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ORIGINAL ARONSON STACK IMPOSSIBILITIES & STOR Sign up to vote on this title
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FOR:
KRISTANNA
Written, Designed Photographed by
Eric Richardson
SPECIAL THANK SIMON ARONSON
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PAUL THOMEY
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FOR:
KRISTANNA
Written, Designed Photographed by
Eric Richardson
SPECIAL THANK SIMON ARONSON
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PAUL THOMEY
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CONTENTS Preface [page 6]
Tools
That Was Easy……………………………………………………………………………………………9 A Moving Experience……………………………………………………………………………….12 Prime Mover…………………………………………………………………………………………….14
Impossibilities
[1] CON-T.R.A.S.T. Intro………………………………………………………………………………………………………..19 CON-T.R.A.S.T. ……………………………………………………………………………………….20
Sign up to vote on this title 28 Complete CON-T.R.A.S.T. ……………………………………………………………………… Useful Not useful
[2] Playing Favorites
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Your Way-Giveaway………………………..……………………………………………………55
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Un-Birthday……………..……………………………………………………………………………58
Mysterious Speller………………………………………………………………………………..61 El Tornado & El Tornado Loc o (Tyler Wilson)……………………………………….65
[4] Unleashing a Dragon Common Ground……………………………………………………………………… .74 Switch Trick 1………..………………………………………………………………………………76
Switch Trick 2…………………………………………………………………………………………81 Tsunami Sevens..…………………………………………………………………………………..85 Part Two (Joshua Jay’s Trumped Triumph finale)………………………………….95
Dr. Agon’s Deal……………………………………………………………………………………. .99 You're Reading a Preview Dr. Agon’s Deal 2.0…………………………………………………………………………… ...105 Unlock full access with a free trial. Faro Options……………………………………………………………………………………….108
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What’s Next?..................……………………………………………………………………109 Notes………………………………………………………………………………………………….110 Sign up to vote on this title
Stories
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[6] Mini-Stories
Intro…………………………………………………………………………………………………..145 Perfect 10………………………………………………………………………………………….146 Royally Flushed………………………………………………………………………………….149 Blind Date/Soul Mate………………………………………………………………………..153
Thoughts on Story Routines …………………………………………………… 156
?
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Download With Free Trial Conclusion [page 177] Appendices Sign up to vote on this 179 title A: Larreverse & Card Spread Switch………………………………………
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B: Cut to Order 7’s…………………………………………………………………181
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PREFACE
“…what amazes me most is the sheer quantity of effects that are imbedded within the Aronson st --Simon Aronson
I couldn’t agree more! I am continually amazed with the beauty hidden within the Aronson stack. hope this book of new and original magic will please the aficionado, provide solid material for the professional, and inspire further exploration of the Aronson stack.
The routines in this book, as in my first book It All Depends, are all stack dependent. In other words they can only be performed with the Aronson stack. None of the routines relies on the performer
having memorized the order of the cards. If you have not memorized the stack you will still be able perform all of the routines in t his book. There is a lot packed into this book, so You're allow me to give ayou a brief overview: Reading Preview
Unlock fullItaccess a freeabout trial. how to prepare your deck in a w The book begins with a chapter entitled Tools. giveswith details
that will allow you to easily follow the routines in the book. I also attempt to answers some commo
Download Trialex periences with stack work. questions about stack dependent routines from myWith ownFree personal
The rest of the book has been divided into two sections: Impossibilities and Stories. The Impossibil
section of the book contains a wide range of routines. There are four-of-a-kind productions, a birth
card routine (with a giveaway gift for t he spectator), new versions of my Double Mind Reading deck the h Poker Tell Pack, and much more. Section One culminates with a very practical way to produce Sign up to vote on this title time to close a set with the stack suit in order as a finale to your work with the stack! I use it all the Useful Not useful
performing Joshua Jay’s “Trumped Triumph.”
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TOOLS
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TOOLS
Since the publication of It All Depends, many people have asked me about var ious aspects of workin
with a stack. I have included this section with helpful tips and techniques that cover several import
aspects of stack work. Even if you are experienced with stack work, I highly recommend that you s
read “THAT WAS EASY” which covers how I prepare the deck. Here is a brief overview of the topics covered:
1) THAT WAS EASY: Discusses ways to prepare the deck of cards to efficiently find your way aroun stack. I would highly recommend making up a deck in the way I describe it and use it as you work through the routines in the book.
2) A MOVING EXPERIENCE: Covers the basic concerns surrounding moving cards around within th
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stack. Many of the routines in the book involve moving one card to a new position. Practical advic help you get comfortable with this reality canfullbeaccess found here. Unlock with a free trial.
