A Reader'sDigestSongbook ',
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Editor: William L. Simon Music arranged and edited by Dan Fox Editorial Associates:Mary Kelleher and Natalie Moreda Music Associate:ElizabethMead Art Editor: Nicholas Calabrese Art Associate: Larissa Lawrynenko Annotators: stanley Green, Barrymore Laurence scherer, George T. simon and Richard M. Sudhalter THE READER'S DIGEST ASSOCIATTON,tNC. Pleasantville,New york/Montreal Copyright o 1984 The Reader's Digest Association, Inc. copyright o 1gB4 The Reader's Digest Association (canada) Ltd. copyright o 1984 Reader's Digest Association Far East Ltd. _ Philippine Copyright 1984 Readerb Digest Association Far East Ltd. All rights reserved' Unauthorized reproduction, in any manner, is prohibited. tsBN 0_89577_178_0 Reader's Digest and the pegasus corophon are registered trademarks of The Reader's Digest Association, Inc. Printed in the United States of America
Introduction fn all childhood, there is no moment quite I like the cliscoveryof the past. A f,rmily attic, an olcl trunk or chest firll of photographs and nrernories trnd scents of times gone lry t'notrgh tcl awaken imagination, form tr ltond, rrniting a new generaticlnwith all those now cle'ptrrted.They live trgain, filrever young, uncler tonrorn)w's gaze. S
5
srniles with "La Vie en Rose"; or a{-{-ectiontrte at the thotrght of Great-Grtrndfirther r.r'ooing Great-Grandrna to the strtrins of "Whetr Y
HOW TO USE THIS SONCBOOK
Dirn F-or, arranger for otrr eight previ
I
rnents. The chorcl symltols lrltly be ttsecl,ttttt. by brrssplayers (string or brtrss);jtrst plav the root r-roteof etrch chorcl syrnltol, except u'here rrnothernote is inclicatecl(for extrnrple, "DlF # bass"). And accorclionistscan trse the cliorcl syrnbols fbr the left-htrnd lttrttclnsrvhile ltlttr its ing the treble portions of the ttrrautgerttertt written. Like our
sECloN1 GreatHits of the GreatBand Era the G l ertn Mi IIer' s " Moonl i ght S erenude" became t'lisg"r):loilii"i lremeofhis,ro*-lrord"tn1937'Settttbereleasedono
Lfrrortk ,JC
with "sunrise serenade,"it hud no Parish 'i'f Igricsthat satitfi;; Milt-er So he askedMitchell ::sturdu,tt" lurics rtbout u moonliSlht "rtorrr,r','ii'tr','fi^u for result: ttne of ,a1,u;itli the"strnriseone' The hits' encluring, the MiIIer bind's mo,st Miller Words by Mitchell Parish; Music by Glenn
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" S erenutl e i n B Iue," u)ri tte n bg trco of Hollllwood',s rnost prolifc clntposers, Horrq Wurren und L[ack Gorclon, was the ltig lot,e song in Glemt Miller',s 1942 filnt Orchestra W i ves. Ml L;i rprq r , \ , \ eLt ) (but di tl not hcur) Jucki e Cleosort rt,so bu,s,spluger, Georg,e L[ontgornenl as a truntTteter untl C e,surR omero us pi urti st i rt u bund rchi ch w us then ut the hei g ht of its Ttopuluritq ontl rchich feutured i n per,sorttnul i n the ntoti e Ruq E berl e us i ts rornunti c si ng er .
hBhe Words by Mack Gordon Music by Harry Warren
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Copyright
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7l 13
I'm Gettin' Sentimental OverYou
This huunting, bullad bU Bt-sston Crtnseroot_org gruduateGeorg,e Bassntttn and L2-iime Acoclemrl-Award nrtminee l'/ecl Washington serr;edfor 27 gears as the theme song of Tonung D orseg-,'The S enti " mental Gentl emun of s-ui ng, uho - wu, s sometimes sentirnerttul but oftert feistg and whtt pluged the sweetest trombone in big-bartd histttrg.
Words by Ned Washington;Music by George Bassman
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permrssron copyrighto 1932by MillsMusic,Inc copyrightrenewed All rightsreservedused cty
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This Loveof Mine \. rr : i r t ger , F r ank S i n a tro h a s h a d d o z e n s o f b ig j .;1 . -{ s n s ot t g, t t ; r ite r,h e h a s h a d j u s t o n e , th i s tender, . . ,i . i t it't, bullarl which he recordecl uuith Tommg r r r ' ) {( / r b u n d i n 1 9 4 1 a n d f o r w h i c h h e t p r u t t et h e '','t(-r f r r c nt elodg b U h i s c l o s e fri e n d H a n k Sa ni col a .'rc/ S, . t lP ur k er . ln f a c t, " T h i s L o a e o f Mi n e " b ecame ',,, l i u biglt it t hat it u s a ,so n ra d i o ' s Y o ttr H i t Parade : , l ,' r lc { L. sos one o f Ame ri c u ' s m o s t p ttp u l a r sottgs.
\\brds by' Frank Sinatra \Iusic bv Sol Parker and Henry Sanicola
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ThereAreSuchThings ' . 1 i " . . i ' i i l ) ( ) \ r ' I ' \o . f " T h e r e A r e S u c h T h i n 6 l s " , : i, : . .: r r , r ni ,fi rt' I' o ttttttl l D o rs e g , h e u )as ,to r , . . ; t t t t r t v l ; l l t t ' c o n t eu h i t t h a t l r c n o t o n l g ' ' j . , l : : l i t t t u l s o p u l t l i , s h e cilt . H o t o r i g h t h e u ; u s ! :i, , r . t lt t lt u. s i ,so f h i s mi l l i o n -,s e l l e r re c ordi ng,
u;hich feuturefl I.ommg',stender troniltone, ,totne lu'slt .stri ng,i untl one of Frunk S i rttftruund The P i eclPiper s' I t n e 5 t c o l l u b o r u t i i t t t s ,t h c 5 o r t g b e c u n t es g 1 t u T t u l utrh u t , ,stttrti ngi n D ecember 1942, i t tnucl e18 upTteur onceson Yotrr Hit Parude, 6 of tl"tem in fir,st place,
Words and Music by Stanley Adams, Abel Baer and Geo. W. Meyer \ I , . r d er a t e l v s l o w
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D uke E l l i ngton, ui th on us,si ,st from ni l Iu S trughor n, wrote the meloclg to "sutin Doll" in 1953 und recorded it at an eusu, relaxed temptt. Musiciarl.s soorl latchecl on to the tune, und i t becante so popul ur that t he Duke decided it needed lgrics, so in 1958 he asked Johnng Mercer to urite sotne. The result: one of the ntost charming und, ulus, the last of mang big sortg,hits from the Duke, uho thereufter turned his comptt,sing -attention antl tolents to ,suitesand relig,iou,suorks.
Satin Doll \\brds by Johnny Mercer \fusic bv Duke Ellington and Billy Strayhorn
t\Ioderate swingUTn playedlikeltlTtrl
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Dai Out \\brds by Johnny Mercer -\Iusic by Rube Bloom
" D u A In - D u g Out," brJ R ube B l oont uaho ytlaged Ttiano uith the jttzz g,reats u n d J o h n n q M e rcer w ho song ui th them, became ,so ytopulur in lS)39, purtiullg becuuse of recordings by Tommy Dorsett (w i th o a o c a l b U Jack Leonurd) and A rti e Shau, (oocal bg Helen Forrest), that it remuined 0n Yotrr Hit Parrade fu, 10 consecutioe ueeks, reoching the tlot,eted M r. I s p o t i n Se Tttember.
Moclerate ly
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in and day
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'I rtiiii 'Jr Jl And the pound - ing be comes __l ]---t--l T-3r I l )1 11.-bJ
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love
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SKYLARK Iohnnr \Iercer Hoagr Carrnichael
\\,'p6li bt \ l L r .i c b t
"Skylurk" uith it,s unique chortl progre,\t;iortstort,soriginullg o mo oi e theme bg H ougg Ourmi chuel , uho proudl g admi tte d t he influences of jazzrnun Bix Beiclerbecke's melodies antl cornet imTtroui,sation,s. lt became a full-flerlged song in 1942 r.ohenJohnnq Mercer uddecl lgric,s und turned into u big hit, thartks in part to recorrlings bt1 Wooclu Herntun, EarI Hine,s uith Billy Eckstine, Hurnl Jume,srcith Helen Forrest und (]ene Knrytu roith Anitu O'Du11.
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Copyrroht.r 1941 WB Musrc Corporation Copyrlght renewed All rights reserv.-l
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a will-or-the
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( ) r t ' t r i u l l q i t t L ' u . t. 's t r i c t l g o R u b e h I r l i t r i> tr u n t e r r t u l p i e c e c a l l e t l ) i i , ., r: r t - L u , " B u t t l t c t t , i t t 1 9 4 0 , ' i .', r ir y. \ f t . r c t , rudc l e d ,s o n tel g ri c s to r'. .,,t|. 'uddt'rtlU "Fctols Rush ln" : . .,t ' t t ( .u big f ut o ri te u n to n { 4 th e : , " : . \ r i r t g c ' r ' , 5t' r. t i l d r e d B u i l e g ,rdt , d if . S r . rt lid R a q E b e rl e u i tl t
(]l enn Mi l l er, D i ck H ag m es u, it lt H urr11 Juntes, C i nng S i mm s uit lt K ug K g,serond l l onng Fran k Sinut r u uithTontmg Dorseg.lt hit the l,lo.l ,s7toton Yotrr Hit Parade in JulU o.f thut gear. Toduu si ngers uho lot c Iiterute lgric,s ,still relish the ,sotrs ubout " rD hereangel .sfear t o t r eut l. "
FOOLS RUSH IN
\Vords by Johnny Mercer
Musi c by R ube B l oom
Slorv and steadv
g u i t 0 r chords
Fools
tlll
)k
Where an - gels fear to
rush in
pedol till indicated
t read
And
so I come to
you,
my love,
Am --G7 cf- dim -
F6
Fnffi
ffiffi
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Hilfi
Y 1
r1
Though I
Ant T
heart
The
dan
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there
D9
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If
therers a
+' l ltl
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chance for me,
'r ]''[ | -
Then I
donrt
care
ffi,Tll
I
I
IJV
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ll :'\
Copyright.o1940WB MusicCorporation. Copyrightrenewed All rightsreseved
G7 FFFFTI ffi
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Where wise men nev-er
But wise men nev-er
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I all
r
love ,
So
how are
thev to
know ?
Am7
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I
felt
my
life
Dmz /G
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and f
\
be - gin ;
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fool
ru sh
So
o_-pen up your
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(trorwgtlrt Om
S w i ngi n' the D retrnt, d 1939 B roacl uug rntrsicul flo7t based on ShukesTteore'sA Midsummer Night's Drerrm, presented three top jaz'z ,stars, Loui s A rmstrong, B enng C l oodman and Maxine S ul l i uan, but j ust one hi t tune, thi s tttuchi ng bul l acl , u;hi ch Mi ,s,sS ul l i xan song i n the shou ; '
Music by Jimmy Van Heusen
\\brds b1' Eddie Delange
Slou'Iv
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dream lip s
that your
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ffi'o.
you me
say tift
F9
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each night, your eyes ;
Am
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love high
me and you a - bove the
Bm7
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"l hold moon
me lit
tight; skies;
But Then
a-wake, I when I tum - ble out
Youtre of
out par
of *a
sight , dise,
oh, oh,
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darn
darn
that
ll
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Copyright'er 1939 Bregman, Vocca and Conn Inc
New York. N Y Copyrrght renewed and assigned to Scarsdale Mustc Corporatron and Lewis Mus c
trb L4-t-l-JJ l t l tt TrrSSla
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Darn that one-track
ai
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mind
i^
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of m i n e ; l,^l
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can't un - der - stand that
It
biTi
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r
tl
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you donrt
care.
ll
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C/E 'nr+fl ftETH Fft-it?
sfr Gm cmlFfi cm/r ffi ffiffiffi Cm
Eb
ffinn.
J u s t to change the m o o d I ' m
in.
Ird
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ffiun ffi'n
Ftfil r l-t-l-f t t
wel -come a nice
D9
old
night
- mare.
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c/e
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EM Am? BmT-S B 7 FFFffi FFFT tI]Il FIF{TI Hf,TN
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Darn that dream
and bless it too:
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With- out that dream,I nev-er would have you;
ffiffi
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But
it haunts me and it
'11 +
wonrt come true . Oh .
darn
that
dream.
--l
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cANightingale Sang in$erkeley Square "A llightingule Sang in BerkelegIpronouncetlBurkleu] Square" uus uritten for u British reDue,New Fllces,bq Eric Maschuitz anclMuniing Sheru;irt,u l'leroYorkerliaing in Lonclon,The songbecanreu hit oDerlrcre in 1940,7turtlybecuu'sc uffection for Englund.-ulreudg of the country's cleeTt of experiencinguir attoc(i from Gennung,untl_portlgbe-c:uuse recorcling,s bg Bing Cro,sitgund Kate Smith,lrut mostlq becuuseof u Glenn Miller recorclingthut w_usbeautfulltl ,scttrccl bu Rug Eberle' bu Bill Finegan und,sungsgmTtutheticallu Words and Music by Eric Maschwitz and Manning Sherwin
Slorvly
m? - 0s though froT f ar away /i
1r. I \y
't , ita l' ---'-+ C -Yi
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u cer - tain night, The night we There was m a g - i c met, was, How sweet and strange, There was nev - er strange it
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I 35
dM ellVE When Milton Drake uus u'riting lgric'sftr q . mouie thut ,sturredillue \tr/esfuntl\I'' C' Ffukls' ii,oiixnr would ,ften offer thc formar tt_tl.rirrk. - t't' w h i t ' l ts h e ' dt l e c l i n eu i t h " l I o c e c o J l e e ; 1l o I)ruka u'skccl West Miss te(1."Later, at u purtg, onclcomposerBen Oakland to write o 'tottg itarttrg'toith her phrase'ln un hrtur theg ,'rr*ptitud "Juattii,:e,i' then s-enta copv to Fialds' "I iirr' i,mmetliateli srbstituted his otort lg-ric's' iu,uuiuhtskeg,l ior;egin' l'm prettg heulthufor the stutel'il in." Bu'i tt uus the West-irtspired ;u;;i;" that becamea hit in 1940for Tlte-lttk Spofsuntl rtlmostfour clecutlcslutcr Jor thc g,roupM rtnhuttun Trunsfer' singirt,g words by Milton Drake; Music by Ben oakland
Iledium swing (f] PIaYed
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corporationAll rightsreserved copyrighto 1g40.copyrightrenewed1g6gWarnerBros.Inc. and DrakeActivities
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All-Time Film Hits *
lflh,errB t]nrom Ncw YonlK,,Ncw Yonk
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Words by Fred Ebb; Music by John Kander Probablg more ,songshaue been uritten ubout lleu York thun obout ang other metropolis in the usorld- aII the uag from "The Sideuualks of l,lew York" ("Eost Side,WestSide") to "ln Old lleu York" to "lrletoYork, l,leu York." M) song of recent llears,howeaer,hus becomeas
identified uith the aspirutions of the citg'scitizen,sas the rrtusing"Themefrom New York, New York." Mtt--ieaudiences first heard it in that 1977 romantic saga of the Big Band Era in which it u)as introduced IrA Liza Minnelli as 0n asTtiringsinger ond songuriter.
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l n the dogs of the l u,sh, romunti c rnoai e,sof the mi d-l 9\ds, i t w as conttnon procti ce to huae u musi crtl theme beuri ng u fi l nt' ,s ti tl e ttn the sornrd truck at the begi nni ng, ut the end and sonrctinte,sirt the mirldle of the Jt'Im' Surelg, no l u,sher or more rotnonti c ti tl e song,has euer been w ri tten than thi s 1955A cudemrl Atourcl-winner that The F'our Aces introduc'ed und turnecl i nto a hi t recorcl i ng.
flfl(r,-vlLltt
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words by Paul Francis webster; Music by Sammy Fain
from Lote ls a Mang-Splendored Thing I
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p u-e sc.
