From: “Ed Sheeran Divide”
Shape of You by ED SHEERAN, JOHN MCDAID, STEVE MAC, KEVIN BRIGGS, KANDI L. BURRUSS and TAMEKA COTTLE
Published Under License From
Kobalt Music Publishing America, Inc.
© 2017 Polar Patrol Music Limited, Universal Music Publishing Ltd, Sony/ATV Music Publishing (UK) Ltd, Pepper Drive Music and Tony Mercedes Music Kobalt Music Publishing Limited, Universal Music Publishing Ltd and Sony/ATV Music Publishing (UK) Ltd All Rights for Pepper Drive Music administered by WarnerTamerlane Publishing Corp. All Rights for Tony Mercedes Music administered by WB Music Corp. (Contains Samples of "No Scrubs", by Kevin Briggs, Kandi Burruss and Tameka Cottle, © 2000 Pepper Drive Music, Tony Mercedes Music and CoPublisher(s)) Used By Permission of Alfred Music All Rights Reserved. Used By Permission.
Authorized for use by Fernando Borges Oliveira
NOTICE: Purchasers of this musical file are entitled to use it for their personal enjoyment and musical fulfillment. However, any duplication, adaptation, arranging and/or transmission of this copyrighted music requires the written consent of the copyright owner(s) and of Musicnotes.com. Unauthorized uses are infringements of the copyright laws of the United States and other countries and may subject the user to civil and/or criminal penalties.
Ǻ
Musicnotes.com
Shape Of You Words and Music by KEVIN BRIGGS, KANDI BURRUSS, TAMEKA COTTLE, ED SHEERAN, JONNY MCDAID and STEVE MAC
h = 96 C #m
## G # # 22
}{
x
4
·
## G # # 22 ÏÏ .. mpÏ . F #### 2 2
%
C #m
x
F #m
with Pedal
4
note 2° only) #### (Small : Ï Ï Ï Ïj Ï G Ï î
6
xo
o
·
ÏÏ Ï ÏÏ Ï J ÏÏ Ï J
}{
C #m
x
x
x
ÏÏ .. ÏÏ ÏÏ ÏÏ J Ï. Ï Ï Ï J #
F m
·
Ï. Ï Ï Ï Ï. Ï Ï Ï : J J
A
B
o
ÏÏ
ÏÏ ..
Ï
Ï.
F #m
4
ÏÏ ÏÏ J Ï Ï J
ÏÏ Ï
bar out
x
is on
Ï. A xo
j Ï Ï
j Ï úî
î
B. Vox Fig. 1
where I our first
ÏÏ ÏÏ J Ï Ï J
ÏÏ ..
Î « Ïj
Ï . Ïj Ï Ï : Ï . Ïj Ï Ï Ï. Ï Ï Ï Ï. Ï Ï Ï
ÏÏ .. ÏÏ ÏÏ ÏÏ J Ï. Ï Ï Ï J xo
: î
1. The
j Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï
Î
Ï Ï Ï Ï J Ï Ï J
2. B
·
(1.) club is n’t the best place to find a lov er so the 2. One week in, we let the sto ry be gin, we’re go ing you.
## G # # : ÏÏ .. mp . F #### : Ï
1. B
A
go, date,
ÏÏ
Ï Ï Ï you and (Mmm.)
Ï . Ïj Ï Ï. Ï Ï Ï. Ï Ï J
Ï
ÏÏ Ï
B
o
x
w/ B. Vox Fig. 1 #### B.Ï Vox Fig. 1 j j j G Ï Ï Ï Ïî Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ïj î Î Ï Ï ú
10
me and my friends at the me are thrift y so go
}{
Ǻ
## G # # ÏÏ .. . F #### Ï
Ï Ï Ï Ï J Ï Ï J
ÏÏ Ï
ta ble do ing shots, drink ing fast and then we talk slow, all you can eat, fill up your bag and I fill up a plate.
ÏÏ .. Ï.