3) PRIME MOVER: Picks up where “A MOVING EXPERIENCE” ends. Here you will find some metho
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for covering the secret repositioning of cards in front of an audience.
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“THAT WAS EASY”
When working with a stacked deck, it is important to be able to find your way around it easily. This especially true when using a memorized deck or a stack that allows you to perform multiple stack dependent effects. The effects in this book are stack dependent. Some require that a card is moved and, as you will discover in chapter 4, things can get even more involved. While all of the routines in this book can performed in the real world without any preparation of the deck, it makes se nse to keep things as simple as possible. The simpler the set up is for a trick, the more likely you are to use it in your performances.
I take advantage of several strategies that allow me to find my way around the Aronson stack. The
not new ideas and every performer will have their own preferences. It will ultimately be up to you decide what techniques you will employ to help you.
I would like to share mine with you for two reasons. First, it’s possible you have not considered usin
You're a Preview some of the ideas that will be presented here Reading and you might find an idea or two you can use. Seco
and more importantly, in the routines Unlock that follow I will refer totrial. my methods for get ting around in th full access with a free
Aronson stack. If you create a deck like the one I am about to describe, it will help you get a feel fo how easy it is to do these routines in the real world. Download With Free Trial
SCALLOP SHORTS
The short card is an invaluable tool for many reasons. The main benefit for stack work is that it allo
you to get to specific places in the deck with cer tainty and without glimpses or openly looking at th Sign up to vote on this titleup or down i faces of the cards. By obtaining a break at a short card, you can then count or spread
Useful deck from that point to locate desired cards for culling, cutting, etc.
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I prefer to scallop short my cards because a scallop short won’t interfere with faro shuffles. The sca
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Secondly, if I destroy the stack and continue with the shuffled deck, I can use the two cards as distin
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key cards without any confusion.
The basic idea is to short less than half of the narrow ends of the cards. Each card is scallop shorted the opposite side to that of the other card. As you can see, in the picture below, the two cards are scallop shorted on opposing sides. The cuts have been exaggerated for clarity. The actual work I
into the cards is minimal. You don’t need to remove much of the card to get the desired effect.
It is important that when you are cutting the cards, you stop the scallop cut before you get to the
of the card. If you don’t, the cards will not work properly and you will get false information.
You will find that the use of these cards is fairly simple. If you want to find card #1 then run your ri
thumb up the left side of the back narrow end of the deck. To find #27 run your thumb up the righ
of the end of the deck. If you have cutYou're your cards well, a you should not be getting accidental breaks Reading Preview the opposite card’s position.
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When I hit upon this idea I felt sure that someone must have already thought of it. I owe a big than
Free Trial you to Bryan So for helping track downDownload the properWith source. You can find more information on this s card technique and many other ideas in Gordan Miller’s Anthology of Card Magic (1968) pg. 56.
SECRET MARKS A shrewd use of very simple marks on a few cards comes in very handy as well. Sign up to vote on this title
Useful Notinuseful I mark the outer left and inner right corners of the AC (10), 5S (20) and 3C (40) this way:
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CONCLUSION
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Once again, all the routines in this book can be performed without the aids described above. I don
always use them, especially if I intend to give away the deck at the end of a performance. For most
my work, the spectators have only a few moments to actually handle the cards. Even if they were t casually examine them, they wouldn’t discover the secret preparation anyway. It hardly takes any to prepare a deck in this way and it provides you with a lot of extra help. To me it is very worth it.
One last thing: I use a temporary crimp as an aid in several effects in this book. I will assume you ar
familiar with different ways to crimp a card and take out the crimp when your need for it has ended tend to get rid of the crimp either during the routine or after the effect has ended. This allows me continue with a fresh deck and the ability to use a crimp in another card without confusion. (See Roberto Giobbi, Card College Vol. 2, pgs. 347-349, for several great crimping techniques.)
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PLAYING FAVS CHAPTER TWO
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PLAYING FAVORITES
It is fun to see how routines can change as you continue to perform and refine them. The effects in
chapter are some old favorites that over time, further experimentation and input from othe r magic have improved since first being published.
The new thinking on the “family” of effects in this chapter started when I performed “The Double M
Reading Deck (Aces)” at the Carolina Close-Up Convention in 2009. Tyler Wilson, while compliment
of the trick, wondered if there were ways to improve the rationale for the spelling procedure. Our discussion spurred me on to look at the effect again and I discovered a way to improve the actual spelling sequences as well as using Tyler’s insights . If you enjoyed the original routines from It All Depends, then I think you will really enjoy the refinements given here.