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tt Y e s , true
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Ang bullud is sure to g,et a big, boost when it is intrtttluced bg Frank Sinatro, und "Time After Time" is ,surelg no exceptiort. It huppened i n It H npper' recii n B rookl yn, u 1947 MGM releu, se. in uhich Frank plaged un ex-GI who returns honte urtxittrts to pursue a caree, i,n *utic. ln the storll, he uisit,s.a friend, j ust ur it t t 'r t J i m mg D urunte, und si ngs thi s sortgus u Tti ecehe has with irnother friend, this one plagecl bg Peter Lurcforcl.
trom lt Happened in Brooklgn
Words by Sammy Cahn; Music by Jule Styne
\lcderately
p delicately
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Yourll
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me say
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that
There huue been munu sottgsucluocr t t ir t s the pleasures of the simple life, but ttort, has euer done i t ui th ntore bouncq gt t od humor than thi ,s tune, uhi ch John Puyt t t ond June H uaer i ntrttduced in t he 1916 Foxfilm Wake Up ancl Dretrm. The Igrit wus bt1 Hurrg Rubg, otherwise be,st known for the mu,sic he comTtrtseclto l yri c,sw ri tten bt1 B ert K ul mu r . Com po: t r Rube Bloom u)os o ,self-taught nut,sit'ittr' u,ith ,such songs to hi,s credit us "Foolt R ush In" und " D ug l n - D ug O ut . "
€ive T[e theSimplelf,ire frorn \Inlre L'p and Dream \\',rrdt bl Ha.ry' Ruby; Music by Rube Bloom
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mess a - round with strife'.as a carv - ing knife. -
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YOU'LL NEVERKNOW from Hello
Frisco Hello
"You'lI lleoer Knou)," the 1943Academg Ataarcl.lLoirtrtitrg sottg, wos usritten for u Tuentieth Centurtl-Fox nrusicul, Hello F risco Hello, in which it wus introclucetl blt Alice Fuye from the stuge of u turn-ofthe-centurg San Fruncisco beer hall. While the ,tong wos uppropriate for both the ,sceneund the periocl, compo,ter Harrg Wurren once ,saiclthut he ul,sotounted the bullud to be on expre,ssiott, thut coulcl applu to the lonelines,sfelt bu both ,solcliersancl ciuilians d u ri n gW orl dW ar l l because thei r l oaed ones u)erefur aw u y.
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Words by Ned Washington; Music by Leigh Harline
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buckground scores for moaies, his fantt' re,stslargelg on the six song,she wrote for thi s one fi I* , nshi ch, i n uddit ion t r t t hi. Oscar u;inner, also included "Hi-DiddleD ee-D ee," " Gi ae a Li ttl e Whist le" and " l ' ne C ot N o S tri ngs."
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,51
Copyrighto 1940by BourneCo Copyrightrenewed All rightsreserv-el
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Richurd Rodgersond Lttrenz Hurt spent about Jtue geurs in Hollgusoodin the earlg 1930sturning,out sctrtgs for o nunilterof udoenturousfilms. For the 1933Al J.olson starrer nillelulah, I'rn a Bum, tl"reqhud to deal rcith o tale ubout hoboesliaing in New York Citq's Centrttl Purk oere integruted h[o,stof the riottg,s during the Depre,s,sion. uith the plot, but Rod;tersunil Hart did manugeto creote a ballad, "You Are Too Beuutiful," u;hoseheartfelt sentiment hos long,been ertjrtgedfur from the drumutic ,situationfor uhich the song was written. Words by Lorenz Hart; Music by Richard Rodgers
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HIGHHO?Es from A Hole in the Head
llo song,usriting,team has eaer contributed mrtre Frank Sinatru ltit t than Ji mmg V i tn H eusen ond S ammg C ahn' -w i th number s, st t c'/ it i." ' "AIl ihe Wira," "Call Me lrresponsible" ond "LoDe und Marriugt' ln 1959,Vai Heusen und Cahn gaDe Sinotro another syrefire-piet t . ".!on" the Actidemg Atoard-u,,innin,g,"High Hopes," uhich he ancl Eddle Hodg'es introduced in the nonmusicul film A Hole in tht Head. ln ti'e scene, futher ttnd son trg bucking up their ,sTtirit'sbu ta ki ng a l essonfrom" the dauntl ess opti mi sm of the unt and t he r uni Words by Sammy Cahn; Music by Jimmy Van Heusen
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$wingin{ on a S/af from Going Mg Wag According to composerJimmg Van Heusen,Bing Cro,sbtl himself inspired "su;inging on.{f,stur," an oscur u;innerin lgJJ one nig;htuhen van Heusenand lgricist Johnng Burke rcerc at crosbg's homefor dinner, one of the crosbg botJ,s tDusuctirtg up qnd Bing asked him sternlg, "What do gou ,unrit to be - u mule?" This turned out to be inspiration enough for the u:ritcr: whoseassignmentfor the film Going My Way hud been to come up u;ith a so-ngthat usouldb9 the equioalent of teot'hint the Ten commandments in a lighthearted,juuntg n;rnncr. Words by Johnny Burke; Music by jimmy Van Heusen
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59
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of the chorus note; It's crucial to play the introduction and first eight measures effect' very softly, with pedal as indicated, for the deiired impressionistic
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You're Gctting to Bc aHabit with Mc from Fortg-S econd Street \ \ ' r r r r r c ' rB r o t h e r , s ' c l a s s i c 1 9 3 3 )r r r ' r ' n r t t t t s ic al F< l rty -S e c o n dStre e t u l t ic lt in 1980al s o b e c a me o c l a s ,s i c >ttt s ( t r t t t , s ic al)c o n to i n e d n o l e s s thtttt four nll-time standarcls bg IIurnl \\hrren und AI Dubin-the ti tlt ' r ong, " l' ou n g a n d H e a l th q ,"
triuntph of a Brouduag-bouncl ntusicttl comedg, it is nrtt tttrt .surTtri si ngthut thi s j uutttl l num bcr is perfonncd during a rehearsul. lrt the scene, B ebe D uni el s, a s t he st 0r of the show uithin the shou', re.sist,s hubit-forming attachments rcitlt four personubl e al ung, m en or t r l then - u,e a comic twist - tlonce.s merrilg offstug,e uith un actor clressedlike Maltutrna Gandhi.
"Sltu.fflcOff to Buffuki' ond this
r r r n ( . " ) o u ' r e G e t t i n g ,t o B e a H a b i t r i t lt J I e, " S inc e Fo rty -Se c o n d S tre e t tt'lls of the trials antl eaentuul
Music by Harry Warren
Words bv Al Dubin
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Shadow\^hltz from Gold Diggers of 1933 "Shadoru Waltz," prooided choreographer Busbg Berkeletl u;i tl t one of l ti s ntost mentorobl e t.reuti ons for i l ro ^tr , siciil c< rl d D i ggers of 1933. Featured as purt of un el ul torrt t c Broacluaa reDue, the song is first introdiced intimateltl enoS4! bg Dick Pouell, in white formal uttire, sirtgirtg it to Rubg Keeler, raearing a blonde wig and a uhite'er)enins g,oun. soon the ,sceneexpands and we ore transportecl to u stag,eful of girls all uearing blonde uigs und uhite gorcn\. ,seentinglgpluging, uhite uiolin,s as theg gltde up uncl down, oDer and under a series of rantTis uncl platfctrm,s.
Words by AI Dubin; Music by Harry Warren
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tuom rhe Bis Broadcast orress
Robin and Ralph Rainger
C,,r r it ' dior rB ' b H ' p e ma d e h i s s c re e n d ,e b u t i n The Bi E B r oildc as t of 1 9 3 8 i n th e tg p i c a l ro l e o f a gl i b, 1 iri r ' ( ' r d( ' k ing nt a s .te ro f c e re mo n i e s a b o a rd o tugi ,,r-r ( t r t lir t er . B ut o n e s b e n e , a t th e S h i T i s b a r , gaae l ri trtt t r r r lS / rir leg R o s s ,u s h i s fo rm e r u :i e ,th e c hunce t,' irttrodut'e this wisiful, roiuersationol
recollection of -some of their most fondtg sharecl moments.On-eline of ihe original liricr, ho*uuur, ran into censorshiptrouble. Because"That weekend at lrJiag'ra ushen u)e neDer saw the Falls" was deemed off-color, lgricist Robin obliged bu changing the word "net)er" to "hardlg."
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how I jumped the
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[=5}T'THT ffiffiRtrANT'HC? from LorseMe Tonight Iri P ur unt ount ' s 1 9 3 2 re l e a s e L o v e M e T o n i ght. " l sn' t It R ,Dt t t r t t ic ' 1"u; us n o t me re l g p rc s e n te tl u s a tl uet for the ri/r r i' . sleads , M au ri c e C h e u a l i e r a n d J e a n e tte M acD onal d, itr.tttt.sthe means bg which the mooie changed ktcations. .\f"tcr Cheualier sings it to a customer in his Paris tailor '/11r ; rt.he ballad i ,s re p e a te d b g r;a ri o u s p e opl e i n a taxi i rt d or r o t r ain, b g s o l d i e rs m a rc h i n g i n th e countrg and ,.r' r ' nt uullq bg P r i n c e s sJ e a n e tte w h o h e a rs i t and si ngsi t !t ttrtirt! r;rtt of a usindou of her chLfuau. \\brds and Music by Lorenz Hart and Richard Rodgers
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All theWhy from The J oker ls Wild When, in 1957, Frank Sinatra uas cust as nig,htclult comedian J oe E. Leuis in the Jilm biographlT The Joker Is Wild, the part was alterecl to make Leuuismore of o sirtger thun a cornic. Mo,st of the songs uere ,standurds, but Ji mmg V an H eusen and S ummg C ahn di d supTtl gS i nutr a usith a neu) tailor-made and memorable ballatl, "AlI the Wag," which uon an Oscar for Best Sttn5l thut gear' A ctual l g, the song sen:ed an i mportant functi on i n th e 7tktt, ,siice it uus uritten to dramrttize Leu;ls's /oss -o.;[ uoi ce.A ccordi ngtoV an H eusen," The bi g,j ump nrusi ' call11 ot the end of the second bar to the middle of the third bar was specificallu designed to be dlfficult trt sing." Words by Sammy Cahn; Music by Jimmy Van Heusen
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SECTION3
Onforgettable Hits from BroadwayShows
IMry
John Murrog Ander,son, one of Broadwau's leading clirectors of reoues,firmlg belieoed thut the best sortgsure creuted under pressure. In 1929, tohen he uus prelturing the show called Murray Anders
BeWong r ButI Think\bu'reWonderful !) ironr \Iurrag Anderson's Almanac -ight
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My Plan I GuessI'll Haveto Change from The Little Shou: Though this usasa hit for Cli,fton Webb in the 1929reoue The Little Show, the melodu dated back to 7924,uhen Arthur Schuartz onclhisfellou summer-carnpcounselorLorenz Hart wrote songs,fol, o reDueat the camp. One of them began, "l looe to lie auoke in bedl Right after tapsll pull the flapslAboDema head." [_'ater,when music was mated to a lgric bg Houard Dietz, the song Sc'hwaitz.'s becamea jountg acceptanceof the end of a looe affair.
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pop songseuer uritten, this One of the most engagin54, all-or-nothingpropo,sultousintrocluceclbu Ruth Etting in the 1928 Florenz Ziegfeld proclttction Whoopee. Actuallg, all Mis,sEtting hod to do in the ,showuus to sing tuo songsin the first uct und "LoDeMe or Leuae Me" irt the second.l,leitherthe churucter,sheplagedu moaiestar - nrtr the,rorlgsshe,sunghod angthingto do uith the plot of the musicul,in which Eddie Cantor caperedas a hgpochonclriucirt un lncliun encuntpntent, Words by Gus Kahn; Music by Walter Donaldson
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bur tug thut contpletesthe thought in thefinul "A" theme. A.s for the ltlric, rchile it i,s u hqperbolicbut sincereexpre,s,sion for the nost beuutifulgirl in the uorlcl, Lurry Hurt broug,ht the sentiment cloun to earth rcith suclt surpri,sesas rhynting "Dietrich" u,,ith "su)eet trick" and bg reaeulingthat the girl i,sa naturul beautgtoith no neetlfor plutinum hair.
Words by Lorenz Hart
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ffi err-t
Gar
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It
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Who can
tt Am7-5
4,,
I
ltr make
me
be
lieve
it's
a
beau-ti
- ful
I
world.
I
I
t
a
r' -?.
9T
The \Iost Beautiful Girl in the World Fmai 7/G
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not
cial,
a
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a
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ffi
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'l
a tral
\at
t\ir
I kind
rrr
wit,
of
-?-. r\---ll
'l
I
ti-
And she with m o c k
D+5
ffi
ffi
I
'' I
got has - n't seriousness
plat-
i
- num
hair --l.z-r
T.
E/F
a
.|| The
1*+ oll most
beau-ti
=tt'ltt+rt-ltt+tt 92
Gm?-s/nb
T'
,lrll J*4|
--;
y-
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I
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O 1).
C7 #. . ; t l
a
an -
Trl
Bb
I
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tl
shine-
Shetd
U
c
-/l
-P-.
t
ivhere,
-l-Y
t-\
tl
lrl
), :l
t.
r
t t \ . _
) o
- ful
house
ffi fr i#\rr
in
the
world
t\p ol Has
a
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t mort
Gm7
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Abdirn
rr -
h I
gage.
r
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What
do
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rr I
Itrs
care?
t+
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h-n
g o o d - bye
care
tt Am?-5
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)+
+
t
-r-
When my
ftt
I
slip - pers
are
I
next
to
the
ones that
be
long
I
|
ft
|
Dm7
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a)
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ll To
the
one
and
ly
on
I
beau - ti
r
T
a
ful
a
aua
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ffi
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girl
in
I the
w o rl d !
\ a a
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al
t
t.o/,} -
93
LittleGirlBlue from Jumbo \lbrds by Lorenz Hart; Music by Richard Rodgers
Illode rately
EdimT
G7
#
Dm?
nl?)
Cm? F?-9
nfi
ffiffi ffiffiffi
ffi
EF
Sit there Sit there
I'
a n d count your fin - gers ; what can and count the rain -drop s fall - ing
Old girl, you're Itts time you
-l I
,T Et9
'.'-I'r
.?irl
*fq *-r1-1
ffi ffi .r-
c throu gh . knew,
ry Sit there All
-l
you
I
c\
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Eb9
F6
?e
-[
+
I
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+
e
fin - gers rain - drop s ,")
,)
T vbmaj7/C
ffi
ffi ffi
and count your lit- tle can count on is the
b4
C7
+
t
t-
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U n - luck-y lit- tle girl That fall on lit-tle girl
rlll/
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4
l'-l
-
aim im cf lf d
F^
C7
ffiffi
ffi =l
No use, old
blue.
girl,
You
-
-___z
91
Copyrighto 1935TB HarmsCompany Copyrightrenewed(c/o The WelkMusicGroup)
[ ) ur ir t g t lr c ]9 3 0 ,s , R i c h a rd R o rl g e rs u nd I - ,t t ' t ' n : H u r t - w h o h u d b e e n , s T t e n d i n g t l i t ' i r t i n t e i n n e u r - o b l i u i o r ti n H o l l g w o o t l ,L(.'t'(' goudecl into returning to lrJewYork by u r r ( r { .\ ' p u p e r c o l u n t n i t e m t h a t u , s k e d " \ 1- / r rtret er hu T tp e n e cto l R o d g e r,su n d H u rt ?"
A s ,soonas thei r MGLI contruct encl erl ,theg w ere on the next trui n hettdi ng E a,st. Thei r first assignment there: Jumbo, for rchiclt " Li ttl e Gi rl B l ue," sung by C l ori -u Grufton, ytrouided the mu,sical ,setting for u blut'ti nted fi rst act fi nol e.
^tr
F^
A7
ffi ffi
ffi
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l-+{-+4-r fffi
\
r e n - d e r ; Y o u r hope is
D?]E
Cri 6
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Gm?
ffi'n. ffiuu.ffiun.ffirn.ffi'n.
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Bm7-5
s l e n - d e r . W h v w o n r t s o m e- b o d - y
get-ting
V\
,f
T
tl blu e boy
send
a
ten
der
.-t
J
h)
,")
To
t-i--'-- I
)
r
cheer
,/ ll lit-tle
a
"f girl
I
I
To F
F
Et#
FH+fl H-TFH
\1
rttttl
blue.
Trio
GrnT
C7
N.C. lighthearted
When I was ver-y
ffi
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aa-o
young:,
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The world was young- er ,,-)
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fl-t {
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than
I,
+ As
i'-l t 95
F
C7
ffi t.
a
+
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rner
ry
ffi
ltaltl
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as
ou-
The cir -cus tent was
sel.
rtl t
f' C7
F
ffi 'J'
a,
strun g
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With ev
I
-
try
star
the
tn
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r F
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Now the young
I loved
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Gone are the
tin - sel and
I s---q
ll ri
I
BtL&rrom
f
shotcBoat
aa
!
