/ Rhy. Fig. 5 (2 times) Gtr. 2: w/ Rhy. Fig. 6 (4 times)
F
Gtr. 5
E F F#
F
steady gliss.
16
Gtr. 1
14 14
F5
F#
F
E F
F#
14 14
17 17
F
E F
F#
steady gliss.
16
F#5
E F
17 17
14 14
E
E5
F5
open
P.M.
Gtr. 5
9 9
17 17
3 4 4 2
3 4 4 2
2 3 3 1
F5
0
1 2 2 0
2 3 3 1
3 4 4 2
17 17
3 4 4 2
2 3 3 1
14 14
14 14
9 9
E
E5
F5
P.M.
0
1 2 2 0
2 3 3 1
11 11
19 19
open
11 11 11
Gtr. 2
P.M.
14 14
F#5
9 9
19 19
P.M.
F#5
11 11
3 4 4 2
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude
Gtr. 5 tacet
(cont. in notation)
steady gliss.
11 11 11
3 4 4 2
4 4 2
Verse
* F#5
F5
E5 F5
3. Ba - by, ba
Gtr. 2
-
by, ba
-
F#5
F5
by’s on my
1/2
4 4 2
E5 F5
F#5
F5
mind.
4 4 2
E5 F5
When we close
F#5
the
F5
door
A5
we’re nev - er out of
E5
time,
4 4 2
12
Gtr. 1
string noise
X X X *Chord symbols implied by bass, next 4 meas.
Gtr. 1: w/ Rhy. Fig. 3 Gtr. 2: w/ Riff A
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
7 7 5
Bkgd. Voc.: w/ Voc Fill 1
G#5
G5
C#5
out
of
time.
C#7#9
F#5 G#5
A5
Pre-Chorus Bkgd. Voc.: w/ Voc. Fig. 1
A5
E5
Wan - na
play
Gtr. 2
the
B5
games
play
you’re
-
ing.
1
14 12
12
14
14
9
12
7
7
7
7
2 2 0
2 2 0
X X X
Gtr. 1
7 7 5
7 7 5
7 7 5
7 7 5
7 5
7 7 5
X X X
2 2 0
2 2 0
0 0 4 2
2 0
12
10 X 7
9
9
4 4 2
4 4 2
4 4 2
P.M.
4 4 2
4 4 2
4 4 2
P.M.
P.M.
4 4 2
D.S.S. al Coda 2
C#5
D5
Ah.
Mar -
X X X
X X X
4 4 2
3 3 1
4 4 2
5 5 4
6 6 4
5 5 4
6 6 4
7 7 5
8 8 6
7 7 5
8 8 6
4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
12 9
4 4 2
4 4 2
P.M.
4 4 2
4 4 2
2
4 4 2
P.M.
P.M.
4 4 2
P.M.
P.M.
P.M.
P.M.
P.M.
9 9 7
10 10 8
4 4 2
4 4 2
6 6 4
0 0
0
0
5
P.M.
0 0
7 7 5
Coda 2
Gtr. 1: w/ Rhy. Fig. 4 (2 times) Gtrs. 2 & 3: w/ Riffs B & B1 (2 times)
A
-
y, Mar - y
on
my
mind,
C5
oh.
Get
back,
sug - ar
ba
D5
-
by. Mar -
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A
C5
-
y,
Mar - y
on
my
mind,
oh.
Get
D5
back,
sug - ar
ba
-
by. Mar -
Gtr. 3: w/ Fill 1
D5 Gtr. 1
A/C#
F#5
P.M. P.M.
-
y, Mar - y
Gtr. 2
on my
mind,
oh.
w/ slide 1
Come on
Gtr. 4
B5
Gtr. 2 divisi
steady gliss.
down
w/ out slide
1/2
*
7 5
5
7
7
6
6
5
6
5
6
4 4
5
4 4
8 8
11 11
4 4 4 2 *Gtr. 2 notated to left of slash in tab.
Outro Gtrs. 1 & 2: w/ Rhy. Fig. 5 (3 1/2 times)
F5
E5 F5
now.
Get on
Gtr. 4
F#5
F5
E5 F5
down
now.
F#5
Come on
4
2
4
down
2
2
4
4
4
E5
F5
2
4
2
2
4
4
4
F5
E5
1
4
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
4
2
2
4
2
4
F5
2
Get
on
1
2
F#5
4
4
down
4
2
2
4
F5
E5
4
4
4
2
2
4
2
4
F5
4
F#5
now. Riff D
down End Riff C
4
4
1
1
2
4
F#5
Come on
E5 F5
now.
now.
F5
1
F#5
F#5
1
F5
Sorgdal
E5 F5
Riff C
1
F5
2
4
4
4
2
2
4
2
F#5
F5
E
E5
F5
E5
F#5
P.M.
Gtrs. 1 & 2: w/ Rhy. Fig. 5 (4 times)
F5
E5
F5
F#5
F5
E5
F5
F#5
open
Gtrs. 1&2
Ooh.
Gtr. 5
Come
on
down
X X
X X
X X
11 11
now.
Get
on
11 11
10 10
X X
10 10
11 11
9 9
down
X X
now.
Riff E
11 11
Get
on
down,
End Riff E
10 10
9 9
10 10
11 11
4
4
End Riff D
Gtr. 4
1/2
4
2
4
E5
F5
down,
F5
E5
2
2
4
get
on
4
4
2
4
2
2
4
Come
on
F5
get
on
down,
F#5
F5
down,
down,
E5
F5
down,
down,
come
on
E5
F5
get
on
Free time
F#5
F#5
down
F#5
down,
F5
E5
now.
F5
get
on
E5
down,
F5
Get
on
F5
get
on
F5
F#5
Gtr. 4: w/ Riff C
now.
2
4
1
on
4
get
4
F5
1
4
4
Gtr. 4: w/ Riff D Gtr. 5: w/ Riff E (6 times)
Gtrs. 1&2
F#5
down
F#5
down
now.
Gtr. 5
11 11
11 11
Gtr. 4
grad. bend
4
1
4
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Libertad
Just Sixteen Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash F#5
E5
A5
B5 5fr
134
11
D
134
Dsus4
E5 type2
G5
7fr 134
D5
113
A5 open
2
D5 V
34
E5 VII 5fr
Intro Moderately fast q = 160 B5
Gtr. 1 (dist.)
P.M.
0
0
9 9 7
0
11 12
9 10
0
0
9 7
9 7
9 7
9 7
9 9 7
11 12
9 10
9 9 7
0
9 9 7
11 12
9 7
9 7
9 7
Rhy. Fig. 2A
9 9 7
9 9 7
9 9 7
12 10 12
9 7
9 9 7
9 9 7
9 9 7
9 9 7
0
0
0
0
9 10
0
11 9 12 10
9 7
9 7
9 7
9 7
9 7
X X X
9
9 9 7
9 9 7
9 9 7
9 9 7
11 12
9 10
9 9 7
0
9 9 7
9 9 7
11 12
9 10
9 9 7
0
9
14 12
9 7
9 9 7
0
0
0
0
10
0
12 10
0
12
0
0
10
0
12 10
0
12
7
9
9 7
9 7
9 7
X X X
9
7
9
9 7
9 7
9 7
X X X
9
7
9
9 7
End Rhy. Fig. 1A
P.M. P.M. 9 7
End Rhy. Fig. 1
Rhy. Fig. 2
9 7
134
9 9 7
134
Rhy. Fig. 1A
mf
Riff A
11
P.M.
10
9 7
Gtr. 3 (dist.)
13
P.M. P.M.
mf
134
Rhy. Fig. 1
Gtr. 2 (dist.)
mf
132
7fr
9 7
9 7
X X X
9
7
9
9 7
9 9 7
9 9 7
9 9 7
9 9 7
9
7
9
9 9 7
7
9
0
9 9 7
9 9 7
14 12
12 10
0
9 9 7
9 9 7
14 12
12 10
9 9 7
9 9 7
9 9 7
E5
0
14 12
P.M. P.M. 9 7
9 7
9 7
9 7
9 7
9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
0
9 9 7
9 9 7
14 12
12 10
9 9 7
0
7
9 9 7
9 9 7
9 9 7
9
7
14 12
12 10
9 9 7
9
B5
0
12
End Rhy. Fig. 2
7
9 7 End Rhy. Fig. 2A
2 2 0
Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission
2 2 0
9 9 7
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse Gtr. 1 tacet
* B7
1. At
Gtr. 1
school
the
-
teach
er
saw
the tal - ent
End Riff A
in your
eyes.
