post-apocalyptic research grid

The Development of the Apocalyptic Film Genre in Post-Modern Cinema Item 1 Item 2 Post-Apocalyptic Films Mad Max: Fury Road (2015)

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Item 3 Mad Max (1979)

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 T!r! ar! curr!&tly curr!&tly 302 post-apocalyptic post-apocalyptic lms out Mad Max: Fury Road is t! $ourt lm i& t! Mad Mad Max is t! ori'i&al lm o$ t! $ra&cis!=  T! "oo# o$ %li is di@!r!&t $rom $rom t! Mad Max &! o$ t! old!st post-apocalyptic as Fi/! (1951) Max $ra&cis! t as dir!ct!d .y *!or'! Mill!r= !r! you '!t t! .ac#'rou&d story to Max a&d $ra&cis!= it $ocus!s mor! o& r!li'io& a&d op!= dir!ct!d .y Arc .ol!r Mad Max (1979) o& $our o dir!ct!d t! rst tr!! lms i#! most ot!r is li$! Trou'out all o$ t! lm you &!/!r &d a&d o p!opl! ould us! ot!r p!opl!Cs op! aards= most o$ t!m o& at t! Australia& Film Post-Apocalyptic lms= HMad Max: Fury RoadC out y a&d o t! orld 'ot d!stroy!d $or t!ir o& 'ai& a&d so ot!rs ill orsip &stitut!= $or "!st ri'i&al Music cor!= "!st $ollos t! sam! structur!= a&d t! u!st $or op!  Tou' t! lm it m!a&t m!a&t to .! s!t i& a postt!m T! s!co&d tim! atci&' t! lm you s!! Aci!/!m!&t i& ou&d= "!st Aci!/!m!&t i& a&d a &! li$! T! di@!r!&c! is .!t!!& tis &o apocalyptic orld du! to t! !diti&' a&d lm it i& a &! li't .!caus! o$ t! tist at t! !&d %diti&' a&d *!or'! Mill!r o& p!cial Gury Aard Mad Max compar!d to t! old o&!s= i s tat tis limits itCs ard to s!! t! di@!r!&c! .!t!!& t!  T! lm sos a di@!r!&t di@!r!&t sid! to postlm it is &o&! stop actio& a&d ad t! t!c&olo'y a d!s!rt a&d a u&i/!rs! !r! t! orld is apocalyptic lms !r! p!opl! do&Ct tur& o& to do mor! stu&ts a&d .!tt!r !diti&' !uipm!&t !&di&' Mad Max tou' old still 'a/! a lot o$ !ac ot!r .ut tur& .ac# to r!li'io& to !lp t!m a&d cam!ras i&spiratio& to ot!r lmma#!rs lmma#!rs !& ma#i&' !& .!$or! t!y too# r!li'io& $or 'ra&t!d ot!r post-apocalyptic lms

Item ' +% Tal#s Film: *!or'! Mill!r o& IMad Max: Fury RoadI

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Item 1) J!!pi&' t! i'ts o&: Post-Apocalyptic Karrati/!= ocial ritiu!= a&d t! ultural Politics o$ %motio&

Item 11 Mad Max: Fury Road /s Mad Max Trilo'y

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o to '!t a r!alistic loo#i&' lm a&d r!al stu&ts=  T! sudd!& popularity i& post-apocalyptic post-apocalyptic lms= you a/! to a/! t! ri't !uipm!&t a&d p!opl!= t!r! ar! 302 post-apocalyptic lms a&d tou' 10 y!ars a'o it ould&It a/! .!!& possi.l! .ut som! sar! t! sam! id!a= !ac o&! is di@!r!&t= &o it t! ad/a&c! i& t!c&olo'y= lms li#! !sp!cially it p!opl! orryi&' a.out t! !&d o$ actio& a&d apocalyptic ca& a/! t! stu&ts a&d t! orld= post-apocalyptic lms so at could !@!cts to ma#! t!m all pi!c!s o$ art i#! t! app!& i$ you o$ tos! !/!&ts !r! to occur Mad radioacti/! tu&d!rstorm i& Mad Max: Fury Road= Max is o&! o$ t! most $amous post-apocalyptic itout t! r!al li$! stu&ts a&d t! ama>i&' *= lms a&d sos o p!opl!s morals ca&'! a&d t! lm ould&It a/! t! sam! o $actor $actor Tis o di@!r!&t p!opl! r!act i& di@!r!&t ays a&d allos t! '!&r! to !xpa&d a&d 'ro i& popularity t!y do tis !/!& tou' t! &!/!r !xplai& o t! orld !&d!d

 T! di@!r!&c! .!t!!& .!t!!& t! "oo# o$ %li a&d Mad  T! corr!latio& corr!latio& .!t!!& t! rst 3 lms lms a&d t! Max: Fury Road= Road= t! "oo# o$ %li mai&ly $ocus!s &!!st additio& to t! $ra&cis! oi&' t! o$ ristia&ity a&d t! Nour&!y %li as to ta#! to ori'i&al $a&s tat itCs still part o$ t! rst Mad ma#! op! $or t! orld= t! i sla&d ! r!ac!s Max orld Nust mor! $uturistic a&d mor! at t! !&d could sym.olis! !a/!& !r!as Fury dama'!d a/i&' t! sam! sots a&d t! sam! Road do!s&It $ocus o& r!li'io& .ut .ri&'s it up i & styl! sos tat !/!& tou' its 30 y!ars lat!r passi&' it t! ?ar "oys o ti&# t!y ar! Fury Road Road is still ac#&ol!d'i&' tat t! ori'i&al al$-li/!s a&d ar! aait!d i& t! Kors! Mad MaxIs !xists a&d t!y !r! a u'! Mytolo'y !a/!&= .ut t! mai& caract!rs i&spiratio& $or t! cr!atio&s o$ Fury Road do&It a'r!! T!y Nust $ocus o& t! tim! a&d t! pr!s!&t T! mai& t!m!s i& !ac mo/i! ar! di@!r!&t a&d t!y $ocus o& di@!r!&t tar'!t audi!&c!s

