Index 309– 13, 319–20n29; Diderot on, 305– 6, 314, 315– 16n3, 316n5; and the figuring of passions, 307, 310– 11; ideal beauty, 309, 317n14; landscape analogy,310, 318n16; on the ‘line of beauty,’
353 Woodward, David, 201 work, 91n48; fatigue and, 75, 80n2, 87– 8n33, 88nn34– 5; mental, 68, 72– 3, 75– 8, 80n2, 87n31; scholarly, 8, 24, 33; study as, 68– 9, 74 workplace, 36, 69, 73 – 4, 80. See
319n25; methods and of description, 306– 8; patterns oceanic analogy, 309, 311, 317n12, 318n19, 319–20n29; ‘subjective investment’ and, 306. See also Erinnerung über die Betrachtung der Werke der Kunst; History of Ancient Art; Thoughts on Imitation. See also Belvedere Apollo; Belvedere Torso; Laocoon Witenagamot, 8, 96, 97, 98 – 9, 100, 101, 108n2; eccentricity and,
arrière-boutique also ; cabinet ; closet; space: of work; studio; study workshop. See Poussin: studio workspace, 56, 58, 63, 78. See also arrière-boutique ; cabinet; closet; Poussin: studio; workplace; space: of work; studio; study
108; institution of print and, 106– 7; membership, 103–6; Timbs and, 107, 110n26. See also Chapter Coffeehouse Witenagemot, 96– 7, 108n2 Wittkower, Rudolf: ‘English NeoPalladianism, the Landscape Garden, China and the Enlightenment,’ 287 – 8, 300n21
Yuanming Yuan (garden), 289 Yungu Yuanzhou, 293
Xu Guangxi, 285– 6, 299n18 Yi-Fu Tuan, 13n8
Zhuangzi, 286; ‘The Person amidst the World,’ 296 Zhu Gui, 292 Zhu Shunshui, 285 Zimmermann, Johann Georg, 76, 87n31
