Dear Samsung colleagues, Our goal has always been to become a loved brand. A brand that inspires consumers and truly reflects our passion as a company. To accomplish accomplish this goal, we started down a path to review and ref ine ine our brand strategy this t his year. And today, we introduce introduce the new Samsung Brand Guide as a culmination of these of these efforts. I am pleased to present several several significant enhancements that will help build our brand. We have crystallized our br brand and story and revised our brand pyramid to better convey con vey our core essence and authentic character. We have have developed a brand liline ne to communicate who we are and what we deliver as Samsung. Sa msung. We have clarified the definition definition of our brand target to create a more powerful emotional emotional connection. And lastly, we have improved our brand cues to present ourselves in a more globally consistent consistent way. Our journey journey does not end with this t his guide. guide. But rather, it is another milestone along the road. road. I urge each and everyone to embrace this book and become be come ambassadors for everything our brand represents. Together Together we will make Samsung a loved brand. Thank Tha nk you.
G.S. Choi Choi President & CEO
TABLE OF CONTENTS
Section 1 Our brand strategy
Section 2 Our brand cues
Section 03 Applying our brand cues
10 Our global brand objectives
54 Our Brand Cues introduction introduction
114 11 4 Applic ations overview
12 Our brand strategy frameworks
55 Our Brand Brand Cues Overview
14 Our brand target target
PRINT ADVERTISING WORDMARK AND BRAND LINE
116 Spread with lifestyle
BRAND TARGET
56–62
18 Why are YMCs YMCs a powerful global brand target?
117 Spread with product image as the hero
TYPOGRAPHY
118 Single page with lifestyle
19 Who is the YMC? YMC?
64–69
119 Single page with product image as the hero
21 In China, they are also...
COLOR
120 Sub-brand logo usage
22 What do YMCs YMCs like?
70–83
23 What do YMCs in the USA like (USA only)?
121 Third party & technology logo treatment
SOUND SIGNATURE
20 In the USA, they are also... also...
24 How to use the YMC YMC with high-priority segments
84–85
25 Using the brand target target with product segments
TV ENDTAG
26 Using the brand target target with advertising/media 27 Using the Brand target with 3rd party GSI retail
OOH 122 Horizontal 123 Vertical
86 BRAND PERSONALITY IMAGERY
BROCHURE
88–100
124 Introduction 125 Cover & back cover
OUR BRAND STORY 28 Introduction
PHOTOGRAPHY STYLE
126 Interior spreads
102–109
127 Content structure overview
29 Brand story elements
128 Content structure
30 Our brand story: story: Relentlessly pursuing a better tomorrow
POP
34 Opening new doors for you
130 Horizontal
36 How our stories come alive
131 Vertical
38 Our audiences 39 How do we use the story?
PACKAGE 133 Vertical
BRAND PYRAMID 40 Our brand pyramid framework 41 Our brand pyramid 42 Our Brand essence: What we do 43 Our Brand essence: What we we offer 44 Ou r brand personalities 46 Our brand line
5
TABLE OF CONTENTS
Section 1 Our brand strategy
Section 2 Our brand cues
Section 03 Applying our brand cues
10 Our global brand objectives
54 Our Brand Cues introduction introduction
114 11 4 Applic ations overview
12 Our brand strategy frameworks
55 Our Brand Brand Cues Overview
14 Our brand target target
PRINT ADVERTISING WORDMARK AND BRAND LINE
116 Spread with lifestyle
BRAND TARGET
56–62
18 Why are YMCs YMCs a powerful global brand target?
117 Spread with product image as the hero
TYPOGRAPHY
118 Single page with lifestyle
19 Who is the YMC? YMC?
64–69
119 Single page with product image as the hero
21 In China, they are also...
COLOR
120 Sub-brand logo usage
22 What do YMCs YMCs like?
70–83
23 What do YMCs in the USA like (USA only)?
121 Third party & technology logo treatment
SOUND SIGNATURE
20 In the USA, they are also... also...
24 How to use the YMC YMC with high-priority segments
84–85
25 Using the brand target target with product segments
TV ENDTAG
26 Using the brand target target with advertising/media 27 Using the Brand target with 3rd party GSI retail
OOH 122 Horizontal 123 Vertical
86 BRAND PERSONALITY IMAGERY
BROCHURE
88–100
124 Introduction 125 Cover & back cover
OUR BRAND STORY 28 Introduction
PHOTOGRAPHY STYLE
126 Interior spreads
102–109
127 Content structure overview
29 Brand story elements
128 Content structure
30 Our brand story: story: Relentlessly pursuing a better tomorrow
POP
34 Opening new doors for you
130 Horizontal
36 How our stories come alive
131 Vertical
38 Our audiences 39 How do we use the story?
PACKAGE 133 Vertical
BRAND PYRAMID 40 Our brand pyramid framework 41 Our brand pyramid 42 Our Brand essence: What we do 43 Our Brand essence: What we we offer 44 Ou r brand personalities 46 Our brand line
5
Section 1 Our brand strategy 10 Our global brand objectives 12 Our brand strategy frameworks 14 Our brand target
BRAND TARGET 18 Why are YMCs a powerful global brand target? 19 Who is the YMC? 20 In the USA, they are also...
OUR BRAND STORY 28 Introduction 29 Brand story elements 30 Our brand story: Relentlessly pursuing a better tomorrow 34 Opening new doors for you 36 How our stories come alive 38 Our audiences 39 How do we use the story?
21 In China, they are also... 22 What do YMCs like? 23 What do YMCs in the USA like (USA only)? 24 How to use the YMC with high-priority segments
BRAND PYRAMID 40 Our brand pyramid framework 41 Our brand pyramid 42 Our Brand essence: What we do
25 Using the brand target with product segments
43 Our Brand essence: What we offer
26 Using the brand target with advertising/media
46 Our brand line
44 Our brand personalities
27 Using the Brand target with 3rd party GSI retail
9
Section 1 Our brand strategy 10 Our global brand objectives 12 Our brand strategy frameworks 14 Our brand target
OUR BRAND STORY 28 Introduction 29 Brand story elements 30 Our brand story: Relentlessly pursuing a better tomorrow
BRAND TARGET 18 Why are YMCs a powerful global brand target? 19 Who is the YMC?
34 Opening new doors for you 36 How our stories come alive 38 Our audiences
20 In the USA, they are also...
39 How do we use the story?
21 In China, they are also... 22 What do YMCs like?
BRAND PYRAMID
23 What do YMCs in the USA like (USA only)? 24 How to use the YMC with high-priority segments
40 Our brand pyramid framework 41 Our brand pyramid 42 Our Brand essence: What we do
25 Using the brand target with product segments
43 Our Brand essence: What we offer
26 Using the brand target with advertising/media
46 Our brand line
44 Our brand personalities
27 Using the Brand target with 3rd party GSI retail
9
OUR GLOBAL BRAND OBJECTIVES
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
The Samsung brand has come a long way in a short time. Our first focus was to build brand awareness worldwide. We succeeded by making Samsung one of the best–known brands in any category. In the following years, our task was to build our premium quality-to help drive preference against competing brands.
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Loved brand
Today the Samsung brand enjoys a growing premium i mage that we will continue to build upon as we enter our next and most exciting phase: going from well-known to wellrespected and, soon, to well-loved.
Create meaning to strengthen brand equity while accelerating product sales.
Our global brand objective: to become a loved brand.
Make an emotional connection with our brand target.
Globally consistent brand message that will create a unique and sustainable brand image.
10
11
OUR GLOBAL BRAND OBJECTIVES
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
The Samsung brand has come a long way in a short time. Our first focus was to build brand awareness worldwide. We succeeded by making Samsung one of the best–known brands in any category. In the following years, our task was to build our premium quality-to help drive preference against competing brands.
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Loved brand
Today the Samsung brand enjoys a growing premium i mage that we will continue to build upon as we enter our next and most exciting phase: going from well-known to wellrespected and, soon, to well-loved.
Create meaning to strengthen brand equity while accelerating product sales.
Our global brand objective: to become a loved brand.
Make an emotional connection with our brand target.
Globally consistent brand message that will create a unique and sustainable brand image.
10
OUR BRAND STRATEGY FRAMEWORKS
11
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Brand target The consumer that we have in our sights in defining our identity and building our overall brand. Brand story The story that explains the fundamental character of the brand in a compelling way, developing an authentic and human identity and implicitly told across every touchpoint.
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Brand target Defines the unique mindset of our core consumer • Enables us to build better long term connections
Brand pyramid The strategy and guidelines for the creative expression of the brand that directly guides all ATL and BTL communications.
Brand story
Brand pyramid
Explains the company’s culture & benefits to consumers / society
A more refined communication strategy • Guides creative expression
• Guides employees, PR, consumers toward a deeper understanding of the company
Brand cues The way that we bring our brand to life that when used consistently, will communicate our brand strategy in a unified and cohesive manner. Our brand cues include: • Wordmark • Sound signature • Brand line • TV endtag • Typography • Brand personality imagery • Color • Photography style
Brand cues Minimum executional requirements • Must be used in all ATL and BTL communications
12
13
OUR BRAND STRATEGY FRAMEWORKS
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Brand target The consumer that we have in our sights in defining our identity and building our overall brand. Brand story The story that explains the fundamental character of the brand in a compelling way, developing an authentic and human identity and implicitly told across every touchpoint.
A new set of rules about targeting
A way to build long-term connections to customers who move across product segments and product categories
A small subset of the product market opportunity
Highly connected with our high-priority segments
A more refined communication strategy • Guides creative expression
13
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Our brand strategy begins with our core consumer, or brand target. Connecting to the needs of this core consumer is the objective that we have in our sights as we define our identity and build our overall brand. The intent is to enable us to have a focused brand strategy.
A new segment
Explains the company’s culture & benefits to consumers / society
Brand cues
OUR BRAND TARGET
A significant portion of the population
Brand pyramid
Minimum executional requirements • Must be used in all ATL and BTL communications
12
A profile of our leading-edge target
Brand story
• Guides employees, PR, consumers toward a deeper understanding of the company
Brand cues The way that we bring our brand to life that when used consistently, will communicate our brand strategy in a unified and cohesive manner. Our brand cues include: • Wordmark • Sound signature • Brand line • TV endtag • Typography • Brand personality imagery • Color • Photography style
and is not...
Brand target Defines the unique mindset of our core consumer • Enables us to build better long term connections
Brand pyramid The strategy and guidelines for the creative expression of the brand that directly guides all ATL and BTL communications.
A brand target is...
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
A short-term, tactical way to sell product A different customer for our product marketing
A way to build a more consistent & resonant brand
14
15
OUR BRAND TARGET
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Our brand strategy begins with our core consumer, or brand target. Connecting to the needs of this core consumer is the objective that we have in our sights as we define our identity and build our overall brand. The intent is to enable us to have a focused brand strategy. A brand target is...
and is not...
A profile of our leading-edge target
A new segment
A significant portion of the population
A new set of rules about targeting
A way to build long-term connections to customers who move across product segments and product categories
A small subset of the product market opportunity
Highly connected with our high-priority segments
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
A short-term, tactical way to sell product A different customer for our product marketing
A way to build a more consistent & resonant brand
14
15
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
OUR BRAND TARGET
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
The Young Minded Consumer is our brand target. The Young Minded Consumer (YMC) has been our brand target for the past few years. It is not a new segment... rather a common mindset across Samsung’s high-priority segments. YMCs are young. They are old. They are men. And they are women.
In short, they are our most valuable and inspiring consumers. 16
17
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
OUR BRAND TARGET
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
The Young Minded Consumer is our brand target. The Young Minded Consumer (YMC) has been our brand target for the past few years. It is not a new segment... rather a common mindset across Samsung’s high-priority segments. YMCs are young. They are old. They are men. And they are women.
In short, they are our most valuable and inspiring consumers. 16
WHY ARE YMCS A POWERFUL GLOBAL BRAND TARGET?
YMCs are...
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
…but they are NOT
Highly willing to pay premium
Highly willing to spend and exhibit high purchase frequency, especially on the new.
Non-YMCs primarily buy when a need arises. Do not purchase the newest products and always considers value.
Influencers of others
Early adopters of technology, socially active and more likely to become our brand ambassadors.
Non-YMCs look to others for guidance on decisions and rarely share opinions on products with others.
Highly attached to Samsung
More likely to have higher affinity to Samsung that will drive emotional bonding.
Non-YMCs, who are likely to consider all brands and see a particular brand as less important than other elements.
17
WHO IS THE YMC?
YMCs are... Believers in technology as a reflection of self
18
…but they are NOT Technology as a reflection of personality and technology as a way to express themselves and their uniqueness.
Non-YMC, who see technology as an important element of life and as a driver of productivity and convenience.
Always striving for something more in work and life and extremely confident about achieving results.
Non-YMCs are open to future advancement, but happy with the status quo.
Trendsetters & influencers
A continuous thirst for the new as a way to express individuality and a strong desire to set the latest trends and share them.
Non-YMCs who keep up with the times but look to others for advice and guidance and see no need to have the absolute latest.
Optimistic lovers of life
Looking to lead a rich life by seeking out new experiences and are open and appreciative of alternative views.
Non-YMCs, who enjoy life, but do not actively seek out new adventures.
Well-informed & knowledgeable
Constantly learning and developing new skills.
Non-YMCs, who are educated, but not actively seeking new knowledge.
Ambitious & striving for success
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
19
WHY ARE YMCS A POWERFUL GLOBAL BRAND TARGET?
YMCs are...
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
…but they are NOT
Highly willing to pay premium
Highly willing to spend and exhibit high purchase frequency, especially on the new.
Non-YMCs primarily buy when a need arises. Do not purchase the newest products and always considers value.
Influencers of others
Early adopters of technology, socially active and more likely to become our brand ambassadors.
Non-YMCs look to others for guidance on decisions and rarely share opinions on products with others.
Highly attached to Samsung
More likely to have higher affinity to Samsung that will drive emotional bonding.
Non-YMCs, who are likely to consider all brands and see a particular brand as less important than other elements.
WHO IS THE YMC?
YMCs are... Believers in technology as a reflection of self
…but they are NOT Technology as a reflection of personality and technology as a way to express themselves and their uniqueness.
Non-YMC, who see technology as an important element of life and as a driver of productivity and convenience.
Always striving for something more in work and life and extremely confident about achieving results.
Non-YMCs are open to future advancement, but happy with the status quo.
Trendsetters & influencers
A continuous thirst for the new as a way to express individuality and a strong desire to set the latest trends and share them.
Non-YMCs who keep up with the times but look to others for advice and guidance and see no need to have the absolute latest.
Optimistic lovers of life
Looking to lead a rich life by seeking out new experiences and are open and appreciative of alternative views.
Non-YMCs, who enjoy life, but do not actively seek out new adventures.
Well-informed & knowledgeable
Constantly learning and developing new skills.
Non-YMCs, who are educated, but not actively seeking new knowledge.
Ambitious & striving for success
18
IN THE USA, THEY ARE ALSO...
YMCs are... Socially driven
Craving social interaction, enjoying being the center of attention and continually in touch with friends.
Non-YMCs, who are socially active but not the driver of activity; rather, they selective gatherings with friends and family.
Lovers of creative expression
With strong esteem for creativity in themselves and others, they’re always seeking creative endeavors.
Driven by a worldly perspective
Look broadly for insight and inspiration and place life in the global context.
19
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
…but they are NOT
IN CHINA, THEY ARE ALSO...
YMCs are...
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
…but they are NOT
People who place family at the core
Consider family as the most important aspect of life. Family drives purpose and provides support.
Non YMCs, who consider family to be an important elements of life but also believe work and friends are also key to a happy existence.
Non-YMCs, who appreciate creativity in others but have little desire to express their own imagination.
Believers in home as sanctuary
Home provides a comfortable sanctuary for personal enjoyment and spending time with family.
Non YMCs, who consider home as an extension of the outside world and use that space for working and entertaining, as well as relaxing.
Non-YMCs, who gain perspective based on personal experience and surroundings.
Seekers of escape
Often seek a break from urban chaos and complexity in order to rejuvenate.
Non-YMCs, who thrive on a fast-paced life with no desire for escape.
20
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
21
IN THE USA, THEY ARE ALSO...
YMCs are...
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
…but they are NOT
Socially driven
Craving social interaction, enjoying being the center of attention and continually in touch with friends.
Non-YMCs, who are socially active but not the driver of activity; rather, they selective gatherings with friends and family.
Lovers of creative expression
With strong esteem for creativity in themselves and others, they’re always seeking creative endeavors.
Driven by a worldly perspective
Look broadly for insight and inspiration and place life in the global context.
IN CHINA, THEY ARE ALSO...
YMCs are...
…but they are NOT
People who place family at the core
Consider family as the most important aspect of life. Family drives purpose and provides support.
Non YMCs, who consider family to be an important elements of life but also believe work and friends are also key to a happy existence.
Non-YMCs, who appreciate creativity in others but have little desire to express their own imagination.
Believers in home as sanctuary
Home provides a comfortable sanctuary for personal enjoyment and spending time with family.
Non YMCs, who consider home as an extension of the outside world and use that space for working and entertaining, as well as relaxing.
Non-YMCs, who gain perspective based on personal experience and surroundings.
Seekers of escape
Often seek a break from urban chaos and complexity in order to rejuvenate.
Non-YMCs, who thrive on a fast-paced life with no desire for escape.
20
WHAT DO YMCS LIKE?
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
21
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
WHAT DO YMCS IN THE USA LIKE (USA ONLY)?
Brands and aesthetics
YMCs want brands that impress others and make a statement YMCs expect great design, no matter what they purchase (or what the price point).
Customization and exclusivity
YMCs are looking for something no one else has (or can get).
Constant & cuttingedge entertainment
On their TV, on their computer, and on-the-go, YMCs actively engage with games and movies. When it comes to TV, YMCs are looking for channels that offer innovative, leading edge shows.
Staying fit
YMCs are hitting the gym, making physical fitness a top priority.
Traveling and exploring
YMCs want to add a bit more “bite” to their lives by exploring new undertakings. In line with their desire for new adventures, YMCs pack their bags often and equate fre quent travel with “making i t”.
Music
YMCs are passionate about music, with portability and accessibility absolute musts.
Expressing their personal style
Appearance is a key component of personal expression for YMCs, so they aim for a unique style. No matter what their personal style, YMCs never want a dated look.
Cool cars
YMCs are more likely than others to want a vehicle that’s stylish and environmentally responsible.
Shopping
YMCs see shopping as a pleasure outlet. YMCs utilize multiple stores (and multiple channels) to get just what they want.
Watching the game
YMCs like sports but prefer watching a big game to being in the game.
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
For information on the YMC in other countries, please see the Brand target book.
22
23
WHAT DO YMCS LIKE?
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
WHAT DO YMCS IN THE USA LIKE (USA ONLY)?
Brands and aesthetics
YMCs want brands that impress others and make a statement YMCs expect great design, no matter what they purchase (or what the price point).
Customization and exclusivity
YMCs are looking for something no one else has (or can get).
Constant & cuttingedge entertainment
On their TV, on their computer, and on-the-go, YMCs actively engage with games and movies. When it comes to TV, YMCs are looking for channels that offer innovative, leading edge shows.
Staying fit
YMCs are hitting the gym, making physical fitness a top priority.
Traveling and exploring
YMCs want to add a bit more “bite” to their lives by exploring new undertakings. In line with their desire for new adventures, YMCs pack their bags often and equate fre quent travel with “making i t”.
Music
YMCs are passionate about music, with portability and accessibility absolute musts.
Expressing their personal style
Appearance is a key component of personal expression for YMCs, so they aim for a unique style. No matter what their personal style, YMCs never want a dated look.
Cool cars
YMCs are more likely than others to want a vehicle that’s stylish and environmentally responsible.
Shopping
YMCs see shopping as a pleasure outlet. YMCs utilize multiple stores (and multiple channels) to get just what they want.
Watching the game
YMCs like sports but prefer watching a big game to being in the game.
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
For information on the YMC in other countries, please see the Brand target book.
22
HOW TO USE THE YMC WITH HIGH-PRIORITY SEGMENTS YMCs represent the brand target
The business target is:
• A
target with a unique mindset
• A
large portion of the population
• A
segment with unique product needs and desires
• A way to build long-term connections to
•
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
The high-priority segments represent the business target
The brand target is:
• A smaller, speci fic
segment within
the population
customers who move across product segments and product categories
• A
Highly connected with our high-priority segments
•
23
tactical way to sell products
USING THE BRAND TARGET WITH PRODUCT SEGMENTS
Example: USA TV product segments High Priority
High Overlap With YMC Target
Highly connected with the YMC
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
State of the Art
Window to the World
Cinematics YMC-Based Marketing Communication High Fidelity
Basic Entertainment
Communications target
YMC
Assurance Seekers
High priority
Aesthetics Low Overlap With YMC Target Product SegmentBased Marketing Communication
Low Priority
TV Simple
Family Entertainment
Penny Pinchers
YMC Penetration Higher Penetration
Lower Penetration
The overlap between the two areas represent the communications target •
Represents the overall creative vision for all communications
•
Helps drive creative strategy (e.g., ton e & manner, copy strategy, imagery)
24
25
HOW TO USE THE YMC WITH HIGH-PRIORITY SEGMENTS YMCs represent the brand target
The high-priority segments represent the business target
The brand target is:
The business target is:
• A
target with a unique mindset
• A
large portion of the population
• A
segment with unique product needs and desires
• A way to build long-term connections to
•
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
• A smaller, speci fic
segment within
the population
customers who move across product segments and product categories
• A
Highly connected with our high-priority segments
•
USING THE BRAND TARGET WITH PRODUCT SEGMENTS
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Example: USA TV product segments State of the Art
High Priority
tactical way to sell products
Window to the World
High Overlap With YMC Target
Highly connected with the YMC
Cinematics YMC-Based Marketing Communication High Fidelity
Basic Entertainment
Communications target
YMC
Assurance Seekers
High priority
Aesthetics Low Overlap With YMC Target TV Simple
Product SegmentBased Marketing Communication
Family Entertainment
Penny Pinchers
Low Priority
YMC Penetration Higher Penetration
Lower Penetration
The overlap between the two areas represent the communications target •
Represents the overall creative vision for all communications
•
Helps drive creative strategy (e.g., ton e & manner, copy strategy, imagery)
24
USING THE BRAND TARGET WITH ADVERTISING/MEDIA
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
For maximum effectiveness, we recommend developing most aspects of advertising with the YMC as the primary audience and focusing media on the product segment.