Let me give you an overview of the changes so you can be aware of the differences before we ge the routines.
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In the original versions you would spell the card just revealed to get to the next card. For example,
With Freeindicate, Trial based on the question asked, card would be turned face up to revealDownload the 3H which would
spot card. You would then spell “spot” to arrive at the next card that would answer the next questi
While this worked and had its own kind of logic I have reworked the spelling process. Now the que
is spelled and at the end of the spell the deck reveals the answer . This is a big difference and is mu easier to justify in the routine.
TWO COOL IDEAS
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Tyler Wilson suggested two ideas that I have incorporated into the routines as well. Tyler suggeste
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THE NEW DOUBLE MIND READING DECK (ACES) EFFECT
Two spectators pick cards, which are lost in the deck. The deck reads both spectators’ minds and reveals their cards in amazing ways climaxing with a magical production of the four aces.
SET UP
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Here is an efficient and easy way to set up for this effect with the deck face-up. Unlock full access with a free trial.
1) With the deck face-down, cut the QC to the bottom of the deck. Since it is the third card from th bottom of the deck this is easy to do. Download With Free Trial
2) Turn the deck face-up do an estimated push off of about half the deck to the right. You will quic see the AH. In-jog the AH as you spread past it.
3) Continue spreading the cards between your hands until you get to the AD. Cull the AD under the Sign up tothe votecar onds. this title spread and insert it between the 7D and 8C as you continue spreading
Useful Not useful 4) Close the spread and turn the deck face down. Obtain a break below the AH by pulling up on th jogged AH with the right thumb. Transfer the break to the left little finger.
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ROUTINE
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FORCING THE CARDS
Riffle-force the AH on spectator 1 (Anne). As you are showing her the bottom card of the right han
packet (the AH), get a left little finger break under the top card of the left hand packet (the 8S). You
use either a pinky count or use your left thumb to push the top card to the right and then draw it b
while using your left little finger to catch a break beneath the 8S. Put the right hand packet back on the left hand packet retaining the new break under the 8S.
Riffle-force the 8S on spectator 2 (Bob). After this card is shown, replace the right hand packet ont
left hand packet (no break is held). False shuffle the deck and give the deck a straight cut maintain left little finger break between the two halves.
“You are probably expecting me to find your c ards in some amazing way, right? I’m not going to!
is actually the world’ s only Mindreading Deck and it will discover the secret identities of both of y cards. But first, say stop one more time Bob.” Riffle-force to the break and cut the deck at that location and complete the cut. Place the deck on
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table as you introduce the premise o f the mind reading deck.
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THE QUESTIONS
Download With “I’m going to ask you several questions about your cardFree and Trial I want you to just think your answer.
Don’t say your answers out loud. Send the thought through your arm, into your hand, down you finger and into the deck.”
Have Bob place his first finger of either hand on top of the deck. Really make sure that Bob unders that he is to say nothing during the question phase. Sign up to vote on this title
Useful Not useful “ Was your card red or black? What kind of card was it? Is it a picture card, like a king, or a numb
card? Now l et’s get more specific. What was the suit of your card? Was it a Heart, Club, Diamon
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THE DECK READS A MIND
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“Let’s see what the deck has to say starting from where you stopped me in the deck. The first qu
was about the color of your card. Now the deck can’t talk and it can’t hear so to communicate wi the deck I’ll need to spell the question I want the deck to answer. So I’ll spell C -O-L-O-R.”
Spell “color,” taking each card under the previous card to maintain stack order. Turn over the last of the spell to reveal the 5C [Photo 1].
“ The deck is telling me your card was black! Well, that could have been luck. It’s a 50/50 chance
With the exception of the 5C, you will perform the Larreverse to apparently turn the face-up card b
face-down and take it under the packet of cards in the right hand. (See Appendix A if you are unfam
with the Larreverse). Of course, thanks to the Larreverse, you will also be secretly reversing cards a well (the aces)! For the 5C simply mimic the movements of the Larreverse as you turn over the 5C
[Photo 2] and take it under the right hand packet of cards. Keep the spelled cards in your right han
1
2
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“I asked you to think about the kind of card you chose. Let’s spell K -I-N-D to find out. The deck sa your card was a number card!” Spell “kind” taking each card under the previous card with the right hand. Turn over the last card spell to reveal the 3H [Photo3]. Now perform the Larreverse to secretly reverse the AS as you Sign up to vote on this title Useful useful apparently turn the 3H face-down [Photo 4]. Take the double under theNot right hand spread of card
3
4
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Spell “suit” and t urn over the last card of the spell to reveal the 10S [Photo 5]. Perform the Larreve
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secretly reverse the AC [Photo 6]. Take the double under the right hand packet. TIP: When perfor
the Larreverses in this routine you don’t want to expose the previously reversed card in the right-h packet as it could be seen during the sleight. To make sure this doesn’t happen, align the first card
spell with the bottom card of the right hand packet. This effectively hides the reversed card before perform the Larreverse.