12
P.M.
P.M.
P.M.
Riff B End Riff B
Fill 1
Gtr. 2
End Fill 1
P.M. 1
7 7
7
9
9
9 7
7
11 7
9 7
7
11 7
7
9 7
7
Rhy. Fig. 3
Gtr. 3
9 7
7
7
7
7
7
7
9 7
7
7
7
7 7
7
9
7
9
P.M. 1
9
9
7
9
P.M.
7 7
8 7
9
P.M.
9 9 7
9 7
P.M.
7
7
9 7
7
11 7
9 7
7
9 7
7
9 7
P.M.
9 7
7
7
7
7
7
7
7
7
7
7
7
7
7
9
8 7
7
8 9 9 7
*Chord symbol reflects implied harmony.
Gtr. 2: w/ Riff B (4 times)
Gtr. 3
So
pleased
P.M.
8 9 9 7
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
8 9 9 7
7
7
7
7
7
7
to
meet
you.
So young, so pret - ty,
7
7
7
7
7
7
7
8 9 9 7
so
un - sat - is
P.M.
8 9 9 7
7
7
7
7
7
7
-
fied.
7
7
7
8 9 9 7
9 9 7
9 9 7
9 9 7
7 7 7
Un - der - neath
P.M.
7 7 7
9 9 7
7
7
7
7
7
He’s her
the
7
7
fa
7
7
-
vor - ite
P.M. P.M. P.M.
teach
7
7
9 7
7
11 7
9 7
7
9 7
7
7
7
7
7
7
7
8 9 9 7
7
7
7
the kid and
Mis - sus
Jones.
Du
9
7
7
-
7
9 9 7
7
7
7
7
7
one - o
-
7 7 7
7
9 7
7
7
7
11 7
7
8 9 9 7
7 7 7
7
8 9 9 7
9 9 7
F#7'11
one.
7 7 9
7
(cont. in slashes) P.M. P.M. P.M. 1 1
P.M.
8 9 9 7
7
ly dis - con - cert - ed lov - ers
8 7
7
7
8 9 9 7
9 7
P.M.
9 7
P.M.
7
1
8 9 9 7
7
9 9 7
- er.
7 7
Gtr. 3
7
9
7
8 9 9 7
7
sat
Gtr. 2
8 7
bleach - ers
7
9 7
7
9
9
9
7
4 4 2
End Rhy. Fig. 3
let ring
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
0 0 3 4 4 2
Pre-Chorus
F#5
E5
F#5
E5
F#5
P.M. P.M. P.M. P.M. Gtr. 2
We ain’t got
Gtr. 3
noth - ing
to
hide,
hide.
We ain’t got
noth - ing
to
hide,
hide,
let ring
0 0 3 4 4 2
0
3
2 4
0
3
2 4
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
F#5
A5
B5
P.M.
P.M.
hide.
We ain’t got
noth - ing to
hide,
P.M.
P.M.
hide.
(cont. in notation)
We ain’t got
noth - ing, noth - ing, noth - ing to
2
0
Chorus
Oh,
you
say
Rhy. Fig. 4 *Gtrs. 1 & 2
it’s
slight P.M.
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
4
7 7 5
G5
D5
you
say
5 5 3
0
2
3
wrong,
hide.
let ring
5 5 3
X X X
7 7 5
what
you
you
do,
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
9 9 7
A5
do,
you
B5
do.
slight P.M.
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
X X X
9 9 7
*Composite arrangement
Oh,
Gtr. 4 (dist.)
you
say
we’re
wrong,
G5
A5
you
say
what
we
we
do,
do,
E5
we
B5
do.
mf
7
Gtrs. 1 & 2
End Rhy. Fig. 4
slight P.M.
9 9 7
9 9 7
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9
9 9 7
9 9 7
9 9 7
0
5 5 3
5 5 3
X X X
7 7 5
slight P.M.
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
X X X
9 9 7
9 9 7
0
9 9 7
1st time, Gtrs. 2 & 3: w/ Rhy. Fig. 4 2nd time, Gtrs. 2 & 3: w/ Rhy. Fig. 4 (1st 7 meas.)
Oh,
you
say
it’s
wrong,
7
7
9
7
9
D5
you
say
1
9
what
you
you
do,
A5
9
9
7
do,
you
9
7
9
Oh,
Gtr. 1
you
do.
say
we’re
wrong,
7
A5
T o Coda
you
steady gliss.
17
G5
B5
Gtr. 4
9
G5
say
what
we
we
do,
E5
B5
do,
12
we
do
wrong.
12
Riff C End Riff C Gtr. 4
1
9
7
9
7
9
7
9
9
7
9
9
7
7
7
Interlude Gtr. 1: w/ Riff A Gtrs. 2 & 3: w/ Rhy. Figs. 2 & 2A Gtr. 4 tacet
You
do
wrong.
You
do
wrong.
Verse Gtr. 2: w/ Fill 1 Gtr. 3: w/ Rhy. Fig. 3 (simile)
B7
Gtr. 2: w/ Riff B (5 times)
2. Roll - ing
in
the
street
-
lights
in
his
old man’s
ride.
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
in
his
lap
Head
go
Stand - ing
in
the
court
ing
up
-
-
and down,
up
and down,
house,
God
and
oh,
no,
cop
lights.
ev - ’ry
child,
D.S. al Coda
you said, “Your Hon
or,
to
I plead
7 7
9
7
7
7
9 7
11 7
7
the crime of
be - ing
sat - is
F#7'11
-
fied.”
7 7
7
P.M. P.M. P.M. P.M. 1 1 1 hold bend
P.M. P.M. Gtr. 2
8 7
-
9 7
7
9 7
9
7
9 7
Coda
9
8 7
9
7
7
7
9 7
11 7
7
9 7
7 9
9
4 4 2
7
Bridge Gtr. 4: w/ Riff C (last meas.)
A5 Gtr. 2
E5 type2
E5
do,
we
do
Rhy. Fig. 5
Gtr. 3
wrong.
Voc. Fig. 1
Kind
of
(Kind
of
feel - ing
feel - ing
in
love.
in
love.
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 7 5
7 7 5
7 7 5
19
7
P.M.
P.M.
Riff D
steady gliss.
7 7 5
P.M.
G5
7
6
7
6
7
5
7
7
6
7
6
7
5
7
D
Dsus4 D5
P.M.
I’m
kind
of
Kind
of
feel - ing
in
love.
in
love.
feel - ing
5
Dsus4 D
I’m
kind
of
Kind
of
End Voc. Fig. 1
7
7
5
7
Dsus4 D
feel - ing
5
5
7
5
7
7
5
7
Kind
of
feel - ing
in
love.
5
7
*Voc. Fig. 2
Dsus4 A5
7
7
Gtr. 2
3 3 2 0
2 3 2 0
5
2 3 2 0
7
3 3 2 0
5
2 3 2 0
Kind
of
5
7
3 3 2 0
5
7
5 5 2 2 0
0
feel - ing
0
in
love.)
5
7
P.M.
5 5 2 2 0
7
2 3 2 0
Gtr. 3
feel - ing
in
love.
in
love.
7
5 5 2 2 0
5 5 2 2 0
5
7
(Once
(cont. in notation)
End Riff D
7
P.M.
7
Dsus4
End Rhy. Fig. 5
7
5
7
E5
a
-
gain.
5
7
5
5
7
7
P.M.
5 5 2 2 0
5 5 2 2 0
5 5 2 2 0
5 5 2 2 0
5 5 2 2 0
2
0
5 5 2 2 0
7
5
7
2
0 0 4 2 2 0
1
0
2
*Refers to upstemmed voc. only.
Bkgd. Voc.: w/ Voc. Fig. 1 Gtr. 2: w/ Rhy. Fig. 5 Gtr. 3: w/ Riff D
Bkgd. Voc.: w/ Voc. Fig. 2
Kind
of
End Voc. Fig. 2
feel - ing
in
G5
love.
I’m kind
Once
a
-
of
feel - ing
in
D
love.
gain.)
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D
Dsus4 D5
Dsus4
D
Dsus4 D
open
Dsus4 A5 open
open
A
A5 open A
A5 open
B5
P.M. P.M. P.M. Gtr. 2
Kind of feel - ing in
love.
(Kind of feel - ing in
Gtr. 1
I’m kind of feel - ing in
love.
love.