High Overlap Advertising/media
Creative strategy
Brand targets
Product segment
Product/feature messaging
Media buying
USING THE BRAND TARGET WITH 3RD PARTY GSI RETAIL
High Overlap Third-party retail
The brand target and product segment may be used together to develop the overall creative vision. The brand target can drive the overall tone, look and feel, while the product segment impacts the specific messaging.
Retail strategy
Product segment
Signage and tone & manner brand elements should be driven by the YMC regardless of segment when there is high overlap. For merchandising, sales training, and promotional strategies and other highly focused sales activities it is appropriate for the product segment to be the primarily focus as ultimately the products for sale are designed to be purchased by a specific product segment.
Promotional strategies
Because product features are specifically designed to appeal to particular product segments, the message should directly target the respective product segments.
Rationale The retail strategy should be driven by the business target, which represents the specific customers likely to purchase the product.
Sales training
We recommend that design, experience and service elements revolve around the YMC
For the most efficient spend, media buying should focus on the product target or a particular offering.
High Overlap GSI retail
Media activation ideas and genre use
Brand target
Merchandising
Tone & manner, copy and imagery all serve to create the essence of the Samsung brand in the minds of consumers and should be driven by the brand target to create a consistent feel across all products.
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
To ensure brand consistency across retailers, we recommend that retail focus on product segment at the moment of purchase, with the tone and manner of the communications driven by the YMC.
Rationale
Tone & manner
Imagery
25
Brand target
Product segment
Rationale
Design
Media activation ideas & genre are driven by both the brand target and the product segment. The brand target represents the most influential consumers, while product segment targeting directly influences the prospective purchasers of a particular product.
Experiential elements In-store communications
Regardless of segment, the GSI experience represents the total brand. Experience, store design and merchandising should always be designed around the YMC identity.
Personalized services
26
27
USING THE BRAND TARGET WITH ADVERTISING/MEDIA
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
For maximum effectiveness, we recommend developing most aspects of advertising with the YMC as the primary audience and focusing media on the product segment.
High Overlap Advertising/media
Brand targets
Creative strategy
Product segment
Product/feature messaging
Media buying
High Overlap Brand target
Third-party retail
The brand target and product segment may be used together to develop the overall creative vision. The brand target can drive the overall tone, look and feel, while the product segment impacts the specific messaging.
Retail strategy
The retail strategy should be driven by the business target, which represents the specific customers likely to purchase the product.
Sales training Promotional strategies
Because product features are specifically designed to appeal to particular product segments, the message should directly target the respective product segments.
Rationale
Signage and tone & manner brand elements should be driven by the YMC regardless of segment when there is high overlap. For merchandising, sales training, and promotional strategies and other highly focused sales activities it is appropriate for the product segment to be the primarily focus as ultimately the products for sale are designed to be purchased by a specific product segment.
We recommend that design, experience and service elements revolve around the YMC
For the most efficient spend, media buying should focus on the product target or a particular offering.
High Overlap Brand target
GSI retail
Media activation ideas and genre use
Product segment
Merchandising
Tone & manner, copy and imagery all serve to create the essence of the Samsung brand in the minds of consumers and should be driven by the brand target to create a consistent feel across all products.
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
To ensure brand consistency across retailers, we recommend that retail focus on product segment at the moment of purchase, with the tone and manner of the communications driven by the YMC.
Rationale
Tone & manner
Imagery
USING THE BRAND TARGET WITH 3RD PARTY GSI RETAIL
Product segment
Rationale
Design
Media activation ideas & genre are driven by both the brand target and the product segment. The brand target represents the most influential consumers, while product segment targeting directly influences the prospective purchasers of a particular product.
Experiential elements
Regardless of segment, the GSI experience represents the total brand. Experience, store design and merchandising should always be designed around the YMC identity.
In-store communications Personalized services
26
OUR BRAND STORY
27
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
The brand story explains the fundamental character of the brand in a compelling way and, by developing an authentic and human identity by creating an emotional reason to believe in the brand.
BRAND STORY ELEMENTS
Our brand story contains 4 key components...
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
...and 3 key messages
The big trend in society
Major society shifts and trends that consumers experience as the result of what’s happening in the world
Context
The goal of the brand story is to communicate the authentic roots of our brand and ultimately build a connection between consumers and our brand.
Embracing a changing world The big need for consumers
Issue
The brand story should be used across everything we do, from public relations and advertising to product packaging and employee communications. The more places we tell the story, more likely our consumers will love us.
The deep need or tension consumers have that the brand is trying to resolve
The hero’s motivation
Character
What the brand is ultimately trying to achieve on behalf of consumers
An optimism that says it’s all possible
The hero who resolves the issues
Goal
The human personality, identity and character of the brand
Opening new doors for you
Relentlessly pursuing a better tomorrow 28
29
OUR BRAND STORY
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
The brand story explains the fundamental character of the brand in a compelling way and, by developing an authentic and human identity by creating an emotional reason to believe in the brand.
BRAND STORY ELEMENTS
Our brand story contains 4 key components...
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
...and 3 key messages
The big trend in society
Major society shifts and trends that consumers experience as the result of what’s happening in the world
Context
The goal of the brand story is to communicate the authentic roots of our brand and ultimately build a connection between consumers and our brand.
Embracing a changing world The big need for consumers
Issue
The brand story should be used across everything we do, from public relations and advertising to product packaging and employee communications. The more places we tell the story, more likely our consumers will love us.
The deep need or tension consumers have that the brand is trying to resolve
The hero’s motivation
Character
What the brand is ultimately trying to achieve on behalf of consumers
An optimism that says it’s all possible
The hero who resolves the issues
Goal
The human personality, identity and character of the brand
Opening new doors for you
Relentlessly pursuing a better tomorrow 28
OUR BRAND STORY:
29
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Relentlessly pursuing a better tomorrow
Embracing your changing world
30
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Maybe home is New York, or perhaps it’s London, Shanghai or Seoul. Wherever it is, you work toward a better life, because you know how fast the world is changing. You’re eager to embrace this change, but it isn’t always easy because with it comes uncertainty and a bit of anxiety. Yet you’re quick to take on this challenge, as you’re the kind of person who sees how bright the future can really be with the power of technology. That is why people so often seek your advice and study your lead.
31
OUR BRAND STORY:
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Relentlessly pursuing a better tomorrow
Embracing your changing world
30
OUR BRAND STORY:
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Maybe home is New York, or perhaps it’s London, Shanghai or Seoul. Wherever it is, you work toward a better life, because you know how fast the world is changing. You’re eager to embrace this change, but it isn’t always easy because with it comes uncertainty and a bit of anxiety. Yet you’re quick to take on this challenge, as you’re the kind of person who sees how bright the future can really be with the power of technology. That is why people so often seek your advice and study your lead.
31
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Relentlessly pursuing a better tomorrow
An optimism that says it’s all possible
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
We at Samsung Electronics feel we have a great deal in common with people who never let up. For over 40 years, we have ensured that every product that bears the name Samsung is a statement of our relentless passion for new and better possibilities. We believe in tirelessly working with boundless optimism to overcome all obstacles. And we will never stop reaching higher and taking roads less traveled. Everywhere in the world, Samsung is raising the bar on possibilities. We aim for a better tomorrow with the hope of creating ways to bring that day to you a little sooner. Our commitment to never rest is what helps you embrace this changing world - through faster access to meaningful innovations, breakthrough products at better values, and contemporary designs that delight.
32
33
OUR BRAND STORY:
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Relentlessly pursuing a better tomorrow
An optimism that says it’s all possible
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
We at Samsung Electronics feel we have a great deal in common with people who never let up. For over 40 years, we have ensured that every product that bears the name Samsung is a statement of our relentless passion for new and better possibilities. We believe in tirelessly working with boundless optimism to overcome all obstacles. And we will never stop reaching higher and taking roads less traveled. Everywhere in the world, Samsung is raising the bar on possibilities. We aim for a better tomorrow with the hope of creating ways to bring that day to you a little sooner. Our commitment to never rest is what helps you embrace this changing world - through faster access to meaningful innovations, breakthrough products at better values, and contemporary designs that delight.
32
33
OUR BRAND STORY:
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Relentlessly pursuing a better tomorrow
Opening new doors for you
So while we’re well-known for electronics, our story has always had a bigger, more hopeful and human mission: To open new doors for you and to bring you richer experiences to help you shine in this changing world. It’s why our advances give you not only the latest choices, but also the confidence that, in Samsung, you’ve made the best of choices. You and Samsung. ”Turn on tomorrow“
34
35
OUR BRAND STORY:
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Relentlessly pursuing a better tomorrow
Opening new doors for you
So while we’re well-known for electronics, our story has always had a bigger, more hopeful and human mission: To open new doors for you and to bring you richer experiences to help you shine in this changing world. It’s why our advances give you not only the latest choices, but also the confidence that, in Samsung, you’ve made the best of choices. You and Samsung. ”Turn on tomorrow“
34
HOW OUR STORIES COME ALIVE Relentlessly pursuing a better tomorrow
35
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
PAVING ROADS LESS TRAVELED In our early years of expanding manufacturing facilities in developing nations, the need for passion and optimism was especially high. During one remote project, a team of Samsung workers faced transporting heavy, fragile semiconductor machinery from one area to another miles away.
But with no paved road between the locations, the dirt roads posed a hazard to the fragile semiconductor machines.
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
THE NEW POSSIBILITIES OF TOMORROW Our famous VIP Center is a powerful incubator of innovation and design. This complex features 42 dorm rooms, a gym, sauna and dedicated kitchen facilities. But most of all, it inspires some of the brightest minds of Samsung to collaborate for the benefit of our most forward-thinking customers.
To spend several weeks at a time pursuing breakthroughs is not easy duty, but through it we drive a better tomorrow by enriching our customer’s lives.
The VIP center created innovations that delight customers with their ease-of-use and value.
A force of Samsung workers surveyed the route and literally within hours was mixing tar to pave the road as they traveled in advance of the machiner y.
The team on the ground looked beyond the problem to see the possibility.
Like the company’s ultra-slim, LED flat-screen TVs that pushed the limits of picture quality, use less energy, and allow users to receive content from online sources and deliver real digital convergence. Like digital SLR cameras that produce sharp and steady images with intense colors even in bad weather. And even electric ranges and other appliances that help transform kitchens and other parts of the home into technologically efficient and attractive rooms.
Section by section, they displayed the confidence and determination of people who see in challenges a call for possibilities and a genuine desire to meet customer needs no matter the obstacles.
36
37
HOW OUR STORIES COME ALIVE Relentlessly pursuing a better tomorrow
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
PAVING ROADS LESS TRAVELED In our early years of expanding manufacturing facilities in developing nations, the need for passion and optimism was especially high. During one remote project, a team of Samsung workers faced transporting heavy, fragile semiconductor machinery from one area to another miles away.
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
THE NEW POSSIBILITIES OF TOMORROW Our famous VIP Center is a powerful incubator of innovation and design. This complex features 42 dorm rooms, a gym, sauna and dedicated kitchen facilities. But most of all, it inspires some of the brightest minds of Samsung to collaborate for the benefit of our most forward-thinking customers.
But with no paved road between the locations, the dirt roads posed a hazard to the fragile semiconductor machines.
To spend several weeks at a time pursuing breakthroughs is not easy duty, but through it we drive a better tomorrow by enriching our customer’s lives.
The VIP center created innovations that delight customers with their ease-of-use and value.
A force of Samsung workers surveyed the route and literally within hours was mixing tar to pave the road as they traveled in advance of the machiner y.
The team on the ground looked beyond the problem to see the possibility.
Like the company’s ultra-slim, LED flat-screen TVs that pushed the limits of picture quality, use less energy, and allow users to receive content from online sources and deliver real digital convergence. Like digital SLR cameras that produce sharp and steady images with intense colors even in bad weather. And even electric ranges and other appliances that help transform kitchens and other parts of the home into technologically efficient and attractive rooms.
Section by section, they displayed the confidence and determination of people who see in challenges a call for possibilities and a genuine desire to meet customer needs no matter the obstacles.
36
OUR AUDIENCES
37
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Our brand story is a story that we want to spread. We want everyone to know the story of Samsung. Our audiences are: • Brand target • Opinion leaders • Influencers • Employees
HOW DO WE USE THE STORY?
The brand story is told across all touchpoints and more broadly than advertising. TRADESHOW
It’sthe ingredients SamsungSide-by-Side Refrigerator
SOCIAL MEDIA
THEN WE MADE IT BETTER!
Brand story
OURROOTS
OURFOUNDINGPHILOSOPHY
Brand target
Awareness of brand story
WHENEVERSAMSUNGFACES ITS TOUGHESTPROBLEMS, ITASSEMBLES ANALL-STARTEAM OFRESEARCHERS, ENGINEERSANDDESIGNERS TOUNITEANDTACKLE THEISSUEWITH TOTALDEDICATION.
OUR
BRAND STORY
OUR STORY BEGINS ON A RUGGED ROAD
Goal
THIRD-PARTY POP JD POWER RED DOT WINNER CNET BEST
The only way to achieve this goal is to embed the brand story in all of our vehicles. We may focus a bit more on telling the story online and a little less on a product package - but no matter which vehicle, the elements of our brand story are there for the world see. Audience
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
“Itisundeniablethatthefutureof acompany,ora nationforthatmatter,reliesonhumanresources. Thishasalwaysbeentheguiding principleof Samsung.AslongasSamsungplacestheutmost emphasisondevelopingouremployees,itwillbe able tolookforwardtoabright andstablefuture.“
THIS DIVERSE TEAM MEETS ATTHE FAMED“VIPCENTER” - A VIRTUALAROUND-THE-CLOCK ASSEMBLY LINEFORIDEAS.
V E In our early years we faced R the challenges S of a war-torn Korea and a people struggling to I O N survive. Inthistime ofpovertyandadversity 1 . the Korean people builtthe 0 foundationsof a nationalsuccess, anda youngLee Byung-Chull openeda storefrontenterprise namedfor three stars. There, in Daegu, Korea, inspired by a relentlesspassion andbelief thatgreat thingswere possible, Samsung wasborn.
COMPLETEWITH42 DORMROOMS, A GYM, SAUNA, ANDKITCHENFACILITIES, THE“VIPCENTER” IS AN EXCLUSIVEPLACEFORTHEB ESTMINDS OFSAMSUNGTOHUNK ERDOWNANDDEVELOP THELATESTAND GREATESTPRODUCTS CONSUMERSDEMAND. WHENTHESETALENTED MINDS EMERGEFROMTHECENTER, THERESULTIS ABREAKTHROUGHINNOVATION THATIS SURE TOSENDSHOCKWAVES THROUGHOUTTHE DIGITALWORLD.
LIKEYOURNEW LEDHDTV.
9
BRAND STORY BOOK
PRODUCT (PEEL-AWAY DECAL)
Engagement in story Loyalists: Becoming story evangelists
Opinion leaders & influencers
SAMSUNG.COM
Awareness of brand story Write about/mention story
But not all touchpoints need to convey the story equally. A product advertisement may only implicitly tell the story. While online, there may be a website dedicated to just discussing the brand story. The situation depends on your region, your product, and your budget.
Understanding of brand story
Employees
Contribution to story (help make the story fuller with local “episodes”) Understanding how to use story in marketing
38
39
OUR AUDIENCES
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Our brand story is a story that we want to spread. We want everyone to know the story of Samsung. Our audiences are: • Brand target • Opinion leaders • Influencers • Employees
HOW DO WE USE THE STORY?
The brand story is told across all touchpoints and more broadly than advertising. TRADESHOW
It’sthe ingredients SamsungSide-by-Side Refrigerator
SOCIAL MEDIA
THEN WE MADE IT BETTER!
Brand story
OURROOTS
OURFOUNDINGPHILOSOPHY
Brand target
Awareness of brand story
WHENEVERSAMSUNGFACES ITS TOUGHESTPROBLEMS, ITASSEMBLES ANALL-STARTEAM OFRESEARCHERS, ENGINEERSANDDESIGNERS TOUNITEANDTACKLE THEISSUEWITH TOTALDEDICATION.
OUR
BRAND STORY
OUR STORY BEGINS ON A RUGGED ROAD
Goal
THIRD-PARTY POP JD POWER RED DOT WINNER CNET BEST
The only way to achieve this goal is to embed the brand story in all of our vehicles. We may focus a bit more on telling the story online and a little less on a product package - but no matter which vehicle, the elements of our brand story are there for the world see. Audience
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
“Itisundeniablethatthefutureof acompany,ora nationforthatmatter,reliesonhumanresources. Thishasalwaysbeentheguiding principleof Samsung.AslongasSamsungplacestheutmost emphasisondevelopingouremployees,itwillbe able tolookforwardtoabright andstablefuture.“
THIS DIVERSE TEAM MEETS ATTHE FAMED“VIPCENTER” - A VIRTUALAROUND-THE-CLOCK ASSEMBLY LINEFORIDEAS.
V E In our early years we faced R the challenges S of a war-torn Korea and a people struggling to I O N survive. Inthistime ofpovertyandadversity 1 . the Korean people builtthe 0 foundationsof a nationalsuccess, anda youngLee Byung-Chull openeda storefrontenterprise namedfor three stars. There, in Daegu, Korea, inspired by a relentlesspassion andbelief thatgreat thingswere possible, Samsung wasborn.
COMPLETEWITH42 DORMROOMS, A GYM, SAUNA, ANDKITCHENFACILITIES, THE“VIPCENTER” IS AN EXCLUSIVEPLACEFORTHEB ESTMINDS OFSAMSUNGTOHUNK ERDOWNANDDEVELOP THELATESTAND GREATESTPRODUCTS CONSUMERSDEMAND. WHENTHESETALENTED MINDS EMERGEFROMTHECENTER, THERESULTIS ABREAKTHROUGHINNOVATION THATIS SURE TOSENDSHOCKWAVES THROUGHOUTTHE DIGITALWORLD.
LIKEYOURNEW LEDHDTV.
9
BRAND STORY BOOK
PRODUCT (PEEL-AWAY DECAL)
Engagement in story Loyalists: Becoming story evangelists
Opinion leaders & influencers
SAMSUNG.COM
Awareness of brand story Write about/mention story
But not all touchpoints need to convey the story equally. A product advertisement may only implicitly tell the story. While online, there may be a website dedicated to just discussing the brand story. The situation depends on your region, your product, and your budget.
Understanding of brand story
Employees
Contribution to story (help make the story fuller with local “episodes”) Understanding how to use story in marketing
38
OUR BRAND PYRAMID FRAMEWORK
While the brand story conveys emotion and the character of our brand, the brand pyramid directly guides the creative expression of the brand in all ATL and BTL product advertising.
What makes the brand unique
OUR BRAND PYRAMID
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Relentless passion to inspire and enrich lives
BRAND BUILDING BLOCKS
BRAND BUILDING BLOCKS
Innovation that transforms how we live
+
Sensual design that enhances + your style
Consumer experiences that surprise & delight
BRAND PERSONALITIES
BRAND PERSONALITIES G u i d e s t o n e a n d m a n n e r
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
BRAND ESSENCE
BRAND ESSENCE C o r e s p i r i t t o b e e m b e d d e d
39
Imaginative Contemporary Optimistic in outlook in style in nature
Passionate in pursuits
A clean, modern style, simple and confident
Driven by a relentless thirst for the new, exciting
Inspired by looking and thinking beyond
40
Energetic & positive, always sees possibilities
41
OUR BRAND PYRAMID FRAMEWORK
While the brand story conveys emotion and the character of our brand, the brand pyramid directly guides the creative expression of the brand in all ATL and BTL product advertising.
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
What makes the brand unique
Relentless passion to inspire and enrich lives
BRAND BUILDING BLOCKS
BRAND BUILDING BLOCKS
Innovation that transforms how we live
+
Sensual design that enhances + your style
Consumer experiences that surprise & delight
BRAND PERSONALITIES
BRAND PERSONALITIES G u i d e s t o n e a n d m a n n e r
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
BRAND ESSENCE
BRAND ESSENCE C o r e s p i r i t t o b e e m b e d d e d
OUR BRAND PYRAMID
Imaginative Contemporary Optimistic in outlook in style in nature
Passionate in pursuits
A clean, modern style, simple and confident
Driven by a relentless thirst for the new, exciting
Inspired by looking and thinking beyond
Energetic & positive, always sees possibilities
40
OUR BRAND ESSENCE: WHAT WE DO
41
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Our brand essence: Relentless passion to inspire and enrich lives
OUR BRAND ESSENCE: WHAT WE OFFER
Relentless passion...
...to inspire and enrich lives
We are driven. We have a passion for meaningful innovation and all the possibilities it creates. It is our defining truth, our relentless passion. It is what sets us apart and drives our success.
Our relentless pursuit creates products that enable delightful experiences, inspiring our consumers and fueling their passions with innovation that enriches lives.
42
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
43
OUR BRAND ESSENCE: WHAT WE DO
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Our brand essence: Relentless passion to inspire and enrich lives
OUR BRAND ESSENCE: WHAT WE OFFER
Relentless passion...
...to inspire and enrich lives
We are driven. We have a passion for meaningful innovation and all the possibilities it creates. It is our defining truth, our relentless passion. It is what sets us apart and drives our success.
Our relentless pursuit creates products that enable delightful experiences, inspiring our consumers and fueling their passions with innovation that enriches lives.
42
OUR BRAND PERSONALITIES
43
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Imaginative in outlook Inspired by looking and thinking beyond
OUR BRAND PERSONALITIES
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Optimistic in nature Energetic & positive, always sees possibilities
It is...
It is not...
It is...
It is not...
Visionary Intelligent Fresh Engaging Unexpected
Too abstract Overly clever Superficial
Inspiring Bright Upbeat
Too far-fetched Unrealistic
Contemporary in style
Passionate in pursuits
A clean, modern style, simple and confident
Driven by a relentless thirst for the new, exciting
It is...
It is not...
It is...
It is not...
New Real Comfortable Forward-looking
Cold Uptight Flashy
Joyous Charged Dynamic Magnetic
Solemn Fanatical Dark
44
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
45
OUR BRAND PERSONALITIES
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Imaginative in outlook Inspired by looking and thinking beyond
OUR BRAND PERSONALITIES
Optimistic in nature Energetic & positive, always sees possibilities
It is...
It is not...
It is...
It is not...
