Pianist's Guide to Standard Teaching and Performance

OrSor 483

Grade Composer 1 Ag Agay

Composition Mysterious Procession

Main Technical Difficulty or Benefit %e.t Hand Melody 6ight Ceading Hand Independence 7pressive Playing

Other Notes & Comments his is .or the total eginner& and and can e taught on the very .irst lesson, CH play a steady even ostinato using only the note 7& while the le.t hand plays the melody which consists only o. A#$ in di..erent orders and simple rhythms, 7cellent .or sightEreading& .or hand independence& .or epressive playing and .or ringing up a melody on the le.t hand, It can also e used as a seed .or .ree improvisation,

489

1 Alt

Hot Noon in the Meadow

Introduction to how chords develop emotion

6imilar in di..iculty to the aove& this set o. pieces uses modern harmonies to tell stories& so it is a very good introduction to how and why chords and intervals can elicit di..erent emotions F.or instance& Ghe spider uses tritons to uild up suspense& and G#ees and -lies uses chromatic intervals to emulate u>>ing,

488

1 Alt

he !cean

Pattern Introduction

A collection o. 1 pieces .or the complete complete eginner& eginner& most you can teach at the .irst lesson, lesson, he interesting thing here is that t hey use the whole 0eyoard and introduce patterns that .reJuently appear in the more advanced pieces& so they are ecellent preparatory pieces, Again very good recital material .or eginners,

84" 84* 84) 8)1 848 8) 849 84

1 1 1 1 1 1 1 1

841 8) 8)3 8)4 8)8 8)" 8)) 8* 8)9 8)* 8*1 8* 8*3 494 8*4 8** 8*) 8*" 8"1 8*9 8" 8*8 8") 8" 8"3 8"4 8"" 8"* 8"8 8"9

1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1

OrSor 88 881 883 88 884 88) 48)

Grade 1 1 1 1 1 1 

#ach #ach& +,$, #ach& +,$, #art20 #art20 #art20 #art20

$horale %ord& do with me as you will& #'( )14 Air in -& #' ( Anh, 131& Aria in A minor $hildren at Play uasi Adagio no 3 .rom /-or $hildren/ vol 1 wo %ittle 5ialogues wo 6hort Pieces and wo %ittle 5ances

#eethoven

7cossaise in 7 maor 'o! 8*

#eethoven #urgm;ller $lementi $lementi :urlitt :urlitt :urlitt :urlitt :urlitt :urlitt Handel Handel Hen0el

7cossaise in : maor 'o! 3 6tudy in Am& !p, 1< Arietta in $& !p 4& %esson ) 6onatina& !p 3*<3& =n Poco Adagio Allegretto gra>ioso in $& !p 11"<* Andantino in -& !p 18"<48 Melodic 6tudy Moderato 6onatina in $ 'alt> in -& !p 1"9<1 Menuet in Passepied in $& H'( ))9 Piano Piece .or the ?oung& no 13

Ho Hovhaness Hovhaness Baalevs0y Baalevs0y Baalevs0 y Bhachaturian % Mo>art %e $ouppey %e $ouppey %e $ouppey Mo>art Mo>art Mo>art Mo>art Purcell Purcell Cameau 6carlatti

60etchoo0 o. Mr, Purple Poverty op, 39 6leeping $at& .rom /60etchoo0 o. Mr Purple/ :ame heme and (ariation 1 6cher>ino Menuet in $ Melody in $& no 14 .rom /A#$ du Piano/ Melody in $& no 1 .rom /A#$ du Piano/ 6tudy in $& !p, 1"<1 Allegretto Allegro in # .lat& B3 Menuett in -& B Menuetto I& .rom 6onata in $& B* Air in 5 minor& minor& D *"* Ciggadoon Minuet in $ Minuetto in $

Composer 6chumann chai0ovs0y chai0ovs0y chai0ovs0y elemann elemann

Melody& !p *8 No, 1 Italian 6ong& !p 39 No, 1) Cussian 6ong he 5oll/s -uneral :avotte in $ Menuetto in :

Ag A gay

-our popular diversions

.rom /he Anna Magdalena #ach #oo0 o. 1")/

hese are oneEpage very easy pieces Fgrade 1 that #eethoven most li0ely wrote as pedagogical material .or is pupils,

Composition

6leeping $at is a hauntingly eauti.ul piece @ etremely easy with great scope .or musicality,

-rom ) Happy (ariations on a Cussian -ol0song& !p )1<1

.rom /he %ondon 60etchoo0/& B( 1)pp

-rom 6onata in $ minor& B"3 %1"

Main Technical Difficulty or Benefit

Other Notes & Comments -rom /Alum .or the ?oung/ -rom /Alum .or the ?oung/ -rom /Alum .or the ?oung/

-orm L Chythm #lues 6cales 6yncopation

More di..icult than the one aove& they are also more modern in idiom, 7ach can e used oth as repertory and as teaching material, G%ittle prelude in 'alt> time can e used to teach oth aout .orm and rhythm& G#aroJue ounce li0ewise can e used to discuss what is G#aroJue& G7choes o. the lues introduces the lues scales& and GCagtime doll is ecellent .or syncopation,

484

 Ag Agay

Petit rianon suite

hese are ten easy pieces& each one covering a dance style on the 18th century, his is ecellent .or rhythm development and to introduce the student to old dance patterns Fwhich 0eep recurring on the piano repertory, 7cellent recital material . or the eginners,

48*

 Al Alderighi

6igni %ieti

48"

 Aleandrow

Pieces .or $hildren

49

 Alt

' here the palm tree grows

Introduction to contemporary music

1 very easy& short pieces, he harmonies are traditional& the writing is highly pianistic and they ma0e up ecellent recital material, he whole collection consists o. 8 sets o. short pieces .or complete eginners, I. you are .amiliar with Baalevs0ys pieces .or children& this is similar, More di..icult than the previous two& this is thoroughly contemporary music E and let us .ace it& contemporary music is not the most appealing to eginners @ ut this is a good introduction since it is not too radically contemporary, contemporary,

4"

 Attwood

6onatina No, 1 in : maor

6cale .ragments Alerti patterns #ro0en arpeggios (ery good .or .inger articulation< independence,

his has to e the .i rst sonatina to e learned, :rown ups may not .ind it so use.ul& ut .or the elow 1 is a great repertory, he second movement movement is the easiest& ut also dull, he .irst and third movements are ecellent,

88" 4*3 4)8

 #ach  #a #ach  #ach

March in 7& #' ( Anh, II 1" Fanon, Minuet in Am& #' ( Anh, II 1 Fanon,

Intro to Evoice inventions Hand independence

Another ecellent preparation .or Evoice inventions, Another ecellent  voice canonic wor0 that will develop hand hand independence and yet is easy enough .or a eginner,

4)9 4*4

 #ach  #ach

Minuet in $m& #' ( Anh, II 11 FAnon, Minuet in 5m& #' ( Anh, II 13 Fanon,

Hand independence

4*1 4))

 #a #ach  #ach

Minuet in :& F:, #ohm Minuet in :& #' ( Anh, 114 F$, Pet>old

Intro to counterpoint !rnamentation

Another good introduction to counterpoint that is simple enough .or any eginner, his minuet is meant to e played with the Minuet in :m in A#A .orm Fminuet in : @ minuet in :m @ minuet in :,

4)"

 #ach

Minuet in :& #' ( Anh, II 11* Fanon,

Intro to Evoice inventions

4)*

 #ach

Minuet in :m& #' ( Anh, 11) F$, Pet>old

!rnamentation

7cellent piece to introduce canon Fround writing, It is a per.ect introduction to  voice i nventions which are .ar too di..icult .or a eginner, #eauti.ul lyrical minuet& re.lective and slow, his minuet is meant to e played with the previous one in A#A .orm Fminuet in : @ minuet in :m @ minuet in :, -or eginners omit the ornamentation, -or more advanced players there is a lot o. scope .or learning the art o. ornamentation with these two pieces,

4*

 #ach

Musette in 5& #' ( Anh, II 1*Fanon,

60ips -ast runs

888 88* 4**

 #ach  #ach  #a #ach

!verture in -& #' ( 8 Polonaise in : minor& #' ( Anh 119 Prelude in $& #' ( 84*
4*"

 #a #ach

Prelude in $& #' ( 94

4*8

 #ach

Prelude in $& #' ( 939

#ourrKe .rom !verture in -

Arpeggios

Hauntingly eauti.ul slow minuet, Another very eauti.ul eauti.ul re.lective minuet& which will develop hand independence, independence, -rom A %ittle Noteoo0 .or Anna Magdalena #ach

7cellent piece .or the virtuoso to e Fvery easy ut impressive& with daring s0ips on the %H and .ast runs on the CH, A .avorite with 0ids, )th mvt& #ourrKe !ne o. the .ew pieces in the noteoo0 that is actually y #ach& this prelude is the .irst prelude in the '$ oo0 I, A eauti.ul eauti.ul prelude ased on ro0en ro0en triads& this is very easy Fut not as as e..ective i. you omit the the several ornaments, hese can added later on when the student has progressed enough, An ecellent study in arpeggios .or oth oth CH and %H and and a great introduction introduction to Juestion and and answer writing, !nly 1* ars long

OrSor 88 881 883 88 884 88) 48)

Grade 1 1 1 1 1 1 



Composition

Ag A gay






484

 Ag Agay



48*

 Al Alderighi

6igni %ieti

48"

 Aleandrow

Pieces .or $hildren

49

 Alt




4"

 Attwood




88" 4*3 4)8





4)9 4*4

 #ach  #ach


Hand independence

4*1 4))





4)"

 #ach



4)*

 #ach


!rnamentation


4*

 #ach


60ips -ast runs

888 88* 4**


4*"

 #a #ach


4*8

 #ach


OrSor 4*9

Grade Composer  #ach


Arpeggios

Composition Prelude in :m& #' ( 999

Main Technical Difficulty or Benefit #ro0en riads



Other Notes & Comments -or the udding virtuoso, (ery e..ective at a .ast speed& ut eJually eauti.ul at a much slower tempo, he repetitive .iguration in ro0en triads ma0e it an ecellent eercise as well,

4* 4*)

 #ach& $,P,7,  #a #ach& +,$,

March in 5& H, 1,1 Aria in -

=pli.ting and .ull o. oy, !nly 1* ars long& this eauti.ul aria can e easily learned y a eginner and then e used at a later stage to teach improvised ornamentation, No 4 .rom /Comanian $hristmas $arols/& 6eries 1

889 4"

 #art20  #e # each

$hildren $arnival op, )

4"1 89 491

 #each  #eethoven  #loch

$hildrens Alum op, 3* 6onatina in :

hey are proaly more suited to the later eginner F* months @ one year o. lessons Anh )<1& nd mvt& Coman>e

7n.antines

#loch composed a set o. ten very interesting pieces called 7n.antines& .or his daughters, hey are not .or eginners though& ecept the .irst one& which may e tac0led y a late eginner F* months @ 1 year o. lessons

49

 #loch

%ullay

493

 #o #owles

-ol0 preludes

89 891 893 89) 894 89* 4"" 4"9

       

4"8

Comanian $hristmas $arol 'alt> Arpeggio 7Juali>ing Hand one

%egato playing $antaile

Pierrot L Pierrette F.rom op, ) is a wonder.ul walt> with a eauti.ul melody and unusual harmony& harmony& very easy and yet it sounds very Gpro.essional, My .avourite though is G6ecrets Falso .rom op, ) where arpeggio .igurations are divided etween the hands so that they are Falmost never together, 7cellent eercise in eJuali>ing the hands tone& and an eJuisite piece o. music,

Impressionistic writing& this is a very epressive piece that allows .or the introduction o. several concepts Modes Fthe piece is written in the Aeolian mode& legato playing Fthe piece reJuires that one .inger e held while the other .ingers o. the same hand play t he melody aove it& cantaile, Paul -rederic0 #owles hese are really .or intermediate students& ut I could not resist including it, hese are ecellent arrangements o. classical American .ol0 tunes, ruly enchanting pieces,

#urg #urgm; m;ll ller er #urg #urgm m;lle ller $ouperin $>erny $>erny 5iaelli

5ouc 5ouce e Plai Plaint nte e F6ig F6ighi hing ng& & !p, !p, 1< 1<1* 1* 6tu 6tudy in : min mino or& !p, !p, 1<1* <1* %a #ouronnaise 6tudy in # minor& !p 139<98 6tudy in :& !p 139<) Andantino& !p 1)<11

:u :urlitt :urlitt

A song without words& op, 11" no, 34 In the garden& op, 14 no, 4

#ro0en $hords %H melody voicing

A study in ro0en chords very e..ective in per.ormance, he melody is in the %H while the CH accompanies with syncopated chords, chords, 7cellent .or teaching how to voice etween the hands,

 :urlitt

%ullay

Prep .or 4E) .inger melody

#eauti.ul piece with the accompaniment eJually divided etween oth hands and the melody played with .ingers 4E) o. the CH, 7cellent preparation .or similar .iguration in the more advanced repertory Fe,g, Mendelssohns 6ong without words op, 19 no,1, Although easy& it is .or the late eginner,

4"3

 :urlitt

Morning prayer& !p, 11 no, 

9 9) 4"4

 :urlitt  :urlitt  :urlitt

6erenade in # .lat 6onatina in : 6unday& !p, 11 no, 18

4")

 :urlitt

he -air& op, 11 no, 8

898 89" 4"*


he Hurdy :urdy Man& !p1<19 =ndismayed& !p 19"<" (alse Nole op, 11 no, 14

899 91 9

 :urlitt  Handel  Handel

' ild Mignonette $hanson /6ans y penser/ -uga in :& #1")<31

#eauti.ul chorale in three voices& will prepare .or .our voice chorales, (ery easy, -rom here& go to the one elow, No 18 .rom /Alum .or the ?oung/& !p 14 1st and 3rd mvts -ourEpart Harmony #ring out upper voice 5evelop in.lection o. short melodic moti.s

-our part chorale, 7cellent to learn .our part harmony and ring up the top voice in each chord,

$ontrast gra>ioso w< scher>o

A very nice walt> with with ust 1* ars Ftwo 8Ear phrases, :ood :ood .or learning how to contrast the gra>ioso section with the scher>o section,

(ery light& with a .ast CH going through a circular semiJuaver pattern, (ery good to develop the in.lection o. short melodic moti.s, -or the udding virtuoso,

OrSor 88 881 883 88 884 88) 48)

Grade 1 1 1 1 1 1 



Composition

Ag A gay






484

 Ag Agay



48*

 Al Alderighi

6igni %ieti

48"

 Aleandrow

Pieces .or $hildren

49

 Alt




4"

 Attwood




88" 4*3 4)8





4)9 4*4

 #ach  #ach


Hand independence

4*1 4))





4)"

 #ach



4)*

 #ach


!rnamentation


4*

 #ach


60ips -ast runs

888 88* 4**


4*"

 #a #ach


4*8

 #ach


OrSor 4*9



Arpeggios






4* 4*)

 #ach& $,P,7,  #a #ach& +,$,



889 4"



4"1 89 491




7n.antines


49

 #loch

%ullay

493

 #o #owles

-ol0 preludes

89 891 893 89) 894 89* 4"" 4"9

       

4"8







:u :urlitt :urlitt




 :urlitt

%ullay



4"3

 :urlitt


9 9) 4"4



4")

 :urlitt

he -air& op, 11 no, 8

898 89" 4"*



899 91 9



#eauti.ul chorale in three voices& will prepare .or .our voice chorales, (ery easy, -rom here& go to the one elow, No 18 .rom /Alum .or the ?oung/& !p 14 1st and 3rd mvts -ourEpart Harmony #ring out upper voice 5evelop in.lection o. short melodic moti.s

-our part chorale, 7cellent to learn .our part harmony and ring up the top voice in each chord,




OrSor 4*9





4* 4*)

 #ach& $,P,7,  #a #ach& +,$,



889 4"



4"1 89 491




7n.antines


49

 #loch

%ullay

493

 #o #owles

-ol0 preludes

89 891 893 89) 894 89* 4"" 4"9

       

4"8







:u :urlitt :urlitt




 :urlitt

%ullay



4"3

 :urlitt


9 9) 4"4



4")

 :urlitt

he -air& op, 11 no, 8

898 89" 4"*



899 91 9



OrSor 9) 94 9* 93 9" 91 98 91 99 911 48

Grade           

91) 913 914 481

   

918 91* 91" 919 9 93 91 9 94 48

         

9) 9* 9" *8 933 1* 934 93) 93 98 99 931 93 938 94 93* 939 93" 94

   3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

#eauti.ul chorale in three voices& will prepare .or .our voice chorales, (ery easy, -rom here& go to the one elow, No 18 .rom /Alum .or the ?oung/& !p 14 1st and 3rd mvts -our part chorale, 7cellent to learn .our part harmony and ring up the top voice in each chord,




Composer Ba Baalevs levs0y 0y Baalevs0y Baalevs0y Ba Baalevs levs0y 0y Buhlau % Mo>art %e $o $ouppey %e $o $ouppey %e $ouppey %e $ouppey

A %itt ittle 6on 6ong& .ro .rom !p " :alop& !p 39<18 Nights on the Civer 'alt> lt> in in 5 minor inor&& !p !p 39 39<13 6onatina in -& !p ))<4 Allegro in : 6tu 6tudy in A mino inor& !p !p 1 1 6tu 6tudy in # .la .lat& t& !p 4<8 6tu 6tudy in $& !p, !p, 4<* 6tu 6tudy in $& !p, !p, 4<1

Mac5owell

o a ' ild Cose

Mo>art Mo>art Mo>art

Andante in 7& B1)mm Minuet and rio B)8) Minuet in # .lat& B1)pp

!esten

May.lowers op, *1

Purcell Purcell Purcell Purcell 6chuert 6chumann 6chumann 6chumann 6travins0y

Hornpipe in 7 minor Minuet Minuet in : Cigadoon in 5 minor D 5" %Ondler in 7& 5*"9< 5oll /s $r $radle 6o 6ong& !p !p *8 *8< 6t;c0chen& !p *8 No, ) he Po Poor !r !rphan& !p !p *8 No No,* %es $inJ 5oights

chai0ovs0y

Alum .or the ?oung !p, 39

chai0ovs0y c ha hai0ov s0 s0y elemann

Ma>ur0a& !p, 39 No, 1 6weet 5reams -antasia No 1 in 5

3rd 5o>en& nd mvt& 5olce

#a # ach #ach

-rench 6uite No, * E Menuet -rench 6uite& No * in 7

Minuet

#a #ach #ach #ach

%ittle Prelude& #' ( 999 Prelude in $ minor& #' ( 999 Prelude& no 1 Allegro in $ minor Allegro in :& H38 ' 11*<)4 11*<)4 Menuet %a Pott& ' 11"<18 6onata in $ 6onata in $horal No 8 .rom /-or $hildren/ vol 1 Beringo %ento No 11& .rom /-or $hildren&/ vol 1 Peasant/s -lute No * .rom /-or $hildren/ v ol ol  Cound 5ance No 1"& . ro rom /-or $hildren&/ vol 1 :race.ulness

#ach& $,P,7, #ach& $,P,7, #ach& $,P,7, #ach& $,P,7, #ach& $,P,7, #art20 #art20 #art20 #art20 #art20 #urgm;ller

Composition

-ourEpart Harmony #ring out upper voice 5evelop in.lection o. short melodic moti.s


Other Notes & Comments

-rom /$hildren/s Pieces/& !p "<4 Andantino con espressione -rom /Nannerl Noteoo0

7pressive Playing

%ovely piece very easy technically& ut demanding the greatest epressivity in playing, Proaly etter suited to older students, :ood .or awa0ening the s0ills .or epression in ones playing, -rom /he %ondon Noteoo0/

$hords

) easy pieces very romantic& most less than a page long, I li0 e no, 1 G6panish dance& melody on the CH& %H rhythmic repeated chords, As you 0now eginners have di..iculty with chords& so t his is a good one,

Not all pieces are .or eginners, he easier are no, 1 GMorning prayer a .our voice chorale& no," Ghe sic0 doll which is very easy& ut the melody is on the second eat o. the ar& so it reJuires attention to voicing& no, 8 Ghe dolls urial very slow and heavyR no, 1 G5aydream& very good to learn how to do o..eat chord accompaniment and no, 4 GIn $hurch& again a 4<) voice chorale& ut easier ecause o. repeated chords, 7cellent to learn syncopated pedaling, -rom /Alum .or the ?oung/

7ighteen %ittle Preludes/

No  .rom /$P7 #ach& 3 PiQces $haracteristiJues/ Allegretto Allegretto

OrSor 9) 94 9* 93 9" 91 98 91 99 911 48

Grade           

91) 913 914 481

   

918 91* 91" 919 9 93 91 9 94 48

         

9) 9* 9" *8 933 1* 934 93) 93 98 99 931 93 938 94 93* 939 93" 94

   3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

OrSor 941 943 19 944 94) 94*  94" 949 9) 9)1 948 9)4 9)) 9)* 9)" 9)3 9)8 9)9 9* 9* 9*1 9*4 9*3 9*) 9** 9*" 9*8 4

Grade 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Composer Ba Baalevs levs0y 0y Baalevs0y Baalevs0y Ba Baalevs levs0y 0y Buhlau % Mo>art %e $o $ouppey %e $o $ouppey %e $ouppey %e $ouppey

A %itt ittle 6on 6ong& .ro .rom !p " :alop& !p 39<18 Nights on the Civer 'alt> lt> in in 5 minor inor&& !p !p 39 39<13 6onatina in -& !p ))<4 Allegro in : 6tu 6tudy in A mino inor& !p !p 1 1 6tu 6tudy in # .la .lat& t& !p 4<8 6tu 6tudy in $& !p, !p, 4<* 6tu 6tudy in $& !p, !p, 4<1

Mac5owell

o a ' ild Cose


Andante in 7& B1)mm Minuet and rio B)8) Minuet in # .lat& B1)pp

!esten

May.lowers op, *1

Purcell Purcell Purcell Purcell 6chuert 6chumann 6chumann 6chumann 6travins0y

Hornpipe in 7 minor Minuet Minuet in : Cigadoon in 5 minor D 5" %Ondler in 7& 5*"9< 5oll /s $r $radle 6o 6ong& !p !p *8 *8< 6t;c0chen& !p *8 No, ) he Po Poor !r !rphan& !p !p *8 No No,* %es $inJ 5oights

chai0ovs0y

Alum .or the ?oung !p, 39

chai0ovs0y c ha hai0ov s0 s0y elemann

Ma>ur0a& !p, 39 No, 1 6weet 5reams -antasia No 1 in 5

3rd 5o>en& nd mvt& 5olce

#a # ach #ach

-rench 6uite No, * E Menuet -rench 6uite& No * in 7

Minuet

#a #ach #ach #ach

%ittle Prelude& #' ( 999 Prelude in $ minor& #' ( 999 Prelude& no 1 Allegro in $ minor Allegro in :& H38 ' 11*<)4 11*<)4 Menuet %a Pott& ' 11"<18 6onata in $ 6onata in $horal No 8 .rom /-or $hildren/ vol 1 Beringo %ento No 11& .rom /-or $hildren&/ vol 1 Peasant/s -lute No * .rom /-or $hildren/ v ol ol  Cound 5ance No 1"& . ro rom /-or $hildren&/ vol 1 :race.ulness

#ach& $,P,7, #ach& $,P,7, #ach& $,P,7, #ach& $,P,7, #ach& $,P,7, #art20 #art20 #art20 #art20 #art20 #urgm;ller

Composition

Composer #urgm;ller #urgm;ller

Innocence& !p, 1<) 6tudy in $ minor& !p, 1<1)

$lementi $ouperin $>erny $>erny

:rand 'alt> Condo 6tudy in A .lat& !p 139<)1 6tudy in :& !p *1<1"

5acJuin 5iaelli :urlitt :urlitt :urlitt :urlitt Handel Handel Handel Handel Handel Haydn Heller Heller Hummel Hummel Baalev s0y Baalevs0y Baalevs0y Buhlau % Mo>art Mo>art

%e $oucou 6onatina in -& !p 1*8<1 Impromptu& !p 4<) %ittle -lower 6onatina in he 5eserted $hild& !p "4<* Air in # .lat& H'( 4"1 Air& #1")<4 :avotte in :& H'( 491 Minuet in 6onatina in # .lat Arietta con (aria>ione Prelude& !p 119<1" 6tudy in 5& !p 1)<" Allegro in Menuetto& !p 4<3 $lowning& !p "<1 $lowns& !p 39< 6oldiers/ March 6onatina& !p ))<1 Menuet in A Andantino in 7 .lat B3*

Pro0o.iev

Music .or $hildren !p, *) No, 4



-rom /$hildren/s Pieces/& !p "<4 Andantino con espressione -rom /Nannerl Noteoo0

7pressive Playing

%ovely piece very easy technically& ut demanding the greatest epressivity in playing, Proaly etter suited to older students, :ood .or awa0ening the s0ills .or epression in ones playing, -rom /he %ondon Noteoo0/

$hords

) easy pieces very romantic& most less than a page long, I li0 e no, 1 G6panish dance& melody on the CH& %H rhythmic repeated chords, As you 0now eginners have di..iculty with chords& so t his is a good one,

Not all pieces are .or eginners, he easier are no, 1 GMorning prayer a .our voice chorale& no," Ghe sic0 doll which is very easy& ut the melody is on the second eat o. the ar& so it reJuires attention to voicing& no, 8 Ghe dolls urial very slow and heavyR no, 1 G5aydream& very good to learn how to do o..eat chord accompaniment and no, 4 GIn $hurch& again a 4<) voice chorale& ut easier ecause o. repeated chords, 7cellent to learn syncopated pedaling, -rom /Alum .or the ?oung/

Composition

9*9 1"4

3 Purcell 3 6carlatti

6onata B 3

1"* 1""

3 6carlatti 3 6carlatti

6onata B 4 6onata B 431

9" 9"1 9"3 9" 9"4 9"* 9") 9"" "8 84 8) 98

3 6chumann 3 chai0ovs0y 3 chai0ovs0y 3 chai0ovs0y 3 chai0ovs0y 3 elemann 3 elemann 4 Attwood 4 #ach 4 #ach 4 #ach 4 #ach

he 'ild Horseman& F'ilder Ceiter& !p *8 No,8 March o. the 'ooden 6oldiers& !p 39 No, ) !ld -rench 6ong Pol0a& !p 39 No 14 he 'itch Allegro in 7 minor -antasia No 9 in 7 minor 6onatina No,  in $

7ighteen %ittle Preludes/

No  .rom /$P7 #ach& 3 PiQces $haracteristiJues/ Allegretto Allegretto



& nd mvt& Andante

Allegro 6cher>ando

No )* .rom /Blavierschule/

arantella @ -ast and rhythmical with a melodic middle section, 6ounds much more di..icult than it actually is,

Hornpipe in # .lat

7nglish 6uite No, 1 E #ouree  7nglish 6uite No,  E #ouree 1 7nglish 6uite No,  E #ouree  7nglish 6uite No, 4 E Menuet 1

Interpretation<7pression

F5 minor @ Aria %yrical sonata much easier than it sounds, 6low and melancholic, Although ust one page long it reJuires some musical maturity to e truly e..ective, his is an ideal piece to open a recital& since it is slow and introspective it will calm you down, his is a real gem, !nly 4 ars long& technically unchallenging Fgrade 3& and yet one o. the most eauti.ul sonatas, 6low paced and euding tranJuillity& this re.lective piece is the est o. the .our, A nice minuet only a page long F4 ars @ amongst the easiest o. 6carlatti pieces A delight.ul GaroJue prelude style piece with a .ast right hand in arpeggio triplet .igurations while the le.t hand provides a melody in minims and crochets, Although this should e played .ast& it is still e..ective i. use a slower tempo, +ust 1* ars, -rom /Alum .or the ?oung/ -rom /Alum .or the ?oung/ -rom /Alum .or the ?oung/ No 4 .rom /-ugues legQres et petits eu/& '( 3) nd 5o>en& '( 331& 3rd mvt& rQs vite nd mvt& Minuetto and 3 variations

OrSor 941 943 19 944 94) 94*  94" 949 9) 9)1 948 9)4 9)) 9)* 9)" 9)3 9)8 9)9 9* 9* 9*1 9*4 9*3 9*) 9** 9*" 9*8 4

Grade 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3

Composer #urgm;ller #urgm;ller

Innocence& !p, 1<) 6tudy in $ minor& !p, 1<1)

Composition

$lementi $ouperin $>erny $>erny

:rand 'alt> Condo 6tudy in A .lat& !p 139<)1 6tudy in :& !p *1<1"

5acJuin 5iaelli :urlitt :urlitt :urlitt :urlitt Handel Handel Handel Handel Handel Haydn Heller Heller Hummel Hummel Baalev s0y Baalevs0y Baalevs0y Buhlau % Mo>art Mo>art