ÏÏ ÏÏ ÏÏ J Ï Ï Ï J
ÏÏ .. Ï.
ÏÏ ÏÏ J Ï Ï J
ÏÏ Ï
you come We talk for
Ï . Ïj Ï Ï Ï. Ï Ï Ï Ï. Ï Ï Ï J
© 2017 Polar Patrol Music Limited, Universal Music Publishing Ltd, Sony/ATV Music Publishing (UK) Ltd, Pepper Drive Music and Tony Mercedes Music Kobalt Music Publishing Limited, Universal Music Publishing Ltd and Sony/ATV Music Publishing (UK) Ltd All Rights for Pepper Drive Music administered by WarnerTamerlane Publishing Corp. All Rights for Tony Mercedes Music administered by WB Music Corp. (Contains Samples of “No Scrubs”, by Kevin Briggs, Kandi Burruss and Tameka Cottle, © 2000 Pepper Drive Music, Tony Mercedes Music and CoPublisher(s)) Used By Permission of Alfred Music All Rights Reserved. Used By Permission.
Musicnotes.com
Authorized for use by: Fernando Borges Oliveira
2
C #m
x
F #m
4
A xo
#### j G ÏÏ Ï Ï ÏÏÏ Ï Ï Ï Ï ÏÏÏ
B o
x
j Ï Ï ÏÏ ÏÏÏÏ ú
14
w/ B. Vox Fig. 1
Ï Ï Ï Ï
o ver and start up a con ver sa tion with just me and trust me I’ll give it a chance hours and hours about the sweet and the sour and how your family’s doing O. K.
}{
## G # # ÏÏ .. . F #### Ï
C #m
x
Ï Ï Ï Ï Ï Ï J Ï Ï Ï J
4
ÏÏ ÏÏ J ÏÏ J
ÏÏ .. F #m
Ï.
Ï A xo
#### « Ïj Ï Ï Ï Ï Ï Ï Ïj Ï Ï G . Ï J
Ï. Ï Ï J
}{
C #m
x
#### G
ÏÏ ÏÏ J ÏÏ J
ÏÏ Ï
Ï.
F #m
4
22
}{
Ï Ï
girl, you
## G # # ÏÏ .. . F #### Ï
C #m
x
#### G
26
}{
Ǻ
Ï Ï
know
I
want your
Ï Ï Ï Ï Ï Ï J Ï Ï Ï J
ÏÏ .. Ï.
me,
#### Ï . G Ï. . F #### Ï
Musicnotes.com
ÏÏ
Ï
Ï ÏÏ Ï Ï Ï Ï Ï Ï Ï
F #m
Ï Ï Ï Ï J Ï Ï J
ÏÏ Ï
Ï.
Ï
A
Ï Ï Î love,
ÏÏ ÏÏ J Ï Ï J
Ï Ï Ï Ï Ï Ï Ï
come on now,
follow my
ÏÏ .. Ï.
ÏÏ ÏÏ ÏÏ J ÏÏ Ï J
ÏÏ ..
xo
Ï Ï
4
Ï Î
ÏÏ ÏÏ J ÏÏ J
ÏÏ ..
ÏÏ
ÏÏ ÏÏ ÏÏ J Ï Ï Ï J
ÏÏj ÏÏ
ÏÏ
Ï Ï J
B
Ï
x
j Ï Ïj Ï Ï Ï ÏÏ ÏÏ ÏÏ J Ï Ï Ï J
ÏÏ .. Ï.
A
lead,
And now I’m singing like And now I’m singing like
Ï.
o
xo
Ï Î
Ï. Ï.
your love was handmade
Ï
Ï
x
hand, stop, put Van the man on the juke box and then we start to dance. get in a tax i, then kiss in the back seat, tell the driver make the radio play.
## G # # ÏÏ .. . F #### Ï
ÏÏ
B
o
j Ï Ï
18
Ï . Ïj Ï Ï. Ï Ï
ÏÏ .. ÏÏ ÏÏ ÏÏ J Ï. Ï Ï Ï J
ÏÏ
now. Take my Leave and
o
ÏÏ .. Ï.