Visionary Intelligent Fresh Engaging Unexpected
Too abstract Overly clever Superficial
Inspiring Bright Upbeat
Too far-fetched Unrealistic
Contemporary in style
Passionate in pursuits
A clean, modern style, simple and confident
Driven by a relentless thirst for the new, exciting
It is...
It is not...
It is...
It is not...
New Real Comfortable Forward-looking
Cold Uptight Flashy
Joyous Charged Dynamic Magnetic
Solemn Fanatical Dark
44
OUR BRAND LINE
45
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
A brand line is one simple statement that captures the entire essence of the brand, including the story, mission and emotional benefits of the brand.
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
OUR BRAND LINE
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Our brand line does three things, it serves as a pronouncement of our brand story; it helps us convey our personality and motivation; and it makes a compelling promise for the future.
‘Turn on tomorrow’ Pronouncement ‘Turn on tomorrow’ is a statement of our boundless optimism to create new and better possibilities that surprise and delight.
Used correctly, the brand line will become the most important cue to express our brand essence to our consumers. The line will provide an emotional association with the Samsung brand and create a long-lasting connection to help Samsung become a loved brand.
Persuasion ‘Turn on tomorrow’ speaks to the confidence and curiosity of our brand target. Promise ‘Turn on tomorrow’ is a commitment to our relentless passion for technologies that inspire creativity and enhance the future.
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OUR BRAND LINE
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
A brand line is one simple statement that captures the entire essence of the brand, including the story, mission and emotional benefits of the brand.
OUR BRAND LINE
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
Our brand line does three things, it serves as a pronouncement of our brand story; it helps us convey our personality and motivation; and it makes a compelling promise for the future.
‘Turn on tomorrow’ Pronouncement ‘Turn on tomorrow’ is a statement of our boundless optimism to create new and better possibilities that surprise and delight.
Used correctly, the brand line will become the most important cue to express our brand essence to our consumers. The line will provide an emotional association with the Samsung brand and create a long-lasting connection to help Samsung become a loved brand.
Persuasion ‘Turn on tomorrow’ speaks to the confidence and curiosity of our brand target. Promise ‘Turn on tomorrow’ is a commitment to our relentless passion for technologies that inspire creativity and enhance the future.
46
OUR BRAND LINE
47
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
OUR BRAND LINE
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
’Turn on tomorrow’ is a powerful statement designed to convey the core of our brand across ATL and online communications. “Turn on” speaks to the way we work with relentless passion and boundless optimism to ultimately turn our consumers on to a better world. “Tomorrow” represents the road we travel. Tomorrow is both a vision of future technologies and a promise of a destination that is ever-advancing.
Note: To further explain the meaning of the brand line in communications, please leverage the brand story themes as a guide for additional messaging. If you would like to use the brand line in copy, we recommend using it with the phrase “You and Samsung” immediately preceding the brand line, i.e. “You and Samsung. Turn on Tomorrow.”
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49
OUR BRAND LINE
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
OUR BRAND LINE
S E C T I O N 1 | O U R B R A N D S T R A T E G Y | B R A N D G U I D E | V E R S I O N 2 . 0
’Turn on tomorrow’ is a powerful statement designed to convey the core of our brand across ATL and online communications. “Turn on” speaks to the way we work with relentless passion and boundless optimism to ultimately turn our consumers on to a better world. “Tomorrow” represents the road we travel. Tomorrow is both a vision of future technologies and a promise of a destination that is ever-advancing.
Note: To further explain the meaning of the brand line in communications, please leverage the brand story themes as a guide for additional messaging. If you would like to use the brand line in copy, we recommend using it with the phrase “You and Samsung” immediately preceding the brand line, i.e. “You and Samsung. Turn on Tomorrow.”
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Section 2 Our brand cues 54 Introduction
COLOR
BRAND PERSONALITY IMAGERY
55 Overview
70 Introduction
88 Introduction
71 Our color palette
89 Brand personality and brand pyramid
WORDMARK AND BRAND LINE
72 Reinforce blue
56 Introduction
73 How to create “soft color”
57 Application examples examples
74 Select color within photography photography
58 Placement
75 Apply color to photography photography
59 Clearspace and Minimum size
76 ATL Application examples
60 Color
76 BTL Application Application examples
61 Do not
79 Color do not not
62 Category tag line principles and examples
80 Color specification
TYPOGRAPHY 64 Introduction 65 Primary typeface 66 Secondary typeface
81 Gradation combinations 82 Creating a color gradation
69 Application examples examples
91 North America 92 China 93 South East Asia 94 India (SWA) 95 Latin America 96 Europe 97 Russia (CIS) 98 Middle East 99 Korea
SOUND SIGNATURE
100 South Africa
84 Introduction 85 Application
67 Non-roman typefaces 68 Typography in use
90 Variations
PHOTOGRAPHY STYLE 102 Introduction
TV ENDTAG
103 Product is the hero
86 Introduction
104 Product composition 105 Product spotlight effect 106 Retouching 107 Lifestyle imagery 108 How to portray people 109 Product-only
53
Section 2 Our brand cues 54 Introduction
COLOR
BRAND PERSONALITY IMAGERY
55 Overview
70 Introduction
88 Introduction
71 Our color palette
89 Brand personality and brand pyramid
WORDMARK AND BRAND LINE
72 Reinforce blue
56 Introduction
73 How to create “soft color”
57 Application examples examples
74 Select color within photography photography
58 Placement
75 Apply color to photography photography
59 Clearspace and Minimum size
76 ATL Application examples
60 Color
76 BTL Application Application examples
61 Do not
79 Color do not not
62 Category tag line principles and examples
80 Color specification
TYPOGRAPHY 64 Introduction 65 Primary typeface 66 Secondary typeface
69 Application examples examples
91 North America 92 China 93 South East Asia 94 India (SWA) 95 Latin America
81 Gradation combinations 82 Creating a color gradation
96 Europe 97 Russia (CIS) 98 Middle East 99 Korea
SOUND SIGNATURE
100 South Africa
84 Introduction PHOTOGRAPHY STYLE
85 Application
67 Non-roman typefaces 68 Typography in use
90 Variations
102 Introduction TV ENDTAG
103 Product is the hero
86 Introduction
104 Product composition 105 Product spotlight effect 106 Retouching 107 Lifestyle imagery 108 How to portray people 109 Product-only
53
OUR BRAND CUES INTRODUCTION
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand cues capture the essence of our brand through visual elements. The cues also serve to build a consistent brand look & feel across all of our communications.
OUR BRAND CUES OVERVIEW
WORDMARK
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
BRAND LINE
Note: Use for ATL and online communications only.
TYPOGRAPHY
COLOR
SOUND SIGNATURE
Samsung Imagination Modern Samsung Imagination Modern Bold
Our brand cues consist of the following elements:
Samsung Imagination Modern Extra Bold
Samsung ImaginationModern Condensed Samsung ImaginationModernCondensed Bold
Wordmark, brand line, typography, color, sound signature, TV endtag, brand personality imagery and photography style
TV ENDTAG
SamsungImaginationModernCondensed Extra Bold
BRAND PERSONALITY IMAGERY
PHOTOGRAPHY STYLE
THE ELLIPSE IS NO LONGER IN OUR BRAND CUES The new Samsung brand cues, as illustrated in the following guideline, replace the use of the ellipse in all Samsung communications.
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OUR BRAND CUES INTRODUCTION
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand cues capture the essence of our brand through visual elements. The cues also serve to build a consistent brand look & feel across all of our communications.
OUR BRAND CUES OVERVIEW
WORDMARK
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
BRAND LINE
Note: Use for ATL and online communications only.
TYPOGRAPHY
COLOR
SOUND SIGNATURE
Samsung Imagination Modern Samsung Imagination Modern Bold
Our brand cues consist of the following elements:
Samsung Imagination Modern Extra Bold
Samsung ImaginationModern Condensed Samsung ImaginationModernCondensed Bold
Wordmark, brand line, typography, color, sound signature, TV endtag, brand personality imagery and photography style
TV ENDTAG
SamsungImaginationModernCondensed Extra Bold
BRAND PERSONALITY IMAGERY
PHOTOGRAPHY STYLE
THE ELLIPSE IS NO LONGER IN OUR BRAND CUES The new Samsung brand cues, as illustrated in the following guideline, replace the use of the ellipse in all Samsung communications.
54
WORDMARK AND BRAND LINE INTRODUCTION
Our Samsung wordmark is the simplest, most immediate, and most recognizable representation of our brand. Its consistent and prominent use builds upon our heritage, while projecting confidence and energy as we move forward.
55
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
‘Turn on tomorrow’ is our brand line. It is used in combination with our wordmark on all ATL and online communications. The wordmark is used alone on all other applications.
BRAND LINE EXAMPLES IN APPLICATION
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
What color is your life?
Samsung Corby. The perfect complement.
ATL communications:
Pop-up SNS / One Finger Zoom / Smart Unlock FashionJackets(2additionalcolors)/Large2.8"FullTouchScreenMusic Player / Dictionary / 50MBMemory / Micro SD (up to 8GB)
Print advertising, • OOH • TVC •
PRINT AD
The new Samsung LED TV
Online communications: Main pages • Sub-pages • Banners •
Emphasis is on reinforcing a unified brand message, where multiple communication objectives might live (e.g., product level advertising):
OOH AD
• Always
in the context of promotional/ benefit messaging
TV AD
Just your type Lorumipsum
ONLINE
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WORDMARK AND BRAND LINE INTRODUCTION
Our Samsung wordmark is the simplest, most immediate, and most recognizable representation of our brand. Its consistent and prominent use builds upon our heritage, while projecting confidence and energy as we move forward.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
‘Turn on tomorrow’ is our brand line. It is used in combination with our wordmark on all ATL and online communications. The wordmark is used alone on all other applications.
BRAND LINE EXAMPLES IN APPLICATION
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
What color is your life?
Samsung Corby. The perfect complement.
ATL communications:
Pop-up SNS / One Finger Zoom / Smart Unlock FashionJackets(2additionalcolors)/Large2.8"FullTouchScreenMusic Player / Dictionary / 50MBMemory / Micro SD (up to 8GB)
Print advertising, • OOH • TVC •
PRINT AD
The new Samsung LED TV
Online communications: Main pages • Sub-pages • Banners •
Emphasis is on reinforcing a unified brand message, where multiple communication objectives might live (e.g., product level advertising):
OOH AD
• Always
in the context of promotional/ benefit messaging
TV AD
Just your type Lorumipsum
ONLINE
56
WORDMARK AND BRAND LINE PLACEMENT
Always position the Samsung wordmark (and brand line where appropriate) within the layout to the corner margin of any given application. The approved placements are top left, top right, or bottom right. No other placement is acceptable. Select the approved placement area that has the least complex imagery background and the greatest amount of contrast to ensure maximum visibility for the Samsung wordmark and brand line. The minimum space for margins must always be observed when placing the wordmark. “2S” is the minimum amount of space required left and right
TOP LEFT
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
of the wordmark. “S” is equal to cap-height of the Samsung logotype. Place a larger amount of space at the bottom of the wordmark and brand line whenever possible. Note: The Samsung brand line is used on ATL and online communications only. Note: Scale the size of the Samsung wordmark and brand line to meet specific application needs. For example, the size of the wordmark and brand line on OOH is proportionally larger, compared to other elements, for greater visibility.
CLEARSPACE AND MINIMUM SIZE
The Samsung wordmark is one of the company’s most precious assets. Always position it for maximum impact and give it plenty of room to “breathe” to ensure their impact and legibility.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Whenever possible, use a larger amount of visually uninterrupted space for optimal visibility. To maintain the integrity of the brand line a minimum size has been set at 8.5 mm.
Clear space separates the wordmark (and brand line where appropriate) from other elements such as headlines, text, imagery, and the outside edges of printed materials. A minimum amount of clear space — equal to 2S — must surround the wordmark and brand line at all times.
TOP RIGHT
2S MIN.
57
SAMSUNG WORDMARK CLEAR SPACE
BRAND LINE MINIMUM SIZE
2S MIN. 2S
2S MIN.
8.5mm
S
2S
SAMSUNG BRAND LINE CLEAR SPACE 2S
BOTTOM RIGHT
S
2S
Aligned
2S MIN.
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59
WORDMARK AND BRAND LINE PLACEMENT
Always position the Samsung wordmark (and brand line where appropriate) within the layout to the corner margin of any given application. The approved placements are top left, top right, or bottom right. No other placement is acceptable. Select the approved placement area that has the least complex imagery background and the greatest amount of contrast to ensure maximum visibility for the Samsung wordmark and brand line. The minimum space for margins must always be observed when placing the wordmark. “2S” is the minimum amount of space required left and right
TOP LEFT
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
of the wordmark. “S” is equal to cap-height of the Samsung logotype. Place a larger amount of space at the bottom of the wordmark and brand line whenever possible. Note: The Samsung brand line is used on ATL and online communications only. Note: Scale the size of the Samsung wordmark and brand line to meet specific application needs. For example, the size of the wordmark and brand line on OOH is proportionally larger, compared to other elements, for greater visibility.
The Samsung wordmark is one of the company’s most precious assets. Always position it for maximum impact and give it plenty of room to “breathe” to ensure their impact and legibility.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Whenever possible, use a larger amount of visually uninterrupted space for optimal visibility. To maintain the integrity of the brand line a minimum size has been set at 8.5 mm.
Clear space separates the wordmark (and brand line where appropriate) from other elements such as headlines, text, imagery, and the outside edges of printed materials. A minimum amount of clear space — equal to 2S — must surround the wordmark and brand line at all times.
TOP RIGHT
2S MIN.
CLEARSPACE AND MINIMUM SIZE
SAMSUNG WORDMARK CLEAR SPACE
BRAND LINE MINIMUM SIZE
2S MIN. 2S
2S MIN.
8.5mm
S
2S
SAMSUNG BRAND LINE CLEAR SPACE 2S
BOTTOM RIGHT
S
2S
Aligned
2S MIN.
58
WORDMARK AND BRAND LINE COLOR
59
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
The Samsung wordmark and brand line is most desirable in Pantone 286C. Background color control is most important when placing the correct color version of the wordmark and brand line. This chart shows the optimal percentage of background color when they are most legible.
WORDMARK AND BRAND LINE DO NOT
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
The integrity of the Samsung wordmark and brand line must be respected at all times. Please do not stretch, squeeze or otherwise morph or manipulate it. Any modification of our wordmark confuses its meaning and diminishes its impact. We never link other elements including names, logos or symbols to the Samsung wordmark and brand line. Examples of “do not’s” are shown below.
POSITIVE WORDMARK WITH BLUE BRAND LINE 0%
40%
POSITIVE WORDMARK WITH WHITE BRAND LINE 40%
REVERSE/SILVER WORDMARK WITH WHITE BRAND LINE
70%
70%
DO NOT change the scale relationship between the wordmark and brand line
DO NOT change or alter the typeface of the brand line
DO NOT use the brand line next to the Samsung lettermark
DO NOT place wordmark and brand line on busy backgrounds or backgrounds with insufficient contrast
DO NOT position wordmark and brand line over crucial photographic details such as faces or products
DO NOT alter the wording of the brand line
DO NOT place wordmark and brand line in its own holding shape
100%
BLACK WORDMARK WITH BLACK BRAND LINE 0%
DO NOT use brand line in any color other than Samsung blue or reversed to white
40%
Note: The black wordmark and brand line can only be used for black and white printing and newspaper media.
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WORDMARK AND BRAND LINE COLOR
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
The Samsung wordmark and brand line is most desirable in Pantone 286C. Background color control is most important when placing the correct color version of the wordmark and brand line. This chart shows the optimal percentage of background color when they are most legible.
WORDMARK AND BRAND LINE DO NOT
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
The integrity of the Samsung wordmark and brand line must be respected at all times. Please do not stretch, squeeze or otherwise morph or manipulate it. Any modification of our wordmark confuses its meaning and diminishes its impact. We never link other elements including names, logos or symbols to the Samsung wordmark and brand line. Examples of “do not’s” are shown below.
POSITIVE WORDMARK WITH BLUE BRAND LINE 0%
40%
POSITIVE WORDMARK WITH WHITE BRAND LINE 40%
70%
REVERSE/SILVER WORDMARK WITH WHITE BRAND LINE
70%
DO NOT change the scale relationship between the wordmark and brand line
DO NOT change or alter the typeface of the brand line
DO NOT use the brand line next to the Samsung lettermark
DO NOT place wordmark and brand line on busy backgrounds or backgrounds with insufficient contrast
DO NOT position wordmark and brand line over crucial photographic details such as faces or products
DO NOT alter the wording of the brand line
DO NOT place wordmark and brand line in its own holding shape
100%
BLACK WORDMARK WITH BLACK BRAND LINE 0%
DO NOT use brand line in any color other than Samsung blue or reversed to white
40%
Note: The black wordmark and brand line can only be used for black and white printing and newspaper media.
60
CATEGORY LINE PRINCIPLES
• The
brand line should be included in any ATL communication that includes the category lines.
•
Use of the category lines are not recommended for the first year following the launch of ‘Turn on tomorrow’ to maximize the impact of the corporate brand line.
COLD WATER THAT CLEANS LIKE HOT
•
Category lines should not be in close proximity to the brand line or logo, but be in close proximity to the product name, imagery, or description.
•
Category lines should be incorporated in one of the following ways - Last line of copy - Integrated within creative - Connected to headline
COLD WATER THAT CLEANS LIKE HOT
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S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
CATEGORY LINE AND SLOGAN PRINCIPLES
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
• The
Samsung wordmark and brand line are always presented predominantly, through size and position, compared to category lines or slogans.
• The
slogan should be placed in direct proximity to related content and be clearly separated from the Samsung wordmark, brand line and category line.
COLD WATER THAT CLEANS LIKE HOT
COLD WATER THAT CLEANS LIKE HOT
Smart Thinking. Simple Living.
Smart Thinking. Simple Living.
The Silver Care washer with VTR steam clean technology.
The Silver Care washer with VTR steam clean technology.
Smart Thinking. Simple Living.
The Silver Care washer with VTR steam clean technology. Smart Thinking. Simple Living.
Last line of copy
The Silver Care washer with VTR steam clean technology.
Integrated within creative
MORE SPACE IN THE SAME SPACE.
MORE SPACE IN THE SAME SPACE.
Thesleek new G-Series is biggerinside,notoutsidehas 100 more litres of spaceforcheeseand all thefoods afoodieloves.
Thesleek new G-Ser iesis biggerinside,not outsidehas 100 more litresof spaceforcheeseand all thefoods afoodieloves.
SmartThinking. Simple Living.
Connected to headline
Category line and slogan
MORE SPACE IN THE SAME SPACE.
MORE SPACE IN THE SAME SPACE.
SmartThinking. Simple Living.
SmartThinking. Simple Living.
Thesleek new G-Series is biggerinside,notoutsidehas 100 more litres of spaceforcheeseand all thefoods afoodieloves.
Thesleek new G-Series is biggerinside,notoutsidehas 100 more litres of spaceforcheeseand all thefoods afoodieloves.
Dolorin hendreritin vulputatevelitessemolestie consequatvel.
Smart Thinking. Simple Living.
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63
CATEGORY LINE PRINCIPLES
• The
brand line should be included in any ATL communication that includes the category lines.
•
Use of the category lines are not recommended for the first year following the launch of ‘Turn on tomorrow’ to maximize the impact of the corporate brand line.
COLD WATER THAT CLEANS LIKE HOT
•
Category lines should not be in close proximity to the brand line or logo, but be in close proximity to the product name, imagery, or description.
•
Category lines should be incorporated in one of the following ways - Last line of copy - Integrated within creative - Connected to headline
COLD WATER THAT CLEANS LIKE HOT
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
CATEGORY LINE AND SLOGAN PRINCIPLES
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
• The
Samsung wordmark and brand line are always presented predominantly, through size and position, compared to category lines or slogans.
• The
slogan should be placed in direct proximity to related content and be clearly separated from the Samsung wordmark, brand line and category line.
COLD WATER THAT CLEANS LIKE HOT
COLD WATER THAT CLEANS LIKE HOT
Smart Thinking. Simple Living.
Smart Thinking. Simple Living.
The Silver Care washer with VTR steam clean technology.
The Silver Care washer with VTR steam clean technology.
Smart Thinking. Simple Living.
The Silver Care washer with VTR steam clean technology. Smart Thinking. Simple Living.
Last line of copy
The Silver Care washer with VTR steam clean technology.
Integrated within creative
MORE SPACE IN THE SAME SPACE.
MORE SPACE IN THE SAME SPACE.
Thesleek new G-Series is biggerinside,notoutsidehas 100 more litres of spaceforcheeseand all thefoods afoodieloves.
Thesleek new G-Ser iesis biggerinside,not outsidehas 100 more litresof spaceforcheeseand all thefoods afoodieloves.
SmartThinking. Simple Living.
Connected to headline
Category line and slogan
MORE SPACE IN THE SAME SPACE.
MORE SPACE IN THE SAME SPACE.
SmartThinking. Simple Living.
SmartThinking. Simple Living.
Thesleek new G-Series is biggerinside,notoutsidehas 100 more litres of spaceforcheeseand all thefoods afoodieloves.
Thesleek new G-Series is biggerinside,notoutsidehas 100 more litres of spaceforcheeseand all thefoods afoodieloves.
Dolorin hendreritin vulputatevelitessemolestie consequatvel.
Smart Thinking. Simple Living.
62
TYPOGRAPHY INTRODUCTION
63
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Our proprietary typography allows us to emphasize messages in a fresh, contemporary manner, as well as to create an identifiable and consistent tone across all communications points.
PRIMARY TYPEFACE
Our typeface, Samsung Imagination Modern, is strong, yet modern, and will help reinforce our unique brand personality. This typeface should be used across all communications.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Additions to current font suite include Samsung Imagination Modern Extra Bold and Samsung Imagination Modern Extra Bold Condensed - each maintains character integrity and personality for greater flexibility of application across varied media.
SAMSUNG IMAGINATION MODERN FONT SUITE
Samsung Imagination Modern Regular Samsung Imagination Modern Bold Samsung Imagination Modern Extra Bold
Samsung Imagination Modern Condensed Samsung Imagination Modern Bold Condensed Samsung Imagination Modern Extra Bold Condensed
64
aA
65
TYPOGRAPHY INTRODUCTION
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Our proprietary typography allows us to emphasize messages in a fresh, contemporary manner, as well as to create an identifiable and consistent tone across all communications points.
