M.
an
ill. ill.
lu tr oiil oiil
e:x:ot:1Cl
is!'ltru.c.k an f' thi.a high l.
illo illo
lo
bel"ol"'e t,ne Ilt shell
visitor
Involuntarily,
I!I
is E1tten ticlU. ca.pwred l'e.marka 1:ndl 1:ndldi di.n .n
by
th
peaks is 'iE~.eat:rcnio F O & r n . " b!!ligJtl,t some 70 fo t§ perl'ormad in 1.t1 is th crea.tion celftb celftbr,a r,ated tedFr Fren ench ch (}or'busil!lcf'~ th etf S\da iii archit Fa ill. ill. :l :1 a.nd :m Th!!ll Fo th tl!O ca .c i."" i."",m ,mente ente nd th1!, La test scieatifi e : . n d . tl!O O.lI.iI!!i s.n~.. "E1PO th iq ,1955 that 18 ze .. l. tb,o tb,o ssll ssll on thouEtB.Dds "tDrs Btl"ea.m :v o~ly fo de91.g1l. nd eztre ,. ch eztre.o .ord rd:i:n :i:n r.l( r.l( oonBt~ct1on" t."'l dari~ for thl"l tr ji,D ji,D,d ,dex.trawg8nt td. th mhib1tlQn" te
enclos ilJi:'e br.nmd
B . : a . almos
empty Cive:r Cive:r his
dri! dri!,! ,!
u;rf u;rf
'b
finRll;y thus a51 i. 'WiI!!' 'Wi I!!'re re au.rpl'bl!ld~ be gazes lJ.:U!l.p seeking seeking about lJ.:U!l.p underlying id is if ic lt to grD..ap
by ea
ys
9.
abacari ty e.bov\!!I.in c,ne
le.rge-s'cale iRiB guI"e
·h
us
Te
.t first f1gtU'1!
fOl" th
,glilUl(l8 ,glilUl(l8
ap1ces Budde!llly- reoognises thfl l. ible ible t. ra d" ha:nging by &. scarcely aeeond apex e' diSCOVeirBa. there nude and ha. wi only is torI' up its. SlioTet dea.thly qU1et ..Itt wh ther ther th ,s th to 5,ymbol;'!..3e question of" :a ttl!!lI' .and. 113.
human d . f 8 n , c e l . s 5 . I l e s & fAcing .f iB Jl
f'
imagll!'l6
to happen c:ola re
BOW
sounds Ia
'l ti
enl!!d enl!!d're 're.t:l .t:lng ng into into
th
et
th
is atill
:L.
npoem!1 stfU"'ts;
over
wave
h1m~
iii
second by secD.nd
shorhr
a. ti
lIlomft'Dt
L1f,eleB6~
appeal"
i1;S
walla
tha.
CDll.VerS
Qn!!'
head.
CiID
There Le king
Ii ;h
dB
re tile tile 'Cui ld ll'l ll'l1a 1ard rd
1y
toI'a toI'a., .,
to
symbolizing
othel' symbols,
a.nd.many le
ii
,,"
dra.watio. :9tOry ly .n areco tiEl tb hw:na.ni t; ereation~
rigS
COl"
W'Dl' tl j,
a.ke't c:hy 19
Borne Borne yth
haa
tbe
na.r Lc
is
IJ
"Thrf!
.symboU2IBd 'by
It IJ th
t:
Bort
is DIll;:, Poem,n is
li
nd the
ta 1t ,s
vi'I'tue,
ce .o
EIJ.'Il
ia
Q1lI.
th
\UJ&'ble
i9 rat:t rat:tl. l. ir li hu't ~uI'1olUl.
fl.
1l000t .o:f ttl.lr!
rl
The
apclthao,s
nothing mCJ~e
nothing by elactro-aoDUB t1
ro ided ided
poin tlss6
half togethBlJk"
a:.rc:h:iteotural ,i th tmyB't yB't ca th.e th.e ]pia ]pia-o -o er :f ,9t~ed. the. interp rpl'e l'eta ta.t .tio io.n .n!l !l .d allusion, inte
Pa.vilicm.,
to
ll
to
whi.c:h
1,.8
"e
119ft 1"
nd
O1U:Ldsextreme
lain laintiv tiv
bytuI"liS
J]
nd :1''9e11y thout
fr :f irs
1y
i9 whe. Il ,o me by
ya t.
frightened
hears
oompOS,8'.r Ed.gar whiEl tl1rag !3 ounda;
thiLmder9
1i
It th ~IElaa tronin ro .nce .nce .e as ~y an
bu
.int 'IfOrld. whic whichl hlIl Il.1 .1l: l:.k .k.8 .8 10 th indiffe':rentrl!d ta le Sou. Sou.nC nC ef£e ef£ect ct this
tB.ke :J.oth :J.other er lane lanet. t.