%e $oucou 6onatina in -& !p 1*8<1 Impromptu& !p 4<) %ittle -lower 6onatina in he 5eserted $hild& !p "4<* Air in # .lat& H'( 4"1 Air& #1")<4 :avotte in :& H'( 491 Minuet in 6onatina in # .lat Arietta con (aria>ione Prelude& !p 119<1" 6tudy in 5& !p 1)<" Allegro in Menuetto& !p 4<3 $lowning& !p "<1 $lowns& !p 39< 6oldiers/ March 6onatina& !p ))<1 Menuet in A Andantino in 7 .lat B3*

Pro0o.iev

Music .or $hildren !p, *) No, 4

9*9 1"4

3 Purcell 3 6carlatti

6onata B 3

1"* 1""


6onata B 4 6onata B 431

9" 9"1 9"3 9" 9"4 9"* 9") 9"" "8 84 8) 98

3 6chumann 3 chai0ovs0y 3 chai0ovs0y 3 chai0ovs0y 3 chai0ovs0y 3 elemann 3 elemann 4 Attwood 4 #ach 4 #ach 4 #ach 4 #ach

he 'ild Horseman& F'ilder Ceiter& !p *8 No,8 March o. the 'ooden 6oldiers& !p 39 No, ) !ld -rench 6ong Pol0a& !p 39 No 14 he 'itch Allegro in 7 minor -antasia No 9 in 7 minor 6onatina No,  in $

OrSor

Grade

99 1* 3) 41 4* ** 98 981 98 9"8 9"9 983 984 98) 98* 1" 98" )88 988 989 1"

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

99 991 99 8) 8* 8" 88 89 91 9 9 93 94 993 994 99* 99) 99" 998 ) 1 )3 )4 )) )* )" )8 )9 )1

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

Composer #ach #ach #ach #ach #ach #ach #ach #ach #ach



& nd mvt& Andante

Allegro 6cher>ando

No )* .rom /Blavierschule/

arantella @ -ast and rhythmical with a melodic middle section, 6ounds much more di..icult than it actually is,

Hornpipe in # .lat Interpretation<7pression

F5 minor @ Aria %yrical sonata much easier than it sounds, 6low and melancholic, Although ust one page long it reJuires some musical maturity to e truly e..ective, his is an ideal piece to open a recital& since it is slow and introspective it will calm you down, his is a real gem, !nly 4 ars long& technically unchallenging Fgrade 3& and yet one o. the most eauti.ul sonatas, 6low paced and euding tranJuillity& this re.lective piece is the est o. the .our, A nice minuet only a page long F4 ars @ amongst the easiest o. 6carlatti pieces A delight.ul GaroJue prelude style piece with a .ast right hand in arpeggio triplet .igurations while the le.t hand provides a melody in minims and crochets, Although this should e played .ast& it is still e..ective i. use a slower tempo, +ust 1* ars, -rom /Alum .or the ?oung/ -rom /Alum .or the ?oung/ -rom /Alum .or the ?oung/ No 4 .rom /-ugues legQres et petits eu/& '( 3) nd 5o>en& '( 331& 3rd mvt& rQs vite nd mvt& Minuetto and 3 variations

7nglish 6uite No, 1 E #ouree  7nglish 6uite No,  E #ouree 1 7nglish 6uite No,  E #ouree  7nglish 6uite No, 4 E Menuet 1

#ach& $,P,7, #ach& +,$,-, #art20 #art20 #eethoven #eethoven

Composition 7nglish 6uite No, 4 E Menuet  7nglish 6uite No, ) E Passepied  -rench 6uite No, 1 E Menuet  -rench 6uite No,  E Menuet -rench 6uite No, 3 E Menuet -rench 6uite No, * E Polonaise March i n 7 .lat& #' ( Anh 1" Minuet no 1 in # minor Prelude in -antasia in 5 minor Musical %eisure Hours& no  E Menuet and rio in -or $hildren& vol 1 no 3 E +eering 6ong -or $hildren& vol  no 18 E easing 6ong #agatelle in -& !p 33<3 #agatelle& !p 33<*

#eethoven #eethoven

-ur 7lise Merry and 6ad& #agatelle in A minor& !p 119<9

#eethoven #enda #enda

6onatina in 6onata in Am 6onatina in -

#enda

6onatina No, 3 in Am

#erens #erens #urgm;ller

6tudy in -& !p *1<4 6tudy in -& !p 88<18 #arcarolle& !p, 1<

$hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $lementi $lementi $ouperin $ouperin -ranc0 :ranados

$antaile in # maor -euille dalum Ma>ur0a in $ maor& op, " no, ) Ma>ur0a in - maor& op, posth, *8 no, 3 Ma>ur0a in - minor& op, posth, *8 no, 4 Preludes !p, 8, no, 4 Preludes !p, 8, no, " Preludes !p, 8, no,  'alt> no, 1" in A minor 'alt> no, 18 in 7 maor 6onatina in :& !p 3*< 6onatina in :& !p 3*<4 Allemande %e Moucheron %/!rganiste/ vol 1 no 3 E uasi %ento #ocetos No 4 E he 7vening #ell

:ranados :rieg

5edication Arietta

:rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg

%yric Pieces !p, 1<1 FArietta %yric Pieces !p, 1< F'alt> %yric Pieces !p, 1<3 F'atchman/s song %yric Pieces !p, 1<) F-ol0song %yric Pieces !p, 1<" FAlum lea. %yric Pieces !p, 1<8 FNational song %yric Pieces !p, 38< F-ol0 song %yric Pieces !p, 38<" F'alt>



he Anna Magdalena #ac h #oo0 o. 1") No 8 o. /welve %ittle Preludes/ -rom /Bur>e und leichte $lavierst;c0e/& 'J 113<3

3rd mvt& Presto Arpeggios Hand crossing

7hilarating and athletic piece with .ast arpeggios divided etween the hands and hand crossings on the second part, his is a oneEmovement sonatina Fonly 49 ars long that sounds much more di..icult than it actually is,

1st mvt& Allegretto nd mvt& Andante con espressione

G5edication is ust one page long and very eauti.ul,

OrSor

Grade

Composer #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach& $,P,7, #ach& +,$,-, #art20 #art20 #eethoven #eethoven

Composition 7nglish 6uite No, 4 E Menuet  7nglish 6uite No, ) E Passepied  -rench 6uite No, 1 E Menuet  -rench 6uite No,  E Menuet -rench 6uite No, 3 E Menuet -rench 6uite No, * E Polonaise March i n 7 .lat& #' ( Anh 1" Minuet no 1 in # minor Prelude in -antasia in 5 minor Musical %eisure Hours& no  E Menuet and rio in -or $hildren& vol 1 no 3 E +eering 6ong -or $hildren& vol  no 18 E easing 6ong #agatelle in -& !p 33<3 #agatelle& !p 33<*

99 1* 3) 41 4* ** 98 981 98 9"8 9"9 983 984 98) 98* 1" 98" )88 988 989 1"

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

99 991 99 8) 8* 8" 88 89 91 9 9 93 94 993 994 99* 99) 99" 998 ) 1 )3 )4 )) )* )" )8 )9 )1

4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

OrSor )11 )1 )13 )14 )1) )1* )1" )18 )19 999 11 13 14 1 1* 1) "91 "93 114 113 111 11 19 1" 18 11 11) 11* 11" 118 119 1 843

Grade 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

3 1 11 1") "44 14 13 1" )1

4 4 4 4 4 4 4 4 4

1* 1)

4 6chumann 4 6chumann



he Anna Magdalena #ac h #oo0 o. 1") No 8 o. /welve %ittle Preludes/ -rom /Bur>e und leichte $lavierst;c0e/& 'J 113<3

#eethoven #eethoven

-ur 7lise Merry and 6ad& #agatelle in A minor& !p 119<9

#eethoven #enda #enda

6onatina in 6onata in Am 6onatina in -

#enda

6onatina No, 3 in Am

#erens #erens #urgm;ller

6tudy in -& !p *1<4 6tudy in -& !p 88<18 #arcarolle& !p, 1<

$hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $lementi $lementi $ouperin $ouperin -ranc0 :ranados

$antaile in # maor -euille dalum Ma>ur0a in $ maor& op, " no, ) Ma>ur0a in - maor& op, posth, *8 no, 3 Ma>ur0a in - minor& op, posth, *8 no, 4 Preludes !p, 8, no, 4 Preludes !p, 8, no, " Preludes !p, 8, no,  'alt> no, 1" in A minor 'alt> no, 18 in 7 maor 6onatina in :& !p 3*< 6onatina in :& !p 3*<4 Allemande %e Moucheron %/!rganiste/ vol 1 no 3 E uasi %ento #ocetos No 4 E he 7vening #ell

:ranados :rieg

5edication Arietta

:rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg

%yric Pieces !p, 1<1 FArietta %yric Pieces !p, 1< F'alt> %yric Pieces !p, 1<3 F'atchman/s song %yric Pieces !p, 1<) F-ol0song %yric Pieces !p, 1<" FAlum lea. %yric Pieces !p, 1<8 FNational song %yric Pieces !p, 38< F-ol0 song %yric Pieces !p, 38<" F'alt>

Composer :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :urlitt Handel Handel Handel Handel Handel

Composition %yric Pieces !p, 43< F6olitary traveller %yric Pieces !p, 43<3 FIn my native country %yric Pieces !p, 4"<3 Fmelody %yric Pieces !p, 4"<" F7legy %yric Pieces !p, )4<* F#ell ringing %yric Pieces !p, *)<) F#allad %yric Pieces !p, *8< F:randmother/s menuet %yric Pieces !p, "1<* Fgone %yric Pieces !p, "1<" Frememrance %yric Pieces& !p 1<4 7lves/ 5ance Bleine #lumen& !p )<3 Allegretto $ourante in -& #*<4 $ourante in -& H'( 488 :igue& .rom 6uite in : minor& #*<19 6onata in $& #*<9 6onatina in # .lat& H'( )8)

Haydn Haydn Heller Heller Heller Heller Heller Heller Heller Heller Hummel Hummel Baalevs0y Baalev s0y Mendelssohn Mo>art

6onata S(I<) in A maor 6onata S(I<* in : maor A 6trange 6tory Melody in : Prelude& !p 119<* 6tudy in A .lat& !p 4"<3 6tudy in # minor& !p 4"<1 6tudy in 5& !p 4*<8 6tudy in 5& !p 4"<1 6tudy in 7& !p 1)<18 Allegretto in :igue 3 Pieces .or $hildren& !p 3<* E 6ad 6tory Condo in 5& !p *< $hristmas Piece& !p "< Minuetto

Allegro F" Menuet and trio F<3 -inale Presto F* Allegro F" Menuet and rio F* Adagio F) -inale F*

P, 5, , #ach

Prelude and .ugue no, 1 in $

Pro0o.iev Purcell Purcell

Music .or $hildren !p, *) No,  Air& D*41 Mo..at wo #ourrKes

.rom the G6hortEtempered clavier, A hilarious .ugue with chopstic0s on the CH and very .ast scales over two octaves on the %H, An ecellent encore, Promenade @ +oy.ul and ouncy

6carlatti 6carlatti 6chuert 6chuert 6chumann

6onata B 34 6onata B 44 7cossaise in #m 6cher>o in #& 5 )93<1 Aout 6trange %ands and People

A slow thought.ul piece& only 8 ars long FA maor @ #eauti.ul lyrical sonata and technically undemanding,

6chumann

Alum .or the young op, *8

here are over 4 eceptional pieces in this set& ut only the .irst ten or so are really .or eginners, Ghe cycle is a totally shattering pro.ile o. spiritual development& eginning with the innocently naTve and childish nos, 1 @ )& where no shadows are yet to e .ound, 'ith no, * comes the .irst small cloud Fhe poor orphanUVW with nos 1 and 13 the cycle leaves ehind UVW the childs world, UVW in the second section& the tone changes& with a contrast etween the .riendly A maor o. nos, & & 4& and 8 and the intervening pieces li0e the sad no, 19& the magni.icently inspired nos, 1 and * the sinister no, 3 the ecited no, ), UVW Uthe lastW ten numers are wonder.ul eamples o. the uniJuely introverted worlds o. late 6chumann,X

Ceaper/s 6ong& !p *8 No, 18 6onata in :& !p 118 No, 1

3rd mvt& Presto Arpeggios Hand crossing

7hilarating and athletic piece with .ast arpeggios divided etween the hands and hand crossings on the second part, his is a oneEmovement sonatina Fonly 49 ars long that sounds much more di..icult than it actually is,

1st mvt& Allegretto nd mvt& Andante con espressione

G5edication is ust one page long and very eauti.ul,



3rd mvt #aroJue Beyoard Pieces& oo0 & pu, Assoc, #oard

-rom 5ivertimento II

Allegro& nd mvt

OrSor )11 )1 )13 )14 )1) )1* )1" )18 )19 999 11 13 14 1 1* 1) "91 "93 114 113 111 11 19 1" 18 11 11) 11* 11" 118 119 1 843

Grade 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4

3 1 11 1") "44 14 13 1" )1

4 4 4 4 4 4 4 4 4

1* 1)

4 6chumann 4 6chumann

OrSor 19 13 131 13 133 134 13* 13" 13) "" ") 8 89 9 1) 14 11 11 34 4 38 4) 4" )3 )9 )8 *" *) 1  4 8 1 13 14 138 139 14 141 *38

Composer :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :urlitt Handel Handel Handel Handel Handel

Composition %yric Pieces !p, 43< F6olitary traveller %yric Pieces !p, 43<3 FIn my native country %yric Pieces !p, 4"<3 Fmelody %yric Pieces !p, 4"<" F7legy %yric Pieces !p, )4<* F#ell ringing %yric Pieces !p, *)<) F#allad %yric Pieces !p, *8< F:randmother/s menuet %yric Pieces !p, "1<* Fgone %yric Pieces !p, "1<" Frememrance %yric Pieces& !p 1<4 7lves/ 5ance Bleine #lumen& !p )<3 Allegretto $ourante in -& #*<4 $ourante in -& H'( 488 :igue& .rom 6uite in : minor& #*<19 6onata in $& #*<9 6onatina in # .lat& H'( )8)

Haydn Haydn Heller Heller Heller Heller Heller Heller Heller Heller Hummel Hummel Baalevs0y Baalev s0y Mendelssohn Mo>art

6onata S(I<) in A maor 6onata S(I<* in : maor A 6trange 6tory Melody in : Prelude& !p 119<* 6tudy in A .lat& !p 4"<3 6tudy in # minor& !p 4"<1 6tudy in 5& !p 4*<8 6tudy in 5& !p 4"<1 6tudy in 7& !p 1)<18 Allegretto in :igue 3 Pieces .or $hildren& !p 3<* E 6ad 6tory Condo in 5& !p *< $hristmas Piece& !p "< Minuetto

Allegro F" Menuet and trio F<3 -inale Presto F* Allegro F" Menuet and rio F* Adagio F) -inale F*

P, 5, , #ach

Prelude and .ugue no, 1 in $

Pro0o.iev Purcell Purcell

Music .or $hildren !p, *) No,  Air& D*41 Mo..at wo #ourrKes

.rom the G6hortEtempered clavier, A hilarious .ugue with chopstic0s on the CH and very .ast scales over two octaves on the %H, An ecellent encore, Promenade @ +oy.ul and ouncy

6carlatti 6carlatti 6chuert 6chuert 6chumann

6onata B 34 6onata B 44 7cossaise in #m 6cher>o in #& 5 )93<1 Aout 6trange %ands and People

A slow thought.ul piece& only 8 ars long FA maor @ #eauti.ul lyrical sonata and technically undemanding,

6chumann

Alum .or the young op, *8

here are over 4 eceptional pieces in this set& ut only the .irst ten or so are really .or eginners, Ghe cycle is a totally shattering pro.ile o. spiritual development& eginning with the innocently naTve and childish nos, 1 @ )& where no shadows are yet to e .ound, 'ith no, * comes the .irst small cloud Fhe poor orphanUVW with nos 1 and 13 the cycle leaves ehind UVW the childs world, UVW in the second section& the tone changes& with a contrast etween the .riendly A maor o. nos, & & 4& and 8 and the intervening pieces li0e the sad no, 19& the magni.icently inspired nos, 1 and * the sinister no, 3 the ecited no, ), UVW Uthe lastW ten numers are wonder.ul eamples o. the uniJuely introverted worlds o. late 6chumann,X

Grade Composer 4 6hosta0ovich 4 chai0ovs0y 4 chai0ovs0y 4 elemann 4 elemann ) Al0an ) Arne ) Arne ) Arne



3rd mvt #aroJue Beyoard Pieces& oo0 & pu, Assoc, #oard

-rom 5ivertimento II

Ceaper/s 6ong& !p *8 No, 18 6onata in :& !p 118 No, 1

Allegro& nd mvt

Composition $loc0wor0 5oll 5aydream& !p, 39 No, 1 he oy 6oldiers/ March -antaisie No 1 in # .lat Partita in : %/Homme au 6aots !p,*3 No,3 6onata in 5 minor 6onata in : minor 6onata No, )


Other Notes & Comments -rom /Alum .or the ?oung/ nd mvt -rom /5er getreu Musi0meister/& Aria Andante 1st mvt :avotte in # .lat

) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )

#ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach& $,P,7, #ach& $,P,7, #ach& +,$,-, #ach& +,$,-,

7nglish 6uite No, 1 E #ouree 1 7nglish 6uite No, 1 E 5oule  7nglish 6uite No,  E $ourante 7nglish 6uite No, 3 E $ourante 7nglish 6uite No, 3 E :avotte  7nglish 6uite No, ) E Passepied 1 7nglish 6uite No, ) E 6araande 7nglish 6uite No, * E $ourante 7nglish 6uite No, * E 5oule -rench 6uite No, 1 E Menuet 1 -rench 6uite No,  E Air -rench 6uite No,  E $ourante -rench 6uite No, 3 E 6araande -rench 6uite No, 3 E rio -rench 6uite No, 4 E Air -rench 6uite No, ) E #ouree 1 -rench 6uite No, ) E :avotte -rench 6uite No, * E #ouree -rench 6uite No, * E :avotte Invention 1 Invention  Invention 4 Invention 8 Invention 1 Invention 13 Invention 14 Presto in $ minor& ' 114<3 6olo per il $emalo& ',*)<" Musical %eisure Hours E Allegretto in 6onata in : !p, ) No, 3

#arer

hree 60etches

14 143 144 14* 14) 18

) ) ) ) ) )

#art20 #art20 #art20 #eethoven #eethoven

Mi0ro0osmos& (ol 4 No, 1 E Harmonics en 7asy Piano Pieces E 7vening in the $ountry en 7asy Piano Pieces E Hungarian -ol0song #agatelle in 5& !p 119<3 #agatelle in :m& !p 119<1

#eethoven

6i 7cossaises in 7 maor 'o! 83

hese are actually to e played as a single piece, his is a two page a..air F3 pages depending on the edition& and more advanced than the other two Faround grade 4<), It sounds .ar more di..icult,

14" 148 149

) #eethoven ) #enda ) #rahms

6onatina in $ 6onatina in :m 'alt> in 5 minor& !p,39 No,9

nd movement

-rom Anna Magdalena heme and (ariations Fno, 1 E %ove 6ong is a eauti.ul song without words and his very lyrical and nostalgic Nocturne which is written with modern harmonies ut .ollowing +ohn -ield/s model,

OrSor 19 13 131 13 133 134 13* 13" 13) "" ") 8 89 9 1) 14 11 11 34 4 38 4) 4" )3 )9 )8 *" *) 1  4 8 1 13 14 138 139 14 141 *38

Grade Composer 4 6hosta0ovich 4 chai0ovs0y 4 chai0ovs0y 4 elemann 4 elemann ) Al0an ) Arne ) Arne ) Arne

Composition


$loc0wor0 5oll 5aydream& !p, 39 No, 1 he oy 6oldiers/ March -antaisie No 1 in # .lat Partita in : %/Homme au 6aots !p,*3 No,3 6onata in 5 minor 6onata in : minor 6onata No, )

Other Notes & Comments -rom /Alum .or the ?oung/ nd mvt -rom /5er getreu Musi0meister/& Aria Andante 1st mvt :avotte in # .lat

) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )

#ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach& $,P,7, #ach& $,P,7, #ach& +,$,-, #ach& +,$,-,

7nglish 6uite No, 1 E #ouree 1 7nglish 6uite No, 1 E 5oule  7nglish 6uite No,  E $ourante 7nglish 6uite No, 3 E $ourante 7nglish 6uite No, 3 E :avotte  7nglish 6uite No, ) E Passepied 1 7nglish 6uite No, ) E 6araande 7nglish 6uite No, * E $ourante 7nglish 6uite No, * E 5oule -rench 6uite No, 1 E Menuet 1 -rench 6uite No,  E Air -rench 6uite No,  E $ourante -rench 6uite No, 3 E 6araande -rench 6uite No, 3 E rio -rench 6uite No, 4 E Air -rench 6uite No, ) E #ouree 1 -rench 6uite No, ) E :avotte -rench 6uite No, * E #ouree -rench 6uite No, * E :avotte Invention 1 Invention  Invention 4 Invention 8 Invention 1 Invention 13 Invention 14 Presto in $ minor& ' 114<3 6olo per il $emalo& ',*)<" Musical %eisure Hours E Allegretto in 6onata in : !p, ) No, 3

#arer

hree 60etches

14 143 144 14* 14) 18

) ) ) ) ) )

#art20 #art20 #art20 #eethoven #eethoven

Mi0ro0osmos& (ol 4 No, 1 E Harmonics en 7asy Piano Pieces E 7vening in the $ountry en 7asy Piano Pieces E Hungarian -ol0song #agatelle in 5& !p 119<3 #agatelle in :m& !p 119<1

#eethoven

6i 7cossaises in 7 maor 'o! 83

hese are actually to e played as a single piece, his is a two page a..air F3 pages depending on the edition& and more advanced than the other two Faround grade 4<), It sounds .ar more di..icult,

14" 148 149

) #eethoven ) #enda ) #rahms

6onatina in $ 6onatina in :m 'alt> in 5 minor& !p,39 No,9

nd movement

OrSor 1) 1)1 1) 1)4 1)) 1)3 1)* 1)8 1)" 1*" 1)9 1* 1*1 1* 1*3 1*) 1** 1*4 1*" 1*8 1*9 1" 1"" 1"1 1" 1"4 1"* 1") 1"3 "8" "89 "9 "94 "9)

"9*

"9" "98 8 838 839 18) 183 184

Grade ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )

Fno, 1 E %ove 6ong is a eauti.ul song without words and his very lyrical and nostalgic Nocturne which is written with modern harmonies ut .ollowing +ohn -ield/s model,

Composer #ritten #urgm;ller #urgm;ller $lementi $lementi $lementi $lementi $ouperin $ouperin

'alt> in 5 minor& !p,3 No,1 %/Hirondelle& !p, 1<4 !rage& !p,19<13 6onata in 5& !p )<* 6onata in 5& !p *<3 6onata in -& !p 4<* 6onatina in $& !p 3*<3 Allemande in 5 minor :igue in : minor& /%a Milordine/

5e#ussy 5iaelli 5vorY0 -ield -ranc0 :ranados :rieg :rieg :rieg :rieg :urlitt Handel Handel Handel Handel Handel Handel Handel Handel Handel

%a -ille au $heveu de %in 6onatina in # .lat& !p 1*8<4 :randpa 5ances with :randma no  .rom / %ittle Pearls/ Nocturne in # .lat& no ) %ittle Piece FPoco Allegro in $Z minor& .rom /%/!rganiste/ $uentos de la +uventud/& !p 1 no 9 E he !rphan :irl -ol0 6ong& !p 1<) :randmother/s Minuet& !p *8< Poetic one Picture& !p 3<) Cigaudon& No ) o. the /Holerg 6uite/ 6erenade in A !p 1" No ) Minuet and (ariations& .rom 6uite no 1 Minuet in : minor& .rom 6uite no 1 in # .lat Partita in : H'( 4) 6uite in # .lat& #*<1) 6uite in : #*<1* 6uite in : minor& H'( 4) 6uite No 1 6uite no 13 6uite no "& H'( 43

Haydn Haydn Haydn Haydn Haydn

6onata S(I<1 in $ maor 6onata S(I<3 in $ maor 6onata S(I<4 in 5 maor 6onata S(I<" in $ maor 6onata S(I<8 in : maor

) Haydn

6onata S(I<9 in - maor

) ) ) ) ) ) ) )

6onata S(I<1 in $ maor 6onata S(I<11 in : maor 6onata S(I<13 in 7 maor 6onata S(I<51 in 5 maor 6onata S(I<:1 in : maor :ipsy 5ance& !p 13*<19 Prelude in $Z minor& !p 81<1 Prelude in -& !p 119<1*

Haydn Haydn Haydn Haydn Haydn Heller Heller Heller

-rom Anna Magdalena heme and (ariations

Composition



nd movement& =n poco andante Andante 1st mvt 6piritoso

1st mvt

)th Movt :igue $orrant nd Movt Allegro 1st mvt& Allemande Minuet and (ariations $ourante Passacaglia

=nepected s0ips F3rd Mvmt -orearm rotation F4th mvmt #ass Melody F4th mvmt Hand 6waps F4th mvmt

6peed F3rd mvmt Accuracy F3rd mvmdt

Allegro F) Adagio F4 Menuet and rio F<3 Allegretto F) Andante F) -inale Presto F4 Moderato F) Menuet and rio F4 Allegro moderato F4 Menuet and trio F4 -inale Allegro F) Allegro F) Menuet F<3 Andante F<3E A wonder.ul slow and lyrical movement, !mit the ornaments .or the early eginners, (ery easy& ut due to the unepected s0ips it teaches one to thin0 ahead, -inalle Allegro F<3 or less his is a .ast ehilarating movement& very short& very repetitive in its ro0en chord .igurations, 7cellent .or .orearm rotation and ringing the ass melody over the mist o. sound created y the very .ast CH, Hands swap .igurations occasionally& so oth hands get a wor0out, I. you hear this piece& you will not elieve how easy it is Faround grade 1<, Allegro F) Menuet and rio F4 6cher>o F -or the udding virtuoso, #eginners can easily master this movement at slow speed, More advanced eginners can start wor0ing on speed, %ots o. learning
OrSor 1) 1)1 1) 1)4 1)) 1)3 1)* 1)8 1)" 1*" 1)9 1* 1*1 1* 1*3 1*) 1** 1*4 1*" 1*8 1*9 1" 1"" 1"1 1" 1"4 1"* 1") 1"3 "8" "89 "9 "94 "9)

Composer #ritten #urgm;ller #urgm;ller $lementi $lementi $lementi $lementi $ouperin $ouperin

'alt> in 5 minor& !p,3 No,1 %/Hirondelle& !p, 1<4 !rage& !p,19<13 6onata in 5& !p )<* 6onata in 5& !p *<3 6onata in -& !p 4<* 6onatina in $& !p 3*<3 Allemande in 5 minor :igue in : minor& /%a Milordine/

5e#ussy 5iaelli 5vorY0 -ield -ranc0 :ranados :rieg :rieg :rieg :rieg :urlitt Handel Handel Handel Handel Handel Handel Handel Handel Handel

%a -ille au $heveu de %in 6onatina in # .lat& !p 1*8<4 :randpa 5ances with :randma no  .rom / %ittle Pearls/ Nocturne in # .lat& no ) %ittle Piece FPoco Allegro in $Z minor& .rom /%/!rganiste/ $uentos de la +uventud/& !p 1 no 9 E he !rphan :irl -ol0 6ong& !p 1<) :randmother/s Minuet& !p *8< Poetic one Picture& !p 3<) Cigaudon& No ) o. the /Holerg 6uite/ 6erenade in A !p 1" No ) Minuet and (ariations& .rom 6uite no 1 Minuet in : minor& .rom 6uite no 1 in # .lat Partita in : H'( 4) 6uite in # .lat& #*<1) 6uite in : #*<1* 6uite in : minor& H'( 4) 6uite No 1 6uite no 13 6uite no "& H'( 43

Haydn Haydn Haydn Haydn Haydn

6onata S(I<1 in $ maor 6onata S(I<3 in $ maor 6onata S(I<4 in 5 maor 6onata S(I<" in $ maor 6onata S(I<8 in : maor

) Haydn

6onata S(I<9 in - maor

"9" "98 8 838 839 18) 183 184

) ) ) ) ) ) ) )

Haydn Haydn Haydn Haydn Haydn Heller Heller Heller

6onata S(I<1 in $ maor 6onata S(I<11 in : maor 6onata S(I<13 in 7 maor 6onata S(I<51 in 5 maor 6onata S(I<:1 in : maor :ipsy 5ance& !p 13*<19 Prelude in $Z minor& !p 81<1 Prelude in -& !p 119<1*

OrSor 181 18* 1"8 18" 1"9 18 18 188 19 189 191 19 19* 38 31 3) 4* 4" 3" 4) 3* 44 193 194 "1) *"* 19) 1*8 )*9 84 19" 9 1 198 )

Grade ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )

Composer Heller Heller Heller Heller Heller Heller Heller Baalev s0y Baalevs0y Baalevs0y Buhlau Buhlau % Mo>art