PRIMARY TYPEFACE
Our typeface, Samsung Imagination Modern, is strong, yet modern, and will help reinforce our unique brand personality. This typeface should be used across all communications.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Additions to current font suite include Samsung Imagination Modern Extra Bold and Samsung Imagination Modern Extra Bold Condensed - each maintains character integrity and personality for greater flexibility of application across varied media.
SAMSUNG IMAGINATION MODERN FONT SUITE
Samsung Imagination Modern Regular Samsung Imagination Modern Bold Samsung Imagination Modern Extra Bold
Samsung Imagination Modern Condensed Samsung Imagination Modern Bold Condensed Samsung Imagination Modern Extra Bold Condensed
aA
64
SECONDARY TYPEFACE
For body copy and functional requirements Helvetica Neue is Samsung’s secondary typeface and may be used where readability is a concern, such as for large amounts of body copy (e.g., more than two paragraphs) and small type sizes (e.g., legal copy).
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
For desktop and online
Arial should be used for desktop applications in a nongraphic artwork environment such as live text in Web sites, and Microsoft Word ® and PowerPoint® documents. Samsung Imagination Modern and Helvetica Neue should be used for graphics and banners in web portals, microsites, and other desktop-based environments.
Helvetica Neue Light
Arial Regular
Helvetica Neue Roman
Arial Bold
65
NON-ROMAN TYPEFACES
When creating Samsung communications in non-roman languages that are not supported by Samsung Imagination Modern or Helvetica Neue such as Cyrillic, Arabic, Chinese, Hindi, and Thai — use the counterpart fonts specified in the list on this page. You may purchase these fonts online at the type foundry listed below or through a foundry in your own country. Contact your IT department for details on installation.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Linotype www.linotype.com Phone: +49 (0) 6172 484-418 Fax: +49 (0) 6172 484-429 e-mail:
[email protected]
CYRILLIC Neue Helvetica Cyrillic 55 Roman (from Linotype, $26)
Helvetica Neue Medium Helvetica Neue Bold HELVETICA NEUE ROMAN
ARABIC Medium, AXT Gihan LightAXT Manal Black, AXT Advertising ARIAL REGULAR
CHINESE MHeiHK Medium
HINDI Kruti Dev
THAI PSL Kittithada
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SECONDARY TYPEFACE
For body copy and functional requirements Helvetica Neue is Samsung’s secondary typeface and may be used where readability is a concern, such as for large amounts of body copy (e.g., more than two paragraphs) and small type sizes (e.g., legal copy).
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
For desktop and online
Arial should be used for desktop applications in a nongraphic artwork environment such as live text in Web sites, and Microsoft Word ® and PowerPoint® documents. Samsung Imagination Modern and Helvetica Neue should be used for graphics and banners in web portals, microsites, and other desktop-based environments.
Helvetica Neue Light
Arial Regular
Helvetica Neue Roman
Arial Bold
NON-ROMAN TYPEFACES
When creating Samsung communications in non-roman languages that are not supported by Samsung Imagination Modern or Helvetica Neue such as Cyrillic, Arabic, Chinese, Hindi, and Thai — use the counterpart fonts specified in the list on this page. You may purchase these fonts online at the type foundry listed below or through a foundry in your own country. Contact your IT department for details on installation.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Linotype www.linotype.com Phone: +49 (0) 6172 484-418 Fax: +49 (0) 6172 484-429 e-mail:
[email protected]
CYRILLIC Neue Helvetica Cyrillic 55 Roman (from Linotype, $26)
Helvetica Neue Medium Helvetica Neue Bold
ARABIC Medium, AXT Gihan LightAXT Manal Black, AXT Advertising
HELVETICA NEUE ROMAN
ARIAL REGULAR
CHINESE MHeiHK Medium
HINDI Kruti Dev
THAI PSL Kittithada
66
TYPOGRAPHY IN USE
Ideally, the Samsung Imagination Modern font suite should be used as the primary font. Helvetica Neue should only be used as a secondary, complementary font to Samsung Imagination Modern, where appropriate. It should never be used in headline or category line applications.
HEADLINE T Samsung Imagination Modern N I Samsung Imagination Modern Condensed R Samsung Imagination Modern Bold P
BODY COPY
67
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Use Helvetica Neue for large amounts of copy or copy that is under 7 pt. in size to emphasize legibility and readability.
TYPOGRAPHY EXAMPLES IN APPLICATION
Touch of style
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Samsung 2View
FrameYourself inthe Fun! www.samsungimaging.com/PL150
SUB-HEADS
Samsung Imagination Modern Helvetica Neue Roman Helvetica Neue Medium
Samsung Imagination Modern Bold Samsung Imagination Modern Bold Condensed
No Body Copy for OOH
Samsung Imagination Modern Bold Samsung Imagination Modern Bold Condensed Helvetica Neue Medium Helvetica Neue Bold
Samsung Imagination Modern Helvetica Neue Roman
Samsung Imagination Modern Bold Samsung Imagination Modern Bold Condensed Helvetica Neue Medium Helvetica Neue Bold
No Body Copy for Broadcast
No Body Copy for Broadcast
UltraBrilliantDisplay SamsungAMOLED
Samsung Imagination Modern Bold Condensed
Samsung Imagination Modern Bold H Samsung Imagination Modern Bold Condensed O Samsung Imagination Modern X-Bold O
Samsung Imagination Mod X-Bold Condensed
E Samsung Imagination Modern Bold D Samsung Imagination Modern Bold Condensed A R Samsung Imagination Modern X-Bold T Samsung Imagination Mod X-Bold Condensed T S A Samsung Imagination Modern C Samsung Imagination Modern Bold D A O R B
Samsung Imagination Modern A Samsung Imagination Modern Condensed L Samsung Imagination Modern Bold O
PL150/PL100
SamsungUltraTouch
Samsung Imagination Modern Regular for all normal circumstances
Samsung Imagination Modern Condensed when horizontal space is limited
Capture the whole story with an ultra-wide 24mm lens. Autem vel eum iriure.
Two LCD screens. Twice the fun. Samsung Imagination Modern Bold Helvetica Neue Roman Helvetica Neue Medium
Samsung Imagination Modern Bold Condensed
Samsung Imagination Modern Bold Samsung Imagination Modern Bold Condensed Helvetica Neue Medium Helvetica Neue Bold SamsungDualView TL225
THE SYSTEM • •
Sufficient contrast between type and background Clear typographic hierarchy
Headline Dolor sit amet
Samsung Imagination Modern Bold when visibility is a constraint
The new Samsung LED TV
SUBHEAD Sem pellentesque hendrerit. Donec sed fringilla mauris. Suspendisse malesuada hendrerit nunc, ac semper nulla. Body copy libero,pretium in malesuada nec, lobortis eu nibh.Aliquam consequat pharetra lacus sed placerat.Duis interdum augue ac sapien dapibus nec condimentum elit tempor.
Samsung Imagination Modern Extra Bold for extreme cases when visibility is a constraint
68
Samsung Imagination Modern Condensed Bold when both horizontal space and visibility are a constraint
New G-Series holds more
Samsung Imagination Modern Extra Bold Condensed for extreme cases when both horizontal space and visibility are a constraint
69
TYPOGRAPHY IN USE
Ideally, the Samsung Imagination Modern font suite should be used as the primary font. Helvetica Neue should only be used as a secondary, complementary font to Samsung Imagination Modern, where appropriate. It should never be used in headline or category line applications.
HEADLINE T Samsung Imagination Modern N I Samsung Imagination Modern Condensed R Samsung Imagination Modern Bold P
BODY COPY
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Use Helvetica Neue for large amounts of copy or copy that is under 7 pt. in size to emphasize legibility and readability.
TYPOGRAPHY EXAMPLES IN APPLICATION
Touch of style
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Samsung 2View
FrameYourself inthe Fun! www.samsungimaging.com/PL150
SUB-HEADS
Samsung Imagination Modern Helvetica Neue Roman Helvetica Neue Medium
Samsung Imagination Modern Bold Samsung Imagination Modern Bold Condensed
No Body Copy for OOH
Samsung Imagination Modern Bold Samsung Imagination Modern Bold Condensed Helvetica Neue Medium Helvetica Neue Bold
Samsung Imagination Modern Helvetica Neue Roman
Samsung Imagination Modern Bold Samsung Imagination Modern Bold Condensed Helvetica Neue Medium Helvetica Neue Bold
No Body Copy for Broadcast
No Body Copy for Broadcast
UltraBrilliantDisplay SamsungAMOLED
Samsung Imagination Modern Bold Condensed
Samsung Imagination Modern Bold H Samsung Imagination Modern Bold Condensed O Samsung Imagination Modern X-Bold O
Samsung Imagination Mod X-Bold Condensed
E Samsung Imagination Modern Bold D Samsung Imagination Modern Bold Condensed A R Samsung Imagination Modern X-Bold T Samsung Imagination Mod X-Bold Condensed T S A Samsung Imagination Modern C Samsung Imagination Modern Bold D A O R B
Samsung Imagination Modern A Samsung Imagination Modern Condensed L Samsung Imagination Modern Bold O
PL150/PL100
SamsungUltraTouch
Samsung Imagination Modern Regular for all normal circumstances
Samsung Imagination Modern Condensed when horizontal space is limited
Capture the whole story with an ultra-wide 24mm lens. Autem vel eum iriure.
Two LCD screens. Twice the fun. Samsung Imagination Modern Bold Helvetica Neue Roman Helvetica Neue Medium
Samsung Imagination Modern Bold Condensed
Samsung Imagination Modern Bold Samsung Imagination Modern Bold Condensed Helvetica Neue Medium Helvetica Neue Bold SamsungDualView TL225
THE SYSTEM • •
Sufficient contrast between type and background Clear typographic hierarchy
Headline Dolor sit amet
Samsung Imagination Modern Bold when visibility is a constraint
Samsung Imagination Modern Condensed Bold when both horizontal space and visibility are a constraint
The new Samsung LED TV
SUBHEAD Sem pellentesque hendrerit. Donec sed fringilla mauris. Suspendisse malesuada hendrerit nunc, ac semper nulla. Body copy libero,pretium in malesuada nec, lobortis eu nibh.Aliquam consequat pharetra lacus sed placerat.Duis interdum augue ac sapien dapibus nec condimentum elit tempor.
New G-Series holds more
Samsung Imagination Modern Extra Bold Condensed for extreme cases when both horizontal space and visibility are a constraint
Samsung Imagination Modern Extra Bold for extreme cases when visibility is a constraint
68
COLOR INTRODUCTION
69
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Our palette creates a differentiating and distinct color language that evokes Samsung’s core attributes, while further building consistency and brand equity.
OUR COLOR PALETTE
• The primary colors for our brand are Samsung blue
•
Primary color must be used in all communications and can be used with neutral and/or accent colors.
•A
solid color may be used or color gradations may be created for a “soft” look and feel. See p81 for approved gradations.
PRIMARY COLOR
Our palette consists of vibrant color families that may be used as gradations or as solid colors to reinforce and complement Samsung blue.
+
NEUTRAL COLOR
+
Only one accent color or color pair may be used per application.
•
Accent color pairs are created by selecting only analogous colors within a family (i.e., colors that are next to each other).
Note: Our color palette is intended for application to typographic and graphic elements. It does not limit the selection of color within photography.
ACCENT COLOR
Black
Samsung dark purple
Samsung dark red
Samsung dark green
Samsung gray/silver
Samsung purple
Samsung red
Samsung green
White
Samsung magenta
Samsung orange
Samsung lime
Samsung blue
Samsung bright blue
Blue family
Gray family
Purple family
Why? Builds brand recognition and consistency.
Why? Provides the opportunity for an open, modern, and premium tonality.
Why? Provides a vibrant, passionate, and optimistic tonality when used in c ombination with Samsung blue.
Where? Use in combination with primary color if desired.
Accent colors may be paired by sele cting analogous colors within a family (i.e., colors that are next to each other). This ensures a soft and human tonality.
White may be used with any approved color or color combination when required for sufficient contrast.
Where? Use in combination with primary and neutral colors to draw attention to important content or to reflect product personality attributes.
Note: White should be used as little as possible with a purposeful and thoughtful approach.
Note: Only one accent color or color pair may be used per application (in combination with primary and neutral colors).
Where? Blue is a mandatory component of all Samsung communications.
70
•
and Samsung bright blue.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Red family
Green family
Do not pair colors from different color families.
71
COLOR INTRODUCTION
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Our palette creates a differentiating and distinct color language that evokes Samsung’s core attributes, while further building consistency and brand equity.
OUR COLOR PALETTE
• The primary colors for our brand are Samsung blue
•
Only one accent color or color pair may be used per application.
•
Accent color pairs are created by selecting only analogous colors within a family (i.e., colors that are next to each other).
and Samsung bright blue. Primary color must be used in all communications and can be used with neutral and/or accent colors.
•
•A
solid color may be used or color gradations may be created for a “soft” look and feel. See p81 for approved gradations.
PRIMARY COLOR
Our palette consists of vibrant color families that may be used as gradations or as solid colors to reinforce and complement Samsung blue.
+
NEUTRAL COLOR
+
Note: Our color palette is intended for application to typographic and graphic elements. It does not limit the selection of color within photography.
ACCENT COLOR
Black
Samsung dark purple
Samsung dark red
Samsung dark green
Samsung gray/silver
Samsung purple
Samsung red
Samsung green
White
Samsung magenta
Samsung orange
Samsung lime
Samsung blue
Samsung bright blue
Blue family
Gray family
Purple family
Why? Builds brand recognition and consistency.
Why? Provides the opportunity for an open, modern, and premium tonality.
Why? Provides a vibrant, passionate, and optimistic tonality when used in c ombination with Samsung blue.
Where? Use in combination with primary color if desired.
Accent colors may be paired by sele cting analogous colors within a family (i.e., colors that are next to each other). This ensures a soft and human tonality.
White may be used with any approved color or color combination when required for sufficient contrast.
Where? Use in combination with primary and neutral colors to draw attention to important content or to reflect product personality attributes.
Note: White should be used as little as possible with a purposeful and thoughtful approach.
Note: Only one accent color or color pair may be used per application (in combination with primary and neutral colors).
Where? Blue is a mandatory component of all Samsung communications.
Red family
Green family
Do not pair colors from different color families.
70
REINFORCE BLUE
•
It is important that we reinforce the use of Samsung blue across all of our communications in order to build color equity around our master brand and differentiate our communications from our competitors.
The minimum use of Samsung blue must be used in every application by one or a combination of the below: wordmark + blue graphic element • wordmark + blue type • wordmark + blue photography • wordmark + blue background •
WORDMARK + BLUE GRAPHIC ELEMENT
WORDMARK + BLUE TYPE
+
+
WORDMARK + BLUE PHOTOGRAPHY
+
71
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Note: If an application is comprised of multiple pieces or facets (e.g., side of packaging), Samsung blue may be applied to those components.
WORDMARK + BLUE BACKGROUND
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
HOW TO CREATE “SOFT” COLOR
•
Create soft color by pairing together two analogous colors within a color family (i.e., colors that are next to each other)
• “Soft”
Note: Color pairs should only be selected from the same color family. Do not pair colors from different families. See p82 for all possible combinations.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
color may be applied in three ways:
1. Create a gradation with two analogous colors. 2. Apply one color to a foreground element (e.g., type) a the second color to a solid or gradation background. 3. Apply one color to type or graphic element and a second to other type or graphic element.
SOFT COLOR PAIR
OPTION 1 — GRADATION
OPTION 2A — FOREGROUND AND GRADATION BACKGROUND
OPTION 2B — FOREGROUND AND SOLID COLOR BACKGROUND
OPTION 3 — TYPE AND/OR GRAPHIC ELEMENT
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
+ Primary color
N E W
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
Black
Velit esse molestie consequat vel illum dolore.
OR Samsung Gray/Silver
OR
Neutral color
OR
Accent color
Note: The minimum use of Samsung blue must always be used in every application.
Examples for illustrative purposes only.
72
Examples for illustrative purposes only.
73
REINFORCE BLUE
•
It is important that we reinforce the use of Samsung blue across all of our communications in order to build color equity around our master brand and differentiate our communications from our competitors.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Note: If an application is comprised of multiple pieces or facets (e.g., side of packaging), Samsung blue may be applied to those components. The minimum use of Samsung blue must be used in every application by one or a combination of the below: wordmark + blue graphic element wordmark + blue type • wordmark + blue photography • wordmark + blue background •
HOW TO CREATE “SOFT” COLOR
•
Create soft color by pairing together two analogous colors within a color family (i.e., colors that are next to each other)
• “Soft”
WORDMARK + BLUE TYPE
+
WORDMARK + BLUE PHOTOGRAPHY
+
+
WORDMARK + BLUE BACKGROUND
color may be applied in three ways:
1. Create a gradation with two analogous colors. 2. Apply one color to a foreground element (e.g., type) a the second color to a solid or gradation background.
Note: Color pairs should only be selected from the same color family. Do not pair colors from different families. See p82 for all possible combinations.
3. Apply one color to type or graphic element and a second to other type or graphic element.
•
WORDMARK + BLUE GRAPHIC ELEMENT
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
SOFT COLOR PAIR
OPTION 2A — FOREGROUND AND GRADATION BACKGROUND
OPTION 1 — GRADATION
OPTION 2B — FOREGROUND AND SOLID COLOR BACKGROUND
OPTION 3 — TYPE AND/OR GRAPHIC ELEMENT
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
Velitesse molestie consequat vel illum dolore.
+ Primary color
N E W
DUIS AUTEM VEL EUM IRIURE DOLOR INTE
Black
Velit esse molestie consequat vel illum dolore.
OR Samsung Gray/Silver
OR
Neutral color
OR
Accent color
Note: The minimum use of Samsung blue must always be used in every application.
72
Examples for illustrative purposes only.
SELECT COLOR WITHIN PHOTOGRAPHY
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
• There
are three ways to select color within photography: 1. Blue photography 2. Accent color in product photography 3. Full-color photography
BLUE PHOTOGRAPHY
73
Examples for illustrative purposes only.
APPLY COLOR TO PHOTOGRAPHY
•
Color may be analogous or complementary to image color (i.e., the image color does not have to exactly match the color palette).
•
Always provide sufficient contrast for legibility
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Note: For legibility purposes in type, white may be used in addition to any approved color or color combination.
BLUE PHOTOGRAPHY + Soft primary blue color
• Photography with a blue tone
reinforces the Samsung primary brand color.
DUIS AUTEM VEL EUM IRIURE
• Try to select images with blue tones
Soft neutral color
Hendreritinvulputate velit eum iriure dolor in hendrerit.
that align with the Samsung primary color, but matching is not required. Hendreritinvulputate velit eum iriure dolor in hendrerit.
ACCENT COLOR (PRODUCT) PHOTOGRAPHY
ACCENT COLOR (PRODUCT) PHOTOGRAPHY +
• When shooting product imagery,
Soft primary blue color
the secondary or accent color palette should be used as a guide. Photography coloration is not required to match the palette colors exactly.
FULL-COLOR PHOTOGRAPHY
One accent color
Soft accent color pair
DUIS AUTEM VEL EUM IRIURE
Neutral color
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
One accent color
Soft accent color pair
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
FULL-COLOR PHOTOGRAPHY + Primary blue color
• Full-color photography reinforces the
imagination, contemporary, optimistic and passionate attributes of Samsung and our consumers. • There are no restrictions on color when
Neutral color
One accent color
Soft accent color pair
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
selecting Full-color photography. Invulputate velit
Note: The minimum use of Samsung blue must always be used in every application.
Examples for illustrative purposes only.
74
Examples for illustrative purposes only.
75
SELECT COLOR WITHIN PHOTOGRAPHY
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
• There
are three ways to select color within photography: 1. Blue photography 2. Accent color in product photography 3. Full-color photography
BLUE PHOTOGRAPHY
APPLY COLOR TO PHOTOGRAPHY
•
Color may be analogous or complementary to image color (i.e., the image color does not have to exactly match the color palette).
•
Always provide sufficient contrast for legibility
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Note: For legibility purposes in type, white may be used in addition to any approved color or color combination.
BLUE PHOTOGRAPHY + Soft primary blue color
• Photography with a blue tone
reinforces the Samsung primary brand color.
DUIS AUTEM VEL EUM IRIURE
• Try to select images with blue tones
Soft neutral color
Hendreritinvulputate velit eum iriure dolor in hendrerit.
that align with the Samsung primary color, but matching is not required. Hendreritinvulputate velit eum iriure dolor in hendrerit.
ACCENT COLOR (PRODUCT) PHOTOGRAPHY
ACCENT COLOR (PRODUCT) PHOTOGRAPHY +
• When shooting product imagery,
Soft primary blue color
the secondary or accent color palette should be used as a guide. Photography coloration is not required to match the palette colors exactly.
FULL-COLOR PHOTOGRAPHY
One accent color
Soft accent color pair
DUIS AUTEM VEL EUM IRIURE
Neutral color
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
One accent color
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Soft accent color pair
DUIS AUTEM VEL EUM IRIURE Hendreritinvulputate velit eum iriure dolor in hendrerit.
FULL-COLOR PHOTOGRAPHY + Primary blue color
• Full-color photography reinforces the
imagination, contemporary, optimistic and passionate attributes of Samsung and our consumers. • There are no restrictions on color when
Neutral color
One accent color
Soft accent color pair
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
DUIS AUTEM VEL EUM IRIURE
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
Hendreritinvulputate velit eum iriure dolor in hendrerit.
selecting Full-color photography. Invulputate velit
Note: The minimum use of Samsung blue must always be used in every application.
74
Examples for illustrative purposes only.
ATL APPLICATION EXAMPLES
•
In addition to the wordmark, Samsung blue must be used in every application.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Note: If an application is comprised of multiple pieces or facets (e.g., side of packaging), primary, neutral and accent color may be applied to separate components. Note: The Samsung brand line is used on ATL and online communications only.
Use a Samsung primary color when only one color is used. The type shown here uses Samsung blue.
Twice the fun of any camera. Dual LCDs make it easy.
The type shown here uses Samsung bright blue.
Samsung soft blue may be used in a combination of type and background color (e.g., type Samsung blue, background Samsung bright blue).
BTL APPLICATION EXAMPLES
•
In addition to the wordmark, Samsung blue must be used in every application.
Autem vel eum iriure.
Samsung soft blue may be used on secondary surfaces or pages of an application.