5
6
“And this brings us to our fin al question. What was the number on your card? So, N-U-M-B-E-
Spell “number” and t urn over the last card of the spell to reveal the 8C [Photo 7]. (Remember to al
the first card of the spell with the reversed bottom card of the right hand packet in preparation for Larreverse.)
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“The deck says it was an ei ght! So your card must be the Eight of S pades!” 7
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Perform the Larreverse to secretly reverse the AD [Photo 8]. Take the double under the right hand packet.
7
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9
10
9
“It’ s amazing that the deck knew your card was the Eight of Spades.”
10
The aces are secretly face-up in the upper portion of the deck [Photo 11]. Here, throw in one more
display to show the deck before placing the cards in front of Anne. Perform a thumb fan. Just mak
sure the upper portion is tightl y fanned so you don’t expose any of the aces. Casually show the fro and back of the fan.
Next, with the cards still fanned, take the lower fourth of t he fanned cards into the right hand and s
both faces and backs of both fans. Then place the right hand fan on top of the left hand fan and pa
square them as you put them in front of Anne. Thus the face-up aces are now more centralized wit the deck. Now carefully and slowly square the deck completely.
THE ACES FINALE
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“It’ s amazing that the deck read Bob’s mind; but for you (turning to Anne) let’s try something else Unlock full access with a free trial.
Let’s cut to the chase for you. Put your hand on the cards and I’ll only ask you one question. Are
ready? Good, what was your card? Think of its value and suit and just send the information to th
deck.”
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Don’t forget to remind Anne that she is not to say anything out loud.
“I had you just think of the value and sui t of your card. Let ’s see if the deck can give us an answer I need! also trained the deck to respond to a snap and a utomaticallySign giveupme all the to vote on information this title
Not useful Useful Snap your fingers over the deck and spread it slowly. If you have the table space then ribbon spread
deck, if not, fan the cards between your hands. Either way, do so in a slowly and deliberately as yo
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Snap your fingers over the tabled card and reveal it is now the AH! Place the face-up AH in its prop
Sheet Music
place in the stack [Photo 13]. (You can do this easily be either counting down four cards from the A using the mark on the 5S.) Take your applause!
12
13
RESET
The reset is easy. Starting with the AS,You're turn over the ASaand AC face-down, making sure they go ab Reading Preview
the card that is on top of them in the fan. The AD is the exact opposite. You turn it face-down and Unlock full access with a free trial.
sure it goes below the card beneath it in the fan. The AH is simply turned face-down right where i the stack. You are reset.
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COMMENTS
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useful Useful Nothalf 1) This routine only uses the top half of the Aronson stack, so the other can be freely
mixed or reserved for some other effect like Dean Dill’s and Michael Weber’s “A New Worl
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3) You can achieve the set up for this trick with the deck face-down as follows: Sheet Music
1) Cut the 7D to the bottom of the deck. (You can use the marks on the AC or 5S cards to h do this with the deck face-down.)
2) Spread over the top three cards of the deck and cull the third card from the top (the AD) the bottom of the deck.
3) Spread over the top six cards and get a break below the sixth card (the AH). You can use mark on the 5S to quickly obtain the break.
4) Transfer the deck into the right hand end grip, maintaining the break with your right thu Undercut about half the deck to the top. Transfer the deck back into left hand mechanics
and maintain the break with your left little finger. You are now ready to riffle-force the AH
CREDITS
The origin of the effect in this chapter came from a group of “Mind Reading Deck” routines Simon Aronson in his book, Try the Impossible (2001). His routines also used the Aronson but the deck only read one mind and they needed a table to be performed. For more information on the "Double Mind Reading Deck” and other variations see my book, It All You're Reading a Preview Depends . Unlock full access with a free trial.
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STORIES SECTION TWO
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STORIES TO TELL
Everyone loves a good story and people find it fascinating that a deck of cards can be used to tell a One only needs to watch Bill Malone performing his version of “Sam the Bellhop” to see how entertaining and commercial this kind of routine can be.
In the next two chapters I will teach several of my own story routines for the Aronson stack. Some
the entire deck while others only use a small portion of the stack to create what I call “mini-stories”
far as I know, Paul Thomey was the first to create a story routine using the Aronson stack. His won
routine, “The Legend of Southside Johnny,” is here for you to enjoy as well!
