Misa Immaculada Concepcion

NIHIL OBSTAT: Rev. Fr. Leo Nilo C. Mangussad Minister of Liturgical Music

IMPRIMATUR: DATE:

+ Gaudencio B. Cardinal Rosales, D.D. Archbishop of Manila 30th October, 2007

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Alejandro D. Consolacion II

Misa Inmaculada Concepcion for cantor, congregation and mixed voices; with brass, percussions and organ VOCAL SCORE

Copyright © August 2007 by Alejandro D. Consolacion II Published and Owned by the Manila Cathedral-Basilica. All Rights Reserved It is illegal to photocopy music.

PUBLISHED BY : Cathedral-Basilica of the Immaculate Conception MANILA METROPOLITAN CATHEDRAL-BASILICA Cabildo cor. Beaterio, Intramuros, Manila Tel.: 527.1796, 527.3889, 528.3876 Fax: 536.0192 Mobile: 0917.400.9131, 0928.743.0067 E-mail: [email protected], [email protected] www.manilacathedral.org © Alejandro D. Consolacion II 2007 Published and Owned by the Manila Cathedral-Basilica All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing from the publisher/owner or as expressingly permitted by law. Inquiries concerning reproductions outside the scope of the above should be sent to the publisher/owner . Permission to perform or to record the works (except in the course of divine worship) should be obtained from the Manila Cathedral-Basilica. First published 2007 Cover design by Matthew Niel Hebrona Cover is a detail of 6W$QQHRIWKH,PPDFXODWH&RQFHSWLRQcirca 1627 Composer’s photo by Ferdie Espeleta Music originated on Sibelius

INSTRUMENTATION (a) Large Ensemble: 3 Trumpets in Bb 2 Tenor trombones Bass trombone Tuba Timpani and Percussion (2 players) Organ E 6LPSOL¿HG(QVHPEOH 2 Trumpets in Bb Timpani and Percussion (1 players) Organ PDWHULDOVDYDLODEOHRQUHQWDOVRQO\

CONTENTS HG

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na igi

Or

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6LP

MISA INMACULADA CONCEPCION Panginoon, Maawa Ka

1

55

Papuri sa Diyos

4

57

Alleluia

22

64

Santo

27

66

Misteryo ng Pananampalataya

29

68

Dakilang Amen

30

68

Ama Namin

30

69

Aklamasyon sa Ama Namin

34

71

Kordero ng Diyos

35

71

Mary Crowned with Living Light (QWUDQFH+\PQ

38

73

Remember, O Mary Immaculate 2IIHUWRU\+\PQ

41

74

Holy Mother of our Savior &RPPXQLRQ+\PQ

44

76

Holy Mary, Now We Crown You )LQDO+\PQ

48

78

MARIAN HYMNS

FOREWORD Minor Basilica of the Immaculate Conception MANILA METROPOLITAN CATHEDRAL-BASILICA CABILDO cor. BEATERIO, INTRAMUROS, MANILA, PHILIPPINES Tels. 527-1796, 527-3093, 527-3889, 528-3876 Fax: 536-0192