PLEASURE TO MEET YOU
Thesleek new G-Series is biggerinside,not outsidehas 100 morelitres of spaceforcheeseand all thefoods afoodieloves.
l e v m e t u a s i u D t . i l e v e t a t u p l u v n i t i r e r d n e h n i r o l o d e r u i r i m u e l e v m e t u a s i u D
Hendreritinvulputate velit eum iriure dolor.
Samsung Instinct S30
Learn more about Samsung microwaves at: www.samsung.com
Screenimagess imulated.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Note: If an application is comprised of multiple pieces or facets (e.g., side of packaging), primary, neutral and accent color may be applied to separate components.
Samsung soft blue may be used as a gradation for backgrounds.
More space in the same space.
Capture the whole story with an ultra-wide 24mm lens.
75
Examples for illustrative purposes only.
5.0MegapixelDigitalCamera
ThenewSamsung ST550has LCDscreens onthefronta nd backof thecamera. So nowyoucanhave funtaking perfectlyframed pictures andbepartofthefunatthesametime.
Samsung SmartCameras.
SPH-M850
Innovationmakes iteasy.
Duis autem vel eum iriuredolo r i n h e n d r eirt i n vulputatevelit eum
© 2009 Samsung ElectronicsCo Ltd. .
PRINT AD
PACKAGE
BROCHURE PRINT AD
Accent color may be used to contrast the image color. The type shown here uses Samsung magenta.
PRINT AD The Samsung brand line is used on onlinec ommunications.
New G-Series holds more
It’s t ingr
Next Generation Lorum ipsum
SamsungSid Refrigerator
OOH TRADESHOW
The type shown here uses Samsung blue.
TV AD
ONLINE Accent color may be used to complement the image color.
Accent color may be used to provide distinctiveness. This graphic uses Samsung magenta.
Find creative ways to complement Samsung soft blue, such as using blue within full-color imager y.
76
77
ATL APPLICATION EXAMPLES
•
In addition to the wordmark, Samsung blue must be used in every application.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Note: If an application is comprised of multiple pieces or facets (e.g., side of packaging), primary, neutral and accent color may be applied to separate components. Note: The Samsung brand line is used on ATL and online communications only.
Use a Samsung primary color when only one color is used. The type shown here uses Samsung blue.
The type shown here uses Samsung bright blue.
Twice the fun of any camera. Dual LCDs make it easy.
Samsung soft blue may be used in a combination of type and background color (e.g., type Samsung blue, background Samsung bright blue).
BTL APPLICATION EXAMPLES
•
In addition to the wordmark, Samsung blue must be used in every application.
Autem vel eum iriure.
Note: If an application is comprised of multiple pieces or facets (e.g., side of packaging), primary, neutral and accent color may be applied to separate components.
Samsung soft blue may be used on secondary surfaces or pages of an application.
Samsung soft blue may be used as a gradation for backgrounds.
PLEASURE TO MEET YOU
More space in the same space.
Capture the whole story with an ultra-wide 24mm lens.
Thesleek new G-Series is biggerinside,not outsidehas 100 morelitres of spaceforcheeseand all thefoods afoodieloves.
l e v m e t u a s i u D t . i l e v e t a t u p l u v n i t i r e r d n e h n i r o l o d e r u i r i m u e l e v m e t u a s i u D
Hendreritinvulputate velit eum iriure dolor.
Samsung Instinct S30
Learn more about Samsung microwaves at: www.samsung.com
Screenimagess imulated.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
5.0MegapixelDigitalCamera
ThenewSamsung ST550has LCDscreens onthefronta nd backof thecamera. So nowyoucanhave funtaking perfectlyframed pictures andbepartofthefunatthesametime.
Samsung SmartCameras.
SPH-M850
Innovationmakes iteasy.
Duis autem vel eum iriuredolo r i n h e n d r eirt i n vulputatevelit eum
© 2009 Samsung ElectronicsCo Ltd. .
PACKAGE
BROCHURE
PRINT AD
PRINT AD
Accent color may be used to contrast the image color. The type shown here uses Samsung magenta.
PRINT AD The Samsung brand line is used on onlinec ommunications.
New G-Series holds more
It’s t ingr
Next Generation Lorum ipsum
SamsungSid Refrigerator
OOH TRADESHOW
The type shown here uses Samsung blue.
TV AD
ONLINE
Accent color may be used to provide distinctiveness. This graphic uses Samsung magenta.
Accent color may be used to complement the image color. Find creative ways to complement Samsung soft blue, such as using blue within full-color imager y.
76
BTL APPLICATION EXAMPLES
•
In addition to the wordmark, Samsung blue must be used in every application.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Note: If an application is comprised of multiple pieces or facets (e.g., side of packaging), primary, neutral and accent color may be applied to separate components. Note: The Samsung brand line is used on ATL and online communications only.
Samsung soft blue may be used in type combination. This graphic uses type in Samsung blue and Samsung bright blue.
77
COLOR DO NOT
•
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Our color palette allows for great flexibility. However, guidelines must be followed in order to maintain a consistent and identifiable look and feel.
• The
following examples illustrate improper application of color.
Use black in place of Samsung soft blue only when printing limitations do not allow the use of color.
SAMSUNG PROUD SPONSOR 2012 SUMMER OLYMPIC GAMES
SAMSUNG PROUD SPONSOR 2012 SUMMER OLYMPIC GAMES
l e v m e t u a s i u D t . i l e v e t a t u p l u v n i t i r e r d n e h n i r o l o d e r u i r i m u e l e v m e t u a s i u D
Samsung Instinct
Duisautem veleum iriure dolor inhendreritinvulputate velit esse molestie consequat,vel illum dolore eu feugiat nulla facilisisat. Veroeros etaccumsanet iustoodio dignissim qui blanditpraesentluptatum zzrildelenit.
Samsung 46" 1080p LED HDTV UN46B6000
Duis autemveleum iriuredolorin hendreritinvulputatevelit esse molestie consequat, velillum dolore eufeugiatnullafacilisis at. Vero eros etaccumsanetiusto odio dignissim quiblandit.
5.0 Megapixel Digital Camera
SPH-M850 Tall dispenser & LED display Duisautemvel eumiriure dolorin hendreritinvulputatevelit.Duis autemveleumiriuredolorinhendrerit invulputate velit eumiriure dolorin hendreritinvulputatevelit.
Hiddenhinges Duisautemvel eumiriure dolorin hendreritinvulputateveliteumiriure dolorinhendreritinvulputatevelit. Vel eumiriure dolorinhendrerit in vulputatevelit.Duisautemveleum iriure dolorinhendrerit invulputate velit eumiriure dolorinhendrerit in vulputatevelit.
Beveragestation Dolorinhendrerit invulputate velit eumiriure dolorinhendrerit in vulputate velit.Vel eumiriure dolorin hendreritinvulputatevelit.Duis autemvel eumiriure dolorinhendrerit invulputate velit eumiriure dolorin hendreritinvulputatevelit.
(45.9 inches measured diagonally) CONTENTS LIBRARY
ULTRA CLEAR PANEL
AUTO MOTION PLUS 120HZ
Enjoy preloaded contentdesigned for entertainment,educationandlifestyle –Noexternalsourcerequired
More vivid colorsand deeper, richer black levels
Twice the frames, twice the clarity
SamsungLEDHDTV
Do not apply a soft color gradient on any angle other than 45º.
Do not create additional unapproved soft color pairs or gradients.
Do not use a soft color gradient within typography.
STICKER POS
When it is not possible to use Samsung soft blue in the most prominent application, use it in a secondary application.
More space in the same space.
Samsung LED TV Brilliant
Thesleek new G-Series is biggerinside,notoutsidehas 100 morelitres of spaceforcheeseand all thefoods afoodieloves.
Just your type Lorumipsum
WHICH COMPUTER FORYOU?
LOREM IPSUM VERO
1.
2.
3.
1.RUGGEDDESIGN
1.RUGGEDDESIGN
1.RUGGEDDESIGN
2. GPS
2. GPS
2. GPS
S A L E
Autem vel eum iriure dolor in
View All >
POP NEW
SAMSUNG SENS N310
This example uses Samsung blue.
Do not use accent color on applications without the use of Samsung blue.
POS
Do not use more than one accent color pair in combination with Samsung blue.
Do not combine colors without enough contrast.
Use accent colors to delineate important information. This example uses Samsung red to Samsung orange gradation.
78
79
BTL APPLICATION EXAMPLES
•
In addition to the wordmark, Samsung blue must be used in every application.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Note: If an application is comprised of multiple pieces or facets (e.g., side of packaging), primary, neutral and accent color may be applied to separate components. Note: The Samsung brand line is used on ATL and online communications only.
Samsung soft blue may be used in type combination. This graphic uses type in Samsung blue and Samsung bright blue.
COLOR DO NOT
•
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Our color palette allows for great flexibility. However, guidelines must be followed in order to maintain a consistent and identifiable look and feel.
• The
following examples illustrate improper application of color.
Use black in place of Samsung soft blue only when printing limitations do not allow the use of color.
SAMSUNG PROUD SPONSOR 2012 SUMMER OLYMPIC GAMES
SAMSUNG PROUD SPONSOR 2012 SUMMER OLYMPIC GAMES
l e v m e t u a s i u D t . i l e v e t a t u p l u v n i t i r e r d n e h n i r o l o d e r u i r i m u e l e v m e t u a s i u D
Samsung Instinct
Duisautem veleum iriure dolor inhendreritinvulputate velit esse molestie consequat,vel illum dolore eu feugiat nulla facilisisat. Veroeros etaccumsanet iustoodio dignissim qui blanditpraesentluptatum zzrildelenit.
5.0 Megapixel Digital Camera
Samsung 46" 1080p LED HDTV UN46B6000
Duis autemveleum iriuredolorin hendreritinvulputatevelit esse molestie consequat, velillum dolore eufeugiatnullafacilisis at. Vero eros etaccumsanetiusto odio dignissim quiblandit.
SPH-M850 Tall dispenser & LED display Duisautemvel eumiriure dolorin hendreritinvulputatevelit.Duis autemveleumiriuredolorinhendrerit invulputate velit eumiriure dolorin hendreritinvulputatevelit.
Hiddenhinges Duisautemvel eumiriure dolorin hendreritinvulputateveliteumiriure dolorinhendreritinvulputatevelit. Vel eumiriure dolorinhendrerit in vulputatevelit.Duisautemveleum iriure dolorinhendrerit invulputate velit eumiriure dolorinhendrerit in vulputatevelit.
Beveragestation Dolorinhendrerit invulputate velit eumiriure dolorinhendrerit in vulputate velit.Vel eumiriure dolorin hendreritinvulputatevelit.Duis autemvel eumiriure dolorinhendrerit invulputate velit eumiriure dolorin hendreritinvulputatevelit.
(45.9 inches measured diagonally) CONTENTS LIBRARY
ULTRA CLEAR PANEL
AUTO MOTION PLUS 120HZ
Enjoy preloaded contentdesigned for entertainment,educationandlifestyle –Noexternalsourcerequired
More vivid colorsand deeper, richer black levels
Twice the frames, twice the clarity
SamsungLEDHDTV
Do not apply a soft color gradient on any angle other than 45º.
Do not create additional unapproved soft color pairs or gradients.
Do not use a soft color gradient within typography.
STICKER POS
When it is not possible to use Samsung soft blue in the most prominent application, use it in a secondary application.
More space in the same space.
Samsung LED TV Brilliant
Thesleek new G-Series is biggerinside,notoutsidehas 100 morelitres of spaceforcheeseand all thefoods afoodieloves.
Just your type Lorumipsum
WHICH COMPUTER FORYOU?
LOREM IPSUM VERO
1.
2.
3.
1.RUGGEDDESIGN
1.RUGGEDDESIGN
1.RUGGEDDESIGN
2. GPS
2. GPS
2. GPS
S A L E
Autem vel eum iriure dolor in
View All >
POP NEW
This example uses Samsung blue.
SAMSUNG SENS N310
Do not use accent color on applications without the use of Samsung blue.
POS
Do not use more than one accent color pair in combination with Samsung blue.
Do not combine colors without enough contrast.
Use accent colors to delineate important information. This example uses Samsung red to Samsung orange gradation.
78
COLOR SPECIFICATION
•
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Pantone®, CMYK and RGB equivalents are specified here in order to maintain consistency across all Samsung communications.
PRIMARY COLOR Samsung BLUE PANTONE® 286 C (For coated, uncoated and matte coated paper stock) C100 M80 Y0 K0 R20 G40 B160 HEX: #1428A0
Samsung BRIGHT BLUE Pantone 2995 C C87 M0 Y0 K0 R0 G169 B224 HEX: #00A9E0
79
NEUTRAL COLOR BLACK C0 M0 Y0 K100 R0 G0 B0 HEX: #000000
GRADATION COMBINATIONS
• These
are the only color combinations that have been approved.
•
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Gradations may only be made from the CMYK breakdowns from p80.
PRIMARY COLOR
NEUTRAL COLOR
ACCENT COLOR
Samsung blue
Black
Samsung dark purple
Samsung dark red
Samsung dark green
Samsung bright blue
Samsung gray/silver
Samsung purple
Samsung red
Samsung green
Samsung gray/silver
Samsung purple
Samsung red
Samsung green
White
Samsung magenta
Samsung orange
Samsung lime
Samsung GRAY/SILVER Pantone 431 C45 M27 Y17 K51 R94 G106 B113 HEX: #5E6A71 WHITE C0 M0 Y0 K0 R255 G255 B255 HEX: #FFFFFF
ACCENT COLOR Samsung DARK PURPLE Pantone 2597 C C78 M94 Y0 K0 R87 G6 B140 HEX: #57068C
Samsung DARK RED Pantone 1955 C C8 M100 Y47 K39 R141 G27 B61 HEX: #8D1B3D
Samsung DARK GREEN Pantone 335 C C100 M0 Y58 K22 R0 G127 B100 HEX: #007F64
Samsung PURPLE Pantone 2725 C C76 M70Y0 K0 R100 G89 B196 HEX: #6459C4
Samsung RED Pantone 1795 C C0 M96 Y90 K2 R205 G32 B44 HEX: #CD202C
Samsung GREEN Pantone 354 C C89 M0 Y90 K0 R0 G175 B63 HEX: #00AF3F
Samsung MAGENTA Pantone 219 C C0 M92 Y0 K0 R215 G31 B133 HEX: #D71F85
Samsung ORANGE Pantone 1375 C C0 M45 Y95 K0 R255 G160 B47 HEX: #FFA02F
Samsung LIME Pantone 382 C C28 M0 Y92 K0 R190 G214 B0 HEX: #BED600
The colors, CMYK and RGB breakdowns shown on this page and throughout these standards have not bee n evaluated by Pantone, Inc. for accuracy and may not match the PANTONE Color Standards. For accurate ® PANTONE Color Standards, refer to the current edition of the PANTONE formula guides. PANTONE and PANTONE MATCHING SYSTEM® are the property of Pantone, Inc.
80
81
COLOR SPECIFICATION
•
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Pantone®, CMYK and RGB equivalents are specified here in order to maintain consistency across all Samsung communications.
NEUTRAL COLOR
PRIMARY COLOR Samsung BLUE PANTONE® 286 C (For coated, uncoated and matte coated paper stock) C100 M80 Y0 K0 R20 G40 B160 HEX: #1428A0
BLACK C0 M0 Y0 K100 R0 G0 B0 HEX: #000000
GRADATION COMBINATIONS
• These
are the only color combinations that have been approved.
•
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Gradations may only be made from the CMYK breakdowns from p80.
PRIMARY COLOR
NEUTRAL COLOR
ACCENT COLOR
Samsung blue
Black
Samsung dark purple
Samsung dark red
Samsung dark green
Samsung bright blue
Samsung gray/silver
Samsung purple
Samsung red
Samsung green
Samsung gray/silver
Samsung purple
Samsung red
Samsung green
White
Samsung magenta
Samsung orange
Samsung lime
Samsung GRAY/SILVER Pantone 431 C45 M27 Y17 K51 R94 G106 B113 HEX: #5E6A71
Samsung BRIGHT BLUE Pantone 2995 C C87 M0 Y0 K0 R0 G169 B224 HEX: #00A9E0
WHITE C0 M0 Y0 K0 R255 G255 B255 HEX: #FFFFFF
ACCENT COLOR Samsung DARK PURPLE Pantone 2597 C C78 M94 Y0 K0 R87 G6 B140 HEX: #57068C
Samsung DARK RED Pantone 1955 C C8 M100 Y47 K39 R141 G27 B61 HEX: #8D1B3D
Samsung DARK GREEN Pantone 335 C C100 M0 Y58 K22 R0 G127 B100 HEX: #007F64
Samsung PURPLE Pantone 2725 C C76 M70Y0 K0 R100 G89 B196 HEX: #6459C4
Samsung RED Pantone 1795 C C0 M96 Y90 K2 R205 G32 B44 HEX: #CD202C
Samsung GREEN Pantone 354 C C89 M0 Y90 K0 R0 G175 B63 HEX: #00AF3F
Samsung MAGENTA Pantone 219 C C0 M92 Y0 K0 R215 G31 B133 HEX: #D71F85
Samsung ORANGE Pantone 1375 C C0 M45 Y95 K0 R255 G160 B47 HEX: #FFA02F
Samsung LIME Pantone 382 C C28 M0 Y92 K0 R190 G214 B0 HEX: #BED600
The colors, CMYK and RGB breakdowns shown on this page and throughout these standards have not bee n evaluated by Pantone, Inc. for accuracy and may not match the PANTONE Color Standards. For accurate ® PANTONE Color Standards, refer to the current edition of the PANTONE formula guides. PANTONE and PANTONE MATCHING SYSTEM® are the property of Pantone, Inc.
80
CREATING A COLOR GRADATION
• The soft gradient must be applied on a 45˚
angle
and may begin at any corner. •
Make sure to place the wordmark in an area that provides sufficient contrast.
Type:
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Note: While the soft blue color pair is demonstrated here, the specifications apply to all approved color pairs.
Linear
Angle: 0
° L oc at io n: 40
81
CREATING A COLOR GRADATION
• The
desired gradient color may also be angled in the gradient window to achieve the following angles: 45˚, 135˚, -135˚ and -45˚.
Note: Gradient may be applied as dark or light color dominant, depending on the desired tonality.
DARK DOMINANT 135˚ angle
%
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
45˚ angle
40%
2%
98%
SAMSUNG BRIGHT BLUE C90, M11, Y0, K0
SAMSUNG BLUE C100, M80, Y0, K0
Samsung Light Blue C90, M11, Y0, K0
-135˚ angle
Samsung Blue C100, M66, Y0, K0
-45˚ angle Note: Use these gradient specifications to produce a dark color dominant gradation.
Duis autem vel eum iriure dolor.
Duis autem vel eum iriure dolor.
Duis autem vel eum iriure dolor.
OPPOSITE EDGE
LIGHT DOMINANT 135˚ angle
STEP 1
STEP 2
STEP 3
If a background gradation is des ired, create a rectangular shape that spans the application edges.
Select the desired accent color pair in the gradient window and apply it to the background.
Using the gradient tool, click and drag on a 45˚ angle from any corner to the opposite edge of the application.
Samsung Blue C100, M66, Y0, K0
-135˚ angle
In some extreme horizontal or vertical situations the gradient may need to be extended past the opposite edge in order to reveal enough color.
Samsung Light Blue C90, M11, Y0, K0
-45˚ angle Note: Use these gradient specifications to produce a light color dominant gradation.
FOR EXTREME HORIZONTAL AND VERTICAL APPLICATIONS
STEP 3
45˚ angle
Duis autem vel eum iriure dolor.
PAST OPPOSITE EDGE
Duis autem vel eum iriure dolor.
PAST OPPOSITE EDGE
82
83
CREATING A COLOR GRADATION
• The soft gradient must be applied on a 45˚
angle
and may begin at any corner. •
Make sure to place the wordmark in an area that provides sufficient contrast.
Type:
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Note: While the soft blue color pair is demonstrated here, the specifications apply to all approved color pairs.
Linear
Angle: 0
° L oc at io n: 40
CREATING A COLOR GRADATION
• The
desired gradient color may also be angled in the gradient window to achieve the following angles: 45˚, 135˚, -135˚ and -45˚.
Note: Gradient may be applied as dark or light color dominant, depending on the desired tonality.
DARK DOMINANT 135˚ angle
%
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
45˚ angle
40%
2%
98%
SAMSUNG BRIGHT BLUE C90, M11, Y0, K0
SAMSUNG BLUE C100, M80, Y0, K0
Samsung Light Blue C90, M11, Y0, K0
-135˚ angle
Samsung Blue C100, M66, Y0, K0
-45˚ angle Note: Use these gradient specifications to produce a dark color dominant gradation.
Duis autem vel eum iriure dolor.
Duis autem vel eum iriure dolor.
Duis autem vel eum iriure dolor.
OPPOSITE EDGE
LIGHT DOMINANT 135˚ angle
STEP 1
STEP 2
STEP 3
If a background gradation is des ired, create a rectangular shape that spans the application edges.
Select the desired accent color pair in the gradient window and apply it to the background.
Using the gradient tool, click and drag on a 45˚ angle from any corner to the opposite edge of the application.
45˚ angle
Samsung Blue C100, M66, Y0, K0
-135˚ angle
-45˚ angle Note: Use these gradient specifications to produce a light color dominant gradation.
FOR EXTREME HORIZONTAL AND VERTICAL APPLICATIONS
STEP 3 In some extreme horizontal or vertical situations the gradient may need to be extended past the opposite edge in order to reveal enough color.
Samsung Light Blue C90, M11, Y0, K0
Duis autem vel eum iriure dolor.
PAST OPPOSITE EDGE
Duis autem vel eum iriure dolor.
PAST OPPOSITE EDGE
82
SOUND SIGNATURE INTRODUCTION
83
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Sound signature is a distinctive and memorable Samsung proprietary sound placed at the end of all TV commercial consistently to reinforce brand as a sonic signature.
SOUND SIGNATURE APPLICATION
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
The sound signature must always be added to the end of all TV commercials. Sound signature was enhanced from the original sound to better fit with the brand personality, while maintaining the melodic structure (starflight).
SAMSUNG SOUND SIGNATURE: STARFLIGHT
The sound signature was developed to fit with the brand personality (imaginative, contemporary, optimistic & passionate) and to bolster with “Turn on Tomorrow”.