Ceverie in A .lat& !p 1<9 E 'alt> 6leepless Nights !p 8" No 3 6tudy in # .lat& !p 4)<1* 6tudy in $ !p 4* No 1 6tudy in -& !p 4)<19 'alt> in A minor& !p 14)<3 'alt> in A minor& !p 9"<* Nov elette& !p "<) 6cher>o in # minor !p " No 14 6ong o. the $avalry& !p "<9 6onatina in $& !p ))<3 6onatina in -& !p 88<4 Allegro Moderato in -

%is>t %is>t %is>t %is>t %is>t %is>t %is>t %is>t %is>t Mac5owell Mac5owell

$onsolations& 6, 1" no, 1 7tude !p, 1 No, 4 -ive Hungarian -ol0 6ongs 6, 4) -ive piano pieces 6, 19 Nuages gris 6, 199 6ancta 5orothea 6, 18" he $hristmas ree 6, 18* he 6hephards at the Manger s, 18* 'iegenlied 1"4 Hunting 6ong& no 1 o. /welve 6tudies/ Coman>e !p 39 No 3

Mendelssohn Mendelssohn Mo>art

6ongs 'ithout 'ords !p, 1 no, * 6ongs 'ithout 'ords !p, 3 no, 3 Adagio in $& B 3)*

Mo>art Mo>art Mo>art Pro0o.iev

6onata $ maor& B )4) 6onata in $ maor& B )4) (ariations on Ah vous dirai e maman Atrappe Jui peut& !p *)<9 .rom /MusiJues d/7n.ants/

Pro0o.iev Pro0o.iev Pro0o.iev

:randmother ales !p, 31 No,  :randmother ales !p, 31 No, 3 Music .or $hildren !p, *) No, 3

Andantino Andante Assai Historiette 'alt> E A nice little walt> with unepected turns o. the harmony, 'onder.ully tonal and yet very modern, he moon strolls in the Meadows @ his is my top .avourite @ A eauti.ul& melodic piece o. great delicacy with the melody played alternatively in the right and le.t hand,

"9*

Grade ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )

Composition

Pro0o.iev

Music .or $hildren !p, *) No, *

) Pro0o.iev

Music .or $hildren !p, *) No, 1

198 199 "3"

) Pro0o.iev ) 6carlatti ) 6carlatti

(isions -ugitives !p,  No, 1 $apriccio in :& Bp *3

6onata B )


nd movement& =n poco andante Andante 1st mvt 6piritoso

1st mvt

)th Movt :igue $orrant nd Movt Allegro 1st mvt& Allemande Minuet and (ariations $ourante Passacaglia

=nepected s0ips F3rd Mvmt -orearm rotation F4th mvmt #ass Melody F4th mvmt Hand 6waps F4th mvmt

6peed F3rd mvmt Accuracy F3rd mvmdt

Allegro F) Adagio F4 Menuet and rio F<3 Allegretto F) Andante F) -inale Presto F4 Moderato F) Menuet and rio F4 Allegro moderato F4 Menuet and trio F4 -inale Allegro F) Allegro F) Menuet F<3 Andante F<3E A wonder.ul slow and lyrical movement, !mit the ornaments .or the early eginners, (ery easy& ut due to the unepected s0ips it teaches one to thin0 ahead, -inalle Allegro F<3 or less his is a .ast ehilarating movement& very short& very repetitive in its ro0en chord .igurations, 7cellent .or .orearm rotation and ringing the ass melody over the mist o. sound created y the very .ast CH, Hands swap .igurations occasionally& so oth hands get a wor0out, I. you hear this piece& you will not elieve how easy it is Faround grade 1<, Allegro F) Menuet and rio F4 6cher>o F -or the udding virtuoso, #eginners can easily master this movement at slow speed, More advanced eginners can start wor0ing on speed, %ots o. learning
Composition

"




nd mvt& Allegro gra>ioso Allegra Molto& Andante con moto -rom /Nannerl Noteoo0

(ariations & 4& * and 1 are ecellent .or the %H,

%entamente E 6low and melancholic F-Z minor @ Allegro @ A not too .ast& eauti.ul two voice invention that moves in a relentless way with one o. the most eauti.ul moti.s o. all sonatas, $rossing hands, #ro0en chords .iguration in oth hands, Harmonically adventurous and mood setting, A masterpiece,

""

) 6carlatti

6onata B *3

F: maor @ Allegro @ Also 0nown as $apriccio& this is c eleratory& oy.ul and upli.ting music that is much easier to play than it sounds, An all time .avourite, ' ide s0ips& echo e..ects& ut .its the hand surprisingly well,

"8

) 6carlatti

6onata B *"

F-Z minor @ Allegro occatta li0e& this is a . ast& da>>ling sonata ideal .or an encore, !ne o. my .avourites,

1"8

) 6carlatti

6onata B "

F# maor E Allegro  A two voice invention Fwith a third voice intruding on the last two ars o. the .irst part& this is ecellent .or .inger and hand independence,

""

) 6carlatti

6onata B 11

F# maor E Allegro @ A eauti.ul& lyrical sonata, $rossing hands,

OrSor 181 18* 1"8 18" 1"9 18 18 188 19 189 191 19 19* 38 31 3) 4* 4" 3" 4) 3* 44 193 194 "1) *"* 19) 1*8 )*9 84 19" 9 1 198 )

Grade ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) ) )

Composer Heller Heller Heller Heller Heller Heller Heller Baalev s0y Baalevs0y Baalevs0y Buhlau Buhlau % Mo>art

Ceverie in A .lat& !p 1<9 E 'alt> 6leepless Nights !p 8" No 3 6tudy in # .lat& !p 4)<1* 6tudy in $ !p 4* No 1 6tudy in -& !p 4)<19 'alt> in A minor& !p 14)<3 'alt> in A minor& !p 9"<* Nov elette& !p "<) 6cher>o in # minor !p " No 14 6ong o. the $avalry& !p "<9 6onatina in $& !p ))<3 6onatina in -& !p 88<4 Allegro Moderato in -

Composition

%is>t %is>t %is>t %is>t %is>t %is>t %is>t %is>t %is>t Mac5owell Mac5owell

$onsolations& 6, 1" no, 1 7tude !p, 1 No, 4 -ive Hungarian -ol0 6ongs 6, 4) -ive piano pieces 6, 19 Nuages gris 6, 199 6ancta 5orothea 6, 18" he $hristmas ree 6, 18* he 6hephards at the Manger s, 18* 'iegenlied 1"4 Hunting 6ong& no 1 o. /welve 6tudies/ Coman>e !p 39 No 3

Mendelssohn Mendelssohn Mo>art

6ongs 'ithout 'ords !p, 1 no, * 6ongs 'ithout 'ords !p, 3 no, 3 Adagio in $& B 3)*

Mo>art Mo>art Mo>art Pro0o.iev

6onata $ maor& B )4) 6onata in $ maor& B )4) (ariations on Ah vous dirai e maman Atrappe Jui peut& !p *)<9 .rom /MusiJues d/7n.ants/

Pro0o.iev Pro0o.iev Pro0o.iev

:randmother ales !p, 31 No,  :randmother ales !p, 31 No, 3 Music .or $hildren !p, *) No, 3

Andantino Andante Assai Historiette 'alt> E A nice little walt> with unepected turns o. the harmony, 'onder.ully tonal and yet very modern, he moon strolls in the Meadows @ his is my top .avourite @ A eauti.ul& melodic piece o. great delicacy with the melody played alternatively in the right and le.t hand,

Pro0o.iev

Music .or $hildren !p, *) No, *

"

) Pro0o.iev

Music .or $hildren !p, *) No, 1

198 199 "3"

) Pro0o.iev ) 6carlatti ) 6carlatti

(isions -ugitives !p,  No, 1 $apriccio in :& Bp *3



nd mvt& Allegro gra>ioso Allegra Molto& Andante con moto -rom /Nannerl Noteoo0

(ariations & 4& * and 1 are ecellent .or the %H,

%entamente E 6low and melancholic F-Z minor @ Allegro @ A not too .ast& eauti.ul two voice invention that moves in a relentless way with one o. the most eauti.ul moti.s o. all sonatas, $rossing hands, #ro0en chords .iguration in oth hands, Harmonically adventurous and mood setting, A masterpiece,

6onata B ) ""

) 6carlatti

6onata B *3

F: maor @ Allegro @ Also 0nown as $apriccio& this is c eleratory& oy.ul and upli.ting music that is much easier to play than it sounds, An all time .avourite, ' ide s0ips& echo e..ects& ut .its the hand surprisingly well,

"8

) 6carlatti

6onata B *"

F-Z minor @ Allegro occatta li0e& this is a . ast& da>>ling sonata ideal .or an encore, !ne o. my .avourites,

1"8

) 6carlatti

6onata B "

F# maor E Allegro  A two voice invention Fwith a third voice intruding on the last two ars o. the .irst part& this is ecellent .or .inger and hand independence,

""

) 6carlatti

6onata B 11

F# maor E Allegro @ A eauti.ul& lyrical sonata, $rossing hands,

Grade Composer ) 6carlatti

6onata B 1")

OrSor ")8

"4

Composition

) 6carlatti 6onata B 3


Other Notes & Comments FA minor @ Allegro @ A vigorous impulsive sonata with most o. the .inger wor0 on the right hand, he le.t hand Fwhich demands a hand span covering at least an octave plays sonorous chords and tone clusters @ with up to ten notes[ @ imitating the strumming o. a guitar, his 6onata was composed in 1"), Here 6carlatti succeeds in ma0ing conventional harmonies with slight changes sound Juite etraordinary .or the period, he 6onata has real 6panish character with vitality and ravura, Musically& the guitarEli0e sounds o. the le.t hand chords are particularly .ascinating, F7 minor @ 3<8 @ #eauti.ul s onata with most o. the .igurations on one hand at a time, An insistent and catchy moti. 0eeps ringing the sonata together, =nusual syncopations, CeJuires a si>eale hand span and accurate s0ips in some o. the .igurations, FA maor @ Andante e cantaile @ %yrical sonata& with a hauntingly eauti.ul melody and compelling harmonic progressions, ranJuil and luminous& this is a masterpiece, F5 minor E Andante  @ Another o. my .avourites amongst the lyrical sonatas, A slow& .ullEo.Elonging melody increases gradually in intensity up to an unusual harmonic clima, :reat to play and to listen to,

181

) 6carlatti

6onata B 8

19

) 6carlatti

6onata B 13

"34

) 6carlatti

6onata B 34

FA maor @ Allegro @ 5a>>ling and .ast& this GaroJue prelude style sonata has most o. its impressive .inger wor0 in the right hand, 7cellent .or .inger control and coEordination& it is actually much easier than it sounds, :reat .un to play,

")9

) 6carlatti

6onata B 3"3

"8

) 6carlatti

6onata B 381

F: minor @ Presto a .ugato 'onder.ul sonata with scales Fsome chromatic alternating hands over the whole etent o. the 0eyoard, F7 maor @ Allegro @ his eauti.ul twoEvoice invention is ecellent .or .inger and hand coEordination and independence, A most eauti.ul melody on the second part,

193

) 6carlatti

6onata B 4

F7 minor @ Andante !ne o. my .avourites slow sonatas, Harmonically advanced and elaorate @ at seven pages is one o. the longest sonatas E this is a master.ul sonata with a super central melody, Ce.lective and spiritual,

"3*

) 6carlatti

6onata B 4)

FA maor @ Allegro #ased on a 6panish #uleria Fa 0ind o. arantella, echnically undemanding,

"*

) 6carlatti

6onata B 4)4

F: maor @ Andante spirituoso A.ter a calm opening and nice little .ol0Eli0e tune this sonata goes onto a reathless seJuence o. scurrying scales and ro0en chords over the entire length o. the 0eyoard on oth hands, =nepected changes, :ood $>erny replacement and warmEup piece,

"4*

) 6carlatti

"48

) 6carlatti

"8*

) 6carlatti

6onata B 4*1 6onata B )44

11 11) 111 11 114 113 11* "1* 11" 118 119 1111 111 1113

) ) ) ) ) ) ) ) ) ) ) ) ) )

6onata B )4"

6chumann 6chumann 6chumann 6chumann 6chumann 6chumann 6chumann

A 6trange 6tory Aendlied& !p 118& no <3 :l;c0 es genug& !p 1) No, ) Bind im 7inschlummern& .rom /Binderscenen/& !p 1) %ento& .rom /Alum .or the ?oung/ !p *8< Ceiterst;c0& .rom /Alum .or the ?oung/ !p *8 No, 3 6lumer 6ong& !p 14 No, 1*

6criain 6hosta0ovich 6ielius 6metana chai0ovs0y chai0ovs0y elemann

Prelude !p, 11 no, 1) :avotte No  .rom /5ance o. the 5olls/ he Harpist& !p 34 No, 8 Pisen !p,  No,  $hanson riste& !p, 4 No,  $hant de l/Alouette& !p, 39 No,  -antaisie No * in # .lat& nd 5o>en& '( 3318

F$ maor @ Allegro A eauti.ul sonata .ull o. guitar sounds and 6panish nostalgia, A .ast introduction is .ollowed y a most evocative second part, F# maor @ $antaile @ A eauti.ul aria& this lyrical sonata is a real gem, 'i th occasional 4Evoice couterpoint it has digni.ied& overlapping phrases, F: maor @ Allegro @ %ively and imposing sonata with a eauti.ul recurring moti., wo voice invention Fwith an occasional third voice eJually shared etween hands, 7..ective at a slower tempo, :reat warm up,

-rom /Alum .or the ?oung/ 1st mvt& endrement

OrSor ")8

"4

Grade Composer ) 6carlatti

Composition


6onata B 1")

) 6carlatti

Other Notes & Comments FA minor @ Allegro @ A vigorous impulsive sonata with most o. the .inger wor0 on the right hand, he le.t hand Fwhich demands a hand span covering at least an octave plays sonorous chords and tone clusters @ with up to ten notes[ @ imitating the strumming o. a guitar, his 6onata was composed in 1"), Here 6carlatti succeeds in ma0ing conventional harmonies with slight changes sound Juite etraordinary .or the period, he 6onata has real 6panish character with vitality and ravura, Musically& the guitarEli0e sounds o. the le.t hand chords are particularly .ascinating, F7 minor @ 3<8 @ #eauti.ul s onata with most o. the .igurations on one hand at a time, An insistent and catchy moti. 0eeps ringing the sonata together, =nusual syncopations, CeJuires a si>eale hand span and accurate s0ips in some o. the .igurations,

6onata B 3

FA maor @ Andante e cantaile @ %yrical sonata& with a hauntingly eauti.ul melody and compelling harmonic progressions, ranJuil and luminous& this is a masterpiece, F5 minor E Andante  @ Another o. my .avourites amongst the lyrical sonatas, A slow& .ullEo.Elonging melody increases gradually in intensity up to an unusual harmonic clima, :reat to play and to listen to,

181

) 6carlatti

6onata B 8

19

) 6carlatti

6onata B 13

"34

) 6carlatti

6onata B 34

FA maor @ Allegro @ 5a>>ling and .ast& this GaroJue prelude style sonata has most o. its impressive .inger wor0 in the right hand, 7cellent .or .inger control and coEordination& it is actually much easier than it sounds, :reat .un to play,

")9

) 6carlatti

6onata B 3"3

"8

) 6carlatti

6onata B 381

F: minor @ Presto a .ugato 'onder.ul sonata with scales Fsome chromatic alternating hands over the whole etent o. the 0eyoard, F7 maor @ Allegro @ his eauti.ul twoEvoice invention is ecellent .or .inger and hand coEordination and independence, A most eauti.ul melody on the second part,

193

) 6carlatti

6onata B 4

F7 minor @ Andante !ne o. my .avourites slow sonatas, Harmonically advanced and elaorate @ at seven pages is one o. the longest sonatas E this is a master.ul sonata with a super central melody, Ce.lective and spiritual,

"3*

) 6carlatti

6onata B 4)

FA maor @ Allegro #ased on a 6panish #uleria Fa 0ind o. arantella, echnically undemanding,

"*

) 6carlatti

6onata B 4)4

F: maor @ Andante spirituoso A.ter a calm opening and nice little .ol0Eli0e tune this sonata goes onto a reathless seJuence o. scurrying scales and ro0en chords over the entire length o. the 0eyoard on oth hands, =nepected changes, :ood $>erny replacement and warmEup piece,

"4*

) 6carlatti

"48

) 6carlatti

"8*

) 6carlatti

F$ maor @ Allegro A eauti.ul sonata .ull o. guitar sounds and 6panish nostalgia, A .ast introduction is .ollowed y a most evocative second part, F# maor @ $antaile @ A eauti.ul aria& this lyrical sonata is a real gem, 'i th occasional 4Evoice couterpoint it has digni.ied& overlapping phrases, F: maor @ Allegro @ %ively and imposing sonata with a eauti.ul recurring moti., wo voice invention Fwith an occasional third voice eJually shared etween hands, 7..ective at a slower tempo, :reat warm up,

6onata B 4*1 6onata B )44

11 11) 111 11 114 113 11* "1* 11" 118 119 1111 111 1113

OrSor 111 1114 111) 111* " "3 "4 "9 "* 8* 83 88 91 9* 9" 13 113 114 111 3 33 39 44 48 ) * )* * *4 3 ) * " 9 111" 1* 18 1 ) * " 8 " 1131 1118 1119 11 111 11 113 114 11)

) ) ) ) ) ) ) ) ) ) ) ) ) )

6chumann 6chumann 6chumann 6chumann 6chumann 6chumann 6chumann

A 6trange 6tory Aendlied& !p 118& no <3 :l;c0 es genug& !p 1) No, ) Bind im 7inschlummern& .rom /Binderscenen/& !p 1) %ento& .rom /Alum .or the ?oung/ !p *8< Ceiterst;c0& .rom /Alum .or the ?oung/ !p *8 No, 3 6lumer 6ong& !p 14 No, 1*

6criain 6hosta0ovich 6ielius 6metana chai0ovs0y chai0ovs0y elemann

Prelude !p, 11 no, 1) :avotte No  .rom /5ance o. the 5olls/ he Harpist& !p 34 No, 8 Pisen !p,  No,  $hanson riste& !p, 4 No,  $hant de l/Alouette& !p, 39 No,  -antaisie No * in # .lat& nd 5o>en& '( 3318

Grade Composer ) elemann ) elemann * Arne * Arne * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

6onata B )4"

Composition -antaisie No 1 in A minor& 1st 5o>en& '( 331 -antasia No * in $ minor 6onata No,  in 7 minor 6onata No, " in A

#ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach

7nglish 6uite No, 1 E $ourante 1 7nglish 6uite No, 1 E $ourante  7nglish 6uite No, 1 E 5oule 1 7nglish 6uite No, 1 E :igue 7nglish 6uite No, 1 E 6araande 7nglish 6uite No,  E :igue 7nglish 6uite No,  E 6araande 7nglish 6uite No, 3 E Allemande 7nglish 6uite No, 3 E :avotte 1 7nglish 6uite No, 4 E $ourante 7nglish 6uite No, 4 E 6araande 7nglish 6uite No, ) E $ourante 7nglish 6uite No, * E :avotte 1 7nglish 6uite No, * E :avotte  7nglish 6uite No, * E 6araande -rench 6uite No, 1 E $ourante -rench 6uite No, 1 E 6araande -rench 6uite No,  E 6araande -rench 6uite No, 3 E $ourante -rench 6uite No, 3 E :avotte -rench 6uite No, 4 E 6araande -rench 6uite No, ) E #ouree  -rench 6uite No, ) E $ourante -rench 6uite No, * E Allemande -rench 6uite No, * E 6araande Invention 3 Invention ) Invention * Invention " Invention 9 Polonaise No 4 in 5 minor

#ach #ach #ach #ach #ach #ach #ach #ach #ach& $,P,7, #art20 #art20 #art20 #art20 #eethoven #eethoven #eethoven #eethoven

6in.onia 1 6in.onia 3 6in.onia * 6in.onia 1 6in.onia 11 6in.onia 1 6in.onia 13 :iga .rom Partita no, 1 6ol.eggietto 5ance with 6tic0s  no 1 .rom \* Comanian -ol0 5ances  No 39 .rom \-or $hildren& (ol 1 Cevelry no  .rom \-or $hildren& (ol  (illage +o0e no 13 .rom \Mi0ro0osmos vol ) #agatelle in A& !p 33 No, 4 #agatelle in $& !p 119< #agatelle in 7& !p 33<1 6i (ariations on \Nel cor pi] non mi sento 'o! "

-rom /Alum .or the ?oung/ 1st mvt& endrement


Other Notes & Comments 1st mvt& Allegro 1st Movt :ratioso Andante 1st mvt& Presto

OrSor 111 1114 111) 111* " "3 "4 "9 "* 8* 83 88 91 9* 9" 13 113 114 111 3 33 39 44 48 ) * )* * *4 3 ) * " 9 111" 1* 18 1 ) * " 8 " 1131 1118 1119 11 111 11 113 114 11)

Grade Composer ) elemann ) elemann * Arne * Arne

OrSor )3 )4

Grade Composer * #eethoven * #eethoven

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Composition -antaisie No 1 in A minor& 1st 5o>en& '( 331 -antasia No * in $ minor 6onata No,  in 7 minor 6onata No, " in A

#ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach

7nglish 6uite No, 1 E $ourante 1 7nglish 6uite No, 1 E $ourante  7nglish 6uite No, 1 E 5oule 1 7nglish 6uite No, 1 E :igue 7nglish 6uite No, 1 E 6araande 7nglish 6uite No,  E :igue 7nglish 6uite No,  E 6araande 7nglish 6uite No, 3 E Allemande 7nglish 6uite No, 3 E :avotte 1 7nglish 6uite No, 4 E $ourante 7nglish 6uite No, 4 E 6araande 7nglish 6uite No, ) E $ourante 7nglish 6uite No, * E :avotte 1 7nglish 6uite No, * E :avotte  7nglish 6uite No, * E 6araande -rench 6uite No, 1 E $ourante -rench 6uite No, 1 E 6araande -rench 6uite No,  E 6araande -rench 6uite No, 3 E $ourante -rench 6uite No, 3 E :avotte -rench 6uite No, 4 E 6araande -rench 6uite No, ) E #ouree  -rench 6uite No, ) E $ourante -rench 6uite No, * E Allemande -rench 6uite No, * E 6araande Invention 3 Invention ) Invention * Invention " Invention 9 Polonaise No 4 in 5 minor

#ach #ach #ach #ach #ach #ach #ach #ach #ach& $,P,7, #art20 #art20 #art20 #art20 #eethoven #eethoven #eethoven #eethoven

6in.onia 1 6in.onia 3 6in.onia * 6in.onia 1 6in.onia 11 6in.onia 1 6in.onia 13 :iga .rom Partita no, 1 6ol.eggietto 5ance with 6tic0s  no 1 .rom \* Comanian -ol0 5ances  No 39 .rom \-or $hildren& (ol 1 Cevelry no  .rom \-or $hildren& (ol  (illage +o0e no 13 .rom \Mi0ro0osmos vol ) #agatelle in A& !p 33 No, 4 #agatelle in $& !p 119< #agatelle in 7& !p 33<1 6i (ariations on \Nel cor pi] non mi sento 'o! "

Composition 6onata 1, !p, 49 no,  F7asy 6onata , !p, 49 no, 1

)* )" )8 ))

* * * *

#eethoven #eethoven #eethoven #eethoven

6onata 4, !p, 14 no,  6onata ), !p, 14 no, 1 6onata *, !p,  no, 1 6onata 3, !p, "9 FAlla edesca

11* 11" 118 )1 499 ) 1 9) 9* 9" 98 99 3 31 3 33 34 3) 3* 3" 38 39 31 311 31 313 314 31) 31* 31" 318 319 3 3) 31 3 33 34  119 113 1134

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

#rahms #rahms #rahms

'alt> in $Z minor& !p 39<" 'alt> in 7& !p 39< 'alt>& !p 39<3

#ritten #ritten #ritten $harier $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $lementi $lementi $ouperin

Holiday 5iary Notturno hree $haracter Pieces #ourKe -antasJue $ontradanse %argo in 7 maor Ma>ur0a in A minor& op, " no,  Ma>ur0a in A minor& op, posth, *" no, 4 Ma>ur0a in A minor& op, posth, *8 no,  Ma>ur0a in A maor& op, 4 no, 3 Ma>ur0a in # minor& op, 3 no,  Ma>ur0a in # maor no, )1 Ma>ur0a in # maor& op, " no, 1 Ma>ur0a in $ maor& op, 4 no,  Ma>ur0a in $ maor& op, 33 no, 3 Ma>ur0a in $ maor& op, posth, *" no, 3 Ma>ur0a in $ minor& op, 3 no, 1 Ma>ur0a in 7 minor& op, 1" no,  Ma>ur0a in - minor& op, *3 no,  Ma>ur0a in : maor no, ) Ma>ur0a in : minor& op, 4 no, 1 Ma>ur0a in : minor& op, posth, *" no,  Ma>ur0a in :Z minor& op, 33 no, 1 Nocturne in $ minor& no, 1 Polonaise in # maor no, 1 Polonaise in : minor no, 11 Polonaise no, 11 in :m Polonaise no, 1 in # Preludes !p, 8, no, * Preludes !p, 8, no, 9 'alt> No, 3 FAm& !p, 34 no,  'alt> No, 1 F#m& !p, Posth, *9 no,  'alt> No, 1 F-m& !p, Posth, " no,  'alt> No, 14 FA 'alt> No, 1) F7 Polonaise !p, 4 no, 1 in A 6onata in -Z minor& !p )<) 6onatina in 5& !p 3*<* %Atalante& .rom \PiQces de $laveîn& #oo0  !rdre 1


Other Notes & Comments 1st mvt& Allegro 1st Movt :ratioso Andante 1st mvt& Presto


Other Notes & Comments However I .ind this sonata a it dull F#eethoven thought so too !p, 49<1 eing .ar more musical Fthe rondo is a real gem, It is a it more di..icult though, #oth o. these however are not Juite .ullE.ledged sonatas Fthey were most li0ely composed as eercises .or his students,

'hy not stretch a it and try !p, "9& which is a real sonata& and Juite eauti.ul Fthe second movement is wonder.ul, It is considered to e around grade "& ut i. you can manage grade ) pieces& you can manage grade ",

#eauti.ul and haunting Cange .rom the .ast and .un Michael to the eauti.ul 5aphne

nd mvt& %ento e patetico 1st mvt

OrSor )3 )4

Grade Composer * #eethoven * #eethoven

Composition


6onata 1, !p, 49 no,  F7asy 6onata , !p, 49 no, 1

Other Notes & Comments However I .ind this sonata a it dull F#eethoven thought so too !p, 49<1 eing .ar more musical Fthe rondo is a real gem, It is a it more di..icult though, #oth o. these however are not Juite .ullE.ledged sonatas Fthey were most li0ely composed as eercises .or his students,

)* )" )8 ))

* * * *

#eethoven #eethoven #eethoven #eethoven

6onata 4, !p, 14 no,  6onata ), !p, 14 no, 1 6onata *, !p,  no, 1 6onata 3, !p, "9 FAlla edesca

11* 11" 118 )1 499 ) 1 9) 9* 9" 98 99 3 31 3 33 34 3) 3* 3" 38 39 31 311 31 313 314 31) 31* 31" 318 319 3 3) 31 3 33 34  119 113 1134

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

#rahms #rahms #rahms

'alt> in $Z minor& !p 39<" 'alt> in 7& !p 39< 'alt>& !p 39<3

#ritten #ritten #ritten $harier $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $lementi $lementi $ouperin

Holiday 5iary Notturno hree $haracter Pieces #ourKe -antasJue $ontradanse %argo in 7 maor Ma>ur0a in A minor& op, " no,  Ma>ur0a in A minor& op, posth, *" no, 4 Ma>ur0a in A minor& op, posth, *8 no,  Ma>ur0a in A maor& op, 4 no, 3 Ma>ur0a in # minor& op, 3 no,  Ma>ur0a in # maor no, )1 Ma>ur0a in # maor& op, " no, 1 Ma>ur0a in $ maor& op, 4 no,  Ma>ur0a in $ maor& op, 33 no, 3 Ma>ur0a in $ maor& op, posth, *" no, 3 Ma>ur0a in $ minor& op, 3 no, 1 Ma>ur0a in 7 minor& op, 1" no,  Ma>ur0a in - minor& op, *3 no,  Ma>ur0a in : maor no, ) Ma>ur0a in : minor& op, 4 no, 1 Ma>ur0a in : minor& op, posth, *" no,  Ma>ur0a in :Z minor& op, 33 no, 1 Nocturne in $ minor& no, 1 Polonaise in # maor no, 1 Polonaise in : minor no, 11 Polonaise no, 11 in :m Polonaise no, 1 in # Preludes !p, 8, no, * Preludes !p, 8, no, 9 'alt> No, 3 FAm& !p, 34 no,  'alt> No, 1 F#m& !p, Posth, *9 no,  'alt> No, 1 F-m& !p, Posth, " no,  'alt> No, 14 FA 'alt> No, 1) F7 Polonaise !p, 4 no, 1 in A 6onata in -Z minor& !p )<) 6onatina in 5& !p 3*<* %Atalante& .rom \PiQces de $laveîn& #oo0  !rdre 1