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Item " Ma#i&' o$ Mad Max: Fury Road

Item # Mad Max: Fury Road "!i&d t! Music

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B?!Cr! tal#i&' a.out a ar dri/!D !Cr! tal#i&' a.out tr!m!&dous uma& su@!ri&' ?!Cr! tal#i&' a.out a r!ally i&t!r!sti&' s!&s! o$ umour tat is trou'out t! ol! lm a&d !Cr! tal#i&' om!& o ta#! co&trol o$ t! situatio& All t!s! caract!rs ar! so o&d!r$ul a&d itCs so colour$ul a&d itCs so .rutal= itCs suc a soci!ty !r! !/!ryti&' is compl!t!ly out o$ co&trolE

o r!li'io& also plays a lar'! part i& post- o t! ma#i&' o$ t!s! lms is so t!c&ical a&d o t! music i& lms plays suc a .i' apocalyptic lms o p!opl! sudd!&ly o muc t! t!c&olo'y as pro'r!ss!d T! /ast rol! i& tis '!&r! o$ lm= it adds t!&sio& do&It ta#! r!li'io& o$ 'ra&t!d as t!y did amou&t o$ or# ic 'o!s i&to ma#i&' suc a i' a&d drama to t! sc!&!s & Mad Max: .!$or! .ut &o i& tim!s o$ stru''l!= r!li'io& scal! lm it all t! pr!ssur! $rom t! succ!ss o$ Fury Road o&! o$ t! mai& asp!cts o$ is a 'r!at sourc! o$ op! a&d a 'uid! to x t! past lms Gust t! amou&t o$ tim! t!y a/! t! lm ic !lp ma#! it a u'! t! .ro#!& soci!ty t!y li/! i& R!li'io& is a sp!&t i& ma#i&' a&d r!s!arci&' tis lm= sos succ!ss as t! music .!caus! as t! #!y part o$ post-apocalyptic lms !/!& o muc d!dicatio& you &!!d= ma#i&' s!&s! o$ lm do!s&Ct a/! muc dialo'u! t! som! p!opl! ti&# tat Mad Max as a t! caotic orld t!y li/! i&= .y a/i&' .ac# music #!!ps t! lm $olloi&' a&d adds r!li'ious m!ssa'! to it a&d tat Max is t! stori!s $or !ac caract!r &arrati/! a&d atmosp!r! to t! lm sa/iour a&d may.! !/!& t! G!sus 'ur! o$  T! di@!r!&t t!m! t!m! so&'s $or !ac t! lm caract!r= allos t! audi!&c! to '!t a& i& loo# o$ t!ir p!rso&ality

Item 12 *ot +sin, o&t!mporary Apocalyptic i&!ma

Item 13 *ot +sin, M!&Is ri'ts acti/ists call $or .oycott o$ IMad Max: Fury Road=I citi&' $!mi&ist a'!&da

Item 1 *ot +sin, 10 lms tat ould&It !xist itout Mad Max

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<%li a&d ar&!'i! !xist iti& t! mo/i!Cs &arrati/! i& a .i&ary oppositio&= it t! latt!r ma&= ar'ua.ly r!pr!s!&ti&' r!pr!s!&ti&' a critiu! o$ *!or'! "usCs us! o$ r!li'ious r!toric= isi&' to us! t! "i.l! as a m!a&s to co&trol ot!rs%li r!ac!s a 'roup o$ sur/i/ors .as!d o& Alcatra> sla&d o ar! 'at!ri&' to'!t!r !l!m!&ts o$ t! lost cultur! i& ord!r to HHstart a'ai&=CC !r! ! dictat!s $rom m!mory t! co&t!&ts o$ t! "i.lical t!xt so tat copi!s may .! produc!d /ia a pri&ti&' pr!ss<

<lar!y rit!s tat ! is co&c!r&!d

 Tis is &ot r!l!/a&t $or my r!s!arc r!s!arc  as it is Apart $rom .!i&' /!ry mis'uid!d a&d .ias!d t!  Tou' it is /!ry i&t!r!sti&' i&t!r!sti&' to s!! o too $ocus o& t! r!li'ious m!ssa'! t! lm rit!r o$ t! articl! as &ot atc!d t! lm so as Mad Max as i&spir!d ma&y ot!r lms ca& .ri&' a&d &ot $ocusi&' o& t! lm &o !/id!&c! tat at ! rit!s is corr!ct a&d styl!= it is &ot i&$ormati/! !&ou' a&d its!l$ its!l$ t is also uit! similar to it!m 5 .ut a could .! misi&$orm!d T! articl! tal#s a.out o lac#s t! d!pt  a&t!d i& tis articl! l!ss d!tail!d /!rsio&= &ot $ocussi&' o& at *!or'! Mill!r as tryi&' to .rai&as mal!s o Apart $rom t! potos i& t! articl!  a&t!d out o$ t! articl! Tis articl! ould at t! lm Nust .as!d o& t! '!&r! t!r! is&It muc !ls! to so !r! ould .! mor! appropriat! $or a .i.l! study itout r!alisi&' tat t!y !r! atci&' a lm Mad Max i&spir!d t! ot!r 10 lms a&d ic a&t!d to us! t! lm to !xplai& !r! a om!& plac! a& !ual to t! muc lo/!d &ot all o$ t!m loo# r!lia.l! c!rtai& r!li'ious .!li!$s Mad Max