TIMING GUIDE Two versions with different time lengths are provided. Recommend to use :3 for :30 TV commercial and :2 for :15 TV commercial
:20 and :30 version
:15 version
Soundtrack (:27)
Soundtrack (:13)
Signature (:03)
Signature (:02)
DO integrate the full-length sound signature at the end of all TV commercials. DO always use with the brand line lockup at the end of TV commercials. DO NOT cut off the sound signature in the middle. DO NOT Speed up to make the sound signature shorter.
* In extreme cases and with GBM approval, locals may use a full-score sound track, including the sound signature, in compliance with the musical notes, melodic structure and timing.
84
85
SOUND SIGNATURE INTRODUCTION
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Sound signature is a distinctive and memorable Samsung proprietary sound placed at the end of all TV commercial consistently to reinforce brand as a sonic signature.
SOUND SIGNATURE APPLICATION
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
The sound signature must always be added to the end of all TV commercials. Sound signature was enhanced from the original sound to better fit with the brand personality, while maintaining the melodic structure (starflight).
SAMSUNG SOUND SIGNATURE: STARFLIGHT
The sound signature was developed to fit with the brand personality (imaginative, contemporary, optimistic & passionate) and to bolster with “Turn on Tomorrow”.
TIMING GUIDE Two versions with different time lengths are provided. Recommend to use :3 for :30 TV commercial and :2 for :15 TV commercial
:20 and :30 version
:15 version
Soundtrack (:27)
Soundtrack (:13)
Signature (:03)
Signature (:02)
DO integrate the full-length sound signature at the end of all TV commercials. DO always use with the brand line lockup at the end of TV commercials. DO NOT cut off the sound signature in the middle. DO NOT Speed up to make the sound signature shorter.
* In extreme cases and with GBM approval, locals may use a full-score sound track, including the sound signature, in compliance with the musical notes, melodic structure and timing.
84
TV ENDTAG INTRODUCTION
TV endtag is a memorable and identifying signature placed at the end of all global TVs and promotional video materials consistently to reinforce Samsung brand to consumers. Two versions with different time lengths are provided.
•
It clearly registers Samsung logo and the new brand line as a signature element
•
Integrate the endtag at the end of all TV commercial with a smooth transition from the last scene
•
Sound signature must be locked up with the endtag
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
ENDTAG SEQUENCE & TIMING GUIDE 3 seconds (for :30 and :20 TV Commercials) Samsung logo appears first, then the brand line dissolves in
seconds
85
3
2 seconds (for :15 TV Commercials) Samsung logo appears first, then the brand line dissolves in
DO NOT cut off the endtag in the middle (sound signature or brand line appearance). DO NOT change the black background color of the endtag. DO NOT Speed up or slow down the endtag.
86
TV ENDTAG INTRODUCTION
TV endtag is a memorable and identifying signature placed at the end of all global TVs and promotional video materials consistently to reinforce Samsung brand to consumers. Two versions with different time lengths are provided.
•
It clearly registers Samsung logo and the new brand line as a signature element
•
Integrate the endtag at the end of all TV commercial with a smooth transition from the last scene
•
Sound signature must be locked up with the endtag
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
ENDTAG SEQUENCE & TIMING GUIDE 3 seconds (for :30 and :20 TV Commercials) Samsung logo appears first, then the brand line dissolves in
seconds
3
2 seconds (for :15 TV Commercials) Samsung logo appears first, then the brand line dissolves in
DO NOT cut off the endtag in the middle (sound signature or brand line appearance). DO NOT change the black background color of the endtag. DO NOT Speed up or slow down the endtag.
86
BRAND PERSONALITY IMAGERY INTRODUCTION
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Our brand personality dimensionalizes and visually conveys our brand on both a global as well as regional basis to drive the distinction and ownability of communications around the world.
BRAND PERSONALITY IMAGERY AND BRAND PYRAMID
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
The interpretation of brand personalities can vary across regions. Brand Personality traits will be influenced by consumer profiles, culture, product category dynamics, religion, acceptance of non-local executions, etc.
BRAND PYRAMID
Brand personality comprises a set of human/ tangible traits that are assigned to our brand to bring meaning and dimension to both internal and external audiences.
BRAND ESSENCE
Relentless passion to inspire and enrich lives BRAND BUILDING BLOCKS Innovation that Sensual design that transforms how we live + enhances your style +
Consumer experiences that surprise & delight
BRAND PERSONALITIES
Imaginative Contemporary Optimistic in outlook in style in nature Inspired by looking and thinking beyond
A clean, modern style, simple and confident
Energetic & positive, always sees possibilities
Passionate in pursuits Driven by a relentless thirst for the new, exciting
REGIONAL INTERPRETATION
is defined and applied differently across regions due to unique cultural category, target and/or the-stage influences
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BRAND PERSONALITY IMAGERY INTRODUCTION
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Our brand personality dimensionalizes and visually conveys our brand on both a global as well as regional basis to drive the distinction and ownability of communications around the world.
BRAND PERSONALITY IMAGERY AND BRAND PYRAMID
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
The interpretation of brand personalities can vary across regions. Brand Personality traits will be influenced by consumer profiles, culture, product category dynamics, religion, acceptance of non-local executions, etc.
BRAND PYRAMID
Brand personality comprises a set of human/ tangible traits that are assigned to our brand to bring meaning and dimension to both internal and external audiences.
BRAND ESSENCE
Relentless passion to inspire and enrich lives BRAND BUILDING BLOCKS Innovation that Sensual design that transforms how we live + enhances your style +
Consumer experiences that surprise & delight
BRAND PERSONALITIES
Imaginative Contemporary Optimistic in outlook in style in nature Inspired by looking and thinking beyond
A clean, modern style, simple and confident
Energetic & positive, always sees possibilities
Passionate in pursuits Driven by a relentless thirst for the new, exciting
REGIONAL INTERPRETATION
is defined and applied differently across regions due to unique cultural category, target and/or the-stage influences
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BRAND PERSONALITY IMAGERY VARIATIONS
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S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Regional interpretations of the brand personality begin with identifying which geographies share physical, social and cultural commonalities. For each of these geographies, we look to societal dif ferences, cultural & religious heritage, as well as socio-economic progress, to identify variations in brand personality.
NORTH AMERICA Brand personality imagery (regional interpretation) Imaginative
(it is…)
Always looking and thinking beyond. Extraordinary, Unique, Fresh
Contemporary Russia (CIS)
Europe
North America
A cultural blend of sophisticated consumers that know adver tising. Open to brand engagement.
Progressive culture that is rooted firmly in tradition. Cannot separate old from new.
Comfortable, In-touch, Fashion forward
Optimistic
Middle East
Latin America
Distinct with significant cultural and religious differences, but can be open to western influence
A relatively homogeneous region that shares similar physical, cultural, economic and religious beliefs.
(it is…)
A clean, modern style. Simple and confident, not too flashy or overly trendy.
China
Evolving society that places importance on western culture. Open to change and quicklya dapting.
Despite differences physically, socioeconomically, and in culture, there is a look and style that is very European
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
(it is…)
Always looking and thinking beyond. India (SWA)
Positive, Confident, Progressive
Strong cultural and religious society but with a thirst for progress. Look/style is distinct and preferred.
South Africa
Distinct,emerging market within a region that reflects cultural and socio-economic conditions suitable for target.
#8939607 South East Asia
Reflects differences in look and socioeconomics and cultures across region.
Passionate
Korea
Important to maintain relationships with domestic consumers in a way that is intimate and understanding.
(it is…)
Passionate pursuits, an insatiable thirst for the new & exciting. Curious and immersed in creative self-expression. Joyful, Enthusiastic, Devoted
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BRAND PERSONALITY IMAGERY VARIATIONS
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Regional interpretations of the brand personality begin with identifying which geographies share physical, social and cultural commonalities. For each of these geographies, we look to societal dif ferences, cultural & religious heritage, as well as socio-economic progress, to identify variations in brand personality.
NORTH AMERICA Brand personality imagery (regional interpretation) Imaginative
(it is…)
Always looking and thinking beyond. Extraordinary, Unique, Fresh
Contemporary Russia (CIS)
Europe
North America
A cultural blend of sophisticated consumers that know adver tising. Open to brand engagement.
Despite differences physically, socioeconomically, and in culture, there is a look and style that is very European
Progressive culture that is rooted firmly in tradition. Cannot separate old from new.
Comfortable, In-touch, Fashion forward
Optimistic
Middle East
Distinct with significant cultural and religious differences, but can be open to western influence
Latin America
A relatively homogeneous region that shares similar physical, cultural, economic and religious beliefs.
(it is…)
A clean, modern style. Simple and confident, not too flashy or overly trendy.
China
Evolving society that places importance on western culture. Open to change and quicklya dapting.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
(it is…)
Always looking and thinking beyond. India (SWA)
Positive, Confident, Progressive
Strong cultural and religious society but with a thirst for progress. Look/style is distinct and preferred.
#8939607 South East Asia
Reflects differences in look and socioeconomics and cultures across region.
South Africa
Distinct,emerging market within a region that reflects cultural and socio-economic conditions suitable for target.
Passionate
Korea
Important to maintain relationships with domestic consumers in a way that is intimate and understanding.
(it is…)
Passionate pursuits, an insatiable thirst for the new & exciting. Curious and immersed in creative self-expression. Joyful, Enthusiastic, Devoted
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CHINA
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand personality imagery (regional interpretation) Imaginative
(it is…)
Surprising and thinking beyond ordinary expectation. Unexpected, Visionary, Magnifying
Contemporary
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SOUTH EAST ASIA Brand personality imagery (regional interpretation) Imaginative
(it is…)
Is inspired by always looking and thinking beyond. Intelligent, Human, Unexpected
Contemporary
(it is…)
Reflective of modern western style but drawing from Chinese heritage.
(it is…)
Co-existence of western culture based on the cultural heritage. Clean & Simple.
Modern, trendy and westernized but embracing China heritage
Optimistic
Stylish, Modern yet culturally pure, Warm
Optimistic
(it is…)
Enjoying now with satisfying today.
(it is…)
Strong belief in faith, desire for better life & enjoying life. Open-minded, Satisfied, Happy
Passionate
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Faithful, inspiring, openminded, family protective
Passionate
(it is…)
Relentless thirst for achieving social status, and pursuit of the new in a self-confident way.
(it is…)
Passionate Eager to achieve, work hard & play hard.
Ambitious, Self-confident, Adventurous
Achieving, Ambitious, Exciting
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CHINA
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand personality imagery (regional interpretation) Imaginative
(it is…)
Surprising and thinking beyond ordinary expectation. Unexpected, Visionary, Magnifying
Contemporary
SOUTH EAST ASIA Brand personality imagery (regional interpretation) Imaginative
(it is…)
Is inspired by always looking and thinking beyond. Intelligent, Human, Unexpected
Contemporary
(it is…)
Reflective of modern western style but drawing from Chinese heritage.
(it is…)
Co-existence of western culture based on the cultural heritage. Clean & Simple.
Modern, trendy and westernized but embracing China heritage
Optimistic
Stylish, Modern yet culturally pure, Warm
Optimistic
(it is…)
Enjoying now with satisfying today.
(it is…)
Strong belief in faith, desire for better life & enjoying life. Open-minded, Satisfied, Happy
Passionate
Faithful, inspiring, openminded, family protective
Passionate
(it is…)
Relentless thirst for achieving social status, and pursuit of the new in a self-confident way.
(it is…)
Passionate Eager to achieve, work hard & play hard.
Ambitious, Self-confident, Adventurous
Achieving, Ambitious, Exciting
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INDIA (SWA)
(it is…)
Inspired by new trend and culture, music, television and movies. Vivid, Artistic, Novel, Cross cultural influences
Contemporary
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Brand personality imagery (regional interpretation)
Imaginative
LATIN AMERICA
Imaginative
(it is…)
Surprising and adventurous, never without a cultural influence. Surprising, Adventurous, Open-minded
(it is…)
Embraces modernity without abandoning traditions as reflected in fashion, art, food and lifestyle.
International yet Indian, New, Trendy, As pirational
Fresh, State-of-the-art, Fashion forward
Optimistic
(it is…)
Always sees possibilities, eager to learn, think positively.
(it is…)
Always welcoming and looking to the future with warmth and enthusiasm. Cheerful, Bright, Positive, Pleasant
Passionate
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand personality imagery (regional interpretation)
Contemporary
(it is…)
Combination of the exotic with the international through a uniquely Indian sensibility.
Optimistic
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Friendly, Welcoming, Bright
Passionate
(it is…)
Passionate about advancement and extraordinary experiences.
(it is…)
Passionate for excitement together.
Enthusiastic, Ambitious, Determined
Exciting, Warm, Sensual
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INDIA (SWA)
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand personality imagery (regional interpretation)
Imaginative
(it is…)
Inspired by new trend and culture, music, television and movies. Vivid, Artistic, Novel, Cross cultural influences
Contemporary
LATIN AMERICA Brand personality imagery (regional interpretation)
Imaginative
(it is…)
Surprising and adventurous, never without a cultural influence. Surprising, Adventurous, Open-minded
Contemporary
(it is…)
Combination of the exotic with the international through a uniquely Indian sensibility.
(it is…)
Embraces modernity without abandoning traditions as reflected in fashion, art, food and lifestyle.
International yet Indian, New, Trendy, As pirational
Optimistic
Fresh, State-of-the-art, Fashion forward
Optimistic
(it is…)
Always sees possibilities, eager to learn, think positively.
(it is…)
Always welcoming and looking to the future with warmth and enthusiasm. Cheerful, Bright, Positive, Pleasant
Passionate
Friendly, Welcoming, Bright
Passionate
(it is…)
Passionate about advancement and extraordinary experiences.
(it is…)
Passionate for excitement together.
Enthusiastic, Ambitious, Determined
Exciting, Warm, Sensual
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EUROPE
(it is…)
Visionary and inspirational in their pursuit of the new. Positive, Authentic, Engaging
Contemporary
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Brand personality imagery (regional interpretation) Imaginative
RUSSIA (CIS)
Imaginative
(it is…)
Inspired by looking and thinking beyond. Creative, Artistic, Unexpected
(it is…)
Trend leading, fashionable style with a liberal unique identity. Confident, Stylish, Leading edge
Fashionable, Modern, Premium
Optimistic
(it is…)
Belief in pursuing possibilities.
(it is…)
Positive thinking regardless of life’s surprises, exploring with pioneering fearlessness. Bright, Inspiring, Romantic
Passionate
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand personality imagery (regional interpretation)
Contemporary
(it is…)
Trendy, cool with modern simplicity.
Optimistic
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Fearless, Bright, Positive
Passionate
(it is…)
Free spirited and playful. Fueled by excitement.
(it is…)
Eagerly searching for pragmatic solutions with vigor. Dynamic, Exuberant, Exciting
Enthusiastic, Energetic, Sensible
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EUROPE
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand personality imagery (regional interpretation) Imaginative
(it is…)
Visionary and inspirational in their pursuit of the new. Positive, Authentic, Engaging
Contemporary
RUSSIA (CIS) Brand personality imagery (regional interpretation)
Imaginative
(it is…)
Inspired by looking and thinking beyond. Creative, Artistic, Unexpected
Contemporary
(it is…)
Trendy, cool with modern simplicity.
(it is…)
Trend leading, fashionable style with a liberal unique identity. Confident, Stylish, Leading edge
Optimistic
Fashionable, Modern, Premium
Optimistic
(it is…)
Belief in pursuing possibilities.
(it is…)
Positive thinking regardless of life’s surprises, exploring with pioneering fearlessness. Bright, Inspiring, Romantic
Passionate
Fearless, Bright, Positive
Passionate
(it is…)
Free spirited and playful. Fueled by excitement.
(it is…)
Eagerly searching for pragmatic solutions with vigor. Dynamic, Exuberant, Exciting
Enthusiastic, Energetic, Sensible
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MIDDLE EAST
(it is…)
Imaginative power overcoming natural and social limitations. Culturally diverse, Unique, Unexpected
Contemporary
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S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand personality imagery (regional interpretation)
Imaginative
KOREA
Imaginative
(it is…)
Inspired by looking and thinking beyond. Delicate, Creative, Bright
(it is…)
A modern style, trendy & confident.
Sophisticated, Worldly, Open
Simple, Clean, Straightforward
Optimistic
(it is…)
Strong beliefs and faith. Desire for family security.
(it is…)
Always sees possibilities. Spirited, Friendly, Inclusive
Passionate
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand personality imagery (regional interpretation)
Contemporary
(it is…)
Coexistence of conservative tradition and modern/present.
Optimistic
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Sincere, Wishful, Positive
Passionate
(it is…)
Expanding thirst for the new and different. Change for self improvement in daily life.
(it is…)
Passionate pursuits, an insatiable thirst for the new & exciting. Curious and immersed creative self.
Dynamic, Enthusiastic, Engaging, Confident
Aggressive, Determined, Challenging
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MIDDLE EAST
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand personality imagery (regional interpretation)
Imaginative
(it is…)
Imaginative power overcoming natural and social limitations. Culturally diverse, Unique, Unexpected
Contemporary
KOREA Brand personality imagery (regional interpretation) Imaginative
(it is…)
Inspired by looking and thinking beyond. Delicate, Creative, Bright
Contemporary
(it is…)
Coexistence of conservative tradition and modern/present.
(it is…)
A modern style, trendy & confident.
Sophisticated, Worldly, Open
Optimistic
Simple, Clean, Straightforward
Optimistic
(it is…)
Strong beliefs and faith. Desire for family security.
(it is…)
Always sees possibilities. Spirited, Friendly, Inclusive
Passionate
Sincere, Wishful, Positive
Passionate
(it is…)
Expanding thirst for the new and different. Change for self improvement in daily life.
Aggressive, Determined, Challenging
98
SOUTH AFRICA
(it is…)
Inspiration from looking, hearing and thinking beyond. Engaging , Unique, Real
(it is…)
Splendid and showy style. Trendy and confident, not too old-fashioned or monotonous. Vivid, Bright , Expressive, Authentic Chic
Optimistic
(it is…)
Desire for the better future related with social and financial stability. Aspirational, Playful, Inspiring
Passionate
99
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand personality imagery (regional interpretation)
Contemporary
(it is…)
Passionate pursuits, an insatiable thirst for the new & exciting. Curious and immersed creative self.
Dynamic, Enthusiastic, Engaging, Confident
Imaginative
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
(it is…)
Impulsive and instinctive passion as a group. Highly immersed and instantaneous fever. Energetic, Upbeat, Positive
100
SOUTH AFRICA
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Brand personality imagery (regional interpretation)
Imaginative
(it is…)
Inspiration from looking, hearing and thinking beyond. Engaging , Unique, Real
Contemporary
(it is…)
Splendid and showy style. Trendy and confident, not too old-fashioned or monotonous. Vivid, Bright , Expressive, Authentic Chic
Optimistic
(it is…)
Desire for the better future related with social and financial stability. Aspirational, Playful, Inspiring
Passionate
(it is…)
Impulsive and instinctive passion as a group. Highly immersed and instantaneous fever. Energetic, Upbeat, Positive
100
PHOTOGRAPHY STYLE INTRODUCTION
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Imagery provides a simple stage through which the energy and elegance of our products shines through. Our photography style is a simple, yet graphically accurate way to portray our products and the ways our customers use them.
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PRODUCT PHOTOGRAPHY IS THE HERO
The product is the hero.
When products are as beautifully designed as ours, photography should strive to make the product itself the focus.
•
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Products should be placed on backgrounds that enhance the beauty of the product and should not be more important than the background.
Extraneous elements should be kept to a minimum. •
Borrow from the tone and manner used to present luxury goods and fashion.
•
Products should be positioned in ways that create kinetic energy and feel optimistic in nature.
Examples for illustrative purposes only.
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PHOTOGRAPHY STYLE INTRODUCTION
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Imagery provides a simple stage through which the energy and elegance of our products shines through. Our photography style is a simple, yet graphically accurate way to portray our products and the ways our customers use them.
102
PRODUCT PHOTOGRAPHY COMPOSITION
Dynamic yet focused composition •
Use dramatic angles to achieve a larger than life feel.
•
Products should be propped up off the surface and never lay flat and lifeless.
•
Never keep the horizon completely horizontal.
•
Keep the composition clean and focused by minimal use of elements and by limiting the number of products in an image.
A
•
Montages of macro photography with entire product may be used to achieve dramatic effects.
•
When shooting multiple yet similar products it’s acceptable for some of the products to bleed out of frame.
PRODUCT PHOTOGRAPHY IS THE HERO
The product is the hero.
When products are as beautifully designed as ours, photography should strive to make the product itself the focus.
•
Products should be placed on backgrounds that enhance the beauty of the product and should not be more important than the background.
Extraneous elements should be kept to a minimum. •
Borrow from the tone and manner used to present luxury goods and fashion.
•
Products should be positioned in ways that create kinetic energy and feel optimistic in nature.
103
Examples for illustrative purposes only.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
PRODUCT PHOTOGRAPHY SPOTLIGHT EFFECT
•
The spotlight illuminates the product, making it the hero.
•
The spotlight connects to the Samsung wordmark and color approach, which builds a distinctive and unified visual brand language.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
B
C
DO NOT use images that are static in idea and execution, ordinary or lack definition.
DO NOT use images that are too dark or cluttered, or with highly styled, complex, irrelevant, or confusing metaphors.
DO NOT use images with artificial settings, staged environments, or fantasy situations.
Examples for illustrative purposes only.
104
Examples for illustrative purposes only.
105
PRODUCT PHOTOGRAPHY COMPOSITION
Dynamic yet focused composition •
Use dramatic angles to achieve a larger than life feel.
•
Products should be propped up off the surface and never lay flat and lifeless.
•
Never keep the horizon completely horizontal.
•
Keep the composition clean and focused by minimal use of elements and by limiting the number of products in an image.
A
•
Montages of macro photography with entire product may be used to achieve dramatic effects.
•
When shooting multiple yet similar products it’s acceptable for some of the products to bleed out of frame.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
PRODUCT PHOTOGRAPHY SPOTLIGHT EFFECT
•
The spotlight illuminates the product, making it the hero.
•
The spotlight connects to the Samsung wordmark and color approach, which builds a distinctive and unified visual brand language.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
B
C
DO NOT use images that are static in idea and execution, ordinary or lack definition.
DO NOT use images that are too dark or cluttered, or with highly styled, complex, irrelevant, or confusing metaphors.
DO NOT use images with artificial settings, staged environments, or fantasy situations.
Examples for illustrative purposes only.
104
PRODUCT PHOTOGRAPHY RETOUCHING
•
Eliminate all imperfections during retouching to give the products a “HyperReal,” flawless finish.
