Pick Up the Pieces (AWB) (6 Horn) (1)

Vocals q = 108 (Funk - Slightly Swung x's)

Pick Up The Pieces 4

    

8

      

A

5

20

C

27

D

B

5

  

1.



2.



7

       

Average White Band



7



To Coda Ø

3

E



Open For Sax Solo 39

 52



8

F



H



 

G

(Horn BGs On Cue)

3

For More Solos

  



3

Last X



 D.S. al Coda

     Coda Ø   56

3

1.



  

2.

2

2

Pick Up The Pieces

Vocals

I

62

         



Aw, Pickup thepiece

66

       pie - ces

70

J

   



        

Pickup the pie- ces



         Pickup

2

the pie - ces



     Pickup the



Trumpet II q = 108 (Funk - Slightly Swung x's)

     

Pick Up The Pieces 

Average White Band





fp

2

                                          mf 

A

5

9

 13



B

                                      

3

                                        

C

               

20

f

              

22

cresc.

27

 31



D 



mf



1.



2   

2.



               

          



2

sfz

                                     

                                     

2 2

2

Pick Up The Pieces

Trumpet II 35

                                         

F

                

39

To Coda Ø

E

        

f

                

42









                

cresc.





fp

Open For Sax Solo

    

47

G

(Horn BGs On Cue)





For More Solos

        Last X





H 



             Coda Ø       f

              

3

 D.S. al Coda

56

58



   

f

      

50

        

1.

         

              

  

Pick Up The Pieces 2.

                 

60

3

Trumpet II

I

 

      

Aw, Pick up

sfz





the piece

    

Pick up

the

64

  

  





pie - ces

    pie - ces

       

Pick up

J

68

   





the

pie - ces







    

Pick up

the

                                      mf f

Trumpet I q = 108 (Funk - Slightly Swung x's)

     

Pick Up The Pieces 

Average White Band





fp

2

                                       mf 

A

5

9





B

                                     

3

                                  

13

C

               

20

f

              

22

cresc.

27



D



mf 31





1.



2   

2.



               

         



2

sfz

                                   

                                 

2 2

2

Pick Up The Pieces

Trumpet I

39

To Coda Ø

E

                                   

35

F            



           





f





          



cresc.

                

42









fp

Open For Sax Solo

     

47

G (Horn BGs On Cue) 

   







 

f

For More Solos

      

50

 

Last X



        

H 

3

 D.S. al Coda

                  Coda Ø  56

            

f

              

58

            

1.

  

Pick Up The Pieces 2.

                 

60

3

Trumpet I



I

 

      

Aw, Pick up

sfz





the piece

    

Pick up

the

64

  

  





pie - ces

    pie - ces

       

Pick up

J

68

   



the

pie - ces







    

Pick up

the

                                      mf  f

Pick Up The Pieces

Trombone q = 108 (Funk - Slightly Swung x's)

    

 



Average White Band





fp

                                     mf

      

9

13

 



     

                

B                                 

   

19

2

A

5



C

2.

   



           



cresc.



1.



           

f

               

22



3

2

            



2

sfz

  D                     27               

2

mf

                                    

31

2

  

2

Pick Up The Pieces

Trombone

35

E                                 

 







F

             

39

          



f

                



           









fp

Open For Sax Solo

          

47





cresc.

42

G

To Coda Ø

(Horn BGs On Cue)



      

 







  

f

  

For More Solos 50

   

 



  

Last X

 

H  



3

 D.S. al Coda

                  Coda Ø   56

           

f

               

58

1.

           

  

Pick Up The Pieces

               

60

3

Trombone

I

2.





      

Aw, Pick up

sfz

the piece





    

Pick up

64

  

69

   

   



pie - ces

        

Pick up

J 



 mf

the pie - ces





        

Pick up

the pie - ces

                                 f

the

Tenor Saxophone q = 108 (Funk - Slightly Swung x's)

     

Pick Up The Pieces 

Average White Band





fp

2

                                 

A

5

mf

2

                                  

9

3

B                                  

13

20

C            





1.



  

2.