Ï Ï Ï Ï
Ïj Ï Ï Ï
for some bod y
Ï. Ï. Ï.
B
Ï Ï J
like
ÏÏ Ï
x
j Ï Ïj Ï Ï Ï I may
Ï Ï
be craz y,
ÏÏ ÏÏ ÏÏ J Ï Ï Ï J
Ï Ï
don’t mind
Ï. Ï. Ï.
Ï Ï
me, say
ÏÏj ÏÏ ÏÏ Ï Ï Ï J
Authorized for use by: Fernando Borges Oliveira
C #m
x
F #m
4
####with vocals up 8va G Ï Î Ï Ï boy, let’s not #### Ï . Ï Ï Ï G Ï. Ï Ï Ï J . Ï Ï Ï F #### Ï J
30
}{
C #m
x
#### G
34
#### Ï . G Ï. . F #### Ï
me,
}{
C #m
x
#### î G
#### G
42
}{
Ǻ
Ï.
do,
#### Ï . G Ï. . F #### ÏÏ .
Musicnotes.com
ÏÏ ÏÏ J Ï Ï J
x
j j Ï Ï Ï Ï Ï
grab on
ÏÏ
ÏÏ .. Ï.
Ï
Ï.
A
Ï Ï Ï Ï
ÏÏ Ï Ï
Ï. Ï.
Ï Ï J Ï Ï J
F #m
« j Ï Ï Ï Ï Ï Ï Ï Ï Ï
although my heart is
ÏÏ Ï Ï
ÏÏ .. Ï. Ï.
put
ÏÏ ÏÏ ÏÏ J Ï Ï Ï J
that
Ï. Ï. Ï.
Ï Ï Ï Ï Ï Ï Ï
Ï Ï
lead, come, come on now,
ÏÏ ÏÏ ÏÏ J Ï Ï Ï J
love with the shape of
ÏÏ J Ïj Ï
my waist and
Ï Ï Ï Ï
bod y
on
Ïj Ï Ï Ï Ï Ï J
ÏÏ Ï
N.C.
ÏÏ
Î
Ï
ÏÏ Ï Ï
·
ÏÏ J Ï Ï J
« j Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ
we push and
ÏÏ
Ï Ï
Ï Ï
too,
ÏÏ .. Ï. Ï.
Ïj Ï Ï Ï J
pull like a mag net
Ï. Ï. Ï. Ï.
B
o
Ï Ï Ï Ï
ÏÏ Ï Ï
x
Ï Ï Ï Ï Î
ÏÏ ÏÏ J Ïj Ï Ï Ï
·
B
A xo
mmm.
x
Ï. Ï.
fall ing
lead,
î
o
ÏÏ ..
Ï Ï Ï Ï
follow my
î
Î
you,
ÏÏ ÏÏ
Ï Ï Ï Ï
A xo
ÏÏ ..
Ï Ï
o
Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Î I’m in
3
B o
xo
ÏÏ ..
F #m
4
Ï Î
F #m
much,
follow my
ÏÏ Ï
4
C #m
too
ÏÏ ..
come on now,
Ï Ï Ï Ï J Ï Ï J
#### Ï . Ï G Ï. Ï mf . J F #### ÏÏ . ÏÏ J x
talk
Ï Ï Î
Ï Ï Ï Ï Ï Ï Ï
38
}{
Ï Ï
4
Ï Î
A xo
ÏÏ J Ï Ï J
Î Ï Ï Ï Ï Ï Ïj Ï I’m in
ÏÏ ÏÏ Ï Ï Ï Ï
love with your bod
Ï. Ï. Ï. Ï.
ÏÏj Ï Ï J
ÏÏ Ï Ï
j Ï
y.