Kind of feel - ing in
love.)
7 7
X X X
Gtr. 3
7
5
7
5
7
7
5
7
5
7
5
7
7
5
7
5
7
5
7
7
5
1
grad. bend
7
9 9 7
7
Guitar Solo
Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A
1
7 7
1
7
7 7
7 7
7 7
7 7
10 9
7 7
7
9
7 7
8
Gtr. 1
7 7
1/2
7 7
7 7
7 7
9
9 9
9 9
9 9
7
7 7
9
9 9
8
9
7 7
8
9 1
2
X
0
1
2
4
2
*Gtrs. 2 & 3
1 hold bend
2 3
F#5
Gtr. 1
3
4
4
4
4
4
6
4
6
4
6
4 4
7 6
7
1/4
6
2
6
4
6
6
6
4 4
6 6
1
0
4
(cont. in slashes)
9 9 7
9 9 7
*Composite arrangement
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
7
9
7
9
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
9 9 7
0
4 4 2
Gtrs. 2 & 3: w/ Rhy. Fig. 6 (2 times)
F#5
E5 type2
Gtr. 1
Rhy. Fig. 6
Gtrs. 2&3
1
4
1
2 2
4
1/4
2 2
4
F#5
2
2
4
5
5 6
4
2
4
4
2 2
4
2 2
F#5
4
End Rhy. Fig. 6
2 2
2 2
1
4
E5
F#5
1
2 5
4
Gtrs. 2&3
1
2 2
E5
5 6
6
4 4
4
2
2 2
4
A5
2 2
4
4
E5
F#5
7 8
0 5 6
7 8
0 5 6
0 5 6
0 5 6
2 2
(Gtr. 2, cont. in notation)
3
1
10
11
14
11
12
14
10
11
14
11
12
14
12
13
16
13
14
17
13
14
17
13
14
14
17
17
14
14
17
17
Chorus Gtr. 1 tacet
Gtr. 3
Gtr. 1
Oh,
you
say
it’s
D5 V
(cont. in notation)
wrong,
you
say
A5
what
you
you
do,
B5
do,
you
do.
17
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
8 9 9 7
5 5 3
Gtr. 2
8 9 9 7
X X X
5 5 3
5 5 3
7 7 5
Gtrs. 2 & 3
slight P.M.
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
X X X
9 9 7
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (last 4 meas.)
Oh,
Gtr. 4
you
say
we’re
G5
wrong,
A5
you
say
what
we
we
do,
E5
do,
we
B5
do.
7
Gtrs. 2 & 3: w/ Rhy. Fig. 4 (2 3/4 times)
Oh,
you
say
it’s
wrong,
7
9
7
9
7
9
D5
you
say
what
you
you
do,
A5
do,
you
9
9
7
9
7
9
7
Oh,
Gtr. 1
you
say
we’re
wrong,
G5
A5
you
steady gliss.
17
Gtr. 4: w/ Riff C
B5
do.
1
7
G5
say
what
we
we
do,
12
E5
do,
we
B5
do
wrong.
1
7
7
7 10
9
G5
7
7
D5
You
do
7
wrong.
1/2
7
A5
9
7
9
7
9
0
10
10
1
7
10
7 9
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
You
do
wrong.
1
7 10
B5
1
9
7
9
9
9
7
9
9
7
G5
You
9
7
9
7 7
9 9
12
10
9
7
9 9
7
9
7
9
1
10
12
12
10
12
12
A5
12
B5
do
10
1
9
7
9
9
7
A5
1
7
9
7
7
8
10
12
10
10
10
12
10
10
11
wrong.
11
12
12
10
do
1
7
1/2
7 9
1/2
7
9
9
B5
do
9
9
7
wrong.
9
9
1
7 9
You
7
9
wrong.
1/2
1/2
1
7 7
10
1 1
A5
You
1/2
10
12
12
wrong.
E5 VIII
9
do
G5
9
9
7
12
12
3
9
12
wrong.
1/2
10
You
1/2
You
do
11 9
D5
11
10
wrong.
9 9
B5
3
9
9
9
Gtrs. 2&3
You
10
E5
G5
do
1/2
7
7
1
7 7
A5
7
9
9
7
9
7
9
7
7
5
7
7
7
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Libertad
Can’t Get It Out of My Head Words and Music by Jeff Lynne
C5
Fmaj7
134
Dsus2
T3 4 2 1
Am
13
Dmaj7
D7
G
231
21
A
C
34
Cmaj7
32 1
32
G III
C7
F
134211
Ab
213
111
3241
134211
134211
132
C VIII
Bb 4fr
111
D
6fr
8fr
134211
13421
Gtr. 2: Drop C tuning: (low to high) C-A-D-G-B-E
Intro Moderately q = 85 Gtr. 3: w/ Rhy. Fig. 1A (2 times)
C
C,7
Rhy. Fig. 1A *Gtr. 3 (acous.)
F/C
G/C
C End Rhy. Fig. 1A
C,7
F/C
G/C
Riff A
End Riff A
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
0 0 0 2 3
1 1 2 3 3
1 1 2 3 3
1 1 2 3 3
1 1 2 3 3
3 3 4 5 3
3 3 4 5 3
3 3 4 5 3
3 3 4 5 3
3 3 4 5 3
mp
Gtr. 4 (elec.)
mf
w/ dist.
5 X3
5 X 3
5 X 3
5 7 5 X X X 3 5 3
5 X 3
5 X 3
5 7 X X 3 5
5 X 3
5 X 3
5 X 3
5 X 3
5 X 3
12 X 10
12 12 X X 10 10
*Doubled throughout
Rhy. Fig. 2 Gtr. 1 (elec.)
mf P.M. P.M. P.M. P.M. P.M. let ring w/ dist.
5 5 3
5 3
5 5 3
5 3
4 5 3
5 3
4 5 3
5 3
2 3 3
3
2 3 3
4
3 4 5 3
Rhy. Fig. 1 Gtr. 2 (elec.)
4 5 3
4 5 3
End Rhy. Fig. 2
4 5 3
P.M.
5 3
5 5 3
5 3
P.M.
5 5 3
X X 4 X X 5 X X 3
mf
w/ dist.
5 X 3 0
5 X 3 0
4 5 3
5 3
X X X X X X
2 3 3
3 3
2 3 3
0
P.M. (cont. in slashes)
5 3
4 5 3
4 5 3
End Rhy. Fig. 1
5 X 3 0
P.M.
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
© 1974 (Renewed 2002), 1975 EMI APRIL MUSIC INC. All Rights Reserved International Copyright Secured Used by Permission
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse
C5 Gtr. 1
1. Mid
-
Gtrs. 1 & 2 tacet
Am
night
on
Gtr. 4
the
wa
-
ter,
w/ wah-wah 1
10
10
5 X 3
9
Rhy. Fig. 3
Gtr. 3
0 1 0 2 3
Gtr. 2
0 1 0 2 3
0 1 0 2 3
10
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 X 2
0 1 0 0 X 3
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
Rhy. Fill 1
8
End Rhy. Fig. 3
0 1 0 X 2
0 1 0 0 X 3
0 1 0 0 X 3
End Rhy. Fill 1
5 X 3 0
Gtr. 3: w/ Rhy. Fig. 3
C
I
Gtr. 4
saw
the o
-
cean’s
Am
daugh
-
ter.
13
12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Walk-
1
2
13
Pre-Chorus Gtr. 4 tacet
F,7
Dsus2
F,7
Am
G
Rhy. Fig. 4A Gtr. 3
End Rhy. Fig. 4A
-
in’ through the burn - ing
rain,
hop - ing just to know her
name.
And I
Gtr. 4
mp
13
12
Rhy. Fig. 4B Gtr. 5 (elec.)
End Rhy. Fig. 4B
mf
0 3 2 0
0 1 2 3
0 1 2 2 0
w/ clean tone & amp tremolo
0 1 2 3
Gtr. 1
3 0 0 X 3
Rhy. Fig. 4
End Rhy. Fig. 4
P.M.
3 3 1
3 3 1
3 3 1
3 3 1
P.M.
3 3 1
3 3 1
P.M.
0 0 0 0
0 0 0 0
3 2 0
3 2 0
0
P.M.
3 2 0
0
3 2 0
0 0 0 0
0 0 0 0
P.M.
3 3 1
3 3 1
3 3 1
3 3 1
P.M.
3 3 1
3 3 1
P.M.
