from Velvet Revolver - Contraband
Suckertrain Blues Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner G5
E5
A
G
B
G7
5fr 134
11
E7
D/A
7fr
134211
134211
C/G
E5
134211
type 2
213
11333
Riff B
Gtr. 2 (clean)
G7sus4 8fr
11333
7
6
213
C5
5fr
Intro Fast Rock q = 172 ** E5
6fr
11
134211
8
9
6fr 214
8
9
7
6
8
9
mf w/ chorus
8
9
*** mf
Riff A *Gtr. 1
Gtr. 3 (dist.)
mf
Gtr. 1 divisi
7
7
7
7
5
7
7
7
7
7
7
7
5
7
5
End Riff A
X 7
7
7
7
5
7
7
7
7
7
7
7
7
5 7
*Elec. bass arr. for gtr. **Chord symbols reflect basic harmony.
Gtr. 2
9
8
9
Gtr. 3
7
***1/2 vol.
Gtr. 1: w/ Riff A (2 1/2 times)
5
7
6
8
9
8
9
7
6
9
8
End Riff B
‡Harm.
X 2.6 Pitch: D
Gtr. 3
‡Harm.
3.1
Gtr. 2
Riff C
9
8
9
7
6
8
9
X X X
X X X
X X X
X X X
8
9
Harm.
2.6
Pitch: B D ‡Harmonic located just past the 3rd fret.
‡Harmonic located approximately 2/3 the distance between the 2nd & 3rd frets.
7
6
8
Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission
9
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Gtr. 4 (dist.)
fdbk.
0 0 1 0 2 0
*Vol. swell
8
f
5 5 3
Pitch: G
End Riff C
Gtr. 2
Gtr. 1 divisi
9
f
0 0 1 0 2 0
*
0 0 1 0 2 0
G5
7
9
6
8
9
**
7
8 7
7
7
9 5
7
7
7
7
7
6 7
7
9
8 5
5
7
5
**Gtr. 2 to left of slash in tab.
Gtrs. 1 & 2 tacet
E5
G5
P.M.
P.M.
Gtr. 3
Riff D
5 5 3
5 5 3
4
5
3
3
8
3
7
3
3
4
5
6
End Riff D
0
0
1
E5
(cont. in notation)
0
2
0
5
0
4
0
1
0
2
2
3
1. Hands
let ring let ring P.M. P.M. Gtr. 4
1
5 5 3
5 3
5 3
5 3
1
3 3
3 3
2
5
5 3
2 0
2 0
2 0
2 0
2 0
2 0
1
0 0
0 0
2
2
2 0
0
0
2 0
Riff E
3
3
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 3
3 3
4
3
5
3
End Riff E
3
8
3
7
3
4
5
6
0
0
1
0
2
0
0
5
0
4
0
1
Gtr. 3
5 5 3
1
3 3
1/4
2
3
2 0
Verse
2nd time, Gtr. 5 tacet
E5
µ
are are
shak - in’, got your fin - ger on the trig - ger. fry - in’ while the kings and queens are dy - in’,
µ
Je Sa
-
sus ain’t com -plain - in’, gon - na tan won the race and the
Harm.
2 0
2.6
2 0
0
1
0
2
2 0
out. mile.
E5
Some -
8v a
loco
*Composite arrangement
fig - ure it mir - a - cle
8v a
*Gtrs. 3 & 4
E5
0
1
2
0
loco
Harm.
2.6
2 0
2 0
Pitch: D
D
2nd time, Gtr. 4: w/ Fill 1
-
tape - worm a - bor
bod - y
raped
my
-
tion. Come
on, moth - er - fuck - ers, and de - liv - er
the
cow.
8v a
Gtr. 3
E5
2 0
0
1
0
2
2 0
loco
µ
Harm.
1/4
2 0
2.6
0
1
0
2
0
0
5
0
4
0
1
2
4 2 3
Pitch: D
Gtr. 4
2 0
0
1
0
2
2 0
2 0
Fill 1 Gtr. 4
7
0
1
0
2
22
2 0
P.S.
X X
17
0
0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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E5(add#4)
E5
Brain and bod - y melt - ing while there’s roach - es mul - ti - ply - in’. It’s the
4 2
2
3
2
4
2
0 0 3 2
0 0 3 2
P.M.
0
0
1
0
2
2 0
0
2 0
2 0
0 0 3 2
2 0
0 0 3 2
2 0
2 0
0 0 3 2
2 0
0 0 3 2
al - i - en in - fec - tion, it’s the
2 0
2
3
2
4
0 0 3 2
2
0
1
0
2
0
2 0
2 0
E5(add#4)
sen - ti - men - tal ha - los, and these
E5
con - se - quen - tial an - gels, when I’m
4 2
2
3
2
4
0 0 3 2
2
0 0 3 2
0 0 3 2
E5
0 0 3 2
0 0 3 2
E5(add#4)
All these
0 0 3 2
0 0 3 2
0 0 3 2
2 0
2 0
2 0
2 0
2 0
2 0
P.M.
0
0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1
0
2
0
2 0
2 0
2 0
2 0
0
A
run - nin’ with the dev - il, don’t de - liv - er the fight.
(cont. in slashes)
0 0 3 2
0 0 3 2
0 0 3 2
4 2
2
3
2
4
0 0 3 2
2
0 0 3 2
0 0 3 2
0 0 3 2
0 0 3 2
0 0 3 2 0
2 0
2 0
0
4 2
P.M.
0
com - ing of Christ.
4 2
2 0
E5(add#4)
2 0
2 0
2 0
2 0
0
P.M.
0
1
0
2
0
2 0
2 0
5 5 6 7 7 5
2 0
2 0
2 0
2 0
2 0
2 0
2 0
5 5 6 7 7 5
Gtr. 3
Pre-Chorus
(A)
E
G
E
open
Don’t
look at me
Gtr. 4
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
3 3 4 5 5 3
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
5 5 6 7 7 5
fell
too
fast,
your
wings
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
5 5 6 7 7 5
3 3 4 5 5 3
0
B
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
0
won’t
1
7 7
9
7 7
7 7
7
X X X X X X
9
too
fast,
your
wings
hold.
1
7 7 8 9 9 7
0
(cont. in notation)
fell
A
look at me now,
Gtrs. 3 & 4
E
open
G
Don’t
5 5 6 7 7 5
5 5 6 7 7 5
0
now,
5 5 6 7 7 5
B
open
X X X X X X
5 5 6 7 7 5
T o Coda
Bb5 A5 E5 G5
won’t
hold.
Yeah,
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
7 7 8 9 9 7
8 8 6
7 7 5
0
5 5 3
Chorus
Gtr. 3: w/ Riff D
and
Gtr. 4
Rhy. Fig. 1
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
E5
when I
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
want
5 5 3
5 5 3
2 2 0
G5
to,
yeah,
End Rhy. Fig. 1
P.M.
2 2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
5 5 3
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E5
I
Gtr. 3
Riff F
3
3
4
3
5
will
3
3
8
3
7
3
4
0
1
0
mp
find
Gtr. 5 (dist.)
you.
1
0
2
Yeah,
End Riff F
0
G7
0
0
5
0
4
0
1
2
2
3
Gtr. 4
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
Gtr. 3: w/ Riff F
2 2 0
E7
Rhy. Fig. 3
and
when I
want
Gtr. 4
Rhy. Fig. 2
5 5 3
5 5 3
5 5 3
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
1
2
5 5 3
G7
to,
yeah,
End Rhy. Fig. 2
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
5 5 3
D.S. al Coda Gtr. 3: w/ Riff E
E7
I
will
End Rhy. Fig. 3
blind
you.
2. Brains
Gtr. 4
5 5 3
5 5 3
5 5 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
1
2
3
2 0
Coda
Chorus
Gtr. 4: w/ Rhy. Fig. 1
G5
E5
and
when I
want
G5
to,
yeah,
Gtr. 3
5 5 3
4
3
5
3
3
8
3
7
3
3
Gtr. 3: w/ Riff F (2 times)
4
0
G#5
I
0
1
0
2
0
0
will
5
0
E5
1
Gtr. 5
4
0
find
2
you.
slight P.M. slight P.M.
2
3
G7
1
0
Yeah,
Gtr. 4
5 5 3
5 5 3
5 3
5 3
5 5 3
5 5 3
5 5 3
5 5 3
Gtr. 4: w/ Rhy. Fig. 2 Gtr. 5: w/ Rhy. Fig. 3
5 5 3
5 5 3
5 5 3
and
when
(G5)
Gtr. 4
5 5 3
5 5 3
6 6 4
0
2 2 0
3
3
4
3
5
3
3
8
2 0
2 0
3
2 0
2 0
want
2 0
2 0
2 0
2 0
2 0
1
E5
2
to,
2 0
5 5 3
G7
yeah,
7
0
I
Gtr. 3
2 0
E7
I
2 2 0
3
4
will
blind
1
0
you.
0
1
0
2
0
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Bridge
D/A
C/G
Rhy. Fig. 4A
It’s all
Gtr. 5
o - ver me
Let me go,
let ring
4 3 4
4 3 4
4 3 4
4 3 4
4 3 4
10 10
10 10
12
12
5
4
0
1
2
0
5
D/A
5
0
Gtr. 3: w/ Rhy. Fig. 4 (2 times)
End Rhy. Fig. 4A
go,
let
me go.
1
12
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10
12
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
X 12 X 12 X 14
10
X X X
3
3
0
2 2 0
P.M.
3
5
12 12
12 12
14
14
2 2 0
2 2 0
2 2 0
12 12 14
2 2 0
2 2 0
X X X
2 2 0
now?
1
1
8 8
8
8
10
10
Let me go,
let me
12
12
12
14
14
14
1
X X 12 X 14
Gtr. 4
1
X X 8 X 10
E5
1
10
End Rhy. Fig. 4
2 2 0
And what’s come o - ver me
8 8
C/G
1
8 8
(cont. in notation)
8 8
P.M. 1/2 0
1
Rhy. Fig. 4
let me
1
X X 8 X 10
Gtr. 3
1
X 10 X 10 X 12
now.
1
4 3 4
E5 type 2
2 2 0
0 0 X 2
2 2 0
0 0 X 2 2 0
0 0 X 2 2 0
X X X
Gtr. 5
go,
let
me
go.
Gtr. 4: w/ Rhy. Fig. 4A
C/G
It’s
all
o - ver me
1
1
Let me
12
12
10
10
10
8
14
14
14
12
12
12
10
0 0
0 0 X 2 2 0
0 0 X 2 2 0
2 2 0
7 X 5
9 7
8 8
8
Gtr. 5
let
go.
me
12 14
go,
let
me
1
1
12
12
12
12
14
14
14
14
What’s come
C/G
Gtr. 4
1
1
12
12
10
14
14
12
12
o - ver
me
now?
5
15ma
*fdbk.
1
8
8 8 8 10
8 8
X
*Microphonic fdbk., not caused by string vibration.
P.M.
5
10
5
(cont. in notation)
1
10 10
open
let ring
Gtr. 3
A
1
10 10 10
1
let ring 1
7 7 7 5 5
X X X
go,
1
8 8
10
D/A
1
1
12
Gtr. 4
1
now.
let ring 1
E5
0
3 3
0 0
3
3
3
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo Gtr. 5 tacet
E5 Gtrs. 3&4
Ah.
Gtr. 5 15ma
Gtr. 5
Gtr. 6 (dist.) divisi
Gtr. 6
_1
_1
_1
_1
_1
_1
f
*w/ harmonizer 1
X 5
w/ bar _1
_1
_1
_1
_1
_1
5
5
5
5
5
5
*Set for Perfect 4th below with equal amounts of processed (wet) and original (dry) signal.
Gtr. 3
(cont. in slashes)
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
4 4 2
1
0
4 2 2
0
3
2 2 0
Gtr. 4
P.M.
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
4 2 2
(cont. in slashes)
1
3
2 2 0
G5
E E5
open
Gtr. 6
_1
_1
_1
w/ bar _1
5
_1
5
_1
5
0
0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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12 -2 1/2
10
P.M.
13
P.M.
1
P.M.
1 13
1
P.M.
harmonizer off 1
13
0 14
1
12
12
15 12
1
12 15
15 12
15
G5
w/ bar
15
15
12
15
15
12
12
15
15
12
12
15
15
12
12
15
15
12
12
1
15
14
14
-1 1/2
-1
-1 1/2
E5
8v a
loco
harmonizer off
15
1
0
-1
-1 1/2
15
15
-1
-1 1/2
loco
w/ bar 8v a
-1
w/ harmonizer 1
12
14
12
-1 1/2
G5
3
12
12
12
15
12
15
12
15
15
12
15
0
15
12
15
15
12
12
-1
w/ bar 1/2
1/2
8v a
A
1
15
15 14 12 14
14 14 12
14
14
14
12
14
17
1/2
17
17
1/2
17
15
17
0
-1 1/2
B
1 1/2
1/4
G
-4 1/2
C
(Gtr. 3 cont. in notation)
8v a
1
17
15
17
15
17
1
17
15
17
17
17
17
17
1 1/2
17
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Interlude Gtrs. 4 & 6 tacet
Gtr. 4
µ
Spoken: John - ny sat down be - side the old
8v a
17
17
8 8 9 10 10 8
8 8 9 10 10 8
Gtr. 6
Gtr. 3
rats
have
oak
tree,
cut off his hand,
what did he
see?
All
the an - i - mals are
crawled through his
X X X X
X X X X
house
and
out through their
dead.
The
X X X
X X X
X X X
head.
One
of
them
ate
a
hole
in
the
8v a
Gtr. 4
fdbk. *
9
*Vol. swell
X X X
X X X
Gtr. 3
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
sky.
To
be - lieve
this would
be
a
fate worse
than
G5
dy - ing.
Yeah,
8v a loco
steady gliss.
9 18
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
X X X X
Harm.
Harm.
X X X X
9
Harm.
X X X X
9
9
9
20
steady gliss.
Harm.
X X X X
5 5 3
8
19
5 5 3
8
Chorus Gtr. 3: w/ Riff D
and
Gtr. 4
when I
want
F#5 G5
to,
yeah,
End Rhy. Fig. 5
P.M. P.M.
5 5 3
2 0
5 5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
Gtr. 3
Riff G
3
3
4
3
5
5 3
5 3
I
E5
Rhy. Fig. 5
Gtr. 4: w/ Rhy. Fig. 5
2 2 0
E5
will
3
3
3
7
3
4
5
2 0
2 0
2 0
2 0
6
0
2 0
2 0
find
8
2 2 0
2 0
2 0
2 0
0
1
0
2
0
0
4 4 2
2 0
5 5 3
F#5 G5
you.
2 0
Yeah,
End Riff G
5
0
4
0
1
2
2
3
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Gtr. 3: w/ Riff G
and
P.M.
3 3
3 3
5 5 3
5 3
5 5 3
5 3
5 5 3
to,
P.M.
2 0
2 0
2 0
2 0
3 3
1
G5
yeah,
P.M.
1
12 12 2 2 0
12 12
12
14
14
12
5 5 3
5 5 3
I
E5
will
let ring
3 3
3 3
3 3
P.M.
4
3
let ring 1
5
3
2 2 0
2 2 0
2 0
2 0
2 0
2 0
1
0 0
5 3
let ring 1
5 3
3
2
5 3
3 3
5
3
G7
you.
1
5
5 3
blind
5 3
Gtr. 3
3
5
14
0
2 2 0
14
2 2 0
want
5 5 3
E5
5
I
1
5
5 5 3
when
1
1
0 0 2
2
0
5 5 3
15
(cont. in slashes)
7 6 7 8
3
14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
3
4
0
1
0
0
1
0
2
0
0
5
0
4
5
1
2
0
(G7)
Gtr. 3
E7
I
will
find
you.
(Yeah.)
Gtr. 4
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
G7
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
5 5 3
2 2 0
G7sus4
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
G7
E7
I
will
blind
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
2 2 0
you.
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
15 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 7 (clean)
Gtr. 2: w/ Riff B
E7
Riff H
mp
w/ chorus P.M.
7
Gtr. 4
7
7
7
7
7
7
7
2 2 0
P.M.
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
Gtrs. 3 & 4 tacet
E5
7
7
7
7
7
7
P.M.
5
7
7
7
7
7
7
7
2 2 0
Begin fade
Fade out Gtr. 2: w/ Riff C (till fade) Gtr. 7: w/ Riff H (till fade)
7
7
Gtr. 7
End Riff H
P.M.
7
7
16 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
7
(15 sec.)
from Velvet Revolver - Contraband
Do It for the Kids Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner
A5
G5
G#5
5fr
Bb5 4fr
134
134
134
C5III
Bb5I
C5
D5
6fr 134
134
F
F5
8fr
5fr
8fr
134
C
134
Bb
A 5fr
134
134
134211
1333
1333
134211
Intro Moderate Rock q = 145
µ Voc. Fig. 1
Spoken: Went
too
fast,
I’m
out
A5
Gtr. 1 (dist.)
G5
G#5
A5
G5
-
ta
luck
and
I
don’t
e
G#5
A5
E
open
f
Rhy. Fig. 1 Gtr. 2 (dist.)
2 2
0 0
2 2
2 2
2 2
2 2
f
2 2
1 1
0 0
1 1
Bb5
C5
Bb5
3 3
5 5
3 3
Gtr. 2: w/ Rhy. Fig. 1
A5
Bb5
C5
Bb5
A5
End Rhy. Fig. 1
2 2
2 2
3 3
5 5
G5
Rhy. Fig. 2
G#5
A5
G5
G#5
-
End Voc. Fig. 1
ven
give
a
fuck.
A5
G5
G#5
A5
G5
G#5
2 2
2 2
0 0
2 2
2 2
1 1
A5
E
open
0 0
1 1
Bb5
C5
Bb5
Gtr. 3 (dist.)
rake
3 3
f
2 X X X
Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
G5
G#5
A5
1
G5
1
6
6
G#5
E
1
A5
Bb5
C5
open
Bb5
(cont. in notation)
End Rhy. Fig. 2
3
6
6
5
3
5
3
5
3
3
5
5
3
5
3
G5
G#5
Verse Gtr. 3 tacet
A5
G5
G#5
A5
1. I
Gtr. 3
G5
G#5
wan - na
A5
be
G5
your
Bb
man
C
Bb
-
A5
G5
G#5
A5
child,
let’s
all
2
Gtr. 2 Rhy. Fig. 3A
P.M.
2 2
Gtr. 1
2 2
0 0
0 0
1 1
2 2
2 2
1 1
2 2
2 2
0 0
3 3
P.M.
5 5
3 3
2 2
2 2
0 0
1 1
2 2
2 2
0 0
1 1
7 5
5 3
7 5
7 5
Rhy. Fig. 3
P.M.
7 5
7 5
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 3
6 4
7 5
7 5
5 3
6 4
7 5
7 5
5 3
5 6
P.M.
7 8
5 6
7 5
6 4
5 3
6 4
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (3 times)
A5
G5
Bb
go
it
hog
Gtr. 2
C
-
P.M.
2 2
2 2
0 0
7 5
7 5
A5
5 3
G5 G#5
A5
at
sta
-
7 8
5 6
A5
G5
G#5
I
al - ways
Bb A5
A5
G5 G#5 A5
A5
said, “I’ll
see
G5 Bb
you
lat
-
C
-
tate
G5 G#5
to
her.
A5
tion,
no heav - y
9
9
Bb
A5
G5 Bb
con - cen
C
7
G#5
G5 Bb
grav - i
Gtr. 3
G5
C
Bb
er.”
3 3
5 6
the
End Rhy. Fig. 3A
C
She
G5 Bb
G5 G#5 A5
End Rhy. Fig. 3
P.M.
5 5
Gtr. 1
A5
wild.
3 3
Bb
-
tra
G5 G#5 A5
Bb
A5
6
6
G#5
Let’s
all
meet
G5 G#5 A5
G5 G#5
We could
1
4
tion.
6
G5
-
3
1
4
4
4
Gtr. 3 tacet
A5
all
G5 Bb
hook
up
C
there,
Bb
A5
G5 G#5
A5
the
G5
kids
G#5
are
A5
all
al
G5 Bb
-
right
C
Bb
there.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus D5
A5
Rhy. Fig. 4 Gtr. 2
Should we
Riff A Gtr. 4 (dist.)
go
out
-
1/2
10
10
Gtr. 1
6 7 7 5
5 5 5 5
6 7 7 5
X X X X
X X X X
6 7 7 5
5 5 5 5
6 7 7 5
6 7 7 5
10
10
10
6 7 7 5
5 5 5 5
6 7 7 5
5 5 5 5 5
6 7 7 5
7
5 5 5 5 5
0 0 0
F5
-
Show
9
10
9
7 7 5
5 5 X 7 7 5
7 7 5
7 7 5
7 7 5
1/2
10
9
time
10
10
10
10
for
stran
10
6 5 7
5 5 5
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
6 5 7
X X 6 X X 5 X X 7
5 5 5
6 5 7
X X 6 X X 5 X X 7
5 5 5
6 5 7
X X 6 X X 5 X X 7
6 5 7
7
0 0 0
9
5 5 X 7 7 5
5 5 X 7 7 5
5 5 X 7 7 5
5 5 X 7 7 5
5 5 X 7 7 5
5 5 X 7 7 5
Sorgdal
9
1/2
End Rhy. Fig. 4
-
7 7 5
gers.