ÏÏ Ï Ï
Authorized for use by: Fernando Borges Oliveira
4
C #m
x
#### G
46
}{
Ï Î
#### Ï . G Ï. . F #### ÏÏ . C #m
x
#### G
50
}{
F #m
4
« jÏ Ï
Ï Ï J Ï Ï J
Ï Ï Ï Ï
Ï Ï Ï Ï Ï Ï
night you were in
F #m
Ï Ï J Ï Ï J
Ï Ï Ï Ï
4
## « G # # : ÏÏj ÎÏ
54
(Oh,
#### : Ï . G ÏÏ .. F #### : Ï . Ï. C #m
x
why,
ÏÏ Ï Ï
î Ï
Ǻ
F ####
ÏÏ .. Ï. Ï.
Ï Ï A
Ï. Ï.
F #m
Ïj Ï ÏÏ ÏÏ j Ï Ï Ï Ï
ÏÏ Ï Î
4
Ï Ï Ï Ï Ï Ï Ï ev ’ry day discov er j ÏÏ ... ÏÏ ÏÏ ÏÏ Ï Ï Ï Ï j Ï. Ï Ï Î Ï. Ï Ï
Musicnotes.com
Ï
ÏÏ ÏÏ J Ïj Ï Ï Ï
A
xo
·
Ï
ÏÏ J Ï Ï J
ÏÏ .. Ï. Ï.
Ï Ï
o
oh, why,
ÏÏÏ ... Ï. Ï.
F #m
oh,
Ï Ï B
Ï Ï
ÏÏÏ
jÏ « j Ï Ï Ï Ï Ï Ï Ï ÏÏ
oh, I’m in
Ï. Ï. xo
ÏÏÏ ... Ï. Ï.
A
Ï Î
new,
ÏÏÏ
ÏÏ ... Ï
Ï Ï ÏÏ ÏÏ J j Ï Ï Ï Ï
Î
ÏÏj Ï Ï J
Ï. Ï. Ï. Ï.
Ï Ï
B x
ÏÏ Ï Ï
j Ï
y,
ÏÏ Ï Ï
love with your bod
j Ï :
ÏÏ ..ÏÏ .. ÏÏÏÏj Ï .Ï . ÏJ Ï j Ï. Ï Ï. Ï
Ï. Ï.
y,
(w/ small notes 2° only)
ÏÏ Ï Î
B
o
Ï Ï
ing some thing brand
love with your bod
ÏÏ
Ï Ï
ÏÏj ÏÏ Ï Ï j Ï Ï Ï Ï
ÏÏ ... Ï
Î
ÏÏ Ï Ï
(Play 3 times)
why.)
Ï Ï ÏÏ ÏÏ J j Ï Ï Ï Ï
Ï. Ï. Ï. Ï.
j « j Ï Ï Ï Ï Ï Ï Ï Ï
î
Ï Ï Ï
Ïj Ï Ï Ï Ï Ï Ï Ï J
bed sheets smell like
ÏÏ
Ï Ï
Ï Ï Ï
x
new,
ÏÏ
ÏÏ
and now my
o
Ï Î
Ï Ï
ÏÏ J Ï Ï J
« j Ï Ï Ï Ï Ï
oh, I’m in
oh, why,
58
}{
ÏÏ
xo
ÏÏ ..
Ï
x
room,
you, ev’ry day discov er ing some thing brand
C #m
#### G
Ï. Ï.
B o
Ï Ï Î
my
ÏÏ ÏÏ J Ïj Ï Ï Ï
ÏÏ ..
Ï Ï Ï Ï Ï Ï Ï Ï Ï
## G # # ÏÏ .. . F #### ÏÏ .
## G ##
ÏÏ Ï Ï
4
x
}{
And last
A xo
ÏÏ ÏÏ Ï Ï : Ï Ï ÏÏ ÏÏ Ï Ï
x
Ï Ï : Ï Ï D.%
Î Ï Ï Ï Ï Ï Ï Ï
ÏÏj ÏÏ Ï Ï j Ï Ï Ï Ï
I’m in
ÏÏ Ï Î
love with the shape of
ÏÏ .. Ï. Ï. Ï.