0 0 0 0
0 0 0 0
2 2 0
2 2 0
2 2 0
2 2 0
5 3
5 3
5 3
5 3
Chorus
Gtr. 1: w/ Rhy. Fig. 2 (2 times) Gtrs. 2 & 3: w/ Rhy. Figs. 1 & 1A (2 times) Gtr. 5 tacet 2nd time, Gtr. 4: w/ Fill 1 3rd time, Gtrs. 8 & 9: w/ Fills 2 & 2A 3rd time, Gtr. 10: w/ Riff A (3 1/2 times)
C
can’t
C,7
get
Fill 1 Gtr. 4
it
out
of
F/C
my
head.
13
G/C
No,
I
C
C,7
can’t
Fill 2 Gtr. 8
get
it
out
of
13
my
F/C
head.
G/C
Now
my
Fill 2A Gtr. 9
5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
C,7
F,7
To Coda 1
G
To Coda 2
C
G
F
G
Rhy. Fill 2A
End Rhy. Fill 2A
Gtr. 3
old
world
is
gone
for
dead,
’cause
Gtr. 1
5 5 3
5 5 3
5 3
4 5 3
5 3
5 3
4 5 3
X X X X X X
2 3 3
Gtr. 2
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
5 X 3 0
3 3
I
can’t
get
2 3 3
4 5 3
5
let ring
2 3 3
4 5 3
3
5 5 3
5 5 3
Rhy. Fill 2
5 X 3 0
5 X 3 0
5 5 7
5 5 7
5 X 3 0
5 X 3 0
5 5 7
5 5 7
5 X 3 0
5 X 3 0
it out
of
my head. Rhy. Fill 3
End Rhy. Fill 3
5 5 3
0 0 X 0 X X
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
3 3 1
3 3 1
3 3 1
3 3 1
5 5 3
5 5 3
5 5 3
End Rhy. Fill 2
5 X 3 0
5 5 7
5 X 3 0
5 5 7
5 5 7
5 5 7
5 5 7
3 3 5
3 3 5
3 3 5
3 3 5
5 5 7
5 5 7
5 5 7
Verse Gtr. 2: w/ Rhy. Fill 1 Gtr. 3: w/ Rhy. Fig. 3 (2 times)
C
2.
*Am7
on
the
End Riff B
17
17
17
17
Break
-
down
shore
line.
Riff B Gtr. 6 (elec.)
mp w/ dist.
17
19
20
17
17
Gtr. 4
19
20
17
17
19
20
17
17
19
20
17
17
20
17
17
17
20
17
17
mf
20
1
1 10
9
mp
9
7
20
17
10
Riff C Gtr. 7 (elec.)
17
7
9
7
5
1
10
1
10
10
10
8
w/ dist. & slide
9
7
5
9
7
7
Gtr. 1 Rhy. Fig. 5
slight P.M.
5 3
5 3
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 0
5 0
5 0
5 0
5 0
5 0
5 0
*Chord symbols reflect overall harmony.
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
Gtr. 6: w/ Riff B
C
Can’t
move,
I’ve
1
8
8
par
-
a
-
lyzed.
mf
1
been
Gtr. 4
*p
Am7
1
1
13
13
7
7
7
7
12
*Vol. swell
Gtr. 7
9
9
7
7
5
End Riff C
7
9
9
7
7
5
End Rhy. Fig. 5
Gtr. 1
slight P.M.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 0
5 3
5 3
5 3
5 3
5 3
5 3
5 0
5 0
slight P.M.
5 3
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
5 0
Gtrs. 1, 3 & 5: w/ Rhy. Figs. 4, 4A & 4B Gtr. 7 tacet
Morn - ing don’t get here
till
Dsus2
F,7
night.
13
Search - ing for her sil - ver
Gtr. 4
5 0
D.S. al Coda 1
Pre-Chorus
F,7
5 0
1/2
7
9
9
9
7
5
Am
G
light.
And I
7
7
14
14
16
12
1/2
12
12 14
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 1
Gtrs. 2 & 3: w/ Rhy. Fills 2 & 2A
C
can’t
get
Gtr. 4
it
out
of
let ring
8
5 5 3
5 5 3
5 5 3
5 5 3
Guitar Solo D
Gtr. 4
Gtr. 1
7
5
Riff D
3
2 3 0
Gtr. 2
Rhy. Fig. 6
Sorgdal
of
8
10
10
8
8
my
5
7
5 5 3
5 5 3
5 5 3
5 5 3
3 3 1
3 3 1
3 3 1
3 3 1
5 5 3
5 5 3
5 5 3
5 5 3
G
D7
A
End Rhy. Fig. 6A
7
1
5
7
8
5 8
8
8
7
8
7
7
7
7
2 2 0
2 2 0
2 1 0
2 1 0
2 1 0
3 1/4
9
7
9
1/2
9
1
8 10
9
9
9 7
9
9
9
7
11
10
End Riff D
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
2 1 0
0
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 6 7 5
7 6 7 5
7 6 7 5
7 6 7 5
7 5 7 5
7 5 7 5
7 5 7 5
7 5 7 5
7 5 7 5
7 5 7 5
7 5 7 5
7 5 7 5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
out
6
let ring
2 3
5
7
head.
5
head,
G
my
F
Gtr. 3
D,7
Rhy. Fig. 6A
8
9
let ring
7
8
Gtr. 1
G
5 5 3
7 7 5
7 7 5
End Rhy. Fig. 6
5 5 7
5 5 7
5 5 7
5 5 7
7 7 9
7 7 9
7 7 9
7 7 9
Gtr. 1: w/ Riff D (2 times) Gtrs. 2 & 3: w/ Rhy. Figs. 6 & 6A (2 times)
D
Gtr. 4
D,7
10
D
15
15
15
13
D,7
1 1/2
1/2
12 10
10
13
13
10
10
10
17
15
17
13
15
13
16
A
6 1
13
10
14
13
13
10
15
1
15 14 15 14
15
13
15
15 13 15 13
15
3 1
15
15
13
15
1/2
13
15
0 0
15
0 0
3 1
10 13 10
12
*Gtrs. 1, 2 & 3
13 10
15
13
13
13 10
1
G/B
6
13
1
10 13 10 13
15
Bb5
1
13 12 13 10 13 10
13
15
D7
1
14
17
A
3
13 10
15
17
G
10 12 10 13 10
15
1
3
3
1/4
Gtr. 4
G
1/2 12
15
13
D7
13 11 13 11 10 11 10 11 10
12
12
12 10 12
13
3 3 1
3 3 1
3 3 1
3 3 1
5 2
5 2
5 2
5 2
5 2
*Composite arrangement
Verse Gtr. 1: w/ Rhy. Fig. 5 Gtr. 2: w/ Rhy. Fill 1 Gtr. 3: w/ Rhy. Fig. 3 (2 times) Gtr. 6: w/ Riff B (2 times) Gtr. 7: w/ Riff C
C
3. Bank
Am7
job
in
the
cit
Gtr. 4
12
13
-
y.
9
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C
Rob - in
10
12
10
8
10
Hood and
Wil - liam
Tell
and
12
10
Am7
en
and
Lan
- ce - lot,
8
they don’t
12
I - van - hoe
-
vy
me.
8v a
1
fdbk.
15
15
D.S. al Coda 2
Pre-Chorus Gtrs. 1, 3 & 5: w/ Rhy. Figs. 4, 4A & 4B
F,7
Sit - ting still I want to
Dsus2
drown.
F,7
Gtr. 4 tacet
Am
In my dreams the world keeps go - ing
’round
G
and
’round. And I
8v a
Gtr. 4
fdbk.
15
Gtr. 8 (elec.)
mf 15 17
Gtr. 9 (elec.)
mf
1/2
w/ dist.
7
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
17 15 13
17
9
9
15
15
15
16
1/2
9
7
5
1/2 1 1/2 1 1/2 1 1/2
15
w/ dist.
Sorgdal
Gtr. 2
14
12
14
12 14
12
12 14
7
5
7
5
7
5
5 7
Coda 2
Outro
Gtr. 1: w/ Rhy. Fill 3 Gtrs. 2 & 3: w/ Rhy. Fills 2 & 2A (last meas.)
Gtr. 2: w/ Rhy. Fig. 1
F
C
G *Gtrs. 1&3
head,
out
Gtr. 4
of
5 X 3
5 X 3
5 X 3
head.