Alejandro D. Consolacion II‘s new composition, entitled 0LVD,QPDFXODGD&RQFHSFLRQ, launched at the 2nd 0DQLOD&DWKHGUDO%DVLOLFD3LSH2UJDQ)HVWLYDOLVDIUXLWRIDQLQVSLUHGHIIRUW,QDZD\LWLVWKH¿UVWE\SURGXFW RIWKHQHZO\UHVWRUHG3LSH2UJDQRIWKH0DQLOD&DWKHGUDO%DVLOLFD0&% DQGD¿WWLQJUHYHODWLRQRIKRZ0&%¶V acknowledged role as the launching venue of new liturgical compositions in the Archdiocese of Manila becomes a functional reality. Indeed, in restoring the historic, half-a-century-old MCB Pipe Organ to its original form and function DIWHU¿IWHHQ\HDUVRIYLUWXDOGHPLVHZHLQWHQGHGWREULQJEDFNWKHULFKPXVLFDOWUDGLWLRQRIWKH0DQLOD&DWKHGUDO which in the 1960s and ‘70s was home to big concerts, generally featuring popular liturgical songs. Central to our objectives is to make the pipe organ an instrument of inspiration, its wonderful sounds a compelling invitation to talented local musicians, especially conductors and composers, to come up with more songs that are best sung with the pipe organ accompaniment. It is important to note that the MCB Pipe Organ is the biggest in Southeast $VLDDQGLWEHKRRYHVXVWRJRWRJUHDWOHQJWKVOHYHUDJLQJRQLWVKLVWRULFDOYDOXHDQGFXOWXUDOVLJQL¿FDQFH Our decision to make the Manila Cathedral-Basilica Pipe Organ Festival an annual event emphasizes MCB’s desire to echo resoundingly the continuing call for greater support to the MCB Pipe Organ and the challenge for PRUH OLWXUJLFDO FRPSRVLWLRQV WR ¿QG WKHLU ZD\ WR JORULRXV HQQREOHPHQW ,QFLGHQWDOO\$OHMDQGUR¶V SURSRVDO WR come up with a new song and launch it at the 2nd MCB Pipe Organ Festival came at a time when the CathedralBasilica was conceiving the plan of commissioning someone to compose a Marian liturgical song that would ¿UVWEHKHDUGDWDQGEHDGRSWHGDVVRPHNLQGRIDQLGHQWLW\VRQJRIWKH0&%ZKLFKLVD0LQRU%DVLOLFDRIWKH Immaculate Conception. In a way, he came as a handy catch, and we commissioned him to the projects thereby. 7KHFRLQFLGHQFHLWLVLQVSLULQJWRSRLQWRXWLVDFRQÀXHQFHRISXUSRVHRIDVKDUHGGHVLUHWRJLYHJORU\WR*RG through the marvel of music and the magical melody of the soul. Through the annual MCB Pipe Organ Festival, we hope to offer a continuing venue for the launching and popular propagation of more compositions of this kind in the future and from different composers. Our invitation continues and we await more responses.

(SGD.) MSGR. NESTOR CERBO Rector

PREFACE

The Manila Cathedral-Basilica is not only the seat of the bishop; it is also the center and the inspiration for the liturgical life in the diocese. “Liturgical services are not private functions, but are celebrations of the Church, which is the sacrament of unity, namely the holy people united and arranged under their bishop.” (Constitution on the Sacred Liturgy, Sacrocantum Concilium n. 26) Bearing this in mind and the organ being the perfect instrument to be used in the liturgy, the Cathedral had its pipe organ restored in 2006 and organized a yearly festival wherein the focus is the liturgy. Special attention is given to the music performed during the celebration of the Eucharist on December 8, this being the feast day of its patron saint, Mary the Immaculate Conception, and December 10, the anniversary of the dedication of the PostWar Manila Cathedral - Basilica. For a long time, the singing of a choir during the liturgy eliminated the participation of the assembly; the people were simply to listen. With the initiation of the 2nd Vatican Council, the possibility for the community to participate became evident. The advent of contemporary/new music eventually eliminated the art-music of the choir. The highlight of the Second Manila Cathedral-Basilica Pipe Organ Festival (2007) is the newly composed Mass in Tagalog together with a set of Four Marian Hymns by Alejandro D. Consolacion II. The Mass is written for congregation, cantor and choir with organ and brass. The diversity of talents present in the Church is recognized resulting in a festive and rich harmonious accord. In most parishes, the Ordinary of the Mass is entirely sung by the congregation. In this composition, however, the community, cantor and choir alternate, accompanied by the organ. A healthy balance between listening and participating is explored in this composition, adding a rich polyphonic music to and thus enriching the simple congregational singing. The alternate singing becomes the outward evidence of a church, working as the Body of Christ, with its many parts making up a single unit. May this 0LVD,QPDFXODGD&RQFHSFLRQ encourage the many choirs in our parishes to sing in Four Parts (Mixed Voices), challenge the quality of playing among our organists, and enjoin the congregation to participate and be one in worship.