Corbuaisor
lass
notices
ly .hlivea
11 trip
IDorcl.a.nt
pUI"poe The:r ~OV9 louC1spea pea.kB .kBrs, rs, to 1'J louC1s pOW:'ing for tlh E€lard. for the
they
th
of'
see
tl.:1J tl.:1J'e 'e boa o t
:i gs
th
i3thir'sataning
(lll.Eln,C
of hancU.ng that rec:si V,ElS
Mud!
em.e
th
walls;
::fl ::fll: l:1I 1I1: 1: BI!l BI!l.d .d tt en a.t the, 8a!U 8a!U ti e.
day.
ta~k
,9ca,lpel~,
enteri.ng
he
iC
a1
OF
may
that 13 1.Ulpa 1.Ulpala la ta.b let.n:l let.n:l oh.ea
of
'o
Clt.herM
thEii
ll
,.he
re noth:iJ"!..g to they wQul . n
is only theauri an ra otranilJ
CIprel!!lfiellt
I1l
eI ea terityli.
(d:
ari tag
m'
a,
to
over
o.m.pri:ill.~ rt II~ liMa
(lone (lone ern
:r
be
1m-at com,pos! tiona
c,c:ll
f"Man. atld:
If" t, re nd llihi te ima.gB is,~
" !I!I f
clea clea l' tt to inc for ~m.Q.nyBlJ.d 8lld bappiheSH how CB. ta.a ta.atr tr ha.ol;l th Ie ate
st:mggled
0n
11Ha.nnony
t1.ll"GI:!
N,I;H!eJl.
UlIll'l. e:r '9
nUillel.y
girls,
a.cstract
01'
in hndell:l
~A
h6:tween
lie
maskE, ke 18 tone tone et st al
;r
's
one
cal
:£I.
ennl,
01'11tura
point a.nd
i8
t.her
it moves
oI1..Ild gh.t
iil.'01,y does
to r'Qu.ow whetl th 1'0 aJ:' fills
,f'a
th al:mes
There
r,
aD
aI 8'
4DOlouQlBpeB.ke:I'B
them: th
f'ae
B,ir
chBngi
tarJ. tl :a
th :m
,~O.
Be is th -t
ea Ie
th
:f
colD\U"~ Tn!'! p~oture!-CI.Ild.-eound ut '. ju
.E!I
ru:u yellow fluorescent light of eya te.1m of ol Tlc,tating
i:w~
of'
(nmda
h1,JIDBJloped
anter~mto
timesim en
'ing co.
the'plot
1l1'Clj
rOi.md
ectad
"by-
du
ss
ted by e:nd..
balloWB
tlfTO
ompl
nvey
te
J3..
is
Ve intO'
,iii
light to is th
mere
a.n.d.
!llHiiBag'
OElssa.:ry that
Bcena
lc
liibt
in th
th
eyes.
tim.e~tll.ble of is time -ta.b
to
and ii!I.
IIrn.Jlutage
DuriIl,g
bllt would!. be befora-mentirnned,
te
oall
~!seGo!!'J.dege II•
suah
B.
must b~ screane ge e!
chord to
btl.
a.ll
a.':n.u·e. Am th
of ment.8.
b.
he components
n,vey liem.ar.
rt
picture light
IIl.a
'o
th
,;tb.es6
light:, th in th en cornea ll i::nJ.rat of again eU arJay
it
.o
l.Jn
their :!lpe ilrg th ;r fla.she tha.
lo
1I,U
is
ther
tS;
t.he
ti
co cn ts sequen,ces l' aO lo pa ie'd Y' lUlllinous :! l"'a.l dx·e red, lUeB ,green.~
an
Pl.C
li.s t. t'lWllber between
Val'iaB
18
fl,
th
l:J1lage!:l
by
te
B.l'
mi
tI'ell'n
oa.ta_~trophe
tLEIlS!,
thund.elt"oul'l .n
explosion
1n1.l.8ic
e.m.e:
riDlm
try
ha
The
and
upwa.rds
tame
Th
tw
tawing
of
to TE 'f 1mpr eSl;l on
sO lIle 1l'h
Bt
rlgb.