14
13
14
Gtr. 10
5 X 3
my
C7
9
5 X 3
C,7
12 X 10
12 X 10
12 X 10
13
13
13
13
13
13
13
13
13
13
13
13
steady gliss.
13 9
5 X 3
4 X 2
5 X 3
5 X 3
5 X 3
4 X 2
4 X 2
4 X 2
3 X 1
3 X 1
3 X 1
3 X 1
3 X 1
13
14
14
3 X 1
3 X 1
3 X 1
*Composite arrangement
F
G III
Gtr. 4 1
1
15 13
15
15 15
15
14
15
13
14
13
Ab
5 X 3
5 X 3
5 X 3
5 X 3
7 X 5
7 X 5
3 3 5
3 3 5
3 3 5
3 3 5
5 5 7
5 5 7
7 X 5
13
13
7 X 5
13
13
8 X 6
13
8 X 6
5 5 7
5 5 7
6 6 8
6 6 8
13
15 13 15
let ring
13
15
8 X 6
10 X 8
10 X 8
10 X 8
12 X 10
8 8 10
8 8 10
8 8 10
5 5 3 0
6 6 8
6 6 8
15
15 15
8 X 6
fdbk. let ring 1
15
15 15
C VIII
Gtr. 2
let ring
10
Gtr. 10
Bb
10 X 8
8 8 10
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Libertad
For a Brother Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash G5
D/F#
134
1
F
23
1342
Intro Moderately q = 128 **E5
F#5
E5
F#5
E5
F#5
E5
C#5
A5
G#5
E5
mf Riff A
Gtr. 1 (dist.)
7
8
End Riff A
9
9
7
X
Gtr. 4 (dist.)
X
X
7
8
9
9
7
X
X
X
7
8
9
9
7
X
X
X
9
7
11
11
7
6
7
mf
7
mf
*Gtrs. 2 & 3 (dist.)
0
Riff A1
1
2
End Riff A1
2
X X
0
X X
X X
0
1
2
2
0
X X
X X
X X
0
1
2
2
X X
0
X X
X X
2
0
4
4
0
4
0
*Composite arrangement **Chord symbols reflect implied harmony. Gtr. 1: w/ Riff A Gtrs. 2 & 3: w/ Riff A1
F#5
Gtr. 4
E5
F#5
E5
F#5
E5
C#5
Riff B
8
9
9
8
9
9
9
9
8
9
9
8
9
9
9
8
8
9
9
9
8
9
9
9
A5
G#5
E5
9
11
11
End Riff B
11
11
12
11
7
Verse
Gtr. 1: w/ Riff A (1 1/2 times) 1st time, Gtr. 2: w/ Riff A1 (1 1/2 times) Gtr. 3: w/ Riff A1 (1 1/2 times) Gtr. 4: w/ Riff B (1 1/2 times) 2nd time, Gtr. 2: w/ Riff D (1 1/2 times)
F#5
1. Can’t 2. Nose
rise dive,
F#5
crash
E5
from to
the the
bot - tom. bot - tom.
F#5
Time An
E5
-
Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission
E5
flies gel,
your
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Wast not
ed. for
E5
Your Fought
2nd time, Gtr. 2: w/ Fill 2
A5
-
F#5
got it. bro - ken.
E5
E5
G#5
time for
re - ced - ed. the proph - ets,
did Did
E5
has of
rights
Could and should have been and spir - it of your daugh - ters.
the
F#5
when ya al - ways
was
F#5
A5
wing
C#5
-
n’t. n’t.
Gtr. 1
8
Gtr. 4
9
7
X
X
7
7
7
End Fill 1
9
9
8
9
9
3
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2
2
0
X
0
X
0
2
2
0
0
2
1
1
2
1
3
0
0
3
2
Gtr. 3
1
2
2
0
X
X
0
Fill 2 Gtr. 2
2 2 0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 2 0
7
1
7
9
Gtr. 2
Fill 1
8
9
2 2 0
7
let ring 9
8 9
7
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
3
1 hold bend
8 7
7
5
7
5
0
Chorus
Gtrs. 1 & 4 tacet
F5
A5
Giv - en
up my
5 X 3
5 X 3
5 X 3
Rhy. Fig. 1
Gtr. 2
Riff C
3 3 1
3 3 1
3 3 1
3 3 1
4 X 2
9 X 7
2 2 0
2 2 0
2 2 0
5 X 3
5 X 3
3 3 1
3 3 1
9 X 7
giv
X X X X X X
2 2 0
-
0 0 0
3 3 1
5 X 3
3 3 1
4 X 2
free.
End Riff C
9 X 7
9 X 7
7 X 5
5 5 3
5 5 3
5 X 3
5 X 3
4 X 2
9 X 7
3 3 1
3 3 1
3 3 1
9 X 7
9 X 7
but you set your - self
free.
9 X 7
9 X 7
14 12 X X 12 10
12 12 12 X X X 10 10 10
(2nd time, cont. in slashes)
2 2 0
2 2 0
9 X 7
2 2 0
2 2 0
0
12 X 10
12 X 10
14 X 12
14 X 12
5 5 3
2
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
E5
F#5
Riff D
P.M.
E5
F#5
2
0
X X
0
P.M.
0 0 2
0
14 X 12
14 X 12
14 X 12
12
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
3 2 0 0 2
0
End Rhy. Fig. 1
X X X
0
D.S. al Coda 1
F#5
1
0
1/2
14 X 12
Gtrs. 1 & 3: w/ Riffs A & A1 Gtr. 4: w/ Riff B
5 5 3
3 2 0 0 2
5 5 3
4 X 2
E5
Interlude
Gtr. 2
7 X 5
To Coda 2
1/4
5 X 3
7 X 5
5 5 3
2 2 0
E5
for
D/F#
en and I’ve par - doned,
5 X 3
G5
hand
9 X 7
a
2 2 0
2 3 0
up
G5
9 X 7
-
9 X 7
I’ve giv - en
To Coda 1
I’ve ris - en and for
a broth - er.
2 2 0
A5
9 X 7
C5
9 X 7
2 2 0
E5
for
E5
F5
hand
Gtr. 3
F5
E5
E5
0
1
2
2
0
X X
P.M.
0 0 X X
1
2
2
0
X X
X X
A5
G#5
E5
End Riff D
P.M.
0 0 0
C#5
0
2
4
4
2 2 0
4
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda 1 G5
Gtr. 2
D/F#
but you set your - self
12 X 10
10
12 X 10
12 X 10
12 X 10
free.
Gtr. 3
12
F
12 X 10
steady gliss.
11 X 9
10 X 8
10 8
Bridge Gtr. 2 tacet
A7
Gtr. 3 tacet
Oo,
walk
slow
-
ly.
Gtr. 5 (slight dist.)
0 0 2
0 1 0 2
1
1
time
stopped.
0
Gtr. 3
Seems like
mf
w/ clean tone
3 2 0 2 0
Seems like I’m
Gtr. 5
let ring
0
0
0
1
slow
danc
-
oh,
but
ing,
5 5 7
8 7
10 10 12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
I’m
fly -
7 7
0
4
5 5
X X
5
5
5 7
5
7
A7sus4
ing.
Gtr. 5
Where
do
I
5
Rhy. Fig. 2
5
7
8
10
A7sus4
I’m
10
10
7
5
7
5
C,7
5
7
8
7
7
7
5
7
7
5
5
3
5
5
7
0
5
free,
7
7
5
5
7
5
7
End Rhy. Fig. 2
yeah.
2
0
0 3 0 2 0
7
5
4
5
7
9
free,
5 5 7
5
7
0 2
C,7
let ring
0 2 0 2 0
7
free,
7
Riff E
7
1/2
10 8
10
0 0 0 2 3
I’m
Gtr. 3
7
3 5
9
closed.
A7sus4
8
free,
A7
Gtr. 5
know is
1 hold bend
9
3
I
5
home
0 3 0 2 0
Gtr. 3: w/ Rhy. Fig. 2
The
5
7
A7
go?
0 2 0 2 0
Gtr. 5
3 5
Gtr. 3
C,7
7
5
7
9
8
0
2
0
3
0 0
0 0 2 3
10
10
10
8
0
3
2
1
10 8
0
7
5
5
7
5
7
0 0 2 3
3
yeah.