•
Characteristics of HyperReal images: crisp, sharp, high-contrast, smooth, bright.
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Examples for illustrative purposes only.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
LIFESTYLE IMAGERY
• All
lifestyle imagery should capture the relentless passion to inspire and enrich lives.
•
It should faithfully portray the diversity of our consumers, their cultures, their passions.
•
It must be spontaneous and real, not posed or contrived.
•
It should complement the diversity of our products in their many uses and applications.
•
It must have a sense of joy and invitation, not one of coolness or exclusion.
•
It is never cynical or staid, but neither is it overly glossy or showy.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
DO NOT use images that are static in idea and execution, or ordinary. DO NOT use images with artificial settings, staged environments, or fantasy situations.
Examples for illustrative purposes only.
106
Examples for illustrative purposes only.
107
PRODUCT PHOTOGRAPHY RETOUCHING
•
Eliminate all imperfections during retouching to give the products a “HyperReal,” flawless finish.
•
Characteristics of HyperReal images: crisp, sharp, high-contrast, smooth, bright.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
LIFESTYLE IMAGERY
• All
lifestyle imagery should capture the relentless passion to inspire and enrich lives.
•
It should faithfully portray the diversity of our consumers, their cultures, their passions.
•
It must be spontaneous and real, not posed or contrived.
•
It should complement the diversity of our products in their many uses and applications.
•
It must have a sense of joy and invitation, not one of coolness or exclusion.
•
It is never cynical or staid, but neither is it overly glossy or showy.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
DO NOT use images that are static in idea and execution, or ordinary. DO NOT use images with artificial settings, staged environments, or fantasy situations.
106
Examples for illustrative purposes only.
IMAGERY / HOW TO PORTRAY PEOPLE
Use imagery that forms a high-level, emotional connection with our brand target the YMC and their passions. Young-minded does not translate to just young; rather, it means that regardless of age, the person has a sense of passion, imagination, and a youthful style.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
People’s expressions should appear spontaneous and candid, with a sense of energy, passion, optimism, and discovery — not posed or contrived. Look for imagery that captures interesting personalities and their interaction with the environment and with others. •
Interesting personality
•
Natural, authentic expression
• Young, •
PRODUCT-ONLY PHOTOGRAPHY
Product-only photography presents Samsung products in their most essential and purest form. The products should be shot in such a way that their most important features are clearly visible. Through a combination of soft lighting and directional spotlights, product surfaces should produce smooth, elegant reflections; product edges and details should clearly stand out. •
Shot on white in a studio setting, product photography displays the product and just a hint of shadow to allow the product to stand out on the page.
•
Use interesting camera angles to create a dynamic presentation for all handheld products, reinforcing our imaginative brand image.
with a sense of passion
Older, with youthful style
DO NOT use images with models that are too highly styled, too pretentious or cold, or too posed (e.g., looking at the camera).
•
Present all large (e.g., non-handheld) products in flat front view to align with the way they are typically viewed in real-life situations.
Note: When used in combination with lifestyle imagery (e.g., in an advertisement), product-only images should be silhouetted to remove the drop shadow.
DO NOT use images of products with overly dramatic lighting, that are too severely angled or distorted, or with a harsh drop shadow or reflection.
DO NOT use models who appear boring or plain or too pretty. They should not be bald or have tattoos.
Examples for illustrative purposes only.
107
Examples for illustrative purposes only.
DO NOT present handheld products in flat front view or large products in angled views.
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Examples for illustrative purposes only.
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S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
IMAGERY / HOW TO PORTRAY PEOPLE
Use imagery that forms a high-level, emotional connection with our brand target the YMC and their passions. Young-minded does not translate to just young; rather, it means that regardless of age, the person has a sense of passion, imagination, and a youthful style.
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
People’s expressions should appear spontaneous and candid, with a sense of energy, passion, optimism, and discovery — not posed or contrived. Look for imagery that captures interesting personalities and their interaction with the environment and with others. •
Interesting personality
•
Natural, authentic expression
• Young, •
PRODUCT-ONLY PHOTOGRAPHY
Product-only photography presents Samsung products in their most essential and purest form. The products should be shot in such a way that their most important features are clearly visible. Through a combination of soft lighting and directional spotlights, product surfaces should produce smooth, elegant reflections; product edges and details should clearly stand out. •
Shot on white in a studio setting, product photography displays the product and just a hint of shadow to allow the product to stand out on the page.
•
Use interesting camera angles to create a dynamic presentation for all handheld products, reinforcing our imaginative brand image.
with a sense of passion
Older, with youthful style
DO NOT use images with models that are too highly styled, too pretentious or cold, or too posed (e.g., looking at the camera).
Present all large (e.g., non-handheld) products in flat front view to align with the way they are typically viewed in real-life situations.
Note: When used in combination with lifestyle imagery (e.g., in an advertisement), product-only images should be silhouetted to remove the drop shadow.
DO NOT use images of products with overly dramatic lighting, that are too severely angled or distorted, or with a harsh drop shadow or reflection.
DO NOT use models who appear boring or plain or too pretty. They should not be bald or have tattoos.
Examples for illustrative purposes only.
•
DO NOT present handheld products in flat front view or large products in angled views.
108
Examples for illustrative purposes only.
109
S E C T I O N 2 | O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Section 3 Applying our brand cues 114 Applications overview
PRINT ADVERTISING 116 Spread with lifestyle 117 Spread with product image as the hero 118 Single page with lifestyle 119 Single page with product image as the hero 120 Sub-brand logo usage 121 Third party & technology logo treatment
OOH 122 Horizontal 123 Vertical
Brochure 124 Introduction 125 Cover & back cover 126 Interior spreads 127 Content structure overview 128 Content structure
POP 130 Horizontal 131 Vertical
PACKAGE 133 Vertical
113
Section 3 Applying our brand cues 114 Applications overview
PRINT ADVERTISING 116 Spread with lifestyle 117 Spread with product image as the hero 118 Single page with lifestyle 119 Single page with product image as the hero 120 Sub-brand logo usage 121 Third party & technology logo treatment
OOH 122 Horizontal 123 Vertical
Brochure 124 Introduction 125 Cover & back cover 126 Interior spreads 127 Content structure overview 128 Content structure
POP 130 Horizontal 131 Vertical
PACKAGE 133 Vertical
113
APPLICATIONS
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Overview
Every interaction and every communication directly enhances the power and meaning of our brand. The goal of this section is to illustrate how our brand cues combine to create powerful and differentiated branded communications.
APPLICATIONS
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Overview Our brand cues have been enhanced and designed to be more powerful and efficient. With our new brand cues, the Samsung brand framework is complete and ready to be deployed for optimum impact.
ONLINE
PRINT AD
Next Generation
BROCHURE
Lorumipsum
Capture the whole storywithan ultra-wide24mm lens. Autem vel eum iriure.
Learn more about
The overall visual style of the Samsung brand is imaginative, optimistic, contemporary and passionate, as exemplified by our image attributes.
Samsung microwaves at: It’s the ingredientswww.samsung.com Samsung Side-by-Side Refrigerator
Duisautemveleum iriuredolorin hendreritin vulputateveliteum
Fresh tastethat lasts longer.
The new Samsung LED TV
Allin one sleek,spaciousrefrigeratorpowered byTWIN CoolingSystem™ technology. Asconvenientas itis advanced, the Samsungside byside refrigeratormakescooking a pleasure andyourkitchena more stylishplace tobe. Duisautem vel eum iriuredolorin hendreritin vulputateveliteum i riure dolorin hendreritin vulputatevelit.Vel eum iriuredolorin hendreritin vulputatevelit.Duis autem vel eum iriuredolorin hendreritin vulputatevelit eum iriuredolorin hendreritin vulputatevelit.
OOH
l e v m e t u a s i u D t . i l e v e t a t u p l u v n i t i r e r d n e h n i r o l o d e r u i r i m u e l e v m e t u a s i u D
Samsung Instinct S30 5.0MegapixelDigitalCamera
SPH-M850
TV
It’sthe ingredients
PACKAGE
SamsungSide-by-Side Refrigerator
TRADESHOW
114
Examples for illustrative purposes only.
115
APPLICATIONS
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Overview
Every interaction and every communication directly enhances the power and meaning of our brand. The goal of this section is to illustrate how our brand cues combine to create powerful and differentiated branded communications.
APPLICATIONS
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Overview Our brand cues have been enhanced and designed to be more powerful and efficient. With our new brand cues, the Samsung brand framework is complete and ready to be deployed for optimum impact.
ONLINE
PRINT AD
Next Generation
BROCHURE
Lorumipsum
Capture the whole storywithan ultra-wide24mm lens. Autem vel eum iriure.
Learn more about
The overall visual style of the Samsung brand is imaginative, optimistic, contemporary and passionate, as exemplified by our image attributes.
Samsung microwaves at: It’s the ingredientswww.samsung.com Samsung Side-by-Side Refrigerator
Duisautemveleum iriuredolorin hendreritin vulputateveliteum
Fresh tastethat lasts longer.
The new Samsung LED TV
Allin one sleek,spaciousrefrigeratorpowered byTWIN CoolingSystem™ technology. Asconvenientas itis advanced, the Samsungside byside refrigeratormakescooking a pleasure andyourkitchena more stylishplace tobe. Duisautem vel eum iriuredolorin hendreritin vulputateveliteum i riure dolorin hendreritin vulputatevelit.Vel eum iriuredolorin hendreritin vulputatevelit.Duis autem vel eum iriuredolorin hendreritin vulputatevelit eum iriuredolorin hendreritin vulputatevelit.
OOH
l e v m e t u a s i u D t . i l e v e t a t u p l u v n i t i r e r d n e h n i r o l o d e r u i r i m u e l e v m e t u a s i u D
Samsung Instinct S30 5.0MegapixelDigitalCamera
SPH-M850
TV
It’sthe ingredients
PACKAGE
SamsungSide-by-Side Refrigerator
TRADESHOW
114
PRINT ADVERTISING
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Spread with lifestyle image The exhibit shown here demonstrates Samsung brand Color cues applied to horizontal-oriented print advertising • Blue applied to typography and imagery with lifestyle imagery. • Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated Wordmark and brand line into each design • May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient Imagery • Lifestyle, flexible as appropriate contrast with the background and image to communication Typography • • •
Samsung Imagination Modern Regular whenever possible Bold weight for increased legibility and visibility Helvetica Neue for small sizes
115
Examples for illustrative purposes only.
PRINT ADVERTISING
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Spread with product image as the hero The exhibit shown here demonstrates Samsung brand Color cues applied to horizontal-oriented print advertising • Blue applied to typography with product imagery. • Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated Wordmark and brand line into each design • May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient Imagery • Product as hero, flexible as appropriate contrast with the background and image to communication Typography • • •
Samsung Imagination Modern Regular whenever possible Bold weight for increased legibility and visibility Helvetica Neue for small sizes
What color is your life? Two years of work for 3cm
Jamaican yellow
3 cm ultra slim
Cupid pink
Minimal white
Festival orange
Introducing the Samsung Corby, the perfect complement. Pop-up SNS / One Finger Zoom / Smart Unlock FashionJackets(2additionalcolors)/Large2.8"FullTouchScreenMusic Player / Dictionary / 50MB Memory / Micro SD (up to 8GB)
Samsung amsung LED L TV 8090
Examples for illustrative purposes only.
116
Examples for illustrative purposes only.
117
PRINT ADVERTISING
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Spread with lifestyle image The exhibit shown here demonstrates Samsung brand Color cues applied to horizontal-oriented print advertising • Blue applied to typography and imagery with lifestyle imagery. • Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated Wordmark and brand line into each design • May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient Imagery • Lifestyle, flexible as appropriate contrast with the background and image to communication Typography • • •
Samsung Imagination Modern Regular whenever possible Bold weight for increased legibility and visibility Helvetica Neue for small sizes
PRINT ADVERTISING
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Spread with product image as the hero The exhibit shown here demonstrates Samsung brand Color cues applied to horizontal-oriented print advertising • Blue applied to typography with product imagery. • Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated Wordmark and brand line into each design • May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient Imagery • Product as hero, flexible as appropriate contrast with the background and image to communication Typography • • •
Samsung Imagination Modern Regular whenever possible Bold weight for increased legibility and visibility Helvetica Neue for small sizes
What color is your life? Two years of work for 3cm
Jamaican yellow
3 cm ultra slim
Cupid pink
Minimal white
Festival orange
Introducing the Samsung Corby, the perfect complement. Pop-up SNS / One Finger Zoom / Smart Unlock FashionJackets(2additionalcolors)/Large2.8"FullTouchScreenMusic Player / Dictionary / 50MB Memory / Micro SD (up to 8GB)
Samsung amsung LED L TV 8090
116
Examples for illustrative purposes only.
PRINT ADVERTISING
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Single page with lifestyle image The exhibit shown here demonstrates Samsung brand cues applied to vertical oriented print advertising with lifestyle imagery.
Color • •
Wordmark and brand line •
May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient contrast with the background and image
Blue applied to secondary graphic element Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
Imagery •
Lifestyle, flexible as appropriate to communication
Typography •
Samsung Imagination Modern Regular whenever possible
117
Examples for illustrative purposes only.
PRINT ADVERTISING
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Single page with product image as the hero The exhibit shown here demonstrates Samsung brand cues applied to vertical oriented print advertising with product imagery.
Color • •
Wordmark and brand line •
May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient contrast with the background and image
Blue applied to typography Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
Imagery •
Product as hero, flexible as appropriate to communication
Typography
Samsung Imagination Modern Regular whenever possible • Bold weight for increased legibility and visibility • Helvetica Neue for small sizes •
Touch of style
What color is your life?
Ultra Brilliant Display Samsung AMOLED
Samsung Corby. The perfect complement.
Pop-up SNS / One Finger Zoom / Smart Unlock FashionJack ets(2additionalcolors)/Large2.8"FullTouchScreenMusic Player/ Dictionary / 50MB Memory / Micro SD (up to 8GB)
Samsung Ultra Touch
Examples for illustrative purposes only.
118
Examples for illustrative purposes only.
119
PRINT ADVERTISING
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Single page with lifestyle image The exhibit shown here demonstrates Samsung brand cues applied to vertical oriented print advertising with lifestyle imagery.
Color • •
Wordmark and brand line •
May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient contrast with the background and image
Blue applied to secondary graphic element Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
Imagery •
Lifestyle, flexible as appropriate to communication
Typography •
Samsung Imagination Modern Regular whenever possible
PRINT ADVERTISING
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Single page with product image as the hero The exhibit shown here demonstrates Samsung brand cues applied to vertical oriented print advertising with product imagery.
Color • •
Wordmark and brand line •
May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient contrast with the background and image
Blue applied to typography Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
Imagery •
Product as hero, flexible as appropriate to communication
Typography
Samsung Imagination Modern Regular whenever possible • Bold weight for increased legibility and visibility • Helvetica Neue for small sizes •
Touch of style
What color is your life?
Ultra Brilliant Display Samsung AMOLED
Samsung Corby. The perfect complement.
Pop-up SNS / One Finger Zoom / Smart Unlock FashionJack ets(2additionalcolors)/Large2.8"FullTouchScreenMusic Player/ Dictionary / 50MB Memory / Micro SD (up to 8GB)
Samsung Ultra Touch
118
Examples for illustrative purposes only.
PRINT ADVERTISING
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Sub-brand logo usage The exhibit shown here demonstrates application of Sub-brand logos to print advertising. Wordmark and brand line •
May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient contrast with the background and image
Sub-brand •
Typography • •
Samsung Imagination Modern Regular whenever possible Helvetica Neue for small sizes
Color • •
Placed in a size and position that is clearly subordinate to the Samsung wordmark.
Blue applied to background and through imagery selection Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
119
Examples for illustrative purposes only.
PRINT ADVERTISING
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Third party & technology logo treatment The exhibit shown here demonstrates use of a bar treatment to delineate third party content within Samsung print advertising. Bar treatment • 1/6th •
the height of the page Use for third party, technology logos and additional product specification when needed
Zone 1 (partner/award logos)
Reserved for Partner/Award logos Located in lower left corner of copy area, .5” from left border • Not to exceed 2" in length not including text, and 3" including text • If partner logo or award logo are featured individually, logo to be scaled to approximately 75% of Samsung wordmark • If partner logo and award logo to be displayed together, award logo to be scaled to 70% of height of partner logo • •
Imagery •
Product as hero, flexible as appropriate to communication
Zone 2 (internal technology graphics)
Reserved for internal technology logos (i.e., Dolby, HDTV, etc.), service hotline/promotional info • Align justification to left margin of copy box (ZONE 2) • Relative size of internal technology graphics to be scaled to approximately 50% of Samsung wordmark •
Zone 3 (legal disclaimer) • •
The new Samsung LED TV
Helvetica Neue Roman Not larger than 7pt. in size
The new Samsung LED TV
Welcometoa wholenewworld.WhereSamsungLEDtechnology brings you images you’ve never seen before. Brighter colors, deeperblacksandsharperimages.The ultraslim, SamsungLEDTV. Welcometoa wholenewworld.WhereSamsungLEDtechnology brings you images you’ve never seen before. Brighter colors, deeperblacksandsharperimages.The ultraslim, SamsungLEDTV.
Zone 2 Zone 1
Bar treatment
©SamsungElectronicsCo.Dolorinhendreritinvulputatevelitessemolestieconsequat,velillumdoloreeu feugiat nullafacilisisatveroerosetaccumsanetiusto odiodignissimquiblanditpraesentluptatumzzrildelenitaugueduis doloretefeugaitheuismodtinciduntutlaoreetdoloremagnaaliquamerat volutpat.
Zone 3
Examples for illustrative purposes only.
120
Examples for illustrative purposes only.
121
PRINT ADVERTISING
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Sub-brand logo usage The exhibit shown here demonstrates application of Sub-brand logos to print advertising. Wordmark and brand line •
May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient contrast with the background and image
Sub-brand •
Typography • •
Samsung Imagination Modern Regular whenever possible Helvetica Neue for small sizes
Color • •
Placed in a size and position that is clearly subordinate to the Samsung wordmark.
Blue applied to background and through imagery selection Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
PRINT ADVERTISING
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Third party & technology logo treatment The exhibit shown here demonstrates use of a bar treatment to delineate third party content within Samsung print advertising. Bar treatment • 1/6th •
the height of the page Use for third party, technology logos and additional product specification when needed
Zone 1 (partner/award logos)
Reserved for Partner/Award logos Located in lower left corner of copy area, .5” from left border • Not to exceed 2" in length not including text, and 3" including text • If partner logo or award logo are featured individually, logo to be scaled to approximately 75% of Samsung wordmark • If partner logo and award logo to be displayed together, award logo to be scaled to 70% of height of partner logo • •
Imagery •
Product as hero, flexible as appropriate to communication
Zone 2 (internal technology graphics)
Reserved for internal technology logos (i.e., Dolby, HDTV, etc.), service hotline/promotional info • Align justification to left margin of copy box (ZONE 2) • Relative size of internal technology graphics to be scaled to approximately 50% of Samsung wordmark •
Zone 3 (legal disclaimer) • •
The new Samsung LED TV
Helvetica Neue Roman Not larger than 7pt. in size
The new Samsung LED TV
Welcometoa wholenewworld.WhereSamsungLEDtechnology brings you images you’ve never seen before. Brighter colors, deeperblacksandsharperimages.The ultraslim, SamsungLEDTV. Welcometoa wholenewworld.WhereSamsungLEDtechnology brings you images you’ve never seen before. Brighter colors, deeperblacksandsharperimages.The ultraslim, SamsungLEDTV.
Bar treatment
Zone 2 Zone 1
©SamsungElectronicsCo.Dolorinhendreritinvulputatevelitessemolestieconsequat,velillumdoloreeu feugiat nullafacilisisatveroerosetaccumsanetiusto odiodignissimquiblanditpraesentluptatumzzrildelenitaugueduis doloretefeugaitheuismodtinciduntutlaoreetdoloremagnaaliquamerat volutpat.
Zone 3
120
Examples for illustrative purposes only.
OOH
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Horizontal The exhibit shown here demonstrates Samsung brand cues applied to horizontal oriented OOH
Color
Wordmark and brand line
•
•
•
May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient contrast with the background and image
Blue applied to background and through imagery selection Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
Imagery Typography • •
Samsung Imagination Modern Regular whenever possible Extra Bold weight for increased legibility and visibility
•
Product as hero, flexible as appropriate to communication
121
Examples for illustrative purposes only.
OOH
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Vertical The exhibit shown here demonstrates Samsung brand cues applied to vertical oriented OOH
Color • •
Wordmark and brand line •
May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient contrast with the background and image
Imagery •
Typography • •
Blue reinforced through imagery selection Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design Product as hero with lifestyle, flexible as appropriate to communication
Samsung Imagination Modern Regular whenever possible Condensed and bold weight for increased legibility and visibility
Two LCD screens. Twice the fun.
The new Samsung LED TV
Samsung DualView TL225
Examples for illustrative purposes only.
122
Examples for illustrative purposes only.
123
OOH
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Horizontal The exhibit shown here demonstrates Samsung brand cues applied to horizontal oriented OOH Wordmark and brand line •
Color • •
May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient contrast with the background and image
Blue applied to background and through imagery selection Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
Imagery Typography • •
Samsung Imagination Modern Regular whenever possible Extra Bold weight for increased legibility and visibility
•
Product as hero, flexible as appropriate to communication
OOH
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Vertical The exhibit shown here demonstrates Samsung brand cues applied to vertical oriented OOH
Color • •
Wordmark and brand line •
May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient contrast with the background and image
Imagery •
Typography • •
Blue reinforced through imagery selection Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design Product as hero with lifestyle, flexible as appropriate to communication
Samsung Imagination Modern Regular whenever possible Condensed and bold weight for increased legibility and visibility
Two LCD screens. Twice the fun.
The new Samsung LED TV
Samsung DualView TL225
Examples for illustrative purposes only.
122
BROCHURE
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Introduction
To help simplify design and production — and to ensure that our brand story is conveyed in all our materials — we have developed guidelines for the creation of Samsung brochures.
123
Examples for illustrative purposes only.
BROCHURE Cover & back cover The exhibit shown here demonstrates the Samsung brand cues applied to the cover and back cover of a brochure. However, it is only one example, please see the examples found throughout this document to familiarize yourself with the flexibility in use of Samsung brand cues.