th OJ:'
tt
SliElot!l.!.C
maGsa,ge
at
that
La
together ufina.l rbuaier is trying
lo nt'r,e
ti
ut the be
mdianaa.
a.rEl
a.rOll-ud th
it:n.e
d. Th
a.dmira:tion IlElectronic
nd
us
thOlleand
en ti
to
ny impression
nac9ss,.!UY tired ,out
ther
ti 11
te
A.tomillDl, they
ic.a.l WOndBl"B th faceD viSitors
ds tic Howe\rfll" t.hey all aceptioislIl. a.nd 1lil.9tOniShinB'~ fascinating
sed"
- - .- ! i! S '- c
- .- -
1£ C O R B t T S l E R I'
1 EC TR OU I
O EM i
(Brussels
1b ti
19 8)
by
AIUS A E N A K I S
ment La
t1vB of ,Mr Lo 1.
D:ue i'or ex
with-
1 9 5 6 a.nd, RskeCl!.
rb~.u !ie 'early
]pC!.vilio
fOl."th
im to
BruBsel,i;!'
1'1 tba.t th.ere Tb mee;ns tOprOlllli tecl ic-a gu_i cied lO fo - 6 , 1 ' 1 . 8 futlU'
for snowiD,g even th mo ou al:~ pl"logres8 in th eli.
such wa ma.n1.rl'ac-m.re !il.Iticl,e.
,a~bai:ng
80 1l
E,leotroni~ poetical
lIiI
concootion
lnteld
~,-'),."aloro:
co .p
'a
nt
th
fo
4) rhythm
light
Al th Pu.bli
I::" tinie an
,\
I.e Corbuai,er': ja ,m fi ,:
ins:
firm
~.) • Boun
c) M'chitec,ture will !3
roduc,tiQn.
amEl ti:r:!lS
the
'lJ1he EleGircnic.
,ynthes cces ce eS9,ories used
m.inuteB!I~
'e ,b rate
th
ti
Ute:lttbook the visual tran.s:iE'ormatioD from the micro-co B! 'baby
of real
th.e stars~
th
.t
th
70"~ th
is tOl"tiou
ql ,a
lIIinu ea;'. wa,s I3,n i n t e r - l l l d e .
composem !!'orel'unue;ro
is
betng
t,uy musio,
Bing
ta le
lo ie
SIIlall er
und-di (D rati
-a
iati n.
os
rhyt:lm_ic.
01' this mUBicpisce Corbuilliliil:r', to
-2
~~ with tr ta concave, OCrIV' SX, ro eotillig PI gun. tubes" c:amen 9h 'b f'aste:ned by irn'lune
st
was plannecl as rtf re ne
pavilion th is th na ns ionato
clo'sell'l
in
~ndl
1"oo:f.
o1t
:r je ti )n:~ rele a.sa. at
50
ab ou
pel'
ns
W'lsll
oo
thyra.t:rOD a.pparatUB faI' BrEI recorded cmma.gnEl
te
Mus:io
.a
aa
tape~ Le Co.::rbudel'
6sked bali pa vilio J 1I . ~ a.."1 a.r-chi.
cling'
.n
r,
ra ti
V'
compcmen tiS were
ti
Th
fa 11 lIltorior Tw tu.b
Iii
eb
lU'f
tW
corl"ido,l"s
li
en
ic E;xtreme ly
(nuner ous
ll
ru..
(The Kalff).
qu ti
tl"O- a,oo'lJa
dl.irJg
p;:Issibil1 1id.1ldl'i1Hii
.con
iv
tandlin only m~ "s tomacn u)
1u [Inti
b~r
)o
cCH."rflSpO:l'l.-
et
til:!
hO
art.ie
Htudy to Liiscard
f'
fl'
'1 ar-a.l.Le ].
em SUI" f'
(1'6'ViH'-
II); al'cned.!!lUl'fac,es
with
ging I'a d:iu;
j1
Il
tu:::es~ ea.t ch.iQ,g~ re
4)
tr
echnical
:r lU
ie
,, ceiling.
light;
cr
tb. E~ Lafail
:I gelf-
th
acpllll
ed.g hyper'bolio-
of'
't
~I ds
co
iq
""
if
1e
.:t:'B.b loid
in ti
and
ding
ticm
Ji
d.