(SGD.) LEO RENIER

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7KHFRPSRVHUZULWHV It was March 2007 that I received an invitation from Msgr. Nestor Cerbo, rector of the Manila CathedralBasilica (MCB), to compose a congregational mass for the use of the Cathedral. It was also during this time that I received my new appointments as Titular Organist of the Union Church of Manila and as sub-organist at the MCB. Being offered this chance to write works that will highlight the glorious Cathedral organ was also a good opportunity for my dream of composing works for choir and organ to come into fruition. I am deeply humbled and honored for this possibility. Since this is a congregational mass, writing simple melodies that will be easily remembered by the community was my goal, melodies that will stimulate the senses and uplift the congregation to join in singing with one accord in the worship of God. The 0LVD,QPDFXODGD&RQFHSFLRQ is written in two versions. The original is for Cantor, Choir and Organ with RSWLRQDOEUDVVHQVHPEOHDQGSHUFXVVLRQV7KHVHFRQGLVZULWWHQLQDVLPSOL¿HGIRUP±IRUFDQWRUFRQJUHJDWLRQ and keyboard. This may be used in small churches that do not have choirs to tackle singing in voices. I wrote the accompaniment for organ, later on transcribing the original organ part for a keyboard instrument to give consideration to churches that use the keyboard or piano. The inclusion of chords above the piano accompaniment will be useful for amateur organists and will encourage other instrumentalists to join in worship. 7KHPXVLFFRPSRVLWLRQRIWKLV0DVVDFFRPSDQLHVWKHPRRGRIWKHOLWXUJ\7KHXVHRIWKHRUJDQHYRNHVGLJQL¿HG feelings in the celebration. The cantor leads the community. The choir parts were written in simple harmonization encouraging both amateur and professional choirs to showcase their God-given talents. The last section of this book includes four hymns for Mary, the Immaculate Conception. I wrote these to preserve hymn singing during the liturgy. I personally believe that the teachings of the church and its theology are located in hymns. Hymnody has been my mission for the past year after being made aware of the weakening of hymn singing in churches not only in the Philippines but also worldwide. Most of the Marian text was drawn from the Liturgy of the Hours. It is my fervent hope that parishes will be able to utilize all these works, the 0LVD,QPDFXODGD&RQFHSFLRQ and the Marian Hymns, to enrich their church worship and for the community to be able to participate more in the liturgy. My deepest gratitude I give to the people who have contributed wholeheartedly to this mission, namely; Msgr. Nestor Cerbo, for his dedication and enthusiasm in propagating the liturgy through music; Leo and Donna Renier, for their perpetual support and guidance; Cealwyn Tagle, for his continuous and enduring encouragement especially in organ music; Ferdinand Bautista, Holland Buela and Jonathan Ayson, for their constructive listening and editing of the initial music score; Matthew Niel Hebrona, for his creative graphic designs; Ferdi Espeleta, for sharing his talents in photography; Jean Arevalo, for her uplifting lyrics and for patiently and meticulously SURRIUHDGLQJWKH¿QDOPXVLFVFRUHP\IDPLO\IRUDOZD\VORYLQJPHLQJRRGWLPHVDQGLQEDGDQGWR$OPLJKW\ God, the source of all wisdom. 7KDWLQDOOWKLQJV*RGPD\EHJORUL¿HG

ALEJANDRO D. CONSOLACION II

commissioned by the Manila Cathedral-Basilica for the 2nd Pipe Organ Festival

MISA INMACULADA CONCEPCION for cantor, congregation and mixed voices; with brass, percussions and organ

Panginoon, Maawa Ka ALEJANDRO D. CONSOLACION II

Voices

Organ

p espress.

Sw.

Ped.

cresc.

mp

Ka.

Pa

-

no - on,

ngi - no - on,

-

ngi - no - on, ma - a

-

wa

ma

-

a

-

ma - a

-

wa

wa

Ka.

Ma - a

mp cresc.

SOPRANO

ALTO

-

TENOR

BASS

mp cresc.

© Copyright 2007 Alejandro D. Consolacion II Published/owned by the Manila Cathedral-Basilica Photocopying this copyright material is ILLEGAL.

wa

Ka

with CONGREGATION

Ma - a

Ka.

Pa

-

ngi -

14

Pa

p legato

Ch. 8' and 2'

8

CANTOR SOLO

Moderato ( q = c.105 )

-

wa

Ka

sa

-

a

-

poco dim.

-

poco dim.

sa

a

-

2

CHOIR only

23

mf espress.

min.

Kris

Solo

-

Ka.

Ka

ma - a

Sw.

Kris

-

a

-

dim.

p

-

-

to,

ma -

Ma - a

dim.

-

wa

Ch. 8' and 2'

p

Sw.

Ka.

min.

Kris

wa

-

ma - a

p

Ka.

Man.

Ped.

sa

wa

to,

-

cresc.

cresc.

mf

39

mf espress.

wa

to,

3

31

a

-

3

DESCANT SOPRANOS

47

mp espress.