I began my search to find a story routine that I would enjoy performing many years ago. After a de
study of every story routine I could find, I realized that Iawanted something different than what the You're Reading Preview
majority of story routines out there had to offer. I made a list of what I wanted in a story routine a Unlock full access with a free trial.
set out to create my own. The four basic criteria were:
Download With Free Trial 1) Appropriate for basically any audience.
Almost all of the stories I found share similar elements: Bars, Bimbos, Blue humor, and rev
around gambling themes. Now before you judge me a prude, hear me out. I enjoy watchin
performance of many of these routines. I just wanted to tell other kinds of stories and I w
a story I could perform for any audience. Don’t worry; if you just have to have Bars, Bim up to vote on this title not disappoint! Booze and a royal flush finale, then Paul’s routine will Sign
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2) Clever and entertaining.
Part of the charm of a story deck routine is found in how well the story fits with the cards a
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4) A strong magical climax (something other than a poker deal).
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I don’t have any problem, in general, with poker deals and performing effects that utilize gambling themes (see CON-T.R.A.S.T. and the Poker-Tell Pack in this volume). Paul’s “The
Legend of Southside Johnny” is absolutely brilliant and uses a poker deal climax to great eff just wanted a very magical ending that would surprise and amaze an audience.
After deciding on the criteria, I set out to create a story. The fact that I ended up creating more tha
story and that they use the Aronson stack still amazes me. I didn’t set out to create a story routine
specifically with the Aronson stack. I just began to see the stories in the stack over time. One even came to me in a dream!
It is a great benefit that the stories are done with the stack you already are using for so many other
things. At the end of this section I will share some thoughts on how to use a story routine in the co of other routines without betraying your use of a stack. I think that this is an extremely important to consider carefully. In the stories that follow, I believe I have met the criteria I set for myself. I am happy to put these
routines on the table for your consideration. I am also honored that Paul has graciously allowed m
share his story routine with you as we ll. Honestly, I can’t believe that the Aronson stack can be use
You're Reading a Preview
produce three completely different full deck story routines! I hope you enjoy them as much as I do Unlock full access with a free trial. stories… time for the Aronson stack to tell us some
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FULL DECK STORIES CHAPTER FIVE
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LUNCH Sheet Music
AT
LOUIE’S
I have been using this routine for a long time and it never fails to get a great reaction from the audi The finale is quite magical and always takes the audience by complete surprise.
EFFECT
Three guys walk into Crazy Louie’s Pizza Shack…
SET UP
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Move (or cull) the 8H between the QD and AH. Cut the 3C to the top of the deck (if you have marke Unlock full access with a free trial.
the 3C then you will be able to cut to the 3C easily) and put a crimp in the bottom card of the deck 6H). Finally, cut the JS to the top of the deck (easy with the scallop short).
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[See COMMENT 1 for achieving the entire set up quickly and with the deck face-down!]
ROUTINE
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Before you begin the routine, you must force the AS on a spectator. I use the Under-Spread Cull fo
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Perform a Charlier Cut (see Card College, Vol. 1 pgs. 172-173) at the crimp and turn over the top ca
Sheet Music
reveal the 3C. Table the 3C face-up in front of you.
“…every Saturday to hang out and enjoy Louie’s world famous pizza. They always order the lunch special. That’s two pizzas for nine bucks. Drinks not included. Cra zy Louie isn’t that crazy ! ” Double undercut the top card to the bottom. Perform the Two Card Catch flourish: Hold the deck in the left fingertips. The thumb is on top and the fingers are underneath the deck. Toss the deck into the right hand. By using light pressure you will hold back the top and bottom cards of the deck in your left hand [Photo 1]. Turn the two cards faceup in the left hand. As you deliver the lines, thumb off the cards one at a time onto the 3C creating a nice pile.
“ Since they have come in every Saturday for years, they are treated like kings...” Perform the classic Drop Flourish: with the deck in the left hand, push the top card over to the right for about half an inch as you take the deck in the end grip with your right hand. The side jogged condition of the card is hidden by the right hand. Hold the deck about twelve inches above the left hand. Drop the deck intoReading the open hand. As You're a left Preview you do, the air pressure will cause the top card to flip over and land on Unlock full access with a free trial.
top of the deck as the deck is caught in the left hand [Photo 2]. Place the king onto the tabled pile.