;r
rb ic
;r
loid
ao:nah forma
p"I'actica.l
iIIlfii! Th.e reBult:iln,g
:!'m
Il tiClally
pla.atica.lly
organic;
.l.nterior .....1c. .s ltin.g
Fig..
Fig.
,~ Th
Elab
th rd
e.
fr
"h -l
rc
th iI"s tw ci !]l ft ctura f.,a,t
,yp rb lic- !U'a
d.
.self-sn.lpporting, !1,
com tru.ctio
bs
realizad.
,e :: 'f
too o:rder
ta
se'!lsr-a.l 'i 'e
90 many
physic!.::: (Mr. ty :n DUY,B tar.
On€!
M: Within
f'or'tnigh
tb By
i!3.C
el
1.
be
tionB
of
fl'ofe !u::l
othe:r.
rm
thB
OD
tl'UC
llrul!'.u;lels,)
STRA.:BED
omplbhad
.)
18 fo
:r th
li
t-
,;
Qr
by Gs
:p
yper c~ ra (l ri bbWls oftna l5lel£'support.in.g
Th pavi noVeltymt,hregard. pe:ra.'bo id SI
tiga,
wa
possible
th
1 9 5 1 : 1 rep:rBBe.n.ts 'te ni .l HynthetieaJl1l1ica.tion (hyjerb licf' ne
ft top Elch nicians ,;notice ahar work ign Ol"e.:JlC 191 imine. te,d,. .I l&if' rOver(to'ming H. tnutual th te,c ca 'IT\6U these QUh th.eirBcientificas resulted:tn cl'eation TlElver fE!l'fcrm d. efore", 11
ooperat intagr1 ty which
:wi
inEl trIm
by
ir tJ;"lHl t:h.lm d.efined
fi!Wol"a.mi.c screens, ~a. tu ,t a.lt rne, te l;y' ca tiug
lf
by
fe
anrl[
nd
800nd
mQvement~
froze'n
l'l'orld wh.ere they
By 400. dd loud pee. e: sl S;lU'fe.ces of th .vilio ('7500
ac
is tribu.ted
m~)
th
but
cocoon o:rnusie,:t"
reSDlvi.ng pictures; colou:::r;>a~; 1 " l a . :b f' ', ct Ulllina. tiona gics dtra@Eldie • ~ elll thes9 countless
lllIudi!mce fo is te en el"tain ty a.nd.
C6 Q.
light
DuNster
Mr'Q
ti
eonnee tion
ty
twlE!
Now the revolving apacHa~
titE!'
d.i.fficul
.e "e ;.
O'tlly llr ~Vreenl.iELn b:lU'ghand f f. ~ pexspic aoiou9, pa.,tien espe emily Mr ,~II"~ Ta..l£~,th of~hili:ps. QOuBt:iG S}:h3'ci .lis
cl techni~a.l
8n
th ut dlifficulties
terr
te te.ne OUSI, eomprehen!:l;to saqllenc
en th is acoustically
othSl·.
ma.gnetic
90
conduoted au toma ti
Th
Pa.rl lion IeI' th
l,li
cmtsta:ndi
ex
technical
1..
eynt-h.eeis tica human C;;!11B.ci
1)
2 ) E n r an c t'l)
En
lrst t o m ) Entrance
point.s
walla
E:d.t
H,ypen'bom
ca " f . . n . g a.r ch .;
yperboli.c
ee 11.1..
surface
raboloid
UTva
1) Entrance
2)
Se on
po
rd H'ype·rbolio
9)
paraboloid
iro.
first
tw
'l
't
"l
in equilibriu
Rafi.nemen
F l. ra t p oi n
5)
sUl"Iace
of
ac Thi.l'ti point
Too hyperboli
6) Entra.noe
~abalaids
~cnci
e) Hype ro 1e
J)a rabo
er
rv
10)
_~"I!!Il'
II~
i i l I [ ' -
th
,am ar ElectrO'nic archi teoacoue,tical
TH
~a
J;lAVILION
P RJ -L IP S
US
e ch n
ea
... iiiiiji,__._iiiiiiioiiiiji,iiii;_'-:
__
195
WO
'=-__
at
!!l!! I!!! !'!'IIII!!a
Automatic contro I.e
Poeml'f)
!S
te -w
had., to be
e.d,a dat'em.ine III every th c: ba.d
ti
This
,SCI"
ct
th
ut
lJ Bence
ch
basis
on:fi£;1ll'ation
d,ivisions
time
r- 'gl'm
the-
action
o'rder p:t1:J,S:I'a:rmo.ial
section. !l opera.tions .v to take co lour JI 'l'I'i ld with-the prOgr'Bm.