\lbrds by Oscar Hammerstein II and P. G. Wodehouse; Music by Jerome Kern
Thi ,si mntortul torch song, rchi c' hH el etr Jf ut r st t r t i ntroduced i n S how B oat i n 1927, rcul ori g inullt t w ri tten bg JerutmeK ern und P . G. W odehoust , l- , , r,-i 1 9 1 8 n u t s i c u l c a l l e d O h , L a c l y ! L a d y ' 1 1 . . l t t it t i t r r t t t r l i naTtpropri ate si nce the pl ug' ,sB i l l u;u,srtot t hc unuttructi oe nonenti tg i t cl i ,scri becl\\' . het Kcr , , r r , _, . 1, , u teur-,stai nednumberl or S how B oat, he pt t llt , d " B i Il " out of hi s " trunk" of unused songs, t t nt l O : t . t ir H arnmerstei n gaD e a hel pi ng hancl w i th th e r c. r t r r l: .
Ftr
Slowly and somewhat freely throughout
!
II
1
I used\o ( H e can rt play )
L.H, m1f
,/
cp
l\'
dream that golf or
I would di s ten - nis or
i a
\s
cov po
erlo,-
FZ
F7
ffi
ffi
TFR TT1T]
some or
day.
lov so-
The per- fect Or sing a
er lo
Bb
row.
I knew Itd
.-l
He is - n't
rec - os
hatf as
\ _c.
F^
Faug
ffi +I.FH l7'
ll
ev-erhe doz - ens
Bb FffiI
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way. know.
Gm6
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ffiffi I He
al - ways is - n?t
of
F/C
came men
round that
my I
B n r7 - 5
ffi used tall
to and
fan straight
cy and
then He'd be slim, And he
T - : ' ' g h t ' l 9 2 T T B H a r m sc o m p a n y c o p y r i g h tr e n e w e d( c / oT h ew e r kM u s i c Grouo)
97
Bill A7
Dm
trrr
ffi
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Ffl-fl-1
A/
a
F/c
C7
ffi
ffi
gi - ant canrt ex
brain plain
a
t-
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7 + -. l 'rlrl F o
god - like worse than
one of the dress - es far
kind Ted
men, With a Jim, And I
of or
)Ir rl
l-i
I
T Bm7-5
ebg
I
)
ll
head just
F7 rTTTrI
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a
?
G m 7 c b z- s
-s l,.bz
Am7
,ffiun.
no - ble should be
and a why he
tr'.'r
r
A
r"r
ll
Like the The-
he one,
roes one
o 'P!t . r
ll
LJ
bold man
1I in in
,\,
the the
books world
I for
read. me. A
.l
V
--..---
Chorus
Bbmaj7
Grn
ffi
N.C.
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F7
ffi
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'-) a But a He?s
long just
came my
Bill, Bill,
who?s an
not or-
the type d i - nar
at
v
all. boy;
You'd He
.z--
I Bb/n
-t
c#dimz
ftr
I
Cm7
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FFFFFI
l-TJ-tfl 6fr.
fiffl
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F+ meet him on the street a n d n e v - e r no-tice him. has -ntt got a thing that I can b r a g a - b o u t .
His And
form and face, yet to be
His Up
man-ly graee on his knee
Are So
Gm7
D7/A
ffi
ffi'nffi ffi
C7
not the kind that vou
com - fy
C7 ffi
F7
ffi
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would find in a feels nat - u-ral
and room - y
F7
sta - tue. And I me. And I to
o
B bmaj 7
Gm
Bdim7
Cm
Cm7
ffiffiffi'n
Bb6
FFFffi F-1-f-t--f-l
t-+--t--t-{--i
l-tF?-H
Bb9
-l
me me
thrill. thrill.
r-7maJ'(
ffiffi #F ffiffi
.--p iI
rl
can?t ex - plain, Itts canrt ex - plain, Itts
his brain That makes his brain That makes
'rttt-
7-r
Bb/r ffi
Em7-5 C7
ffi love love
ffi F+TH
be - cause hets be - cause he?s.
won- der - ful, I donrt know,-
Be - cause hets Be - cause hets
just just
Rb Dm7 Bb6 Bdimz C7
ffi ffiffi'mffiNc rlf
ffi
y'
|
cr'ry Bill .
t-(
/'
"r T
'm F7-9
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Bb
4
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ffi
H+ffi ,?ts
on
him him_
Gm6
old my
Fz-e Bbg
ffiffiffiffiffi'mffi ' '\1... +l-
Tr:.",i\ 'q
Bill.
f| 4Y r
I delicately
T T'L 99
Can'tWe BoFriends? from The Little Shous
\l'/rcrr conlposer Kag S*rft first plaued for Libbu Holnt un t he mu s i c o f u :h a t w o u l d l a ter become " C u n ' t W e B e F r i e n d s ? , " t h e s i n g e r L D u ss o antlru,sia,sticabout it that a lgric u)as soon added bg 11l.s,rSwift's husband and songu;riting partner, PauI J um e, s( u; ho u a s b e tte r k n o u n i n b a n k i n g ci rcl es as
Words by Paul James; Music by Kay Swift
Slowly
fH+fl
E++H
thought thought
( I man of my dreams .could - n r t g o w r o n g , -
Ird found the for once it
nbr
C6
ffirn
G7
+
iql
This is how ti"
",[ can see the wav
I ends ends
- ry this
lofr. ffinu"
f-r
f
I
Now Not
seemslong! -
it for
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trtrtrtrtr
ffi
ffi'umon
.-*'lt6rt I
ffi
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James Paul Warburg). Mi,ss Holman introclucecl tlu, torch ballud in her next appearance, the 1929 reLu( The Li ttl e S how , roeari ng u then-dnri n g st r aple, s, s red eoening g,own.According, ttt Houard Dietz, rclto helped orgunize the reuue, the number stoppecl tltc shou at eoerg performance.
!+ q
F#H
tr+++l
tf' l H e t s g o i n t t o turn
F,,-F / l me down- and sa]-
He?s goinr to
me down-
''f
turn
and sa\-
a
C7
F7
C
ffiffiffi,u ttCanrt we be friends?rr " C a n r t we be friends?tr
100
C7
rEfffi
u-++-L.l
rt*H
I
ffi
F7
ffi
ffi
Nev
er
a-
Copyrighto 1929WarnerBros Inc Copyrightrenewed All rightsrese'.:---
Bbdim Dmz-b
C/E
Gm
ffi ffiffi
f+
[-l'l'\.-]' T hrou gh
with
It
love,
Through
with
l-1,-l
men. They play their
I
t#f
ffi
D9
ffi
N. C.
n]'q,f I q,r
blame ?-
i?oe-J-Jo t l
I
I
I I 'J
/r,
with-out-
I
A7
fr'r]' I And whorsto
rrj .lr
I game
--t--
ffi
ffi
:.a:e.
D6 I
I
r^bt
H
\+
r rr"r
T
A7
::
ffi
V
ll =EFEEI J--
N. C.
I l'-J
V
thought
Itd found a
I
r p'bt
C6
l^bz
C6
ffi,n ffi'u
ffirn
ffi'n
l'l I could trust._
What
D9
\. r I
--rr1
ffi
+
r$$l
t-
I-off -ll
ends:
I
H e t s goin? to
turn
a
This is how the sto
bust !_
G7
ffi
)
t
c
c7
- ry
F/c rry6/c c$
ffi,nffiffiffiffi
me down_ and s&y, rrCant we be friends ?tt
101
[fr[ LovedTbu
from Carousel
Y,.r fr'
l',Iomore ardent duet has euer been uritten for the Broodwog theater than "If I Looed You" - Aet at no ti*.e do the wordi expressdirectlu housthe tusopeople reallg feel about each other.John Raitt and Jan clugton introduied the Rodg,ers and Hammerstein song in 1945in carou sel,nn adaptation of the celebratedHungarian plag Liliom, bg FerencMolnar. "
-sNs
Words by Oscar ffammerstein II; Music by Richard Rodgers
quietly fTowing
C
CdimT
l-l-++.1 l-l-l-++-r
ffi
g
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C/E
E+5
ffi
ffi
3
a
a
lI - 4
I
I rf i rf
ip It
tr I
<>
YP il
loved you, loved you,
I I
-i
Time and a-gainI w o u l d try to savl lVords- would-ntt come_ in an eas-y wa
i, I
I
ffi
want you cir - cles
I?d in
rr
to Ird
Am
t?
l"
r)
in' to
tell
l
F7-5
F f,m7-5
ffi
Long -
, a
Dm
ffi rr
'
ffiffi
a
A11 Round
I
\l
rf oimz
Dnr/F
-I.-1
you but trrl
ttil
a
r
fraid
tr
and
I
Y tr shy,
'
)J.
L
(
-o rl
102
Copyrighto 1945WilliamsonMusrc,Inc Copyrightrenewed Solesellingagentand managerof all rights TB HarmsCompany
I L
D^/c
Dm
ffi
p^bt -s
D/A
Bb
ffi
ffi
' f I | ' a"l I
+ let
my
gold- en chanc - es
il
lr
pass
ll
n))qq
-
-
b v- .
me
ll
I 1r
held bock
ll
T c/n
CdimT
L
E+5
ffi
ffi
& a .
o
t-t-ltH
r
r
.tT=F I
you td Soon lea ve ffi€, i r r t e m p o w i t h m o ntin g excitement
-l
you would go-
Off-
CI
+
t
1
in the mist
of d"y,
al
CI
cl
/
F#dimz
fnr/F
C/G
E+5/G*
ffi '+
a
\ev
-
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,-
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to
.^t
.-
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DmlF ffi **-t-t-.l
nev - er ;
/-l
G7-9
c
tF
+FE
.mffi
Dm7
ffia
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tt1--tfi
Vr
r-
a
a
| How
I
| vll
loved you, t1t,'
I
I
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it If
I
T
I
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you. -
loved
quietty I
tY6
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t 103
I'mHappy Sometimes from Hit the Deck "Sonr ef ir nes I ' m H a p T tg " b e c a m e a s ta n d u rd througl " ta \() nt c r c hot c ir c u i to u s ro u te . T h e me l o d q , thrtugh usi th'a ,s r t t t ppiert ent po , u a s fi rs t c o m p o s e d b a V i ncent Y oumuns in 1923 to u hlric co-usritten bU Oscar Hummerstein ll artd ,.rr llc r l " Cof t t e O n a n d Pe t Me ." B u t th e s o ng w as neD er tt:ad in the musical for uhich it had been intended, and- ttoo ttcur,t'Iater, with a ieu; lgric bg lraing Caesur, it tu'rned up uncler its current title in. onother sh'ort;.This production, horceter, neDer got antl closer to l'leusYork than Philut lelphiu. " s o rn e ti me s I' m H a p p g " fi n ul l g made i t to i rr t r nor t ulit g in 1 9 2 7 , ra h e n , (ts s u n g ,b g L o u i se C roocl g anrl Churles King, it becarne the htt of FIit the Deck. \lbrds
by Irving
Caesar; Music by Vincent
\\,$$r :,
* i , \ ,d I
i * i j$
Youmans
Moderately
whimsically
ffi
IT'I-LI rtrttl
hap love
Some-times Itm Some-times I
r-I
I l a t ffi t t t l t r
-
S o m e- t i m e s I ' m Some-times I
r TTTiI' ral ll
My dis-poBut when I
ffi
I
rrrrrl
/ -
|
tion you,-
t
blue;hate you.
C7
_,4
-ll=-l-
| si hate
l-tftH
I
F
p
a
I
PY;you;-
ffi
:IIIII rtttll
4 I o I flr l lTfi-l
I I A/l
r-rITI1
C7
F' -nTn
c7^
F'_ ^
C7
F Fffi.
tqY t l t
f
f
De - pends on It?s rcause I
ty o u'f' .love you
f-^
f,
__1
T 101
.l=
'el: Copyrighto 1927WarnerBros.Inc. Copyrightrenewed Rtrrrgn:s
Cm7 F#n
Cbmaj7
BbmajT
Bbm trtrtrtrtrI
t-ttrt1 +ttH
ffi
I
2 I
-r rl
r
mind
the
&ffi,
So
l
I nev-er Thatts how I
rain what
from the can I
skies do?
'ft ll'i,r.
rml o
nbg
ffion a
D7+g
ebrs
ffiun
ffiun
"f
I If
I
ean
G7
ffiun
f4v rl
find
the
sun
I
I
ll
r-
in
your
a
o
T Db9
C9
'F/c
Gm7
ffi
c 7- 9
ffi
ffi
+lffi1
ffi
ffi
Irm
,T F
ffi a (vocal only)
hap
when
Irm
wlth
d
't"t',i,
ll rD,D[lQll-xrtlhm
.,.1.,N!':
. l.
from Girl Crazg
$ .i .,$
x{t I
\l'hen on October 74, 1930,the opening night of Cirl crazy',Ethel Merman stepped to the footlights and berted out the Gershwin brothers' compeUihgoniorn"ement "l cot Rhgtb-," there u)asno question that a neusBroaduay .starhad been born. As the singer recalled, "On the second c h o r u sI j u s t h e l d t h e ' I ' . . . o n e l o n g n o t e . . . w h i l e the orchestraplaged the tune. The audiunru started cl.appingofttf about four bars, clapping, clapping, cIappirtg,and they didn't stop till I'd done I don't know hou manu encores.It was like electricitg." \lbrds by Ira Gershwin; Music by George Gershwin
Brightly
G6
Am7
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ffi ffi
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r
ilp lt
I got got
t' II II I
r
D 7- 5
Bm7(no5th) ebdim Am7
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ffi rFI
FT
rhy - thm; dais - ies
I In
v12-
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ffi ffi
*' eaat E-E% E. I - l-l
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got mu slc; green p a s - t u r e s ;
\
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got got
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ffitrR
106
+'
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my my
man; man;
YI
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ffi ffi
Who eould ask for an -y - thing Who could ask for an-y - thing
G
G
ffi
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C o p y r i g h t o 1 9 3 0 N e w W o r l d M u s i c C o r p o r a t i o n . C o p y r i g h t rAel ntr ei gwhet d s:3Si-.:_
B7
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ffi
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'74
'l-' T''
a
6r
i
Old
Man
Trou - b l e , -
I
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-rr r'
II
don?t mind
I fiF
him.-
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BroadwaAreuueswere oncea great training g,round composersand lgricists who later uent on to for "create completescoresfor book musiculs.The series of unnual GeorgeWhife's Scandals , uhich beganin Gershuin, who George of seroices the lblg, enjogerl of the.muith three ediiion-s, ,o*pot"ud"songs forfioe Igricist B. G. DeSgIoa.For the 1924 -production, Gershwin's last, hb and Desglua (uith co-lgricist B ollard Macdanald) contributed " s omebodgLooes Me," uhich was introduced bg Winnie Lightner' frorn Ceorge White's Scandals
SomehndV Me Lortes
Words by Ballard Macdonald and B. G. DeSylva; Music by George Gershwin
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Strike Up the Band is one of the rare Br\aduag musical,s to har;e ieceioed a second Chance. When the anti-wur sotire wus first tried out in 1927, it uas colsidered too bitter, and" i t di dn' t get beggnd i ts trgout date i n P hi l adel phia. But the shou was then reuised, rescored and recast, ancl it went on to enjog e successful Broaduay run-in 1930' "Soon," which ,.,us writtei for the neu production but based on a theme from the original shou2 lDos a romttntic duet fctr juoeniles"Murgaret Schilling ond Jerrg Goff'
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HowLongi HasThisBeenGoingOn? from Rosalie Rosalie ds generallg recalled as a sTtectaculurMGM musicul u:itlt,songs bu Cole Porter.Actuullg, the moaie was busedon a 1928musicalof the sometitle uith u score uritten in purt bq Georgeund-lra (]ershwin, and it was in' ,& that production thut this hallacl u;as fir,st sung on' dotesbuck to the preoiotts Broadu;au.The song,hou.,euer, written it *oi wlt-en Aeur, for Funny Fac-e.Thoug,h introduced bg Adele Astaire and StanleaRideesduring sotn.e the out-of-towrt trgout, it uas replaced:frrt "He Loues." She and Lttt-es unacco;ritablereuson-bg
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115
Has This Been Going On?