ÏÏj Ï j Ï Ï
ÏÏ Ï Ï ÏÏ Ï Ï Ï Ï
Authorized for use by: Fernando Borges Oliveira
5
#### N.C. : Ï Ï Ïj Ï G Ï
62
you. Come on,
}{
#### : x . G
(Handclaps)
F #### : x
C #5
xx
j Ï Ï Ï
be
x Î J
my
come on,
ÏÏ ÏÏ Ï Ï J
}{
C #m
#### G
74
}{
Ǻ
I’m in
Ï Ï Ï Ï
ÏÏ Ï Ï
do,
#### Ï . G Ï. . F #### ÏÏ .
Musicnotes.com
·
Ï Ï
come on,
love with the shape of
ÏÏ J Ïj Ï
ÏÏ .. Ï.
« j Ï Ï Ï Ï Ï Ï Ï Ï Ï
although my heart is
ÏÏ Ï Ï
ÏÏ .. Ï. Ï.
my
ÏÏ ÏÏ Ï Ï J
(2° tacet)
A
ÏÏ .. Ï.
ÏÏ J Ï Ï J
ÏÏ Ï Ï
:
Ï Ï
come on.
:
« j Ï Ï Ï Ï Ï Ï Ï Ï ÏÏ
we push and
ÏÏ
Ï Ï
Ï Ï
Ïj Ï Ï Ï J
pull like a mag net
Ï. Ï. Ï. Ï.
Ï Ï Ï Ï
ÏÏ Ï Ï
B o
x
Î Ï Ï Ï Ï Ï Ïj Ï
Ï Ï Ï Ï Î
ÏÏ ÏÏ J Ïj Ï Ï Ï
·
(2° only)
ÏÏ ÏÏ ÏÏ Ï Ï Ï : J
B
A
fall ing
:
x
Ï. Ï. xo
ba by,
ÏÏ Ï
o
ÏÏ ..
Ï Ï Ï Ï
·
xx
j Ï Ï Ï
be
x
ÏÏ ÏÏ Î Ï Ï: mf
B5 x
you,
ÏÏ ÏÏ
come on,
x Î J
î
xx
come on,
xo
F #m
Ï Ï J Ï Ï J
x.
:
Ï Ï
ba by,
x
j Î Ï Ï Ï Ï
ÏÏj ÏÏ ÏÏ Ï Ï Ï
ÏÏ .. Ï.
ÏÏ ..
my
A5
ba by,
Ï. Ï.
4
Ï Î
F #m
be
x Î J
Î Ï Ï Ï Ï Ï Ï Ï Ï Ï Î
#### Ï . Ï G Ï. Ï mfÏ . ÏJ F #### Ï . Ï J x
my
j Ï Ï Ï
·
xo
j Ï Ï Ï
ÏÏ Ï
4
70
x.
x
xxx
be
·
. F #### : ÏÏÏ .. #### î G
x Î J
come on,
F #5
4
#### : G
C #m
come on,
·
#### : j G Î Ï Ï Ï Ï
x
ba by,
·
66
}{
Ï Ï
x.
x
j Î Ï Ï Ï Ï
too,
ÏÏ .. Ï. Ï.
ÏÏ J Ï Ï J
I’m in
ÏÏ ÏÏ Ï Ï Ï Ï
love with your bod
Ï. Ï. Ï. Ï.
ÏÏj Ï Ï J
ÏÏ Ï Ï
j Ï
y.
ÏÏ Ï Ï
Authorized for use by: Fernando Borges Oliveira
C #m
6
x
#### G
78
}{
Ï Î
#### Ï . G Ï. . F #### ÏÏ . C #m
x
#### G
82
}{
4
Ï Ï J Ï Ï J
« jÏ Ï Ï Ï Ï Ï
A
Ï Ï Ï Ï Ï Ï
And last
night you were in
ÏÏ Ï Ï
#### Ï . G Ï. . F #### ÏÏ .
my
ÏÏ ÏÏ J Ïj Ï Ï Ï
ÏÏ .. Ï. Ï.