fl.
th.B
could
hi
aut",
th
basic ovel' :. o:u.lld effect
JI
OOlmlillds
ti th ,whicb. traces the oontrol
hu an being,
i1
iller
cm,rtain
ds
th
only effeoti1;!'e
B.
should
be
spoken 01' humanrnvention~
a'xocute,d ll.ur e.
e.
sound.
ck ce bead. is
is 'I
th
"Bcor em 'r
t,
ord,er Bcript
a.courately
eriorm
is a.pparatus picture. mt:l..ElI'
p:l.railel
com flll.d is
nevertheless
fo
:require rm :nee~
tha. th eI
pt:l
indicates
commands,. Th ti ra tu
,o
ti
Bingle'
forms
of'
s1 ound. ii'~ the er
9.B
gi\l'ing
g1
omIllBlld
th
al taring
rd
La
ay
:relay. l,Bngu.age"
IP
'a
OBll
knOWIl
se
life.
traced
The
recorded
et
which
tak.B
th
,g ne:Jtt to t:raak, Wh 81 ei ng ill1.lJlli1ia light variations
e... .l
in
ta.p -r corder B. na.rr
place.
6,
sisnait1ve magnetically head" c811 "r co :r with Th
rp
tri
th
1m~, the
en.si.ti
film
runs
'i
ph. to cell
a.
language
I~
rocol'd.-
photogxa.pldo
ad
th
la.yer. sa
,B,
ring-sli "Ded electro~magnl3t te'rl'la ting current et -01 the!':!oundin icroph e. ,B 't current amplif'ied, a3 modula.tion cau_e inga. electromagnet. of th ;ryi tate of magneti sI th ta e. I' 'eFoduct cn,~ Bl el ctro .gne 9imilar EI.I:P omas in to action II in the IIplq_ back talre I"e er roce varyi.ng magnet1z&ti on N O I ' l ' th w.gnert, flO voltage tel'l'1ating tI'&clt 81 a.gai-n read to e::ra:sElan,}, 8l'l Ilera.Hi.ng head" if neceasa.ry, l'eccrdillg., is .Bwit chilli previous re rd rt th li ri a. ·vi.1'ginal applied th£t popular ta re '. EI uae'll 8. home larssl", .Pr;iJ fessio.nal
version The
th II
ch
f'
chitull.
trani.e
tb.1E!
tiro
avilio,n ..
co
t.a.ke
Ba
-m ti
9l'f'ota.p
ll
ye tern
poem
mb magnetHltape th ta.pe is pMHI"edUtI' ough have ib en in tallied which
I' d,
ti-t:r c.
II'
rdl.Dg
th
.ilound a.
unicat.i ns,. etc ..
this
ape
I.pe'
th
Philips
:n fo th an toma. r,aco:t'd.i.n,g iDe fo tracks ca ,ac'c,ommodate t'!.f'teel1-tra.ck ta:pe. ea.cll of th twel V'1ll diff'eren da freq.ue nci,Q 9, W. iloh twel times fifteen com enci tape i6 thlle capable of giving 'Ihose dura.tion y, 81gh ty ,a desir-ad. be va.ri!e flU" th SI'lllcre ,aIl
:f
suff:iciently
Comman,d:unit
These
behind.
requir,ed
cho_
light
s,
en
du
01'
th
differs
s,
90
0c
sp
complicated lQud!'lnea.kera fo to rur;
loud
eakers
of'
I:lsed in
th
3U months
auld
ct
avoided; 91.,400-
ud ape' ak'IU9 (one
exchanges. which ty e' ,Apa.rt ralD\Y'B va 4-arm with 100 contac t9 I' fe,l' 5llD:3 equ.9 tly predeterIllined
I"l
le that 981'16 th bU.ilding.
possi
1,zo tl th top Df'
be
ones.
thee.dijacent
by
re11abili
makes
of
-t1ng
the
f.I.