Pa

ALL VOICES and CANTOR unis.

mp espress.

Pa

-

-



-

wa

-

Ka.

Pa

-

wa

Ka.

Pa


-

ngi -

-

wa

54

no - on,

ma

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a

-

Ka.

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wa

Ka,

ma

61

Ka,

sa

a

ngi - no - on,

-

-

ma

-

-

a

a

-

-

wa

Ka.

Ka.

with CONGREGATION

unis. poco cresc.

min.

Ma - a wa poco cresc.

Ma - a

p

wa

Sw.

p

-

wa

4

Papuri Sa Diyos

CANTOR

Jubilant ( q. = c.70 )

Voices

Organ

Pedal

mf sempre marcato

Gt.

pu - ri

sa

Diyos

sa

Ka - i - ta - a - san, at sa

mp

lu - pa'y

sa

Diyos

sa

Ka - i - ta

Pa -

ka - pa - ya

2.

Pa - pu - ri

mf

13

Sw.

2.

with reeds. 1.

6

1.

a - san

at

sa

lu -

cresc.

pa - an.

cresc.

-

-

pa'y

ka -

5 20

pa - ya

-

-

an.

34

lu - pa'y

f sempre marcato

Pa - pu - ri

sa

Diyos

sa

Ka - i - ta

ANTIPHON mf unis.

CHOIR and CONGREGATION

Gt.

pa

27

-

a - san

at sa

Gt. brightly

Sw.

ka - pa - ya - pa - an.

Pa - pu - ri

sa

Diyos

sa

Ka - i - ta -

6

41

div.

a - san

at sa lu

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pa'y

ka

-

pa

-

ya

-

ff

pa

-

an.

div.

48

ff

ff sempre marcato

mf

CANTOR

1. At sa

7

54

lu

- pa'y

ka - pa - ya - pa - an

Sw.

mf

Pi - nu - pu - ri

69

f with CONGREGATION

Si - na

-

f

Si - na

Ka

f

-

sam - ba

sam - ba

Ka

Ka

na

na - min,

-

ra - ngal

Ka

na - min,

Ka

Ni - lu - lu - wal - ha - ti

cresc.

Ni - lu - lu - wal - ha - ti

na - min,

Di - na

trmpt.

- min,

Ped.

61

sa ma - nga ta - ong may ma - bu - ting ka - lo - o - ban.

Ka

na - min,

na - min,

Gt.

f

Sw.

8 77

Pi - na - sa - sa - la - ma - tan

Ka

Pi - na - sa - sa - la - ma - tan

Ka

na - min

da - hil

cresc.

cresc.

sa

da - ki -

na - min

da - hil

sa

da - ki -

la

la

84

Mong

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kal

-

kal

wal

-

wal

ha

-

-

ha

-

ti - an.

ff

ti - an.

ff

ff marcato

ff

-

cresc.

9

90

ANTIPHON mf unis.

sa Diyos sa ka - i - ta

Pa - pu - ri

97

a - san

104

ka - i - ta

div.

Pa - pu - ri

sa

Diyos

sa

div.

mf brightly


at sa lu - pa'y

-

a - san

at sa

lu

-

pa'y

ka

-

pa

-

ya

pa

-

-

10 110

ff

CANTOR mf

2. Pa - ngi-

an.

ff

ff marcato

118

no - ong Diyos,

mf

Ha - ri ng

Ped.

126

no - ong

He - su - kris -

to,

Pa - ngi-

Bug - tong

na

A - nak,

poco cresc.

La - ngit, Diyos A-mang Ma - ka - pang - ya - ri - han sa la - hat.

Sw.

11 134

f

with CONGREGATION

Pa

-

f

ngi - no

-

ong

f

Pa

-

ngi - no -

ong

Diyos,

Kor - de

ng

f

Diyos,

Kor - de

-

ro

ng

Diyos,

ro

-

Diyos,

A-

A-

142

nak

nak

ng

ma,

A -

nak

ng

ng

A -

A -

ma,

f

A -

f

nak

A -

ng

A -

12 150

ff

ma.

ff

ma.

ff

ff marcato

157

ANTIPHON mf unis.

Pa - pu - ri

sa

Diyos

sa

ka - i - ta - a - san at sa lu - pa'y

mf unis.


13

165

div.

