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The magazine Sang Bleu wa a ypographial proje rom he beginning. And who i inereed in ypography? Everyone! Typography Typography oday i a buzz, buzz , an urban legend: everyone know omehing abou i. Cloe aenion, good luk and ha unaounable ainiy or ‘vielle ‘ vielle Frane’ led B+P o rediover everal orgoen orgoen haper o Frenh modernim while working on he magazine: he mo exluive exluive Frenh hiorial on, he ‘Romain du Roi’, had been b een opyle and all you had o do wa have an aurae look a i; while wh ile Adrian Fruiger’ ypographial diagram, Claude LéviSrau’ ruuralim, Darmad Shool’ erialim were ju around he orner. orner. For everal year now, now, he B+P agenda ha embraed Frenh ypography. ypography. For he SangBleu ypeae, he oundry puhed wo key mileone o Frenh modernim o he limi. Fir o all, SangBleu oer an exenion o Adrian Fruiger’ diagram, planned bu no realied in he 1950: an ulra-ondened exra-hin exra-hin lineal orm. Seondly, Seondly, i realie an exra-hin exra-hin linear verion o Romain (BP’ inerpreaion o he eigheenh-enury Romain du Roi): a or o epigraphial keleon reing he bai ruure o he on, whih poenially lead o a new lineal. A luered, enloed, ompleed ield? No a all: hi deign ould i among he Briih aneri or he Amerian “gohi” and would and ou again humani an-eri and groeque. A onervaive onervaive deluion or an obea o bea moderniy, moderniy, all i wha you will. A B+P know beer han anyone: ypography ha i own agenda. SANGBLEU BP COMPLETE FAMILY FAMILY
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