of commands by 1.lld:u frequencie,9 oontrol
:rel a.ys l'cr th type
Th
thew-hole
i!lS ,s tc :1 COl;'EliSpond..1ngt, th,e 180
lQui.h!neaker5
cate
Mu.tui!l 1 . n t erferenc
Bpeed.,~ This &1 an
floor
a.l:ise'Bfl'omthB
that
to
co As
musiC, ra
th'e loca.ti ta.pE!
operate
breakdown th
VJ:.18'.
th
fl'l:Hl'uency fl'lo
51818Ct11f9
.I.
e n e n te
ha.vle
nt Th
at tw motnents ,and rojeetJ.on-pl,q"
by mean
been r9cord,ea. baing
aouad
therefore,
aJld
projeotion
poems. :f el s.ll ,.
there
fore
11
el
tl'l'Q
sets
is I. ribu.sie'r particulArly
i8
:p 'a 'l
determined by the ct synchl' fmiz,e.tiQn
en
00
di
p:r;'ccN.'c1ng, SO9.
!i
contx'Ql ta e" of control
two
of
S!lJ:lG
call
's
tr
:!
to
hi
only
td
pract1c. di.f:fic
en rm us ech nica ca ro de Wit with
aqu.ally
Lm
tern
f~l.m..1n :: !i.'l starting l'
s.
routine
checka
sound
to!.'!.
lamps ty ,th
a.ddi tion
to
,and.~
100
spotlights
l'fith
pe r1lli -ti
with
COIllIiI
oill
co 'l "e
di cB,~
IS
re gove:rmui
light,
mOVet1E1n
pea
u.nii'
J.ctu&tions
en
th
th
1g
fluorescent
.v l:l.
hi
by dans
:b
well
ing.
th
s,d
push-button
be
cn
,m tap;lB
sy'9
aJllparatus
ti
sta
this would present gin.eering however,
"the
th,e. p8ll'fect synchronize. ThM.k:s projeotors.
1'01.1'
th
tem
tive
ch i9
sys
neCElBBBrY
nd
control
by th by
\1 ~ight.
This
·Va,J.VIiIS)
th
such 8S
gr du
done
ai
t'
tr
tc
In
lamp
operate
co gra.dually
di
tn
increa.sing th t'll'O noth
light
cOJ:l'~~nnd of' :r Jll'o je. tc
Lo
II.cClordru:'l.ce with
:f ur relays ~econd cn Lrrc ansi tY te total at
ta.pe
'r
I.
th
ro
I"B.
bU approp1"inte
th 00
gh
mmiDg
:pl,aces
.:rr
th 3Olal1er .mirror-system.
by
e uk er s ted
Le e. tWeJl.ty~f'ive 20 at
,0
ll
dimming -:"o\U' by means )I:
tu
tl ell:"-
th I!i
Pavilion~
ra
un
loudspeakers II
re
ir
.c
ete
}lOBi.
be
OD.
tl t, till? J"ail.ing, specially Rccor~hllgly I'.he JqlLl.!'
special
0U 'l
'o :m ,::u
th.B llla.ll~ th
.sa-oalled
1.'o ,nfi
't
is eak:el's 20 (+
tw
travel
to l'B
Urcutea
d.u.
20 (+ 20
re fe
between
rv
in th'sir emoti.onRl im
d1ff,eri greatl thrEle sound
ca
in
9" ma.ke it
tl'acka
:produce
co
arrangem.en
ac us tic
'.9
1,~ ;lrf I'm ce
lU'e
th
along various
reco,:rding
,sound to
paths aJ.ong
Tb
'u gT'o ri .ble amplifierB
th
dazing
whicb. "toe
th th
by
low~tane
IllB.S
lU"IF1l
eempos t~an
:; by XHnakis,
The, wh le
ic
d~CO
t' em :r
m.eall'l'lhila th
is supplied
in tall .tio
dc r. th
cy ligh tins:
th
rg qui pmen
ty
f'ilm :p
via.
je
f' 112'0 of
vant
ll'a-h llrs
81'i l'r
nc
ns
qu JI umru..e. r- 'be.
ila.tOZ'6,
avili
,_-.-.-li-
produeing
transi'ormer,
11
high-
otheZ'
IIext
Il
playing
t~
iii!