1/2
6 5 7
1/2
A5
er?
mf
10
End Riff A
lat
9
10
9
slight P.M. 7 5
7 5
7 5
1/2
5 5 X 7 7 5
1/2
9
1/2
9
1/2
9
Interlude Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 1
D5
C5 III
Bb5
A5
I
Rhy. Fig. 5A
1/2
1/2
9
1/2
9
9
12 X 10
1/2
1/2
9
1/2
9
G5 G#5 A5
G5 Bb5
C5
Bb5
9
9
12 X 10
12 12 10
12 X 10
12 X 10
12 12 10
12 12 10
C
Bb
9
12 X 10
1/2
Rhy. Fig. 5
G5 G#5 A5
End Rhy. Fig. 5A
End Rhy. Fig. 5
12 12 10
12 12 10
10 10 8
10 10 8
8 8 6
Verse Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (4 times)
A5
G5 G#5 G#5
G5 G#5
Gtr. 3
1
7
A5
G5 Bb5
C5
Bb5
7
6
G5 G#5 A5
2. Don’t - cha give
3 3
G5 G#5
a
fuck an
A5
-
y
G5 Bb
-
more
now?
Gtr. 3
Gtr. 5 (dist.) divisi
7
A5
7
mp
7
7
7
6
7
0 0 0
0
Gtr. 3 tacet
A5
G5 G#5
A5
She’s
G5
G#5
in’
up
on
giv -
A5
Gtr. 5
G5 Bb
C
you
Bb
A5
now.
0
G5 G#5 A5
G5
G#5
“Do
it
0
0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5
G5 Bb
for
the
C
they
say,
kids,”
Bb
A5
G5 G#5 A5
G#5
“It
ain’t
a
G5
A5
-
bout
you
an
0
G5 Bb
C
-
y
Bb
-
way.”
0 0
A5
G5 G#5 A5
G5
I Gtr. 3
G#5
0
say
we’re
A5
G5
Bb
all
grown
up
Bb
A5
G5 G#5A5
G5
now,
1
and
sex
G#5
14
12
1
15
15
C
15
15
15
15
0
Gtr. 5
2
0
0 0
A5
G5
Bb
ain’t
so
safe
C
Bb
now.
14
15
12
1
Sorgdal
G#5
“It’s
all
A5
G5 Bb
in
the
groove,”
C
Bb
they
say.
P.M.
12
0
0 0
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
G5
12
0
6
G5 G#5 A5
1
14
A5
0
Chorus
Gtr. 2: w/ Rhy. Fig. 4 (2 times) Gtr. 4: w/ Riff A (4 times) Gtr. 5 tacet
Gtr. 3 tacet
A5
G5 G#5 A5
G5 G#5
A5
It does’n - t
G5 Bb
C
mat - ter
Bb
Rhy. Fig. 6
Gtr. 1
Should we
go
an - y - way.
Gtr. 5
* Dm7
6 7 7 5
0
6 7 7 5
5 5 5 5
out
6 7 7 5
X X X X
X X X X
6 7 7 5
5 5 5 5
6 7 7 5
X X X X
X X X X
6 7 7 5
5 5 5 5
6 7 7 5
5 5 5 5 5
6 7 7 5
5 5 5 5
0 0 0
*Chord symbols reflect overall harmony.
-
7 7 5
5 5 X 7 7 5
7 7 5
A5 -
5 5 X 7 7 5
5 5 X 7 7 5
5 5 X 7 7 5
5 5 X 7 7 5
5 5 X 7 7 5
5 5 X 7 7 5
slight P.M.
7 5
7 5
5 5 X 7 7 5
5 5 5
6 5 7
X X X X X X
6 5 7
5 5 5
7 5
7 5
7 5
5 5 X 7 7 5
6 5 7
Should we
go
6 5 7
5 5 5
6 5 7
X X X X X X
6 5 7
6 5 7
0 0 0
out
6 7 7 5
X X X X
6 7 7 5
5 5 5 5
6 7 7 5
X X X X
X X X X
6 7 7 5
5 5 5 5
6 7 7 5
Show
for
X X X X X X
6 5 7
er?
slight P.M.
time
6 5 7
Fmaj7
End Rhy. Fig. 6
Dm7
-
X X X X
6 7 7 5
7 7 5
-
-
lat
7 7 5
7 5
A5
gers.
7 7 5
7 7 5
Show
stran
er?
Fmaj7
lat
A5
5 5 5 5
6 7 7 5
5 5 5 5
5 5 5 5
6 7 7 5
6 7 7 5
0 0 0
time
for
8 7 5
6 5 7
X X X
6 5 7
5 5 5
6 5 7
X X X
X X X
6 5 7
5 5 5
6 5 7
X X X
6 5 7
5 5 5
6 5 7
X X X
X X X
6 5 7
6 5 7
0 0 0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
T o Coda
A5
stran
-
*Gtrs. 1&2
Keep me run - nin’ like
gers.
Gtr. 1
Bridge F
7 7 5
5 5 X 7 7 5
7 7 5
7 7 5
7 7 5
a
X X X
(cont. in slashes)
in
the head
-
Gtr. 6 (dist.)
deer
Voc. Fig. 2
12
10
10
8
lights,
(Oh,
mp 10 X 8
X X X
10 X 8
10 X 8
9 7
*Composite arrangement
C
all
for
noth
Bb
-
-
in’
I
thought,
just
the ran
som
I
had
bought.
oh,
10 X 8
9 7
10 X 8
10 X 8
12
10
10
8
9 X 7
7 X 5
9 X 7
10 X 8
7 X 5
Bkgd. Voc.: w/ Voc. Fig. 2
F
A
F
A - bout the day
oh.)
5 X 3
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
End Voc. Fig. 2
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
6 X 4
14 14 X X 12 12
tried
6 X 4
I
14 X 12
to
tame
her,
15 X 13
14 X 12
14 X 12
12 10
C
nev - er
12 10
tried
14 X 12
Bb
9 X 7
to
10 X 8
9 X 7
blame
10 X 8
her,
just
a
game
that
I
had
bought.
12
10 X 8
10
10 X 8
12 X 10
12 X 10
14 X 12
14 X 12
15 X 13
15 X 13
Guitar Solo Gtrs. 1 & 2: w/ Rhy. Figs. 5 & 5A Gtr. 6 tacet
F
A
D5
14 X 12
14 X 12
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
18 X 16
C5
10 X 8
3 X 1
Gtr. 3
18 X 16
Bb5
9
9 X 7
7
7
7 X 5
5
5
5 X 3
3
3 1
2 0
2 X 0
5 X 3
3 X 1
Gtrs. 1 & 2: w/ Rhy. Figs. 7 & 7A (2 times)
A5
G5 G#5 A5
G5 G#5
A5
G5 G#5
A5
Bb5
Rhy. Fig. 7
A
G
G#
A
G
G#
End Rhy. Fig. 7
Gtr. 1
Gtr. 3
semi-harm.
2
Gtr. 2
2
2
2
Rhy. Fig. 7A
2 2 2
2 2 2
0 0 0
1 1 1
2 2 2
2 2 2
0 0 0
1 1 1
2
3
1
0 0
2 2 2
0 0 0
1
3
1 1 1
1
1/2
3
3
2 2 2
3 3 3
3
3
2
3
2
3
2
0
2
0
2
1
2
End Rhy. Fig. 7A
2 2 2
3 3 3
3 3 3
3 3 3
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A
G
G#
3
A
Bb
A
G G# A
3
*
1
G G#
A
G
3
5
1
0
0
3
3
1
0
0
Bb
3
3
1
5
5 2
A
3
1
8
7
1
G#
5
5
5
5
5
8
8
C5
Bb5
7
0
-1/2 *Lower pitch of open string by pushing on back of headstock while stabilizing body of guitar with right hand.
A5
Gtr. 1
P.M. Gtr. 3
G5
G#5
A5
G5
G#5
A5
3
8
3
7
Gtr. 2
6
5
3
6
5
6
3
3
5
5
8
8
7
7
3
8
2 2 2
0 0 0
1 1 1
2 2 2
2 2 2
5
7
Gtr. 2
0 0 0
Bb5
7
7
2 2 2
2 2 2
3 1/2
1 1 1
3
5
P.M.
Gtr. 5 divisi
2 2 2
G
3 fr
0
7
7
1
5
5
P.M.
3 3 3
5 5 5
3 3 3 0
Verse Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A (1 1/2 times)
A5
G5 G#5 A5
G5 G#5
3. Let’s all meet
Gtr. 3 tacet
A5
at
the
G5 Bb
C
sta
-
Bb
G5 G#5 A5
tion,
G5 G#5
no heav - y
Gtr. 5
A5
0
2
A5
G5 Bb
C
con - cen - tra
-
5
2
5
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
tion,
0
0
Gtr. 3
Bb
0
D.S. al Coda
A5
G5 G#5 A5
G5 G#5
A5
the kids are
G5 Bb
all
al
C
Bb
right
too fast, I’m out - ta luck and
I don’t e - ven give a fuck. Gtr. 1
Gtr. 5
A5
there. Spoken: Went
Gtr. 5
A µ
-
Gtr. 5 tacet
Gtr. 1 divisi
0
1/2
0 0
4 5
16
Gtr. 2
16
* P.M.
2 2
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
*Gradually lift P.M.
Coda
Gtr. 1: w/ Rhy. Fig. 6 (2 times) Gtr. 2: w/ Rhy. Fig. 4 (2 times) Gtr. 4: w/ Riff A (4 times)
Dm7
Gtr. 6
7 X 5
7 X 5
7 X 5
Should
we
** Voc. Fig. 3
(Should
we
go
out go,
7 X 5
9 X 7
9 X 7
10 X 8
10 X 8
13 X 11
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
10 X 8
10 X 8
10 X 8
10 X 8
13 X 11
13 X 11
13 X 11
13 X 11
13 X 11
**Applies to upstemmed notes only.
Bkgd. Voc.: w/ Voc. Fig. 1
er?
Show
-
time
for show
End Voc. Fig. 3
-
lat
F,7
A5
-
time.)
14 X 12
14
9
5 X 3
14 X 12
12
9 10 X X 7 8
9 X 7
7
5 X 3
5 X 3
5 X 3
X X X
X X X
5 X 3
7 X 5
7 X 5
14 X 12
14 X 12
14 X 12
X X X
X X X
7 X 5
7 X 5
7 X 5
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bkgd. Voc.: w/ Voc. Fig. 1
A
stran
-
Dm7
gers.
6 X 4
7 X 5
9 X 7
Should
we
8
10
X X X
out
lat
go
8
Bkgd. Voc.: w/ Voc. Fig. 3
mf 8
10
10
10
10
10
Bkgd. Voc.: w/ Voc. Fig. 1
10
10
A5
-
12
12
12
12
12
12
er?
13
16
17
13
13
13
13
13
13
13
16
16
16
16
16
16
17
17
17
17
17
17
17
17
17
15
15
12
12
12
12
12
12
12
12
12
12
13
13
13
13
13
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
13
-
8
Gtr. 4
10
12
13
15
Fmaj7
15
Show
12
Gtr. 6
12
8
8
8
8
8
8
10
8
8
8
8
8
10
10
10
10
10
time
Bkgd. Voc.: w/ Voc. Fig. 1
for
stran
A
-
poco rit.
gers.
poco rit.
5
5
5
5
5
5
5
5
5
5
5
5
10 10 10 10
9
9
9
9
9
9
9
9
10 10 10 10 10 10 10 10
10
10
Outro Free time D5 Gtr. 2
Gtr. 6
10
Gtr. 4
10
9
9
7
7
13
poco rit.
9 X 7
7 X 5
13
1/2
10
12
1
10
13
13
3
6
6
5
1/2
10 13 10
11 13 11 10 11
12
11 13 11 10 11
12
10 11 10
12
10 12
12 10 12 10
12 10 12
7 X 5
Gtr. 1
6 7 0 0
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Contraband
Big Machine Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner D
A
AV
E5
G
DV
5fr 132
123
E7
C5
E
2 1
134
231
G5
A5
5fr
134211
11
134211
1333
134
11
Intro Moderately fast q = 145
µ
Gtr. 1 (dist.) (Drums & bass)
* mp w/ Leslie
0
*1/2 vol.
0
Verse Gtr. 1 tacet ** E5
Gtr. 1
1. I
don’t
know
be - cause
she
says
so.
He’s
a
fag - got
boy,
Gtr. 2
Gtr. 2 (dist.) divisi
mp
***
0 3 **Chord symbols reflect overall harmony. ***Vol. swell to 1/2 vol.
the
T - V
says
so.
He’s
a
junk - ie
piece
of
shit
be - cause
he
says
so.
3
Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Pre-Chorus E5
Gtr. 1
All
that
first
-
jet
set
brings
me
class
3
Gtr. 1
down,
7 7 7 5
All
that
first
-
class
2
0
let ring
2
2 2 0
0
AV
down,
down.
down.
5 5 6 7 7 5
5 5 6 7 7 5
(cont. in slashes)
7 7 7 5
7 7 7 5
shit
brings
me
2
2 3 2 0
2 3 2 0
G
open
(cont. in notation)
E
drug
0
down,
1/2
0
down,
mf
E5
open
2 2 2 0
E
A
Leslie off
3
AV
Gtr. 2
mf
D
*
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
Ah.
P.M.
*
2 3 2 0
2 2 2 0
2 2 2 0
2 2 2 0
0
0
5 3
5 3
5 3
*Vol. swell to full vol.
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 3
5 3
E
Chorus E5
AV
open
f
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
D5
all
slaves
to
a
1
7
7
6
7
5
7
5
Gtr. 1
6
f 5 5 6 7 7 5
0
It’s
a
big
ma - chine,
it’s
a
big
ma - chine.
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
Rhy. Fig. 1
Gtr. 2
2 2 0
2 2 0
X X X
2 2 0
2 2 0
2 2 0
X X X
2 2 0
2 2 0
2 2 0
X X X
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
A
Ab
It’s
a
big
ma
5
big
G
ma - chine.
3 4
7
End Rhy. Fig. 1
5
3
4
7 0
7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
0
2 3
- chine,
Rhy. Fig. 2
7
4 5
E5
1
0
A5
We’re
Gtr. 1: w/ Rhy. Fig. 1
Eb5
Gtr. 1
Gtr. 2
(cont. in notation)
5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
it’s
a
big
ma - chine. We’re
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
Gtr. 2
all
1
to
a
7
Ab
slaves
7
0
E5
All
tied
up
to
a
big
big
6
5
4 5
ma - chine,
I
got
3 4
D5
hous - es,
got
cars,
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
9 9 7 0
7
5
2 2 0
2 2 0
X X X
2 2 0
2 2 0
2 2 0
X X X
2 2 0
2 2 0
2 2 0
X X X
2 2 0
2 2 0
2 2 0
2 2 0
2 2 0
mon - ey
in
the
A5
wife,
I
got
kids,
got
3 4
1
got
a
12
0
5
bank.
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
2 3
7
5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
I
End Rhy. Fig. 3
4
6
6
7
12
4 5
0
1 End Rhy. Fig. 3A
E5
5
12
6
Gtr. 1 Rhy. Fig. 3
G
1
Eb5
End Rhy. Fig. 2
2 3
Ab
0
A
A5
ma - chine.
Gtr. 2
Sorgdal
G
5
7
Rhy. Fig. 3A
A
D5
Eb5
7
Rhy. Fig. 4A
End Rhy. Fig. 4A
Rhy. Fig. 4
End Rhy. Fig. 4
2 2 0
2 2 0
X X X
2 2 0
2 2 0
2 2 0
X X X
2 2 0
2 2 0
2 2 0
X X X
2 2 0
2 2 0
2 2 0
X X X
2 2 0
Verse
E5
2. Get
a - way
with - out
bor
-
Gtr. 1: w/ Rhy. Fig. 5 (2 times)
ders.
I’m
a
slave,
a
New
fdbk.
9 9
9 9
Rhy. Fig. 5
2 0
2 0
P.M.
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
I
chose
World
Or
-
der.
I
guess
Gtr. 2
End Rhy. Fig. 5
9 9
2 0
to
be,
I
guess
I
chose
to
be,
Gtr. 2 tacet
9 9
Pre-Chorus
DV
I
guess
I
chose
to
be,
I
guess
I
chose
to
be.
All
that
Rhy. Fig. 6
Gtr. 1
Gtr. 2
Rhy. Fig. 6A
P.M.
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
2 0
7
0
2 3 2 0
AV
first - class
2 2 2 0
2 2 2 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
jet
set
brings
me
down,
down,
down.
0 0 1 2 2 0
2 2 0
G
brings
me
drug
shit
0
2
2
0
All
that
G
down,
3 fr
down,
2 2 2 0
2 2 2 0
2 3 2 0
2
first - class
1/2
0
AV
2 2 0
2 2 2 0
DV
E7
A End Rhy. Fig. 6A
down. (Ah.)
2 2 2 0
0
0
P.M.
5 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
3 3 4 5 5 3
End Rhy. Fig. 6
5 5 6 7 7 5
Chorus Gtr. 1: w/ Rhy. Fig. 1 (3 times) Gtr. 2: w/ Rhy. Fig. 2 (2 times)
It’s
a
big
ma - chine,
it’s
a
big
Eb5 D5
E5
a
big
ma - chine,
it’s
a
big
Eb5 D5
E5
All
tied
up
to
a
big
ma
- chine,
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
slaves
to
a
big
ma - chine.
A Ab G
A5
ma - chine. We’re all
Gtr. 2: w/ Rhy. Fig. 3A
It’s
A5
ma - chine. We’re all
A Ab G
E5
I
got
slaves
to
a
big
ma - chine.
Eb5
D5
hous - es,
got
cars,
I
got
a
A
Ab
G
A5
E5
Gtr. 1
wife,
I
got
kids,
got
mon - ey
in
the
bank.
X X X
9 9 7 0
9 9 7 0
9 9 7 0
Gtr. 2
9 9 7 0
9 9 7 0
Bridge C5
X X X
9 9 7 0
9 9 7 0
9 9 7 0
E
Rhy. Fig. 7
Hope
I
teach
my
X X X
9 9 7 0
9 9 7 0
9 9 7 0
Rhy. Fig. 7A
let ring
0 1 0 2 3
0
how
to
be
0
1 2 2 0
3
hits
thir
-
let ring
let ring
0 1 2 2 0
0
X X X
a
man...
0
let ring 3 2 0
1
be - fore
2
he
0
0
0
C5
G5
ty - five. Com - ic
0
1
E
0 0 0 0
...now
D
son
0
1
let ring 0 1 0 2 3
0 3
book
1
lives
don’t
0
real - ly
have
an - y
let ring
0 0 X 3
3
0
3 0
3
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Figs. 7 & 7A
A5
real
3
2
2
0
do
4
2
2
0
5
4
2
0
how
to
be
a
Hope
I
teach
my
now?
5
3
2
0
he
hits
D
son
they
End Rhy. Fig. 7A
E
End Rhy. Fig. 7
life,
C
E
C
man...
Com - ic ...now
be - fore
thir
-
ty
book
lives
five.
Interlude Gtrs. 1 & 2: w/ Rhy. Figs. 4 & 4A (2 times)
G
don’t
real - ly have an - y
Gtr. 3 (dist.)
A5
real
life,
do
they
E5
now?
f 11 9
12
12
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9
9
9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
12
12
9
12
9
13
13
12
Verse Gtr. 1: w/ Rhy. Fig. 5 (3 times)
E5
3. I
don’t
12
be - cause
says
so.
He’s
a
fag - got
she
boy,
14
15
15
fdbk.
Gtr. 2
9 9
9 9
Gtr. 2 tacet
8v a 15ma
the
T
- V
*X
says
15 14
X
so.
3
3
9 9
know
Gtr. 3
X X
X X
X X
X X
X X
He’s
a
junk - ie
piece
3
3
X X
loco
3
X X
X X
X X
of
shit
be - cause he
says
so.
3
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
X X
*Starting over the pickups, simultaneously slide down and tap with edge of pick in rhythm indicated.
9 9
Pre-Chorus Gtr. 1: w/ Rhy. Fig. 5
All
that
first
E5
X X
X X
X X
-
class
X X
jet
set
brings
me
X X
X X
Gtrs. 1 & 2: w/ Rhy. Figs. 6 & 6A Gtr. 3 tacet
down,
down,
D
A
down.
X X
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E7
down,
All
that
first
A
down,
-
class
down.
drug
G
shit
brings
me
D
it’s
a
big
Ah.
Chorus
A
It’s
a
big
ma
- chine,
ma
- chine.
We’re
all
slaves
to
a
A
Ab
big
it’s
a
big
ma
- chine.
A
We’re
all
slaves
to
a
big
All
tied
up
to
a
big
ma
- chine,
wife,
A5
I
got
kids,
got
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
E5 Gtr. 1
mon - ey Gtr. 2
G
Ab
E5
D5
E5
A
A5
in
the
bank.
I
got
It’s
a
big
ma
- chine,
Ab
ma - chine.
G
ma
- chine.
A5
Eb5
G
D5
Gtrs. 1 & 2: w/ Rhy. Figs. 3 & 3A
E5
Eb5
Sorgdal
Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2: w/ Rhy. Fig. 2 (2 times)
Eb
D5
hous - es,
got
cars,
I
got
a
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
Bridge
Gtrs. 1 & 2 tacet
all
Gtr. 4 (dist.)
slaves
to
a
big
ma - chine.
mp
7
7
7
7
7
7
9
9
We’re
all
9
9
slaves
to
a
w/ Leslie Harm.
7
We’re
E5
Harm.
0
0
0
0
0
0
7
9
We’re
all
slaves
to
a
big
ma
9
7
7
7
7
Pitch: G#
big
ma
- chine.
- chine.
f
fdbk.
Harm.
7
7
7
7
7
7
7
7
Gtr. 1
Gtr. 4 divisi
7
7
Interlude Gtr. 4 tacet
E5
We’re
all
slaves
to
a
big
ma
fdbk.
Gtr. 1
Gtr. 4
7 7
Gtr. 3
Gtr. 2 divisi
7
11 9
11 9
7 0
Gtr. 1
11 9
11 9
11 9
11 9
11 9
11 9
7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
- chine.