OrSor 113) 113* 113" )93 )91 )9 )9 )89 3 4 *4 1133 *14 *1) *1* *1" *18 *19 1138 ) )1 ) )3 )4 )) )* )" )8 )9 )3 )31 )3 )33 )34 )3) )3* )3" )38 1139 114 1141 ) 114 1143 1144 * 114) 114* "88 "9 "99 811

Grade * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

Composer $ouperin $ouperin $ouperin

Composition %a %utine& .rom \PiQces de $laveîn& #oo0 1 !rdre 3 %e #avolet -lottant %es Petits Moulins _ (ent

5eussy 5eussy 5eussy 5eussy 5eussy 5eussy 5eussy 5oni>etti 5vorY0

5un cahier desJuisses Images I  E Hommage a Cameau Images II 3 E 7t la lune descend sur le temple Jui .ut Pour le piano  E 6araande Ceverie AraesJue 1 5r, :radus ad Parnassum %a ricordan>a 6ilhouette& !p 8<11

-aurK -aurK -aurK -aurK -aurK -aurK -ield

Nocturnes op, 33 no, 1 Nocturnes op, 33 no,  Nocturnes op, 33 no, 3 Nocturnes op, 3* Nocturnes op, 3" Comances sans paroles !p, 1" Nocturne no 13 in 5 minor& H )9

:rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg

%yric Pieces !p, 1<4 F-airy dance %yric Pieces !p, 1<* Fnorwegian dance %yric Pieces !p, 38<3 FMelody %yric Pieces !p, 38<4 FHalling %yric Pieces !p, 38<* F7legy %yric Pieces !p, 4"<1 F(alseEImpromptu %yric Pieces !p, 4"<4 FHalling %yric Pieces !p, 4"<) FMelancholy %yric Pieces !p, )"<3 FIllusion %yric Pieces !p, )"<4 F6ecret %yric Pieces !p, *< F:ratitude %yric Pieces !p, *<3 F-rench 6erenade %yric Pieces !p, *<) FPhantom %yric Pieces !p, *)< FPeasant/s song %yric Pieces !p, *8<3 FAt your .eet %yric Pieces !p, *8<4 F7vening in the mountain %yric Pieces !p, *8<) FAt the cradle %yric Pieces !p, "1<3 FPuc0 %yric Pieces !p, "1<4 FPeace o. the 'oods, Poetic one Picture& !p 3<1 Poetic one Picture& !p 3<* (`glein F%ittle #ird !p 43<4

:rieg Handel Handel Handel

Holerg suite 6uite in 5 minor& # *<18 6uite in : minor& H'( 4)3 6uite in :& H'( 441

Handel Haydn Haydn

6uite no ) in 7 maor Adagio in -& Ho S(II<9 5ivertimento in 7

nd mvt

Haydn Haydn Haydn Haydn

6onata S(I< in # maor 6onata S(I<) in 5 maor 6onata S(I<1 in A maor 6onata S(I<" no, 4 in : maor

Moderato F* %argo F* Menuet and trio F) Moderato Fincomplete Menuet and trio F* Andante F* Menuet and rio F) -inale Allegro molto F) Allegro con #rio F* Menuet F) -inale Presto F)

'hy not stretch a it and try !p, "9& which is a real sonata& and Juite eauti.ul Fthe second movement is wonder.ul, It is considered to e around grade "& ut i. you can manage grade ) pieces& you can manage grade ",

#eauti.ul and haunting Cange .rom the .ast and .un Michael to the eauti.ul 5aphne

nd mvt& %ento e patetico 1st mvt



not eactly nocturnes& ut very eauti.ul and lyric

Allemande nd mvt& 7ntrKe $ourante

OrSor 113) 113* 113" )93 )91 )9 )9 )89 3 4 *4 1133 *14 *1) *1* *1" *18 *19 1138 ) )1 ) )3 )4 )) )* )" )8 )9 )3 )31 )3 )33 )34 )3) )3* )3" )38 1139 114 1141 ) 114 1143 1144 * 114) 114* "88 "9 "99 811

Grade * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

OrSor 831 114" 49*

Grade Composer * Haydn * Heller * Heller

1148 1149 11) ) 39 4 41 11)1 "11 "13 "14 **9 *"1 *"3 *"9 *83 *8" *89 *9 *9 *93 *94 *9) " " "4 ") "8 11) 8 1*9 11)3 **" 1" )" )"1 )" 9 11)4 11)) 8 11

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

* 11)* 1"3 113

* * * *

Composer $ouperin $ouperin $ouperin

Composition %a %utine& .rom \PiQces de $laveîn& #oo0 1 !rdre 3 %e #avolet -lottant %es Petits Moulins _ (ent



5eussy 5eussy 5eussy 5eussy 5eussy 5eussy 5eussy 5oni>etti 5vorY0

5un cahier desJuisses Images I  E Hommage a Cameau Images II 3 E 7t la lune descend sur le temple Jui .ut Pour le piano  E 6araande Ceverie AraesJue 1 5r, :radus ad Parnassum %a ricordan>a 6ilhouette& !p 8<11

-aurK -aurK -aurK -aurK -aurK -aurK -ield

Nocturnes op, 33 no, 1 Nocturnes op, 33 no,  Nocturnes op, 33 no, 3 Nocturnes op, 3* Nocturnes op, 3" Comances sans paroles !p, 1" Nocturne no 13 in 5 minor& H )9

:rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg

%yric Pieces !p, 1<4 F-airy dance %yric Pieces !p, 1<* Fnorwegian dance %yric Pieces !p, 38<3 FMelody %yric Pieces !p, 38<4 FHalling %yric Pieces !p, 38<* F7legy %yric Pieces !p, 4"<1 F(alseEImpromptu %yric Pieces !p, 4"<4 FHalling %yric Pieces !p, 4"<) FMelancholy %yric Pieces !p, )"<3 FIllusion %yric Pieces !p, )"<4 F6ecret %yric Pieces !p, *< F:ratitude %yric Pieces !p, *<3 F-rench 6erenade %yric Pieces !p, *<) FPhantom %yric Pieces !p, *)< FPeasant/s song %yric Pieces !p, *8<3 FAt your .eet %yric Pieces !p, *8<4 F7vening in the mountain %yric Pieces !p, *8<) FAt the cradle %yric Pieces !p, "1<3 FPuc0 %yric Pieces !p, "1<4 FPeace o. the 'oods, Poetic one Picture& !p 3<1 Poetic one Picture& !p 3<* (`glein F%ittle #ird !p 43<4

:rieg Handel Handel Handel

Holerg suite 6uite in 5 minor& # *<18 6uite in : minor& H'( 4)3 6uite in :& H'( 441

Handel Haydn Haydn

6uite no ) in 7 maor Adagio in -& Ho S(II<9 5ivertimento in 7

nd mvt

Haydn Haydn Haydn Haydn

6onata S(I< in # maor 6onata S(I<) in 5 maor 6onata S(I<1 in A maor 6onata S(I<" no, 4 in : maor

Moderato F* %argo F* Menuet and trio F) Moderato Fincomplete Menuet and trio F* Andante F* Menuet and rio F) -inale Allegro molto F) Allegro con #rio F* Menuet F) -inale Presto F)

not eactly nocturnes& ut very eauti.ul and lyric

Allemande nd mvt& 7ntrKe $ourante

Composition 6onata S(I<4" is in 7 minor 7tude in 5& !p 4*<8 Melodius 7tudes


Other Notes & Comments Adagio F* Allegro F* -inale empo di Minuetto F* I/ll ust list my .avourites Fut they are all pretty good,,,,op 4" 3& 1& 1)& 1& 3 op 4* 4& "& 11, here are plenty o. goodies .rom op 1) and 4)

Heller Heller Buhlau

6tudy in # minor& !p 4*<11 6tudy in $ minor& !p 4*<* 6onatina in :& !p 88<

%is>t %is>t %is>t %is>t %is>t

Aschied 6, )1 $onsolations& 6, 1" no,  $onsolations& 6, 1" no, 3 $onsolations& 6, 1" no, 4 No 1 o. \-our 6hort Piano Pieces& 6 19

Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn

6ongs 'ithout 'ords !p, 1 no,  6ongs 'ithout 'ords !p, 1 no, 4 6ongs 'ithout 'ords !p, 1 no, ) 6ongs 'ithout 'ords !p, 19 no,  6ongs 'ithout 'ords !p, 19 no, 4 6ongs 'ithout 'ords !p, 19 no, * 6ongs 'ithout 'ords !p, 3 no, * 6ongs 'ithout 'ords !p, 38 no, 4 6ongs 'ithout 'ords !p, )3 no,  6ongs 'ithout 'ords !p, )3 no, 4 6ongs 'ithout 'ords !p, )3 no, ) 6ongs 'ithout 'ords !p, * no, 1 6ongs 'ithout 'ords !p, * no,  6ongs 'ithout 'ords !p, * no, 3 6ongs 'ithout 'ords !p, * no, 4 6ongs 'ithout 'ords !p, *" no, 3 6ongs 'ithout 'ords !p, *" no, ) 6ongs 'ithout 'ords !p, 8) no, 1 6ongs 'ithout 'ords !p, 8) no,  6ongs 'ithout 'ords !p, 8) no, ) (ivace in -& !p "<*

Mendelssohn Mo>art Mo>art

$appriccio in A minor& op, 33 no, 1 Alla urca .rom 6onata B,331 Allegro in : minor& B 31

Mo>art Mo>art Mo>art Mo>art Mo>art

argualy the dar0est and moodiest o. all Mo>arts compositions,

Paderews0y Poulenc Pro0o. iev

-antasia in $ minor B4") -antasy in 5 minor B,39" 6onata in # maor& B )" 6onata in 7 maor& B 8 6onata in - maor& B 8 Minuet op, 14 no, 1 Mouvements Perpetuels no 1 $ortQge de 6auterelles& !p *)<"

Pro0o.iev Pro0o.iev

:randmother ales !p, 31 No, 1 :randmother ales !p, 31 No, 4

Pro0o.iev Purcell

Music .or $hildren !p, *) No, 9 wo #ourrKes Fpu, Augener

Moderato @ %ots o. crossing hands, Main di..iculty is pedal use, 6ostenuto @ the most di..icult o. the lot, he melody is in the le.t hand while the right hand plays a repeated Fut comple dotted rhythm pattern, Playing tag @ a .ast moto perpetuo reJuiring good .inger agility,

6atie 6carlatti

:ymnopedies Pastorale& Bp 44*& % 433

OrSor 831 114" 49*

Grade Composer * Haydn * Heller * Heller

1148 1149 11) ) 39 4 41 11)1 "11 "13 "14 **9 *"1 *"3 *"9 *83 *8" *89 *9 *9 *93 *94 *9) " " "4 ") "8 11) 8 1*9 11)3 **" 1" )" )"1 )" 9 11)4 11)) 8 11

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

* 11)* 1"3 113

* * * *

OrSor 188

Composition


6onata S(I<4" is in 7 minor 7tude in 5& !p 4*<8 Melodius 7tudes

Other Notes & Comments Adagio F* Allegro F* -inale empo di Minuetto F* I/ll ust list my .avourites Fut they are all pretty good,,,,op 4" 3& 1& 1)& 1& 3 op 4* 4& "& 11, here are plenty o. goodies .rom op 1) and 4)

Heller Heller Buhlau

6tudy in # minor& !p 4*<11 6tudy in $ minor& !p 4*<* 6onatina in :& !p 88<

%is>t %is>t %is>t %is>t %is>t

Aschied 6, )1 $onsolations& 6, 1" no,  $onsolations& 6, 1" no, 3 $onsolations& 6, 1" no, 4 No 1 o. \-our 6hort Piano Pieces& 6 19

Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn

6ongs 'ithout 'ords !p, 1 no,  6ongs 'ithout 'ords !p, 1 no, 4 6ongs 'ithout 'ords !p, 1 no, ) 6ongs 'ithout 'ords !p, 19 no,  6ongs 'ithout 'ords !p, 19 no, 4 6ongs 'ithout 'ords !p, 19 no, * 6ongs 'ithout 'ords !p, 3 no, * 6ongs 'ithout 'ords !p, 38 no, 4 6ongs 'ithout 'ords !p, )3 no,  6ongs 'ithout 'ords !p, )3 no, 4 6ongs 'ithout 'ords !p, )3 no, ) 6ongs 'ithout 'ords !p, * no, 1 6ongs 'ithout 'ords !p, * no,  6ongs 'ithout 'ords !p, * no, 3 6ongs 'ithout 'ords !p, * no, 4 6ongs 'ithout 'ords !p, *" no, 3 6ongs 'ithout 'ords !p, *" no, ) 6ongs 'ithout 'ords !p, 8) no, 1 6ongs 'ithout 'ords !p, 8) no,  6ongs 'ithout 'ords !p, 8) no, ) (ivace in -& !p "<*

Mendelssohn Mo>art Mo>art

$appriccio in A minor& op, 33 no, 1 Alla urca .rom 6onata B,331 Allegro in : minor& B 31


argualy the dar0est and moodiest o. all Mo>arts compositions,

Paderews0y Poulenc Pro0o. iev

-antasia in $ minor B4") -antasy in 5 minor B,39" 6onata in # maor& B )" 6onata in 7 maor& B 8 6onata in - maor& B 8 Minuet op, 14 no, 1 Mouvements Perpetuels no 1 $ortQge de 6auterelles& !p *)<"

Pro0o.iev Pro0o.iev

:randmother ales !p, 31 No, 1 :randmother ales !p, 31 No, 4

Pro0o.iev Purcell

Music .or $hildren !p, *) No, 9 wo #ourrKes Fpu, Augener

Moderato @ %ots o. crossing hands, Main di..iculty is pedal use, 6ostenuto @ the most di..icult o. the lot, he melody is in the le.t hand while the right hand plays a repeated Fut comple dotted rhythm pattern, Playing tag @ a .ast moto perpetuo reJuiring good .inger agility,

6atie 6carlatti

:ymnopedies Pastorale& Bp 44*& % 433

Grade Composer * 6carlatti

6onata B 1

Composition


Other Notes & Comments F5 minor E Allegro his is actually a two voice invention, -ast and delicate with lots o. thirds and scale runs on the right hand& ut no di..iculty at all in the le.t hand, 5i..icult to play at .ull speed ut easy i. played slowly Fand still e..ective Cecorded y Ivo Pogorelich .or 5:, F3,

")

* 6carlatti

6onata B 13

")1

* 6carlatti

6onata B 

189

* 6carlatti

6onata B )4

FA minor @ Allegro A.ter a typical plaintive start in A minor& it suddenly displays a most romantic theme, (ery unusual sonata, he main di..iculty is to e .ound in the several ars where the hands cross, here are some thirds and siths ut they are easily negotiale,

")3

* 6carlatti

6onata 0 *4

""

* 6carlatti

6onata B 99

F5 minor @ Allegro @ A determined and energetic gavotte& one o. 6carlattis most played and well 0nown pieces, F$ minor E  @ A eauti.ul & tranJuil and lyrical sonata that grows in emotional intensity as it develops,

""1

* 6carlatti

6onata B 19

"3

* 6carlatti

6onata B 119

"3

* 6carlatti

6onata B 1)

F: maor @ (ivo @ his nonEstop sonata will not allow you to catch your reath[ :reat .un to play and an ecellent virtuosistic piece to end a recital on a high note, I. you are loo0ing .or a $>erny alternative loo0 no .urther it is a study .or the le.t hand plus repeated notes& ro0en thirds& siths and octaves, Also good practice .or Juic0 adustments,

191

* 6carlatti

6onata B 13

F$ maor @ $antaile @ A slow Fwell& sort o. A lyrical sonata with eauti.ul lush harmonies& haunting dissonances and arpeggios that are suddenly interrupted y a heart wrenching delicate melody ased on repeated notes, !ne o. my all time .avourites,

1"9

* 6carlatti

6onata B 14*

F: maor @ Allegretto @ 3<8 @ A nice little menuet .ull o. humour and light, Although it sounds da>>ling and virtuosic it is much easier than it sounds, Main di..iculty are t he .ast alternating hands,

""3 ""4 18

* 6carlatti * 6carlatti * 6carlatti

6onata B 14" 6onata B 193 6onata B 198

F7 minor @ %ento A eauti.ul lyrical and re.lective sonata, F7 .lat maor E Allegretto @ A eauti.ul& lyrical sonata not too slow, F7 minor @ Allegro @ A masterpiece, 5ramatic and power.ul& this  voice invention Fwith a third voice intruding on 4 ars near the start o. the s econd part is still e..ective at a slower tempo, !ne o. my .avourites,

"") 18 "43


6onata B 9 6onata B 39

FA maor @ Allegro =pli.iting sonata& not too .ast, F- minor E Allegro  An ecellent Gdance piece .ull o. 6panish rhythms , F$Z minor @ Allegro @ #eauti.ul lyrical sonata Fslightly reminiscent o. B *9 with a weaving three voice counterpoint, 7nharmonic modulations and movement into remote 0eys, A masterpiece,

""9 "3)

* 6carlatti * 6carlatti

6onata B 3 6onata B 38*

FAmaor E Allegro  A delicate& oy.ul sonata with a Mo>artian .lavour, F- minor E  Another sonata .ull o. rilliance& with .ast scales and compelling harmonic progressions,

"*

* 6carlatti

6onata B 4*

F$ maor @ Allegro, his is oy.ul music that ma0es you want to s0ip and ump and dance[ his is the 0ind o. music that ma0es you smile .or hours a.ter listening to it, his cures depression& serious[ :reat .or your trills and glissandoEli0e scales,

"*1

* 6carlatti

6onata B 41

"8

* 6carlatti

6onata B 49

F$ maor @ Allegro !ne o. my .avourites& this is a rilliant and da>>ling sonata with plenty o. repeated notes, It is said to represent children running through the streets o. Madrid, FA maor E Allegro @ %yrical and gently lilting sonata, $ounterpoint in three and .our parts,

F: maor @ Presto -ast and rilliant with a catchy& rhythmical theme on repeated notes, !ne o. my .avourites, F7 maor @ Presto (irtuosistic sonata that is the sort o. Gepected 6carlatti guitar imitation& 6panish rhythms& .ast scales in thirds& repeated notes and lots o. ornaments, :reat show o.. piece, I. you want to develop a certain 0ind o. techniJue& urn the $>erny and play this sonata instead,

FA minor @ Adagio @ #eauti.ul lyrical writing in three and .our part couterpoint, 7cellent as a study in voicing, Cecital material .or the intermediate player, F5 maor @ Allegro @ Another sonata ideally suited t o replace some o. the common technical studies, -ast repeated notes& ro0en chords& arpeggios& leaps& crossing hands& scale runs, his unusual& percussive @ watch out .or the castanet sounds[ E sonata has a very catchy& dancing moti., !ne o. my .avourites,

6onata B 4"

OrSor 188


6onata B 1

Composition


Other Notes & Comments F5 minor E Allegro his is actually a two voice invention, -ast and delicate with lots o. thirds and scale runs on the right hand& ut no di..iculty at all in the le.t hand, 5i..icult to play at .ull speed ut easy i. played slowly Fand still e..ective Cecorded y Ivo Pogorelich .or 5:, F3,

")

* 6carlatti

6onata B 13

")1

* 6carlatti

6onata B 

189

* 6carlatti

6onata B )4

FA minor @ Allegro A.ter a typical plaintive start in A minor& it suddenly displays a most romantic theme, (ery unusual sonata, he main di..iculty is to e .ound in the several ars where the hands cross, here are some thirds and siths ut they are easily negotiale,

")3

* 6carlatti

6onata 0 *4

""

* 6carlatti

6onata B 99

F5 minor @ Allegro @ A determined and energetic gavotte& one o. 6carlattis most played and well 0nown pieces, F$ minor E  @ A eauti.ul & tranJuil and lyrical sonata that grows in emotional intensity as it develops,

""1

* 6carlatti

6onata B 19

"3

* 6carlatti

6onata B 119

"3

* 6carlatti

6onata B 1)

F: maor @ (ivo @ his nonEstop sonata will not allow you to catch your reath[ :reat .un to play and an ecellent virtuosistic piece to end a recital on a high note, I. you are loo0ing .or a $>erny alternative loo0 no .urther it is a study .or the le.t hand plus repeated notes& ro0en thirds& siths and octaves, Also good practice .or Juic0 adustments,

191

* 6carlatti

6onata B 13

F$ maor @ $antaile @ A slow Fwell& sort o. A lyrical sonata with eauti.ul lush harmonies& haunting dissonances and arpeggios that are suddenly interrupted y a heart wrenching delicate melody ased on repeated notes, !ne o. my all time .avourites,

1"9

* 6carlatti

6onata B 14*

F: maor @ Allegretto @ 3<8 @ A nice little menuet .ull o. humour and light, Although it sounds da>>ling and virtuosic it is much easier than it sounds, Main di..iculty are t he .ast alternating hands,

""3 ""4 18


6onata B 14" 6onata B 193 6onata B 198

F7 minor @ %ento A eauti.ul lyrical and re.lective sonata, F7 .lat maor E Allegretto @ A eauti.ul& lyrical sonata not too slow, F7 minor @ Allegro @ A masterpiece, 5ramatic and power.ul& this  voice invention Fwith a third voice intruding on 4 ars near the start o. the s econd part is still e..ective at a slower tempo, !ne o. my .avourites,

"") 18 "43


6onata B 9 6onata B 39

FA maor @ Allegro =pli.iting sonata& not too .ast, F- minor E Allegro  An ecellent Gdance piece .ull o. 6panish rhythms , F$Z minor @ Allegro @ #eauti.ul lyrical sonata Fslightly reminiscent o. B *9 with a weaving three voice counterpoint, 7nharmonic modulations and movement into remote 0eys, A masterpiece,

""9 "3)

* 6carlatti * 6carlatti

6onata B 3 6onata B 38*

FAmaor E Allegro  A delicate& oy.ul sonata with a Mo>artian .lavour, F- minor E  Another sonata .ull o. rilliance& with .ast scales and compelling harmonic progressions,

"*

* 6carlatti

6onata B 4*

F$ maor @ Allegro, his is oy.ul music that ma0es you want to s0ip and ump and dance[ his is the 0ind o. music that ma0es you smile .or hours a.ter listening to it, his cures depression& serious[ :reat .or your trills and glissandoEli0e scales,

"*1

* 6carlatti

6onata B 41

"8

* 6carlatti

6onata B 49

F$ maor @ Allegro !ne o. my .avourites& this is a rilliant and da>>ling sonata with plenty o. repeated notes, It is said to represent children running through the streets o. Madrid, FA maor E Allegro @ %yrical and gently lilting sonata, $ounterpoint in three and .our parts,


6onata B 44*

"*3

* 6carlatti

6onata B 4"

F: maor @ Allegretto @ 6tarts with determined& percussive chords& which are .ollowed y a .ast .iguration o. great delicacy eJually shared etween the hands, :ood $>erny replacement and warm up, -ast and da>>ling this sonata eudes con.idence,

183

* 6carlatti

6onata B 481

"83

* 6carlatti

6onata B 491

"*)

* 6carlatti

6onata B )

F- minor @ Andante e cantaile Introspective& delicate and lyrical this could e an ideal choice .or opening a recital, And i. you need a study in phrasing and legato this sonata is .or you[ F5 maor @ Allegro @ Chythmical percussive eginning .ollowed y a romantic arpeggiated section Fnot unli0e a 6chuert impromptu with a most pleasing melody, A masterpiece, F$ maor @ Allegro @ Inventive sonata with many original musical ideas, 6tarts lively in 3<8 and modulates to : minor to end the .irst hal. in : maor, !n the second part changes meter to <4 and returns to 3<8 at the end, 5otted .iguration& including dotted rests,

184

* 6carlatti

6onata B )11

F: maor @ Presto -ast and rilliant with a catchy& rhythmical theme on repeated notes, !ne o. my .avourites, F7 maor @ Presto (irtuosistic sonata that is the sort o. Gepected 6carlatti guitar imitation& 6panish rhythms& .ast scales in thirds& repeated notes and lots o. ornaments, :reat show o.. piece, I. you want to develop a certain 0ind o. techniJue& urn the $>erny and play this sonata instead,

FA minor @ Adagio @ #eauti.ul lyrical writing in three and .our part couterpoint, 7cellent as a study in voicing, Cecital material .or the intermediate player, F5 maor @ Allegro @ Another sonata ideally suited t o replace some o. the common technical studies, -ast repeated notes& ro0en chords& arpeggios& leaps& crossing hands& scale runs, his unusual& percussive @ watch out .or the castanet sounds[ E sonata has a very catchy& dancing moti., !ne o. my .avourites,

6onata B 4"

OrSor "84

Composition

6chuert 6chuert 6chuert 6chumann

Adagio in :& 51"8 Andante in $& 59 Menuett in A& 5334 F=ntitled piec e !p *8<3

6chumann

AraesJue !p, 18

11)" 11)8 11)9 11* 498

* * * * *

11*1 11* 11*3 11*4 11** 11*) "19 "18 "1" 11*" 11*8 11*9 11" 11"1 11" 11"3 11"4 3 11") 11"* 11"" * *1 11"8 11"9 118 1181 118 119 1 11

* 6chumann * 6chumann * 6chumann * 6chumann * 6chumann * 6chumann * 6criain * 6criain * 6criain * 6hosta0ovich * 6metana * chai0ovs0y * chai0ovs0y * c hai0ov s0y * cherepnin * elemann * elemann * (illaE%oos * 'eern " AlKni> " AlKni>

Other Notes & Comments F- maor E Pastorale Allegrissimo In spite o. the tempo direction this is a relatively slow sonata& lyrical and re.leive,

F5 maor @ Allegro @ A masterpiece, his is a  voice invention with the .igurations eJually distriuted etween the hands, =rgent and dramatic it will still e e..ective at a slower tempo, echnical prolems are minimal,

#eauti.ul haunting melody with 1*th note acompanying .igure split etween the hands& somewhat li0e some o. Mendelsohnn/s 6''s,

$atch Me i. ?ou $an& Binderscenen& !p 1) No, 3 5reaming 7insame #lumen F%onely -lowers& .rom \'aldscenen& !p 8 he 7ntreating $hild& Binderscenen& !p 1) No, 4 'alt>& !p 14 No, 1) he 'ayside Inn& 'aldscenen& !p 8 No, * Prelude !p,  no,  Prelude !p, 11 no,  Prelude !p, 1* no, 3 5ance& no " .rom \5ances o. the 5olls 6ouvenir F(>pomin0 a& !p, 4 No, 3 Avril PerceEneige& !p, 3"a No, 4 #aaE?aga& !p, 39 No,  (alse in A .lat #agatelle in : .lat& !p, ) No, * -antasia No 9 in A& 1st 5o>en& '( 339 6uite in A

-rom /Alum .or the ?oung/

1st mvt& Allegro

$irandas No, 4 Binderst;c0 F$hilds Piece Cumores de la $aleta& !p "1<* 6erenata& .rom /7spaba/& !p 1*)

" Arens0y " Arens0y " Arens0y " Arens0y " Arne " Arne

$onsolation !p, 3* No, ) 7legie !p, 3* No, 1* %e $oucou Prelude in 7 maor& !p, *3 No, " 6onata No, 1 in 6onata No, 3 in :

" " " "

1 No 1) in : # E Preludes L -ugues  No * in 5m E Preludes L -ugues 3 No 1 in # E Preludes L -ugues 4 No 1 in 7m E Preludes L -ugues

#ach #ach #ach #ach


3rd mvt nd mvt& Allegro

OrSor "84


6onata B 44*

"*3

* 6carlatti

6onata B 4"

F: maor @ Allegretto @ 6tarts with determined& percussive chords& which are .ollowed y a .ast .iguration o. great delicacy eJually shared etween the hands, :ood $>erny replacement and warm up, -ast and da>>ling this sonata eudes con.idence,

183

* 6carlatti

6onata B 481

"83

* 6carlatti

6onata B 491

"*)

* 6carlatti

6onata B )

F- minor @ Andante e cantaile Introspective& delicate and lyrical this could e an ideal choice .or opening a recital, And i. you need a study in phrasing and legato this sonata is .or you[ F5 maor @ Allegro @ Chythmical percussive eginning .ollowed y a romantic arpeggiated section Fnot unli0e a 6chuert impromptu with a most pleasing melody, A masterpiece, F$ maor @ Allegro @ Inventive sonata with many original musical ideas, 6tarts lively in 3<8 and modulates to : minor to end the .irst hal. in : maor, !n the second part changes meter to <4 and returns to 3<8 at the end, 5otted .iguration& including dotted rests,

184

* 6carlatti

6onata B )11

6chuert 6chuert 6chuert 6chumann

Adagio in :& 51"8 Andante in $& 59 Menuett in A& 5334 F=ntitled piec e !p *8<3

6chumann

AraesJue !p, 18

11)" 11)8 11)9 11* 498

* * * * *

11*1 11* 11*3 11*4 11** 11*) "19 "18 "1" 11*" 11*8 11*9 11" 11"1 11" 11"3 11"4 3 11") 11"* 11"" * *1 11"8 11"9 118 1181 118 119 1 11