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II VocalHits of the '4Osand'5Os
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It's a continuing u;onder that Cape Cod, that "bared and bendedurm of Mus,suchusetts," in Henrg Thoreuu'swords,cun tnean so munu different things to those uho knou; it from generotionto generation.Retreat and touri,st{'enter,suidbar und sanctuurg, it canfire the imagination and spirit as canfew other Irlorth Americon seocoast,sites."If gou'refond of iand clunesund sultg oir," so(ls this lgSO hit,-a milestone-inthe c1treerofs'iyserPattiPa51i,,,go7|reSuretofallinIoaeuitho 'i:'l c I caTtec;(t."'it', ustrue as it et)eru)us,o, ihrrurrrncls ctfai,sitrtrs cro's,sing cape cod conal eDerusummer will happilg utte.st.
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Words and Music by Claire Rothrock,Milt Yakusand Allan Jeffrey S i r r i - l v . w i t h e xpreS S l O N
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T 1956'1983by GeorgePincus& Sons MusicCorp, New York,N Y. International Copyrightsecured.All rightsreserved
117
Old Cape Cod
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119
Mercer, ttne of the greate2tof ull Iry.rici'sts, '*rote"both Johnng uo'rds ,tnld^utic ttt thi'sentluring hit' PayI Weston,who Accorclingt. bunclleader-arran{1er son,g, theme iiiipna'i't up us the for hi'spttpulur ruclio it - rtr at lett,st uitrtut reseroations hod Mercer ,ho'ro, one note of it: the sixth note of the ntelody..fitlling,ott rblun." "l think thui note ultnttst'muke's' iiu *ord suitlWeston,"(tnd I conuincedJtthnngto let the so,ng," it stag.''"lt*o, fortunute fttr us ull - and, us Durt Fox's'rich ooicing oDeru [oping'bassfig'ure shorc's, helps giue Mercer'sclassic its extra poiSlnuncy'
lDlPlEA,s\t \\brds and Music by Johnny Mercer
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,ALYOUNRE A\ D-0)lR{A 3iLtr (The AlPhabet Song)
an instant hit when This looer'stour of the alphobet u)asnot-just becouseit's it appearedin ig7g and' ha' eidurecl u;ell-craftgd u it's 'I9ce a cleuer nnuuttu"b;;"i;;" hecause go tut of fus,ltion.tts sons expressin;;;;r;';;,;:":;; that nct)er of practice: composer.Sidnes Lipptrtctrt pti iifrr"rriii and "chickent "ta had,turned.out'::i,ti'sigar ls so Refilted" "Don't Be produced hid Chick," and t,Jri'iti n''iaa Kaag a Pennya Hug"' a Bobg, Babg" ond"'A Penngo"Ki"'
and Sidney Lippman Words and Music bY Buddy Kaye, Fred Wise Mode ratelY
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tell' you what you m'ean to
-
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der through
rT I C ttttal
tatlll I T T TI I
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the
UNT"ORGEITABLE \r r f K i ns C ole' ,sl a s ti rtg s u c c e s sa s a p o p u l n r bal l ad si nger t r , : f t he r c or lc l o f j u z z o n e o f i ts n to s t extraordi nurgTt it t r r is t sB.t t t us ti e l ttt u 7 h i ts g re u k tn g e r, there seemed it rr t inte for Cgle the keiboard wizurd. "(Jnfsrg,ettoble" in 1 9 5 1 u n d b e c u tn e o n e o f C ol e' s bi ggest rr , r r r . ' / c r ' i, s ed )( , ng, ! .lt ' . st he u ;o rk o f l ra i n g G o rd ttn , u h o s e ttther crecl i ts tnt ' lr t t le" lI e, M u ' s e tfi tn d 1 ," " B e An tl th i n g ( B ut B e Mi ne)" the i mmortal L int l.in t . ollubo i u ti i ttt w i th D u k e E| Ii n g 4 ,to n, " P rt'l trcle f r.rrr Ki,ss." D on Fox'sgraceful urrangement here ItLt :t r lilt ing qua l i tg th u t u ,i II e a o k e -i nm o n u l i steners the l t, ' lt t tt ' r l s pir it o f l l u t Ki n g ,C o l e .
1\
Words and Music by Irving Gordon
Nloderately-i ta Shearing(.n playedas !-tf I
Gdim+7
Gmaj7
Un- for - get - ta - ble, Un- for - get - ta - ble,
Thatrs what You ev - try In
way
Un- for - get - ta - ble,
And for - ev - er - more, --
(lo
All rlqhts
re:i-.:-
F6
ffi
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Like Thatrs
a why ,
song of dar - ling ,
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to D€, i-ble
C
Baug
ffi
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Dbe FFFM HI+-HH
H>f1'f-l
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fore
A7
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How the thought of That some - one so
TFFFI
il'
Gm/sb
you does things_ un -for-get
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has
s o m e- o n e
been
,
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un - for-get - ta-ble
h 1 too.
much slower
CmajT
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to me ; ta-ble
The historA of populor s9ng teemswith partnersbipt that turnerl rtut hits, ro*uii*ui b,,Jthe d'ozZns- aet are almostforgotten bg the publt u " r, -: C anadian-bornAiex Kramer and his wife, J oun Whitneg, gaye the ")irrr'/: as "Far Auag Places,""High on a Windu Hill," such stand,ard.s l,leaerCet Auag" und the hiunting "Mg_Sisterand 1." Yet their rlrtr!f end,uringsongis this simple upbeat declarotionof loae.- made all ti"' more ^i^orible bU lgricist Mack Dauid's catchg opening litte' Words and Music by Mack David, Joan Whitney and Alex Kramer
FreeIy
Moderately slow, ir tempo G .-, i t a r+ C n r u i 7 :
Cm o rTaral LIILU
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Fffttl
FFft-f-t
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ffi
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d.jT.=+:u btt
I caII my sug-ar
dy,
Can
)
Be-cause I'm s\\'e=: -
dY
Can
)
rl ./1
ttI
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D7 #
t I
Ffitti
FFF
ffi BtT
ffiB b
Ft-i-i-H
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tJl""un
And C an- dy 's s we et on
dy,
Can
t - -
:
EEE=I! *f\
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ce: -
t$r Cr n a i T
Cm
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My un-der-stand- ing Itrs gon-na be just
Can dan
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a
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And Can-dY's al-'*-avs I take m)' The day
TilzerMusicPublishingCo and Kramer-whtl-E' Copyrighto 1944Leo Feist,Inc Copyrightrenewedand assignedto Harry_Von Copyrightsecured All rightsreservedUsed by pe'- :: : Group SinL Monica,Californrainternational c/o The WelkN4usrc
Am7
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need sym - pa -
I
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that
n[
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* =4 'l | four of
were
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could
qfr '/ ?'+
love
much
I moreor
-/ .r
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{ She
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com
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my
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t
a sweet tooth
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for my
I
sweet - heart,
r|--1.
o
5
a
127
TOOE EOIIII.EOW When this boogie-uoogie coubog song became a hit in 1942, no one u)a:t ntore ,surpri,sed- or dismoged - than the artist, pianist Freddie Slack. He had plaged boogie uith Will Brarlley''s band but l aunched hi s ow n group to plog smoother, stoeeter ntusic. "Cow-Coto Boogie" Ttttt an end to those plans - and shapecl the rest of Slack's career uncl that of his uocali'st EIIa Mue Morse. The tune u)as a special faaorite in the Southwestern states and du.ring the war brougltt menrories of home to countless seruicemen u;lrct hailed from those "uside open sr)aces."
Words and Music by Don Raye, Gene De Paul and Benny Carter rJ:r
SIow boogie blues (t
played as
J l)
C
ffi plains
C9
ffi
F9
ffi'n.
l cow -boy-
Rid
the
range one day.-
And as he j o g g e d
a - long,-
*More skillful players mdy keep the boss figure from the intro going throughout the song,
l tft
A most pe - cu-liar-
I heard him sing-ing-
cow - boy song.-
ffiun
3
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t
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He learned in the
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lit -tle
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130
much;- Hers got
t
knocked-out West-ern ac-cent With a Har- lem touch.
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DaybyDay PaulWestonand AxeI Stordahl, friends since their dag,s with Tommg Dorseg'sorchestra-,wrote this loae song os u to their fi,rst collaboration, "l S_houldCare." follou:-up "On a recent trip to the Far East,Westonhod dinner uitlt friends at the restaurant atop Tttkgo'slmpe_rialHotel' As -theg u;alked in, the Japanesepianist was plaging and singing"DoA bg Dag." "It remindedme again of uhut u t ttrt u:onderful, under ap7tr eci at ed mu si ci an Ax eI Lt)as," Y|'e,s said. "Not the klnd of Sua to put himself forward - but I the uug lt,don't think angbodg-haseuer uritten for strings 'Dag bg did. And if gou need more proof , jult listen-to " DaU.'lt'siull of llttle touchesonlg he could huaedecised
Words and Music by Sammy Cahn, Axel Stordahland Paul Weston
Slow and smooth Freely, like a cadenza
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Day
f
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And
day
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an - y
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grow. -f
b)
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ffi
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more in love with y o u ,
Irm fall - ing )l
"r r r- .pall-
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fr-
end to
my
t de -
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o
132
Copyrighto 1945by BartonMusrcCorp.Copyrightc-1972by BartonMusicCorp.,Cahn MusicCorp,and HanoverMusicCorp
A7
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Yourre mak-ing all my dreams come true ;
rll i |
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So
1Lr)a
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come what may,.
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r
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I want you to i
tl
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to
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we
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yours
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r33
That's All Words and Music br' --\,lanBrandt and Bob Haymes
The record hadn't stopTtedwhen the suitchboard at l,leu York's Wl\tEWradio began lighttng u.p.The di,scjockeg, piunist-,sirtgersongwriter Bob Hagmes,picked up the first call. "This is l/cf Col,e,"said a familiar t,oice."l looe that song.Drtesit hooeuords'?"lt didn't. lts fiie was "C'est Tout," and Hagmeshad uritten it for art album of orchestral music. But_heand friend Alan Brandt uhiTtpetl up a lgitc in a hurra - and Cole recorded it, sturting the oi"nndorce of a lorselusong,into the pantheon of all-time standarcl,s. l; dTl
Slowly, but with a lilt (D p l a y e d a s J ) ) Bb maj 7
-l
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r,omal t
ffi'n.
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own for A n d t h e on - ly heart I rvil1 light whose burn-ing love And a
prom-ise to near each time you c a l l , be hand to hold when leaves be - gin to fall,
I
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T:l all.
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Copyright@1952,renewed1982,Mixed Bag Musrc,Inc All rightsreserved.Used by permrssrof'
Ebmaj7
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4E,Y
!
you
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ll give
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you the world
for a
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(IGotSpurs) JINGLE ANGLEJINGLE .rs
ttter'seu; ln 1942,thousonclsof seroicemenon battlefielcl,s ttnesltt': loaetl and home taste,.of i;r;;ri'f"r ittst ai urho, a - rtr.td sottg,s pop *nru reminilei, besi behind..Among the thun thts liglthcttrtt'd tfew were more ;;;-p;i"r thttt tJear -!1r'
hnl,,,l ife,f oot l oose urxl f ttttt'u 1,., i,lr f lr;,;';' tit' b1,i' F n t r t k"' " , r r r i b , g c o u n t r g I. t w u s u L t i l l u l t o r u t i t t lttte t r c e e t t
ioir,rui - *hore "Pruise the Lorrl ond Pussthetr":'. ,t'','l 771t Ammunition" ,ulu,,,rruof the u)ar's lusting hits jangletl ori jing,Ied and musiccomposer-iuiupt'Ltltea'It bq the Aitpaiade fii tE toeeks,-thoiksto recttrding''s group t;rtcal Mucs Merrg ihe and bandleaclnrKa'A-Kgser
\ ) /
,
)a
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9 6'.,
Lillel' words by Frank Loesser; Music by Joseph J.
Bright "loping along" temPo
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short )
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spurs a
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Swing out N.C.
1t Oh, Oh,
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|'/ Lil - lie Belle, Mar-y Ann,
Though I Though we L _ ll >.
more broadly
\-.-"
Oh,
Oh,
Lil - lie Belle,
Mar- y Ann,
Am7-5
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may have done some fool - in', done some moon- light walk - int,
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This This
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nev-er up and
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I C,otSpurs)Jingle JangleJingle A shade slower than 7st temPo F6 c1t C1]
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0nforgettableHits of the '3Os
[Covcr the M/atcrfromt i 'littrtq()reen'slife inmusic got off to afust,sturt:us rr .r,ttlertt ut Huraard, he clasheddff u litahtlittle tune, ' (' t11uette," , thut becunleu mtjor hit.lttot longq ofter, in : ,;r'trtar,slipwitl'r Iuricist Ed Heumon,he turiecl ottt B,tduunclSoul" und "Out of llowhere," troo rill-time 1 , rr,l c ' ro . fA m e r i L ' u np o p u l u i s o n g .B U 1 9 3 3 r, c h e nt h e
next Creen-Hegmun gent, "l Couer the Wuterfront," uTtpeared,Greenuus ri di nghi gh: he had hi s o un bund, an offer for his oun ruclio show, tt contruct to urite music for the ntooies. Thi.s song,proaecl un unexpected hi t for Loui s A rmstrong, uhose urgent Tthrusingund gruuel l g aoi ce l ent i t un eurnest, huunti ng q uulit q.
Words by Edward Heyman; Musi c by Johnny Green
FreeIy G
)
Ve r s e
Dmz/G
ffi
I A mP
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G
ffi
a
a
Dm7 /G
G
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ll
way from the cit - y
that h u r t s
and mocks, Itm stand - ing
a- lone
by the
lJ_: /,
Dm/F
Cm/nb
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G
ffi,.,, ffi,'o.ffiru.ffirr.
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still
night.
and the
chill
of the
G
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great
:,.qht
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' 1933 Warner Bros. Inc. Copyright renewed All rights reserved
un - known;
My
heart
rr
has an ache:
itts
as
r39
I Cover the Waterfront
ot
cm/Eb
tr7
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ffi,'*.ffi,'n.ffirn.ffirn.ffi
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eom - ing
dawn
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make it
on
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the the
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141
'ffemTfere QTes One recent night in a Munhuttun nig,ht sytrtt,u tJottttg singer unnounced this hullou,,ecl 1930 stanclurcl, tlrcrt rt'nt into u rnte-perfect reproduction of Billie Holiday's funtt'd recording. Asked luter whether she realiz.eclhorc fur fronr Muceo P'i'nkard'sorigirtrtl melodtl the Holidtry ueisioi ltrtrl ,straged,she expresseclastonishment. She'tI thouglft titt' st,rt,: went thut taag! ln its ttnultered form, "Thern There Eyes i s u catchu l i ttl e dtttu bg the ntun w l to corttri butetl ,vuchullti me ,standurd,s(rs " S rueet ()eorgi u B rttun," " S ugur" uttd "(]irnnte a Little Kiss, Will Yu Huh?" to Artericurt |trt7t music. lt remuin,s u perennial fuurtrite.
':t,,,.{\'
Words and Music by Maceo Pinkard, William
Tracy and Doris Tauber
j\Iedium bounce
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fell in love with vou
first time I looked in - to
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there
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way
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They make me
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They make me
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143
Thern There Eves
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TRYALITTLE TENDERNESS
"Trll u Little Tenclentess" uppeured in 1932 und ,struck a resTtonsiuechord in Deytre,ssionweortt l'Jorth Americuns. Morale uas lou, ntoneu and j obs scurce. l n ntuny co,ees,ul l thut a nton und uontun hutl uas euch other. A ,song urgi ng them to be ki nd and l oui rtg to one unother was o meclicine for the meluncholy of those ti nte,s- ttntlfi ti ortr,\ (/,suel l .