2
1 1/2
Gtr. 3 (cont. in slashes)
P.M.
f 0
Gtr. 2
9 17
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
(cont. in notation) let ring E
12 fr
12
12
9
9
9
9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
11 9
12
12
12
8
9
9
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
9 9 7 0
9 9 7 0
9 9 7 0
X X X
0
G5
Gtr. 3
9
A5
let ring
10
10
10
9
9
9
let ring
9
8
9
9
8
9
8
8
5 5 3
5 5 3
7 7 5
7 7 5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
7 7 5
7 7 5
7 7 5
7 7 5
Gtr. 2
let ring
*Gtrs. 1 & 2
DV
C5
7 7 5
8
8
8
9
8
let ring
10
8 9
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
11
5 5 3
10 11
10 11
11
12 15
1
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
7 7 7 5
15
*Composite arrangement
Outro-Chorus Gtr. 1: w/ Rhy. Fig. 1 Gtr. 2: w/ Rhy. Fig. 3A
Gtr. 3
It’s
a
big
ma
- chine,
1
1
1
1
it’s
a
big
1
1
1
1
12
12
12
12
12
12
12
15
15
15
15
15
15
15
15
A Ab G
ma - chine.
A5
E5
It’s
a
big
ma - chine,
We’re
all
slaves
to
a
it’s
a
big
big
D5
1
12
15
Gtr. 1: w/ Rhy. Fig. 4 (3 times) Gtr. 2: w. Rhy. Fig. 4A (2 times)
Eb5
ma - chine.
12
Gtr. 3 tacet
E5
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
ma - chine. We’re all
12
Gtr. 1
(Gtr. 2, cont. in slashes)
5 5 3
slaves
to
a
E7sus4
big
All
tied
up
to
a
9 9 7 0
(cont. in notation)
Gtr. 2 wife,
9 9 7 0
I
got
9 9 7 0
X X X
kids,
7 7 7 0
got
7 7 7 0
7 7 7 0
X X X
7 7 7 0
mon - ey
in
X X X
6
9 9 7 0
9 9 7 0
the
2 2 0
2 2 0
bank.
1
Ab
6
9 9 7 0
2 2 0
2 2 0
got
7 7 7 0
X X X
9 9 7 0
G
hous - es, got
9 9 7 0
9 9 7 0
X X X
cars, I
7 7 7 0
1
5
4 5
3 4
2 3
5
9 9 7 0
9 9 7 0
5
2 2 0
5
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
*
2 2 0
2 2 0
4
3
5
7 7 7 0
got
a
X X X
9 9 7 0
2 2 0
9 9 7 0
9 9 7 0
2 2 0
2 2 0
0 0 1 2 2 0
-1/2
*
E5
7
5
5
Gtr. 1
9 9 7 0
7 7 7 0
X X X
I
7
A
E
9 9 7 0
Eb5 D5
7
9 9 7 0
7
X X X
Gtr. 1
ma - chine,
9 9 7 0
X X X
E5
big
Gtr. 2
9 9 7 0
E7sus4
ma - chine.
E5
2 2 0
-1/2 *Lower pitch by stabilizing body of guitar with right hand while pushing forward on back of guitar neck with left hand.
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Contraband
Illegal i Song Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner Bb
D5/A 5fr
214
Intro Moderately q = 100 µ
G5
F5
5fr 114
134
134
* F#5
(Snare drum)
Riff A Gtr. 1 (dist.)
f
9
9
9
7
9
10
9
9
9
A5
G5
12
10
Riff A1 Gtr. 2 (dist.)
f
2
2
2
2
0
2
3
2
2
2
5
5
3
3
*Chord symbols reflect implied harmony.
F#5
C5
9
9
9
7
9
10
9
9
9
15
2
2
2
2
2
0
2
3
2
2
G5
F#5
10
9
3
3
3
3
9
9
7
9
10
9
9
9
A5
G5
12
10
2
2
2
2
2
0
2
3
2
2
5
5
3
3
Gtr. 2: w/ Riff A1
F#5
A5 End Riff A
9
9
9
Gtr. 3 (dist.)
7
9
10
9
9
9
f 11
G5
End Riff A1 Gtr. 1
2
2
2
2
0
2
2
3
9
9
9
7
9
10
9
9
9
Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission
12
10
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
11
9
C5
G5
F#5
9
9
9
7
9
10 9
9
9
15
11
9
A5 G5
9
µ
1. One fine 2. An - oth - er
P.M.
F#5
day way,
P.M.
Gtr. 2
2
9
7
2
2
3
2
F#5
2
2
0
2
3
2
9
10 9
9
9
12
10
9
9
7
8 10 9
9
I’ll a
set - tle bat - tle
µ
F#5
down, ground,
-
Riff C
P.M.
P.M.
blood - y tell - er
me. whore
P.M.
4 0
2
2
3
2
2
2
2
F#5
-
2
when you read - y
a End Riff B
µ
2
2
0
2
2
3
End Riff B1
2
ground sound.
2
2
0
2
3
2
with my Keep the
bro -ken mon -ey,
face bitch,
and
fist - i keep the
cuff. stuff.
Gtr. 1 P.M. P.M. Gtr. 4 (dist.) mf divisi P.M. P.M. P.M. P.M. 1 End Riff C
4 2 2
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9
P.M.
µ
I ran a who makes no
Gtr. 1
P.M.
P.M.
2
9
9
9
4 0
Riff B1
2
11
9
10
4 2
Gtr. 2: w/ Riff B1 (3 times)
Riff B
Gtr. 3 tacet
F#5
Verse
Gtr. 1
F#5
4 0 2
2
3 2
12
2 2
4 0 2
2
3 2
2 2 2 2 2 2 0
2 2
0 2
2
3 2
2 2 2 2 2 2 2
Pre-Chorus Gtrs. 1 & 2: w/ Riffs A & A1 Gtr. 4 tacet
2nd time, Gtr. 1: w/ Riff B
F#5
P.M. P.M. P.M. P.M. 1 Fuck the Fly a
rest round
-
and world,
the
4 2
0
F#5
2
3
2
2
C5
2
2
2
2
G5
F#5
2
0
2
more.
2
3
12 2 2
2
A5 G5
I
2
2
2
don’t
12 2 2
F#5
don’t
an - y
T o Coda
-
-
2
an - y
2
2
2
A5 G5
I
stuff. up.
4
2
all their keep it
and
more.
Chorus
Bb
D5/A
Rhy. Fig. 1
* Gtrs. 1&2
Just
look
and
you’ll
see
Gtr. 5 (dist.)
mf 7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
5 3
5 X 3
5 X 3
5 X 3
me
5 X 3
7 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
10 8
10 X 8
10 X 8
*Composite arrangement
G5
F5
ly
-
ing
there,
ly
10 X 8
7 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
5 3
5 X 3
5 X 3
-
ing
End Rhy. Fig. 1
there.
5 X 3
7 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
5 3
5 X 3
5 X 3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
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Bb
D5/A
Rhy. Fig. 2
Just
look
and
you’ll
5 X 3
7
7 X 5
5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
10 8
10 X 8
10 X 8
see
me
10 X 8
7 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
5 3
5 X 3
5 X 3
5 X 3
G5 End Rhy. Fig. 2
ly
-
ing
there,
ly
-
ing.
+2 1/2 *w/ DigiTech Whammy Pedal
+2
+1 1/2
5 X 3
7 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
**
+1
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
*Set for Perfect 4th above when fully depressed. **Pick sixteenth notes while gradually depressing Whammy Pedal.
D.S. al Coda Interlude Gtrs. 1 & 2: w/ Riffs A & A1 Gtr. 5 tacet
F#5
F#5
C5 G5
F#5
A5 G5
F#5
11
9
9
11
9
11
9
9
11
9
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A5 G5
Riff D
Gtr. 3
End Riff D
Coda
Chorus Gtrs. 1 & 2: w/ Rhy Fig. 1
Bb
Just
look
and
you’ll
D5/A
see
me
Gtr. 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
G5
7 X 5
7 X 5
7 X 5
7 X 5
ly
-
7 X 5
5
5 X 3
3
5 X 3
7 X 5
ing
7 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
Bb
15 X 13
15 X 13
15 X 13
7 X 5
7 X 5
7 X 5
5
5 X 3
3
Just
look
and
you’ll
15 X 13
15 X 13
15 X 13
15 X 13
G5
15 X 13
15 X 13
15 X 13
15 X 13
ly
-
17 15
ing
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
-
7 X 5
10 8
10 X 8
10 X 8
F5
5 X 3
17 X 15
7 X 5
ing
there.
5 X 3
15 X 13
7 X 5
5
ly
7
7 X 5
5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
D5/A
7 X 5
7 X 5
7 X 5
7 X 5
see
15 X 13
7
there,
Gtrs. 1 & 2: w/ Rhy. Fig. 2
5 X 3
10 X 8
5 X 3
7 X 5
14 12
14 X 12
14 X 12
me
17 X 15
17 X 15
14 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
there,
14 X 12
14 X 12
ly
-
14 X 12
14 X 12
17 15
17 X 15
17 X 15
ing.
w/ DigiTech Whammy Pedal +2 +1
17 X 15
12 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
10 8
10 X 8
10 X 8
10 X 8
7 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtr. 1: w/ Riff B Gtr. 2: w/ Riff B1 (2 times)
Gtr. 5 tacet
Gtr. 1: w/ Riff C
F#5
Gtr. 6 (dist.)
f
*w/ harmonizer 2
11 11
11
1
9
11
3
11
1
9
11
1 1/2
1 1/2
9
9
9
11
11
11
11
11
9
10
9
*Set for one octave above.
Gtr. 5
+2
7 X 5
Gtrs. 1 & 2: w/ Riffs A & A1 (1st 3 meas.)
A5
Gtr. 6
G5
F#5
3
C5 G5
harmonizer off
1
9
2
9 9
9
9
F#5
1
A5
G5
7
1
9
9
7
9
X X
7
F#5
Gtr. 1
Gtr. 2 divisi
9
9
_1
Gtr. 6
w/ bar _1
1
7
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1 1/2
7
9
9
9 2
9 2
9 2
7 2
9 0
2
10 3
9 2
9 2
9 2
9 2
9 2
9 2
9 2
_1
_1
1
9
7
9
7
7
9 2
Interlude Bkgd. Voc.: w/ Voc. Fig. 1 (8 times) Gtrs. 1 & 2 tacet
F#5
* Voc. Fig. 1
Spoken: (All on the streets.
Spoken: (Kill -ing time
hate Sun - day. It’s
All on the streets.
kill -ing time
hate Sun -day.) It’s) Riff E
8v a
**Gtr. 7
End Voc. Fig. 1
mp
1
1
17
17
17
1
17
2
17
1
17
17
17
**Synth. arr. for gtr.
Gtr. 2 Gtr. 1
9 2
Gtr. 6
2 *Applies to both voices.
Gtr. 6 tacet
Gtr. 7
8v a
Gtr. 7: w/ Riff E (7 1/2 times)
1
17
2
1
17
17
End Riff E
1
17
17
17
Gtr. 8 (dist.)
mf 1/2
9 11 11 11 9 11
11
9 11 9
11
9
9
9
9
9
9
9
9
9
9
9
9 11
11
11
11
11
11 9
8
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1
9
8
9 11 11 11 9 11 9
9
9
9
7
11
9 11 9
7
9
11
9
9
9
9
9
9
9
9
9
9
9
9
A5
Gtr. 8
9 11 11 11 11 11 11 11
Gtrs. 1 & 2
11
11
1/2
11 9
8
9
8 9 8 9 8 9 8 9 8 9 8 9 8 9
7 9 9 9 7 9
G5
9
9
9 7 9 7
9
slight P.M.
2 2 2 2 0 2
F#5
C5
G5
F#5
(Kill -ing time
(All on the streets.)
A5
G5
3 2
2
2 5 5 3 3
F#5 µ
hate Sun - day.)
Gtr. 7
8v a
1/2
1/2
Gtr. 8 divisi 1
17 7 9 9 9 7 9
9
9
9
7 9 7
9
7
9
9 9 7 9
9
9 7 9 7
9
7 9 7 10 9 7 9 10 9
Gtrs. 1 & 2
3
2
slight P.M.
2 2 2 2 0 2
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9
3 2
2
2
3
2
2 2 0 2
3 2
2
2 5 5 3 3
3 2 0 3 2 0 2 3 2
Chorus Gtrs. 1 & 2: w/ Rhy Fig. 1 (3 times) Gtrs. 7 & 8 tacet
Bb
Just
look
and
you’ll
see
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
G5
7 X 5
7 X 5
7 X 5
7 X 5
ly
-
3
5 X 3
5 X 3
5 X 3
5
ing
7 5
7 X 5
7 X 5
Bb
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 5
7 X 5
7 X 5
5 3
5 X 3
Just
look
and
you’ll
7 X 5
7 X 5
7 X 5
7 X 5
G5
7 X 5
7 X 5
7 X 5
7 X 5
5 X 3
ly
-
7 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
ing
7 X 5
7 X 5
7 X 5
5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
5 3
5 X 3
-
5 X 3
7 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
5 X 3
5 X 3
5 X 3
7 X 5
7 X 5
7 X 5
7 X 5
10 8
10 X 8
10 X 8
F5
ing
7 X 5
D5/A
there.
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
10 8
10 X 8
10 X 8
me
5 X 3
7 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
-
7 X 5
10 8
10 X 8
10 X 8
F5
ly
3
7 X 5
5
7 X 5
there,
7 X 5
7 X 5
see
10 X 8
7
7 X 5
me
ly
10 X 8
5 X 3
there,
7 X 5
10 X 8
Gtr. 5
7 X 5
D5/A
ing
there.
5 X 3
7 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
14 12
14 X 12
14 X 12
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bb
Just
look
and
you’ll
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
G5
15 X 13
15 X 13
15 X 13
15 X 13
ly
-
17
17 X 15
15
ing
17 X 15
17 X 15
12 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
12 X 10
Bb
12 X 10
12 X 10
12 X 10
10
10 X 8
8
15 X 13
15 X 13
15 X 13
Just
look
and
you’ll
15 X 13
15 X 13
G5
15 X 13
15 X 13
15 X 13
15 X 13
15 X 13
ly
15 X 13
-
10 X 8
15 X 13
17
17 X 15
15
14 X 12
14 X 12
17 X 15
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
14 X 12
-
14 X 12
7 5
7 X 5
7 X 5
7 X 5
D5
7 X 5
ing
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
see
me
7 X 5
7 X 5
19 17
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
ly
-
19 X 17
19 X 17
19 X 17
19 X 17
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
14 12
14 X 12
14 X 12
19 X 17
19 X 17
20
22 X 20
22 X 20
ing.
+2
19 X 17
22
+1
19 X 17
17 X 15
+1 1/2
17
17 X 15
+2 1/2
19
15
there.
w/ DigiTech Whammy Pedal
22 X 20
17
F5
there,
14 X 12
17 X 15
ing
14 X 12
10 X 8
me
ly
15 X 13
12
there,
Gtrs. 1 & 2: w/ Rhy. Fig. 2
14
17 X 15
15 X 13
see
15 X 13
D5/A
19 X 17
19 X 17
19 X 17
Outro Gtrs. 1 & 2: w/ Riffs A & A1 (2 times) Gtr. 5 tacet
F#5
Screamed: Just
A5 G5
look
and
Gtr. 6
F#5
just
look
and
you’ll,
C5
G5
9
F#5
just
look
and
9
just
look
and
A5
just
look
and
F#5
F#5
you’ll,
9
you’ll,
9
9
9
C5
G5
1
9
just
look
and
you’ll,
9
9
9
1
G5
9
µ
you’ll...
12
G5
and
9
1/2
9
11
look
G5
A5
11
just
9
1 1/2
9
F#5
you’ll,
1
A5
1
you’ll,
F#5
12
11
11
Gtr. 1
Gtr. 2 divisi
9 2
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Contraband
Spectacle Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner
A5
F
11
134211
E7
CIII
E
231
G
C
Cadd9
134211
32 1
32 4
D
E VII
C/D 5fr
2314
1333
1333
rake
1
grad. bend
1/4
1/4
1/4
1/4
3
X
3
1/4
1/4
5 5
0
0
3
0
3
0
5 5
1/4
1/4
5 5 0
0
1/4
0
3
0
3
0
End Riff A Gtr. 2
1/4
0
5 5 3
0
3
let ring
1/4
5 5 3
3
(cont. in notation)
5 5 3
0
Gtr. 1 w/ Riff A
3
*Am7
134
X
1/4
3
134
7fr
5 5
1111
E5
Riff A
234
V
5fr
f
Gtr. 1 (dist.)
f
7fr
A5 Gtr. 2 (dist.)
A5
7fr
1111
Dsus4
231
D/E
Intro Fast Rock q = 170
µ
1333
5fr
Dm
5 5 0
0
2 2
let ring
2 2 0
5 5 0
let ring
2 2 0
5 5 0
2 2
2 2
*Chord symbols reflect overall harmony.
1. Take
2 2
2 2 0
5 5 0
2 2
2 2 0
5 5 0
2 2
5 5 0
2 2
2 2 0
5 5 0
2 2
2 2 0
5 5 0
2 2
5 5 0
2 2
2 2 0
5 5 0
2 2
2 2 0
sim.
5 5 0
5 5
Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
to break
1/4
1/4
1/4
1/4
0
to
5 5 3
three
Rhy. Fig. 1 Gtr. 1
and
two
3
0
3
0
F
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
4 5 5 3
1/4
5 5 3
0
3
0
0
4 5 5 3
2 3 3 1
Gtr. 2 Rhy. Fig. 1A
1/4
1/4
1/4
1/4
1/4
0
3
0
0
3
Gtr. 1: w/ Rhy. Fig. 1 (3 times) Gtr. 2: w/ Rhy. Fig. 1A (2 times)
Hold
me
back,
3
0
you
spec
0
3
0
ta
3
-
0
-
0
5 5 3
0
5 5 3
5 5 3
G
5 5 3
5 5 3
Kick
me
picked
down
a
fight,
with
bro
-
ken
G
2 3 3 1
2 3 3 1
2 3 3 1
0 0 0 0
2 3 3 1
now
stand
your
1/4
1/4
1/4
fuck
-
er,
ground.
1/4
F
3 3 1
3 3 1
3 3 1
yeah.)
3 3 1
3 3 1
F
You
3 3 1
bones.
5 5 3
Gtr. 2
5 5 3
G
A5
cle. (Moth - er
A5
1/4
1/4
1
8 10
3
0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
3
0
0
3
0
3
0
0
3
0
3
0
0
0
0
A5
1/4
0
2 3 3 1
End Rhy. Fig. 1A
3
End Rhy. Fig. 1
5 5
0
G
go.
1/4
5 5 3
A5
Verse
0
Chorus
F
Dm
You
talk
a
- bout
it,
(You Rhy. Fig. 2 Gtr. 1
3
1 3
1 3 2
0 3 2
1 3 2
0
let ring
0
Gtr. 2
2
8
8 8
7 7 5
7 7 5
don’t know
talk
a
- bout
what
5 5 5
7 7
X X X
7 7 5
X X X
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0
in
the
back
you
2 2 0
2 2 0
2 2 0
let ring
2 3
5 5
0
5 5
2 2 0
2 2 0
2 2 0
X X X
want
what
5 5
2 2 0
5 5
X X X
2 2 0
2 2 0
2 2 0
5 5
2 2 0
5 5
2 2 0
2 2 0
you
want.)
let ring
2 2 0
0 0 0
2 3 3
3
P.M.
0
0
3 3 1
3 3 1
let ring
2 2 0
F
it,
0 0 0
A5
0
3 2
let ring
1
8
3 3 2
0
3 2
3
3 1
3 1
3 1
P.M.
3 3 1
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
of
some
-
els
-
e’s
3
2
3
3 1
3 3 1
3 3 1
P.M.
3
3 1
3 3 1
3 3 1
P.M.
car.
End Rhy. Fig. 2
let ring
0 2
let ring
C
one
0
1
3
0
1
0
0
0
1 0 2 3
1 0 2 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
X X X
5 5 3
X X X
5 5 3
5 5 3
5 5 3
5 5 3
0
0
0
P.M.
3 1
10
Interlude Gtr. 1: w/ Riff A
Am7
2. You
Gtr. 2
let ring let ring sim. let ring 5 5 0
2 2
2 2 0
5 5 0
2 2
2 2 0
5 5 0
2 2
5 5 0
2 2
2 2 0
5 5 0
2 2
2 2 0
5 5 0
2 2
5 5 0
2 2
2 2 0
5 5 0
2 2
2 2 0
5 5 0
2 2
9
0 0 0
0
Verse Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 2: w/ Rhy. Fig. 1A (3 times)
write
the
list,
-
et
bitch
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
well,
write
me
off.
is
blast
- ing
G
G
F
(Right
on
tar
F
-
get,
yeah.)
off.
Rock
A5
A5
Boots
laced
up,
In
the
end
I’m
here
to
G
F
I’ll
stand
a
-
1/4
1/4
1/4
1/4
1/4
G
lone.
Gtr. 2 Rhy. Fig. 3
go.
A5
A5
1/4
1
8
8 10
10
3
0
0
3
0
0
3
0
3
0
0
3
0
0
Chorus
Gtr. 1: w/ Rhy. Fig. 2
F
Dm
1
6 8
7
Rhy. Fig. 4
0 8 7
don’t know
talk
a
-
bout
Voc. Fig. 1
it,
7 7 5
7 7 5
5 5 5
7 7
X X X
7 7 5
X X X
7 7 5
7 7 5
7 7 5
5 5 5
7 7
X X X
X X X
what
you
talk
a
- bout
7 7 5
7 7 5
7 7 5
7 7 5
X X X
7 7 5
X X X
7 7 5
7 7 5
F
want
You
A5
(You End Rhy. Fig. 3
1
0 8
0
3
it,
what
1/2
7 7
3
7 7
5 5
7
0 0 0
you
in
the
back
want.)