F #m
C #m
## G ## :
Ï
Ï
#### : Ï . G ÏÏ .. F #### : Ï . Ï. C #m
x
ÏÏ Ï Ï
ÏÏ Ï Ï
A
Ï. Ï.
F #m
î
Ï Ï Ï J
(Come on,
Ïj Ï ÏÏ ÏÏ j Ï Ï Ï Ï
Ï
Ï J
be
my
ÏÏ Ï Ï Ï
4
F #m
Ï. Ï.
Ï Ï
A
Ï
·
Ï
o
î
Ï
come on,
ÏÏ ÏÏ ÏÏ J j ÏÏ ÏÏ
Ï Ï
xo
Ï. Ï.
A
## ÏÏ Ï Ï Ï Ï Ï G ## Ï Ï Ï Ï Ï Î
}{
Ǻ
#### Ï . G ÏÏ .. F #### Ï . Ï.
Ev’ry day discover ing some thing brand new,
Musicnotes.com
ÏÏ Ï Ï Ï
J
o
90
Ïj Ï ÏÏ ÏÏ j Ï Ï Ï Ï
ÎÏ
ÏÏj ÏÏ Ï Ï j Ï Ï Ï Ï
ÏÏ ... Ï
ÏÏÏ ... ÏÏÏ ÏÏÏ ÏÏÏ ÏÏ ... Ï J j Ï . Ï Ï Ï Ï .. Ï. Ï Ï Ï Ï
ÏÏ
bed sheets smell like
Ï. Ï. Ï. Ï.
ÏÏ
Ï Ï
Ï Ï
B x
Ïj Ï Ï Ï Ï Ï Ï Ï J
ÏÏ Ï Ï
B
come on,
ÏÏÏ
and now my
Ï Ï Ï
x
Ï Ï
Î
« j Ï Ï Ï Ï Ï
jÏ j « j Ï Ï Ï Ï Ï Ï Ï Ï oh, I’m in love with your bod y. j ÏÏ ÏÏ Ï. Ï Ï Ï Ï. Ï Ï Ï Ï. Ï Ï Ï Ï Ï Ï. Ï Ï Ï Ï Ï J
ÏÏ J Ï Ï J
ÏÏ .. Ï. Ï.
xo
ba by,
ÏÏÏ ...
o
new,
ÏÏ
ÏÏ J Ï Ï J
ÏÏ .. Ï. Ï.
Ï Î
Ï Ï
ÏÏ ÏÏ J Ïj Ï Ï Ï
x
room,
xo
ÏÏ ..
4
ÎÏ
86
Ï Ï Ï Ï
o
Ï Ï Î
you, ev’ry day discov er ing some thing brand
Ï Ï J Ï Ï J
B
xo
Ï Ï Ï Ï Ï Ï Ï Ï Ï
x
}{
F #m
4
Ï Ï Ï Ï Ï Ïj Ï
Ïj :
(Play 3 times)
Ï
Ï J
be
Ï
Ï
Ï
I’m in love with your bod my ba by, come
ÏÏ Ï Ï Ï
B
ÏÏ ..ÏÏ .. ÏÏÏÏj Ï .Ï . ÏJ Ï j Ï. Ï Ï. Ï
Ï
y. on.)
(w/ small notes 2° only)
ÏÏ ÏÏ Ï Ï : Ï Ï ÏÏ ÏÏ Ï Ï
Ï Ï
:
x
N.C. Ï Ï Ï Ï Ï Ï Ï. Ï Ï. ú î Î
ÏÏj ÏÏ ÏÏ j ÏÏ ÏÏ
I’m in
ÏÏ Ï Ï Ï
love with the shape of
ÏÏ Î Ï Ï Î Ï
you.
î
·
î
·
Authorized for use by: Fernando Borges Oliveira