10
10
5
1 10
End Riff E
0
0
0
3
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Riff E
A7
A7sus4
Free,
Gtr. 5
3
3
3
8
10
8
10
7
8
7
10
C,7
13
8
9
10
8
10
10
8
10
10
6
1
13
13
12
10
13
12
10
12
13
10
13
12
10
13
12
13
12
10
12
12
12
10
12
10
12
10
D7sus2
10
3
E5
3
1
9 10 9
Gtr. 3
12
Gtr. 5
13
yeah.
12
1
free,
Fsus2
10
3 1
10
7
5 7 5
4
4
5
4
5
4
7
7
5
7
4
5
7
9
10
7
10
8
10
12
13
10
13
1 1/2
13
13
let ring
3
Gtr. 2
0
1 3
0
1 3
0
3
0
1 3
0
1 3
0
2
1
0 2
1
2
1 0
2
1
0 2
1
2
1
0
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtr. 5 tacet
F#5
E5
F#5
E5
F#5
E
G5
A5
Yeah.
8
9
9
8
9
9
8
9
8
9
9
8
9
9
8
9
8
9
9
8
9
9
9
2
X X
X X
X X
2
X X
X X
X X
2
X X
2 2 0 0
2 2 0
Gtr. 4
Gtr. 2
1
2
0
Gtr. 3
0
1
2
0
0
1
2
0
0 0 X 3
w/ dist.
2 2 0
D.S.S. al Coda 2 Gtr. 4 tacet
Gtr. 2
5 5
5 5
5 5
1
2 2 0
1
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
E5
Gtr. 3
1
7
5
X X X
X X X
1/2
5 5
7
7
7
7
5
7
7
5
7
14 14 12
14 14 12
14 14 12
14 14 12
14 14 12
14 14 12
14 14 12
14 14 12
E5
C5
the
shit
5
Coda 2
Gtr. 2: w/ Rhy. Fig. 1 (1 1/2 times) Gtr. 3: w/ Riff C
F5
bit - ten
off
my
hand
for
the stuff
and
F5
liv - in’
off
you
G5
E5
I’ve
A5
steal.
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
E5
A5
-
li
-
5 X 3
5 X 3
5 X 3
9 X 7
4 X 2
Gtr. 3: w/ Riff C
F5
E5
A5
up
my
E5
3 3 1
3 3 1
5 X 3
5 X 3
5 X 3
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 2 0
2 2 0
3 3 1
Gtr. 3
3 3 1
4 X 2
9 X 7
2 2 0
2 2 0
0
giv - en
9 X 7
9 X 7
9 X 7
2
9 X 7
up
11 X 9
a
11 X 9
C5
11 X 9
hand
11 X 9
11 X 9
G5
for
free.
14 X 12
12 X 10
11 X 9
11 X 9
D/F#
F5
5 5 3
5 5 3
5 5 3
5 5 3
3 2 0 0 2
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
free.
11 X 9
3 3 1
10 X 8
X X X
free.
5 5 3
9 X 7
12 X 10
see.
free.
2 2 0
12 X 10
E5
I’ve
12 X 10
12 X 10
but you set your - self
You set your - self
Gtr. 2
hand,
G5
F5
12 X 10
n’t
I’ve giv - en up my
your - self
12 X 10
-
A5
set
12 X 10
You
F5
9 X 7
hand.
9 X 7
could
E5
X X X
E5
Giv - en
9 X 7
daugh - ters that you
9 X 7
D/F#
gion and for - got - ten
9 X 7
re
Gtr. 3
You per - ished for
G5
from Velvet Revolver - Libertad
Spay Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash Bb5
A5 6fr
134
E5
G5
F5
Bb5 I
5fr 134
134
Ab5
134
F# 4fr
11
F#5
134
134
F#sus4 9fr
1333
D5
9fr 1334
134
Ab 5fr
134
4fr 13421
Intro Fast q = 184 * Bb5
A5
Bb5
(Bass & drums)
A5
Bb5
Gtr. 1 (elec.)
A5
mp ** p w/ dist. & slide
14 14 14 *Chord symbols reflect overall harmony.
Gtr. 3 (elec.)
Gtr. 1
**Vol. swell
mf
14 14 14
Gtr. 2 (acous.)
14 14 14 14
14 14 14
A5
mf
w/ dist.
14 14 14 14
Bb5
14 14 14 14
12 12
15 15
14 14
mp w/ slide
15 15
Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission
14 14
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bb5
A5
Bb5
A5
(cont. in notation)
Rhy. Fig. 1
14 14
12 12 12
14 14
14 14
14
14
14
12
14
14
15 15 15
14 14 14
15
14
15
Gtr. 1
15
14 14 14
14
14
14
12
14
14
10 10 10
12 12 12
11 11 11
15
15
15
F#5
14 14 14
14
14 14 14
Gtr. 2
15 15 15
12 12 12
G5
14 14 14
14 14 14
Bb5
A5
steady gliss.
(cont. in slashes)
11 11 11
14 14 14
7 7 5
steady gliss.
14 14 14
14
14
14
12
14
14
12
14
12
12
11 11 11
11 11 11
7 7 7
End Rhy. Fig. 1
Gtr. 3
7 7 5
7 7 5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
5 5 3
5 5 3
5 5 3
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
8 X 6
8 X 6
8 X 6
7 X 5
Verse
Gtr. 2 tacet
A5
Bb5
A5
Bb5
A5
P.M. P.M. P.M. P.M. Rhy. Fig. 2
End Rhy. Fig. 2
Gtr. 1
1. Wast - ed, 2. Blitz - krieg
all the
a bitch
Gtr. 3
-
dis - grace. es bald.
Re - ar - ranged May the tro -
pret sell
-
ty the
mess gold.
-
es.
Riff A
7 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
End Riff A
7 X 5
7 X 5
7 X 5
7 X 5
8 X 6
Pray on Pay the toll
5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
To When
the the
king bill
with is
king on
5 X 3
3
Bb5
of rights col - lec
P.M.
you would rath The sing - er sings
-
er of
spite your di - ’mond
face things
Gtr. 3
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
4 X 2
5 3
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
8 X 6
8 X 6
8 X 6
7 X 5
A5
P.M.
P.M.
up come
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
pleas all.
4 X 2
4 X 2
-
ures.
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
A5
8 X 6
8 X 6
8 X 6
Bb5
un - der - neath pep - per holes
tions,
7 X 5
fucked one,
-
7 X 5
Bb5
5
4 X 2
5
F#5
G5
P.M.
7 X 5
A5
7
7 X 5
to Come
Gtr. 1: w/ Rhy. Fig. 2 Gtr. 3: w/ Riff A
8 X 6
your a - ban - doned knee or sell your soul.
7
8 X 6
G5
P.M. P.M.
Gtr. 1
the phy
the and
night ug -
A5
to - night ly mess
7 X 5
-
es.
open
F#5
E
P.M.
P.M.
P.M.
than and
change all
your ex
5 X 3
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
life. ces
-
4 X 2
P.M.
4 X 2
-
P.M. (cont. in notation)
ses.
(cont. in slashes)
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
4 X 2
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus G5
F5 G5
Gtr. 3
Bb5 I
Rhy. Fig. 3A
G5
Spay. Voc. Fig. 1
Why
won’t
F5 G5
Bb5 I
End Rhy. Fig. 3A
you?
Rhy. Fig. 3
5 5 3
5 5 3
3 3 1
G5
1
F5 G5
Bb5 I
5 5 3
5 5 3
3 3 1
3
1
4
5 5 3
5 5 3
3 3 1
5
Why
won’t
you
spay
Why Why
won’t won’t
3 3 1
3 3 1
1
3
1
4
Why
won’t
Why Why
won’t won’t
Ab5
you?
you? you?
1
E5 F5
End Rhy. Fig. 3
3 3 1
5 5 3
3
1
4
1
-
self?
End Voc. Fig. 1
1
4
5
2 2 0
3 3 1
6 6 4
1
3
1
4
1
4
Bkgd. Voc.: w/ Voc. Fig. 1 (1st 4 meas.) Gtrs. 1 & 3: w/ Rhy. Figs. 3 & 3A
G5
Spay.
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5 G5
Bb5
G5
Why
won’t
5
your
4
you? you?
3 3 1
5 5 3
4
1
F5
3 3 1
5 5 3
(Spay. Screamed: (Spay.
Gtr. 1
you?
F5 G5
Bb5
Why
won’t
you?