Color
Wordmark
Imagery
•
May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient contrast with the background and image
• •
• •
•
Blue applied to the background of the back cover. Neutral color is applied to typography Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
Product as hero, flexible as appropriate to communication
Note: The Samsung brand line is used on ATL and online communications only.
Typography
The pages that follow define the visual and verbal elements that should be used to give our communications greater consistency, clarity and impact. These specifications are in addition to the general rules and flexibility for visual and verbal elements found throughout this document.
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Samsung Imagination Modern Regular whenever possible Helvetica Neue for small sizes
15mm
15mm 15mm
15mm
15mm
PRESENTATION IS EVERYTHING Hendreritin vulputate velit eum iriure dolor.
Learn more about Samsung microwaves at: www.samsung.com
Duisautem vel eum iriuredolor in hendreritin vulputateveliteum
15mm
124
125
BROCHURE
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Introduction
To help simplify design and production — and to ensure that our brand story is conveyed in all our materials — we have developed guidelines for the creation of Samsung brochures.
BROCHURE Cover & back cover The exhibit shown here demonstrates the Samsung brand cues applied to the cover and back cover of a brochure. However, it is only one example, please see the examples found throughout this document to familiarize yourself with the flexibility in use of Samsung brand cues.
Color
Wordmark
Imagery
•
May be positioned in the top-left, top-right or bottom-right corner, wherever there is sufficient contrast with the background and image
• •
• •
•
Blue applied to the background of the back cover. Neutral color is applied to typography Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
Product as hero, flexible as appropriate to communication
Note: The Samsung brand line is used on ATL and online communications only.
Typography
The pages that follow define the visual and verbal elements that should be used to give our communications greater consistency, clarity and impact. These specifications are in addition to the general rules and flexibility for visual and verbal elements found throughout this document.
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Samsung Imagination Modern Regular whenever possible Helvetica Neue for small sizes
15mm
15mm 15mm
15mm
15mm
PRESENTATION IS EVERYTHING Hendreritin vulputate velit eum iriure dolor.
Learn more about Samsung microwaves at: www.samsung.com
Duisautem vel eum iriuredolor in hendreritin vulputateveliteum
15mm
124
BROCHURE
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Interior spreads The exhibit shown here demonstrates Samsung brand cues applied to brochure spreads.
Color
Typography
•
• • •
•
Samsung Imagination Modern Regular whenever possible Bold weight for increased legibility and visibility Helvetica Neue for small sizes
15mm
Blue applied to secondary graphic element and imagery selection Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design (not necessarily each spread)
Imagery •
Product as hero and lifestyle, flexible as appropriate to communication
15mm 15mm
125
7.5mm
BROCHURE
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Content structure overview
Samsung brochure copy should always tell an engaging story that follows a consistent content structure and illustrates a way that the featured Samsung product inspires the imagination of Young-Minded Consumers. This structure is designed to simplify the development of our brochures and to ensure that all our materials support our brand pyramid and brand personality.
15mm LED TV
46”
Panel Full HD Ultra ClearPanel Video Resolution Backlight PictureEngine Motion Plus i We dCol r o nE a hc nr e 1080 24p RealMovie Audio SoundEffect System SpeakerType S u od nO t uup (t MR ) S Woofer Yes Feature Internet@TV DLNA Wireless Co t nnte Li r br a (yl F sh)a USB2.0 BDWise WirelssLanAdaptorSupport Teletext (TTXT) Anynet + (HDMI -CEC) Smart oCnt nte M anager GameMode RemoteControllerType OSD Language Picture-in-Picture Sleep Timer Clock & On/Off imer T AutoChannelSearch Auto Power Off EPG u Ao t olV mu Lev el er el System DTV Type DTV TunerBuilt-in Input& Output HDMI USB Digital Audio(Optical) PC Input ( D-sub) PC uA i dI op nt uM ( n iJai k c ) DVI AudioInput C mo opent n( /Y bPP/ ) r Composite (AV) Et hernet (LAN) RF Input CI Slot Scart Design Type Color Light Effect Stand Type Swivel( e Lt R f /ghi ) t
Pictureperfect
Power PowerSuppl y OperationPowerConsumption Stand-byPowerConsumption
170W
EcoMark Dimension Set Size (WxHxD)with Stand 1115x763x275 Set Size (WxHxD)without Stand 1115x705x29.9 PackageSiz e ( W x H x D ) 1 4 1 58x1 8 x620 Weight Set Weight with Stand 22.4 Set Weight without Stand 17.6 PackageWeight 28.3 Accessory VesaWallMount RemoteControllerModel Simple Remote Controller Batt eries PowerCable Slim GenderCable
15mm
40”
There are a few important content elements that all brochures must contain. Each serves a specific purpose, from inspiring the imagination and conveying key benefits to providing relevant technical details and product choices. The brochure content structure that follows outlines the key elements and describes the purpose and hierarchy of each.
32”
Yes Yes 1920 x1080 LED SamsungLED TV Engine Yes (100Hz ) WC Er P o Yes SRS TruSurroundHD & DolbyDi gital plus Down Firing 1 W0x 2 Yes
-
Yes(USB2.0) Yes 1000P Yes Yes IR Remote Control Europe 25 Language Yes Yes Yes Yes Yes Ye s DVB-T/C.MPEG4 Yes 4 1 1 1 1 CommonUse forPCAudioInput 1( M iin J ca) k 1 (Mini) 1 Yes 1 (Mini) Crystal TV Rose Black Yes Glass Ye ( s0220/ )
AC220-240V 50/60Hz 140W <0.1W
95W
EcoFlower 983x688x255 983x631x29.9 1 2 8 87x4 6 x329
799x579x240 799x521x29.9 8 9 0 x065 x 201
18.4 14.7 23.2
12.8 9.6 16.6
Yes(40-55”:400x400) TM970 Yes Yes Scart/Component/AVIN
Yes(40-55”:400x400)
Yes(32-37”:200x200)
*Dimensi ons(mm)/*Weight (kg)
15mm
15mm 15mm
7.5mm
15mm
Eco-innovation
Samsung LED TV Series7 7000 (North America)
ReductionofContaminate dMaterials Weworkhard tominimizetheamount
ofwastethat isdischargedintot heenvironment.A
shiningexampleofthis canbefound atourCheonan factoryinKorea. Oursuper-efficient wastewater disposal and recycling system reduces waster use and wastewater by 8 milliontonsyear.
ConstructionofanEco-park At the heart of the Suwon Complex site of Samsung Electronics in Korea, lies a park whereyou’llfind apond createdbyp urifiedwastewater.Thiseco-pond
ishometo
over
30species of plants and animals and iscommonly used byscientists and students for environmentalstudies.
Eco-friendlyProces sSystem In order to minimize the amount of waste material, we’ve developed a comprehensive eco-friendlyprocesssystemthatutilizescleanproduction technology,wasteheatcollection, an energy efficient management system, and an automatic environment observation networkandexertion.
UltraSlimDesignandPackaging B y r e d u cnig t h e a m o u n t o f m a t ei ra l w h ihcg o e s t h a t i n t o o u r L E D T ,Vw e ’ r e a b l e t o p r o duceaTV that’sultraslim andrequiresless materialsforpackaging andshipping.So by cuttingback onthe overallmaterialused,
we’rehelpingt osignificantlydecreased
CO 2
emissionsandanyother harmfulbyproducts.
DeliveryTimePromiseSystem O u r D e l ievr y T i m e P r o ms ie S y s t e m ( D P T S ) e n srue s t h a t o u r L E D T V s g e t t o w h e r e t hye n e e d t o b e i n a t i m eylm a n n e r ,os t h e y s p e n d lses t i m e o n t h e r o a d ad nm o r e t i m e i n y o u r home.Thatleadst olessairpollution andacleanerenvironment foreveryoneto enjoy.
RecyclablePack ingMaterial Thepackingmaterialfor ourLEDTVcan beeasilysortedfor recycling.Thematerialismade ofeco-friendlymaterialslikewaterink.Besidesbeing ahealthychoiceforthe environment,it
15mm
Examples for illustrative purposes only.
allowscoststobereducedb ymorethan20%.
126
127
BROCHURE
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Interior spreads The exhibit shown here demonstrates Samsung brand cues applied to brochure spreads.
Color
Typography
•
• • •
•
Samsung Imagination Modern Regular whenever possible Bold weight for increased legibility and visibility Helvetica Neue for small sizes
Imagery •
15mm
Blue applied to secondary graphic element and imagery selection Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design (not necessarily each spread)
Product as hero and lifestyle, flexible as appropriate to communication
15mm 15mm
7.5mm
BROCHURE
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Content structure overview
Samsung brochure copy should always tell an engaging story that follows a consistent content structure and illustrates a way that the featured Samsung product inspires the imagination of Young-Minded Consumers. This structure is designed to simplify the development of our brochures and to ensure that all our materials support our brand pyramid and brand personality.
15mm LED TV
46”
Panel Full HD Ultra ClearPanel Video Resolution Backlight PictureEngine Motion Plus i We dCol r o nE a hc nr e 1080 24p RealMovie Audio SoundEffect System SpeakerType S u od nO t uup (t MR ) S Woofer Yes Feature Internet@TV DLNA Wireless Co t nnte Li r br a (yl F sh)a USB2.0 BDWise WirelssLanAdaptorSupport Teletext (TTXT) Anynet + (HDMI -CEC) Smart oCnt nte M anager GameMode RemoteControllerType OSD Language Picture-in-Picture Sleep Timer Clock & On/Off imer T AutoChannelSearch Auto Power Off EPG u Ao t olV mu Lev el er el System DTV Type DTV TunerBuilt-in Input& Output HDMI USB Digital Audio(Optical) PC Input ( D-sub) PC uA i dI op nt uM ( n iJai k c ) DVI AudioInput C mo opent n( /Y bPP/ ) r Composite (AV) Et hernet (LAN) RF Input CI Slot Scart Design Type Color Light Effect Stand Type Swivel( e Lt R f /ghi ) t
Pictureperfect
Power PowerSuppl y OperationPowerConsumption Stand-byPowerConsumption
170W
EcoMark Dimension Set Size (WxHxD)with Stand 1115x763x275 Set Size (WxHxD)without Stand 1115x705x29.9 PackageSiz e ( W x H x D ) 1 4 1 58x1 8 x620 Weight Set Weight with Stand 22.4 Set Weight without Stand 17.6 PackageWeight 28.3 Accessory VesaWallMount RemoteControllerModel Simple Remote Controller Batt eries PowerCable Slim GenderCable
15mm
40”
There are a few important content elements that all brochures must contain. Each serves a specific purpose, from inspiring the imagination and conveying key benefits to providing relevant technical details and product choices. The brochure content structure that follows outlines the key elements and describes the purpose and hierarchy of each.
32”
Yes Yes 1920 x1080 LED SamsungLED TV Engine Yes (100Hz ) WC Er P o Yes SRS TruSurroundHD & DolbyDi gital plus Down Firing 1 W0x 2 Yes
-
Yes(USB2.0) Yes 1000P Yes Yes IR Remote Control Europe 25 Language Yes Yes Yes Yes Yes Ye s DVB-T/C.MPEG4 Yes 4 1 1 1 1 CommonUse forPCAudioInput 1( M iin J ca) k 1 (Mini) 1 Yes 1 (Mini) Crystal TV Rose Black Yes Glass Ye ( s0220/ )
AC220-240V 50/60Hz 140W <0.1W
95W
EcoFlower 983x688x255 983x631x29.9 1 2 8 87x4 6 x329
799x579x240 799x521x29.9 8 9 0 x065 x 201
18.4 14.7 23.2
12.8 9.6 16.6
Yes(40-55”:400x400) TM970 Yes Yes Scart/Component/AVIN
Yes(40-55”:400x400)
Yes(32-37”:200x200)
*Dimensi ons(mm)/*Weight (kg)
15mm
15mm 15mm
7.5mm
15mm
Eco-innovation
Samsung LED TV Series7 7000 (North America)
ReductionofContaminate dMaterials Weworkhard tominimizetheamount
ofwastethat isdischargedintot heenvironment.A
shiningexampleofthis canbefound atourCheonan factoryinKorea. Oursuper-efficient wastewater disposal and recycling system reduces waster use and wastewater by 8 milliontonsyear.
ConstructionofanEco-park At the heart of the Suwon Complex site of Samsung Electronics in Korea, lies a park whereyou’llfind apond createdbyp urifiedwastewater.Thiseco-pond
ishometo
over
30species of plants and animals and iscommonly used byscientists and students for environmentalstudies.
Eco-friendlyProces sSystem In order to minimize the amount of waste material, we’ve developed a comprehensive eco-friendlyprocesssystemthatutilizescleanproduction technology,wasteheatcollection, an energy efficient management system, and an automatic environment observation networkandexertion.
UltraSlimDesignandPackaging B y r e d u cnig t h e a m o u n t o f m a t ei ra l w h ihcg o e s t h a t i n t o o u r L E D T ,Vw e ’ r e a b l e t o p r o duceaTV that’sultraslim andrequiresless materialsforpackaging andshipping.So by cuttingback onthe overallmaterialused,
we’rehelpingt osignificantlydecreased
CO 2
emissionsandanyother harmfulbyproducts.
DeliveryTimePromiseSystem O u r D e l ievr y T i m e P r o ms ie S y s t e m ( D P T S ) e n srue s t h a t o u r L E D T V s g e t t o w h e r e t hye n e e d t o b e i n a t i m eylm a n n e r ,os t h e y s p e n d lses t i m e o n t h e r o a d ad nm o r e t i m e i n y o u r home.Thatleadst olessairpollution andacleanerenvironment foreveryoneto enjoy.
RecyclablePack ingMaterial Thepackingmaterialfor ourLEDTVcan beeasilysortedfor recycling.Thematerialismade ofeco-friendlymaterialslikewaterink.Besidesbeing ahealthychoiceforthe environment,it
15mm
allowscoststobereducedb ymorethan20%.
126
Examples for illustrative purposes only.
BROCHURE
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Content structure Headline
Feature summary
The headline should provoke consumers to imagine how the product could inspire their own life and their own passions in believable, human terms. The headline should consist of a short phrase and, where possible, should emphasize emotional benefits instead of product features or technical attributes.
In support of each product’s primary selling point, a more specific paragraph of copy summarizes the key features and their consumer benefits. This copy should succinctly capture how the product enriches the way people live, work and pursue their passions.
Subhead
The subhead should clearly describe the product featured in the brochure in a simple sentence. The official product name and number should be used, and if relevant, it may be preceded with a descriptor such as “new” and/or followed by an important feature or benefit. Primary selling point
The primary USP (unique selling point) is communicated in a succinct, high-level paragraph. A headline may also be used to call out the lead message. The USP should communicate how the product fulfills the promise of the brochure title in friendly and engaging terms. The copy should: • focus on what the product does for the consumer, rather than just features or technological details. • convey imaginative product design and a shared spirit of fun and possibilities. • be as brief as possible to maximize visual impact and to allow the reader’s imagination to complete the picture.
127
Benefit highlights
Where necessary, product features may be grouped by overarching benefit. In this case, a brief paragraph of copy should be used to describe how the set of features enriches the user’s life.
BROCHURE Content structure Headline
Primary selling point
Options overview
Product features should be described in very simple terms that are as easy as possible for consumers to understand. Each feature is described in a succinct sentence or two. While benefits may be communicated as well, the focus should be on clear description of features.
Product highlights
Subhead
FRONT COVER
Feature description
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
INTERIOR SPREAD 1
Specifications
Feature summary Benefit Highlights
Benefit highlights
Feature description
Feature description
INTERIOR SPREAD 2 Call-to-action
Options overview
A bold, simple question asks consumers which product configuration best meets their needs and desires. Below, a brief paragraph helps consumers answer the question by summarizing the features and benefits of each major product option.
INTERIOR SPREAD 3
BACK COVER
Specifications
A summary of the most important technical specifications is presented in a consistent, easy-to-read table format. Call-to-action
Product highlights
In support of the images highlighted on the page, brief paragraphs of copy detail the product’s most unique features, design styling or technology. This copy should clearly capture how the highlighted qualities make the Samsung product a superior choice.
Brochures end with a simple, direct call-to-action. A short sentence beginning with “To learn more about [product name]” is followed by the appropriate source for more information, such as a product website.
128
129
BROCHURE
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Content structure Headline
Feature summary
The headline should provoke consumers to imagine how the product could inspire their own life and their own passions in believable, human terms. The headline should consist of a short phrase and, where possible, should emphasize emotional benefits instead of product features or technical attributes.
In support of each product’s primary selling point, a more specific paragraph of copy summarizes the key features and their consumer benefits. This copy should succinctly capture how the product enriches the way people live, work and pursue their passions.
Subhead
The subhead should clearly describe the product featured in the brochure in a simple sentence. The official product name and number should be used, and if relevant, it may be preceded with a descriptor such as “new” and/or followed by an important feature or benefit. Primary selling point
The primary USP (unique selling point) is communicated in a succinct, high-level paragraph. A headline may also be used to call out the lead message. The USP should communicate how the product fulfills the promise of the brochure title in friendly and engaging terms. The copy should: • focus on what the product does for the consumer, rather than just features or technological details. • convey imaginative product design and a shared spirit of fun and possibilities. • be as brief as possible to maximize visual impact and to allow the reader’s imagination to complete the picture.
Benefit highlights
Where necessary, product features may be grouped by overarching benefit. In this case, a brief paragraph of copy should be used to describe how the set of features enriches the user’s life.
BROCHURE Content structure Headline
Primary selling point
Options overview
Product features should be described in very simple terms that are as easy as possible for consumers to understand. Each feature is described in a succinct sentence or two. While benefits may be communicated as well, the focus should be on clear description of features.
Product highlights
Feature summary
Subhead
FRONT COVER
Feature description
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
INTERIOR SPREAD 1
Specifications
Benefit Highlights
Benefit highlights
Feature description
Feature description
INTERIOR SPREAD 2 Call-to-action
Options overview
A bold, simple question asks consumers which product configuration best meets their needs and desires. Below, a brief paragraph helps consumers answer the question by summarizing the features and benefits of each major product option.
INTERIOR SPREAD 3
BACK COVER
Specifications
A summary of the most important technical specifications is presented in a consistent, easy-to-read table format. Call-to-action
Product highlights
In support of the images highlighted on the page, brief paragraphs of copy detail the product’s most unique features, design styling or technology. This copy should clearly capture how the highlighted qualities make the Samsung product a superior choice.
Brochures end with a simple, direct call-to-action. A short sentence beginning with “To learn more about [product name]” is followed by the appropriate source for more information, such as a product website.
128
POP
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Horizontal The exhibit shown here demonstrates Samsung brand cues applied to horizontal-oriented point-of-purchase with product imagery.
Color
Wordmark
•
•
•
May be positioned in top-left, top-right or bottomright corner, wherever there is the sufficient contrast with the background and image
Blue applied to typography and secondary application background. Single accent used to reinforce product personality. Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
Imagery Typography • •
•
Samsung Imagination Modern Regular whenever possible Bold weight for increased legibility and visibility
129
Product as hero, flexible as appropriate to communication
POP Vertical The exhibit shown here demonstrates Samsung brand cues applied to vertical-oriented point-ofpurchase banner with lifestyle imagery. Wordmark •
Color • •
Blue applied to typography and imagery Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
May be positioned in top-left, top-right or bottomright corner, wherever there is the sufficient contrast Imagery • Lifestyle, flexible as appropriate with the background and image to communication
Typography • •
Note: The Samsung brand line is used on ATL and online communications only.
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Samsung Imagination Modern Regular whenever possible Condensed and bold weight for increased legibility and visibility
Note: The Samsung brand line is used on ATL and online communications only.
More space in the same space
SAMSUNG PROUD SPONSOR 2012 SUMMER OLYMPIC GAMES
Imagine a washinga machine that’squietenoughtouse nearyour bedroom
Duis autem vel eum iriure dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at. Vero eros et a ccumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit.
More space in the same space.
Examples for illustrative purposes only.
130
Examples for illustrative purposes only.
131
POP Horizontal The exhibit shown here demonstrates Samsung brand cues applied to horizontal-oriented point-of-purchase with product imagery.
Color
Wordmark
•
•
•
May be positioned in top-left, top-right or bottomright corner, wherever there is the sufficient contrast with the background and image
Blue applied to typography and secondary application background. Single accent used to reinforce product personality. Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
Imagery Typography • •
•
Samsung Imagination Modern Regular whenever possible Bold weight for increased legibility and visibility
POP
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Product as hero, flexible as appropriate to communication
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
Vertical The exhibit shown here demonstrates Samsung brand cues applied to vertical-oriented point-ofpurchase banner with lifestyle imagery. Wordmark •
Color • •
Blue applied to typography and imagery Minimum of two blue elements (which may include the Samsung wordmark) must be incorporated into each design
May be positioned in top-left, top-right or bottomright corner, wherever there is the sufficient contrast Imagery • Lifestyle, flexible as appropriate with the background and image to communication
Typography • •
Note: The Samsung brand line is used on ATL and online communications only.
Samsung Imagination Modern Regular whenever possible Condensed and bold weight for increased legibility and visibility
Note: The Samsung brand line is used on ATL and online communications only.
More space in the same space
SAMSUNG PROUD SPONSOR 2012 SUMMER OLYMPIC GAMES
Imagine a washinga machine that’squietenoughtouse nearyour bedroom
Duis autem vel eum iriure dolor in hendrerit in vulputate velit esse molestie consequat, vel illum dolore eu feugiat nulla facilisis at. Vero eros et a ccumsan et iusto odio dignissim qui blandit praesent luptatum zzril delenit.
More space in the same space.
Examples for illustrative purposes only.
130
Examples for illustrative purposes only.
PACKAGE Vertical The exhibit shown here demonstrates Samsung brand cues applied to packaging.
Color
Blue applied to typography, secondary graphics and side panel. Neutral for background. Wordmark • Minimum of two blue elements (which may include • May be positioned in top-left, top-right or bottomthe Samsung wordmark) must be incorporated right corner, wherever there is the sufficient contrast into each design with the background and image • Reverse on dark blue Imagery • Illustrative, flexible as appropriate Typography to communication • Samsung Imagination Modern Regular whenever possible Note: The Samsung brand line is used on ATL and • Bold weight for increased legibility and visibility online communications only. • Helvetica Neue for small sizes. •
131
S E C T I O N 3 | A P P L Y I N G O U R B R A N D C U E S | B R A N D G U I D E | V E R S I O N 2 . 0