Free tip. TrialI w ould treat them like kings too! “…and they always leave their favoriteDownload waitress aWith six dollar
Perform John Cornelius’ Spring Set flourish (see The Award Winning Magic of John Cornelius by Lan
Pierce): push the top card over to the right for about one fourth of an inch. Use your left thumb to
contact the exposed portion of the second card from the top of the deck. Press down and to the le with your left thumb. This will cause the top card to flip over and onthis thetitle deck. Table the Sign land up toback vote on
Useful Not useful “Their favorite waitress was named Hilda and she was from Germany.”
Double undercut the top card (the 4C) to the bottom of the deck. Perform a double lift of the top tw
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bottom half of the deck while t he right hand fingers pull the 4C up the front end of the deck (makin
Sheet Music
4C pop out face-up) [Photo 3]. In a continuing action, the left hand pulls down on the lower half of deck. The 4C is now guided into the break by the right fingers and the break is allowed to close (trapping the 4C). Strip out the 4C and table it on the pile.
“They asked her if she would ever move back. She said ‘ Nein.’”
Turn the double face-down. Take the top card off the deck and perform the Pirouette Flourish and
reveal the change into the 9C. Drop the 9C onto the pile. As you table the 9C, and receive the groa you rightly deserve, get a break under the top two cards of the deck.
“…but she said, ‘I do get homesick.’” Immediately perform a double-turnover to reveal the 6D. Table the double face-up onto the pile [Photo 4]. Keep the two cards aligned to hide the QS. There is plenty of misdirection here as the audience reacts to the ridiculous word play.
“One Saturday she walked up to their table.” Now double undercut the top card (the QC) to the bottom of the deck.
You're Reading a Preview Hold the deck in your left hand in dealing position but held mor e at the tips of the fingers. Turn slightly to your left and position deck Unlock full access withthe a free trial.so its back is facing the audience. The left fingertip contacts the outer short edge of the deck and pulls this bottomDownload card away from deck slightly. Withthe Free Trial Slowly push the card towards you [Photo 5]. This will cause the card to swing out and up. (See Royal Road to Card Magic-the move was created by Dr. Jules Dhotel).
“She said, ‘ Hey, I bet y ou guys want your usual “ Two for Nine” deal.’ They said, ‘Yes,’ of course!” Sign up to vote on this title
Usefulflourish. useful Double undercut the 2C to the bottom. Perform the Two Card the two cards f Catch NotTurn
up in the left hand. As you deliver the lines, thumb off the cards (the 2C and 9D) one at a time onto tabled pile.
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As the audience reacts, (They will, trust me!) get a pinky break under the top two cards of the deck
Sheet Music
Strip out the JS and take the double card under the jack in end grip [Photo 6]. Move the jack so it is jogged to the left under the double [Photo 7].
6
7
“Louie is raising the price by five bucks!” Drop the double onto the deck and snap. Spread the top three cards to reveal the face down card
sandwiched between the jack and king. Table the jack and king and then show the five and put it o pile.
NOTE: I personally use Eric Jones’ “Ishkabibble sandwich” procedure for the routine, (see his DVD s Extension of Me for the details), but any sandwich effect process will work.
“ The three guys thought that their ‘ Two for Nine’ deal had just flown off into the sunset! ”
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Double undercut the top card to the bottom. Perform the Two Card Catch flourish again. Turn the Unlock full access with a free trial.
cards (the 2H and 9S)face-up in the left hand. As you deliver the lines, thumb off the cards one at a onto the tabled pile.
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“ Hilda gave them a wink and said she’ d give them the special anyway! The three guys loved that
Cut the deck to place the 3H below the crimped 6H. Perform a Charlier Cut at the crimp and turn o the top card to reveal the 3H. Table the 3H face up on the pile.
“ You know she was going to get that six dollar tip! ” Perform “Spring Set” again to reveal the 6C.
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Give the deck a false cut. Double lift to show the AC. Turn the double over onto the deck. Place th
Sheet Music
card (the 8D) onto the table face down.
“ The second magician took the deck and gave it a fancy cut.”
Double undercut the top card (the AC) to the bottom of the deck. Give the deck any fancy false cut
“He declared that out of all the pizza shacks in the world…” Spread over around ten cards as a gesture to emphasize your words. You will see the mark on the
Get a pinky break one card above the marked 5S (above the 7S) and close the spread. This will allo
a very easy triple turnover in a moment and without any awkward pause in the rhythm of the story
“Louie’s, L-O-U-I-E-S was ‘ Number one!’ And, yep, he found the second ace! ”
Spell L-O-U-I-E-S taking each card under the last to retain stack order. Perform a triple turnover on
“s” using your right fingertips to reveal the AD [Photos 8, 9 & 10]. Hold a break below the triple as turn it over to make the next turnover easier.