            

f

              

22

cresc. 27

D      



            



2

sfz

                      

2

mf

                              

31

2

2

Pick Up The Pieces

Tenor Saxophone 35

 39

E                                   





F            



           



f



To Coda Ø



          



cresc.

               

42

Open For Sax Solo









fp

(Horn BGs On Cue)

C [C9(sus)]

   

47

52



                      

G

H



G‹7

   

For More Solos

   

   

                 Coda Ø   56

Last X

   

(End Solo)

D.S. al Coda

            

f

          58     

1.

            

  

Pick Up The Pieces

               

60

3

Tenor Saxophone

2.

I





 Aw,

sfz

    

Pick up



the piece

63

  





        

Pick up



        

Pick up

the pie - ces





    

Pick up

    pie - ces



the

                                   

J

68

   

the pie - ces



mf

f

Pick Up The Pieces

Baritone Saxophone q = 108 (Funk - Slightly Swung x's)

  

  fp



             mf

A

5

9



13

 

      

B

   

17



20



 

   



      

   

    

      

     

 

      

    

 

      

    

 

    

                

           

            cresc.

 







     

1.

C

               sfz

 

  

             

23

    

Average White Band

  mf

2.

      

 

    

2 27

D





35

      

 

31

 

      

E

   

39

Pick Up The Pieces

Baritone Saxophone

   

 

 

    

    

       

F

            

 

      

 

 

      

 

 

     To Coda Ø

       

          

    

            

          

42

             

  fp









Open For Sax Solo

           

47

G f

(Horn BGs On Cue)

  

 



  

   

For More Solos



  

 



  

Pick Up The Pieces Last X

51

  

54



 

H

   



3

Baritone Saxophone

      

 

  



         Coda Ø       56

1.



 

 

  



D.S. al Coda

           

           

2.

                                  

59

I

62

  

70

J

   mf

     

      

 

    

      

 

      

 

 



sfz

4

    

                 f

Alto Saxophone q = 108 (Funk - Slightly Swung x's)

    

Pick Up The Pieces 

Average White Band





fp

2

                                 

A

5

mf

2

                              

9

3

B

                               

13

C

            

20

1.





          

cresc.



           



D  mf

                             

31

2

sfz

                             

27



           

f 22

  

2.

2 2

2

Pick Up The Pieces

Alto Saxophone 35

E

39

F

                                        



          





f

To Coda Ø





          



cresc.

            

42









fp

Open For Sax Solo

        

47

G (Horn BGs On Cue) 

   

 

 







   

f

50



For More Solos

 

 

Last X



       

H 

3

 D.S. al Coda

            Coda Ø    56

           

f

            

58

1.

           

  

Pick Up The Pieces 60



3

Alto Saxophone

           

2.



I

 

     

Aw, Pick up

sfz







the piece

    

Pick up

the

64

  

  





pie - ces

       

Pick up

the pie - ces







    

Pick up

J

68

   



    pie - ces



the

                                 

mf

f

Pick Up The Pieces

Organ q = 108 (Funk - Slightly Swung x's)

           

C7(#9“)

f

      

A

5

   

F‹7

mf

   

9

      

13

B

   

B¨9(“)





16

       

20

C B¨9(“)     

      

f

        

 

   

       







 

25

     mf



    



   







 

 



           2.

 

    

C7(#9)        

        

   

F‹7

1.



          

   

 

cresc.

F‹7

   

   

22

   



   

    

Average White Band







     



2 27

D

F‹7

   

  

31

      

35

E

       

B¨9(“)

   

   

   

F B¨9(“)    f

    42



         

      

           

Open For Sax Solo

      

47

G

    F‹7

   

 

        To Coda Ø

   

   

         

         

cresc.

C7(#9)       

  

  

  

 

 

 

 

   

(Horn BGs On Cue)

B¨ [B¨9(sus)]

f

   

   

       

39

Pick Up The Pieces

Organ

   

   

   

For More Solos

       

Pick Up The Pieces Last X

51

      

3

Organ

H

F‹7

                D.S. al Coda

          

B¨9(“)

   

56

f

Coda Ø

sim...

             

58

       

I

62

   

F‹7

   

66

       

70



J



F‹7



mf cresc.