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
of
some
-
one
C
els
-
e’s
Gtr. 2
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
0 1 0 2 3
5 5 3
5 5 3
5 5 3
5 5 3
You
lied
a
- bout
3 2 0
1 3 2 0
1 3 2 0
3 3 2 0
1 3 2 0
3 3 2
7 7 5
7 7 5
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5 5 5
3 3 3
Dm
Rhy. Fig. 5 Gtr. 1
car.
1 3 2
0 3 2
1 3 2
0
2
5 5 3
5 5 3
7 7 5
0
2
3
5 5 3
5 5 3
0 1 0 2 3
0
2
3
X X X
5 5 3
X X X
5 5 3
3 3 3
A5
bled
(You
lied
a
- bout
0
it,
an - oth -
it,
let ring
7 7 5
5 5 5
7 7 5
X X X
7 7 5
7 7 5
7 7 5
5 5 5
7 7
3 2
0 0 0
P.M.
0
0
5 5
5 5
2 2 0
5 5
2 2 0
2 2 0
7 7 5
7 7 5
7 7 5
7 7 5
X X X
7 7 5
-
er
then
an - oth
-
er
heart,
let ring
5 5
heart,
5 5
2 2 0
5 5
X X X
7 7 5
X X X
X X X
F
5 5
1/2
7 7
5 5
7
T o Coda
0 0 0
be - gan End Voc. Fig. 1
to
fall
a
fall
-
part.
a
-
part.)
let ring
0 2 2 0
3
7 7
2 3 3
3 2
0 0 0
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
0 2
3
3
End Rhy. Fig. 4
2 3 3 1
2 3 3 1
2
3
3
0
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 2 0
Bridge
E
E7
E
F
Gtr. 1
It
let ring
1
0 0 1
1 2 2 0
1 2 2 0
1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
0 1 2 2 0
3 1 2 2 0
0
End Rhy. Fig. 5
(cont in slashes)
2 2 0
2 2 0
2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
(2nd time, cont in slashes)
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
rains
Gtr. 2
and
you
fall
back
down
a
- gain.
(Fall
back
down
a
- gain.
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
It
be - gins
to
rain
10
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
F
a you
-
gain. right
back
E
and
I’ll
knock
you
right
back
12
10 X 8
9 X 7
9 X 7
9 X 7
9 X 7
7 X 5
7 X 5
9 X 7
F
8
G
down Knock
10 X 8
10
down
a - gain.
You
in
-
ces
-
sant
bitch,
you
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
9 X 7
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
9 X 7
F
E
C
Cadd9
C
lied
in
wait
for
the
last
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
Dm
stand
-
ing
for
the
last
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
17 X 15
I’m
stand
19 X 17
19 X 17
19 X 17
19 X 17
- ing
17 17
19
19
17 17
19
time
now.
17 X 15
19
19 X 17
17
19 X 17
19 X 17
19 X 17
19 X 17
19 X 17
E
(cont. in notation)
I'm
stand
-
ing
21 X 19
21 X 19
21 X 19
21 X 19
21 X 19
now.
now.)
w/ wah-wah
19 X 17
21 X 19
21 X 19
21 X 19
21 X 19
21 X 19
21 X 19
17 17
19
19
17 17
19
19
19
f
19
E7
now,
19 X 17
I’m
wait
E
Dsus4
now. in
Gtr. 3 (dist.)
17 17
Guitar Solo A5
19 X 17
19 X 17
time Lied
Dm
21 X 19
21 X 19
21 X 19
17 15
17
17
15
17
17
17
17
15
17
17
17
Rhy. Fig. 6 *Gtrs. 1 & 2
5 5 5
7 7
7 7 5
5 5 5
7 7
7 7 5
5 5 5
7 7
5 5 5
5 5 5
7 7 5
5 5 5
7 7
7 7
7 7 5
5 5 5
7 7
7 7 5
5 5 5
7 7
7 7
7 7 5
5 5 5
7 7
*Gtr. 2, wah-wah off. Composite arrangement
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 1 & 2: w/ Rhy. Fig. 6
8v a
let ring 1
17
20
17
20
3
1/2
20
19
15 17 17 17 17 17 15 17 17 17 17 17
loco
19
19
17
19
17
17
19
15
19
17
19
End Rhy. Fig. 6
5 5 5
7 7
7 7 5
5 5 5
7 7
7 7 5
5 5 5
7 7
F
Gtr. 2
Gtr. 3
8v a
loco
2
17 17
8v a
20
19
17
19
19
19
17
19
C III
P.M. P.M. 3 1
3 1
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
18 20 18 17 18 17 18 17
3 3 1
3 1
3 1
3 3 1
3 3 1
19
17
19
17
19
17
loco.
P.M.
3 3 1
3 3 1
3 1
3 1
P.M.
3 3 1
3 1
17
5 5 3
18
17
18
18
D
1
20
8v a
Gtr. 1
3
18
17
1
1/2
1 1/2 17
Gtr. 3
17
3
1
16
19
17
19
19
19
P.M.
P.M.
5 5 3
5 3
5 3
5 3
5 3
5 5 3
5 3
5 5 3
19
17
19
P.M.
5 3
5 3
19
19
5 5 3
5 5 3
C/D D
19
19
19
7 7 5
7 5
7 7 5
7 5
1/2
7 5
7 5
w/ wah-wah
1
17
17
19
E VII
D/E
let ring
17
7 5
P.M. P.M.
7 7 5
E VII
D
8v a
1
C/D
19
7 5
17
1
17
20
20
20
17
P.M.
7 7 5
9 9 7
7 5
7 5
7 7 5
7 5
19 20 19 20 19
17 19 17
0
9 7
9 7
P.M.
9 9 7
9 7
Verse
A5 V
3. Take
8v a
1/2
20
17
20
17
19
17
19
17
two
to
break
and
three
to
go.
loco
19
17
19
17
19
fdbk.
20
20 19
wah-wah off
1
17fr
9 7
A
steady gliss.
17 20
P.M.
9 9 7
20
17
17 Pitch: E
P.M.
9 7
9 7
P.M.
9 9 7
9 7
9 7
9 7
9 9 7
0
steady gliss.
7 7 5
0
17
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 2: w/ Rhy. Fig. 1A (3 times) Gtr. 3 tacet
A5
(Yeah,
F
A5
bro
-
Hold
me
back,
you
spec
-
ta
-
cle.
A5
Kick
me
down
with
yeah.
ken
F
huh,
Uh
G
yeah.
G
G
bones.
fuck
-
er,
yeah.)
Moth
- er
F
You
D.S. al Coda
Gtr. 2: w/ Rhy. Fig. 3
picked
a
fight,
now
A5
stand
your
G
F
ground.
Coda Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 4
E5
3 1 2 2 0
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1
Dm
You
0
1
0 0 1
Gtr. 4 (dist.)
2 2 0
2 2 0
2 2 0
0
2
3
2
0
2
3
2
f
Bkgd. Voc.: w/ Voc. Fig. 1
talk
3
a - bout
2
3
2
3
2
3
2
0
2
3
you
want
2
3
2
1
2
3
2
1
2
3
2
1
2
3
2
1
2
3
2
2
3
2
in
the
back
2
3
2
3
of
some
-
one
0
2
3
0
2
bled
an - oth
els
-
e’s
2
3
2
2
3
2
0
2
0
2
car.
3
You
lied
a
- bout
2
3
2
0
2
3
2
0
2
3
2
0
2
3
2
er
3
-
C
Gtr. 1: w/ Rhy. Fig. 5
Dm
what
A5
don’t know
3
it,
3
F
A5
3
F
it,
heart,
then
1
2
3
2
1
2
3
2
1
2
3
2
1
2
3
2
3
2
3
2
3
be - gan
2
3
2
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
to
fall
a
-
E7
E
part.
fall
E
Moth - er
a
-
2
3
2
0
2
3
2
fuck -
part.)
Gtr. 4
3
Gtr. 2
2
3
2
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 2 0
1 2 2 0
1 2 2 0
3
2
3
2
0
2
3
2
steady gliss.
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
1 2 2 0
19
1
1
2
3
2
Outro Gtr. 4 tacet
A5
-
er,
µ
yeah.
Gtr. 1 Gtr. 4
Gtr. 1
1/4
1/4
1/4
1/4
1/4
1/4
1/4
1/4
1/4
5 5 3
0
5 5 3
0
5 5 3
0
3
0
5 5 3
0
5 5 3
0
3
0
divisi
1
5 5 3
0
3
0
8
8
7 5
7 5
Gtr. 2
1/4
1/4
1/4
1/4
1/4
1/4
1/4
1/4
1/4
3
0
14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
3
0
0
3
0
3
0
0
3
0
0
3
0
3
0
0
3
0
0
3
0
2 2 0
Fall To Pieces Words & Music by Matt Sorum, Duff 'Rose' McKagan, Scott Weiland, David Kushner & Saul Hudson C
D
G5
F
A
C'9 Bm('11)
E5 7fr
Recorded key Db - tune gtrs. down a semitone q = 133 Intro Gtr. 1 (elec.)
mf
3 3 2
2 3 2
0
0
3 3 2
2 3 0 4
0
0 2
G5
0
3 0 0 X 3
0 2
3
3 0
0 0 2
3
0 2 3
3 3 2
0
0
D
1 1 2 3
It’s been I keep
2
a a
0
3 3 2
2
0
1 2
3 0 0 X 3
0 3
2
Verse
3
4
0
0
2
G 5 4fr
3 4
F 4 4fr
2
0 0 2
Gtr.2 (elec.) w/dist.
1
C# 6 9fr
C
2
4
0
w/clean glassy tone
D
long jour
-
3 0
0 0 2
0 0 2
3
0 2 3
C
G5
year nal
since you’ve of me -
been mo -
Sorgdal
2
3 2
3 3 2
3 3 2
0
4
2
0
3
1 2
0
0 4
0
0
0
0 2
2
3
© Copyright 2004 Ready Set Go Publishing/Pimp Music/Dracsorum Music/D T K Music. Chrysalis Music Limited (77.5%)/Copyright Control (22.5%).
3 0 0 X 3
gone, ries,
0 0 2
0 2 3
0 2
3
I
0 0 2
3 3 2
0 2 3
2 3 2
3 0 0 X 3
3 0
0 0 2
0
2
2
0
0 4
0
0
3
0 0 2
0 2 3
3 3 2
2 3 2
0
3 3 2
2
4
I’m
still
1 1 2 3
to
Sorgdal
2
3 2
and
0
0
- es,
2
G 4 5fr
0 4
3 3 2
F 4 3fr
es
0
piec
4
3 2
-
3
0 0 2
fall to
fell
piec
0
0
Harmony 2º only
- ing,
1
0
0
fall
0 4
D
I’m
3 0
G 6 3fr
0
3 0 0 X 3
C 5 3fr
2
0
3
0
3
2
2
old. breathe.
2
3 3 2
C# 6 9fr
1
0
4
2
3
G5
I’ve grown I can’t
2
3
3 3 2
here, ly,
-
0 0 2
1 1 2 3
F
3 0
I’ve been a - lone I’m feel - ing lone
-
C# 6 9fr
fall
-
ing.
0 1 2
0 3
3 0 0 X 3
3 0
0 0 2
3
0 0 2
0 2 3
Pre chorus
A
time
I’m
Ev -’ry
G5
D
fall
-
down,
ff
w/distortion
3 2 2 0
2 2 2
0 4
3 0 0 X 3
3 2 0
2 2 2
0
2 4
4
0
0 3
A
3 2 2 0
all
3 2 2 0
2 2 2
4
1. D
0
a - lone
3 2 2 0
I
fall
2 2 2
0
2 4
4
piec
Gtr.3 (elec)
Gtr. 3 w/distortion Gtr. 1 w/Fig. 1 (x2) Fig. 2... 15 14
14
2 2 2 0
2 2 2 0
2 2 2 0
G5
fr2 fr3 fr2
14
12 11
Sorgdal
14
12
10 9 9
14
Cadd9
G5
...Fig. 2 ends
13 14 12 11
10 12
10
13 12 15
14 12 11
C fr3
1/2
15
B
13 14 12 11
15 14
3 0 0 X 3
13 12 15
C
10
12
D
es.
1/2
15 14
1/4
3 2 0
-
3 0 0 X 3
Cadd9
G 6 3fr
B
0
0
3 2 0
3 0 0 X 3
ing
A
to
3
G5
G 6 3fr
12 10
9
12 10
3
Chorus
2. D
Ev -’ry
time
Cadd9
G5
I’m
fall -
Gtr. 1
Fig.1...
5
7
7 7 7
7 7 7
7 7 7
2fr
C
B
C
3fr
2fr
3fr
B
5
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
7 7 7
7 7 7
D
0 0 5
down,
7 7 7
7
- ing
0 0
3 0 0 X 3
0 0 0
5
G5
7
7 7 7
7 7 7
2fr
3
5
3 0 0 X 3
7 7 7
5
5
B
C
3fr
2fr
3fr
7
7 7 7
7 7 7
7 7 7
Sorgdal
4
7 7 7
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
Cadd9
0 0 7
7 7 7
0 0 3
5
5
7
7 7 7
0 0
Ev -’ry
0 0 0
5
7 7 7
7
G5
fall
5
0 0
es.
I’m
7 7 7
3 0 0 X 3
7 7 7
0 0
fall
D
time
5 5 5
I
7 7 7
B
2fr
5 5 5
a - lone
0 0
C
-
0 0
5 5 5
3
5 5 5
...Fig. 1 ends
piec
5 5 5
0 0
to
5 5 5
7
all
B
Cadd9
7 7 7
5 5 5
5 5 5
5 5 5
0 0
3 0 0 X 3
-
7 7 7
0 0 5
3fr
2fr
3fr
C
B
C
7
ing
down,
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
0 0 0
D
Cadd9
G5
all a - lone
I
fall
to
piec
Bridge
5
7 7 7
7
7 7 7
7 7 7
0 0 5
7 7 7
Bm'11
7 7 7
7
All the
mf
w/cleaner tone
7 7 7
0 0 5
7
7 7 7
0 0 3
years
I’ve
3
tried
with
more
to
0
3 4
3 4
3
3
4
0
Bm'11
go,
when
0 3 0
3 0
3 0
will the
mem
- ’ries
die?
0 3
0
3
3
0
4
0 3
3
4
3
4
3
4
2
4
3 4
2
3
Sorgdal
3 0 0 X 3
3
0 0
4
G5
5 5 5
es.
2
5 5 5
0 3
4
2
5 5 5
-
G5
0 3 4
5
I’m
wait
0 3 0
3 0
Bm'11
-
ing.
3 0
And will
0 3
0
I
0
3 0
3
3
0
4
3 4
3 4
2 3
3
5
find
you,
A
3
2
2
3
2
find
fall -
0 2
3
2
0
3
2
2
0
5
3
3
4
5
0
- ing
We’re
2
2
you?
2
2
0
2
4
3
4
G5
and can I
0 3
4
down,
I’m
fall
-
ing.
0
0
5
D
0
3
4
3
5
4
5
4
0 0
Cadd9
17
G5
full
17
full
full
full
cont. sim.
3
full
15 17
17
15
full
17
17
16
D
full
15
6
5
Gtr.1 w/fig. 1 (x4) full
Sorgdal
0
f
4
0
3
0
0
3
4
Solo
0
3
Cadd9
3
full
15
1/4
14
15
13
1/4
13 15
G5 3
full
13 15 13 12
13
12 13 12 10 12
10
12 10
10
D
3
full
10
full
10
10
10
10
10
10
Cadd9
10
12
12
12
10 12
12
E5
Gtrs. 1+2
3
3
1/2
15
14 15
14
14
15
10
3
15
15 12
full
full
12 12
17
15
G5
1/2
A5
1/2
full
G5
3
full
full
12
12 12
14
14
15
14 15
15
15
15
2fr B
Chorus
D Gtr.2
2º
Ev -’ry
time
I’m
Cadd9
Sorgdal
14
B
C
3fr
2fr
3fr
C
-
ing
down,
gliss.
3
1/2
G5
fall
Gtr.1 w/Fig. 1 2º Gtr. 3 w/Fig2 (x2)
15
14
full
12
full
3
12
G5
10
3
full
full
12
10 12
10
gliss.
12
7
B
2fr 3fr 2fr
D
Cadd9
G5
I
fall
to
piec
5
7
7 7 7
7 7 7
0 0 5
7 7 7
7
7 7 7
7 7 7
0 0 5
7
7 7 7
0 0 3
5
5 5 5
5 5 5
5 5 5
0 0
3 0 0 X 3
es.
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
B
C
2fr B
D
Cadd9
G5
I’m
fall
5
7
D
7 7 7
7 7 7
0 0 5
7
7 7 7
7 7 7
0 0 5
7 7 7
7
7 7 7
3
1. Cadd9
0 0
5
5 5 5
5 5 5
5 5 5
0 0
G5
all a - lone
I
fall
to
5
7
7 7 7
7 7 7
7 7 7
2. Cadd9
0 0 5
7
7 7 7
7 7 7
7 7 7
G5
to
piec
Sorgdal
8
3
5
5 5 5
0 0
5 5 5
5 5 5
0 0
3 0 0 X 3
5
7
7 7 7
0 0 3
-
es.
5
5 5 5
5 5 5
5 5 5
0 0
3 0 0 X 3
- ing
down,
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
-
0 0 0
3fr
3 0 0 X 3
piec
3fr 2fr
7 7 7
C
Ev -’ry time
C
-
Gtr. 1
7 7 7
B
all a - lone
C
3fr
0 0 0
es.
3 0 0 X 3
3 0 0 X 3
3 0 0 X 3
3 0 0 0 0 0 X 3
from Velvet Revolver - Contraband
Headspace Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner A
Aadd9 5fr
A(b6)
6fr
321
32
Bb5
C5 6fr
321
Bbsus2 8fr
111
111
G5
A5
8fr
113
F5
13
Fsus2
8fr
111
D5 10fr
411
5fr
7fr
111
333
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately q = 95 C5
B5
C5
B5
Rhy. Fig. 1 Gtr. 1 (dist.)
f
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
C5
10 10 10
9 9 9
9 9 9
9 9 9
B5
9 9 9
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
9 9 9
9 9 9
9 9 9
C5 End Rhy. Fig. 1 3
6
9 9 9
10 10 10
10 10 10
*C5
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
F5
10 10 10
10 10 10
E5
10 10 10
10 10 10
9 9 9
C5
9 9 9
9 9 9
9 9 9
10 10 10
10 10 10
10 10 10
F5
10 10 10
10 10 10
E5
Rhy. Fig. 2
10 10 10
10 10 10
10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10 10
C5
End Rhy. Fig. 2
10 10 10
F5
10 10 10
E5
Rhy. Fig. 3
**Gtrs. 1 & 2 (dist.)
f 10 12 10 0
3 3 3
3 3 3
0
3 3 3
0
0
2 2 2
0
3 3 3
10 12 10 0
0
3 3 3
0
3 3 3
2 2 2
0
0
10 12 10 0
3 3 3
0
3 3 3
3 3 3
0
0
2 2 2
0
*Chord symbols reflect overall harmony. **Composite arrangement
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
C5
F5
µ
C5 End Rhy. Fig. 3
10
12
10
0
3 3 3
0
3 3 3
0
3 3 3
0
X X X
X X X
X X X
X X X
F5
Riff A Gtr. 3 (dist.)
E5
X X X
X X X
mf 5 X 3
7
5
5
3
0
10 X 8
12 X 10
X X X
13 X 11
Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission
9 X 7
9 7
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
F5
E5
C5
F5
E5
C5
F5
E5
End Riff A
5 7 X 3 5
5 3
10 X 8
0
X 12 X X X 10
X 13 X X X 11
X 9 X X X 7
9
5 7 X 3 5
7
5 3
10 X 8
0
X 12 X X X 10
X 13 X X X 11
Verse
1.
Gtr. 1
mf
w/ chorus
Me,
7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
7 7 7
Harm.
7
I’m
7 7 7
5 3
10 X 8
0
X 12 X X X 10
X 13 X X X 11
X 9 X X X 7
9 7
man
X X X
5 5 5
7 7 7
5 5 5
5 5 5
5 5 5
who
X X X
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
7 7 7
Harm.
7
X X X
is
X X X
7 7 7
5 5 5
5 5 5
5 5 5
A(b6)
-
ing
7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
7 7 7
Harm.
7
best
7 7 7
trudg
5 5 5
a
A
5 7 X 3 5
7
Aadd9
Rhy. Fig. 4
5 5 5
9
Gtr. 3 tacet
A Gtr. 4 (slight dist.)
X 9 X X X 7
End Rhy. Fig. 4
I
can
X X X
5 5 5
7 7 7
5 5 5
5 5 5
5 5 5
through
X X X
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
7 7 7
Harm.
7
a
X X X
X X X
7 7 7
5 5 5
5 5 5
5 5 5
Gtr. 4: w/ Rhy. Fig. 4
A
-
field
7 7 7
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
7 7 7
Harm.
7
Aadd9
built
5 5 5
Sorgdal
mine
to
blast.
Can
I
X X X
5 5 5
X X X
7 7 7
5 5 5
5 5 5
5 5 5
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
7 7 7
X X X
X X X
X X X
7 7 7
5 5 5
5 5 5
5 5 5
A Gtr. 2
make
it,
will
I
last?
Free
my
5 5 5
5 5 5
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
F5
mind,
7 7 7
X X X
lev
-
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
C5
X X X
E5
i
X X X
5 5 5
C5
-
7 7 7
5 5 5
5 5 5
tate.