5
To Coda 1 To Coda 2
G5 Gtr. 3
Gtr. 1
5 5 3
3 3 1
5 5 3
F5
(2nd time, cont. in notation)
5 5 3
Gtr. 2
Bb5
F5 G5
Why
won’t
you
spay
Why Why
won’t won’t
you you
3 3 1
1
3
1
4
1
4
spay spay
-
3 3 1
3 3 1
6 6 4
self?) self?)
3 3 1
End Voc. Fill 1
-
2 2 0
A5
self?
your your
your
5
Ab5
Voc. Fill 1
E5 F5
w/ slide 12 12 12
6 6 4
15 15 15
14 14 14
15 15
15
14
Interlude Gtr. 3: w/ Rhy. Fig. 1
Bb5
A5
14 14 14
Gtr. 2
14
14 14 14
14
Ah.
Gtr. 1
Bb5
A5
A5
12 12 12
15 15 15
14 14 14
15 15
14 15
14 14 14
14
12
14
14
14
12 12 12
15 15 15
14 14 14
15 15
15
14 14 14
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
14 14 14
14 14 14
15 15 15
12 12 12
14 14 14
D.S. al Coda 1
Bb5
Bb5
w/o slide (cont. in slashes)
steady gliss.
14 14 14
A5
8 8 6
8 8 6
7 7 5
steady gliss.
14 14 14
14
14
14
12
14
14
15
14
15
15
14 14 14
14 14 14
Coda 1
Bridge
Bkgd. Voc.: w/ Voc. Fill 1
F5
Ab5
spay
Gtr. 4 tacet
E5 F5
A5
D5
your
-
self?
There
Gtr. 4 (elec.)
7 7 7
is
F#
a
mf w/ dist. fdbk.
2 3 2
0
3 3 1
3 3 1
Gtr. 1
3 3 1
3 3 1
Gtr. 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2 2 0
3 3 1
2 2 0
3 3 1
6 6 4
w/ slide
0
1
0
3
0
4
5 5 5
7 7 7
7 7 7
Rhy. Fig. 3
11 11 11
(cont. in slashes)
6 6 4
0
1
0
3
0
4
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
11 11 11 9
F#
F#sus4 F# F#sus4
Gtr. 3: w/ Rhy. Fig. 3 (2 times)
D5
F#
End Rhy. Fig. 3
Gtr. 3
love
that
does
-
n’t
lease
through
the
night, (Uh.)
Gtr. 1
7 7 7
9 11 11 11
*
11 11 11
11 11 11
7 7 7
*Fret top note w/ index finger on slide hand.
F#sus4 F# F#sus4
D5
9 11 11 11
heed
all
your
11 11 11
7 7 7
sume
all
your
7 7 7
Gtr. 3
-
gage
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7
9 9
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
9 X 7
11 11 11
9 X 7
9 X 7
-
11
9 X 7
D5
12 12
9 X 7
con
7 7 5
and
1/4
7 7 5
F#sus4 F# F#sus4
life.
Gtr. 1
bag
7 7 7
E5
F#
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
1/2
9 X 7
9 X 7
2 2 0
F#5
12 12
11 11
(cont. in slashes)
2 2 0
4 4 2
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo F#5
E5
F#5
E5
Gtr. 3
P.M.
P.M.
F#5
11 11
11
E5
11
9
11
9
11
9
11
10 10 10
10 10 10
F#5
11 11 11 11 11
G5
11
9
11
Gtr. 1
11
10
11 X
14
14
14
A5
14
14 14
13
G5
A5
14
12 14
P.M. P.M. P.M.
3
13
14
15
14
16 14
16
14
16
14 16
15
14
12
16 12
G5
13
14 14
14
12
14
A5
G5
A5
P.M. 8v a
P.M.
*
12
14
12
13 12.5
14
14
14
14
12
14 14
14
14 14
12 12
14 14
14
17
17
17
17
17
19
21
15
17
15 15 17
*Slide positioned between 12th & 13th frets.
D.S.S. al Coda 2
Coda 2 Bkgd. Voc.: w/ Voc. Fig. 1
Gtr. 3 F5
spay
8v a
**
20
21 21.5 22 22.5 23 23.5 24
24 15
**Hypothetical fret numbers.
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
17
17
17
Gtr. 1
your
3 3 1
2 2 0
Ab
-
17 3 3 1
E5 F5
3 3 1
self?
w/ slide 10 10 10
13 13 13
fdbk.
13 13 13 Pitch: G
13 13 13
20
from Velvet Revolver - Libertad
Gravedancer Words and Music by Scott Weiland, Duff McKagan, Matt Sorum, Dave Kushner and Slash
G
G III
F
C
G5
F5 10fr
21
134211
134211
32 1
C/E 8fr
14
14
7fr 14
Gtr. 5: Open G tuning: (low to high) D-G-D-G-B-D
Intro Moderately slow q = 70 µ
Gtr. 1 (clean) (Synth.)
*G
Csus2 G/B
G
F5
mf
4 sec.
let ring throughout
1
0
0
0
0
4
1 0
3
2
0
0
0
0
4
G
0
3
1
1
3
*Chord symbols reflect overall harmony.
Verse 2nd time, Gtr. 3 tacet
G7
F'9
1. She’s 2. She’s
all world
the
that at
I my
G7
F'9
see feet,
Gtr. 1
and the
all sun
that that
I gives
w/ wah-wah
1
0
0
0
0
0
3
0
0 3
3
0
3
0
1
0
0
0
0
3
0
3
0
2
3
0
3
0
3
Gtr. 2 (slight dist.)
mf
let ring throughout
0 1
3
3
3
3
3
1
1
3
0 1
1
3
1
3
3
3
0 3
3
3
1
1
Copyright © 2007 Chrysalis Music, Ready Set Go Publishing, Pimp Music, Dracsorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, Dracsorum Music and DTK Music Administered by Chrysalis Music All Rights Reserved Used by Permission
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G7
F'9
breathe. heat.
Take a Take a
Riff A
0
0
0
0
0
3
breath rest
1
G7
and and
hold hold
her her
0
0
2
Riff A1
3
0
0
3
3
3
3
1
3
1
0
0 1
3
3
-
ow’s whis a - way
-
per from
3
3
1
0
0
End Riff A
0
0 1
as her shad or she’ll float
1 3
in near
0
3
3
F'9
0
0
3
3
End Riff A1
0 3
3
3
1
1
Gtr. 1: w/ Riff A (2 times) Gtr. 2: w/ Riff A1
G7
F'9
-
ing. here.
G7
’Cause
I’m
I can know - ing
hear the laugh what you’re fear -
flies mile
be - side that guides
an
G7
F'9
ter, ing,
F'9
and while she And ev - ’ry
G7
un
-
on
me you,
I’ll watch
Gtr. 2
0 1
3
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
0 3
3
3
1
1
3
1
0 1
3
3
3
3
0
know - ing what they’re sen - ti - men - tal
man - y o - ver
5 3
5 3
bro ev
af ju
-
ter ry.
-
ken wings. ’ry - thing.
Chorus Gtr. 2 tacet
Am7
Bb6
Take,
take
Riff B1 Gtr. 3 (clean)
5
7
C
a
a - round,
look
C'9
she’s
C
a
pret - ty good
danc
-
End Riff B1
5
7
mf w/ amp tremolo let ring throughout
8
Gtr. 1
8
Riff B
wah-wah off
1
0
2
0
8
1
0
0
2
3
2
End Riff B
0
3
0
0
6
1
0
3
1
8
3
0
2
0
6
1
0
2
1
Gtrs. 1 & 3: w/ Riffs B & B1 (2 times)
Am7
-
er.
Am7
Bb6
She
danc
Bb6
down.
-
Ev
- ’ry
es
on
C
my
time
she
Am7
F
grave.
C
comes
down.
Gtr. 3
Gtr. 1
She danc - es all
8
8
5
7
o
6
Ev
- ’ry
time
it
goes
C
time
we
fall
(cont. in notation)
ver me.
End Fill 1
1
0
8
Fill 1
C
-
C'9
down.
Ev - ’ry
G Gtr. 2
1. Interlude 2nd time, Gtr. 3: w/ Riff B1 (last meas.)
C'9
2
0
2
0
3
1
2
2
1
2
1
0
0
0
4
0
1
0
3
2
3
0
0
0
4
0
0 1
1
3
3
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
2. Bridge Gtr. 3 tacet
G III
Gtr. 2
C
-
ver
F
mp let ring
that
we
feel
it,
it’s just
5 5
7
5
0
0
0
0
4
0
an - oth - er long
let ring
5
9
1
5
7
5 5
2
0 1
5
5 5
7
2
0
1
0
0
2
0
1
7
0
2
3
night.