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8
9
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“He said he’d take a root beer too.”
Turn the triple over onto the deck and table the top card (the 8C) on top of the face-down 8D. As y
place the spread right hand packet back on top of the deck, get a break above the bottom card (the of the spread packet. Retain the break and double undercut all the cards above the break to the bo Sign up to vote on this title of the deck. The 7D is now the top card of the deck. Give the deck a brief false cut or shuffle. Useful Not useful
“ Magician number three was known as the ‘ King of Cards.’”
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“ He announced that not only would he find the third ace, but h e would place his drink order at th
Sheet Music
same time, without saying a word! Hilda said, ‘I’ve got to see this!’ He snapped his fingers over t deck and spread it. And there in the middle of the deck was the seven…up…! After placing his
order… he counted down seven cards and found another ace! ”
Snap your fingers and spread the deck to reveal the 7D [Photo 13]. Count down seven starting with
7D. Use the right hand fan of cards to turn over the seventh card face up onto the left hand packet reveal the AH [Photo 14].
13
14
“Hilda said, ‘Wow, that’s amazing, but I’ m confused. What about my car d’”
You will now use the Card-Spread Sw itch (see Appendix A for a detailed description) for the next ei
As you continue the story, use the right hand fan above the reversed AH to flip the AH face-down [P
15]. The right hand cards keep in contact withReading the reversed card as it is flipped face down. The bot You're a Preview
card of the right hand fan ends up right above and virtually aligned with the card just flipped over [ Unlock full access with a free trial.
16]. The left thumb contacts the bottom card of the right hand spread and takes it onto the left ha
pack. At the same time, the left hand moves forward and deposits the top card (the 8H) onto the t
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face down [Photo 17]. Slide the 8H under the other eights.
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Continue by spreading over the top card of the left hand packet (the AH) and get a pinky break und
Sheet Music
[Photo 18]. Place the right hand packet on top of the deck. Spread up to the face-up 7D and then
card above it. Turn the 7D face-down [Photos 19 & 20]. Make sure it goes above the card that was above it in the spread. This places the 7D back in its stack position. Replace the right hand cards on top to assemble the deck.
18
19
2
Cut to the break. Now the AH is the bottom card of the deck. Be careful not to accidently flash it!
“The magicians replied, ‘ This whole thing has been about your card. Turn it over!’ She turned selection. It was the final ace! ”
The spectator turns over his card to reveal the final ace. Take it from him and perform a top chang switch it for the 8S. Place it on the pile of eights on the table.
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“ By then the pizzas had arrived and they were so hungry they just ate and ate and ate and ate! Unlock full access with a free trial.
Perform a thumb fan with the faces of the deck toward you. Take the eights in the right hand and f
them face-down. Wave them in a magical gestureWith and turn fan out so the audience will see the Download Freethe Trial faces of the fanned eights. Immediately stick each eight face-up into the fan each time you say,
You will do this in a very specific way to facilitate the reset of the order [Photo 21 has the cards rev
for clarity]. The 8H is inserted about twenty cards from the top of the fan. The 8D is inserted abou
cards back from the 8H. The 8C is inserted about ten cards back from the 8D. The 8S is inserted ab three cards from the bottom of the fan. This creates a nice final display and applause cue as you ho Sign up to vote on this title the fan in front of you [Photo 22]. Your audience will be completely amazedNot at the transformation Useful useful
the aces into eights and laughing at the word play.
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“So, have you heard t he one about the three Nuns who walk into Carl’s Taco Emporium? Me neit
Sheet Music
Now it is an easy matter to reset the deck. Begin by closing the fan with the faces of the cards towards you [Photo 23]. You are going to simply spread the cards from left to right and as you do you will replace the eights in their proper stack positions. The eights should be pretty close to where they belong.
Begin by turning the 8S face up on top of the AH [Photo 24]. Continue to spread the cards until you to the 7D [Photo25]. Insert the 8C above it [Photo 26].
24
25
Reading a Preview Continue to spread until you get to theYou're 6C [Photo 27]. Insert the 8D above it. As you continue to sp
the cards, down jog the 9S when you come to it, then continue spreading. Finally insert the 8H abo Unlock full access with a free trial. the 4C [Photo 28].
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COMMENTS
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1) Here is the way I set up for the routine with the deck face-down: begin by cutting the 3C to the
Crimp the bottom card (the 6H). Now spread over the top seven cards and cull the seventh card (th
8H) under the spread. Continue spreading the deck from left to right until you get close to the bott
third of the deck. Here you look for your secret mark on the 5S. When you see it, spread over one
card (the QD) and insert the culled card below it. The 8H is now between the QD and AH. Because JS is a short card, it is easy to cut it to the top.