Pa - pu - ri

sa

Diyos

sa

ka - i - ta - a - san

at sa lu

div.

-

pa'y

ka

-

172

pa

-

ya

-

pa

ff

-

an.

ff

178

poco rit.

poco dim.

ff marcato

14 Andantino ( q. = c.52 )

182

p

CANTOR

ng ma - nga ka - sa - la - nan ng

I - kaw na nag - a - a - lis

Andantino ( q. = c.52 )

Sw.

p legato

189

I - kaw na nag - a - a - lis

mp unis.

Ma - a - wa Ka sa

a - min,

ma - a - wa Ka sa

ng ma-

a - min.

mp unis.

mp moving

CHOIR and CONGREGATION

san - li - bu - tan,

15 196

nga

ka - sa - la - nan ng san - li - bu - tan,

mp unis.

Tang - ga - pin Mo ang a - ming ka - hi - li - ngan,

201

na na - lu - luk - lok

ff with conviction

ff

sa

ka - nan ng

A - ma,

mf

ff with conviction

CHOIR I - kaw ONLY

li - ngan.

mp unis.

tang - ga - pin Mo ang a - ming ka - hi-

Ma-

16

207

a - wa Ka sa

mf

Man.

mf

rit.

min.

mp

Gt.

f marcato

Ped.

Jubilant ( q. = c. 70 )

a -

a - min.

Sw.

mf

Ma - a - wa Ka sa

214

Ma - a - wa Ka sa

rit.

a - min.___

mp

TENORS and BASS mf

3. Sa - pag-

222

kat

Sw.

mf

I - kaw

cresc.

la - mang ang ba- nal,

I - kaw

la - mang ang

Pa - ngi - no - on.

mf

I - kaw

Gt. f

230

la -

mang,

Sw.

O He - su - kris - to,

237

f with CONGREGATION

f

Ka - sa - ma

Ka - sa - ma

Ped.

f

244

ti - an

ti - an

Sw.

ang

Ka

-

ta

-

ng Es - pi - ri - tu

San - to,


sa

as

-

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sa

-

Ka

ta - a - san.

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lu - wal

lu - wal

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ha -

-

ha -

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ng Diyos

ng Diyos

Ka

17

sop div.

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A -

A - ma,

men,

ng

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men,

ng

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A-

18 252

A

A

ma,

-

men.

ma,

-

men.

ff

SOPRANOS DESCANT

259

CHOIR, CANTOR and CONGREGATION

f unis.

Pa - pu - ri

sa

Diyos

sa

ka - i - ta

f

Pa - pu - ri

FINAL ANTIPHON

sa

Diyos,

Pa - pu - ri.

-

f sempre staccato

a - san

at sa

19 266

At

sa

lu - pa'y

ka

lu - pa'y

Pa

-

-

ya

-

Pa

pu - ri.

Lu cresc.

a - san

-

at sa

Lu

cresc.

-

pa'y

pa'y

ka

sa

Pa - pu - ri

sa

Diyos

sa

div.

-

pa

-

-

pa

ka

pu - ri

-

div.

pa - an.

pa - an.

ka - i - ta

-

Diyos,

-

272

pa

-

ka - pa - ya

-

ya

-

pa

ya

-

pa

-

-

20

278

an.

an.

285

poco a poco cresc.

A -

men.

ff

poco a poco cresc.

A -

men.

ff

poco a poco cresc.

ff

A-

A-

men.

men.

ff

21

292

fff A

fff A

non rit.

fff

-

-

men!

men.

men.

non rit.

A -

A -

297

men!

sfz

22

Alleluia

1.

Jubilant ( q. = c.70 )

Voices

Organ

Pedal

Gt.

lu

-

ia,

Sw.

al - le -

Al - le - lu

lu

-

-

ia,

al - le

al - le

ia,

-

lu - ia,

2.

al - le

lu

Al - le -

-

mf

13

CANTOR

2.

f sempre marcato

mf

6

1.

-

ia.

-

lu

-

ia.

21

With CONGREGATION

Al - le - lu mf

-

Al - le - lu mf

-

Al - le - lu

lu

lu

lu

lu

-

-

-

-

ia,

ia,

-

le

al

-

le

ia.