as
p ag e
( f' n l e
of
es score
'f it
I"l:r
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li
1d-. lJ;:h.i
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:r !i!Qarder
mu.alO
th.e
power-a.mpl:1:fiel"B. iE!pe.!d elIsOr 5ingle~
ro th
d if 'f el "E ln t m U! 3j .o -o h. &r ul el s
b~
onee
Th
J1 'o
tB.I1B with
,n
W'I!I
15
gi
I " c t a : I ' y . .witches
retn;:rrdHr
Bigna1B
hi
.r
Il11fieli
5. I'VO-El.:pparatm Lighti g=
tr
di
re
switched
01
g-de cE
t'Drperfo:J;';e;ter
nd distTi'buted
wa
tila' r e
sp8olk.er~
f' dil.fere:t:i
loudspeakEH'2
by
Th
trougb o D n . t r o l - u n i t e ; .
alternately
meoimJaO'
450
trcl
re
er
j\
of' and. oIl. co tr lled •.
ing-m~talla
;lc
tr
B te d
tb.€l
intensity
th
Qf'
To
Filmprc-
jeotion:
By
:films
reaoh
film
wal1il
aI'B
and music
irill
c.ntro ed by
the!
5y
xo
wi
lAys
,.....
MfJS/C t..
1.0'«
Q.#O
N,VlM.
I..
AMPl.
POWEll
..JI,.
M fJ L
I~
dfl'c
PDWER I""""
i'"
t4MPl~
AAfPL.
lE&fltm.
,aidER
""',
MP
MPi
to liD S i l E o ' :AIfERJ
cf'c '-
l. ! & . ~ lr
5"y
Q.-'O
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~J
CtJNT£OL
.... _.
UNITS llG"IITt.
-DN1'IiDJ..
D.ES'/( iii.
5'Eil'VO
DJNM/N&
APP. I.A NPs
~' Iii;;.
"""II!!I
JI"'"
Ii'ECTIFIE!;}
PRO/ErTON
.... RECTIFIER
Sr~MAC. ""IIr5"oom1.
S) Qf
H'Y~!!li!l,
,(P:PiJj
sartituur li
lstechni-
nachine.
knopje klinken, ta ee
erikaan-
fantast nuchtere machine wij erin V a re s e ikkelin-
- i ~ - u ;';SUiJ3PUl!J3A i
_
ua U311Ul!i!.Id"V
+-
Far
abol>e
h e f or es t
a st s in-
Twent
u-on
er
..Strebed"
the
i ns i p ic t r e unde construction e ng i e er ,
w a c he s rm
It
On that da Mr:.S. W. umenn, manager Philips' Genera Advertising Division, drove the first
.'
plai
near Brussels fo th Philip '58". He dele-
ar
shown 01
concrete pileheed.
here
as
th pavilion Mr W. Tak,
of
th
u nt in g elec-
correct
metres
is
the distance of the
of height from where he
ra
le
possible
lo to
th i ct u
of
o nu me nt s is only th
on is perticu-
tim e -alread lenses rected to this extreordiner stcucattracts so ture whic t e t io n t ha nk s t o u bl ic a i o in newspapers an weeklies al ave. seem as if shell on
-l
th
exotic
b e c h of phantasy.
from across th
Avenue
de l'Europe.
tt
cl ture
es do musee im ginati
Ie idea
sliQyENCE I, 0'" ne fe 'eveille, SllQUENCE
de
et qu
M" A.
LE 'E Ies buffles, le
S£QUENCE III, 121" de fem e, tete de cigale,
'E
IT
nUe mangbeeu,
asque
eski
204'"
cornparissanr,
SIlQUENCE IV,
205"
Ie ,·
1&
,.
Ia
L'A guerre,
12·,
Dieu, Ie gr nd
de
,q
rt de Ceylan,
pierres,
Ie ro de
T· LE AN Je$c
La foule, soudeur,
fonte :'
ge to qu tr d/acier, chirurgiens, ts
qu ts
rd
TP
ra mlneurs, Hardy,
La
/e
Le
ge
I' Annonciation,
301'"
361'
y,
Ie
.SllQUENCE V,. AI FO 24~'" travaiUeun ,g re tr to re tetescope, ci entier ux lode beeuf la cremaitler'e nucleaires J'ec evea embr uftfe.
QU
ta
I'
une
douleur.
profond.
ch
Les singes, Ie taureau,
yl
SJlQUENCE VI,
constituee
TO
Le
Pari.,
la 'fiJIe
ir ute:
poeme V I
ectroniq W 0 R L
X H I B
B R U
L S' 1 9 5