* 6chumann * 6chumann * 6chumann * 6chumann * 6chumann * 6chumann * 6criain * 6criain * 6criain * 6hosta0ovich * 6metana * chai0ovs0y * chai0ovs0y * c hai0ov s0y * cherepnin * elemann * elemann * (illaE%oos * 'eern " AlKni> " AlKni>

OrSor 1 13 14 1) 1* 1" 18 19 13 131 13 133 134 13) 13* 13" 138 139 14 141 14 143 144 14) 14* 14" 148 149 1) 1)1 1) 1)3 1)4 1)) 1)* 1)" 1)8 1)9 1* 1*1 1* 1*3 1*4 1*) " 81 93 9 9) 1 1" 31

Composition

Other Notes & Comments F- maor E Pastorale Allegrissimo In spite o. the tempo direction this is a relatively slow sonata& lyrical and re.leive,

F5 maor @ Allegro @ A masterpiece, his is a  voice invention with the .igurations eJually distriuted etween the hands, =rgent and dramatic it will still e e..ective at a slower tempo, echnical prolems are minimal,

#eauti.ul haunting melody with 1*th note acompanying .igure split etween the hands& somewhat li0e some o. Mendelsohnn/s 6''s,

$atch Me i. ?ou $an& Binderscenen& !p 1) No, 3 5reaming 7insame #lumen F%onely -lowers& .rom \'aldscenen& !p 8 he 7ntreating $hild& Binderscenen& !p 1) No, 4 'alt>& !p 14 No, 1) he 'ayside Inn& 'aldscenen& !p 8 No, * Prelude !p,  no,  Prelude !p, 11 no,  Prelude !p, 1* no, 3 5ance& no " .rom \5ances o. the 5olls 6ouvenir F(>pomin0 a& !p, 4 No, 3 Avril PerceEneige& !p, 3"a No, 4 #aaE?aga& !p, 39 No,  (alse in A .lat #agatelle in : .lat& !p, ) No, * -antasia No 9 in A& 1st 5o>en& '( 339 6uite in A

-rom /Alum .or the ?oung/

1st mvt& Allegro

$irandas No, 4 Binderst;c0 F$hilds Piece Cumores de la $aleta& !p "1<* 6erenata& .rom /7spaba/& !p 1*)

" Arens0y " Arens0y " Arens0y " Arens0y " Arne " Arne

$onsolation !p, 3* No, ) 7legie !p, 3* No, 1* %e $oucou Prelude in 7 maor& !p, *3 No, " 6onata No, 1 in 6onata No, 3 in :

" " " "

#ach #ach #ach #ach

1 No 1) in : # E Preludes L -ugues  No * in 5m E Preludes L -ugues 3 No 1 in # E Preludes L -ugues 4 No 1 in 7m E Preludes L -ugues

Composer #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach

Composition ) No  in Am # E Preludes L -ugues * No 11 in - E Preludes L -ugues " No  in $m E Preludes L -ugues 8 No 9 in 7 E Preludes L -ugues 9 No 13 in -Z E Preludes L -ugues 1 No 1 in # # E Preludes L -ugues 11 No * in 5m # E Preludes L -ugues 1 No 19 in A # E Preludes L -ugues 13 No 11 in - # E Preludes L -ugues 14 No 19 in A E Preludes L -ugues 1) No 14 in -Zm E Preludes L -ugues 1* No 18 in :Zm E Preludes L -ugues 1" No  in $m # E Preludes L -ugues 18 No ) in 5 E Preludes L -ugues 19 No " in 7 E Preludes L -ugues  No 14 in -Zm # E Preludes L -ugues 1 No " in 7 # E Preludes L -ugues  No 1 in $ E Preludes L -ugues 3 No 1" in A E Preludes L -ugues 4 No 13 in -Z # E Preludes L -ugues ) No 1) in : E Preludes L -ugues * No 1 in -m # E Preludes L -ugues " No 1 in $ # E Preludes L -ugues 8 No 4 in #m # E Preludes L -ugues 9 No 1 in 7m # E Preludes L -ugues 3 No 1* in :m E Preludes L -ugues 31 No ) in 5 # E Preludes L -ugues 3 No 18 in :Zm # E Preludes L -ugues 33 No 4 in #m E Preludes L -ugues 34 No 9 in 7 # E Preludes L -ugues 3) No 4 in $Zm E # Preludes L -ugues 3* No 3 in # E Preludes L -ugues 3" No 3 in $Z E # Preludes L -ugues 38 No 1 in -m E Preludes L -ugues 39 No 3 in $Z E Preludes L -ugues 4 No 8 in 5Zm E # Preludes L -ugues 41 No  in #m E Preludes L -ugues 4 No 1" in A # E Preludes L -ugues 43 no 4 in $Zm E Preludes L -ugues 44 No 8 in 5Zm E Preludes L -ugues 4) No  in Am E Preludes L -ugues 4* No  in #m # E Preludes L -ugues 4" No 1* in :m # E Preludes L -ugues 48 No 3 in # # E Preludes L -ugues 7nglish 6uite No, 1 E Prelude 7nglish 6uite No,  E Allemande 7nglish 6uite No, 3 E :igue 7nglish 6uite No, 3 E 6araande 7nglish 6uite No, 4 E Allemande 7nglish 6uite No, 4 E :igue 7nglish 6uite No, ) E :igue -rench 6uite No, 1 E Allemande

Grade " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " "


3rd mvt nd mvt& Allegro



OrSor 1 13 14 1) 1* 1" 18 19 13 131 13 133 134 13) 13* 13" 138 139 14 141 14 143 144 14) 14* 14" 148 149 1) 1)1 1) 1)3 1)4 1)) 1)* 1)" 1)8 1)9 1* 1*1 1* 1*3 1*4 1*) " 81 93 9 9) 1 1" 31

Grade " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " "

Composer #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach

Composition ) No  in Am # E Preludes L -ugues * No 11 in - E Preludes L -ugues " No  in $m E Preludes L -ugues 8 No 9 in 7 E Preludes L -ugues 9 No 13 in -Z E Preludes L -ugues 1 No 1 in # # E Preludes L -ugues 11 No * in 5m # E Preludes L -ugues 1 No 19 in A # E Preludes L -ugues 13 No 11 in - # E Preludes L -ugues 14 No 19 in A E Preludes L -ugues 1) No 14 in -Zm E Preludes L -ugues 1* No 18 in :Zm E Preludes L -ugues 1" No  in $m # E Preludes L -ugues 18 No ) in 5 E Preludes L -ugues 19 No " in 7 E Preludes L -ugues  No 14 in -Zm # E Preludes L -ugues 1 No " in 7 # E Preludes L -ugues  No 1 in $ E Preludes L -ugues 3 No 1" in A E Preludes L -ugues 4 No 13 in -Z # E Preludes L -ugues ) No 1) in : E Preludes L -ugues * No 1 in -m # E Preludes L -ugues " No 1 in $ # E Preludes L -ugues 8 No 4 in #m # E Preludes L -ugues 9 No 1 in 7m # E Preludes L -ugues 3 No 1* in :m E Preludes L -ugues 31 No ) in 5 # E Preludes L -ugues 3 No 18 in :Zm # E Preludes L -ugues 33 No 4 in #m E Preludes L -ugues 34 No 9 in 7 # E Preludes L -ugues 3) No 4 in $Zm E # Preludes L -ugues 3* No 3 in # E Preludes L -ugues 3" No 3 in $Z E # Preludes L -ugues 38 No 1 in -m E Preludes L -ugues 39 No 3 in $Z E Preludes L -ugues 4 No 8 in 5Zm E # Preludes L -ugues 41 No  in #m E Preludes L -ugues 4 No 1" in A # E Preludes L -ugues 43 no 4 in $Zm E Preludes L -ugues 44 No 8 in 5Zm E Preludes L -ugues 4) No  in Am E Preludes L -ugues 4* No  in #m # E Preludes L -ugues 4" No 1* in :m # E Preludes L -ugues 48 No 3 in # # E Preludes L -ugues 7nglish 6uite No, 1 E Prelude 7nglish 6uite No,  E Allemande 7nglish 6uite No, 3 E :igue 7nglish 6uite No, 3 E 6araande 7nglish 6uite No, 4 E Allemande 7nglish 6uite No, 4 E :igue 7nglish 6uite No, ) E :igue -rench 6uite No, 1 E Allemande



OrSor

Grade

Composer #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach

Composition



-rench 6uite No,  E Allemande -rench 6uite No,  E :igue -rench 6uite No, 3 E :igue -rench 6uite No, 4 E Allemande -rench 6uite No, 4 E $ourante -rench 6uite No, ) E 6araande -rench 6uite No, * E $ourante Invention 11 Invention 1 Invention 1) Partita No, )& #'( 89

#ach #ach #ach #ach #ach #ach #ach #ach #ach& $,P,7, #ach& $,P,7, #ach& $,P,7, #ach& $,P,7, #ach& $,P,7, #ach& $,P,7,

6in.onia  6in.onia 4 6in.onia ) 6in.onia " 6in.onia 8 6in.onia 9 6in.onia 14 6in.onia 1) Allegro in A& ' 11*<1* 6in.onia No,1) in # minor& #'( 81 6onata in $ minor& ' * 6onata in $& ' ))<1& 3rd mvt 6onata in 5 minor& ' )"<4 6onata in - minor& ' )"<*

#ach& $,P,7,

6onatas

#art20 #art20 #eethoven #eethoven #eethoven #eethoven

14 #agatelles& !p * no  Mi0ro0osmos (ol ) No,139 E Merry Andrew #agatelle in A& !p, 33 No," #agatelle& !p 1*<4 Condo in A& 'o! 49 Condo& !p )1<1

#eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #enda #enda #orodin #rahms

6onata ", !p, 1 no, 1 6onata 8, !p, 1 no,  6onata 9, !p, , no,  6onata 1, !p,  no, 3 6onata 11, !p, 1 no, 3 6onata 1, !p, 13 FPathetiJue 6onata 13, !p,  6onata 14, !p, 8 FPastorale 6onata 1), !p, " F:rand 6onata 1*, !p, "8 F-or herese 6onata 1", !p, * F-uneral March 6onata 18, !p, 31 no, 3 Fhe Hunt 6onatina in :& !p "9 6onata in # 6onata in Petite 6uite no 4E Ma>ur0a Interme>>o in 7& !p 11*<*

3" 4 49 ) )1 )" *3 11 1 1) 118 1" 19   3 4 9 3 118" 1188 118* 1183 1184 118) )

" " " " " " " " " " " " " " " " " " " " " " " " " "

119 1189 119) 1193 1191 119 )9 * *1 * *3 *4 *) ** *" *8 *9 " 1194 119" 119* 1198 1199

" " " " " " " " " " " " " " " " " " " " " " "

$orrente

1st mvt& Allegretto 3rd mvt& Allegro nd mvt Almost .orgotten these days and almost never played& his sonatas are real gems, Again& all o. the sonatas are around grade "E8& so you should e ale to manage, I particularly li0e w* in :,

3rd mvt& (ivace 3rd mvt 3rd mvt

OrSor

Grade

3" 4 49 ) )1 )" *3 11 1 1) 118 1" 19   3 4 9 3 118" 1188 118* 1183 1184 118) )

" " " " " " " " " " " " " " " " " " " " " " " " " "

119 1189 119) 1193 1191 119 )9 * *1 * *3 *4 *) ** *" *8 *9 " 1194 119" 119* 1198 1199

" " " " " " " " " " " " " " " " " " " " " " "

OrSor 844

3* 3" 38 331 334 33* 341 34 39 33 33 333 33) 33" 338 339 34 34" 349 343 344 34) 34* 348 3) 3)1 3) 3)* 3)3 3)4 3)) 3)" 3)8 3)9 3* 3*1 3*3 3*4 3** 3* 3*) 1 11 13 1 14 *1 * 1**

Composer #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach

-rench 6uite No,  E Allemande -rench 6uite No,  E :igue -rench 6uite No, 3 E :igue -rench 6uite No, 4 E Allemande -rench 6uite No, 4 E $ourante -rench 6uite No, ) E 6araande -rench 6uite No, * E $ourante Invention 11 Invention 1 Invention 1) Partita No, )& #'( 89

#ach #ach #ach #ach #ach #ach #ach #ach #ach& $,P,7, #ach& $,P,7, #ach& $,P,7, #ach& $,P,7, #ach& $,P,7, #ach& $,P,7,

6in.onia  6in.onia 4 6in.onia ) 6in.onia " 6in.onia 8 6in.onia 9 6in.onia 14 6in.onia 1) Allegro in A& ' 11*<1* 6in.onia No,1) in # minor& #'( 81 6onata in $ minor& ' * 6onata in $& ' ))<1& 3rd mvt 6onata in 5 minor& ' )"<4 6onata in - minor& ' )"<*

#ach& $,P,7,

6onatas

#art20 #art20 #eethoven #eethoven #eethoven #eethoven

14 #agatelles& !p * no  Mi0ro0osmos (ol ) No,139 E Merry Andrew #agatelle in A& !p, 33 No," #agatelle& !p 1*<4 Condo in A& 'o! 49 Condo& !p )1<1

#eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #enda #enda #orodin #rahms

6onata ", !p, 1 no, 1 6onata 8, !p, 1 no,  6onata 9, !p, , no,  6onata 1, !p,  no, 3 6onata 11, !p, 1 no, 3 6onata 1, !p, 13 FPathetiJue 6onata 13, !p,  6onata 14, !p, 8 FPastorale 6onata 1), !p, " F:rand 6onata 1*, !p, "8 F-or herese 6onata 1", !p, * F-uneral March 6onata 18, !p, 31 no, 3 Fhe Hunt 6onatina in :& !p "9 6onata in # 6onata in Petite 6uite no 4E Ma>ur0a Interme>>o in 7& !p 11*<*

Grade Composer " $harier

" " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " "

Composition



$orrente

1st mvt& Allegretto 3rd mvt& Allegro nd mvt Almost .orgotten these days and almost never played& his sonatas are real gems, Again& all o. the sonatas are around grade "E8& so you should e ale to manage, I particularly li0e w* in :,

3rd mvt& (ivace 3rd mvt 3rd mvt

Composition Pieces PitoresJues

$hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $lementi $lementi $ramer $ramer $>erny

7cossaise no,  in :m !p, posth " no, 3 -ugue in Am -uneral march in $m F!p, posth, no,  Ma>ur0a no,  in $Zm Fop, * no,  Ma>ur0a no, 3 in 7 Fop, * no, 3 Ma>ur0a no, 4 in 7m Fop, * no, 4 Ma>ur0a no, " in -m Fop, " no, 3 Ma>ur0a no, 8 in A Fop, " no, 4 Ma>ur0a no, 1 in A Fop, 1" no, 3 Ma>ur0a no, 13 in Am Fop, 1" no, 4 Ma>ur0a no, * in 7m Fop, 41 no, 1 Ma>ur0a no, 8 in A Fop, 41 no, 3 Ma>ur0a no, 31 in A Fop, ) no,  Ma>ur0a no, 41 in $Zm Fop, *3 no, 3 Ma>ur0a no, ) in Am Ma>ur0a no, )) in # Ma>ur0a no, )" in A Nocturne no,  in 7 F!p, 9 no,  Nocturne no, * in :m F!p, 1) no, 3 Nocturne no, 11 in :m F!p, 3" no, 1 Nocturne no, 1) in -m F!p, )) no, 1 Nocturne no, 1) in -m F!p, )) no, 1 Nocturne no, 19 in 7m F!p, posth& " no, 1 Nocturne no,  in $Zm Nocturne no, 11 in :m F!p, 3" no, 1 Nouvelles 7tudes no,  in A Polonaise no, 13 in A Preludes !p, 8, No,  Preludes !p, 8, No, 13 Preludes !p, 8, No, 14 Preludes !p, 8, No, 1) Preludes !p, 8, No, 1 6oanta no,  in #m F!p, 3) 6onata no, 1 in $m Fop, 4 6onata no, 3 in #m F!p, )8 (ariations in 7 on #ellinis I Puritani, 'alt> No, * F5& !p, *4 no, 1 'alt> No, " F$Zm& !p, *4 no,  'alt> No, 9 FA& !p, Posth, *9 no, 1 'alt> No, 13 F5& !p, Posth, " no, 3 'alt> No, 8 FA& !p, *4 no, 3 6onata in A maor& !p 1<1 6onata in # .lat& !p 4"< 7tude no 33 in 5 6tudy in -Z minor& No  o. /84 6tudies/ 6tudy in 5 minor& !p "4<3"

5eussy 5eussy 5e#ussy

AraesJue  #allade $lair de %une


Other Notes & Comments Idylle E the CH is almost as usy as the %H in this delight.ul piece, he %H mostly plays ro0en octaves& s0ipping over two octaves, 7cellent .or s0ip accuracy, And it i s a wonder.ul& hauntingly eauti.ul piece,

3rd mov, Marche -unere 3rd mov, %arghetto, 3rd mov, %argo

1st mvt& Allegro con spirito 1st mvt

OrSor 844

Grade Composer " $harier

3* 3" 38 331 334 33* 341 34 39 33 33 333 33) 33" 338 339 34 34" 349 343 344 34) 34* 348 3) 3)1 3) 3)* 3)3 3)4 3)) 3)" 3)8 3)9 3* 3*1 3*3 3*4 3** 3* 3*) 1 11 13 1 14 *1 * 1**

" " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " "

OrSor * )94 *3 )98 )9) )9" )9* *4 )99 *) 1) *49 **)

Grade " " " " " " " " " " " " "

*** 18 1" 1* 19 )39 )4 )41 )4 )43 )44 )4) )4* )4" )48 )49 )) ))1 )) ))3 ))4 ))) ))* 11 111 114 11* 11) 11 113 81 8) 8* 8" 88 814 81) 81"

" " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " "

Composition


Pieces PitoresJues

Other Notes & Comments Idylle E the CH is almost as usy as the %H in this delight.ul piece, he %H mostly plays ro0en octaves& s0ipping over two octaves, 7cellent .or s0ip accuracy, And it i s a wonder.ul& hauntingly eauti.ul piece,

$hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $lementi $lementi $ramer $ramer $>erny

7cossaise no,  in :m !p, posth " no, 3 -ugue in Am -uneral march in $m F!p, posth, no,  Ma>ur0a no,  in $Zm Fop, * no,  Ma>ur0a no, 3 in 7 Fop, * no, 3 Ma>ur0a no, 4 in 7m Fop, * no, 4 Ma>ur0a no, " in -m Fop, " no, 3 Ma>ur0a no, 8 in A Fop, " no, 4 Ma>ur0a no, 1 in A Fop, 1" no, 3 Ma>ur0a no, 13 in Am Fop, 1" no, 4 Ma>ur0a no, * in 7m Fop, 41 no, 1 Ma>ur0a no, 8 in A Fop, 41 no, 3 Ma>ur0a no, 31 in A Fop, ) no,  Ma>ur0a no, 41 in $Zm Fop, *3 no, 3 Ma>ur0a no, ) in Am Ma>ur0a no, )) in # Ma>ur0a no, )" in A Nocturne no,  in 7 F!p, 9 no,  Nocturne no, * in :m F!p, 1) no, 3 Nocturne no, 11 in :m F!p, 3" no, 1 Nocturne no, 1) in -m F!p, )) no, 1 Nocturne no, 1) in -m F!p, )) no, 1 Nocturne no, 19 in 7m F!p, posth& " no, 1 Nocturne no,  in $Zm Nocturne no, 11 in :m F!p, 3" no, 1 Nouvelles 7tudes no,  in A Polonaise no, 13 in A Preludes !p, 8, No,  Preludes !p, 8, No, 13 Preludes !p, 8, No, 14 Preludes !p, 8, No, 1) Preludes !p, 8, No, 1 6oanta no,  in #m F!p, 3) 6onata no, 1 in $m Fop, 4 6onata no, 3 in #m F!p, )8 (ariations in 7 on #ellinis I Puritani, 'alt> No, * F5& !p, *4 no, 1 'alt> No, " F$Zm& !p, *4 no,  'alt> No, 9 FA& !p, Posth, *9 no, 1 'alt> No, 13 F5& !p, Posth, " no, 3 'alt> No, 8 FA& !p, *4 no, 3 6onata in A maor& !p 1<1 6onata in # .lat& !p 4"< 7tude no 33 in 5 6tudy in -Z minor& No  o. /84 6tudies/ 6tudy in 5 minor& !p "4<3"

5eussy 5eussy 5e#ussy

AraesJue  #allade $lair de %une

Composer 5eussy 5eussy 5eussy 5eussy 5eussy 5eussy 5eussy 5eussy 5eussy 5oni>etti -ield

5anse 7stampes  E 6oirees dans :renade MasJues Ma>ur0a 6uite #ergamasJue 1 E Prelude 6uite #ergamasJue  E Menuet 6uite #ergamasJue 3 E $lair de lune 6uite #ergamasJue 4 E Passepied (alse ComantiJue %arghetto in A minor Nocturne no 1* in -

:ershwin :ershwin

hree Preludes I, Allegro en ritmato e preciso hree Preludes II, Andante con moto e poco ruato

:ershwin :ranados :ranados :ranados :rieg

hree Preludes III, Allegro en ritmato e preciso 5an>a de la Cosa& no 3 .rom /7scenas PoKticas/ 5an>a :alante& .rom /5an>as 7spabolas/ (iniendo de la . uente& !p 1<) Alum %ea. in A -lat& !p,8 No,1

:rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg Handel Handel Handel Handel Handel

%yric Pieces !p, 38<1 F#erceuse %yric Pieces !p, 38<) F6pringdans %yric Pieces !p, 38<8 F$anon %yric Pieces !p, 43<1 F#utter.ly %yric Pieces !p, 43<4 F%ittle ird %yric Pieces !p, 43<) F7roty0on %yric Pieces !p, )4<1 F6hepherd/s oy %yric Pieces !p, )4<4 FNotturno %yric Pieces !p, )4<) F6cher>o %yric Pieces !p, )"< F:ade %yric Pieces !p, )"<* FHome sic0ness %yric Pieces !p, *<1 F6ylphe %yric Pieces !p, *)<3 FMelancholy %yric Pieces !p, *)<4 F6alon %yric Pieces !p, *8<1 F6ailor/s song %yric Pieces !p, *8<* F(alse MelancholiJue %yric Pieces !p, "1<1 F!nce upon a time %yric Pieces !p, "1< F6ummer/s eve Prelude .rom Holerg 6uite !p,4 6cher>o Impromptu in # -lat !p,) No,3 Allegro in 5 minor -antasia in $& #,*<1 :igue .rom 6uite No,1 6uite no 4 in 7 minor& 1" $ollection& H'( 49 6uite no 8 in - minor& 1" $ollection& H'( 433

nd mvt& Allemande :igue& 3rd mvt Allemande

Haydn Haydn Haydn Haydn Haydn Haydn Haydn Haydn

6onata S(I<14 in 5 maor 6onata S(I<1 in $ maor 6onata S(I< in 7 maor 6onata S(I<3 in - maor 6onata S(I<4 in 5 maor 6onata S(I<3 in A maor 6onata S(I<31 in 7 maor 6onata S(I<33 in 5 maor

Allegro moderato F" Menuet and rio F) -inale Allegro F* Allegro F" Adagio F* Presto F* Allegro moderato F" Andante F* -inale empo di menuet F* Moderato F" Adagio F) -inale Presto F* Allegro F" Adagio F* -inale presto F" Allegro F" empo di menuet F" Moderato F" Allegretto F* -inale Presto F* Allegro F" Adagio F* empo di menuet F)

Composition

3rd mov, Marche -unere 3rd mov, %arghetto, 3rd mov, %argo

1st mvt& Allegro con spirito 1st mvt



A nocturneEli0e version .or piano o. the .amous aria G=na .urtiva lacrima :ershwin called this prelude G6panish, his is a .ast virtuoso piece& very good as an encore, :ershwin called this prelude a Glues lullay, 6low and slightly lugurious& it would ma0e Juite a good piece to play e.ore an intermission, his is my .avourite o. the three Fand the most di..icult,

GNotturno is haunting and yet not the usual nocturne pattern F%yric pieces& !p, )4<4,

OrSor * )94 *3 )98 )9) )9" )9* *4 )99 *) 1) *49 **)

Grade " " " " " " " " " " " " "

*** 18 1" 1* 19 )39 )4 )41 )4 )43 )44 )4) )4* )4" )48 )49 )) ))1 )) ))3 ))4 ))) ))* 11 111 114 11* 11) 11 113 81 8) 8* 8" 88 814 81) 81"

" " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " " "

OrSor 818 819 84 8" 89 83* 11" 118 119 1 11 4 43 1 3 33 34 13 14 1) "1 *" *"4 *") *8* *88

Grade " " " " " " " " " " " " " " " " " " " " " " " " " "

*9* *9" *98 *99 "3 "* "" "9 1* 1" 18 131 19 1"1 )"* )"3 )") 13 )"4 13 133 134 13) 1 13*

" " " " " " " " " " " " " " " " " " " " " " " " "

Composer 5eussy 5eussy 5eussy 5eussy 5eussy 5eussy 5eussy 5eussy 5eussy 5oni>etti -ield

5anse 7stampes  E 6oirees dans :renade MasJues Ma>ur0a 6uite #ergamasJue 1 E Prelude 6uite #ergamasJue  E Menuet 6uite #ergamasJue 3 E $lair de lune 6uite #ergamasJue 4 E Passepied (alse ComantiJue %arghetto in A minor Nocturne no 1* in -

Composition



:ershwin :ershwin

hree Preludes I, Allegro en ritmato e preciso hree Preludes II, Andante con moto e poco ruato

:ershwin :ranados :ranados :ranados :rieg

hree Preludes III, Allegro en ritmato e preciso 5an>a de la Cosa& no 3 .rom /7scenas PoKticas/ 5an>a :alante& .rom /5an>as 7spabolas/ (iniendo de la . uente& !p 1<) Alum %ea. in A -lat& !p,8 No,1

:rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg :rieg Handel Handel Handel Handel Handel

%yric Pieces !p, 38<1 F#erceuse %yric Pieces !p, 38<) F6pringdans %yric Pieces !p, 38<8 F$anon %yric Pieces !p, 43<1 F#utter.ly %yric Pieces !p, 43<4 F%ittle ird %yric Pieces !p, 43<) F7roty0on %yric Pieces !p, )4<1 F6hepherd/s oy %yric Pieces !p, )4<4 FNotturno %yric Pieces !p, )4<) F6cher>o %yric Pieces !p, )"< F:ade %yric Pieces !p, )"<* FHome sic0ness %yric Pieces !p, *<1 F6ylphe %yric Pieces !p, *)<3 FMelancholy %yric Pieces !p, *)<4 F6alon %yric Pieces !p, *8<1 F6ailor/s song %yric Pieces !p, *8<* F(alse MelancholiJue %yric Pieces !p, "1<1 F!nce upon a time %yric Pieces !p, "1< F6ummer/s eve Prelude .rom Holerg 6uite !p,4 6cher>o Impromptu in # -lat !p,) No,3 Allegro in 5 minor -antasia in $& #,*<1 :igue .rom 6uite No,1 6uite no 4 in 7 minor& 1" $ollection& H'( 49 6uite no 8 in - minor& 1" $ollection& H'( 433

nd mvt& Allemande :igue& 3rd mvt Allemande

Haydn Haydn Haydn Haydn Haydn Haydn Haydn Haydn

6onata S(I<14 in 5 maor 6onata S(I<1 in $ maor 6onata S(I< in 7 maor 6onata S(I<3 in - maor 6onata S(I<4 in 5 maor 6onata S(I<3 in A maor 6onata S(I<31 in 7 maor 6onata S(I<33 in 5 maor

Allegro moderato F" Menuet and rio F) -inale Allegro F* Allegro F" Adagio F* Presto F* Allegro moderato F" Andante F* -inale empo di menuet F* Moderato F" Adagio F) -inale Presto F* Allegro F" Adagio F* -inale presto F" Allegro F" empo di menuet F" Moderato F" Allegretto F* -inale Presto F* Allegro F" Adagio F* empo di menuet F)

Composer Haydn Haydn Haydn Haydn Haydn Haydn Heller Heller Heller Baalevs0y Bal0renner

Composition 6onata S(I<34 in 7 minor 6onata S(I<3) in $ maor 6onata S(I<4 in : maor 6onata S(I<43 in A maor 6onata S(I<4) in 7maor 6onata S(I<)1 in 5 maor Nuits lanches F6leepless Nights& !p 8<" 6tudy in 7& !p,4) No,9 6tudy in 7& !p,4" No,1* Prelude& !p 38< 7tude in $ 6harp minor& !p,143 #0 No,1*

%is>t %is>t %is>t

$onsolations& 6, 1" no, ) $onsolations& 6, 1" no, * No  o. /-ive Hungarian -ol0songs/& 6 4)

%is>t %is>t %is>t Macdowell Macdowell Mendelssohn

?ears o. Pilgrimage 1yr 6wit>erland No,  ?ears o. Pilgrimage yr Italy No,  ?ears o. Pilgrimage yr Italy No, 3 6tarlight& !p ))<4 'ald.ahrt FIn the -orest& !p 3)<) Presto agitato& No  o. /wo Musical 60etches/

Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn

6ongs 'ithout 'ords !p, 1 no, 3 6ongs 'ithout 'ords !p, 19 no, 3 6ongs 'ithout 'ords !p, 3 no, 1 6ongs 'ithout 'ords !p, 3 no,  6ongs 'ithout 'ords !p, )3 no, 1 6ongs 'ithout 'ords !p, )3 no, 3

Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Moscheles Mos>0ows0i Mos>0ows0i Mo>art Mo>art

6ongs 'ithout 'ords !p, * no, ) 6ongs 'ithout 'ords !p, * no, * 6ongs 'ithout 'ords !p, *" no, 1 6ongs 'ithout 'ords !p, *" no,  6ongs 'ithout 'ords !p, *" no, * 6ongs 'ithout 'ords !p, 8) no, 3 6ongs 'ithout 'ords !p, 8) no, 4 6ongs 'ithout 'ords !p, 8) no, * Prelude& op "<4 $alme du 6oir& !p 94< Melodie !p,"" No,9 :igue in :& B,)"4 Minuet in 5& B 3))


Condo in 5 B 48) 6onata in A maor& B 331 6onata in $ maor& B "9 6onata in 5 maor& B 311 6onata in -& B Anh 13)

Mo>art Mussorgs0y Poulenc Poulenc Poulenc

6onata in : maor& B 83 :opa0 $oda Novelette in $ maor& no 1 6taccato

Pro0o.iev Pro0o.iev

1 Pieces !p, 1 No,  :avotta& !p 3<3

A nocturneEli0e version .or piano o. the .amous aria G=na .urtiva lacrima :ershwin called this prelude G6panish, his is a .ast virtuoso piece& very good as an encore, :ershwin called this prelude a Glues lullay, 6low and slightly lugurious& it would ma0e Juite a good piece to play e.ore an intermission, his is my .avourite o. the three Fand the most di..icult,

GNotturno is haunting and yet not the usual nocturne pattern F%yric pieces& !p, )4<4,


Other Notes & Comments Presto F" Adagio F* -inale (ivace molto F* Allegro con rio F" Adagio F) Allegro F* Allegretto innocente F" Presto F" Moderato F" Menuetto F<3 Condo Presto F" Moderato F" Andante F" -inale Allegro di Molto F8  Andante F" Presto F"

(ery .ast arpeggio .igurations on %H with a power.ul melody in chords on the CH, :ood preparation .or $hopin !p, 1 no, 1 FCevolutionary& which it reminds one o.,

no * .rom /(illageois/ No, .rom /(illageoises/ No,  @ :avotte @ reJuires a large hand span,

OrSor 818 819 84 8" 89 83* 11" 118 119 1 11 4 43 1 3 33 34 13 14 1) "1 *" *"4 *") *8* *88

Grade " " " " " " " " " " " " " " " " " " " " " " " " " "

*9* *9" *98 *99 "3 "* "" "9 1* 1" 18 131 19 1"1 )"* )"3 )") 13 )"4 13 133 134 13) 1 13*

" " " " " " " " " " " " " " " " " " " " " " " " "

OrSor 13" 199  138 14 139 141 49)

Grade " " " " " " " "

Composer Haydn Haydn Haydn Haydn Haydn Haydn Heller Heller Heller Baalevs0y Bal0renner

Composition 6onata S(I<34 in 7 minor 6onata S(I<3) in $ maor 6onata S(I<4 in : maor 6onata S(I<43 in A maor 6onata S(I<4) in 7maor 6onata S(I<)1 in 5 maor Nuits lanches F6leepless Nights& !p 8<" 6tudy in 7& !p,4) No,9 6tudy in 7& !p,4" No,1* Prelude& !p 38< 7tude in $ 6harp minor& !p,143 #0 No,1*

%is>t %is>t %is>t

$onsolations& 6, 1" no, ) $onsolations& 6, 1" no, * No  o. /-ive Hungarian -ol0songs/& 6 4)

%is>t %is>t %is>t Macdowell Macdowell Mendelssohn

?ears o. Pilgrimage 1yr 6wit>erland No,  ?ears o. Pilgrimage yr Italy No,  ?ears o. Pilgrimage yr Italy No, 3 6tarlight& !p ))<4 'ald.ahrt FIn the -orest& !p 3)<) Presto agitato& No  o. /wo Musical 60etches/

Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn

6ongs 'ithout 'ords !p, 1 no, 3 6ongs 'ithout 'ords !p, 19 no, 3 6ongs 'ithout 'ords !p, 3 no, 1 6ongs 'ithout 'ords !p, 3 no,  6ongs 'ithout 'ords !p, )3 no, 1 6ongs 'ithout 'ords !p, )3 no, 3

Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Moscheles Mos>0ows0i Mos>0ows0i Mo>art Mo>art

6ongs 'ithout 'ords !p, * no, ) 6ongs 'ithout 'ords !p, * no, * 6ongs 'ithout 'ords !p, *" no, 1 6ongs 'ithout 'ords !p, *" no,  6ongs 'ithout 'ords !p, *" no, * 6ongs 'ithout 'ords !p, 8) no, 3 6ongs 'ithout 'ords !p, 8) no, 4 6ongs 'ithout 'ords !p, 8) no, * Prelude& op "<4 $alme du 6oir& !p 94< Melodie !p,"" No,9 :igue in :& B,)"4 Minuet in 5& B 3))


Condo in 5 B 48) 6onata in A maor& B 331 6onata in $ maor& B "9 6onata in 5 maor& B 311 6onata in -& B Anh 13)

Mo>art Mussorgs0y Poulenc Poulenc Poulenc

6onata in : maor& B 83 :opa0 $oda Novelette in $ maor& no 1 6taccato

Pro0o.iev Pro0o.iev

1 Pieces !p, 1 No,  :avotta& !p 3<3


Other Notes & Comments Presto F" Adagio F* -inale (ivace molto F* Allegro con rio F" Adagio F) Allegro F* Allegretto innocente F" Presto F" Moderato F" Menuetto F<3 Condo Presto F" Moderato F" Andante F" -inale Allegro di Molto F8  Andante F" Presto F"

(ery .ast arpeggio .igurations on %H with a power.ul melody in chords on the CH, :ood preparation .or $hopin !p, 1 no, 1 FCevolutionary& which it reminds one o.,

no * .rom /(illageois/ No, .rom /(illageoises/ No,  @ :avotte @ reJuires a large hand span,

Composer Pro0o.iev

Composition (ision -ugitive in # -lat minor& !p, No,1

Pro0o.iev Pro0o.iev Cachmanino.. Cavel Cavel Cavel

(isions -ugitives !p,  No, 9 (isions -ugitives !p,  No, 11 Comance Menuet sur le nom d/Haydn Prelude (alse Nole et 6entimental No, )

Allegretto tranJuilo @ this is my .avourite o. the set $on vivacita

Cespighi

Notturno

'onder.ul& lyrical piece& much closer to :riegs GNotturno in .orm and .eeling than to $hopins or -ields, F: minor @ Allegro In spite o. the tempo indication this is a slow& lyrical sonata, Melancholic and intense, F: maor @ Presto %oo0ing .or .ast Fvery .ast scale runs interspersed with a eauti.ul staccato melody %oo0 no .urther than this spar0ling gigue, FA maor @ Allegro @ -ast and . urious& .ull o. nervous energy, 7cellent .or wa0ing up the audience[ -igurations are shared eJually y oth hands, 7cellent $>erny replacement and superior warm up piece, 7Jually e..ective at a slower tempo,

"*"

" 6carlatti

6onata B 8

")

" 6carlatti

6onata B 14

19"

" 6carlatti

6onata B 39

") "39

" 6carlatti " 6carlatti

6onata B 43



F: minor @ Allegrissimo -erocious and virtuosistic sonata, F5 minor @ Andante moderato @ 'onder.ul sonata& lyrical and devotional& upli.ting and tranJuil, 'ritten Fmostly in 3Evoice counterpoint, Another masterpiece,

6onata B ) 19

" 6carlatti

6onata B *9

F- minor My .avourite amongst the slow& lyrical sonatas& this is a hauntingly eauti.ul piece with a comple polyphonic teture @ di..icult to read ut easy to play, 6pend sometime analysing its structure e.ore tac0ilng it at the piano, A masterpiece,

"*9

" 6carlatti

6onata B ""

"4

" 6carlatti

"9

" 6carlatti

6onata B 98

"31 ")*


6onata B 13 6onata B 14

F5 minor @ Moderato e cantaile @ minuet Pain.ully nostalgic and evocative lyrical sonata .ollowed y a lively minuet, A masterpiece, F# minor E Andante  Intensely lyrical wor0 o. great musical depth, $outerpoint in three and .our parts, 6aid to e Horowit> .avourite 6carlatti sonata, F7 minor @ Alegrissimo 'onder.ul study in rhythm with unepected developments& suspensions and syncopations, F7 maor @ Allegro @ +oy.ul and upli.ting, F: maor @ Allegro ired o. practising arpeggios ry this sonata instead, A ree>y arpeggio study with very .ast triplet semiJuavers, =pli.ting and etroverted, :o and ump on a la0e& Hanon[,

"33

" 6carlatti

6onata B 13)

"41

" 6carlatti

19*

" 6carlatti

6onata B 1

""* """


6onata B 1) 6onata B )9

""8

" 6carlatti

6onata B 318

"4)

" 6carlatti

"*4

" 6carlatti

"8)

" 6carlatti

6onata B )4*

14 14) 149

" 6chuert " 6chuert " 6chuert

-;n. Blavierst;c0e& No, 3 Moment Musical in A& !p 94 No, * Moment Musical in $Zm& !p,94 No,4& 5"8<4

6onata B 8"

F7 maor @ Allegro 5a>>ling .inger wor0 alternating with slow episodes in 4Evoice counterpoint, $atchy and upli.iting, F# minor E Andante @ 6 onata in a lyric& cantaile style& moderately .lowing, 7pansive& sonorous Jualities,

6onata B 19"

6onata B 443 6onata B 48"

Arpeggios hirds

B1 is also ecellent to replace technical eercises dealing with arpeggions and thirds F7 maor @ Andante @ 6udden shi.ts o. 0ey aound in this sonata, F: maor @ Andante @ A two and three voice invention, %yrical and tranJuil, 6lightly reminiscent o. B 8, F-Z maor @ Andante An unusual 0ey that suggests that 6carlatti was .amiliar with eJual temperament tuning, A lyrical and calm sonata, F5 maor E Allegro  @ !ne o. my all time .avourites& A.ter a rhythmic introduction characteristic o. 6panish dances& a most gentle and evocative melody develops, Cepeated notes, F$ maor @ Allegro A percussive sonata& .ull o. >est and unresolved dissonances that ma0e it sound rittle and sharp, 5i..icult octave leaps on the le.t hand, F: minor @ 'ritten in  and 3 parts& this is another lyrical& melancholic sonata with a eauti.ul& .lowing melody, Cecorded y #enamin -rith .or Naos,

OrSor 13" 199  138 14 139 141 49)

Grade " " " " " " " "

Composer Pro0o.iev

Composition (ision -ugitive in # -lat minor& !p, No,1

Pro0o.iev Pro0o.iev Cachmanino.. Cavel Cavel Cavel

(isions -ugitives !p,  No, 9 (isions -ugitives !p,  No, 11 Comance Menuet sur le nom d/Haydn Prelude (alse Nole et 6entimental No, )

Allegretto tranJuilo @ this is my .avourite o. the set $on vivacita

Cespighi

Notturno

'onder.ul& lyrical piece& much closer to :riegs GNotturno in .orm and .eeling than to $hopins or -ields, F: minor @ Allegro In spite o. the tempo indication this is a slow& lyrical sonata, Melancholic and intense, F: maor @ Presto %oo0ing .or .ast Fvery .ast scale runs interspersed with a eauti.ul staccato melody %oo0 no .urther than this spar0ling gigue, FA maor @ Allegro @ -ast and . urious& .ull o. nervous energy, 7cellent .or wa0ing up the audience[ -igurations are shared eJually y oth hands, 7cellent $>erny replacement and superior warm up piece, 7Jually e..ective at a slower tempo,

"*"

" 6carlatti

6onata B 8

")

" 6carlatti

6onata B 14

19"

" 6carlatti

6onata B 39

") "39


6onata B 43



F: minor @ Allegrissimo -erocious and virtuosistic sonata, F5 minor @ Andante moderato @ 'onder.ul sonata& lyrical and devotional& upli.ting and tranJuil, 'ritten Fmostly in 3Evoice counterpoint, Another masterpiece,

6onata B ) 19

" 6carlatti

6onata B *9

F- minor My .avourite amongst the slow& lyrical sonatas& this is a hauntingly eauti.ul piece with a comple polyphonic teture @ di..icult to read ut easy to play, 6pend sometime analysing its structure e.ore tac0ilng it at the piano, A masterpiece,

"*9

" 6carlatti

6onata B ""

"4

" 6carlatti

"9

" 6carlatti

6onata B 98

"31 ")*


6onata B 13 6onata B 14

F5 minor @ Moderato e cantaile @ minuet Pain.ully nostalgic and evocative lyrical sonata .ollowed y a lively minuet, A masterpiece, F# minor E Andante  Intensely lyrical wor0 o. great musical depth, $outerpoint in three and .our parts, 6aid to e Horowit> .avourite 6carlatti sonata, F7 minor @ Alegrissimo 'onder.ul study in rhythm with unepected developments& suspensions and syncopations, F7 maor @ Allegro @ +oy.ul and upli.ting, F: maor @ Allegro ired o. practising arpeggios ry this sonata instead, A ree>y arpeggio study with very .ast triplet semiJuavers, =pli.ting and etroverted, :o and ump on a la0e& Hanon[,

"33

" 6carlatti

6onata B 13)

"41

" 6carlatti

19*

" 6carlatti

6onata B 1

""* """


6onata B 1) 6onata B )9

""8

" 6carlatti

6onata B 318

"4)

" 6carlatti

"*4

" 6carlatti

"8)

" 6carlatti

6onata B )4*

14 14) 149

" 6chuert " 6chuert " 6chuert

-;n. Blavierst;c0e& No, 3 Moment Musical in A& !p 94 No, * Moment Musical in $Zm& !p,94 No,4& 5"8<4

6onata B 8"

F7 maor @ Allegro 5a>>ling .inger wor0 alternating with slow episodes in 4Evoice counterpoint, $atchy and upli.iting, F# minor E Andante @ 6 onata in a lyric& cantaile style& moderately .lowing, 7pansive& sonorous Jualities,

6onata B 19" Arpeggios hirds

F7 maor @ Andante @ 6udden shi.ts o. 0ey aound in this sonata, F: maor @ Andante @ A two and three voice invention, %yrical and tranJuil, 6lightly reminiscent o. B 8, F-Z maor @ Andante An unusual 0ey that suggests that 6carlatti was .amiliar with eJual temperament tuning, A lyrical and calm sonata, F5 maor E Allegro  @ !ne o. my all time .avourites& A.ter a rhythmic introduction characteristic o. 6panish dances& a most gentle and evocative melody develops, Cepeated notes, F$ maor @ Allegro A percussive sonata& .ull o. >est and unresolved dissonances that ma0e it sound rittle and sharp, 5i..icult octave leaps on the le.t hand,

6onata B 443

OrSor 143 14" 14* 148 144 1)3 1) 1)4 1)* 1)) 1)1 1)" 1)8 1)9 "1 " "3 " 1* 1*1 1* 1*4 1*3 1** 1*) 1*" 1*8 1*9 1" 1"1 1" 13 "1 8 8" 94 1 11 19 11) 18 131 13 3* 43 )4 )) *1 *9 133 134 18)

Grade Composer " 6chuert " 6chuert " 6chuert " 6chuert " 6chuert " 6chumann " 6chumann " 6chumann " 6chumann " 6chumann " 6chumann " 6chumann " 6chumann " 6chumann " 6criain " 6criain " 6criain " 6criain " 6criain " 6hosta0ovich " 6hosta0ovich " 6metana " 6metana " chai0ovs0y " chai0ovs0y " chai0ovs0y " elemann " (illaE%oos 8 AlKni> 8 AlKni> 8 AlKni> 8 #ach 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

B1 is also ecellent to replace technical eercises dealing with arpeggions and thirds

6onata B 48"

F: minor @ 'ritten in  and 3 parts& this is another lyrical& melancholic sonata with a eauti.ul& .lowing melody, Cecorded y #enamin -rith .or Naos,

Composition 6cher>o in 5& 5)93< 6onata in A& 5,))" 6onata in Am& 5,84) 6onata in 7& !p,1& 5,)*8 6onata in 7& 5 4)9 $anon& .rom 6onata& !p 118 No,  $harming %andscape& !p 8 No, ) 5avidsundlertOn>& !p *& no  Impromptu& !p 14 No, 1 Novelette in # minor& !p 99 No, 9 Comanc e in -Z& !p 8 No,  6onata in 5& !p,118 No, AlumlOtter III& !p 99 No, * Novelette in 5& !p 1 No, 4


Other Notes & Comments 1st mvt& Allegro moderato 3rd mvt 3rd mvt

nd mvt& $anon

Prelude !p, 11 no, 4 Prelude !p, 11 no, ) Prelude !p, 11 no, 9 Prelude !p, " no,  6tudy in $Z minor& !p  No, 1 Prelude !p, 34 No, 18 Prelude !p, 34 No, 1 Idyll& !p, 4 No,  6ouvenir de #ohQme& !p 13 No, 1 HumoresJue +une F#arcarolle& !p 3"a No, * Nocturne -antasia in : minor Minti0a .rom As tres Marias $Ydi> Fsaeta 7n la Playa 7vocation $apriccio in # .lat& #'( 99

4th mvt .rom \6uite 7spabola no 1& !p 4" no " .rom \Cecuerdos de (iae& !p "1 -rom \Ieria \on the 5eparture o. his most #eloved #rother

#ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach

7nglish 6uite No, 1 E Allemande 7nglish 6uite No,  E Prelude 7nglish 6uite No, 3 E Prelude 7nglish 6uite No, 4 E Prelude 7nglish 6uite No, ) E Allemande 7nglish 6uite No, ) E Prelude 7nglish 6uite No, * E Allemande 7nglish 6uite No, * E :igue 7nglish 6uite No, * E Prelude -antasia in $ minor& #'( 9* -rench !verture FPartita in # minor #'( 831

"th and 1th mvts& 6araande and :igue

#ach #ach #ach #ach #ach #ach #ach #ach #ach& $,P,7,

-rench 6uite No, 1 E :igue -rench 6uite No, 3 E Allemande -rench 6uite No, 4 E :igue -rench 6uite No, ) E Allemande -rench 6uite No, ) E :igue -rench 6uite No, * E :igue Partita No, 3 in A minor& #'( 8" Partita No, 4 in 5& #'( 88 6onata in A .lat& ' 49<

1st and *th mvts& -antasia and 6cher>o Menuett and :igue

OrSor 143 14" 14* 148 144 1)3 1) 1)4 1)* 1)) 1)1 1)" 1)8 1)9 "1 " "3 " 1* 1*1 1* 1*4 1*3 1** 1*) 1*" 1*8 1*9 1" 1"1 1" 13 "1 8 8" 94 1 11 19 11) 18 131 13 3* 43 )4 )) *1 *9 133 134 18)

Grade Composer " 6chuert " 6chuert " 6chuert " 6chuert " 6chuert " 6chumann " 6chumann " 6chumann " 6chumann " 6chumann " 6chumann " 6chumann " 6chumann " 6chumann " 6criain " 6criain " 6criain " 6criain " 6criain " 6hosta0ovich " 6hosta0ovich " 6metana " 6metana " chai0ovs0y " chai0ovs0y " chai0ovs0y " elemann " (illaE%oos 8 AlKni> 8 AlKni> 8 AlKni> 8 #ach

OrSor 18* 199 1"3 1"4 1") 1"* "1 " "3 "4 ") "* "" "8 "9 8 81 8 83 84 1"" 1"8 1"9 18 181 18 183 3*" 3*8 3*9 48 3" 4" 4* 49 3"1 41 411 41 413 3" 3"3 3"4 3") 414 41) 3"* 41* 41" 3"" 418 419

Grade 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

Composition


6cher>o in 5& 5)93< 6onata in A& 5,))" 6onata in Am& 5,84) 6onata in 7& !p,1& 5,)*8 6onata in 7& 5 4)9 $anon& .rom 6onata& !p 118 No,  $harming %andscape& !p 8 No, ) 5avidsundlertOn>& !p *& no  Impromptu& !p 14 No, 1 Novelette in # minor& !p 99 No, 9 Comanc e in -Z& !p 8 No,  6onata in 5& !p,118 No, AlumlOtter III& !p 99 No, * Novelette in 5& !p 1 No, 4

Other Notes & Comments 1st mvt& Allegro moderato 3rd mvt 3rd mvt

nd mvt& $anon

Prelude !p, 11 no, 4 Prelude !p, 11 no, ) Prelude !p, 11 no, 9 Prelude !p, " no,  6tudy in $Z minor& !p  No, 1 Prelude !p, 34 No, 18 Prelude !p, 34 No, 1 Idyll& !p, 4 No,  6ouvenir de #ohQme& !p 13 No, 1 HumoresJue +une F#arcarolle& !p 3"a No, * Nocturne -antasia in : minor Minti0a .rom As tres Marias $Ydi> Fsaeta 7n la Playa 7vocation $apriccio in # .lat& #'( 99

4th mvt .rom \6uite 7spabola no 1& !p 4" no " .rom \Cecuerdos de (iae& !p "1 -rom \Ieria \on the 5eparture o. his most #eloved #rother

#ach #ach #ach #ach #ach #ach #ach #ach #ach #ach #ach

7nglish 6uite No, 1 E Allemande 7nglish 6uite No,  E Prelude 7nglish 6uite No, 3 E Prelude 7nglish 6uite No, 4 E Prelude 7nglish 6uite No, ) E Allemande 7nglish 6uite No, ) E Prelude 7nglish 6uite No, * E Allemande 7nglish 6uite No, * E :igue 7nglish 6uite No, * E Prelude -antasia in $ minor& #'( 9* -rench !verture FPartita in # minor #'( 831

"th and 1th mvts& 6araande and :igue

#ach #ach #ach #ach #ach #ach #ach #ach #ach& $,P,7,

-rench 6uite No, 1 E :igue -rench 6uite No, 3 E Allemande -rench 6uite No, 4 E :igue -rench 6uite No, ) E Allemande -rench 6uite No, ) E :igue -rench 6uite No, * E :igue Partita No, 3 in A minor& #'( 8" Partita No, 4 in 5& #'( 88 6onata in A .lat& ' 49<

Composer #ach& $,P,7, #ach& +,$, #art20 #art20 #art20 #eethoven

Composition 6onata in A& H 18 ' ))<4 6onata in # .lat& !p 1"<* 5ance in #ulgarian Chythm no ) Condo no 1 .rom \3 Condos on -ol0 unes 6uite& !p 14& 1st mvt Andante -avori& 'o! )"

#eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #rahms #rahms #rahms #rahms #rahms $harier $harier

6onata 19, !p, 31 no, 1 6onata , !p, 9 6onata 1, !p, " no, 1 6onata , !p, " no,  FMoonlight 6onata 3, !p, )4 6onata 4, !p, 31 no,  Fempest 6onata ), !p, )3 F'aldstein 6onata *, !p, 81 F%es Adieu 6onata ", !p, )" FAppasionata 6onata 8, !p, 11 6onata 9, !p, 11 6onata 3, !p, 19 6onata 31, !p, 111 6onata 3, !p, 1* FHammer0lavier #allade in 5 minor& !p 1<1 Interme>>o in A minor& !p "*<" Interme>>o in # minor& !p 119<1 Interme>>o in 7 .lat& !p 11"<1 Interme>>o& !p 11*<4 5anse (illageoise Idylle

$hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin

Andante 6pianatto Fprelude to :rande Polonaise #rillante op,  7cossaise no, 1 in 5 F!p, posth& " no, 3 7cossaise no, 3 in 5 F!p, posth& " no, 3 7tude !p, 1 no, 3 7tude !p, 1 no, * 7tude !p, 1 no, 9 7tude !p, 1 no, 1 7tude !p, ) no, 1 7tude !p, ) no,  7tude !p, ) no, " 7tude !p, ) no, 9 -antaise Impromptu op, posth, ** Impromptu no, 1 in A F!p, 9 Ma>ur0a no, 1 in -Zm Fop, * no, 1 Ma>ur0a no, 1 in # Fop, 1" no, 1 Ma>ur0a no, 1" in #m Fop, 4 no, 4 Ma>ur0a no,  in 5 Fop, 3 no, 3 Ma>ur0a no, 1 in $Zm Fop, 3 no, 4 Ma>ur0a no, 3 in 5 Fop, 33 no,  Ma>ur0a no, ) in #m Fop, 33 no, 4 Ma>ur0a no, " in # Fop, 41 no,  Ma>ur0a no, 9 in $Zm Fop, 41 no, 4 Ma>ur0a no, 3 in : Fop, ) no, 1 Ma>ur0a no, 3 in $Zm Fop, ) no, 3 Ma>ur0a no, 33 in # Fop, )* no,1

1st and *th mvts& -antasia and 6cher>o Menuett and :igue


Other Notes & Comments 1st mvt& Allegro assai no 1) .rom \Mi0ro0osmos vol * Allegretto

F.rom \1 PiQces PittoresJues F.rom \1 PiQces PittoresJues

OrSor 18* 199 1"3 1"4 1") 1"* "1 " "3 "4 ") "* "" "8 "9 8 81 8 83 84 1"" 1"8 1"9 18 181 18 183 3*" 3*8 3*9 48 3" 4" 4* 49 3"1 41 411 41 413 3" 3"3 3"4 3") 414 41) 3"* 41* 41" 3"" 418 419

Grade 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

OrSor 3"8 4 3"9 38 381 38 383 384 38) 38* 38" 388 4* 391 4" 39 393 389 41 4 39 43 44 4) 394 48 39) 43 431 39" 43 433 39* 49 398 4 438 434 43) 399 43* 43" 41 439 44 4 44 4) 443 441 43 44

Grade 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

Composer #ach& $,P,7, #ach& +,$, #art20 #art20 #art20 #eethoven

Composition 6onata in A& H 18 ' ))<4 6onata in # .lat& !p 1"<* 5ance in #ulgarian Chythm no ) Condo no 1 .rom \3 Condos on -ol0 unes 6uite& !p 14& 1st mvt Andante -avori& 'o! )"

#eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #eethoven #rahms #rahms #rahms #rahms #rahms $harier $harier

6onata 19, !p, 31 no, 1 6onata , !p, 9 6onata 1, !p, " no, 1 6onata , !p, " no,  FMoonlight 6onata 3, !p, )4 6onata 4, !p, 31 no,  Fempest 6onata ), !p, )3 F'aldstein 6onata *, !p, 81 F%es Adieu 6onata ", !p, )" FAppasionata 6onata 8, !p, 11 6onata 9, !p, 11 6onata 3, !p, 19 6onata 31, !p, 111 6onata 3, !p, 1* FHammer0lavier #allade in 5 minor& !p 1<1 Interme>>o in A minor& !p "*<" Interme>>o in # minor& !p 119<1 Interme>>o in 7 .lat& !p 11"<1 Interme>>o& !p 11*<4 5anse (illageoise Idylle

$hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin

Andante 6pianatto Fprelude to :rande Polonaise #rillante op,  7cossaise no, 1 in 5 F!p, posth& " no, 3 7cossaise no, 3 in 5 F!p, posth& " no, 3 7tude !p, 1 no, 3 7tude !p, 1 no, * 7tude !p, 1 no, 9 7tude !p, 1 no, 1 7tude !p, ) no, 1 7tude !p, ) no,  7tude !p, ) no, " 7tude !p, ) no, 9 -antaise Impromptu op, posth, ** Impromptu no, 1 in A F!p, 9 Ma>ur0a no, 1 in -Zm Fop, * no, 1 Ma>ur0a no, 1 in # Fop, 1" no, 1 Ma>ur0a no, 1" in #m Fop, 4 no, 4 Ma>ur0a no,  in 5 Fop, 3 no, 3 Ma>ur0a no, 1 in $Zm Fop, 3 no, 4 Ma>ur0a no, 3 in 5 Fop, 33 no,  Ma>ur0a no, ) in #m Fop, 33 no, 4 Ma>ur0a no, " in # Fop, 41 no,  Ma>ur0a no, 9 in $Zm Fop, 41 no, 4 Ma>ur0a no, 3 in : Fop, ) no, 1 Ma>ur0a no, 3 in $Zm Fop, ) no, 3 Ma>ur0a no, 33 in # Fop, )* no,1