Words and Music by Harry Woods, Jimmy Campbell and Reg. Connelly Slowlv
F r e eI y -- - - _ a
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d a y , W e t r e all in - clined to
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Thatold Feeling 5 r r nr r rtr1I . ' uir tc u n l u 1 1j u s t c l u i n t to b e i n g rnnong the l rt ' r f ir r c l lc u, s t k n o ra n o f ttl l th a g re u t A ' n teri c.utt rr r n. ( r L' r it er , H s 't'. ru n k ,si a i th Iru i n g B e rl i n rtnd H rtrrtl \\ ir ' r ' r , r r ir r , s lt e e rn u n i l te r,so f l u s ti rtg h i t,s-. " W hen i l i t k c 7 h 1 S u g u r t o T e o , " " I e ( t n D r . ( u r n ,C u n ' t l ? , " "l'll Be SccirtgYou," "secret L o L e " t t n t ld o z . c t r .t\n o r ( , (i nt ( ) ngt lt ant . \ ' e t ,s o n rc l x ttoth e p u b l i r; tl o e ,srt' ttl t rcrtt1,s, i i r t k lt i. slt it . sr ci th h i ,s n a m e . " D i tl h e rc ri ta trutt. too' 1" i : t t . l' r t , r luer t t l yu ;s k e dq u e s ti o tt. l t' ,sc e rtrti n l l l trrrt:o.l t l t i \ r ( t n i r t d e r o J ' e n t l u r i n g l o c e , u c o l l t i l t o r u ' t i o r tt o i i l t L , . ' u' Rr oLc nJ ' or tl rc n to x i c V o g u c s o f' l 9 3 tJ. \\ br ds nnd N{ u s i c b y L e w B ro w n a n d S ammv Fai n
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s a w you last night and got that very smoothl
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And when vou caught my eye, a
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C o p y r i g h t t 1 9 3 7 L e o F e i s t , i n c C o p y r i g h t r e n e w e d 1 9 6 5 L c r r f e s l 1 n c l n t e r n a t l o n aC l opyright secured At ngnts reservorj Used by permrsston
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ne w ro - mance for
me .
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fool-ish to
start,
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know why I've I Why should we spend
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Iinolv why Irve been a show or On
blue, two?
some - one Prayed each night for one does those love scenes No
act - ly
150
like
You.
ExEx-
You make me
n C o I n c N e wY o r k N Y C o p y r r g h t .1 9 3 Or,e n e w e dS, h a p r r oB e r n s t e i&
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lit-tle
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vou.
s c h e m e I r m s c h e m- i r g ,
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Now I
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to
be
true.
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some-one
Ex
act - ly
like
you.
It's asintoGll a Lie il't1lf*#;:; actre,s,srecortled "lt''s u Sitt to'I.ell u prominent ' L' ,i rtt i tr.ttrpttrutetl W ul ler 's 'fr* i f un ti l l ttrm, sl tt' l ' Il breuk Ulur heurt, mg breuk ' i riuu, ,, - ttttd rctts ' shot' kt 't lt t t routi tte l re, .j rttc" "lerrrn thtrt it tattsn't Tturt of thc Son{!,'Fat's hucl rknre his huncliuork well intleed!
Fttt,sWuller recrtrderl this eDergreen in 1936, t lelit er ing, th e s e n ti m e n tu l l g ri c i n b c ti sterou' s' r r t ot : k inggo o d h u m o r - u II th e u h i l e stai ngi nS l t hing, sm igh ti l g .fro m th e p i u n tt' S i n c e thert, ttrt u,,u irrr, lteen ,ibte to think of the sottg toi-tlnut being remincled of Fat.s. Recentlg, rahert u
\Vith a lilt
g
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C
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When You s a y
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All rrghtsreserved Copyrighto 1933WB MusicCorporationCopyrightrenewed
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ffi
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153
Don'tTalkAboutMe Please WhenI'rnGone clsus if it This old fauorite is deceptir,s: if s
Words by Sidney Clare; Music by Sam H. Stept
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Please Don't Talk About Me When I'm Gone
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Words by Marty Symesand Al. J. Neiburg; Music by Jerry Livingston Slowly and rather freelv F/A
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Copyrighto 1933by SantlyBros.,Inc Copyrightassigned1938to Joy Music,Inc. Renewalcopyrightassigned1961to WorldMusic,Inc , New York,N.Y.International Copyrightsecured.All rightsreserved.
157
It'. the Talk of the Town
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T he c a r ee rs of B in g C r o sb g u n d hi5 7ti-an o - 7tIu g i tt'g, s0 n {1u)r it i tt51 's.turtirrg pul 'withHorrq Btirris cirtmplemented euch-other frtr lleurs, thiir time tog4e:therus two of Puul Whiteman',s threc Buriis wrote u succi.ssion of songs thut u;ere Rhgthm Bctt1,s. bt1the C rosbtl uoi ce: " l t L4 ust Be t ui netl i nto' al l -ti me cl ctssi c,s "Wrtryt Dreums," "At Your Cornntund" ii Trttubles Yortr True," ancl this int'e1secleclurution of lttoe borclering on obses'sirttt'
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Words by Gordon Clifford; Music by Harry Barris t /
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by perrr ss:copyrighto 193.1by MillsMusic,Inc. copyrightrenewed All rightsreservedused
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Lee Hill) such choracters as "Olcl Fol ks," bel oaed bu al l i n h t s sm all hometoun. l{o composer, suDeperhaTts Hrtug,gCormichael and Johnng Mercer at tine,s, hus cuptured this Ttart of the A meri can past as oi ai dl g as Robi, son.
0tD FOTKS
-\l i s . s r irr ir bont Wi l l a rd R o b i s o n u )u :; u sittgulttr kincl of songu;riter. He wrote (,_t t ' ot r nt r g liie , s m ' u l l -to u s n ,e c e n e s r c n l e r n b er e d childhood: f rom tlrurt:croppers, itinerunt Ttreachers, I t t t r t e s t , su n d ( w i t h a I y r i c b g D e d e t t e
Words by Dedette Lee Hill; Music by Willard Robison q-Jr
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TNE DESEKTSOTYG
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from The Desert Song
_
()ttt oJ- tlrc box-o.ffic'esmu,slrc,yof 1926, Signtttnd l l e u r E u , ; t . A n o n g t h e g e n t sf r o m t l r c t l t r i l l i t t g \ ( ' ( ) t ' ( . R or r t bc r g' , sc lu, s ,s i cT h e r D e s e rt S rx rq rentui rt,su ure the,sti rri ng " R i .ff S orrg,"the moxi ttg l xtl l ut l "( ) r r r l ) ( ' r ( nt r iul J ' t r uo ri tc o f p e r.fo rn te rs u tttl u udi enr:c,s A l o n e " u r t d t h i . sc l r e u n u lt i t l e n u m b e r . l n 1 9 J 9 . T h t u lik e. I t , s ex ot ic ,s e tti rtgi n o l d Ii re ttc h L [o ro cr:ogoL,c I ) e s e r t S o n g l t e c u n t et l r cf i r , s t u l l - t u l k i n g , u l l - , s i r r g l r r g t l t t ' ( - ' o t n p o s c re n o T t p o r t u n i t q n o t o n l y t o u ; r i t e , t c r c e no p e r c t t u , u ; i t h J o h n R o l e , su t r c lO u r l o t t u K l r i i ' l,ttt,lq wultz,es und rontuntir: bullucl,sirt the u s t l r c l o c e r , s .D c n n i , s M o r g u n u r r c ll r u t e J l u n r i i r i t r t t d i t i o t t u l a e i n b u t u l s o t o i n t r o t l u r : c n r c l o d i c , y ,sturretl i tt thc 1943 rentuke, fol l oued l tu ( ) Lt r d, , r t l tut lt c c l in t he , s u l trq c o l o rs o f' l l o rth Af' ri t' u untl the LIttcR ue urul K utl trgn ()ruuson 10 qeur,sl u t cr .
Words by Otto Harbach and Oscar Hammerstein; Music by Sigmund Romberg
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The Desert Song
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arynfonrt sonn 6e f from The Vagabond King
5core. D enni s K i ng creuted the ti tl e rttl e o J'F'r ur t . 't t i' Villon, the beg,gur-poet u;l'to defencls metlietul Puri' aguinst the for:ces of- the ,Dttke if Burgundg.^\l'ht'rt lt, trrrrS gthi s i ti rri ng number, i t rD u,shurd f or t t t ( t t t t i Ii steners not trt ru.shonto the stuge unclj oi n thc clt or u'
\ t-rrll- bloodc d ope re ttu i n th e g ,ru n d m u n n e r, The \ .t,'.rl r < r nc K ling br ou g h t c l o u ;rtth e l r,o u s ea t i ts p r enti ere :r, 1 9 2. j. t t ' it h s uc h mo g n i fi c e n t n u n tb e r,su s " OnIg u H ,.t'." "Sonte Dut1," "Huguette Wultz" on(l "Loue Me I' rti !. lt t . " nt ut t ll c orts i d e r i t to b e R u c l o l f F ri n i l ' ,s.fi nest
Words by Brian Hooker; Music by Rudolf Friml
Spirited march, but not too fast
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.169
King rhevagabond rrom
cr/ fu
W
Rur loll- F - r in i l ' s ttrtfu e rs u l l y e n j o l l e tl o p erettu -l'lre \lirgab
conteru rchile pluging tlrc scctrc oytpo'sita rc|rc .letrrtette LIucDrtntild, ,stur Denni's King, "ulso ,stttrretl ruttl sttttg "Onlry u Rosa" in tlrc ori g,i nul procl ucti ort, rnucl e,surethut ' sonrcpur t of l ti s unrftonutu)os ott screen ut ul l ti nrc' s'A ' r a i r' .r,l t, rcl tt' tr.l eunette ,sau the Ji ni shetlsc,tc ir t the moui r, ,l rn dubbecl i t " Onl Y ( l ' l o' te."
Music by Rudolf Friml
Words by Brian Hooker beat) M o d e r a t e l y , i r 2 ( ) - - I beat)
C
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To keep in
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ffi
B
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we meet
An- oth - er
r . )1 9 2 5 F a m o u s M u s i c C o r p . , r e n e w e d 1 9 5 2 . I n t e r n a t i o n a l C o p y r i g h t s e c u r e d A l l r l g h t s r e s e r v e c
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day.
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from The Chocolate Soldier
,i j ,, tl'rrlit ' iou, s Cl- r oc o l trteS o l c l i e r, u d u T tte dfro m George B ernurd . i, ,.1,- I 59J cometlg Anns trnd the Mrtn, is the best knotan of Oscur * r',r'r, \ ( ) / r c r eft o, s ,r c h i c h u Is o i n c l u d e A W a l tz D retrm ancl The Lust ' ,\ ,1 tz . S rf c u, suic , sund e n i u b l y V i e n n e s e to th e c o re!)The ti tl e refers ' ,lir. rtp(,t^(,ttti,s hero, u peoce-lot,ingt,soldier u;ho Ttrefer,trontunce . ' . , / , h , , r ' o l u t e st o t t ) u r - r u t h e r a s e n . s i b l ec h a 7 t .T h i s l o u e l q s o t t g . ., ,;1 rr ' 4r l!bec n t he f u u o ri te n u m l te r i n th e s c o re, und, i ncl eed, i ts . ' i t t r L ! .e. m o t i o n u l m e l o d q m u k e s i t t t j o u t o , s i n g '
\\brds by Stanislaus Stange; Music by Oscar Straus Snrootir altd f lowing C
C
# w-{
t-++-{--{--.1
FTFi-H
-+i_1
-?'
I
have a true
and
ble lov - er;
no
-J,
-J.
.
I
I
He is my sweet-heart ,
my o!vn.
aII -
mf.
ffi +'l
His like
on earth
who
f
shall-
ffi
ffi t-tt-t-H
''l
r
Vf 1
dis-cov
D7
C
Am
lt
- er? His heart is mine
and
mine-
a - Ione. a
i
l*' D7
Am/C
\\te pledgrd our
troth
ffi
.IIII.' TIIIII
the
each
Am/C
G
xocto
dlFEi
oth
€r,
And
for
our
hap
I r72
o.1909WarnerBros Inc copyrightsrenewed All rightsrese'''l copyrighto 1g0BLudwigDoblinger(BernhardHermansky)copyright
Am
G
++* ffi
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t-r-t-t-H
tt 'l - P lives_ be-long
c/n
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an-oth - er,
nbz_s C/G
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Oh ,
C
rl one_
to
C
ffi
hap
py
# ffiH a
wed
ding
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**f,
H+tfl iri-i-Fi
G7
#trs |#?
ffi
fTllf
r rr rrr
a
come,
I
love vou
tr on
ly;
rl
I rr I rr
My
heart
is
r6
ClE
G7
ffi :
My life
rl
-f
t
is
lone
ly;
\ l v H e ro
Am
pp 6lF
ffi
x? o
Effi -H+1 *-t-1
for
long
rl CmajT
Gaug
DnrT
ffi
*+-]-rlt -;41 t t l
face
-j-o
You ;
NIv arms are
ing
ach
now to
?.
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174
-T -U
C
ffi
em -
A Kissinthe Dark
from Orange Blossoms
\- ictor Herbert once rausu,skedtohq he didn't write unttther u'riltz like "Kis,s Me ASqoin"(.from the 1905 Mlle. N{odiste). (J 922),he ( rttsheclbU the recentfailure rf Orange Blos-soms public gttod,but the s as wultz,e taritten he'd tl"tat sudlu raplied "A Kiss them. The Ttubliccertuinlg recog,nized tlirln'trecog,nize in the Durk," howeoer,especialluafter it was interTtolatedirt F lorenz Zieg,fetd'sFollies of 1923,ior ul'tich Herltert su.pplied ntrrsic.Since then, it hos been a-ccluimedos Herbert'sfinal u'tiltz classic.(He diecl in 1924.)And uith good reasrtntort!
Words by B. G. DeSylva; Music by Victor Herbert
Moderately l_++tl
FrHt-l Verse
[' mad
rewas
I That
ffi
ffi
ffi
#
G7
C
Gaug
C
de -
Ofa Yet
its
all
dance seems-
rrr Tlr
o
,A
a a
I
T
ffi ffi c
( t++r t' \ll
with land
ro of
r-
'f
p' I
I There There
mancg. dreams
he we
E7o
F
#
a
t-l-+++-..i
rT-rT5.
r'
told part
a
a
ff
Tt+ft
I I I lal tIalll Il I I I I
+Tltl
l'l l I' me ed
of in
my charm s the d a w n ;
J ,,) -1.
hr r
I
ffi
I
Trem - bling the In
night , ing hour
Caug
C
f'l
I
' =-)
,.n)
T Gqtg
t
in - t o a but fleet
stroll sweet
a
T,
ffi
fTl1fl
f'
f' And Like
xooo
ffi
ffi
Iy it
love day
G7
Dm
A7
o oo
' t Ff tl
to -
-7.
fl\_-.zl
?.
Copyrighto 1922WarnerBros lnc. Copyrightrenewed All rightsreserved
I
T
175
\ Kiss in the Dark \n
Am7
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c/c
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isist ?.
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Sud But
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I could h a d played
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l
den the
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rvit:. 'rr.-
ly mem
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C,/G FFFFI t+fr+-t{
ffi
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(.
his gered
in lin
G7
Adim/G
{ri
:
FEEEE
-il.? r+-.---t
z+
I
ll
arms , on
was my
I In
.-l
held trem
and bling
oh, oh,
kissed . heart.
tir a: +t^.^-
l
I
':__>r-'
a
-r<___---a
-*
J roi'us - Gracefully C
U/
oc
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a
T I I
kiss
r
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=+
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ll
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(
i
in-
the
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)_J-U a. ll
Ii to
Was
him
tl -T
r
Tt
a
t
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ffi a
I just
a
]-]"
lark, I
a
r 176
)?p ntl
ll
{tr
tt
But 'll
rtTtT
tL
to
(-ll Itwas
me
J]
a
G7
xOOO
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fi++H
caye fftrn f#
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t
C/E
ffifr
ffi I-H+H
-
lr
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ffiffi
FH-+--? ffi
preme.
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xooo
ryffi fH+l
r
iit l it
But -
dark,
C/G FTTFFI LLI II'
H{#J
dled
the ++
r' Dm o
I
I
I
T T-TI
I
I t
II
tttttl
a_
lovers
c
G7
xooo
FH+il
ffi
cl
ct
ffi
young
( l o s t t i n t et (D,C,I
l-
tit
[-
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v
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).
r'
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o
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-Sr
\---l:
177
Omc!
tPo@r from The Pirates of Penzance Sttr pr is ir r glA ,G il b e rt a n d Su l l i o o n ' s T h e P i rates of Penzance receiaed its world premiere in 1879 not in Lttttdon but in New York. Due to loopholes in the t'opgright luus of the time, the English composers tL'cre obliged to unoeil thei,r u;ork in the United Stute,sin order to protect themseloesfrom American pirute,s uho u)ere producing preoi,ous G&S t'ttmedies without pagment, The plan usorked, and th e uut hor s we re a b l e to s e c u re i n te rn ati onal p ro t ec t ion as a r e s u l t. " P o o rWa n d e ri n g , On e!," one tt_fthe highlights of the tuneful score, is a cleuer send-up of the elaborate ualtz-arias made popular bt1 Charles Gounod, composer of tratst. Howeoer, it s ltenutiful melodg and trickg passageuork made it o frcorite soprano shoupiece in its oton right.