7 7 7
7 7 7
7 7 7
F5
7 7 7
7 7 7
7 7 7
10 10 10
E5
C5
let
an - y
let
me
Don’t
5 5 5
10 10 10
10 10 10
10 10 10
those fuck
-
ers
10 10 10
F5
of
10 10 10
in
10 10 10
E5
my
head -
Verse
Gtr. 4: w/ Rhy. Fig. 4 (2 times)
C5
F5
E5
space.
A
2. Please,
Gtr. 1
-
7 7 7
7 7 7
tions,
7 7 7
7 7 7
5 5 5
7 7 7
X X X
no
more
X X X X X X
7 7 7
7 7 7
5 5 5
No
7 7 7
5 X X
7 7 7
5 5 5
5 5 5
5 5 5
7 7 7
7 7 7
7 7 7
7 7 7
A(b6)
7 7 7
5 5 5
7 7 7
more
X X X X X X X X X
needs.
7 7 7
5 5 5
5 5 5
5 5 5
You’re
the
loco
Harm.
7 7 7
be.
7 7 7
5 5 5
7 7 7
7 7 7
5 5 5
8v a
5 5 5
ques
Aadd9
A
Chorus
C5
X X X
X X X
7 7 7
5 5 5
5 5 5
5 5 5
5 5 5
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
7 7 7
7 7 7
5 5 5
5 5 5
5 5 5
Pitch: G
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
A
can
-
cer,
you’re
Aadd9
the
to
5 5 5
5 5 5
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
7 7 7
X X X
X X X
bleed
X X X
7 7 7
5 5 5
5 5 5
5 5 5
me
of
dis
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
7 7 7
X X X
-
X X X
X X X
7 7 7
5 5 5
5 5 5
5 5 5
C5
3
ease.
Free
my 3
5 5 5
5 5 5
7 7 7
7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
7 7 7
X X X
X X X
X X X
7 7 7
5 5 5
5 5 5
5 5 5
7 7 7
Gtr. 1: w/ Rhy. Fig. 2 Gtr. 2: w/ Rhy. Fig. 2 (4 times)
C5
7 7 7
7 7 7
7 7 7
7 7 7
5 5 5
7 7 7
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
10 10 10
Chorus
F5
mind,
C5
lev
-
F5
i
rest
of
them
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
F5
F5
tate.
Gtr. 1: w/ Rhy. Fig. 3 2nd time, Gtr. 2: w/ Rhy. Fig. 3
Don’t
E5
C5
me
F5
go
that
try
E5
C5
let
an - y
1st time, Gtr. 1: w/ Rhy. Fig. 2 (2 times) 2nd time, Gtrs. 1 & 2: w/ Rhy. Fig. 6
Let
C5
-
2nd time, Gtrs. 1 & 2: w/ Rhy. Fig. 2
C5
E5
space.
Sorgdal
sent
Gtr. 2
leech,
A
to
keep
me
of
E5
C5
own
en
fuck
-
ers
chained.
in
F5
way.
C5
-
those
E5
my
F5
Burn
F5
E5
my
head -
E5
the
E5
Bridge D5
F5
Rhy. Fig. 5 Gtr. 2
Liv
-
ing,... ...tak
-
ing
chanc
-
es
is
-
n’t
Gtr. 1
3
0
0
0
3
0
3
0
0
0
3
0
3
0
0
3
3
0
0
0
3
3
0
0
0
3
0
3
0
0
0
3
2nd time, Gtr. 1: w/ Fill 1
C5
Bb5
all
that
it’s
Bbsus2
meant
to
be.
3
0
0
0
3
0
3
0
0
0
3
Dy
-
0
0
3
0
0
0
3
F5
your
(Meant
to
be.)
0
3
0
0
0
0
3
3
face
0
0
3
3
0
ing... ...with
3
3
Gtr. 2: w/ Rhy. Fig. 5
D5
0
3
End Rhy. Fig. 5
3
0
3
0
0
0
3
0
3
0
0
0
on,
a
3
3
0
0
3
0
3
0
0
0
3
0
3
0
0
0
3
Fill 1 Gtr. 1
3
0
0
3
0
3
0
0
0
3
0
3
0
3
3
0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
tee
shirt
is
-
Bb5
n’t
all
3
0
0
3
0
0
3
0
0
0
3
3
0
0
0
3
that
o - rig
-
Bsus2
T o Coda
i - nal.
3
0
0
0
3
0
3
0
2
0
3
3
0
0
0
3
Guitar Solo Gtrs. 1 & 2: w/ Rhy. Fig. 2
Gtr. 2
that
o
- rig
-
i
(All Gtr. 5 (dist.)
f
7 X 5
Fsus2
Bbsus2
F5
-
C5
E5
nal.)
1
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
10 X 8
10 X 8
10 X 8
12 X 10
12 X 10
12 X 10
14
14
12
12
5
5
Gtr. 1
0 17
Gtrs. 1 & 2: w/ Rhy. Fig. 3
C5
F5
Gtr. 5
3
1
5 6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
E5
C5
5
3
0
3
0
10 3
2 1/2
5
E5
grad. release
13
5
F5
13
10
13
13
13
1
10
13
Gtrs. 1 & 2: w/ Rhy. Fig. 2 (2 times)
C5
F5
6
3
*
13
10
12
10
12
10
12
10
1
12
C5
6
3
1/2
10
µ
12
12
12
10
12
12
12
10
F5
E5
5
3
1
10 5
5
3
0
*Played behind the beat.
3 C5
F5
E5
1
3
5
0
F5
E5
P.M.
5
C5
3
5
0
3
5
3
0
3
3
9 10 9
11
12
9 10 12
9 10 9
12
9 10 12
8
10
8 10
10
13
10
13 12 10 13 10 12 13
10
10 12
Verse
C5
F5
E5
G5 A5 Gtr. 1
3. Me,
3
13
14
10
12 13
10 13 10 12
13
10 12 13 10
I’m
a
3
1
12
G5 A5
13
10
1/2
10 13
13 10 12
1
12 10 12 10
12
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5 A5
G5 A5
G5 A5
man.
G5 A5
Will
I
make
it,
G5 A5
will
I
C5
G5 A5
(cont. in notation)
last?
Free
my
Gtr. 5 15ma
fdbk.
12
Gtr. 2
7 7 7
10 10 10
D.S. al Coda Chorus
Gtr. 5 tacet
C5
F5
mind,
lev
-
E5
i
C5
-
F5
tate.
E5
Don’t
let
Rhy. Fig. 6 Gtrs. 1 & 2
End Rhy. Fig. 6
10
12
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
10
0
3 3 3
0
3 3 3
0
3 3 3
2 2 2
0
0
10
12
10
0
3 3 3
0
3 3 3
0
3 3 3
0
2 2 2
Coda
Chorus Gtrs. 1 & 2: w/ Rhy. Fig. 2 Gtr. 3: w/ Riff A Gtr. 5 tacet
Bbsus2 Gtr. 2
C5
F5
E5
C5
My (All
that
o - rig
-
head
F5
E5
- space.
My
head -
i - nal.)
Gtr. 5
mp
7 X 5
7 X 5
7 X 5
7 X 5
9 X 7
9 X 7
9 X 7
10 X 8
10 10 X X 8 8
12 X 10
12 X 10
12 X 10
14 14 12 12
Gtr. 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
Outro Gtrs. 1 & 2: w/ Rhy. Fig. 6
C5
F5
space.
Gtr. 1: w/ Rhy. Fig. 1
E5
My
head
C5
F5
E5
C5
F5
E5
- space.
Gtrs. 1 & 2
10 12 10
0
3 3 3
0
3 3 3
0
3 3 3
0
2 2 2
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Contraband
Superhuman Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately q = 122 ** D7 Gtr. 1 (dist.) *
f
12
15
13
12
15
13
12
13
12
I’m
a
su - per
-
man.
15
13
13
12
15
12
12
15
13
12
12
15 12
15
13
13
12
F5
12
14
12
12
Riff B
0 0
15
14
f
Gtr. 3 (dist.)
13
Riff A
Gtr. 2 (dist.)
13 12
D5
13
15 12
*Key signature denotes D Mixolydian. **Chord symbols reflect implied harmony.
Gtr. 1
15 12
14
13 12
0
3
0
5
0
5
3
0
3
5
0
5
3
0
3 3
Rhy. Fig. 1
mf
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
3 3
Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Riff A
I
wan - na
14
3 3
0
3
3 3
0 0
0 0
your
15 12
0
be
su
15
13
5
0
0 0
0 0
5
3
15
13
12
0 0
0 0
0 0
0 0
0 0
be
su
I
wan - na
su - per
-
5
3
0
4 4
0
4 4
your
-
3
0 0
0 0
0
5
0
0 0
0 0
5
3
0
3
5
0
0 0
0 0
0 0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F#5
per - man.
End Riff B
Gtr. 3
0 0
Gtr. 2
man.
12
a
D5
I’m
14
5
0
3
0
End Riff A
F5
13 12
D5
- per - man.
12
F#5
13 12
D5
5
3
0
0 0
3 3
3 3
0
3
0 0
0 0
0
5
0
0 0
0 0
5
3
0
3
5
0
0 0
0 0
0 0
0 0
5
3
0
4 4
End Rhy. Fig. 1
0 0
4 4
Verse
Gtr. 1 tacet
D7[no3rd]
1. What you get
Gtr. 1
is
a
crash
course to
be
a
man,
but
a
man
is
a
des - ti - na - tion nev
-
er
known.
14
Riff C
P.M.
P.M.
P.M.
P.M.
Gtr. 2
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
P.M.
1/4
5
0
4 4
7
0
7
0
5
0
5
0
7
0
5
0
3
3
5
0
7
0
7
0
5
0
5
0
7
0
5
0
3
Gtr. 3
Riff D
End Riff D
1/4
5
5
Some - times
Gtr. 2
P.M. 1/4
3
Gtr. 3
P.M.
5
dressed
up
P.M.
3
0
5
5
3
3
P.M.
red
hot
P.M.
3
0
like a
3
0
5
5
la - dy in
pumps.
P.M.
P.M.
P.M.
3
0
5
5
5
Don’t
3
0
P.M.
P.M.
0
3
think she can
3
get
e - nough.
1/4
5
0
7
0
7
5
0
0
5
0
7
5
0
3
3
0
5
0
7
0
7
5
0
0
5
0
7
5
7
0 End Riff E
1/4
3
slight P.H. P.M.
P.M.
Riff E
0
3
0
0
3
5
5
0
3
5
0
3
5
5
3
3
0
4 4
1/4
3 0
3 0
3
5
5
0
3
5
0
3
5
5
3
0
3
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Riff E
P.M.
like she’s run - nin’ on
P.M.
P.M.
5
0
0
7
7
0
Gtr. 2
P.M.
P.M.
5
P.M.
face
0
5
0
Keep - in’ her
P.M.
- ster wheel.
Get - tin’ high,
P.M.
P.M.
5
0
with
P.M.
3
3
3
co - caine.
P.M.
P.M.
0
5
7
0
and
mak - in’ mis - takes.
P.M.
P.M.
P.M.
7
0
Her
face
P.M.
5
0
is
5
0
numb,
P.M.
7
0
your
P.M.
0
faith is
gone. I’m
P.M.
End Riff C
0
7
5
0
5
0
0
7
5
0
3
3
0
5
0
7
0
7
5
0
0
5
0
7
5 6 6
1/4
0
3
5
G5 Ab5
5
0
3
5
G5 Ab5
G5
Rhy. Fig. 2 *Gtrs. 2 & 3
5 5
6 6
*Composite arrangement
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5 5
6 6
3
0
F5 G5
trav
6 6
3
Ab5
5
End Riff F
Pre-Chorus
Sorgdal
cars
Riff F
3
P.M.
7
0
P.M.
1/4
1/4
5
crash - in’
P.M.
0
packed
7
0
1/4
Gtr. 3
P.M.
1/4
7
a ham
Al -ways feel
Gtr. 2
5
5
3
F5 G5
-
’lin’
3
3
0
0
Ab5
3
G5 Ab5
5
5
0
G5 Ab5
on
3
5
0
G5
3
F5 G5
5
5
F5
3
6 6
0
Bb5 A5 Ab5
now.
I’m
5 5
3 3
5 5
3 3
5 5
6 6
5 5
6 6
5 5
6 6
5 5
3 3
5 5
3 3
8 8
7 7
6 6
G5 Ab5
G5 Ab5
G5
mak
F5 G5
F5 G5
-
Ab5
ing
G5 Ab5
G5 Ab5
A5
plans
Bb5 A5 Bb5 A5 Bb5 A5 D5
now.
End Rhy. Fig. 2
6 6
5 5
6 6
5 5
6 6
5 5
3 3
5 5
3 3
5 5
6 6
5 5
6 6
5 5
6 6
7 7
7 7
8 8
7 7
8 8
7 7
8 8
7 7
0 0
Chorus Gtr. 2: w/ Riff B Gtr. 3: w/ Rhy. Fig. 1
D5
Co
-
D5
caine,
-
F5
D5
al - co - hol,
Co
caine,
la - dy - lay,
T o Coda
F5
D5
al - co - hol,
with
la - dy - lay,
- drawal.
with
F#5
-
F#5
drawal.
Verse Gtr. 2: w/ Riff C Gtr. 3: w/ Riff D
2. Keep it
com - in’
in
We’re all
run - nin’ from the
D7[no3rd]
a
world that’s
Gtr. 3: w/ Riff E (2 times)
goose, she’s
blown
up
high on
wild.
Keep it
co - caine.
com - in’
in
a
world that’s
bred
her style.
There’s a noose swim - min’ right be - tween her legs to
her
brain.
We’re all
Gtr. 3: w/ Riff F
in
need
of
a
So ro - de - o,
ro - de - o,
su - per - hu - man wom
- an now.
We’re all
in
need
ro - de - o,
ro - de - o.
Throw the rope a - round her
of
a
su - per - hu - man wom
- an now.
D.S. al Coda
Ab5
neck and get the show on the
road. I’m
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
Guitar Solo
D5
la - dy - lay,
Gtr. 1
with
-
F#5
drawal.
Gtr. 2: w/ Riff B (last 4 meas., 2 times) Gtr. 3: w/ Rhy. Fig. 1 (last 4 meas., 2 times)
D5
14 X 14
Gtr. 4 (dist.)
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
f
w/ flanger
7
13 X 13
13 X 13
13 X 13
13 X 13
13 X 13
13 X 13
13 X 13
13 X 13
13 X 13
13 X 13
13 X 13
13 X 13
13 X 13
13 X 13
13 X 13
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
11
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
10
14 X 14
14 X 14
11
F5
14 X 14
14 X 14
14 X 14
14 X 14
17 X 17
11
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
14 X 14
14
F#5
14
Sorgdal
D5
D5
7
F5
10
17 X 17
17 X 17
D5
16 X 16
9
16 X 16
16 X 16
16 X 16
16 X 16
16 X 16
16 X 16
16 X 16
16 X 16
16 X 16
16 X 16
16 X 16
16 X 16
16 X 16
F#5
14 15
9
13
9
Pre-Chorus Gtr. 1 tacet Gtrs. 2 & 3: w/ Rhy. Fig. 2
D5
Ab5
Ab5 G5 Ab5
G5 Ab5
I’m
Gtr. 1
14 15
14 15
16
14 15
13 14
14 15
14 15
16
14 15
16
14 15
16
14 15
16
15
13
4 4
0 0
0 0
Gtr. 3
4 4
0 0
0 0
G5 Ab5
0 0
0 0
0 0
0 0
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
0 0
G5 Ab5
7 7 5
7 7 5
G5
now.
7 7 5
F5 G5
7 7 5
-
’lin’
on
7 7 5
7 7 5
6 6
0 0
trav
Ab5
13
0 0
F5 G5
1
13
Gtr. 2
F5 G5
15
G5
Gtr. 4
Gtr. 4 tacet
6 6
F5 Bb5 A5 Ab5
I’m
G5 Ab5
G5 Ab5
G5
mak
F5 G5
-
F5 G5
ing
Ab5
plans
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G5
Ab5
Gtrs. 2 & 3
G5
Ab5
G5
Bridge
F5
G5
F5
E5
D5
now.
Spoken: What’s she
Gtr. 3
think - in’?
She’ll
*w/ delay
6 6
5 5
6 6
5 5
6 6
5 5
3 3
5 5
3 3
3 3
2 2
0 0
5
17
*Set for eighth-note regeneration w/ 6 repeats.
Gtr. 2
0 0
nev - er
Gtr. 4
get
e - nough.
What’s she
think - in’?
She’ll
nev - er
get
e - nough.
Gtr. 3 tacet
mf
7 X 5
Gtr. 2
3
3
7
3
3
3
3
3
**
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
**Using a guitar with Les Paul-style electronics, set lead volume to 0 and rhythm volume to 10. Strike the strings while the pickup selector switch is in the lead position, then flip the switch in the rhythm indicated to simulate the re-attack.
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0
0 0
0 0
0 0
0 0
0 0
0 0
0 0
Gtr. 2 tacet
What’s she
think - in’?
7
5
5
nev - er
get
e - nough.
7
She’ll
Gtr. 4
nev - er
get
e - nough.
What’s she
think - in’?
13 12
8
What’s she think - in’?
14
9 7
13 12
12
15 12
15
She’ll now.
15
13
nev - er
get
e - nough.
8 X 6
think - in’?
She’ll
She’ll trav
8 X 6
nev - er
get -
13
’lin’
13
15
on
13
12
13
15
13
12
9 X 7
What’s she
14
12
7 X 5
13
12
12
14
10 X 8
e - nough.
think - in’?
I’m
12
12
5
12
7
12
7 X 5
6
15
12
Gtr. 4
9 X 7
(I’m
Gtr. 1
What’s she
10 X 8
15 12
She’ll mak -
15
13
12
7 5
10 X 8
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
nev - er -
Gtr. 1
What’s she think - in’? Shouted: She’ll now.
plans
nev - er
get
e - nough, ah!
15
13
13 12
15
14
13
12
13
12
10
15
12
Gtr. 4
13
12
12
Gtrs. 2 & 3
13
15
12
9 X 7
8
e - nough. in’
get
13
12
12
16
8 X 6
* delay off
0 0 *Gtr. 3 w/ auto-wah, next 8 meas.
Gtr. 2: w/ Riff B (1st 6 meas.) Gtr. 3: w/ Rhy. Fig. 1 (1st 6 meas.) Gtr. 4 tacet
Gtr. 1
D5
F#5
13 16
12
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F5
15 12
15 12
13
13 12
15 12
14
13 12
13 12
15 12
15 12
13
13 12
15 12
14
13 12
Gtr. 1: w/ Riff A
D5
F5
Gtr. 5 (dist.)
D5
mf 14 X 14
Gtr. 2
3 3
3
0
0
Gtr. 3
3 3
0 0
0 0
5
0
0 0
5
0 0
3
5
3
0
5
0 0
0 0
0 0
0
3
0
0 0
0 0
auto-wah off
0 0
0 0
F#5
Outro-Chorus Gtr. 2: w/ Riff B Gtr. 3: w/ Rhy. Fig. 1
D5
Co
-
14 X 14
14 X 14
14 X 14
14 14
Gtr. 1
al - co - hol,
14
F5
caine,
Gtr. 5
14 X 14
D5
la - dy - lay,
with
-
drawal.
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
15 X 15
15 X 15
15 X 15
14 X 14
14
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5
Co
14 14
-
14 X 14
caine,
14 X 14
14 X 14
14 X 14
la - dy - lay,
14 X 14
14 X 14
14 X 14
D5
al - co - hol,
F5
14 X 14
14 X 14
14 X 14
14 X 14
14 X 14
with
14 X 14
14 X 14
14 X 14
F#5
-
drawal.
14 X 14
14 X 14
13 X 13
14 X 14
13 X 13
13 X 13
12
Gtr. 5 tacet
Gtr. 1
D7
13 12
12
Gtrs. 2 & 3
4 4
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
15 12
12
15
13
15
13
13 12
12
14
14
12
µ
from Velvet Revolver - Contraband
Set Me Free Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner D5
Bb5
C5
G5
F5
F5
I
8fr 1
13
Intro Moderately fast q = 164 µ
Gtr. 1 (dist.)
13
13
134
13
Riff A
f
X X X
X X X
X X X
X X X
X X X
11 X 8
10
8 X 5
7
8 X 5
8 X 5
9 X 6
8 X 5
9 X 6
11 X 8
10 X 7
10
8 X 5
7 X X
Gtr. 1: w/ Riff A (1 1/2 times)
8
8 X 5
8 X 5
9 X 6
Gtr. 1
5
Gtr. 2 (dist.)
8 X 5
9 X 6
*A5
11 X 8
10
8 X 5
10 X 7
End Riff A
7
f
2 0
14 Gtr. 3 (dist.)
f
2 0
2 0
2 0
*Chord symbols reflect basic harmony.
**Gtrs. 2 & 3
2 0
2 0
2 0
**Composite arrangement
Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1 tacet
Riff B
Gtr. 1
8 5
C
End Riff B
8 X 5
8 X 5
9 X 6
8 X 5
9 X 6
11 X 8
10 X 7
A5
7
5 5
2 0
0
C Gtr. 3
0
C#
G5
5 5
5 5
6 6
6 6
5
5
G#5
3
3
4
A5
4
6 6
7 7
7 7
A5
5 5
6 6
6 6
7 7
7 7
4
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
5
3
4
4
5
5
7 7
6
5
3
5 5
5
4
4
6 6
7 7
7 7
End Rhy. Fig. 1
8 8
7 7
Rhy. Fig. 2
6
5
C#
5 5
3
5 5
3
4
5
6
5
5
3
C
C#
G5
5 5
5 5
6 6
3
6 6
5
5 5
5 5
3
4
0
6 6
G5
6 6
5 5
4
4
3
5
5 5
3
4
5 5
End Riff C
0
5
3
7 7
0
5
3
5 5
3
0
C
0
5
4
8 8
7 7
6 6
3
5
3
6 6
5
Gtr. 2
5 5
15
5
8 8
7 7
5 5
7 7
0
6 6
Riff C
G#5
5 5
6 6
2 0
5 5
0
Gtr. 2
Sorgdal
G#5
Rhy. Fig. 1
G5
10
Gtr. 3
C#
3
5
G#5
4
A5
3
3
6 6
6 6
7 7
4
4
5
End Rhy. Fig. 2
7 7
8 8
7 7
5 5
7 7
6
5
3
5
Verse
A5
µ
1. You op - er - ate and mo - ti - vate on
syn - thet - ic
fuel.