Composer $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin

Composition Ma>ur0a no, 34 in $ Fop, )* no,  Ma>ur0a no, 3) in $m Fop, )* no, 3 Ma>ur0a no, 3* in Am Fop, )9 no, 1 Ma>ur0a no, 3" in A Fop, )9 no,  Ma>ur0a no, 38 in -Zm Fop, )9 no, 3 Ma>ur0a no, 39 in # Fop, *3 no, 1 Ma>ur0a no, 4 in : Fop,posth, *" no, 1 Ma>ur0a no, 4* in $ Fop, posth, *8 no, 1 Ma>ur0a no, )3 in Am Ma>ur0a no, )4 in 5 Ma>ur0a no, )* in $ Nocturne no, 1 in #m F!p, 9 no, 1 Nocturne No, 4 in - F!p, 1) no, 1 Nocturne no, ) in -Z F!p, 1) no,  Nocturne No, " in $Zm F!p, " no, 1 Nocturne no, 8 in 5 F!p, " no, Nocturne no, 9 in # F!p, 3 no, 1 Nocturne no, 1 in A F!p, 3 no,  Nocturne No, 1 in : F!p, 3" no,  Nocturne No, 13 in $m F!p, 48 no, 1 Nocturne no, 14 in -Z F!p, 48 no,  Nocturne No, 1* in 7 F!p, )) no,  Nocturne No, 1" in # F!p, * no, 1 Nocturne No, 18 in 7 F!p, * no,  Nouvelle 7tude no, 1 in -m Nouvelle etude no, 3 in 5 Polonaise no, 1 in $Zm !p, * no, 1 Polonaise no,  in 7m !p, * no, Polonaise no, 3 in A !p, 4 no, 1 Polonaise no, 4 in $m !p, 4 no,  Polonaise no, 8 in 5m !p, Posth, No, 1 Polonaise no, 9 in # !p, Posth, No,  Polonaise no, 1 in -m !p, Posth "1 no, 3 Polonaise no, 1) in #m Preludes !p, 8, No, 1 Preludes !p, 8, No, 3 Preludes !p, 8, No, 8 Preludes !p, 8, No, 1 Preludes !p, 8, No, 11 Preludes !p, 8, No, 1" Preludes !p, 8, No,  Preludes !p, 8, No, 3 6onata in $m F!p, 4 6ouvenir de Paganini, (ariations on a :erman National air 'alt> No, 1 F7& op, 18  'alt> No,  FA& !p, 34 no, 1 'alt> No, 4 F-& !p, 34 no, 3 'alt> No, ) FA& !p, 4 'alt> No, 11 F: !p, Posth, " no, 1 'alt> No, 1* F7m 'alt> No, 19 F7


Other Notes & Comments 1st mvt& Allegro assai no 1) .rom \Mi0ro0osmos vol * Allegretto

F.rom \1 PiQces PittoresJues F.rom \1 PiQces PittoresJues



nd mov, @ Menuetto

OrSor 3"8 4 3"9 38 381 38 383 384 38) 38* 38" 388 4* 391 4" 39 393 389 41 4 39 43 44 4) 394 48 39) 43 431 39" 43 433 39* 49 398 4 438 434 43) 399 43* 43" 41 439 44 4 44 4) 443 441 43 44

Grade 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

Composer $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin $hopin

OrSor Grade Composer 184 8 $lementi *) 8 5eussy *9 8 5eussy 11" 8 5eussy ** 8 5eussy *1 8 5eussy *" 8 5eussy *11 8 5eussy *1 8 5eussy *8 8 5eussy *13 8 5eussy 18" 8 5eussy 188 8 5eussy 189 8 -aurK 19 8 -aurK 191 8 -aurK 19 8 -ield 193 8 :ranados 194 8 :rieg ))" 8 :rieg ))8 8 :rieg ))9 8 :rieg )* 8 :rieg )*" 8 :rieg )*1 8 :rieg )* 8 :rieg )*3 8 :rieg )*4 8 :rieg )*) 8 :rieg )** 8 :rieg )*8 8 :rieg 19) 8 Handel 19* 8 Handel 19" 8 Handel 198 8 Handel 8 8 Haydn 83 8 Haydn 84 8 Haydn 89 8 Haydn 81 8 Haydn 81 8 Haydn 813 8 Haydn 81* 8 Haydn 8 8 Haydn 81 8 Haydn 8 8 Haydn 83 8 Haydn 8) 8 Haydn 8* 8 Haydn 88 8 Haydn 83 8 Haydn 83 8 Haydn

Composition Ma>ur0a no, 34 in $ Fop, )* no,  Ma>ur0a no, 3) in $m Fop, )* no, 3 Ma>ur0a no, 3* in Am Fop, )9 no, 1 Ma>ur0a no, 3" in A Fop, )9 no,  Ma>ur0a no, 38 in -Zm Fop, )9 no, 3 Ma>ur0a no, 39 in # Fop, *3 no, 1 Ma>ur0a no, 4 in : Fop,posth, *" no, 1 Ma>ur0a no, 4* in $ Fop, posth, *8 no, 1 Ma>ur0a no, )3 in Am Ma>ur0a no, )4 in 5 Ma>ur0a no, )* in $ Nocturne no, 1 in #m F!p, 9 no, 1 Nocturne No, 4 in - F!p, 1) no, 1 Nocturne no, ) in -Z F!p, 1) no,  Nocturne No, " in $Zm F!p, " no, 1 Nocturne no, 8 in 5 F!p, " no, Nocturne no, 9 in # F!p, 3 no, 1 Nocturne no, 1 in A F!p, 3 no,  Nocturne No, 1 in : F!p, 3" no,  Nocturne No, 13 in $m F!p, 48 no, 1 Nocturne no, 14 in -Z F!p, 48 no,  Nocturne No, 1* in 7 F!p, )) no,  Nocturne No, 1" in # F!p, * no, 1 Nocturne No, 18 in 7 F!p, * no,  Nouvelle 7tude no, 1 in -m Nouvelle etude no, 3 in 5 Polonaise no, 1 in $Zm !p, * no, 1 Polonaise no,  in 7m !p, * no, Polonaise no, 3 in A !p, 4 no, 1 Polonaise no, 4 in $m !p, 4 no,  Polonaise no, 8 in 5m !p, Posth, No, 1 Polonaise no, 9 in # !p, Posth, No,  Polonaise no, 1 in -m !p, Posth "1 no, 3 Polonaise no, 1) in #m Preludes !p, 8, No, 1 Preludes !p, 8, No, 3 Preludes !p, 8, No, 8 Preludes !p, 8, No, 1 Preludes !p, 8, No, 11 Preludes !p, 8, No, 1" Preludes !p, 8, No,  Preludes !p, 8, No, 3 6onata in $m F!p, 4 6ouvenir de Paganini, (ariations on a :erman National air 'alt> No, 1 F7& op, 18  'alt> No,  FA& !p, 34 no, 1 'alt> No, 4 F-& !p, 34 no, 3 'alt> No, ) FA& !p, 4 'alt> No, 11 F: !p, Posth, " no, 1 'alt> No, 1* F7m 'alt> No, 19 F7


Composition


6onata in 5 minora 7spabola No * +ota \Condalla Aragonesa :ade& !p )"<


nd mov, @ Menuetto

Other Notes & Comments 1st mvt& Adagio molto @ Allegro

.rom \$hildrens $orner 6uite

%yric Pieces !p, 43<* Fo 6pring %yric Pieces !p, 4"< FAlum lea. %yric Pieces !p, 4"<* F6pringdans %yric Pieces !p, )4< F:angar %yric Pieces !p, )4<3 FMarch o. the dwar.s %yric Pieces !p, )"<1 F(anished days %yric Pieces !p, )"<) F6he dances %yric Pieces !p, *<4 F#roo0let %yric Pieces !p, *<* FHomeward %yric Pieces !p, *)<1 F-rom early years %yric Pieces !p, *)<* F'edding day at roldhaugen %yric Pieces !p, "1<) FHalling -ugue no 3 in # .lat& H'( *" -ugue no * in $ minor& H'( *1 6uite no 3 in 5 minor& 1" $ollec tion& H' ( 48 6uite no * in -Z minor& 1" $ollection& H'( 431& #*<*

3rd mvt Allegro

6onata S(I<18 in # maor 6onata S(I<19 in 5 maor 6onata S(I< in $ minor 6onata S(I<) in 7 maor 6onata S(I<* in A maor 6onata S(I<8 in 7 maor 6onata S(I<9 in - maor 6onata S(I<3 in # minor 6onata S(I<3* in $Z minor 6onata S(I<3" in 5 maor 6onata S(I<38 no, )1 in 7 maor 6onata S(I<39 in : maor 6onata S(I<41 in # maor 6onata S(I<4 in 5 maor 6onata S(I<44 in : minor 6onata S(I<4* in A maor 6onata S(I<4" in - maor

Allegro moderato F8  Moderato F" Moderato F8  Andante F* Allegro Assai F" Moderato F8  Andante com moto F" Allegro F8  Moderato F8  empo di menuet F* Allegro moderato F8  Menuet and trio Fal rovesc io F4 -inale Pres to F) Allegro moderato F8  Menuet and trio F) -inale Presto F* Moderato F8  Adagio F* empo di menuet F* Allegro moderato F" Menuet F) -inale Presto F8  Moderato F8  6cher>ando allegro con rio F* Menuet and trio moderato F* Allegro con rio F8  %argo e sostenuto F) -inale Presto ma non troppo F* Allegro moderato F8  Adagio F* -inale Allegro F) Allegro con rio F" Adagio F* Prestissimo F8  Allegro F8  Allegro di molto F" Andante con espressione F8  (ivace assai F" Moderato F8  Allegretto F* Allegro moderato F8  AdagioF8  -inale Presto F" Moderato F8  %arghetto F* -inale allegro F*

OrSor Grade Composer 184 8 $lementi *) 8 5eussy *9 8 5eussy 11" 8 5eussy ** 8 5eussy *1 8 5eussy *" 8 5eussy *11 8 5eussy *1 8 5eussy *8 8 5eussy *13 8 5eussy 18" 8 5eussy 188 8 5eussy 189 8 -aurK 19 8 -aurK 191 8 -aurK 19 8 -ield 193 8 :ranados 194 8 :rieg ))" 8 :rieg ))8 8 :rieg ))9 8 :rieg )* 8 :rieg )*" 8 :rieg )*1 8 :rieg )* 8 :rieg )*3 8 :rieg )*4 8 :rieg )*) 8 :rieg )** 8 :rieg )*8 8 :rieg 19) 8 Handel 19* 8 Handel 19" 8 Handel 198 8 Handel 8 8 Haydn 83 8 Haydn 84 8 Haydn 89 8 Haydn 81 8 Haydn 81 8 Haydn 813 8 Haydn 81* 8 Haydn 8 8 Haydn 81 8 Haydn 8 8 Haydn 83 8 Haydn 8) 8 Haydn 8* 8 Haydn 88 8 Haydn 83 8 Haydn 83 8 Haydn

OrSor 833 834 83) 83" 13) 49 13* 13" 48 138 139 131 1311 "1 **8 *" *"" *"8 *8 *81 *8 *84 *8) *91 "1 131 1313 *)3 1314 131) )8 )84 )"" )81 )"9 )8 )83 )"8 )8" )8) )8* 131* 131" 1318 1319 13 14

Grade 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

Composition


6onata in 5 minor
Other Notes & Comments 1st mvt& Adagio molto @ Allegro

7stampes 1 E Pagodes 7stampes 3 E +ardins sous la pluie :ardens in the rain Images I 1 E Ce.lets dans l/eau Images I 3 E Mouvement Images II 1 E $loches a travers les .euilles Images II 3 E Poissons d/or %/isle oyeuse Pour le piano 1 E Prelude Pour le piano 3 E occata PrKlude no *& #oo0  \:KnKral %avineEeccentric 6erenade o. the 5oll #arcarolle no 4 in A .lat& !p 44 -ugue in 7 minor& !p 84<* Nocturne in A .lat& !p 33<3 Nocturne No 4 in A 5an>a 7spabola No * +ota \Condalla Aragonesa :ade& !p )"<

.rom \$hildrens $orner 6uite

%yric Pieces !p, 43<* Fo 6pring %yric Pieces !p, 4"< FAlum lea. %yric Pieces !p, 4"<* F6pringdans %yric Pieces !p, )4< F:angar %yric Pieces !p, )4<3 FMarch o. the dwar.s %yric Pieces !p, )"<1 F(anished days %yric Pieces !p, )"<) F6he dances %yric Pieces !p, *<4 F#roo0let %yric Pieces !p, *<* FHomeward %yric Pieces !p, *)<1 F-rom early years %yric Pieces !p, *)<* F'edding day at roldhaugen %yric Pieces !p, "1<) FHalling -ugue no 3 in # .lat& H'( *" -ugue no * in $ minor& H'( *1 6uite no 3 in 5 minor& 1" $ollec tion& H' ( 48 6uite no * in -Z minor& 1" $ollection& H'( 431& #*<*

3rd mvt Allegro

6onata S(I<18 in # maor 6onata S(I<19 in 5 maor 6onata S(I< in $ minor 6onata S(I<) in 7 maor 6onata S(I<* in A maor 6onata S(I<8 in 7 maor 6onata S(I<9 in - maor 6onata S(I<3 in # minor 6onata S(I<3* in $Z minor 6onata S(I<3" in 5 maor 6onata S(I<38 no, )1 in 7 maor 6onata S(I<39 in : maor 6onata S(I<41 in # maor 6onata S(I<4 in 5 maor 6onata S(I<44 in : minor 6onata S(I<4* in A maor 6onata S(I<4" in - maor

Allegro moderato F8  Moderato F" Moderato F8  Andante F* Allegro Assai F" Moderato F8  Andante com moto F" Allegro F8  Moderato F8  empo di menuet F* Allegro moderato F8  Menuet and trio Fal rovesc io F4 -inale Pres to F) Allegro moderato F8  Menuet and trio F) -inale Presto F* Moderato F8  Adagio F* empo di menuet F* Allegro moderato F" Menuet F) -inale Presto F8  Moderato F8  6cher>ando allegro con rio F* Menuet and trio moderato F* Allegro con rio F8  %argo e sostenuto F) -inale Presto ma non troppo F* Allegro moderato F8  Adagio F* -inale Allegro F) Allegro con rio F" Adagio F* Prestissimo F8  Allegro F8  Allegro di molto F" Andante con espressione F8  (ivace assai F" Moderato F8  Allegretto F* Allegro moderato F8  AdagioF8  -inale Presto F" Moderato F8  %arghetto F* -inale allegro F*

Composer Haydn Haydn Haydn Haydn Baalevs0y

6onata S(I<48 in $ maor 6onata S(I<49 in 7 maor 6onata S(I<) in $ maor 6onata S(I<) in 7 maor 6onatina !p 13& no 

%is>t %is>t %is>t

#agatelle without onality 6, 1*a 7glogue no " .rom \AnnKes de PQlerinage 1Qre AnnKe& 6uisse& 6 1* (alse ouliKe Fno 1 in A minor& 6 1)<1

%is>t Mendelssohn Mendelssohn Mendelssohn Mendelssohn

(alses !uliees 6, 1) Andante with (ariations in 7 .lat& !p 8 7tude in - minor Prelude and -ugue in # .lat& !p 3)<* Prelude and -ugue in 5& !p 3)<

Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Messiaen Messiaen

6ongs 'ithout 'ords !p, 1 no, 1 6ongs 'ithout 'ords !p, 19 no, 1 6ongs 'ithout 'ords !p, 19 no, ) 6ongs 'ithout 'ords !p, 3 no, 4 6ongs 'ithout 'ords !p, 3 no, ) 6ongs 'ithout 'ords !p, 38 no, 1 6ongs 'ithout 'ords !p, 38 no,  6ongs 'ithout 'ords !p, 38 no, 3 6ongs 'ithout 'ords !p, 38 no, ) 6ongs 'ithout 'ords !p, 38 no, * 6ongs 'ithout 'ords !p, )3 no, * 6ongs 'ithout 'ords !p, *" no, 4 PrKlude no 1 PrKlude no "

Messiaen Mo>art Mo>art

(ingt regards sur %en.ant +esus 1 (ariations on \%es Hommes pieusement F=nser dummer P`el meint B4)) 9 (ariations on a Menuett y 5uport& B)"3


Mo>art Poulenc Poulenc Poulenc Poulenc

6onata F-antasia in $ minor& B 4") 6onata in A minor& B 31 6onata in # maor& B 81 6onata in # maor& B 333 6onata in $ maor& B 39 6onata in $ maor& B 33 6onata in $ minor& B 4)" 6onata in 5 maor& B 84 6onata in 5 maor& B )"* 6onata in - maor& B 33 6onata in - maor& B )33
Pro0o.iev Pro0o.iev

1 Pieces !p, 1 No, * 1 Pieces !p, 1 No, "

No, * @ %egende @ 6low& lyrical piece& slightly reminiscent o. 6criain No, " @ Prelude @ My .avourite, A eauti.ul& magical piece with a .ast ro0en chord accompaniment creating a mist o. sound around the right hand melody, (ery impressive Fwatch out .or the glissandi[, his piece was originally written .or harp,

1)

8 Pro0o.iev

1 Pieces !p, 1 No, 1

No, 1 @ 6cher>o @ A wonder.ul showEo.. piece Fproaly too di..icult& ut what the hec0& I love it[ .ull o. tension and nervous energy umping all over the 0eyoard,

13

8 Pro0o.iev

Prelude in $& !p 1<"

Mo>art Mo>art Mo>art Mo>art Mo>art Mo>art Mo>art

Composition


Other Notes & Comments Andante con espressione F8  @ Condo presto F8  Allegro F8  Adagio e cantaile F8  -inale empo di menuet F* Allegro F8 Adagio F" -inale Allegro molto F" Allegro F8 Adagio F8 -inale Presto F8  Frevised edition

-ast %H runs throughout the whole piece,

\%a colume .rom \8 Preludes \Plainte calme .rom \8 Preludes ?ou cannot get much more comple For modern than this,

no  .rom \%es 6oirKes de Na>elles .rom \rois PiQces

OrSor 833 834 83) 83" 13) 49 13* 13" 48 138 139 131 1311 "1 **8 *" *"" *"8 *8 *81 *8 *84 *8) *91 "1 131 1313 *)3 1314 131) )8 )84 )"" )81 )"9 )8 )83 )"8 )8" )8) )8* 131* 131" 1318 1319 13 14

Composer Haydn Haydn Haydn Haydn Baalevs0y

6onata S(I<48 in $ maor 6onata S(I<49 in 7 maor 6onata S(I<) in $ maor 6onata S(I<) in 7 maor 6onatina !p 13& no 

%is>t %is>t %is>t

#agatelle without onality 6, 1*a 7glogue no " .rom \AnnKes de PQlerinage 1Qre AnnKe& 6uisse& 6 1* (alse ouliKe Fno 1 in A minor& 6 1)<1

%is>t Mendelssohn Mendelssohn Mendelssohn Mendelssohn

(alses !uliees 6, 1) Andante with (ariations in 7 .lat& !p 8 7tude in - minor Prelude and -ugue in # .lat& !p 3)<* Prelude and -ugue in 5& !p 3)<

Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Mendelssohn Messiaen Messiaen

6ongs 'ithout 'ords !p, 1 no, 1 6ongs 'ithout 'ords !p, 19 no, 1 6ongs 'ithout 'ords !p, 19 no, ) 6ongs 'ithout 'ords !p, 3 no, 4 6ongs 'ithout 'ords !p, 3 no, ) 6ongs 'ithout 'ords !p, 38 no, 1 6ongs 'ithout 'ords !p, 38 no,  6ongs 'ithout 'ords !p, 38 no, 3 6ongs 'ithout 'ords !p, 38 no, ) 6ongs 'ithout 'ords !p, 38 no, * 6ongs 'ithout 'ords !p, )3 no, * 6ongs 'ithout 'ords !p, *" no, 4 PrKlude no 1 PrKlude no "

Messiaen Mo>art Mo>art

(ingt regards sur %en.ant +esus 1 (ariations on \%es Hommes pieusement F=nser dummer P`el meint B4)) 9 (ariations on a Menuett y 5uport& B)"3


Mo>art Poulenc Poulenc Poulenc Poulenc

6onata F-antasia in $ minor& B 4") 6onata in A minor& B 31 6onata in # maor& B 81 6onata in # maor& B 333 6onata in $ maor& B 39 6onata in $ maor& B 33 6onata in $ minor& B 4)" 6onata in 5 maor& B 84 6onata in 5 maor& B )"* 6onata in - maor& B 33 6onata in - maor& B )33
Pro0o.iev Pro0o.iev

1 Pieces !p, 1 No, * 1 Pieces !p, 1 No, "

No, * @ %egende @ 6low& lyrical piece& slightly reminiscent o. 6criain No, " @ Prelude @ My .avourite, A eauti.ul& magical piece with a .ast ro0en chord accompaniment creating a mist o. sound around the right hand melody, (ery impressive Fwatch out .or the glissandi[, his piece was originally written .or harp,

1)

8 Pro0o.iev

1 Pieces !p, 1 No, 1

No, 1 @ 6cher>o @ A wonder.ul showEo.. piece Fproaly too di..icult& ut what the hec0& I love it[ .ull o. tension and nervous energy umping all over the 0eyoard,

13

8 Pro0o.iev

Prelude in $& !p 1<"

OrSor 1  11* 131 13 133 134 13) 13* 13" 138 "49

Grade 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

Grade 8 8 8 8 8 8 8 8 8 8 8 8

Mo>art Mo>art Mo>art Mo>art Mo>art Mo>art Mo>art

Composition


Other Notes & Comments Andante con espressione F8  @ Condo presto F8  Allegro F8  Adagio e cantaile F8  -inale empo di menuet F* Allegro F8 Adagio F" -inale Allegro molto F" Allegro F8 Adagio F8 -inale Presto F8  Frevised edition

-ast %H runs throughout the whole piece,

\%a colume .rom \8 Preludes \Plainte calme .rom \8 Preludes ?ou cannot get much more comple For modern than this,

no  .rom \%es 6oirKes de Na>elles .rom \rois PiQces

Composer Pro0o.iev Pro0o.iev Cachmanino.. Cachmanino.. Cachmanino.. Cachmanino.. Cachmanino.. Cavel Cavel Cavel Cavel

(isions -ugitives !p,  No, 1" (isions -ugitives !p,  No, 18 7legie in 7m & !p, 3 No, 1 MKlodie in 7& !p 3<3 Prelude in -& !p 3<" Prelude in :Z minor& !p 3<1 Prelude in :& !p 3<) -ugue Menuet 6onatine in -Z minor (alse Nole et 6entimental No, 3

Composition

Main Technical Difficulty or Benefit Poetico $on una dol>e lente>>a


6carlatti

6onata B 3

FA minor E Presto @ 7lectrical piece with ultra .ast scale rushes, %oo0s easy on the page& ut wait until you try to play it up to tempo

"*

8 6carlatti

6onata B 4

FA maor E Allegro @ (irtuoso piece alternating relatively calm sections with da>>ling scale runs,

"38

8 6carlatti 6onata B "

F# minor @ Allegro his i s my all time .avourite 6carlatti sonata, A masterpiece, 6urprisingly romantic& could very well have een composed y someone li0e 6chuert, (ery untypical 6carlatti, Achingly eauti.ul melody, Arpeggio .igurations and lots o. crossing hands,

Fnd mvt .rom \%e omeau de $ouperin .rom \%e omeau de $ouperin

"*8 194


6onata B 3 6onata B 4*

F: minor E Moderato @ A eauti.ul and comple .ugue, F7 maor @ Presto his one o. my .avourite .ast sonatas, As the $heyene Indians .ound o. saying G it ma0es my heart soar li0e a haw0, !ne o. the most catchy moti.s amongst all sonatas it ma0es one wish to dance and ump .or oy, his is ama>ing music,

")4

8 6carlatti

6onata B 9*

F5 maor @ Allegro Another Gtypical 6carlatti sonata Fsimilar to the overplayed B 38, Cichly tetured, It has everything in it Horn calls& .ast repeated notes& trills& suspensions& cross relations& parallel .i.ths& ig leaps& scale runs and guitar imitations,

"))

8 6carlatti

6onata B 1

18)

8 6carlatti

6onata B 141

F5 minor @ Allegro A .ast sonata .ull o. nervous energy& this is the cross hand piece to end all cross hand pieces[ %eaping ass .igures& doule notes in oth hands, =nusual and di..icult, F5 minor @ Allegro @ A masterpiece, A .ast toccata with lots o. repeated notes over long stretches, #ro0en chords and s0ips, (irtuosic with dissonant guitar strumming in the le.t hand and lots o. cross hands, 7cellent as a study replacement,

")"

8 6carlatti

6onata B 1*

F7 maor E Andante A.ter a slow& lyrical eginning all hell rea0s loose& and a .ast& da>>ling sonata ensues with occasional returns to the slow theme,

"81

8 6carlatti

6onata B 4*

F: minor @ Andante Another eauti.ul lyrical sonata& deeply re.lective and tranJuil& and not at all melancholic, Cich tetures and highly musical, (ery good as a study in long phrases, 6udden dramatic silences,

19)

8 6carlatti

6onata B 4"

F: maor @ Prestissimo 'onder.ully ehilarating sonata& oth to play and to listen to, he tempo direction FGas .ast as possile gives you an idea o. what to epect, A really electric and upli.ting wor0 reJuiring pianism o. the utmost degree, Has a recurring moti. that is incredily oy.ul and catchy, My .avourite .ast sonata, F#ut only i. you play it at top speed, It is still e..ective at lower speeds,

18*

8 6carlatti

6onata B 4**

F- minor @ Andante moderato E A masterpiece, #eauti.ul& slow lyrical sonata, As it is o.ten the case with the lyrical sonatas& this one elicits tranJuillity and peace.ulness rather than melancholy and grie., 7cellent .or developing rhythm awareness o. triplets versus Juavers, It also has 3 against ,

"4"

8 6carlatti 6onata B 4"8

"**

8 6carlatti

6onata B )13

F5 maor @ Andante cantaile @ #eauti.ul lyrical sonata Fand one o. the longest, =ses the whole 0eyoard, F$ maor @ Pastorale Moderato @ Molto allegro @ Presto !ne o. the .ew sonatas written in di..erent movements Ftempos, 6hepherd pipes and agpipes drones are imitated, he .inal movement Fpresto is ehilarating and virtuosic, his Pastorale was composed in 1")* during 6carlatti/s late period, It recalls the piping o. the shepherds who came down into Come .rom the surrounding hills at $hristmas time, hey egin in a moderate tempo& the drone o. their agpipes is heard in a Juic0er section& and .inally they celerate in a oy.ul Presto,

OrSor 1  11* 131 13 133 134 13) 13* 13" 138 "49

Grade 8 8 8 8 8 8 8 8 8 8 8 8

Composer Pro0o.iev Pro0o.iev Cachmanino.. Cachmanino.. Cachmanino.. Cachmanino.. Cachmanino.. Cavel Cavel Cavel Cavel

(isions -ugitives !p,  No, 1" (isions -ugitives !p,  No, 18 7legie in 7m & !p, 3 No, 1 MKlodie in 7& !p 3<3 Prelude in -& !p 3<" Prelude in :Z minor& !p 3<1 Prelude in :& !p 3<) -ugue Menuet 6onatine in -Z minor (alse Nole et 6entimental No, 3

Composition

Main Technical Difficulty or Benefit Poetico $on una dol>e lente>>a


6carlatti

6onata B 3

FA minor E Presto @ 7lectrical piece with ultra .ast scale rushes, %oo0s easy on the page& ut wait until you try to play it up to tempo

"*

8 6carlatti

6onata B 4

FA maor E Allegro @ (irtuoso piece alternating relatively calm sections with da>>ling scale runs,

"38

8 6carlatti 6onata B "

F# minor @ Allegro his i s my all time .avourite 6carlatti sonata, A masterpiece, 6urprisingly romantic& could very well have een composed y someone li0e 6chuert, (ery untypical 6carlatti, Achingly eauti.ul melody, Arpeggio .igurations and lots o. crossing hands,

Fnd mvt .rom \%e omeau de $ouperin .rom \%e omeau de $ouperin

"*8 194


6onata B 3 6onata B 4*

F: minor E Moderato @ A eauti.ul and comple .ugue, F7 maor @ Presto his one o. my .avourite .ast sonatas, As the $heyene Indians .ound o. saying G it ma0es my heart soar li0e a haw0, !ne o. the most catchy moti.s amongst all sonatas it ma0es one wish to dance and ump .or oy, his is ama>ing music,

")4

8 6carlatti

6onata B 9*

F5 maor @ Allegro Another Gtypical 6carlatti sonata Fsimilar to the overplayed B 38, Cichly tetured, It has everything in it Horn calls& .ast repeated notes& trills& suspensions& cross relations& parallel .i.ths& ig leaps& scale runs and guitar imitations,

"))

8 6carlatti

6onata B 1

18)

8 6carlatti

6onata B 141

F5 minor @ Allegro A .ast sonata .ull o. nervous energy& this is the cross hand piece to end all cross hand pieces[ %eaping ass .igures& doule notes in oth hands, =nusual and di..icult, F5 minor @ Allegro @ A masterpiece, A .ast toccata with lots o. repeated notes over long stretches, #ro0en chords and s0ips, (irtuosic with dissonant guitar strumming in the le.t hand and lots o. cross hands, 7cellent as a study replacement,