Words bv W. S. Gilbert: Music bv Arthur Sullivan
Moderately slow waltz
F
Faug
F -
#
FrrrFI
|
IIAIII
ttat
Trr-rn
r
+ Poor
|
t - -
@
tttttl
a_
|
]'
r
(ff
drring
one,
ur-2-
) i'tt
II
wan
| |
{
tl
rr
(xx
I
Though thou has:
I a
at2a
Faug
( sure
---?r{ 178
C7
F
ffi aty'--
at2a
a 1 2 a
ffi
ffi @ I
l ^ t
|
|
rttttl
t? tl
6 ty
]"]" strayrd,-
6
r
+ ]' Take heart
of
J l
grace ,
t, F
r
I
C/G
"!rrr ffi +nnffiffiffi
I
,I 'l
Drn
/
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rG7 ':--
I
rli
( \ T rt l
wan - dtring
one.
C
ffi
N, C
a
I
I
a
Thy steps re - t r a c e ,
.\ rl
:f
Poor
ll
slower
r-l-l
J'
-,
F ffi
xH#n
:l
'.
( f f tt
Poor Poor tn tempo
ll
Faug
F
Faug
ffi
ffi
ffi t-++++l
v+-
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6 wan w an
?? 1l
F-
H-rH-j
{ f f ii
{ #* tl
dtring dtring
one, one ,
lt
d
8t t *
ll If such poor Though thou hast
I
+
+
lovesure
as 1r-
I
.
U
c7
ffiffiffi ;IIFE
c/sb ,1
ffif
6
a
l'1'
mlne stray?d-
vt
ffi
ffi
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l-I
help thee heart of
,m
it,
6
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peace of mind , steps re - t r a c e ,
tVhl-
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I
True Thy
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t- t
find grace,
Brnr FFFFF
FFFFEI t-4 ll Lfi+t-j
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l-neit;r.ot".ll ffi
A
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Bb
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o
a
F7/A
n
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Can Take
r/w
takePoor-
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is drring
rr thine.
r
+7 il!
r I I
i
t [rl one.
-t
A
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U.
c)o
t
179
Poor\landering One!
G7
ffi+H no
low rrs ;
ger
dan
T G7
C
ffi
#
t+t-t+.I
i-ft-l+l
6 qrr
C
#
ffi
Ff,dim
E7/B
ffi fair
C/G
ffi any
r80
but
heart
T ake
will
shine ; -
C
G7
ffi
xooo
heart,
daYs
take
mine.
,. S. al Fine
Ah !
,fu,t(stna From The Neus Moon
words by oscar Hammerstein II; Music by Sigmund Romberg
Moderately slow, i n 2 ( ) = t b e a t ) Em Am
Pleaseturn to page 182for information about this song.
Em
ffi
Am
ffi
ffi
FFFfH
rrn-n
Fffitt-t
gay and ten - der. Love came to ffi€,
E^/g
C7
ffi
B7
# trfi]]
Em
Am/C
H# H4ffi
Hffi
Ft-fi-+l
rn-ff.j
sweet sur - ren-der.
#
t+FH
f-t-t-i-t-l
FTi-FH
nffi8oa.t I
In bright ro -
man
tic
splen
ffi
dor. _
r Em
GlI
Am
h# TflT1 n-ffn
ffi faith - ful
D7
ffi
rrrH-1
nev - er.
Fick - le
was she
cle
-t
€
r'fiz
G
B?
ffi
Tffifi L-*-t{*.{
t-fJ-t+J
FFFI-H
So will it be a,Iittle faster
ffiffi n'n-n for-
ev - er
t
for - ev
er.
T; i:cvrrght o 1928warner Bros.Inc. copyrightrenewed.Arrrightsreserved.
tBl
! oftl r'. -\s in a \ lor ning
Su n ri s e stonrlard. Among the score's gelns aTe_the rou'sitrs. listoutheorteil Nlun" (tohich l,lelson Eddy ,\uttg, itt tltt. "Wunting )iru" 1940 screen Dersion), the louelg duet and this headg tongo of loae ond betragal'
r.','/7 ttnr r T h e N e w Mo o n (1 9 2 5 ) i s o ne of ' ! t i : t l Ronilt er E ! ' , s g r t ' u t A n e r i c l t t o p e r e t t u sc a s t i n t h e E u r o p e a n :i., i,.1.lt rttn for ntore than o Uear in l'lew York CitU ) . i, rt' tttirrg rtrt the road to become an eDergreen
T a n g ot e m P o T1;ll
n-rrrl
*-fFl
ffi
ffi
ffi
E=g
Am
Em
Am
Em
l-
a
P
\1
rise ,
sun
as in a morn-ing II
ly,
Soft
The light of l o v e c o r n e s
.L
l
.lt B7
Em
B7
Enr
ffiffi
H+111 Ffi-fft
Ffrrfl
In-to
ffi
?#
trt-rr-1
a new-born
+._lF I
_r4+t T1-fn
ffi
ffi
ffi rrrrn
?F#
Am
Em
Am
Em
FFN-N
lI -
flam
rng
with all the glow of
sun
A burn-ing kiss is
rise,
-C
'l* t B7
Em
gFffi Trril |-rrrn
Em
ffi
ffi
rrn-n
N. C. o
,t
rir
r-3 seal
rng
The
vow that all
be -
f i :,
'l
L
3-'--
For the pas - sions that |,'I
182
l
c/v
G
'T+ffir
ffiffi
ffi
E7 N. C.
73-1
a
I
l-l thrill
love building
J
I
l-l
And lift you high to
lr ? 'lr r's 'lr
TJ
tfrj
heav
- Are the pas -sions that
en
.,I 'T F$?
Am
#d
I
...'a
B7
ffi
rfl1-fl
&
t
ffi
-t-l ++
a
'-
tl
l-J--l
[---/,[ kilt
And let you fall
love
\rL o
Em
I
r
f-o
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NodlCouard once wrote, "l think that of all the shou:sI huue ever done, Bitter Sweet gaDe me the greutest personal pleasure."He recalled drofting Act I aboard u steanrerbouncl 'for England in 1928 ctnd writing Act ll irt,u hospitul bed, "needing something to do ushileawaiting minor surgerg.Th-e - Suruh, operetia tellsa stgiy of romancetinged u,tithsadnes's honclsome her (r AoungEngli,shgirl, runs auau to Vienna with music i,eo"iur, Carl, ushois killed in a duel on the eae of tlrc opening of his ol,Dnoperetta, Zigewer (Gypsy)..Mooiebuffs utill tirultJ remember !eanette MacDonald's beautiful performanceof this lush and looe-lynum-berin the 1940,screen oeision o/Bitt"er Sweet, u:hich she mode uith l,lelsonEdcIU.
Words and Music by Noel Coward
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from The Onlg Girl \-ictor Herbert's hit shou; of 1914ruasThe Only Girl, u'hich gaDethe "unluckg" Sgth Street Theatre one of its feu r r/('cc,ss€s . The storg concernsa romance betueen Alan, a librettist, and Ruth, a comlroser,roho decide to collabrtrate. "\\-eboth hate things sentimental," theg declareat first. "\\-eure two machines.That's aII!" Happilg, their enterprise ,lt'epens into something more pleasant than mere 1ruslness. Their beautiful looe song "When You'reAtoag!" ,:ius,sa good ideu of just hou pleasant things become,for it c'r'tntains one of Herbert's most enchanting melodies. \lbrds by Henry Blossom; Music by Victor Herbert
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itt N{trytime, u bittersrceet ttile oJ'loac uncl ,suclncs,r So 1s)17. lit of undisTtttted OIrl l,lerc York, uus the srrcce,vsft i l uu,s i t thut u sccrnul producti ott tD us ulrr',ruri itt tt thauter ucro,s,sthe strcet front the origitutl' Tuenty U eurs l uter, the screen uersi ort, toi th,Jeurrctt e MrtcDonaltl uncl l'lelsort Iitkly, guL'e the work o neu) Iertseon l i fe. H ol l yuood mutl e the usuttl Ttl ot chrtnge,s,6f cour,se,but w hen uurl i ence,sheurd tl ti s rluet, noth-ing el,seseernetl to mutter.
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from Kismet
Robert Wright and GeorgeForrest took a 19lf extraaaganz.o callecl Kismet, reuampedit a bit, draped it uith aast susatchesof colorful meloclg bg RussiancomposerAlexander Borodin and came up ulih an Arabian llights confection that brightened the Broadusauseasonof 19,53-,54. "strang,_erin Paradise," one of the hits of the shoro,usasa-daptecl front the "PolouetsianDances" in ilorodin's opera Prince Igor. Words and Music by Robert Wright and George Forrest
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Love Me with All \four Heart (CuandoCalientaEl Sol) I r ct t ar S q l rrtT S cl ttrl l l cr,(t respected btrncl,si ngcr i n tl rc l S )i 3}s,l tecun r c ung liciz'it tg sp-et' i ul i z' i rrgi n S ktl l trr,l tl ri t:i st, nt1 S tttt k rt.ta rt i r tl rftcr rl rrrr,rns " A ntor" bei ng utttottg his lt it 's' i rri .d N Ittt' l i ,ri ' ..." 8ts(rntc l ' o re i { l tt, sorl g,s tf,iir,1lhr,,rr,t'Lrru, - u's LIe rcith All l'ortr Heurt" origittuted in Mcxictt l fi t u w unn), Is srrr (w hcn tl rc " c ttrrrtrl o cti l i uttu E I sol " f or . ht s t lt c nude concept rtrrcl l 11ri t' both of ,rruurki ng . fttt.,,r' ' , H e rn ttrrr,,sR i gt" tri iS l'lubor s' uncl si rrgcr,s R utl ' cl i rtrl es forJi m ,s rrttt,sl t i ,-r' rr,i ' {)' 0,s s ()rg tt for' I.ha
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you kiss me dit
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r u/ ETFH
When Il
se.
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I see la vie en I rose. Et go mtfait quet-queI cho
se.
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'/ - { n d w h e n you speak , a n - gels slng f r o m C ' e s t I u i p o u r moi, m o i p o u r l u i , d a n s
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a-bove; la vie,
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and je
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English words by Al Stillman; Italian words by Ennio Neri; French words bv Andr6 de Badetr Music bv C. A. Bixio
{
This looelg ltali,an melodg has been a hit in mang different countries under manA titles. As "Le Chaland Qui Passe,"for example, it is one of France's all-time hits. ln 1935, its American publisher ran a contest to find an English luric. Al Stillman entered and turned "Parlami d'Amore.
,
Marid" (Speak to Me of Loae, Moria) into "Tell Me Thot You Loue Me." He rcon, and the song,recorded bg opera tenor Jan Peerce,becamea hit. Stillman went on to usritea processionof hits lasting into the '60s. Some landmarks: "The Breeze and 1," "Juke Box Saturdagliight" and "Momentsto Remember."
Moderate spirited waltz Drn
ffi
rushing forward
in tempo
r
+2'
aJ
p'
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Yourve been con- ceal-ing the way that yourre feel - ing toward Co me sei bel - la,, pili- b e t - l a stoYa, Mgr * se Lo n u i t s t e s t fai - tei la b e r - g e s t e s t o m pe e t s t e nmufl
me._
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Aet - ing dis- creet - ly, yourve left me com- plete - Iy at Splen-drun sor. r i - s o di sfel - la negli oc - chi tuot Seule au pos- s0.ge une ou be,r- ge cli - gne ses yeux LJ. I a
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rushing forward
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Itrs so d i s - tress -ing your'- -/ A n - c h e s e c v ver - so il'desL e c h a - l a n d glisse et/i'em
d'or;
keep-ing me ti no d.opor - te, dtun
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'ccyrrght o 1933TB Harmscompany.copyrightrenewed(c/o The welk MusrcGroup)
205
Tell \Ie That You Love Me Gtn
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in tempo
meiod
I'Liess-ing
mc-ni ges - te
this so* voin -
Please re - as- s u r e t n € , h a v e vino so ti Og - gi T o n i e u - n e corp s qui \ap -
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Donrt de Non pen* De son
pray ,. ror?queur.
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Tell Par \e
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m e t h a t you love me la - mi. d . t o - mo * re, pen-sons 0 rien, le
to hlarcou-
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ft iP ,j ltr me to Your love Gti occhi tuoi b e l S u r m o n c h a - l o n d .. I ^l
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my heart with mia la ta de nous, tolt-
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Lif e wour l d b e f o r Dirn m i che illuA t. - m o n s - n o u s c e
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Qui, sul tuo lcttor, non Au fil de ll,eau point slrght crescbndo
sof*fro
pii{,
de ser - ments:
A7
ffi
ffi e'I
Tell Par Ce
hold you tight,
me that you lo - mi dta ntest que sur
i ove me tomo * re, Mqrter - re q u t o n
t1
night . iDJ m e n t!
night .
til l-
a
C'est Si Bon (It's So Good) i ' l , 1 ' F r - r ' r r r ' j/nr t p t t r t h u c lb e c n u r o u n c l u w l t i l e w l r c n u 2 4 - y e u r - . ',! L ,ttr t lr t t K it t , \ ( t t t gi t rm d ,s to y tp e dth e ,v h o rci rt N ew Fuces of - ,i :. 1 f s ir r r per t inen t s e n s rru l i tqs e e n rc c li d e ti l for l ter,sul try^ " ' ' ' : t r r t t ' r r t .\ t e t " C ' c , s f S i B o n " h u ' sb e e n g o o d f o r u t ' u r i e t q t t J tl ,, I t t ; fiy f . r u, sr c ell, i n c l u tl i n g tl rc 5 :,re uLt o u i ' s Annstrorrg. H i s . , , , , r d i r r g n t 4 t : l h u x e , s t t c r i f i c e d t h e h e u t o f M i , s . sK i f t ' s . . : t t , t ' l ) r ' t ' t t t t i r t rbrt,r t i t r n o r e i h t t r t C o t n p e ! t , t u t e trlc i t h r c i t u t r c l ,.r,.i ,,r I lt r illiunt . e. T h e ,s r)rrg ' ,! T th i l o ,s o T thiqs e tenruI. Li fe i ,s ti rtrc w orryi ttg' ' goot l Lc t' ,s ttttt u 5 k w h g , n ttt tt;tt' s te ^ ,rl .1 r lt ' tis 1;' ,1S o Goorl ' B ttn S i i -, ,'' .i t t s t lit ' t , t r nr lc n i o tl b e c ttu s eC ' c .s f
Frelch
E nglis h w o rd s b Y j e rrY Se e l e n ; rvords 6y Andr6 Hornez; Music by Henri Betti
*Note;
This and similar meLsures Lre sunEr 0s written but PlaYed on keyboards as follows:
With a lilt
r r Cr e s t
G6
D7
AnrT
ffi
ffi
I'rance in Lov - ers say that OU, ntim-Porte ptr tir De ser b r a s l t e m De pou-votr
bon, rr bon, t' bon, tl
Am7
ffi mance ; ro to Bros des - sus bras desEt puis de r'com-men-
W h e n they thrill
D7
ffi It means that itrs so En chan-tant des chanA la moindre oc - co -
I M u s i c . A D i v i s i o no f M C A l n c N e w Y o r k , N . Y , f o r U S . A a n d C a r _ a c : Copyright 1 9 4 7 ,1 9 4 9 ,1 9 5 0b y A r p e g eE d i t i o n sM u s t c a l e sF r a n c e S o l e S e l l r n gA g e n t M C A A l l r i q h t s r e s e r v e d U s e d b y P e ! ' r n r s st r '
G6
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good .
ffi
ffi Crest si Crest si C'est si
sons. slon.
So I say it to De se dirt des mots De jou - er du ptl-
bon, bon, bon,
G6
Am7
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ffi you
Like the French peo - ple Des pe - tfts rtens du Tout le long d e s on
d olt x .
no.
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ffi ffi ffi
l-+-a!+-F{
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a-'
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Be - eause itts , oh , so Mais qui en di - sent Tan- dis que nousdan-
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Ev-rry word, E n v o y - ant Ctest I nout
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Leads to Les pds Sons pzr
T ry r
on scnts ler
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ly one cicns Io de ctque
o
1v
209
(.'est Si Bon (It's So Good) Am7 /D
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ffi
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dear.