You’re Moth - er
Na - ture and
an
at
-
om
bomb.
7 7
5
5
A5
As long as you’re kept Gtr. 1
full
of pret - ty
bod - ies,
your lit - tle
se - cret will be
safe
with me.
11 X 8 X X Gtr. 3
10 7
8 X 5
X X
Gtr. 2 divisi
0 5
15
Pre-Chorus
Gtr. 1: w/ Riff A (1 1/2 times) Gtr. 2: w/ Riff C (1 1/2 times) Gtr. 3: w/ Rhy. Fig. 1 (1 1/2 times)
C
(Ah.)
C#
G5
G#5
A5
C
C#
G5
G#5
A5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
T o Coda Gtr. 1: w/ Riff B
C
C#
G5
G#5
A - round
a - gain,
A5
in - sane
C
C#
she it
a - gain,
G5
comes
G#5
A5
a - gain
D
and
sets
me
free.
Gtr. 3
5 5 0
So
set
Rhy. Fig. 3 Gtrs. 2 & 3
me
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
Bb
Set me
2 3 2 0
2 3 2 0
2 3 2 0
0 0
3 3 3 1
C
set
free
me
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
set me
3 3 3 1
5 5
6 6
6 6
7 7
8 8
7 7
3 3 3 1
3 3 3 1
4
4
3
3
’cause
4
G5
I
think
5 5 5 3
5 5 5 3
4
5
6
5
2 3 2 0
0
D
you
3 3 0 0 X 3
5 5 5 3
5
2 3 2 0
7 7
need
my
0 X 3
3 3 0 0 X 3
3 3 0 0 2 3
soul.
End Rhy. Fig. 3
2 3 2 0
E5
A5
free.
3 3 3 1
3
5 5 5 3
F5
3
5
free,
2 3 2 0
3 3 3 1
5 5
free,
6 6
Gtr. 2
Bb
6 6
0
5
Chorus D
5 5
0
10 10 8
*
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
9 9 7
9 9 7
9 9 7
0 5
*Gtr. 2 plays A on 6th string, Gtr. 3 plays A on 6th string.
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Interlude Gtr. 2: w/ Riff C Gtr. 3: w/ Rhy. Fig. 2
A5
C
Verse A5
C#
G5
G#5
A5
C#
G5
G#5
A5
µ
2. You’re kept a - live and po - lar - ized with one Gtr. 3
C
thing
in
mind.
Me - tab - o - liz - in’ ev - ’ry
- thing
that
you
see.
7 7 Gtr. 2
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
5
D.S. al Coda
But now and then Gtr. 1
or
now
a
lit - tle
lat - er,
I’m gon - na take
you
down
with
me.
A5
11 X 8
10
8 X 5
7
8v a
Gtr. 3
loco
20 20 20 0
17 Gtr. 2
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X
X X X 5
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Coda
Chorus Gtr. 2: w/ Rhy. Fig. 2
D
So
set me
C
free,
set me
free
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
Gtr. 3
5 7 7
5 7 7
5 7 7
6 6 7
Bb
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
set me
6 6 7
6 6 7
6 6 7
6 6 7
6 6 7
’cause I
think
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
you
C
need
my
7 8 7
7 8 7
Rhy. Fig. 5
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
3 3 3 1
soul.
7 8 7
5 7 7
D
7 8 7
7 8 7
7 8 7 0
7 8 7 0
7 8 7 0
7 8 7
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
8 8 9
0 0
0
Gtr. 2
7 8 7
D
free.
End Rhy. Fig. 4
G5
8 8 9
G
free,
5 7 7
6 6 7
Set me
5 7 7
Rhy. Fig. 4
Gtr. 3
Bb
3 3 0 0 X 3
0
End Rhy. Fig. 5
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
5 5 5 3
0
2 3 2 0
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
5 5 5 3
0 0
2 3 2 0
Gtr. 2: w/ Rhy. Fig. 3
Bb
So
set
free,
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
Gtr. 3
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
me
6 6 7
6 6 7
6 6 7
C
set
free
me
6 6 7
8 8 9
8 8 9
6 6 7
’cause
8 8 9
I
8 8 9
8 8 9
G5
think
7 8 7 0
D
my
7 8 7 0
7 8 7 0
7 8 7 0
2 3 2 0
you
need
soul.
Bb
Set me
Gtr. 3
2 3 2 0
Gtr. 2
0
0
7 0
7 0
0
2 3 2 0
2 0
2 0
3 2 0
3 2 0
set me
6 6 7
free,
F5
6 6 7
3 3 3 1
6 6 7
6 6 7
6 6 7
F
free.
0
10 10 8
3 3 3 1
3 3 3 1
3 3 3 1
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
3 1
15
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
1 1 2 3 3 1
10 10 8
Bridge
F
So
take
me
E
down,
take
me
let ring
1 1 3 1
1 1 2 3 3 1
3 1
0 0 3 1
3 1
1 1 3 1
3 1
2 0
0 0 X 2 2 0
2 0
0 0 0
let ring
1 2 2 0
0 0
3 3 0 0 X 3
down,
down,
down,
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
F
down.
let ring
3 3 0 0 X 3
0
0 0
G5
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
1 1 2 3 3 1
0
2 3 3 1
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
E
Take
Gtr. 1
me
A5
down,
take
me
A
3 3 3
5
8
1/2
8
5
7
7
let ring
2 3 3 1
1 1
2 3 3
Gtr. 2
1 1 2 3 3 1
let ring
2 3 3 1
2 3 3 1
1 2 2 0
1 1 2 3 3 1
1 1 2 3 3 1
0 0 1 2 2 0
0 0
7
5
7
5
7
3
let ring
5
3
5
3
2 0
0 0 1
1 2 2 0
5
5
let ring
0 1 2 2
1 2 2 0
0
down.
1
Gtr. 3
F
2
2 0
2
2 0
3
1 1 2 3 3 1
2 0
Gtr. 1 tacet
So
take
E5
me
down,
Gtr. 3
3
5
Gtr. 2
3
3
5
3
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0 0 X 2 2 0
5
2
let ring
1 1 2 3 3 1
0
take
me
2
2
5
0
0
G5
D/F#
down,
2
3 3 0 0 X 3
down,
down,
down.
5
F
5
7
0 X 3
5
5
7
3
3
5
4
3 2 0 X 2
4
7
4
4
7
4
3
2 0 X 2
1 1 2 3 3 1
E5
Take
Gtr. 1
me
down,
take
A5
me
G5
down.
X X X
Gtr. 3
3
3
5
3
3
5
2
Gtr. 2
3
2
5
2
2
5
7
A5
7
5
7
7
5
7
11 X 8
10
8 X 5
7
7
X X X
5
7
7
7
7
8 X 5
8 X 5
8 X 5
10 X 7
0
0
1
1 1 2 3 3 1
0 0 X 2 2 0
2
2
0
0
0
0
5 3
5 3
5 3
7 5
Interlude Gtr. 1: w/ Riff A (2 times)
A5
Gtr. 3
µ
A5
10 7
Gtr. 2
7 5
2 0
15
2 0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3
2 0
2 0
Guitar Solo A5
C5
2 2 0
17
A5
Gtr. 1
*w/ octaver
8 5
8 X 5
8 X 5
8 X 5
X X
8 X 5
8 X 5
8 X 5
10
10 X 7
7
10 X 7
8 X 5
10 X 7
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
8 X 5
5 5 2
7 7
*Set for one octave below. Rhy. Fig. 6 Gtrs. 2 & 3
End Rhy. Fig. 6
1/2
2 2 0
2 2 0
0
2 2 0
0
0
2 2 0
0
2 2 0
Gtrs. 2 & 3: w/ Rhy. Fig. 6 (2 1/2 times)
Gtr. 1
1/2
7 7
2 2 0
0
5 5 3
5 5 3
7 7
7
5 5
7 7
2 2 0
C5
2 2 0
A5
1/2
5 5
5 5 3
5 5
7 7
5
7 7
5 5
7
5 5
0
0
2 2 0
0
1
0
7 7
7 7
2 2 0
0
0
0 0
2 2 0
1
1
1
8
7
6
5
10
9
8
7
**
11
**Change octaver setting to 2 octaves below.
11
12
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
11
12
13
10
11 12
C5
12
11
12
A5
13
10
12
10
8v a
1/2 16
13
15
1
15
13
10
15
13 19
C5
8v a
Gtr. 1
20 19
19
20
20
19
17
17
19
C5/A
1
1
17
20
Bm
1
19
A5
1/2
1
1
20
19
D
22
20
20
Gtrs. 2 & 3
let ring 1/2
2 2 0
2 2 0
0
5 5
0
7 7 0
0
7 7
7 7
1/2
7 7
7 7
5 5
0
0 0
2 3 2 0
Chorus Gtr. 2: w/ Rhy. Fig. 3 Gtr. 3: w/ Rhy. Fig. 4
D
Gtr. 1 8v a
set
So
Gtr. 1 tacet
Bb
me
set
me
free,
C
free,
’cause
G5
I
think
you
need
my
D
soul.
22
Gtr. 2: w/ Rhy. Fig. 5
Set
Bb
me
free,
set
me
G
D
free.
7 8 7
7 8 7
Gtr. 3
C
0
7 8 7
7 8 7
8 8 9
8 8 9
8 8 9
8 8 9
0
0
7 X 5
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 2: w/ Rhy. Fig. 3
So
5
7 X 5
set
7
7 X 5
7 X 5
me
7 X 5
set
10 X 8
Bb5
Set me
me
free,
Bb
10 X 8
10 X 8
10 X 8
free,
C
free,
10 X 8
F5
set me
free.
12 X 10
12 X 10
12 X 10
12 X 10
2 0
Gtr. 1
2 0
3 1
3 1
3 1
3 1
you
need
D
my
soul.
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 7 5
D5
10 10 8
3 1
think
1
13 2 0
12 X 10
1
2 3 2 0
G5
’cause I
12 X 10
Gtr. 2
10 X 8
13
12
1
13
13
12
1/2
13
13
12
12
12
10
3 2 0
1
10 13
Gtr. 3
7 7 5
7 X 5
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
7 X 5
7 X 5
7 X 5
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
10 X 8
12 X 10
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
3
0
3 2 0
So
Gtr. 1
set
Bb5
me
set
me
I
think
10
10
10
10
10
10
10
13
13
13
13
13
13
13
13
13
13
13
1
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
you
0 0
3 1
3 1
3 1
3 1
3 1
D5
my
1
C5
need
G5
10
’cause
10
free,
10
10
C5
10 13
Gtrs. 2 & 3
free,
1
soul.
Set
Bb5
me
5 3
0
1
1
5 3
5 3
5 3
5 3
0
G5
set (Set
me me
1
free,
free free.)
1
10 10 13 13
5 3
10
10
10
10
10
10
10
10
10
10
10
10
10
10
10
13
13
13
13
13
13
13
13
13
13
13
13
13
13
13
5 3
5 5 3
5 5 3
0 0
2 0
2 0
2 0
3 2 0
3 2 0
0 0
3 1
3 1
3 1
3 1
0
5 3
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
C5
’cause Gtr. 1
I
think
1
D5
you
need
1
10 10 13 13
Gtr. 2
my
10
10
10
10
10
10
10 10
13
13
13
13
soul.
1
10
D5
So
set
1
Bb5
me
free,
10 10
10
1
10
10 10
13
10
10
12
Gtr. 4 (dist.)
mf
1
1
Gtrs. 2 & 3
5 3
5 3
5 3
5 3
5 3
5 3
5 3
set
me
10
10
10
10
10
10
10
10
10
10 X 8
10 X 8
10 X 8
14 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5 3
5 3
2 0
G5
’cause
I
10
10
10
10
10
think
7 X 5
7 X 5
you
need
7 X 5
10 X 8
D5
my
soul.
10
10
10
10
10
10
1
12
15
14
12 X 10
Gtr. 3
0 0
13
13
1
8
Sorgdal
5 3
free,
11
12
(Gtr. 2, cont. in slashes)
5 3
C5
11 13
5 5 5 3
10
1
12 14
12 X 10
12 X 10
12 X 10
7 X 5
10 12
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
7 X 5
Set me
free,
10
10
10
10
10
10
F5
set me
free.
10
Bb5
10
10
13
10
(cont. in notation)
F5 I
Bb5
My
cre - do,
13
1
10 12
12
7
7 X 5
5
7 X 5
7 X 5
11
11
13
13
7 X 5
7 X 5
10 X 8
12
12
10 X 8
10 X 8
10 X 8
10 X 8
12 X 10
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
10 10 8
0
3 1
3 1
3 1
3 1
Outro Gtrs. 1 & 4 tacet
F5
Bb5
my
F5
cre - do,
Gtrs. 2 & 3
let ring
3 1
3 1
3 1
3 0
1
let ring
3 1
3 1
3 0
1
let ring
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 0
1
3 1
3 1
15 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bb5
my
let ring
3 0
3 1
3 1
3 1
3 1
3 1
3 1
3 1
3 1
let ring
3 1
3 1
3 0
1
3 1
3 0
1
let ring
3 1
3 1
3 0
1
let ring
3 1
3 1
Bb5
3 0
1
A5
my
cre - do.
3 1
3 1
3 1
3 1
3 1
2 0
cre - do,
3 1
3 1
3 1
3 1
3 1
F5
my
let ring
3 1
1
Bb5
cre - do,
F5
3 1
Gtr. 3
pp
2 0 Gtr. 2
pp 1
2 0
16 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
3
from Velvet Revolver - Contraband
You Got No Right Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner Bb
C
D 5fr
1333
Intro Moderately q = 97 D/A
1333
1333
Bb6
C/G
Rhy. Fig. 1
End Rhy. Fig. 1
Gtr. 1 (acous.)
mp
let ring throughout
4 5 5
5 5
4 5 5
5 5
5 5
4 5 5
5 5
4 5 5
5 5
4 5 5
5 5
5 5
4 5 5
5
4 5 5
5
6
5 5 6
6
6
6
5 5 6
6
6
3
2 3 3
3
3
3 3
2 3 3
3
3 3
Verse Gtr. 1: w/ Rhy. Fig. 1 (2 times)
D/A
1. I
D/A
fell
Bb/F
(She
Gtr. 1
through
the
It
nev - er
said
you nev
ice.
to
C/G
-
er
She
won’t
be
lie.
Bb6
wins
Bb6
She
have
no
said
D/A
C/G
com
-
ing
C/G
you’ll nev
-
back
a
0 1 1
gain.
er
rights.
have
no
rights,
no
rights.) End Rhy. Fig. 2
1
-
Rhy. Fig. 2
1 1
1
1
1
0 1 1
1
2 3 3
3
2 3 3
3
2 3 3
3
2 3 3
3
5 5
5 5
4 5 5
5 5
5 5
5 5
4 5 5
5 5
5 5
5 5
4 5 5
5 5
5 5
4 5 5
5 5
Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission
0
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
* Bb6
I’ve took it
Gtr. 2 (elec.)
G6/B
far
-
ther on
D
the out
-
Dsus2
D
side.
mp
w/ clean tone & heavy reverb let ring throughout
7
Riff A
Gtr. 1
3
0 0
3
0
3
1
3 3
0
0
2
0
3
0
0
2
2
3
2
0
0
3
2
0
5
5
0
3
0
2
5
End Riff A
2
3
2
0
*Chord symbols reflect basic harmony.
Gtr. 1: w/ Riff A (2 times)
Bb6
I
took
Gtr. 2
it
G6/B
near
-
ly
to
the
Dsus2
6
Bb6
And
6
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
7
if you’ve seen
G6/B
me
on
the
D
brink.
D
out
5
5
D
-
7
7
7
5
Dsus2
5
5
7
D
side,
7
5
5
5
0
Bb6
C
you would have bare
Gtr. 2
-
ly
seen
me
Dsus2
D
breathe.
6
Gtr. 1
7
3
0 0
3
3
1
0
3
0
3
2
0
1
0
2
0
5
5 7
5
5
1
0
3
0
0
5
0
2
2
7
3
2
Verse Gtr. 2 tacet
Bb6
2. Fun - ny, right here
Gtr. 3 (elec.)
I
C/G
find
my - self
mp
in - side
a
pa
D/A
-
per
cup.
w/ slight dist. and Rotovibe let ring throughout
1
Gtr. 1
3
3 3
5
5 5
7
7
Rhy. Fig. 3
5 5 6
6
6
6
6
5 5 6
6
3
3 3
2 3 3
4 5 5
5
4 5 5
3
3 3
3 3
2 3 3
3 3
5 5
5 5
5 5
4 5 5
4 5 5
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1: w/ Rhy. Fig. 3
With - out
7 5
Bb6
a
C/G
warn
-
ing
or
rea
7
7
a
3
1
-
son, it’s
trea
-
son
with no
an -
3
5
5
3
End Rhy. Fig. 3
4 5 5
5 5
5 5
5 5
4 5 5
5 5
5 5
5 5
Gtr. 1: w/ Rhy. Fig. 2 (1st 2 meas.)
D/A
-
swer.
You got
Gtr. 3
right
5
to
4
keep
me
wait -
3
0
4
5
no
Bb/F
3
3
1
Gtr. 1: w/ Rhy. Fig. 2
C/G
-
in’ here.
You got
3
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
no
Bb/F
C/G
right
to
5 1
3
3
3
keep
the
pain
in
here
that holds the crown.
3
5
5
5
Chorus
Gtr. 3 tacet 2nd time, Gtr. 2 tacet
D/A Gtr. 4 (elec.)
Bb5/F
w/ dist. (cont. in notation)
8v a
3 15
2 14 0 12
H.H.
3 15
Gtr. 3
7
5
7
7
5
7
5
I
on the out -
Rhy. Fig. 4 Gtr. 4
7
a - part
3 1 1
3 1
0 0
f
3 3 0 0 2 3
3 3 0
0
Rhy. Fig. 4A
Gtr. 5 (elec.)
fall
3 15
And if
G
mf
Gtr. 2
Gtr. 2 tacet
w/ dist.
0 0
3 1 1
-
2 3 2 0
Gtr. 5
2 3 2 0 0
3
3
real - ly
don’t
be - lieve
0 0
2
0
0
3
2
3
if
I
take
me.)
End Rhy. Fig. 4
let ring
2
0 0
and
(You
0 0
Bb5/F
side,
Gtr. 4
3 3 0 0 2 3
1st time, Gtrs. 4 & 5: w/ Rhy. Figs. 4 & 4A (3 times) 2nd time, Gtrs. 4 & 5: w/ Rhy. Figs. 4 & 4A (2 times)
D
0 0
2
3
2 0
2 3 2
2 3 2 0
2 3 2
End Rhy. Fig. 4A
0 0
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
G
it
G
a
D
to
the
brink,
on
the
D
out
-
Bb5/F
G
you
would have
bare
Bridge *E7
And if
Gtr. 6 (elec.)
G7
I
-
ly
real - ly
don’t
if
fall
I
be - lieve
me.)
D
seen
me
breathe.
D
you out
side,
meet
T o Coda
(You
and
- part
Bb5/F
to - night,
15
15
End Riff B
mf w/ slight dist. & slide
15
Riff B
Gtr. 4
let ring
let ring
1
3
Rhy. Fig. 5
0 1
3
0 1
3
3
1 0
0 0 1 2 2 0
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
Gtr. 5
let ring
2 0
2 0
2 0
2 0
0
*Chord symbols reflect combined harmony.
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
0
3
1 0
3
15
let ring 2
3
2 2
3 3 0 0 X 3
3 3 0 0 X 3
3 3 0 0 X 3
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
10
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
End Rhy. Fig. 5
2 3 2 0
2 3 2 0
0 0
Gtr. 4: w/ Riff B Gtr. 5: w Rhy. Fig. 5
E7
will
you
be
G7
lov
-
Riff C
ing
me
D
for - ev
Gtr. 6
-
End Riff C
15
15
er?
12
15
15
10
Gtr. 6: w/ Riff C
E7
It’s al - ways o
G7
D
-
ver af
-
ter the
1
Gtr. 5
3
let ring
0 1
3
0 1
let ring
0 0 1 2 2 0
0 0 1 2 2 0
3
3
3 3 0 0 X 3
3 3 0 0 X 3
0 0 1 2 0
0
0
1 0
3
1
let ring
3 3 0 0 X 3
3 3 0 0 X 3
3
0
3 3 0
night.
Gtr. 4
let ring
B
let ring
let ring
2
3
2 2
3
2
4
5
4
4 4 2
4 4 2
0 0
2 3 2 0 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
0 0
4 4 4 2
4
5
2
4
4 4 4 2
4 4 4 2
0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F
-
er
It’s al - ways cold Gtr. 7 (elec.)
E7
D5
af
-
ter
the night.
f
w/ dist.