5
wast - ed
7
Gtr. 1
End Rhy. Fig. 1
me.
Gtr. 4 (slight dist.)
7 7
And ev - ’ry time
F
Rhy. Fig. 1
3
1
5
0
1
Gtr. 2: w/ Rhy. Fig. 1 (2 1/2 times)
G
F'9
And the
dance
that
let ring
7 7
9
2 3 3 1
4 5 5 3
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9
7
we
F'9
do
is
just an - oth - er way for you
7
7
9
6 5 5
6 5 7
7
5
7
5 5
7
roll
let ring
let ring
9
to
5
5
7
5 5
7
7
5
7
7
Riff C
Gtr. 1
8 7
Gtr. 4
C
5
End Riff C
4 5
5
0
2 1
2
0
1
0
2
3
0
0
2
2
3 1
1
3
0
3
Gtr. 1: w/ Riff C
G
o
F'9
-
ver
me.
And the
bed
that
Gtr. 4
7
8 7
9
7
9
6 5 5
G
6 5
7
5
you.
Gtr. 4
let ring
7 7
7
Wan
9
8 7
8 9
8 7
8 7 7
6 5 5
9
7
5
5 5
na
feel
6 5 5
7
5
let ring
8 8
10
that
6 5 5
I
wan - na
bring
let ring
6 5 5
7
5 5
7
5 7
5 5
C
you,
the home
Eb
8
Gtr. 5 (slight dist.)
is
5 5
7
6 5 5
7
ing
let ring
5
-
let ring
let ring
-
shar
F'9
F'9
we’re
let ring
let ring
C
I
don’t want
let ring
8 8 10
8 8
8 8
8 8
X X 5 5
Fill 2
mf
to
5 5
7
hear
5 7
5 5
8 8 8
5 5 5
5 5 5
7
w/ slide
5 5 5
Gtr. 1
2 3 3
4 5 5
5
5 3
5
3
3 3 1
*Gtrs. Rhy. Fill 1 1&2
End Rhy. Fill 1
(Gtr. 2, cont. in slashes)
2 1
8 8 8
0
8 8 6
8 8 6
8 8 6
8 8 6
5 5 3
5 5 3
5 5 3
*Composite arrangement
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude
G Gtr. 2
you.
Gtr. 4
f 1/2
12
12
Gtr. 5
1/2
11
11
12
12
9
9
1/2
1/2
12
1/2
1/2
1/2
12
12
12
10
12
12
w/ dist. 1/2
Gtr. 5 tacet
11
11
12
12
12
9
9
1/2
11
11
12
End Fill 2
12
9
9
10
0 0 0
Gtr. 1
1
0
0
4
0
0
Gtr. 4
1/2
3
12
0
0
4
0
1 1
12
0
0
F5
0
4
0
0
3
1/2
10
0
3
13
13
12
2
0
1
12
1
0 2
Guitar Solo G5
2
3
1
12
12
3
12
12
15
12 15
12
Gtr. 1
0 5
5
12 X 10
Gtr. 6 (slight dist.)
0
5
0
5
5
12 X 10
12 X 10
0
7
0 3
3
12 X 10
12 X 10
12 X 10
12 X 10
5
5
12 X 10
12 X 10
0
0 5
0
3
0 0
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
3
0
3
3
3
0
3
0 5
7
mp 12 X 10
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
14 12
14 X 12
C/E
2
0
2
2
0
2
0
1/2
15
0 0
15
F5
13
15
1/2
15
15
0
0 0
0 5
2
7
0
1
3
1
3
1
1
1
17
3
5
5
3
0
3 5
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12
14
17
2
3
Chorus Gtr. 1: w/ Riff B (3 times) Gtrs. 2 & 6 tacet Gtr. 3: w/ Riff B1 (3 1/2 times)
take
Gtr. 4 tacet
C'9
a - round,
C
she’s a pret - ty good
Am7
danc
-
Bb6
er.
She danc - es
down.
Ev
- ’ry
C'9
grave.
C
look
C
on
my
18
18
C
a
1
Bb6
Take,
Am7
Gtr. 4
Gtr. 4 tacet
C'9
Ev - ’ry
C
time
it
C
time
it
Am7
goes
falls
Ev
- ’ry
Bb6
down.
time
she
comes
Gtr. 1: w/ Fill 1
Am7
down.
F
She
danc
-
es
all
o
-
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro Gtr. 1: w/ Riff C (3 1/2 times) Gtr. 2: w/ Rhy. Fig. 1 (3 1/2 times)
G
F'9
-
ver
me.
Gtr. 4
1 1
3
5
5
She danc
5
3
3
5
5
F'9
3 1
me.
5
3 1
G
5
3
5
3
3
1
es
all
1
3
1
5
F'9
3
-
She danc
-
es
all
5
5 5
3
3
6
5
5
5
3
5
5
-
3
1
o
-
3 1/2
1
3
5
5
5 5
5 5
3 3
5
3 3
5
5 5
3
C
F'9
3
o
me.
1
3
F'9
1
1
3 3
3
5
3
ver
5
3
-
5
C
ver
-
w/ wah-wah
F'9
G
C
She’s a
pret - ty good
3 1/2 hold bend
3
3
5
5
5
4
5
3
5
3
5
2
5
3
3
5
Gtrs. 1 & 2: w/ Rhy. Fill 1 Gtr. 5: w/ Fill 2
G
F'9
Eb
C
danc - er.
5
7
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
5
5
5
7
6
6
6
3
3
6
6
6 1
6
5
6
5
7
4
3
4
5
3
6
5
3
5
3
5
5
5
3
1
3 5
3
3
1
3 6
1
3 6
3
3 6
Gtr. 1: w/ Riff C (3 1/2 times) Gtr. 2: w/ Rhy. Fig. 1 (3 1/2 times)
G
F'9
Take,
C
take,
take
a
look
1
3
6
1
3
3
6
G
-
6
6
3
1
5
pret
3
3
6
5
3
6 7
6 7
6 7
8
8
6
-
ty,
pret
8
6
8
3
3
6 7
8
3
5
5
she’s
a
-
8
8
3
6
pret - ty
ty,
pret - ty
8 8 8
3
danc
6
5
3
5
-
5
3
5
good
5
6
7
5
5
5
Ev -’ry time
5
she
go
3
3
7 1 1/2
1
6
6
5
er.
3
8
3
7
F'9
6
6
1
C
er,
6 1/2
3
F'9
danc
a - round,
1
F'9
13 13
7
10
10
11 13
11 13 11
8
10 8
6
8
6
8
8
Begin fade
G
F'9
C
’round,
she come
F'9
down.
Come
head - ing
my
1/2
6
8
G
6
8
7
12 12
9
13
12
13
12
13
12
13
12
15 14 15 14 12
9
14
15 14 15 14 12
14
9
15 14 15 14 12
14
15 14 15 14 12
9
14
15 14 15 14 12
14
15 14 15 14 12
14
F'9
way.
12
17
15
3 1
1 1
17
15
17
1/2
1
17
15
15 17
18
18 17
1/2
18 17
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fill 1
C
G
Eb
Gtr. 4
Gtr. 1: w/ Riff C (till fade) Gtr. 2: w/ Rhy. Fig. 1 (till fade)
F'9
3 1/2
1/2
18
18 17
Gtr. 5
17 15 17
17
17
19
15
8 8 8
8 8 8
5 5 5
5 5 5
C
3
17
15
15
17
15
15
17 15
15
17
17 15
17
1
17 17
17
17
15
17 17
15
12 12 12 12
G
F'9
6
3
17 15 17
17
1/2
Gtr. 5 tacet
F'9
1
14
14
5 5 5
15
1/4
3
1 hold bend
3 3
1 hold bend
17 17
18 17
15
1/2
18 18
18
18 18 18
17
17
17
17
17
15 18 17 15
17
17 15
15
14
17
15 14 15 14
17
14
17 15
17 16
12 12 12 12
Fade out
C
F'9
Gtr. 4
G
3
1/2
14 12
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
12
12 15
12
15 12 15 14 12
3
7
15 12
F'9
14
12 15
1
15 13
15
15
15
13 15
17
15
15 17
1
15 18 17
1/2
15 18 17
15
18 17
1
17 15 17 15
17
17 15 17