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Itrs so
C'est si Ctest si
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ffi'n of mY For the rest Ces pe - tttts sen-so Et si nous nous ai
days , tions. mons,
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My dar - ling, t'Ctest si T e l l ' - m e n t, t e l l t - m e n t c t e s t C'est parc' que ctest si
phrase,
G6
D7
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ffi
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G6
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a
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G6
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r l',r-
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t T |
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I mean that itrs so
G6
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ffi
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ir
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o
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,
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say " C r e s t s i
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(Zwei Herzen irn Dreivierteltakt) " eu)i ge' \ \I' l t'r r C r)nq)o,\er R ttbert S tol z' grew ttp. i tr . , s o r t gl,t r c u s t l t c . c i t t 1" t r n i t l i '$. . . e tcrntilViennu.f rcine,,ur'irrr, "tit trndFrttn:I't'h(tr' ()i Strutt's,s.fumily the irt,,'t'rlrlr,li=rl",.f ( / r i; 'i S fp/z' .sl tgre tl rurt 2,0U ) 5ottg5, ttone i s nt-ore.fttnt.tt ll\ ' t r uck t ,si und thc on ntorel rrtr)ui rt tl tLurttl ti s sne,Ji rst heurd itn Ht'rzt'tr Ztvei n(tilte, ,s(tnle tiit tlrc lg30 ii;;rrrr,,, .filnt uf D rei vi crt.,ti ni t. S i otz fttucrl to rel ute horc ha thougl rt t t . l't l" \-it'rirrr'' tttrrc urrr-iur,rir:rgu;hile dining rcith fricnd's ttt (t l" tcttitt'r'rt pencil-front 'fttrnecl s t , r i b l i lctfe t , d " t h csuc'her. seiz,ing / l t / t t I'. r l ( ; l { ' n t e t t u T l r u t nelodq on u nlenu. I t * irt (t hortttr o-f pltrce gilt, itt stritubtti- irr,,rro:4 in :> roottt' clinirtg rrtttirt re,sttnrrutit',s
\o i
fi ,'"it
I
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English
words by joe Youn-g; German words-br
W. Reisch attJ A. iUfinson; Music by Robert Stolz
\lode rate waltz
7,.-.
C etd **-l-- . '|*-*i .l-++-l
hearts Her
l beat zen
with im
me. you and for som- men-ge - b r a c h t :
a Drei
joy vier
T w o hearts Z w e i He r
com tel
beat zen
plete. takt,
with im
O h , what D i e hat
love a Drei- vier
a der
night Nloi
so tel -
All rlghtsres'' Statesand canada controlledby warner Bros lnc copyright..r1g3owarner Eros Inc copyrightrenewed.All rightsfor the united
C
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ffi
ffi
I rva1t z ei
lng ner
dream Wal
i zer -
Irll share your Ein Vier - tel
nacht !
l-tt
charms till FrAh - ling
the und,
F
D9
ffi
ffi
break of the ein Vier - tel
dawn, We i n ,
Locked in your Ein Vier - tel
arms Lie
-tt'-
TI l l G7 A(
II I III AIIIII ttttll
new Iiebt
is nten
born . sefn.
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Fri-l-H
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T lvo h e a r t s Z w e i Her
beat zen
with im
t D7
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rt I ITl
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um
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A7
ffi" tlrIII
day mub
the ver-
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till be,
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a Drei"-
joy vier
comtel -
HappyHits of the
'20s
I CriedforYou cut' W ri ttert 7 'l ri : t ild nt t t . s ic rfilr i e n d h tts l u tc l n to re l i u e s tl u m the uueruge (hi msel f ' sottrtttt A nthei m G rr,s l ,,t l i , t r t dlt , udar A il e L u mu n u n tl h i .s T ti rtrti s f i n the Logue i t,s h ucl i t F re c tI, A rtl u rr Jtrst !",,',' i' , , ; ; ; , ; i) , t , t r t i tu i ' i c i s t b q , t n r m peter p e r f o r n t a n c e ' s h i t i t t t h e ' 3 0 , s i n t q t " u g l i r t 1 1 1 ) ( )l:t. t r t r n e d Holidug, B i l l i e u o c t i l i s t s O r c h e , s t r r , ' r t , r d L o m u C n s n T i r c I l t , r i g u n , Brtrtrttl 'sortg''s Iltlt'tt Forra.st ,,',rrl iuil11()urluncl.'fhe ke11to ut leu'st pu.rt of the t u r rt to cr11 " 1 t l o u r i t ' s g o u l M r t o c r i e c l , t r i , , , r , l t t T t p e t i lt i e i i n i h e l g r i c : .for (or her) hi s " ttre o i ,,1 -- (,.t,L, t - . . |' lt e th e n e f.i th l e ,s ,i ' Io a er-g,etti ttg , ,tp t ( , lpp4r t gc i, y r t,srrto tl e ri rrrt { o d u q - u s i ,s thi ' s greot tune.
\\brcls and Nlusic by Arthur Freed, Gus Arnheim and Abe Lyman
Moderate lY , i n 2 ( J = t b e a t )
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r Am7
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-€ razyifun" €ra zyslllorcls (Vo-do-de-o) '1.'ltis 1!)27 qt.r{bctiort bu tlrc compo:;er,so.t'-"Ain't She srceet" ttttd "Hu\tpq Duy,s Arc IIere Agrti'it" ,)r,\ rtrt irrstrtttt I t t,_c;s7tc t:iu|Iq t hu nk,st',s p i rit etl p e rf. ntt (t, (:(,,\Iry T'he _i culiJbrniu RrtnJtler,s,one o.f the mo,it 7t.pttlu,lri',rr', bunds o.f tltc Rouring Trcentie';. lt" ril,so,stttrtecl,, ,,r,,^r, TteoTtle .\uIg it.s itr.l-cctiott:;"r;o-tkt-clo-cle-o non,ran,\e,sull'uble,sttlong t t ' it lt_u, t t tcl ont e n _ i e rft,\o n { 1 .An tl rc l rc n ,l u tcr thrft gcur,' l ' l te Rrtntb| e r,s rcc:ordeclt he Ag4e r-l'e|Ien,scq trcl "Vo-do-rb-de-o B lue, s ' , "t lr c uo c u l i ,s to p e n c d th e p c rfr,rrrrnnr:erci th u.few ltur's of "cruz.11wortl.s - crutz,11I.rni.e" - jtt,st us (r rentirtder.
Words by jack Yellen; Music by Milton Ager
Fast!
f with mani"cenergy
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ffi' Cra- zy words, N r p o -I e - o n
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lt Atl that you tll ev - er T u r n r d a - round and he
cra zy tune; march r d h i s m e n ,
D7
A7
G
ffi
ffi
ffi
rfi-ffi
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I hear him croon:said t o t h e m : -
D9+5
ffiu*. \ \ :>l>>
Vo
do-de-o,
Vo - do-do
''1 rAl
de-o -
-1
++++
r "rght'.
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ll
l
Vo -do \l l r \ i
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Lr ffi l# t+..'.{#
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u7 Sits a - round \\'ash-ing- ton ,
all nigh t l o n g , Val - ley F orge ,
rr
Sings the same words to G e e t t w a s cold there but
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t do-de - o,
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song: George:
up s p o k e
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o
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How hetll In that
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Vum vum vum !Fa- mous speech,-
(,
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i| le P ll stamp glve
l
inr me
Then he hol - lers or Li- ber-tv
T T
AA
Tt tT I l I'Black B lack +
I
lli clfa - zy
Cra - zy words, You a]l heard
Bot-tom ! " Bot -tom ! "
(r
T?a{
tll
Herll be What did
tune, day,
yes -ter-
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)
driv-ing Pres - i
rne dent
hl+.
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RAMONA .l u z ,z fu n .src l to bought P uul W l ti tenun' ,s l 92B recortl oJ' " Lonel u Mekt clU"f or u .feu; bor,so.l'Bix Bcidarber:ke',shot contet ,scarcelgheeded tlrc "8" ,sitle,u rctilt: c u l l e tl " R o n t onu." B ut tl rc recortl i ng ecl netl on uc' hi et,antentunTtrccedent et lir t th e te c h n o l o gl l oJ' the cru: Ji l m ,sturD ol rtre,sD el R i o hud sung " R untonu" on t lt c ru d i o i n H o l l rytuood rchi l e W hi tctrturr' s orchc,stru uccomTtuni edher in ( r \ i( , r t ' Yo rk ,s tu d i o :3,000mi l e,sutD e!| .For rucl i o, u l urrcl nturk.
Words by L. Wolfe Gilbert; Music by Mabel Wayne
Atlegretto (not fast) 3
p delicately
J
G7
C
xooo
EEEEEI
#?
.-i-*
flTttl
hear the mis - sion
r'
mon- a,
bells a
theyrre
C
ffi -
s i n g - i n g o u t o u r song of
press you,
C1
c &- r e s s y o u
and
B7
-xaro6 ;+-l{ |+]+{
ffi
r+i+H a
cless the day
3
y o u t a u g h t me to
t
220
care ,
* These melody notes zre played by the Left hond.
al - wavs
re - m e m - b e r
the
r
C o p y r i g h t i 1 9 2 7 L e o F e i s t I n c C o p y r i g h t r e n e w e d 1 9 5 5 L e o F e i s t I n c l n t e r n a t i o n aC l opyright secured. All rights reserved.Used by permissron
C
ffiTn +,rfH
ram - bling
m o n - a , w h e n day is done, you'Il
hear my
U/
g
i-++++4
fi11N
I
l(
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a,
wetll meet be-side
the wa - ter -
/
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ffl.1
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Ca, r=E!E
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dawn
when
Ct1 _ 2
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gone ;
fi
Ra - m o n - a ,
t*i ll1 I
need
you,
Gm/sb
ffi ffi+fi
F+t+t
Ft--f-t--{--t
the
Baug
ffiy
slower
I
a - wake to find
vou
T h i ,s1 S)28t' l ussi cuusV i ctorY ourtg' ,s rl ebut tt,srt,sottgrcri ter- und u ,to u rc e oJ' cucrl usti rrg surpri ,sc. H e hud w ri ttert i t rt,srt ront unt ic l trL l l rtrl ,brft ri l rrto.sti nmrcdi utcl U tt.ftcr i t uTt1teuretl i,t bcca m e u i rtturi ul tl ry pl uyed ut fu;stcr te n4t o, s. -faOunoeri te rtmongj rt:.2 nttt,si c:i rtrt,\, i m p o r t u n t e u r l g r e c o r d i n g , b q P u u l W h i t e m u n ' , so r c h e . s t r u , ,;trftentent uncl uocti l i n thc bul l utl ntunne r br t t ".fc ttcrrtu h i eretl cetlmel otl l l i mmortul i tq on R i x R ei derbecke' ,sttottpurei l cl rcnrt,t- t t pte n 4 to toi th u derbq hut l tun{4on tl rc bel l of hi ,scorrtet u,su r r t ut e. Ii t,s t o r ,sl orc,Y oung' .s { 4rcut nel odl l i ' s ttrtetcnrul del i gl tt'
SweetSue-
JustYiu
Wordsbv Will J. Harris; Music by Victor Young
Moderate ly
Ev -f ry
mf
ffi
ffi
a
++
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a
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lli-
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star
a
K nows the
bove
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D9
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Sweet
love,
I
one
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you.
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up
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C o p y r i g h t ' 1 9 2 8 , r e n e w e d b y S h a p i r o B e r n s t e l n& C o , l n c . N e w Y o r k N Y
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heart
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c .
rfo
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live
I' ]' the
all
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223
SLEtrPYTIMEGAL to knor.otl rc exuct , st or y1, lt t t t W h q .fo u r conq)o,\ersfor ona ,\ongl Ml onc ,\aent,s Lt t r e t t : - t , n u t,s to c (:outtt,s,strggi ,sttl rut uuttcl ct,i l l i un A l cl en und ,si nger-pi t t r r i, st p rc s e n tc rl the son{I i deu to rt pul i l i ,sher,roho tuntetl i t orer to R i ch ur t l Wlt it ir r , : of the' -20s.'I 'heur or kt 'd rtn c lR ru l nrotrdl i gort,oneof tl tc toTtsottgtori ti ttgtcunr,s tlrcir nurgic - rnrcl rrcltlcr{"SIecpg Tintc Gul" to rt string o.f hit,s thut irtclutlt'tl "Ain't We C)'tttFutt|" "7.11e Jt1tttnase Srtntlmtm," "l'ill Wc ilIeet Agtttitt" otrcl
\\brds by JosephR. Alden and RaymondB. Egan; Music by Ange Lorenzo and Richard A Whiting
LazrIy, but with a lilt (J-l played u, !-'T
)
c6/B nfr
nbz/sb Dz/A
;ri. rtf]E 4ir. EffFE 3ir.
H+# H+H H+H :u
a
\--l
S l e e p- y t i m e
Yourre turn
-
ing
night in - to
day.
E,I J
D7
ffi'n' a
l'
Yourve danced the
Sleep-y time gal,-
GmajT
rfz
G7
F7
E7
5fr. HTTfl8fr. ffiffizf'. q#R 6fr"6 ?++tH Fr+fH fFFffi Fr++ti
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Gl 7 I
224
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a
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-l
each
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tt-fq sil - ver-y
star-
Ll---
r Copyrightsecured All rightsreservedUsed by permrsslor CopyrightGr1925Leo Feist,Inc Copyrightrenewed1953Leo Feist,Inc International
A7
ffisr'. Ffi-I-H
l'fr+
sight ,
give
Please
me
D7 N .C .
mrn" 'l
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n e lit - tle k i s s , -
Then
let us
whis - per rrGood
It?s get-tin'
night .rl
7
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late
r
and,
dear, your
G6/B
pil - low's wait - in'
nfi /nb
Sleep - y
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time
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a_
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I
When all
lr
your
danc-inr is
through,-
tp
-'1-T-r
T
f--r O II
225
S i e e p l 'T i m e C a l
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ffinn'm'n'ffi'n' ffit*'
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cot - tage for
a
find
you . -
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tt'' ffi ffitu'mt"' ffi """Fm'"t' Enr
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cook
and to
ffi,n" W h a t t s m o r e ,y o u ' 1 1
sew ;-
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TI]TI
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Ftfffl 12fr.
When youtre
know,-
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ffi in
eight - or-clock a
226
a
stay-at-home,
play-at-home.
A{yCutey's Due -todvo Words and Music by Leo Robin and Albert Von Tilzer
With a litt (, J to be played as
G/R
B bdinr
\-erse ffi tley there
t-.3-r
J ))
Bunilterger',s, the greut oltl lletaurk, l'Jeu Jer.sey,depurtrrtuit ,store, u;tt,sut leu,st Tturtlq resTtortsiblefor thi,s futorite - urid it'ir t t for l rrunt' hi ngLeo R obi n on u l ottg ttntl -prothrt' ti t' e. r ( ) ngrr{. cureer. It rcas 1926, und R ol ti n w us fre,sh i n from Pit t , sbur s. lt . Iooking for u;ork. "l got un offer of $50 to write a lgric _for tltt' tltircl unniuer,surg of Bumlterger's bosentent," lrc rec'ullccl. "T'lrcq teumerl nte uith Albert Von Tilzer, wln rco,t u targ bit c l e u lu t t h e t i r n e , u n d w e w r o t e a t h i n g c a l l e c l ' O u r B u b q ' . sT h r t ' t Y eurs Ol d.' l t di d the j ob." The tu;o col l uborutecl uguir t 5o( ) r i ufter, this titne on "L[y Cuteg's Due." I.he .tong, u:u,sre('ordt'd 'ledWeents' bu orchestru and becume Robin'.sf,r,st untortg sut lt errcl uri nghi t,stt.s" Thunks for the Memort1," " Loui ,s e, " "Rt , Ut t r t d the B Iue H ori z.ott" und " Loue i n B l oont."
D7
Am7
B bdirn
ffi ffi do your stuff ;-
t-#-++.1
H+H ffn-n
I canrt get there
t-t*l-1-t-1
j
/
tax - i,
D7
Am7 *Th t-l-+-Lf-.]
fast e
nou gh
l G
ffi 'o
-o
;r ..ini
o-J
Take me
to
that
train
from way out
ffi
H+H #FF ti
,
T
Am
ffi
-+
t--
I
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,;+
T F=4
;t., (rl
West
. l
.
$
l
YF
YY ll
I ? m j u s t j ump- ing
-+
,-,F
-tg
WFF ttl
in
my shoes
)
a J:cyright t 1926, renewed by Stasny Music and Bug Jurce Music
r rr
a I
I
t C a u s e t h e r e a i n r t no
t
rt'g tll
time to
lose,
ttr' 227
\fv Cutey's Due At Two-to-Two Today D7
ffi a
a
,?