1.

       

    

     

   

   

        2.

       

C7(#9)



       

                 f

Pick Up The Pieces

Guitar

q = 108 (Funk - Slightly Swung x's)

                         

       

C7(#9“)

f

            

3

   

   

   

       

Average White Band

           

    

   

   

                                                     

A

5

F‹7



mf









sim...

8

                       

13

B B¨9(“)

F‹7

                   

   

1.

2.

             

18

21

    









cresc.



C

 

                               

B¨9(“)

f

sim...







C7(#9)

 



                                                         

25

F‹7

mf







 







2



Pick Up The Pieces

Guitar

                                                                     

27

D

F‹7















sim...

30

                       

35

E

B¨9(“)

   

   

F B¨9(“)                      

39

F‹7

     

 

 

 

 

 

f

C7(#9)

    

        cresc.

Open For Sax Solo

      

47

G

   

   

 



 

 

   sim...

41



To Coda Ø











(Horn BGs On Cue)

B¨ [B¨9(sus)]

For More Solos                               

         

    f  

 



sim...

  

Pick Up The Pieces Last X

51

   



3

Guitar



H



F‹7

                             



                           

53



      Coda Ø   

B¨9(“)

56





 

 

 

 

 

 

 

sim...

 

 

 

 

 

 

f

       



I



   

D.S. al Coda

   sim...

58

62

 

   







       

1.

2.

   

C7(#9)





                                                               

F‹7











sim...

65

                       

70

J

   

F‹7



mf cresc.







                              









f

   

Pick Up The Pieces

Drums

    

 

q = 108 (Funk - Slightly Swung x's)



f

5

  

A

mf

12

                

(2)



(4)





  

(6)



 



 



sim...

(8)







 

Average White Band

B  

                                                                 

(2)



sim...

1.

17

22



cresc.



Fill

    Fill              



 27

(4)





       2.

 D  

                 

(2)





C      

               sim...

f

             (4)







    

(2)





sim...

(6)





sim...

34

(8)





To Coda Ø              Fill                                                      

E  

sim...

39



      

F   f

        

sim...

(2)



 cresc.

       

 Fill     

2

Drums

       Fill                         

43

Pick Up The Pieces

     Fill                    

Open For Sax Solo

                  

47

    

(Horn BGs On Cue)

G f

H 52















f

 



sim...



     Coda Ø       61



(2)

56

Rim-shot

(2)

For More Solos (4)



         

I

  

Last X

(4)



1. (2)





sim...





      

D.S. al Coda

2.

Fill   Fill           

                      (Fill Throughout)

(2)





sim...

65

(4)



 70



J 



(6)



                      

mf cresc.

(8)





                    f

Bass q = 108 (Funk - Slightly Swung x's)

Pick Up The Pieces  

C7(#9“)

            

A

F‹7

mf

 

       

            

9

13

B

B¨9(“)

   

  

   

  

            

17

20

C

   

23

 

    

    

   1.

 

B¨9(“)

f

           

   

 

       F‹7



       

 

            F‹7

 mf

 

 

         

 

      

    

C7(#9)

               

 

 

f

5

Average White Band

 

    

              2.

            cresc.

      

 

    

2 27

D



F‹7

 

 

      

         

 

31

 

E B¨9(“)          

35

39

F

   

B¨9(“)

f

           

42

             

Open For Sax Solo

     

47

G

    

    

   

 



Pick Up The Pieces

Bass

      

  F‹7



 

       

           

 

 

    

     To Coda Ø

             

            cresc.

C7(#9)

 









(Horn BGs On Cue)

B¨ [B¨9(sus)]

f

 

 

      

  

   

   

 



  

   

For More Solos

   

 



  

Pick Up The Pieces Last X

51

   



H F‹7

 



     

53

   



 

 

      

        Coda Ø          f B¨9(“)

56

3

Bass

D.S. al Coda

           

                                   

I

62

   

2.

F‹7

 

      

           

66

70

J

   

F‹7

  mf cresc.

 

 

    

    

 

 



     

 

           

1.

59



  

C7(#9)

 



      

      

 

 

         

                         f