Gtr. 6
2
3
5
4 5 7
9
9
7
1
1
2
2
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
let ring
let ring
1
1
0
1
0
3
1
let ring
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
2 3 3 1
1 2 2 0
1 2 2 0
1 2 2 0
Gtr. 5
3
1
0 2 0
2 0
2 0
Guitar Solo
Gtr. 6 tacet
Bb5
6 5
7
4
5
7
4
5
7
4
5
4
7
5
7
5
6
5
8
5
7
8
5
7
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
*Gtrs. 4 & 5
*Composite arrangement
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
3
7
Sorgdal
2 4
10
4
5
2 3 5
2 3 5 2 3 5
Gtr. 4
5
2 3 5 2 3
12
mp
10
Gtr. 7
3
3
6
6
8
5
7
8
15
13
12
12
10
10
10
Rhy. Fig. 6
0 0
3 1
3 1
3 1
3 1
3 1
3 1
3 1
0 0
G5
D
1
13
13
12
12
10
0 0 X 3
3 3 0 0 X 3
0 0 X 3
0 0 X 3
0 0 X 3
0 0 X 3
0 0
11
1
3 3 1
3 3 1
3 3 1
3 3 1
3 3 1
13
15
15
11
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
D
1
12
3
5 5 3
0 0
C5
0
1
12
3 3 1
10
12
10 12 10
11 11
12
12
1
12
1
12 14
Bb5
14
let ring
11
let ring
13
12 12
5 5 3
12
9
11
5 5 5 3
5 5 5 3
0 0
8
10 10 10
8
10 10 10 10 12
10
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
12
Gtrs. 4 & 5: w/ Rhy. Fig. 6
8v a
Bb5
G5
P.H.
1
1
1
12
12
10
12
10
13
10
15
13
15
18
17
17
17
15
15
18
15
18
18
17
17
15
Pitch: G A
2 3 2 0
2 3 2 0
2 3 2 0
2 3 2 0
End Rhy. Fig. 6
2 3 2 0
0
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
* D/F#
D
8v a
Gtr. 7
1
14
1 1/2
15
15
1 1/2
17
17
15
15
17
17
15
15
*Bass plays F#.
Bb5 8v a
1
1
20
C5
20
20
17
1
hold bend
1/2
20
20 20
20
20
1/2
20
20
20
D
P.H. semi-harm. 8v a
15ma
1/2
20
1
20
20
8v a
1
20
20
1
20
20
Pitch: E
D
1
20
20
E
1
20
20
1/2
20
20
19
20
19
1/2
19
1/2
19
Gtr. 1: w/ Rhy. Fig. 1 (1 1/2 times)
Bb6
C/G
D/A
3. I broke
Gtr. 2
0
3
0
3
0
Gtr. 1
6
6
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
19
1/2
19
1/2
19
19
19
Verse
Gtr. 7 tacet
1/2
D
Interlude
5 5
6
5 6
5 6
5 5
5 6
3
3
3 3
3
3
3
2 3 3
2 3
through
the
ice.
2
Bb6
She
won’t
Gtr. 2
C/G
be com
-
in’
back
a
-
It’s been
0
a
year
and
a
D.S. al Coda
night.
8v a
Gtr. 5
2
3
0
gain.
3
0
D/A
f
*p fdbk.
0
*Vol. swell
Gtr. 4
f
** p fdbk.
X X X
0
X X X
X X X
X X X
Pitch: F# **Vol. swell
Coda
you
would have
bare
Gtrs. 4 & 5: w/ Rhy. Figs. 4 & 4A (1st 2 meas.)
Bb5/F
-
ly
G
seen
me
D/A
breathe.
Gtrs. 4 & 5
Outro-Chorus
And
if
I
Gtrs. 4 & 5: w/ Rhy. Fig. 6 (last 4 meas., 3 times)
D5/A
Bb5
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
3 2 0 0
0
Gtr. 7
D5
2 3 2 0 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
C5
fall
a
-
part
on
the
14 X 12
12
12 X 10
out -
mf 10 X 8
10
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D
-
Bb5
side,
and
(She
said
you nev
-
Gtr. 6
er
had
no
I
fall
a - part
on
the out -
rights.
if
C5
6
6
w/ slide
10
7
Gtr. 7
11
12 14 X 10 12
9
10
12 X 10
11 X 9
9 X 7
7 5
10 X 8
14 X 12
12
12 X 10
D
-
Gtr. 8 (elec.)
C
mf
w/ dist., wah-wah & slow flanger
side,
She
and if
said
11 12 14 X 9 10 12
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bb
10
you nev
-
er
had
no
rights.
10
7
10
10
13 10 X 10 7
13 10 X 10 7
8
10
12
10
10
13 X 10
15 12
a - part
on the out -
fall
10 13 X 7 10
I
13 15 X 10 12
13 10
D
-
side,
She
said
you nev
-
er
had
no
rights.)
7
Gtr. 7
14 X 12
14 X 12
if
I
rit.
fall
a - part
rit.
12 X 10
10
6
14 X 12
11 X 9
12 X 10
9 X 7
6
on
the
out -
7
10 X 8
5
14 X 12
Gtrs. 4 & 5
-
8
8
rit.
Free time D
3 1 1
12 X 10
3 1
3 1
3 1
3 1
3 1
1 1
12 X 10
rit.
2 3 3
2 3 3
2 3 3
2 3 3
2 3 3
2 3 3
Gtr. 8 tacet
side.
steady gliss.
7
12
14
10
12
5
3
10
10
3
0
9
9
5
0
3
mp
7
C
rit.
10
11 X 9
and
Gtr. 6
14 X 12
Bb
2
5
pp
5
pp
3 2 0 0
13 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Contraband
Slither Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner
Drop D tuning: (low to high) D-A-D-G-B-E
Intro Moderately fast q = 141 Half-time feel
D5 Gtr. 2 (dist.)
*** C5/D 3
3
mf
**w/ wah-wah & delay P.S.
X
X X X X X X
P.S.
P.S.
X
**Delay set at quarter-note regeneration w/ 3 repeats.
Gtr. 1 (slight dist.)
*p
X X X X X
X
mf
3 2 0 0 0
5 5 3
*Vol. swell
***Bass plays D next 12 meas.
G/D
D
P.S.
X X X X X X X X X X X X X X X X
3 3 4 5
3 2 4
Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 1 tacet * D5
f
Gtr. 2
wah-wah off w/ flanger
C5/D
12
7 X 5
7
10 X 8
7 X 5
1/4
7 X 5
7 X 5
10 X 8
12 X 10
12 X 10
10
Gtr. 3 (dist.)
f
3 2 0 0 0
0
0
P.M.
0
0
0
0
0
0
5
0
0
0
P.M.
0
5 5 3
0
0
*Chord symbols reflect implied harmony.
G/D
7 5
P.M.
0
5 0
0
7 X 5
2 3 2 0 0 0
2 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
P.M.
5 X 3
7 X 5
7
5
10 X 8
12 X 10
0
0
0
0
P.M.
7 X 5
12 10
0
0
0
0
0
10 X 8
10 X 8
** X
7 X 5
X
0 0
0 0
0 0
0 0
0 0
0 0
0 0
Ab5
A5
D5
C5
P.M.
3 4 5
End half-time feel
D
D5
F5
F#5
Rhy. Fig. 1
delay & flanger off
X
0 0 0
3 3 3
4 4 4
D5
0 0 0
0 0 0
6 6 6
7 7 7
10 10 10
**Dampen strings w/ pick hand.
0
0 0
14 14
0 0 0
3 3 3
0 0 0
0 0 0
4 4 4
6 6 6
7 7 7
10 10 10
Gtrs. 2 & 3: w/ Rhy. Fig. 1
D5
Ab5
A5
D5
G5
D5
F5
F#5
D5
F5
F#5
D5
Ab5
A5
D5
C5
D5
Ab5
A5
D5
G5
D5
F5 F#5
Play 3 times
Ay. End Rhy. Fig. 1
0 0 0
6 6 6
7 7 7
0 0 0
5 5 5
Riff A Gtr. 4 (dist.)
f
*Gtrs. 2 & 3
0 0 0
3 3 3
4 4 4
12
10
9
11
10
13
12
9
12
10
12
End Riff A
12
12
10
12
*Composite arrangement
Verse D5
F5
1. When 2. When
F#5 D5 Ab5 A5
you you
look, seek
Gtr. 4
10
Gtrs. 2 & 3
D5
C5
you me,
D5
see you’ll
right de
-
D5
G5
D5
through stroy
F5
F#5
D5
F5
me. me,
Cut rape
F#5
D5 Ab5 A5
the my
D5
I and
0
0
6
D5
F5
3
Ab5
4
A5
to the
0
D5
6
7
0
10
G5
D5
F5
F#5
my pop
-
knees. pies.
Born
7
0
5
0
3
4
F#5
D5
Ab5
A5
D5
C5
blood bro
and
-
ken ied
P.M.
0
3
4
0
6
7
0
10
D5
Ab5
A5
D5
G5
D5
F5
F#5
ev
-
’ry
sin
-
gle
End Riff B
P.M.
0
time.
Gtrs. 2 & 3
fell smell
Riff B
C5
rope, mind
P.M.
D5 Ab5 A5
6
7
0
5
0
3
4
P.M.
0
3
4
0
6
7
0
10
0
6
7
0
5
0
3
4
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtrs. 2 & 3: w/ Riff B Gtr. 4 tacet
2nd time, Gtr. 4: w/ Fill 1
D5
Gtr. 4
Ab5
A5
3
1/4
0
D5
C5
1/4
4
0
6
D5
Ab5
A5
1/4
7
0
D5
G5
1/4
0 0
10
6
D5
F#5
F5
D5
F5
0
Al
F5 F#5 D5 Ab5 A5 D5
-
ways
keep
me
0 0
0 0
0 0
0 0
0 0
D5
-
3 3
4 4
Ab5 A5 D5
der
fin
6 6
7 7
G5
D5 F5 F#5
see
some
type
-
ger.
6 6
7 7
F5 F#5 D5 Ab5 A5
That’s
the
spot
pleas
-
ure
5 5
0 0
3 3
D5
you
Ab5 A5
run might
to lin
in
mind.
D5
D5 F5 F#5 D5 Ab5 A5 D5 C5
un -
4 4
C5
where
my
D5
D5 Ab5 A5 D5 G5 D5 F5 F#5
of
D5
D5 F5 F#5 D5 Ab5 A5 D5 C5
10 10
3
Gtrs. 2 & 3
C5
0
3
D5
1
7
F#5
G5
D5
F5 F#5
-
me. ger.
Might
D5 Ab5 A5 D5 G5 D5
F5
(Ah.)
0 0 0
0 0 0
Gtrs. 2 & 3
3 3 3
4 4 4
0 0 0
6 6 6
7 7 7
0 0 0
10 10 10
Fill 1 Gtr. 4
0
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3
4
0
1/4
6
7
0
1/4
10
0
6 6 6
1/4
6
7
0
0
1
3
3
7 7 7
0 0 0
5 5 5
0 0 0
3 3 3
Chorus
Half-time feel D5
Yeah,
Gtr. 4
Cadd9
here comes
the
wa
Riff C
0
3
4
0
Rhy. Fig. 2 Gtrs. 2 & 3
6
3 2 0 0 0
3 2 0 0 0
7
0
10
0
6
7
-
ter.
It
comes
to
0
5
0
0
5
0
3
4
0 0 0
4
5
0
5
7
0
10
5
7
0
0
5
3 0 2 3
0 0 0
4
3 0
3 0
1.
G/B
wash
a - way
sins
the
4
5
0
7
9
0
of
you
I.
and
This
10
0
0
3 3 0 0 2
7
9
0
5
0
5
4
3
4
0
6
time
0
End half-time feel
D5
7
0
you
will
End Riff C
10
0
6
7
0
5
0
3
4
End Rhy. Fig. 2
0 0
0 0
6 X 3
6 X 3
6 X 3
6 X 3
0 0 0
0 0 0
12
Interlude Gtrs. 2 & 3: w/ Rhy. Fig. 1 (4 times) Gtr. 4 tacet
D5 F5 F#5 D5 Ab5 A5 D5 C5
see.
D5 Ab5 A5 D5 G5 D5 F5 F#5
Ay,
D5 F5 F#5 D5 Ab5 A5 D5 C5
D5 Ab5 A5 D5 G5
D5
F5 F#5 ay,
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 4: w/ Riff A
D5 F5 F#5 D5 Ab5 A5 D5 C5
D5 Ab5 A5 D5 G5 D5 F5 F#5 D5 F5 F#5 D5 Ab5 A5 D5 C5
D5 Ab5 A5 D5 G5 D5 F5 F#5
ay.
2. 2nd time, Gtr. 5: w/ Fill 2
D5
1st time, Gtrs. 2 & 3: w/ Rhy. Fig. 2 Gtr. 4: w/ Riff C 2nd time, Gtrs. 2 & 3: w/ Rhy. Fig. 2 (1st 4 meas.)
This
time
Gtr. 4
0
3
4
0
6
0 0 0
3 2 0 0 0
Gtr. 2
7
0
you
see.
10
0
6
7
0
5
0
3
7 X 5
5
5 X 3
3
ho
-
ly
1/2
3
Cadd9
-
ter,
Fill 2 Gtr. 5
15
T o Coda
15
G/B
it
-
burns
on
13
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
you
fast
1
13
ly
10
3
-
3 1
13 10
er
12 10 12
10
than
you’ll
1
13 12
6
15
1 1/2
Sorgdal
Like
5
0 0 0
wa
7
Gtr. 3
4
ev
-
er
dry.
D5
This
Gtr. 1
Interlude D
time
with
me.
*p
mf
2 3 2 0 0 0 *Vol. swell Gtr. 2
0 0 0
3 2 0 0 0
Gtr. 4
Gtr. 2 divisi
7 7 5
Gtr. 3
5 5 3
5 5 3
7 7 5
p
0 0
pp
3 2 0 0 0
End half-time feel Gtr. 1 tacet
Gtr. 2: w/ misc. pick scrapes & fdbk. (next 6 meas.) Gtrs. 3 & 4 tacet
C5
G
Oo.
Gtr. 1
5 5 5 3
3 4 5
D
µ
hoo.
7 7 7 5 0
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo D5
Gtr. 5 (dist.)
f
w/ wah-wah 1
1
10
10
13
1
10
10
13
10
1
10
13
1
10 13
C5
10
15
1
15
15
Rhy. Fig. 3 Gtrs. 2 & 3
7 7 5
5 5 5
5
7 7 5
1 15
P.M.
7 7 5
5
1 1/2
15
15
15
P.M.
5 5 3
3
3
3 3 3
5 5 3
5 5 3
7 7 5
1 1/2 1 1/2
15
5 5 5
5
8v a
G/B
5
1 1/2
5 5 3
7 7 5
5
15
5 5 3
P.M.
P.M.
7 7 5
14
3 0 0 2
0
13
3 0 0 2
2
13 15
7 7 5
5 5 3
P.M.
0
5 5 3
1 15
3
15
1
15
15 14 15 14
15
13
3 0 0 2
3 0 0 2
2
14
P.M.
3 0 0 2
3 0 0 2
3 0 2 3
3 0 2 3
0
0
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
14
12
15
12
13
15
12 13 12
P.M.
7 5
5
14
12
13
14
12
12
10
12
7 7 5
7 7 5
P.M.
5 5 5
7 7 5
0
7 7 5
12
12
10
5
3 0 2 3
0 0 0
1
10
13
10 13
13
12
P.M. let ring 5
3
10 14
End Rhy. Fig. 3
3
12
5 5 3
3
1
0
Sorgdal
1
loco
14
5 5 3
3 1
D5
3
3 3 3
3
Cadd9
8v a
1/2
P.M.
3
2
5 5 5
7 7
7 7 5
0 0
10
Gtr. 3: w/ Rhy. Fig. 3 Gtr. 5
5
1
1/2
Gtr. 2
1
1
10
13
12
7 7 7 5
7 7 7 5
8 7 7 5
7 7 7 5
0
5
1
12
12
5
1
10
12
1
13
10
13
12
10
1
13
12
1
10
13
12
7 7 7 5
1
10
1
13
12
10
13
12
1
10
13
12
10 12
7 7 7 5
7 7 7 5
10 X 8
10 X 8
10 X 8
0
C5
5 3
1
13
1
10 13 12
1
10
13
12
3
3
1/2
10
13
10
13
12
5 5 3
5 5 3
3 3
5 5 5 3
12
10
13
10 13 10
12
10
13
1
10
10
13 10
13
5 5 5 3
5 5 5 3
5 5 5 3
8
8
10 X 8
10 X 8
0
3
3
1
1
10 13
13
1
10
10
13
1
10
13
13 10
12
3 0 0 2
3 0 0 2
3 0 0 2
3 0 0 2
3
3 0 0 2
10 X 8
Cadd9
1
10
13 10 13
13 10
13 10
3
1
10 12
10
13 10 12
G/B
1/2
10
12
3
10 12
3 0 0 2
3 0 0 2
1
13
13
13
13 10
8
10 X 8
10 X 8
10 X 8
10 X 8
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D5 Gtr. 5
1/2
1
10
13
10
7 7 5
7 7 5
7 7 5
7 7 5
3
3
G5
A5
10
8
10
8
1/2
10
13
13
12
12
12
Gtr. 2 & 3
3
3
13
F5
10
12
10
12
10
8
0 0
0 0
0 0
0 0
0 0
3 3
3 3
3 3
5 5
5 5
7 7
7 7
Verse Gtrs. 2 & 3: w/ Rhy. Fig. 1 (3 times)
D5
F5
3. When
F#5 D5 Ab5 A5
D5
C5
you
look,
you
see
D5
Ab5 A5
D5
right
through
G5
D5
F5 F#5
me.
D5
F5
Cut
F#5 D5 Ab5 A5
the
D5
C5
rope,
I
fell
Gtr. 5
12
D5 Ab5 A5
D5
to
my
G5
D5 F5 F#5
knees.
D5
F5
Born
F#5 D5
and
Ab5
A5
blood - ied
D5
C5
D5
Ab5 A5
D5
G5
D5
ev
-
’ry
sin
-
gle
F5 F#5
12
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D.S. al Coda (take 2nd ending)
D5
C5
time.
Gtr. 5
D5
B5
C5
D5
A5
D5
A5
D5
G5
D5
F5
Ab5
F#5
1/2
13
10
12
12
13
10
12
Gtr. 4
0
10
12
0 0 0
10 10 10
12 12 12
Gtrs. 2 & 3
0
0 0 0
9
12
9
10
9 9 9
10 10 10
0
7
0 0 0
7 7 7
burns you fast - er
than
you’ll
ev
-
6 6 6
7 7 7
3 3 0 0 2
Gtr. 3
3 3 0 0 2
0 0
0 0
6 X 3
6 X 3
6 X 3
6 X 3
3 3 3
4 4 4
End half-time feel
with
3
15
15
15
13
15 13
14 13 12 10
12
3 2 0 0 0
3 2 0
3 2 0
0 0
0 0 0
0 0
0 0
time
17 16 15 13
15 15
3 3 3
1 1/2
3
5 5 5
1/2
0
0 0 0
5
This
17
Gtr. 2
0
10
12
dry. 8v a
Gtr. 5
7
D5
6
0 0 0
er
0
12
12
Coda
G/B
10
12
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
3 2 0
12 10
3 2 0 14
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Outro Gtrs. 2 & 3: w/ Rhy. Fig. 1 (3 times)
D5
F5
F#5
Gtr. 5 tacet
D5
Ab5
A5
D5
C5
D5
Ab5
A5
D5
G5
D5
me.
Gtr. 4
F5
F#5
Ay.
Riff D
12
10
11
9
10
12
13 12
9
10
12
12
12
Gtr. 5
12
End Riff D
10
11
F5
F#5
loco
12
Gtr. 4: w/ Riff D (2 times)
D5
F5
F#5
D5
Ab5
A5
D5
C5
D5
Ab5
A5
D5
G5
D5
Ay.
D5 Gtr. 4
C5
13
D5
12
C5
0 0 0
10 10 10
12 12 12
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
D5
13
12
12
Sorgdal
10
12
Gtrs. 2 & 3
B5
A5
0 0 0
10 10 10
9 9 9
0 0 0
Ab5
A5
10 12
D5
9
D5
10
12
12
7 7 7
0 0 0
0 0 0
6 6 6
7 7 7
G5
12
D5
12
F5
F#5
10
11
D5
µ
12
12
5 5 5
0 0 0
0 0 0
3 3 3
4 4 4
from Velvet Revolver - Contraband
Dirty Little Thing Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Keith Nelson F#5
E5
13
1
Intro Moderately fast q = 168
*E5
Gtr. 1 (dist.) (Bass)
G5
A
Bb
Rhy. Fig. 1
mf
5 5 3
0
6 7 7 5
0
7 8 8 6
0
*Chord symbols reflect implied harmony.
Gtr. 1: w/ Rhy. Fig. 1
A5
G
A
G
E5 G5
A
Bb
A5
G
A
G
End Rhy. Fig. 1 Gtr. 2 (dist.)
8v a
7 8 8 6
7 7 5
0
0
4 5 5 3
6 7 7 5
** p fdbk.
loco
mf fdbk.