I'
lt_F
'
Got r[l
| / date-
a
one-
r
f--f
fif - ty- eight- with the
r
l" rt
fl
I
t&e
I best.
rr
nr
ll
I
one that
L
tJ
I My
r-ll
cO.
|
(rTlrl
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f
T
I
t
I
t'tUl
llJ
A7
G
*#
r+?fi ffffn
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t FffH
'
'
\rrf"f
ve |
|
/
cu-teyrs due-
at
'r
4rr--F
+-
fit# /i
v I
v rFr
.+
t-b
v'-l
t w o - t o - t w o ; - S h e r s com-ing
II
through- on a b i g c h o o - c h o o . -
rrll
a
G
D7
n++qi
j*;T1
ffi
---q+
C9 ffi t-J-t l#l l-tFttl
G
ffi
a
. I ar r"/ fr]'qFr r",f way for months She's been a
'-'trt
rr
ll But I h a v e - n t t cheat - ed I
,-
_i-C-
|
tfrw
ryr
|
B7
fffi1"+ f-r-trt-1
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r
| E7
i
ffi
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once .-
trtrt-t
a
'1rT+
#Tr
-t-
t'fr F f;-,p
Y |
Stayed home nights ,-
H-V
/-r
W a s -n r t
dance,-
did-nrt
trr
-t-
-Lt-
-{,./-
ltf-Y
YI
ing
tak
an-y
rt
chance.-
a
a^fl'ltftlD7
A7
ffi
+rfti
-i+r-?-l -rl-t-h
' =tr Tq flirt-
Did- nrt
vrwF hurt,-
and though it
I
a.? .F
228
t
t
l
t
I
I j u s t c o u l d - n t t do
my
I
I
I
t
N.C.
I
cu - tey dirt. My
lltl
#
G
A7
##f H++il n-trh
ffi
'
T rW
'
lf /
fr 4fr-? ? I
o
rt rffi
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days were blue ,_ ffiy nights were black,_ But
rt
I j u s t knew- that s h e t d c o m e b a c k . - F o r
-r Am7
D7
hri-ht-1
rrn-H
Fifr ffi
D7
Am7
ffi ffi
87
-r-+ ffi t-t-f-tt1
+++C
l-l'r r
D o n r t think there ain't- no And when I feel- he r T o - night I '11 dis - con -
I l o v e h e r a n d she loves me . and
S a n- t a lips on nect the
Claus;_ I mine,_ I phone_ Be -
G
ooo
ffi
rrr
know darn well there wonrt let go till cause I want to
B bdim -9F?lH *ItI't
mrrn
Am7 D7 -9._3_ -c_ H-ht-fj
rrrrT-1 FIFFF}
FFFFH
is be -cause ) half-past nine;) My be a - lone;l
G
Bbdim FFFffi
ffi ffiffi
cu-teyrs due-
Am? ffi
D7 t t I t I l
I I IITI
G
nf+ft
ffi
a
V
a
v
two-to - two_ to A a
A a
at
EthelWrtter,s holtl3 on unportilIeletI pluce in the ltistorg (t,t the frst performer sut't'es's-fulh1, of poptilur ,sirrgirt{1 tb fu,ie the seTturtrteconcept,soJ'iui':', Ttopulur song unrl the blues. Mrtnq of the 'songsshe intrrtrhtced becunrc - none ntore clrumaticully tfuut irrtmetliote sturt"tluVds thi ,scl u5,si c.C ontpo3er,\ A k,stancl Y oung brought it t r t her i n 1924 untl cl enrcnstrutecli t bu si rtgi rtgit . f u, stund, trs3he ,srti tlfufter," cornt1." S he ,sl oued i t tl
D[N$A[il \lbrds by Sam M. Lewis and Joe Young; Music bv Harrv Akst
Moder atelv
G
ffi (.
Din Din
Is there an - y -one With her Dix - ie eves
&h, &h,
fin blaz
erint
+
D7
ffi In the state o f C a r - o How I love to sit and
a? in
lin gaze
'
'm ffi ffi ffi Show rer to
If there is and you To the eyes of Din - al-r
me.-
\
230
Copyrighti.r1925by MillsMusic l n c . C o p y r i g h t r e n e w e d . A l l r i g h t s r e s e r v e d U s e d w i t h p e r m r s s r o r ' l
trm
Baug
#
ffi
Em7
A9
ffi
#
Why do I-
shake with fright?
Ev - 'ry night ,_
# rr*R
ffi
ffi
r-rrrn
rfi1-t-1
F f,dim7 FFFFH
rFffH FTFFFI
Be-cause my a-
1. I trm
ffi
Tl*
Baug .Ern7
#
rt+
ffiffiffi
Din - ah might_
A9
nbg
+d*i
ffiuo Change her mind_ a-bout
t
-l- 7 -k -?I-JII
G
ffi If
she wan-dered to
Chin
D7
a,
I would hop an o-cean
G
ffi
ffi Just to be with Din-ah
G
N.C.
r4r
ffi
,Dllopltlclndlsi! ll-|elfe rO,Dfi1DS
,DFrorll,eVl!
l,Jotelling at this late date uho the gentlemanroasto deserue all the hantlclapping.Whateoerhis distinction,he enjo.gedttoo rounds of popularitg. The first uas in 1925,uhen this song oppuorndond *ot re-cordeduidelll bg bands and sing,ersof the d'clg,inc.ludingthe populur Culiforniu Rumblersfeuturing^the iazz bass .suxophoneof Adriun Rollitti. Jazzmen, in^Joct, -uccounted "Charleg's" secondmoment of celebritg: S_using for Era recordirrgt by Count Basie and, appropriatelg, Charlie otd standard a brief but rousing reuiaal. Barnet gaDe'tt"te
Words by Billy Roseand Ballard Macdonald; Music by Joseph Meyer
Ina bright good-time 2 ()= L beat)
oo tlllal rTII II rITTT 1 [I_TT I I
ffi
A7
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t-++++{ l--iJt+.|
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a
1' 232
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c
I I
1 f t I
C
'1
ffi
ffi 'F?f
) rlpl ? o
join the par - ty; meet the dol - lies;
-l
N.C.
now!-
ffi
tr rt ll
This w&y, This w&y,
I
Good-time Char-lev i
-
C
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t
r
I
\,
++
t
ffi
t-tFi-H
--
H e r e comes Char- ley
F7
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r
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| | I tvl
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t C 'F9+'
l ^ t
ffi
ffi
f1TTtl
7r-
Clap hands !
r
rT-f-
C
G7
I
F?ftft I
t r
Clap hands !
Here comes Char-ley !
Clap hands !
F7
C
F7
|
ttl meet Mc - Car - thY. Zieg- feld Fol - lies.
say, say,
I6
|
|
\
A7
{rtrl H++fl ff-rrn
rr Yl Hey ! hey ! Hey! hey!
|
New York,N Y, and to WarnerBrothersMusic,Los A^S:l-"-:l^C-i'I?il:i Copyrighto 1925WarnerBrothersMusic Copyrightrenewedand assignedto JoRoMusicCorporation, and WarnerBrothersMusic Copyrighto 1984JoRoMusicCorporatron Thisarrangement
D7 FFFfR tttata
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dffi
F++fi
tttttl t t t t t l
Am
C rr*F?
l--i+-t+.t t-+-?l-lJ
FTFI-H
ffi
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r l-r
l-jf
Gin - ger ale and White Rock for this See the smile on all those hun- gry
A7
#+f, H-*-*-{-{
f+?+H ffi
ta fac l>
nf t r f Grab a chair. move
ble;
They can
CS;
\
l>
D;
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tu
ITT
Ft-i-rrH
let him From those \
ffi
m
I t t t t l
right and
that
C9
ffi u a l t t
l-+-+Jt-+-?
tell
o - ver there, And hets a buv-er
next to Ma - bel. p e n s p a c- e s . o \
Clap hands !
Here comes Char-lev !
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lis fir,st hit. lt'.s becrt u fut,orite of older-gurcrutiort jrtz,z.men it,s.flotoittg clrcrcl o.t'' tltrouglt tlrc rycursltecuu,se ,\equcncc rccordingbryBirryq untl rhrytltmicnrclodq.'1.|rc: Cro.slx1, but'kedbry7'1rclvlills IJrotlrcr,surrcltha Dor,sey Brothers Orclrc,vtru,i,s u londmurk irtjttzz, hi,storg.
Words by Herman Ruby; Music by Joseph Meyer
L ive ly
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TheJapanese Sand^an Words by Raymond
Music by RichardA. Whiting
B. Egan
i' ; rtl \\- lt it c nt ur t ' . sor c l te s tru , fe u tu ri n g , :1,, rrttrtcd tnnnpet of Henry Busse, -' , .;r. 1r'i rtli tis 1920c lu, s s i ci ts fi r,s t ttn tl n to s t l . f h n t c - a n c l i n u u ; t t t to b , s c u r e d .. trttc beuutrl. Whitemun took the ' rt:.f-us t .ir t t lr c nunn te r o f th e tk tg .l ' e t . :litrtt'e rft Ru11Egun',i rcorcl,s turcl Hi , /i u rd\ I ' lt it ir r g' , sm e l o d g re a e u l s th a t .[ltt' . l u 1 t u n e s eS u n t l r n u n " i s u l u l k f u g , , , 't Ttl u qc cunt l l s ung ,s o ftl ua n tl g c n tl g .
It w u,sone of ,seaerulhi ts f or t he t t 'r t r r r of Egan incl Whitirtg-. Whifing', duughter,Murguret,hushutl u long urtd u u r i e d c o r e e r o s o p o p u k t r , s i r t g c ru t t d c keeTt ir t gnt unt t hu,sbeert resTtort,si l tl Jor of her futl ter' ,s gqreute,stlt it , s, "Tlr , J u T t t t n e , s eS u n t l n t u n " u t t r o n g t l t t ' r r r . uliue. lt i,s ,still recorded urid Tterformecl, uncl ,sound,su,sfra.s'lt urttl ,sw eettocl uq us i t di d i n 1 920.
Moderately
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ErvcctGcorgiaDrovn 7-1rcbclouetl "ol' L'[rte,stro,"bundletulcr IJen Rernie. fir,s't thi ,s rhtl thnti r: ,strtndurcli n the mi d-' 2(), s,t t, r t d it . s Tt.opul uri :,ccl .fl orci ng l i rte uncl c' l utrtl .strutture hurc bcen rt .fl tt:orit c of - . ju: : :;ol oi ,st,s eter ,yi rtt.:c. It,s t:otttTtoserrcrtsl [rtc,co p' i nkttrr l,, r 'ii, , , , 1r , , urLtl ad.yuc' hperenni rrl ,srt,s" S rr5l rrr"und " Then 7' herr : 'lit 1c. s" tt, t-| rcj uzz.ntun' ,treTtertoi rc." S ueet ()corS qi rtR rou;rt" hr r , s'nr pt t , r r lt t l tcen Tl l ugeduncl reti xerl repeutetl l tl ui ' r, tl rc rl eur' ; , sht :( , 1'( , n hud offsTtri ng. " Thc D rtughtcr of S i .aeetGcori i u B ntr cn. " lt t t R enti e,l yri ci ,st K en cu,veg rmd i trr,t,tgtr K e,rrrrs j ,s.ror. rt t Tt lt gr 't r t d i r r 1 9 3 { )b u t n e u e r u c h i a u c d r l u i t e t h e p r o n t i n e n c c o f t l t t ' , ' o r i g i t t t t l . Dun I\tr',\ urrungenterft lrcre int:orporrfte,stt tintt:-litnort,d .ft'ut u re- rf j u:.:. pc rt'-ormu n(e,t : rt c hu rl e,stort lte rtt, ru n n i n g tl trrugl trtrt untl ki ' r:ki ngtl rc mel odry nterri l tl ti l ,trg.
Words and Music by Ben Bernie, Maceo Pinkard and Kenneth Casey
Charle ston tempo a-
m1f A
No
gal
made
has
got
a
shade
On Sweet
Geor - gia
H a s Sweet
Geor - gia
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feet
but.
oh,
----lTrrghti. 1925 Warner Bros lnc Copyright renewed All riqhts reserved
so
neat
239
5w'eet Ceorgia Brown
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They all
and wan - na
sigh
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named sis -
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Vbturt%u \l,6re a fulip (and rwore Red Rose) aBig 'l'ltouglt
Pcrcy Wenrir:lt ,\ nutnc trtutlttot bc fumiliur totkrrl, u t l a u s t tl trc a o f l i s tnuntl ,song.rurt,.l ' l tt)r(,ur(, no ntorc b c l o o c rl n tc l o c l i t' ,y ,yrrrui t' i ng.fntnt thc .fi rst trco dct' utl c,sof tl i ,s r:c rttu n l th tttt " P ut O' n l ' our Ol tl ()rrtt1 I)ortnet,;' "hloonligltt Buy" und thi,s on(, rcrittctt toith Jur:k L Iu l rc rrc 1 1l .n u d d i ti ort to compo,si ttgTtol tul rtr,sott;g,s rtnd t;uudt,ti l l e (' ur(er T ti rtrtrtru { l ,t,Wc rtri cl t l tud u,srttca,s,sfrtl u ' i tl t h i s ru i .f-cD, o l l u C ottnol l ry. W o rd s b y J a c k Mahoney;
Musi c by P ercy W enri ch
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(Back Home Again in)
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i rt ,setcrul ,song,r.'R ul l urd Mucdonul d and Jam es H unl eg w rote of i t i rr thi ,s1917 cl ussi t:,i n the Tt r ocess tl ttoti rtg ( i n tl tc ncxt-to-l u,tt l i ne).from P uul D res, ser 's 1896 "Ort thc Runk,s o.f tlrc Walto,\lt"; untl llortgtl C ornti cl ruel i rrcl udad o refcrenc' c to i t i tt hi s 1940 " Oun' t Gct Irttl i rrrtu Off' X [ry IIi ntl ."
Words by Ballard Macdonald; N{usic by James F. Hanley
Itr 8)rlI f \ Back home
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tht nutst ttttDr rtrof ull populur songshuxe been ,t rrlting'tritpit't ttrinvs tntl exotit'.ftu'-off luntls. Itlon ltt ttr itore thtm pussing,reiunblinre to tha l 1 t . l , r t t f t , r t i n d t i t y - b o u r u l l i s t e n r r s ,c r n r l , r I rrgr'r'.rriorr,,f r,,,i,rtrte untl utlxenturecan be D, :pitt thei luring hints of tropit: islunds in 'ij
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one suclt song, "Dorc Arttongthe Slrcltering Pulns-," conlposertJu.ntesllntckrnan und Abe Olnun tctuullll lrutl the cita of Sun Fntnt'ist'ttin nrintl uhen tlrclt arote t l t i s h i l t l t r , e tr l e t r s t l | ( 'd i t t l t i n l g I J . O l n u t nl l l o u u l later rciih"Oh,lolmnv,Oli" ontl cotttinued taith "Dttrort ba the O-H\-O" uul "Conte Back to Wuikiki." Words by James Brockman; Music by Abe Olman
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. t.urd pluyer,s objectetl: tha ttoo gtt11s ut tlrc piurto irt . r-o t'nc t uer ' e nt uk ittg to o tttu c h tto i ,s cttn tl tl i ,sturbi ng , :(n n c. Rut us or r c of tl te c u l T tri ts r{ ,(/,rq u i t' k to remurk, '. r/r /ri ,sr't lt ur t nr ent un d l rc ' d tl o rc l ru t l rc u u n te d to i rt i t. ,1 :o l t t ' did. lt t ook l e ,s ,s th u n h u l J -u n l n u r J l tr t he tu;o rr. lqrici,st lrcing Cue.srtruntl contposer ()corge r . ' / r r ri n , t o p r o t l u c c t h i , s, s i t r t p l ee, n d u r i n g , s t u n c l u r du, ' t',trtl t( gr eut A I . lol, s o rti n h i ,y 1 9 1 9,s l to rcS i n b a c l .bi tr ul l r ' ' / r r l i l r ' . r l u t e r s u c L : e , \ , \ e , s" S , r o r tn e e " l t a c t t t t t t : h i , s . , t t t ' : t c o t n n t e r L ' i u lt r i u m p h u n c l r o u , s u n t i l e s t o n t : i r t .,rn \ lottg ctreer us rcell.
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