")"

8 6carlatti

6onata B 1*

F7 maor E Andante A.ter a slow& lyrical eginning all hell rea0s loose& and a .ast& da>>ling sonata ensues with occasional returns to the slow theme,

"81

8 6carlatti

6onata B 4*

F: minor @ Andante Another eauti.ul lyrical sonata& deeply re.lective and tranJuil& and not at all melancholic, Cich tetures and highly musical, (ery good as a study in long phrases, 6udden dramatic silences,

19)

8 6carlatti

6onata B 4"

F: maor @ Prestissimo 'onder.ully ehilarating sonata& oth to play and to listen to, he tempo direction FGas .ast as possile gives you an idea o. what to epect, A really electric and upli.ting wor0 reJuiring pianism o. the utmost degree, Has a recurring moti. that is incredily oy.ul and catchy, My .avourite .ast sonata, F#ut only i. you play it at top speed, It is still e..ective at lower speeds,

18*

8 6carlatti

6onata B 4**

F- minor @ Andante moderato E A masterpiece, #eauti.ul& slow lyrical sonata, As it is o.ten the case with the lyrical sonatas& this one elicits tranJuillity and peace.ulness rather than melancholy and grie., 7cellent .or developing rhythm awareness o. triplets versus Juavers, It also has 3 against ,

"4"

8 6carlatti

F5 maor @ Andante cantaile @ #eauti.ul lyrical sonata Fand one o. the longest, =ses the whole 0eyoard, F$ maor @ Pastorale Moderato @ Molto allegro @ Presto !ne o. the .ew sonatas written in di..erent movements Ftempos, 6hepherd pipes and agpipes drones are imitated, he .inal movement Fpresto is ehilarating and virtuosic, his Pastorale was composed in 1")* during 6carlatti/s late period, It recalls the piping o. the shepherds who came down into Come .rom the surrounding hills at $hristmas time, hey egin in a moderate tempo& the drone o. their agpipes is heard in a Juic0er section& and .inally they celerate in a oy.ul Presto,

6onata B 4"8 "**

OrSor 18"

8 6carlatti

6onata B )13

Grade Composer 8 6carlatti

6onata B )1"

133 1331 133 1333 139 1334 133) 133* 133" "4 1338 1339 134 1341 134

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

49" 1343 *44 *4 *39 *43

8 8 9 9 9 9

Composition

Other Notes & Comments F5 minor @ Prestissimo @ < Another .ast and .urious sonata that can easily replace any technical study, 'ith a typical aroJue .iguration shared y oth hands& this one is ideal .or scales& ro0en chords and close position passage wor0& and ecellent .or .inger independence and deterity, Intense& urgent and relentless,

6chuert 6chuert 6chuert 6chuert 6chuert 6chumann 6chumann 6chumann 6criain

Impromptu& !p, pos th, 14 No, & 593) Impromptu in $m& !p 9 No, 1& 5899<1 6onata in #& !p 14"& 5 )") 6onata in 5& 5 )*" Piano Pieces& 594* No 1 in 7m Aschied 7intritt (ogel als Prophet Nocturne in -Z minor& !p ) No, 1

6criain 6hosta0ovich 6hosta0ovich 6hosta0ovich 6hosta0ovich

Prelude !p, 11 no, 8 3 -antastic 5ances& !p ) nos  and 3 Prelude and -ugue in #& !p, 8" No, 11 Prelude and -ugue in 7& !p, 8" No, 9 Prelude and -ugue in - minor& !p, 8" No, 18

6oler

6onata in 5 minor& C)

chai0ovs0y (illaE%oos

he 6easons !p, 3" I Polichinello

Fno " .rom \A Pr2le do #KK no 1

#arer #arer #arer #arer

#allade op, 4* 7cursions op,  Interlude I F/-or +eanne/ Nocturne op, 33

$hromatic and highly atmospheric @ i. you want poetic and romantic and yet modern loo0 no .urther,

*41

9 #arer

6onata op, *

*4 *3 * 44) 44* 444 44" *)*

9 9 9 9 9 9 9 9

6ouvenirs op, 8 $onsolation !p, 8" No, ) Nocture !p, 1*) Polonaise no, ) in -Zm !p, 44 Polonaise no, * in A !p, )3 Polonaise no, 14 in :Zm PolonaiseE.antasie no, " !p, *1 Metopes !p, 4

*))

9 6>imanows0i

448 4)4 449 4) 4)1 4) 4)3 **3 **4 *)


#arer $haminade $haminade $hopin $hopin $hopin $hopin 6>imanows0i

1 $hopin 1 $hopin 1 $hopin 1 $hopin 1 $hopin 1 $hopin 1 $hopin = Al0an = Arens0y = #erg

Preludes !p, 1 Nocturne No, 3 in # F!p, 9 no, 3 Preludes !p, 8, No, ) Preludes !p, 8, No, 1 Preludes !p, 8, No, 1* Preludes !p, 8, No, 18 Preludes !p, 8, No, 19 Preludes !p, 8, No, 4 7sJuisses op, *3 4 $haracter pieces !p, * 6onata op, 1

1st mvt& Allegro ma non troppo

no 9 .rom \'aldscenen& !p 8 no 1 .rom \'aldscenen& !p 8 no " .rom \'aldscenen& !p 8

\4 Preludes and -ugues& !p 8" vol  I. you li0e 6carlatti you will li0e 6oler, A disciple o. 6carlatti& 6oler composed 3 sonatas similar in style,

7tremely comple @ advanced wor0 reJuiring the utmost pianism, his sonata was written .or Horowit>, !riginally it had only the .irst three movements& ut Horowit> insisted that #arer write a .lashy .inale .or it& hence the E very di..icult E .ugue,

F$hopin was 1 when he composed this one I. you are a.ter virtuoso& comple music& loo0 no .urther, Comantic and impressionistic at the same time, three very di..icult tone poems, I. you are a.ter virtuoso& comple music& loo0 no .urther, Comantic and impressionistic at the same time, 6ome highly lyric& some dramatic,

FArgualy the most di..icult

A one movement sonata that although supposedly in # minor is actually a chromatic wor0, !nce you get used to it& it is very eauti.ul and lyrical,

OrSor 18"

Grade Composer 8 6carlatti

133 1331 133 1333 139 1334 133) 133* 133" "4 1338 1339 134 1341 134

8 8 8 8 8 8 8 8 8 8 8 8 8 8 8

49" 1343 *44 *4 *39 *43

8 8 9 9 9 9

Composition

Impromptu& !p, pos th, 14 No, & 593) Impromptu in $m& !p 9 No, 1& 5899<1 6onata in #& !p 14"& 5 )") 6onata in 5& 5 )*" Piano Pieces& 594* No 1 in 7m Aschied 7intritt (ogel als Prophet Nocturne in -Z minor& !p ) No, 1

6criain 6hosta0ovich 6hosta0ovich 6hosta0ovich 6hosta0ovich

Prelude !p, 11 no, 8 3 -antastic 5ances& !p ) nos  and 3 Prelude and -ugue in #& !p, 8" No, 11 Prelude and -ugue in 7& !p, 8" No, 9 Prelude and -ugue in - minor& !p, 8" No, 18

6oler

6onata in 5 minor& C)

chai0ovs0y (illaE%oos

he 6easons !p, 3" I Polichinello

Fno " .rom \A Pr2le do #KK no 1

#arer #arer #arer #arer

#allade op, 4* 7cursions op,  Interlude I F/-or +eanne/ Nocturne op, 33

$hromatic and highly atmospheric @ i. you want poetic and romantic and yet modern loo0 no .urther,

9 #arer

6onata op, *

*4 *3 * 44) 44* 444 44" *)*

9 9 9 9 9 9 9 9

6ouvenirs op, 8 $onsolation !p, 8" No, ) Nocture !p, 1*) Polonaise no, ) in -Zm !p, 44 Polonaise no, * in A !p, )3 Polonaise no, 14 in :Zm PolonaiseE.antasie no, " !p, *1 Metopes !p, 4

*))

9 6>imanows0i

OrSor *4)

Other Notes & Comments F5 minor @ Prestissimo @ < Another .ast and .urious sonata that can easily replace any technical study, 'ith a typical aroJue .iguration shared y oth hands& this one is ideal .or scales& ro0en chords and close position passage wor0& and ecellent .or .inger independence and deterity, Intense& urgent and relentless,

6chuert 6chuert 6chuert 6chuert 6chuert 6chumann 6chumann 6chumann 6criain

*41

448 4)4 449 4) 4)1 4) 4)3 **3 **4 *)


6onata B )1"

#arer $haminade $haminade $hopin $hopin $hopin $hopin 6>imanows0i

1 $hopin 1 $hopin 1 $hopin 1 $hopin 1 $hopin 1 $hopin 1 $hopin = Al0an = Arens0y = #erg

1st mvt& Allegro ma non troppo

no 9 .rom \'aldscenen& !p 8 no 1 .rom \'aldscenen& !p 8 no " .rom \'aldscenen& !p 8

\4 Preludes and -ugues& !p 8" vol  I. you li0e 6carlatti you will li0e 6oler, A disciple o. 6carlatti& 6oler composed 3 sonatas similar in style,

7tremely comple @ advanced wor0 reJuiring the utmost pianism, his sonata was written .or Horowit>, !riginally it had only the .irst three movements& ut Horowit> insisted that #arer write a .lashy .inale .or it& hence the E very di..icult E .ugue,

F$hopin was 1 when he composed this one I. you are a.ter virtuoso& comple music& loo0 no .urther, Comantic and impressionistic at the same time, three very di..icult tone poems,

Preludes !p, 1

I. you are a.ter virtuoso& comple music& loo0 no .urther, Comantic and impressionistic at the same time, 6ome highly lyric& some dramatic,

Nocturne No, 3 in # F!p, 9 no, 3 Preludes !p, 8, No, ) Preludes !p, 8, No, 1 Preludes !p, 8, No, 1* Preludes !p, 8, No, 18 Preludes !p, 8, No, 19 Preludes !p, 8, No, 4 7sJuisses op, *3 4 $haracter pieces !p, * 6onata op, 1

FArgualy the most di..icult

A one movement sonata that although supposedly in # minor is actually a chromatic wor0, !nce you get used to it& it is very eauti.ul and lyrical,

Grade Composer = :inastera

welve American preludes

*)1 *) *)9

= :ri..es = :ri..es = !swald

Coman 60etches& !p, " hree tone pictures& !p, ) #erceuse !p, 14 no, 1

Impressionistic& tonal music, Impressionistic& tonal music, Although #ra>ilian y irth& !swald spent most o. his li.e in 7urope& so his music is completely 7uropean& with much -rench in.luence, All o. his wor0 is highly poetic and romantic,

*)"

= !swald

-euilles d/Alum !p, 

Although #ra>ilian y irth& !swald spent most o. his li.e in 7urope& so his music is completely 7uropean& with much -rench in.luence, All o. his wor0 is highly poetic and romantic,

*)8

= !swald

Il neige


**

= !swald

6everal o. the Nocturnes Fop, *


*)4 *4*

= Preisner = 6choenerg

Gen easy pieces .or piano 6i %ittle Piano Pieces& !p, 19

they are not that easyV ut not that di..icult either, Poetic and romantic, $ompletely atonal music& and yet highly atmospheric and impressionistic& nos, & 3 and * are more re.lective,

** **1

= 6chumann = 6chumann

Alum #latter !p, 14 #unte #latter !p, 99

**

= 6hosta0ovich

Prelude !p, 34 No, 3

*"

= 6hosta0ovich

Prelude !p, 34 No, )

*8

= 6hosta0ovich

Prelude !p, 34 No, *

*9 *3 *31

= 6hosta0ov ich = 6hosta0ovich = 6hosta0ovich

Prelude !p, 34 No, 9 Prelude !p, 34 No, 1 Prelude !p, 34 No, 1

FI particularly li0e nos, 3& 4& )& *& 8& 1*& 1" FI particularly li0e nos, 1& & 4& )& *& 9& and 1 No, 9 E A.ter a chordal introduction& the second part has a mist o. sound created y a .ast chromatic .iguration on the %H #eauti.ul lyrical writing& in an impressionist style, 6tarts li0e nocturne& and near the end has a noisy passage, Allegro vivace, (ery .ast& reminds me o. a $>erny eercise .or the right hand Fmaye 6hosta0ovitch was ma0ing a parody here& similar to 5eussys 5r, :radus (ery .unny pol0a style with all you could epect .rom modern music dissonances& ig umps& sudden changes o. 0ey& itonality& wrongEnote writing, A .as t tarantellaEli0e piece, Another eauti.ul lyrical piece with a nice melody and not so dissonant as the others, Allegro non troppo E I. no, ) was $>erny .or the right hand& this is .or the le.t hand, he right hand crosses over .reJuently, Not as dissonant as the others, -ast %H .igurations Fnot dissimilar to $>erny in a Gmoto perpetuo setting, Modern harmonies and Gwrong note writing,

*3

= 6hosta0ovich

Prelude !p, 34 No, 14

Argualy the est o. the set& very lugurious& ma0ing .ull use o. the pianos orchestral sounds, Actually I read somewhere that 6to0ows0i made an orchestral version o. this prelude FI havent heard it though,

*33

= 6hosta0ovich

Prelude !p, 34 No, 1)

A very nice walt>& with the typical walt> accompaniment .irst on the right hand& then on the le.t, (ery olly,

*34 *3) *3* *3" *48

= = = = =

Prelude !p, 34 No, 1* Prelude !p, 34 No, 1" Prelude !p, 34 No, 19 Prelude !p, 34 No, 4 #agatelles& !p, )

Another humorous piece& marchEli0e& with lots o. GwrongEnote writing, A lyrical slow piece, Another lyrical piece vaguely reminiscent o. Mendelssohns (enetian #oat 6ongs, Nice end piece& gavotte style& Juite .unny, No, * (ery .ast& repetitive arpeggio .igurations on the %H, Modern yet tonal and with a minimalist idiom,

*4"

= cherepnin

6hosta0ovich 6hosta0ovich 6hosta0ovich 6hosta0ovich cherepnin

Composition

7pressions& !p, 81


Other Notes & Comments onal music ut with lots o. c hromaticism and strong rhythms, hese are all short pieces& good as encores,

OrSor *4)

Grade Composer = :inastera

welve American preludes

*)1 *) *)9

= :ri..es = :ri..es = !swald

Coman 60etches& !p, " hree tone pictures& !p, ) #erceuse !p, 14 no, 1

Impressionistic& tonal music, Impressionistic& tonal music, Although #ra>ilian y irth& !swald spent most o. his li.e in 7urope& so his music is completely 7uropean& with much -rench in.luence, All o. his wor0 is highly poetic and romantic,

*)"

= !swald

-euilles d/Alum !p, 


*)8

= !swald

Il neige


**

= !swald

6everal o. the Nocturnes Fop, *


*)4 *4*

= Preisner = 6choenerg

Gen easy pieces .or piano 6i %ittle Piano Pieces& !p, 19

they are not that easyV ut not that di..icult either, Poetic and romantic, $ompletely atonal music& and yet highly atmospheric and impressionistic& nos, & 3 and * are more re.lective,

** **1

= 6chumann = 6chumann

Alum #latter !p, 14 #unte #latter !p, 99

**

= 6hosta0ovich

Prelude !p, 34 No, 3

*"

= 6hosta0ovich

Prelude !p, 34 No, )

*8

= 6hosta0ovich

Prelude !p, 34 No, *

*9 *3 *31

= 6hosta0ov ich = 6hosta0ovich = 6hosta0ovich

Prelude !p, 34 No, 9 Prelude !p, 34 No, 1 Prelude !p, 34 No, 1

FI particularly li0e nos, 3& 4& )& *& 8& 1*& 1" FI particularly li0e nos, 1& & 4& )& *& 9& and 1 No, 9 E A.ter a chordal introduction& the second part has a mist o. sound created y a .ast chromatic .iguration on the %H #eauti.ul lyrical writing& in an impressionist style, 6tarts li0e nocturne& and near the end has a noisy passage, Allegro vivace, (ery .ast& reminds me o. a $>erny eercise .or the right hand Fmaye 6hosta0ovitch was ma0ing a parody here& similar to 5eussys 5r, :radus (ery .unny pol0a style with all you could epect .rom modern music dissonances& ig umps& sudden changes o. 0ey& itonality& wrongEnote writing, A .as t tarantellaEli0e piece, Another eauti.ul lyrical piece with a nice melody and not so dissonant as the others, Allegro non troppo E I. no, ) was $>erny .or the right hand& this is .or the le.t hand, he right hand crosses over .reJuently, Not as dissonant as the others, -ast %H .igurations Fnot dissimilar to $>erny in a Gmoto perpetuo setting, Modern harmonies and Gwrong note writing,

*3

= 6hosta0ovich

Prelude !p, 34 No, 14

Argualy the est o. the set& very lugurious& ma0ing .ull use o. the pianos orchestral sounds, Actually I read somewhere that 6to0ows0i made an orchestral version o. this prelude FI havent heard it though,

*33

= 6hosta0ovich

Prelude !p, 34 No, 1)

A very nice walt>& with the typical walt> accompaniment .irst on the right hand& then on the le.t, (ery olly,

*34 *3) *3* *3" *48

= = = = =

Prelude !p, 34 No, 1* Prelude !p, 34 No, 1" Prelude !p, 34 No, 19 Prelude !p, 34 No, 4 #agatelles& !p, )

Another humorous piece& marchEli0e& with lots o. GwrongEnote writing, A lyrical slow piece, Another lyrical piece vaguely reminiscent o. Mendelssohns (enetian #oat 6ongs, Nice end piece& gavotte style& Juite .unny, No, * (ery .ast& repetitive arpeggio .igurations on the %H, Modern yet tonal and with a minimalist idiom,

*4"

= cherepnin

6hosta0ovich 6hosta0ovich 6hosta0ovich 6hosta0ovich cherepnin

K B1 B B3 B4 B) B* B" B8 B9 B1 B11 B1 B13 B14 B1) B1* B1" B18 B19 B B1 B B3 B4 B) B*

Composition


Other Notes & Comments onal music ut with lots o. c hromaticism and strong rhythms, hese are all short pieces& good as encores,

7pressions& !p, 81

L %3** %388 %3"8 %39 %3*" %4"9 %3"9 %488 %413 %3" %3) %489 %48* %38" %3"4 %39" %384 %41* %383 %3") %3*3 %3* %411 %49) %481 %3*8

P P )" P )8 P )9 P * P *1 P * P *3 P *4 P *) P ** P *" P *8 P *9 P " P "1 P " P "3 P "4 P ") P "* P "" P "8 P "9 P 8 P 81 P 8

K! 5m : Maor Am :m 5m - Maor Am :m 5m 5m $m :m : Maor : Maor 7m # Maor - Maor 5m - Maor 7 Maor 5 Maor $m 5 Maor A Maor -Zm A Maor

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5 Maor A Maor A Maor $m $m : Maor : Maor 7 Maor 7 Maor $ Maor $ Maor # Maor # Maor 5 Maor 5 Maor : Maor :m - Maor - Maor -Z Maor -Z Maor A Maor A Maor A Maor A Maor : Maor : Maor $ Maor $ Maor : Maor $ Maor $ Maor # Maor # Maor 5 Maor # Maor 5 Maor 5 Maor : Maor : Maor $ Maor $ Maor Am A Maor A Maor A Maor 5 Maor 5 Maor :m : Maor

Allegro Andante Allegro Andante Allegro Andante Allegro Allegro Allegro $antaile Allegro Andante Allegro Allegro Allegro Allegro Allegro Allegro Allegro Andante Allegro Allegro Allegro Allegro Allegro Andante Allegro Allegro Allegro Andante comodo Allegro Allegro Andante Allegro Allegro E Allegrissimo Allegro Allegro Allegro Allegro Allegro Allegro Allegro Allegro Allegro Allegro andante Allegro Allegro Allegro Moderato cantaile Prestissimo

B349 B3) B3)1 B3) B3)3 B3)4 B3)) B3)* B3)" B3)8 B3)9 B3* B3*1 B3* B3*3 B3*4 B3*) B3** B3*" B3*8 B3*9 B3" B3"1 B3" B3"3 B3"4 B3") B3"* B3"" B3"8 B3"9 B38 B381 B38 B383 B384 B38) B38* B38" B388 B389 B39 B391 B39 B393 B394 B39) B39* B39" B398

%1" %3 %634 %613 %313 %*8 %6 %443 %64) %41 %448 %4 %4" %1)* %1* %43* %48 %119 %1" %63 %4 %31* %1" %3 %98 %"* %389 %34 %*3 %"* %"3 %3 %) %633 %134 % %84 %1"1 %1") %414 %48 %34 %"9 %4* %"4 %") %*) %11 %8 %18

P4) P413 P1*) P343 P41 P48* P344 P488 P" P4)" P4) P) P14 P1)9 P14 P34) P11 P*3 P4)3 P)* P)9 P34* P*4 P4 P1)8 P4" P414 P4* P4) P34" P1" P483 P33 P)8 P*9 P48" P P13" P41) P3" P331 P348 P3*4 P3"1 P3* P349 P"3 P43) P3) P493

- Maor Allegro - Maor Allegro # Maor Andante E Allegrissimo 5 Maor Allegro 5 Maor Allegro - Maor Andante - Maor Allegro $ Maor $on spirito Andante $ Maor Allegro 5 Maor Allegro 5 Maor Allegrissimo # Maor Allegro # Maor Allegrissimo $m Allegro $m Presto -m Allegro -m Allegro - Maor Allegro - Maor Presto A Maor Allegro A Maor Allegro 7 Maor Allegro 7 Maor Allegro : Maor Allegro :m Presto e .ugato : Maor Andante : Maor Allegro #m Allegro #m Allegrissimo - Maor Allegro - Maor 7 Maor Andante comodo 7 Maor Allegro Am Allegro Am Allegro $ Maor $antaile andante $ Maor Allegro -m Presto -m (eloce e .ugato 5 Maor Presto 5 Maor Allegro : Maor Allegro : Maor Allegro # Maor Allegro # Maor 7m Allegro 7 Maor Allegro 5m Andante 5 Maor $ Maor Andante

B399 B4 B41 B4 B43 B44 B4) B4* B4" B48 B49 B41 B411 B41 B413 B414 B41) B41* B41" B418 B419 B4 B41 B4 B43 B44 B4) B4* B4" B48 B49 B43 B431 B43 B433 B434 B43) B43* B43" B438 B439 B44 B441 B44 B443 B444 B44) B44* B44" B448

%"4 %13 %*) %4" %4" % %43 %) %6 4 %34* %1) %643 %*9 %18 %1) %31 %611 %149 %4* %* %"9 %6  %) %4)1 %1 %89 %333 %18 %8* %131 %13 %4*3 %83 %88 %4)3 %343 %3*1 %19 %"8 %381 %4" %9" %639 %319 %418 %4 %38) %433 %94 %48)

P4)8 P8 P43* P43* P43* P43* P43* P43* P43* P43* P43* P3" P3)1 P4*3 P41* P3"3 P1") P4)4 P4 P)1 P)4 P3) P4)9 P)11 P4)) P3"4 P4* P18 P8* P131 P13 P4*3 P3*) P88 P4)3 P498 P4** P44 P499 P4*" P4"3 P38 P3") P9 P3"* P441 P4*8 P1"" P191 P*1

$ Maor Allegro 5 Maor Allegro 5 Maor Allegro 7m Andante 7 Maor Allegro A Maor Andante A Maor Allegro $ Maor Allegro $ Maor Allegro #m Andante #m Allegro # Maor Allegro # Maor Allegro : Maor Allegro : Maor Allegro 5 Maor Allegro 5 Maor Allegro 5 Maor Presto 5m Allegro moderato - Maor Allegro - Maor Presto $ Maor Allegro $ Maor Allegro $ Maor Allegro $ Maor Presto : Maor Allegro : Maor Allegro molto :m Andante : Maor Presto Juanto sia possile A Maor Allegro A Maor Allegro 5 Maor Non presto : Maor Allegro : Maor Allegro : Maor (ivo 5m Andante 5 Maor Allegro 5 Maor Allegro - Maor Andante comodo - Maor Allegro # Maor Moderato # Maor # Maor Allegro # Maor Allegro 5 Maor Allegro 5m Allegrissimo - Maor Allegro o presto - Maor Allegrissimo -Zm Allegro -Zm Allegro

B449 B4) B4)1 B4) B4)3 B4)4 B4)) B4)* B4)" B4)8 B4)9 B4* B4*1 B4* B4*3 B4*4 B4*) B4** B4*" B4*8 B4*9 B4" B4"1 B4" B4"3 B4"4 B4") B4"* B4"" B4"8 B4"9 B48 B481 B48 B483 B484 B48) B48* B48" B488 B489 B49 B491 B49 B493 B494 B49) B49* B49" B498

%444 %338 %43

P4) P4 P3**

%184 %9 %491 %9 %1 %614 %34 %8 %438 %4"1 %1)1 %4 %118 %4"* %* %431 %34 %8 %99 %9 %3 % %34 %9 %1 %61* %6 8 %18" %43) %4" %419 %1)3 %4)) %) %63" %641 %* %1*4 %14 %64 %8" %4* %3" %14* %3)

P8 P43 P3)4 P3"" P44 P* P1*" P3"8 P34 P4"4 P)1 P4* P4* P)1 P)13 P)" P)14 P3"9 P3" P4") P3)) P) P319 P4" P419 P)3 P38 P381 P)4 P3)* P4" P48 P49 P)1) P41 P38 P) P4"* P484 P443 P383 P444 P384 P33 P3)" P3*"

: Maor :m Am A Maor A Maor : Maor : Maor A Maor A Maor 5 Maor 5m $ Maor $ Maor -m -m $ Maor $ Maor -m -m - Maor - Maor : Maor : Maor # Maor # Maor 7 Maor 7 Maor :m : Maor 5 Maor 5 Maor 5 Maor -m - Maor - Maor 5 Maor $ Maor $ Maor $ Maor # Maor # Maor 5 Maor 5 Maor 5 Maor : Maor : Maor 7 Maor 7 Maor #m #m

Allegro Allegrissimo Allegro Andante Allegro Andante Andante spirituoso Allegro Allegro Allegro Allegro Allegro Allegro Allegro Andante Molto allegro Allegro Allegro Andante Allegrissimo Allegro Allegro molto Allegro Andante Allegro Andante cantaile Allegrissimo Allegro Allegrissimo Andante cantaile Allegrissimo Presto Andante cantaile Allegrissimo Presto Allegro Andante cantaile Allegro Allegro Allegro Allegro $antaile Allegro Presto Allegro Allegro Allegro Allegro Allegro Allegro

B499 B) B)1 B) B)3 B)4 B)) B)* B)" B)8 B)9 B)1 B)11 B)1 B)13 B)14 B)1) B)1* B)1" B)18 B)19 B) B)1 B) B)3 B)4 B)) B)* B)" B)8 B)9 B)3 B)31 B)3 B)33 B)34 B)3) B)3* B)3" B)38 B)39 B)4 B)41 B)4 B)43 B)44 B)4) B)4* B)4" B)48

%193 %49 %13" %3 %19* %9 %3* %" %113 %19 %311 %"" %314 %339 %6 3 %1 %)) %61 %** %11* %4") %8* %48 %6) %49 %83 %188 %4)* %4)8 % %3" %44 %43 %3 %39) %11 %* %3* %93 %)4 %11 %61" %1 %1*" %" %49" %) %31 %68 %44

P4"" P3)8 P38) P48 P19* P*) P38* P49 P4"8 P)1* P38" P)) P388 P3)9 P1"* P389 P41" P)3 P)1" P39 P44) P3* P49 P)* P)" P)8 P)9 P)3 P)31 P)3 P)33 P)34 P)3) P)3* P)3" P)38 P)31 P)4 P)41 P)4 P)43 P)44 P)4) P)4* P)4" P)48 P)49 P)) P))1 P))

A Maor A Maor $ Maor $ Maor # Maor # Maor - Maor - Maor 7 Maor 7 Maor 5 Maor 5m 5 Maor 5 Maor $ Maor $ Maor $ Maor 5m 5m - Maor -m : Maor : Maor : Maor : Maor - Maor - Maor $m $ Maor # Maor # Maor 7 Maor 7 Maor Am A Maor 5 Maor 5 Maor A Maor A Maor : Maor : Maor - Maor - Maor - Maor - Maor # Maor # Maor :m : Maor $ Maor

Andante Allegro Allegretto Allegro Allegretto Allegro Allegro non presto Allegro Andantino cantaile Allegro Allegro Allegro Allegro Allegro Moderato e Molto allegro E Presto Allegro Allegro Allegretto Prestissimo Allegro Allegro assai Allegretto Allegro Allegro Allegro Allegro Allegro Allegro comodo Allegro assai Allegro Allegro Allegro Allegro Allegro Allegro assai $antaile Allegro $antaile Prestissimo Allegretto Allegro Allegretto Allegretto Allegretto Allegro $antaile Prestissimo $antaile Allegro Allegretto

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