9
4 5 5 3
9 Pitch: E **Vol. swell
E5 G5
A
Bb
A5
G
A
G
E5 G5
A
Bb
A5
E[b5]
Rhy. Fig. 2A
End Rhy. Fig. 2A 3
Gtr. 2
5 3
7 5
f
0
Gtr. 1
0
0
8 6
0
7 5
0
5 3
7 5
5 3
5 3
7 5
0
0
0
8 6
0
7 5
0
9 8 7
Rhy. Fig. 2
f
0
5 3
9 8 7
9 8 7
End Rhy. Fig. 2
7 5
0
0
8 6
0
7 5
0
5 3
7 5
5 3
0
5 3
7 5
0
0
8 6
3
P.M. 0
7 5
0
Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, Slash And Cash Publishing, Famous Music Corporation and Lick The Star Music All Rights for Ready Set Go Publishing, Pimp Music and DracSorum Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights for Lick The Star Music Administered by Famous Music Corporation All Rights Reserved Used by Permission
2 0
2 0
2 0
1 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Verse 1st time, Gtr. 1: w/ Rhy. Fig. 1 (4 times) 2nd time, Gtr. 1: w/ Rhy. Fill 1 (4 times)
E5 G5
1. Can’t 2. Can’t
A
Bb
stop stop
A5
G
think - in’, drink - in’,
must I’m
a
A
G
E5 G5
been cold,
A
trip - pin’ this eve kick - in’ and bleed
-
Bb
A5
G
A
My The End Rhy. Fig. 3
5 3
0
nin’. in’.
Rhy. Fig. 3
Gtr. 2
G
0
7 5
8 6
0
7 5
0
5 3
0
7 5
5 3
5 3
0
7 5
0
0
8 6
0
A
Bb
7 5
5 3
0
7 5
5 3
Gtr. 2: w/ Rhy. Fig. 3
E5
G5
A
Bb
mind wine
is is
rac - in’ numb - in’
de - mons, all feel - in’s and all
Half-time feel
of of
my my
A5
A5
Riff A
*Gtrs. 1 & 2
E5 G5
feel - in’s mem -’ries
are are
roll
with my
1
Asus4
4
4
in
6
6
6
4
1
3
3
5
5
7
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
7 7 5
X X X
X X X
X X X
X X X
X X X
X X X
X X X
7 6 5
7 6 5
7 6 5
7 6 5
7 6 5
7 6 5
7 6 5
7 5 5
Rhy. Fill 1 Gtr. 1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
5
*Composite arrangement
2
End Riff A
End Rhy. Fig. 4
7 7 5
the
1
1
Rhy. Fig. 4
7 7 5
Sorgdal
4
2
G A G
head
1
4
A5
numb. gone.
A[#4]
2 4
G
when I
Gtr. 3 (dist.)
1
A
Yeah,
f
G
0
0
0
3
5
6
0
5
0
3
5
3
1/2 P.M. 7 5 5
4
5
5
4
End half-time feel Gtrs. 1 & 2: w/ Rhy. Fig. 4 Gtr. 3: w/ Riff A
A5
wind
and
I
feel
like
a
A[#4]
Asus4
of
the...
king
Gtr. 1: w/ Rhy. Fig. 1 (4 times) Gtr. 2: w/ Rhy. Fig. 3 (2 times) 2nd time, Gtr. 3: w/ Fill 1
E5 G5
A
Dead
E5
men
Bb
they
had
A
Bb
lit - tle
Pre-Chorus
li - ar
with
C5
head
in
the
Gtr. 1
A
G
got - ten to - geth - er
A5
dirt - y
G
E5
with
G
you,
girl.
G
E5
A
a
mes - sage
clouds
of
ob - ses - sion
and
your
to
Bb
A5
world’s
up
G
A
G
But you’re a
G5
A5
A
A
Bb
come.
let ring let ring
G5
wish - in’
G5
A5
-
side
A5
G A G
You
got
your
down.
1/2
1
5 5 3
Gtr. 2
5 5 3
5 5 3
5 3 3
5 5 3
5
5 5 3
5 5 3
5 5 3
5 3 3
5
7 7 5
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
5 5 3
3
2
1
7 7 5
2 0
5 2 2 0
5 2 2 0
5 2 2 0
7 7 5
7 7
7 7 5
0
7 7 5
5
7 7 5
2 0
7 7 5
7 7
5 5 2
2 2
5 5
7 7 0 0
2
2
Fill 1
Gtr. 3 mp
*T
2424
24 24 24 22 20 17 12 24 24 24 22 20 17 12
Play 7 times
8v a
24 24
24 24
24 24
24 24
24 24
24 24
24 24
*Tap w/ edge of pick.
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Chorus Half-time feel E
C5add#11
Get
a - way
Rhy. Fig. 5
0 0 1 2 2 0
2 2 0
from
5 3 3
P.M.
7
11 10 10 8
the
life
E5
you’re
liv
5 5 3 3
5 3 3
-
5 3 3
2 0
ing.
Rhy. Fig. 5A
D5/A
3 2 0 0
2 0
let ring P.M.
3 2 0 0
3 2 0 0
0 7
7
E5
7
7
C5add#11
Get
2 2 0
a - way
7
0
5 5 3 3
0
from
the
7
that’s
7
steal - ing
your
7
7
Bb
P.M.
5 5 3 3
5 5 3 3
5 5 3
5 5 3
3 3 1
7
7
7
7
11 10 10 8
7
A
0
P.M.
0
11 10 10 8
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Get
a
C5add#11
-
way
2 2 0
0 0 X 3
0
from
the
drugs
you’re
E5
tak
-
ing.
D5/A
2 2 2 0
P.M.
3 3 3
Gtrs. 1 & 2: w/ Rhy. Figs. 5 & 5A
E5
End Rhy. Fig. 5A
P.M.
7
life.
End Rhy. Fig. 5
P.M.
7
G5
man
7
7
7 7 5 5
T o Coda
E5
Get
a
- way
from
the
G5
film
of
sex
in
your
P.M.
3 3 0 0 X 3
P.M.
0 0 X 3
End Rhy. Fig. 6
3 3 3 1
0
Rhy. Fig. 6A Gtr. 2
life.
Rhy. Fig. 6 Gtr. 1
End half-time feel F
Bb
C5add#11
1.
3 1
3 3 3 1
0
End Rhy. Fig. 6A
P.M.
0
1 2 3 3 1
3 3 3
Interlude Gtr. 1: w/ Rhy. Fig. 1 (2 times) Gtr. 2: w/ Rhy. Fig. 3
E5
G5
A
Bb
A5
G
A
G
E5
G5
A
Bb
Gtrs. 1 & 2: w/ Rhy. Figs. 2 & 2A
A5
G
A
G
E5
G5
A
Bb
A5
G
A
G
2.
End half-time feel Gtrs. 1 & 2: w/ Rhy. Figs. 6 & 6A
E5 G5
A
Bb
A5
E(b5)
G5
sex
in
your
Gtr. 3
Bb
F
life.
15
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Guitar Solo
F#5 Gtr. 2
P.M.
Gtr. 3
3
3
3
2
3
4
2
3
4
2
3
2
4
4
2
Gtr. 1
4 2
4 2
4 2
4 2
P.M.
4 2
2
4
3
4
2
3
let ring
2 2
2 5
2
let ring
4
2 2
2 5
2
4
2 5
2
4
3
4 2
4 2
4 2
P.M.
3
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4
5
4
4
2
4
4
6
2
2
4
4
4
2
4
2
4 2
4 2
4 2
2 2 4 2
2
4
2 2 4 2
2
2 2
2
3
1
5
4 2
2
5
4 2
4
1
2 2
2
P.M.
4
4 2
2
4
1
6
6
7
7
9
9
10
10
11
4 2
4 2
4 2
4 2
4 2
4 2
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
5
11
12
12
14
4 2
14
14
14
16
16
17
17
14
16
17
12 17
4 2
4 2
4 2
4 2
4 2
4 2
*
P.M.
5 3
14
17
1/4
14
17
14
14
16
17
16
14
16
14
16
14
16
14
16
16
16
14
16
14
16
16
*Played behind the beat.
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
4 2
3
14
16
14
14
16
Gtr. 1: w/ Rhy. Fig. 3 (2 times)
E5
P.M. Gtr. 3 3
Gtr. 2
15
14
12
14
12
12
15
15
14
15
14
14
12
15
12
15
14
15
14
12
3
3
3
11
14
P.M.
12
14
11 12 11
14
11
9
10
9
10
9
7
10
7
9
10
9
3 1
1
12 12 14
12 12
3
14
12 14 12
11
14
12
11 12 11
14
7
9
9
11
12
9
7
3
3
3
7
1
12 12 14
3
P.M.
12
12 12
12 12 14
15 15
14 14
12 12
14 14
12
15
12 12
15 X 15
12
15 15
14 14
12 12
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
P.M.
14 14
14 14
12
14
12 12
14
14 14
12 12
14 14
sex
in
your
Gtr. 3
Bb
E5
get
a
15
P.M.
7
7
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
1
7
-
7
7
7
got
your
15
15
15
15
-
P.M.
7
7
7
1
1
7
14
12
17
15
17
15
(’Way,
1
1
14
12
14
17
15
17
5 5
7
C5
get
a - way.
1
1
14
17
15
17
7
7
5 5
1
12
P.M. 7
’way.)
14
7
1
12
way,
Gtr. 2
14
C5
1
12
7 7 5 5
way,
a
E5
1
15
’way,
12
D5/A
1
12 12
Get
life.
14 14
12
E
15
14 14
Gtr. 1: w/ Rhy. Fig. 5
F
G5
Outro
Gtrs. 1 & 2: w/ Rhy. Figs. 6 & 6A
1
14 14
Coda
1/2
1/2
You
D.S. al Coda
1.
G5
Gtr. 3
2.
Bb
G5
Gtrs. 1 & 2: w/ Rhy. Figs. 6 & 6A
A
3
3
3
1
12
12
12
12
12
12
12
12
14
14
14
14
14
14
14
14
Gtrs. 1 & 2
P.M.
3 3 0 0 X 3
0
P.M.
3 3 3 1
0
14
Bb
F5
1
12 14
14
14
2 2 2 0
Free time E
Gtr. 3
fdbk.
14
Gtr. 1
14
14
0 0 1 2 2 0
Gtr. 2
*grad. dive
0 0 1 2 2 0
0 0 1 2 2 0
0 0 1 2 2 0
0 2 0
0 *Lower pitch w/ tuning peg.
-2 -4
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
from Velvet Revolver - Contraband
Loving the Alien Words and Music by Scott Weiland, Slash, Duff McKagan, Matt Sorum and Dave Kushner C
Cadd9
Am
32 1
32 4
231
D
Dsus4
132
Em
G
12
21
Csus2
134
2
F
34
G/B
34
1
134211
F/A
34
3211
Gtr. 11: Drop D tuning: (low to high) D-A-D-G-B-E
Intro Slowly q = 62
Verse Gtrs. 1 & 2 tacet
** C
C
Cadd9
Rhy. Fig. 1 †Gtr. 3 (acous.)
mp
let ring throughout
1. Some-times
*Gtr. 1 (elec.)
*** p
10 13
13
10 13
I think I’m scared,
Riff A
Gtr. 4 (elec.)
mp
mp
13
12
w/ clean tone let ring throughout
13
12
12
10
8
8
9
***Vol. swell
*Gtr. 2 (elec.)
mp
5
4
5
4
5
5
5
4
5
4
5
4
*Bkwds. gtr. arr. for regular gtr. **Chord symbols reflect implied harmony.
Am
†Two gtrs. arr. for one.
Em
7
5
5
I
5 9
some - times I know. Gtr. 4
End Rhy. Fig. 1
G
9
8
feel like mak - in’ love,
some -times I
7 9
7
8
don’t.
End Riff A
7
Copyright © 2004 Chrysalis Music, Ready Set Go Publishing, Pimp Music, DracSorum Music, DTK Music and Slash And Cash Publishing All Rights for Ready Set Go Publishing, Pimp Music, DracSorum Music and DTK Music Administered by Chrysalis Music All Rights for Slash And Cash Publishing Administered by Sony/ATV Music Publishing, 8 Music Square West, Nashville, TN 37203 All Rights Reserved Used by Permission
1
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 3: w/ Rhy. Fig. 1 Gtr. 4: w/ Riff A
C
Cadd9
Am
I feel like let - tin’ go,
may - be not.
G
Em
I feel like giv - in’ up
is all we got.
Pre-Chorus Gtr. 3: w/ Rhy. Fig. 2 (2 times) Gtrs. 5, 6 & 7: w/ Riffs B, B1 & B2 (2 times)
F
G
Rhy. Fig. 2
Gtr. 3
Some
-
Riff B1
Gtr. 6 (elec.)
is
all
the time,
times
F End Rhy. Fig. 2
and
nev - er
means
End Riff B1
mf w/ slight dist.
8
6
Riff B Gtr. 5 (elec.)
8
7
5
8
6
5
5
7
End Riff B
mp *w/ slight dist. & wah-wah let ring throughout
6
4
6
4
6
3
6
4
4
3 4
3
3
4
4
4
*Wah-wah used as filter throughout.
Rhy. Fig. 3
Gtr. 4
3 3 4 5 5 3
6 5 7
Riff B2 Gtr. 7 (acous.)
Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
3 3 4
5
3 4 5
6 5 7
7
5 6 5
5 6 7
End Riff B2
mp 3
2
2
0
3
2
0
3
6 5
may
-
be.
F
Some - times
is
G
G
all
the time.
Fill 1
Gtr. 8 (elec.)
End Fill 1
mf w/ slight dist.
13
Gtr. 4
3 3 4
4 5
4 5 5
4 5
3 3
6 5 7
4 5 5
6 5
6 5 7
0
Chorus C
mf
May
-
be,
and I’m mov
-
in’
15
15
13
13
5 5
5
4 5 5
w/ slight dist.
0 1 0 2 3
13
15
0 1 0 2 3
13
12
13
15
13
13
13
12
13
15
12
12
13
12
15
12
12
12
15
12
13
12
12
13
15 14
Rhy. Fig. 5 Gtr. 4
3 3 4
on,
Riff C Gtr. 8
End Rhy. Fig. 3
Em
Rhy. Fig. 4 Gtr. 3
6 5
0 0 0 2 2 0
Rhy. Fig. 5A Gtr. 9 (elec.)
mp w/ dist.
5 3
2 0
3 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
F
15
13 14
and I’m
-
in’
on.
15 14
mov
12 14
15 14
13 14
12
13
15
14
13 12
3 1
5 3
C
Cadd9
(Some
15 12
-
12 12
times
I
15 12
13 12
feel
a - lone.)
12
13
15
12
13
Em
And I’m mov
-
in’
13
5 3
4 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
15
13
12
13
15
13
13
13
12
13
15
12
15
12
0 1 0 2 3
13
End Rhy. Fig. 4
on,
Sorgdal
3 1
13
3 3 4 5 5 3
15
1 1 2 3 3 1
15
12
G
0 0 0 2 2 0
2 0
13
12
15
End Riff C
12
12
12
15
12
13
12
12
13
15 14
F
Gtr. 3
Gtr. 8
and
I’m
mov
-
in’
C
G
on.
1
15
13
15
12
15
13
12
13
15
15
13
15
15
15
14
14
14
14
Gtr. 10 (elec.)
14
14
12
12
12
12
*p w/ dist.
mp
1
13
let ring
1
Gtr. 9
3 1
0
5 5 3
5 5 3
End Rhy. Fig. 5
End Rhy. Fig. 5A
(dist. off)
0 0 0 X 3
2
1 1 2 3 3 1
*Vol. swell
Gtr. 4
4 5 5 3
Verse Gtr. 3: w/ Rhy. Fig. 1 (2 times) Gtr. 4: w/ Riff A Gtrs. 8 & 9 tacet
C
2. Some -times
I make be -lieve
Gtr. 10
when we’re
14
a - lone.
Ma -chines have tak - en hold.
1
13
Em
Am
Cadd9
Can you
1
14
14
13
5 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 10
Em
Gtr. 4
Am
I
still
that
9
8
14
8
3
8
7
9
7
10
man
makes
who
9
6 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
8
5
5
G
you who you want
to
7
1
7 7
8
7
be?
13
9
5
1
14
13
1
8
14
used to see.
14
10
Sorgdal
13
9
you
1
13
It’s just the lit - tle things
13
Am
a tel - e - phone?
1
Cadd9
get me to
C
G
1
13
1
13
13
Pre-Chorus Gtr. 3: w/ Rhy. Fig. 2 (3 times) Gtr. 4: w/ Rhy. Fig. 3A Gtrs. 5, 6 & 7: w/ Riffs B, B1 & B2 (3 times)
F
Some
-
times
Gtr. 10
all
the
G
is
Gtr. 10 tacet
and
nev
time,
F
-
er
means
pp
13
may
-
F
be.
Some
-
times
all
the
Gtr. 8: w/ Fill 1
G
is
G
time.
Chorus Gtr. 3: w/ Rhy. Fig. 4 Gtrs. 4 & 9: w/ Rhy. Figs 5 & 5A Gtr. 8: w/ Riff C
May - be,
and I’m mov - in’
G
C
I
feel
F
Gtr. 3
Cadd9
Gtr. 8
-
in’
C
and I’m mov
Em
on.
on,
a - lone.)
and I’m mov - in’
And I’m mov - in’ (Some - times
F
on,
C
Em
G
on.
1
15
13
15
12
15
13
12
13
15
15
13
15 15
14
14
14
14
14
14
12
12
12
12
15
7 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Bridge Gtr. 8 tacet
D Gtr. 3
I
Gtr. 8
Dsus4
D
nev
-
Csus2
er
no
-
ticed
how
pp 15
Gtr. 11 (elec.)
mf
w/ slight dist. let ring
7 0
9
7 7
let ring
7
9
7
7
G/B
love - ly
were
the
al
Gtr. 11
-
3 0 0 2
D
D
I
8 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
er
7 9 7 X 0
7 9 7
2
4
7
5
5 5
were
the
2
al
-
i - ens.
0
7
7
9
9
7
9
7
9
G/B
no
7 9 7 X 0
4
5
Dsus4
Csus2
7 9 7
2
5
D
3
4
7
7
love - ly
7
-
ticed
how
5 5
love - ly were
the al
let ring
7 7 0 0
-
9
5
5
5
nev
7
i - ens,
4
Dsus4
9
8
5
6
-
i - ens,
3
let ring
6 5
7 5
5 7 7
8
7
8
8
7
8 10 8
7
D
love
-
ly
were
the
al
Gtr. 10
Guitar Solo D
-
8v a
3
10
10 12
15
17
Csus2
9
7
7
7 7
9
1
5 5 3
9
7 7
7 7
17
17
7 7
G/B
loco
1
17 15
17
0 0
0 0
0 0
0 0
16
10
8
3
1
17
17
5 3
0 0
5
15
17
15
8
8v a
15
7
7
1
17
Gtr. 11
7
1
7
i - ens.
f
8
12
15
12
12
12
10
10
4 5 2
2
2
8
4 5
4 5
4 5
8
2
2
10
0 2
9 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
D
*
1
10
8
10
8
7
8
7
5
7
5
8 8
7
5
4
5
4
7
5
7
7
hold bend
1
10
8
8
8
0 0
*Flip toggle switch, simulating re-attack.
0 0
0 0
Csus2
7 7
0 0
3
10 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
0 0
5
8
0 0
3
8
5 5
5 5
5 5
0 0
0 0
6
3
3
7 7 7
0 0
7
7
7 0 0
0 0
0 0
6
1
8
G/B
8 8
7 7
0 0
1
8
3
1
8
3
8 8
7 7
1 hold bend
Sorgdal
5 5
1
8 8
8
7
7
1
7
5 7
1/2
7
7
7
5
7
9
7
9
8
3
2
4 5 2
4 5 2
4 5 2
4 5 2
4 5
2
4 5 2
2
9
10
Chorus Gtr. 3: w/ Rhy. Fig. 4 (1st 4 meas., 3 times) Gtr. 8: w/ Riff C (1st 4 meas., 3 times) Gtr. 9: w/ Rhy. Fig. 5A (1st 4 meas., 3 times)
Gtr. 8: w/ Fill 1
G
C
And I’m mov - in’
8v a
6
3
6
5
1
8
12 10 13 12
10
13
12
10
13
12 15
18
17 15 19 17
1/2
20
20
0 0 X 5
0 0 X 5
0 0 X 5
0 0 X 5
0 0 X 5
0 X 5
0 0 X 5
0 0 X 5
0 0 X 5
0 0 X 5
19
19
Rhy. Fig. 6
0 0 0
0 0 5
0 0 X 5
19 20
1/2
0 0 X 5
on
1 0 2 3
Gtr. 10 tacet
Em
F
and I’m mov - in’
G
19
19
8v a
19
I
feel
a - lone.)
19
2 3 X 3
0 0 2 X 2
Gtr. 11
on. (Some - times
Gtr. 10
End Rhy. Fig. 6
4 5 X 5
11 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
Gtr. 11: w/ Rhy. Fig. 6 (2 times)
C
And I’m mov - in’
G
on,
(Some - times
Em
F
and I’m mov - in’
C
Em
I
feel
a
-
And
I’m
mov
-
in’
on,
lone.)
F
on.
and
I’m
mov - in’
G
on.
Outro-Chorus Gtr. 8: w/ Riff C (1st 4 meas., 2 times)
Gtrs. 3 & 11 tacet
C
Em
Rhy. Fig. 7
Gtr. 7
And I’m mov
Gtr. 3
-
ing
on,
pp
0 1 0 2 3
Gtr. 11
1 0 X 3
12 Digital Conversion © 2011 Sorgdal - For educational use only - not for sale or trade. No warranty of accuracy or useability is implied or claimed.
Sorgdal
pp
Gtr. 1: w/ Rhy. Fig. 7
G
F/A
and I’m mov
Em
C
-
End Rhy. Fig. 7
in’
on.
F/A
oh,
C
Gtr. 8
15
13
13
15
and
13
12
13
15
13
13
13
12
13
15
And I’m mov - in’
13
13
Gtr. 7
I’m
15
G
mov -
in’
on,
on.
13
13
13
15
13
12
13
15
13
13
13
12
13
15
13
pp
1 0 2 3
Begin fade Gtr. 8
15
13
13
13
15
13
12
13
15
13
13
13
12
13
15
13
15
Fade out
13
13
13
15
13
12
13
15
13
13
13
12
13
15
13
13
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