2) The story can be changed to suit your own style and personality. The sleights used to produce th
cards can be changed to suit your skill level and personal preferences. Be c reative and really make t routine your own.
3) In an effort to keep the story realistic in this constantly changing economy, here is a way to chan the script if someday the two pizzas for nine dollars seems too crazy (even for Crazy Louie): say, “
always ordered two pizzas for nine bucks each. What a deal.” Another option is to change the sto something that happened in the past instead of the present.
SCRIPT (UNINTERUPTED)
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Have you heard the one about the three guys who walk into Louie’s Pizza Shack? No? Well it’s
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joke! The three guys walk into Louie’s Pizza Shack every Saturday to hang out and enjoy Louie’s w famous pizza. They always order the lunch special. That’s two pizzas for nine bucks. Drinks not
included. Crazy Louie isn’t that crazy !
Since they have come in every Saturday for years, they are treated like kings and they always lea uptoo! to vote ” on this title their favorite waitress a six dollar tip. I would treat them likeSign kings
Useful Not useful Their favorite waitress was named Hilda and she was from Germany. She had lived in the States
four years. They asked her if she would ever move back. She said “ Nein” but, “I do get homesick
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hide it without looking at it. You have already done that.(If the helper is a man I add: You don’t lo
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anything like Hilda, by the way.) The first magician took the deck, cut to an ace as he declared that Hilda was “ number one.” She flattered and impressed. He said he’d take a root beer. The second magician took the deck and gave it a fancy cut. He declared that out of all the pizza
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shacks in the world, “Louie’s, L -O-U-I-E-S was Number one!” And, yep, he found the second ace! said he’d take a root beer too.
Magician number three was known as the “ King of Cards.” He announced that not only would he the third ace, but he would place his drink order at the same time, without saying a word! Hilda
“I’ve got to see this!” He snapped his fingers over the deck and spread it. And there in the midd
the deck was the seven…up! After placing his drink order he counted down seven cards and foun another ace! ”
, “ Wow, that’s amazing, but I’m confused. What about my card?” The magicians replie Hilda said
“ This whole thing has been about your card. Turn it over!” She turned over her selection. It was final ace!
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By then the pizzas had arrived and they were so hungry they just ate and ate and ate and ate!
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walk into So, have you heard the one about theUnlock three full Nuns who access with a free trial.Carl’s Taco Emporium? Me neith
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APPENDICES
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APPENDIX: A
THE LARREVERSE The Larreverse, invented by Larry Jennings, is a very deceptive and versatile sleight that secretly
reverses a card in the deck. For several routines in this book, the Larreverse will be used to secretl reverse a card while turning an already face-up card face-down.
Let’s say you have a card face-up in the center of the deck. Above it is the face down card you want to secretly reverse. Spread through the deck until you see the face-up card. Break the spread with the face-up card on top of the left half. The right hand holds the upper half still in its spread condition. The bottom card of the right half is the card you wish to secretly reverse [Photo 1].
You're Reading a Preview To reverse the card, bring your hands together push Unlock full and access withthe a free trial. face-up card to the right with the left thumb. Take the face-up card under the right hand spread aligned with the With bottom card Download Free Trial of the right hand fan [Photo 2]. Rotate your right hand palm down.
The spectators will see a face-down card at the face of the
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spread [Photo 3]. Use your left thumb to drag the double card Useful onto the left hand pack. It appears that you simply righted a reversed card. And you did! What they do not know is that
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THE CARD SPREAD SWITCH Sheet Music
This technique allows you to switch one card for another in the act of merely turning over a face-up
in a spread of cards. As with the Larreverse taught above, there is a face-up card in the deck with a specific card face-down above it in the spread. This time you will switch the two cards instead of performing a secret reverse. Begin by spreading the cards to show the face-up card [Photo 1].
Use the right hand fan above the reversed card to flip the reversed card face-down. The right hand cards keep in contact with the reversed card as it is flipped face-down. The bottom
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card of the right hand fan ends up right above and virtually
aligned with the card just flipped over Unlock [Photofull 2].access with a free trial.
Download With Free Trial The left thumb contacts the bottom card o f the right hand spread and takes it onto the left hand pack. At the same time the left hand moves forward and deposits the top card onto the table face-down [Photo 3]. The previously face-up card has now been Sign up to vote on this title switched for the card that had been above it. The move is very Useful Not useful smooth and light. Do not pay attention to your hands while you do the switch. This is one of my favorite switches and it is
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