-

ia,

ia,

al

-

le

lu - ia,

-

-

lu -

-

ia,

lu - ia,

lu,

ia,

al - le

lu - ia,

al

le

-

-

le

-

-

-

le -

-

-

-

-

al

-

al

-

al

-

ia,

ia,

lu - ia,

-

lu - ia. Al - le - lu

al - le - lu - ia.

-

-

Al - le - lu

al - le

-

-

-

al - le

-

al

-

le

-

Al - le

Al

-

-

-

lu -

ia.

-

lu -

ia,

le

-

lu

-

-

-

al - le

-

le

ia,

-

al - le

ia,

al - le - lu - ia.

lu

al

-

-

-

27

al - le

-

Al - le - lu

ia,

mf

al - le

mf

ia,

-

Al - le - lu

23

ia,

al - le -

lu - ia.

Al

-

-

-

le

-

lu -

ia,

24 33

al

ia,

al

al

lu

-

-

-

-

ia,

al

al

le

-

-

-

-

le

-

le

-

-

-

38

le

-

-

-

-

-

-

-

-

le

lu

-

ia.

lu

lu

-

-

ia.

lu

ia.

-

"Ma - pa

-

lad ang ma - nga

ia.

ia.

Sw.

Nag -

-

mp legato

lu

wi - ka ang Pa - ngi - no - on,

CANTOR

ta - ong

nag -

25 42

ti

-

ti - pon

sa

A - king

Al - le

- lu

- lu

Al - le

- lu

-

-

mf

Al - le

- lu

-

mf

Al - le

- lu

-

ia,

al - le -

ia,

al

ia,

ia,

al

al

-

-

-

lu -

ia.

al

-

le - lu

lu - ia,

le - lu,

al - le

ia,

le - lu - ia,

-

al - le - lu -

ia,

mf

-

mf

Al - le

With CONGREGATION

Al - le

Nga - lan."

45

cresc.

al - le

al - le - lu - ia,

le - lu - ia,

al - le

al - le

-

-

lu

-

lu

-

-

-

lu

-

-

lu

-

Gt.

mf

Sw.

26

52

ia.

ia,

Al - le - lu

al - le

ia,

-

lu - ia. Al - le - lu

al - le - lu - ia.

al - le - lu - ia.

Ped.

le

Al

-

lu

-

-

lu

-

le

-

-

lu

-

-

-

lu

-

-

lu

lu -

ia,

lu -

-

lu

le

-

lu

ia,

-

-

-

ia,

al - le

al -

ia,

al -

al

-

ia.

-

ia.

-

-

lu - ia,

-

al -

ia.

-

ia.

-

-

-

-

-

-

-

poco rit.

-

le - lu - ia. al

le

le

Al

le

al - le

ia,

Al - le

58

al - le

ia,

-

ia, al - le - lu - ia.

-

ia,

rit. poco

ia.

ff

2

2

27

Santo Triumphantly ( q = c. 115 )

Voices

Organ

10

CHOIR and CANTOR

f proclaiming

San - to, San - to,

f

Ped.

ri - han, Na - pu - pu - no ang

la - ngit at

18

CHOIR

to,

Pan - gi - no - ong Diyos

ng

na ma- ka -pang - ya-

ka - lu- wal - ha - ti

-

an

Mo.

cresc.

Ho - sa - na, ho - sa - na sa

mf

Ho - sa - na, ho - sa - na sa

ka - i - ta - a - san. Ho - sa - na, ho - sa - na sa

ka - i - ta - a - san. Pi -

f with CONGREGATION

f

lu - pa

-

Trmpt. Gt.

San

f

ka - i - ta - a - san. Ho - sa - na, ho - sa - na sa

mf

ka - i - ta - a - san. Pi -

mf

28 27

CANTOR and CHOIR

nag - pa - la

Nga - lan ng

sa

ang na - pa - ri - ri - to

ff with CONGREGATION

Ho -

ff

Ho -

sa -

sa -

na

na

ka

ho - sa - na

sa

sa - na,

sa

ka

ka

-

-

i - ta

i - ta

ka

-

i - ta

rall.

-

-

i - ta

-

sa

ho - sa - na

ff

sa

ff

-

a

a

rall.

a - san.

a - san.

-

-

san.

-

-

-

san.

ho -

Ho - sa - na,

Ho - sa - na,

-

on.

-

poco cresc.

Pa - ngi - no -

sa - na,

40

34

poco cresc.

ho -

29

Misteryo ng Pananampalataya Moderato maestoso ( q = c.90 )

Cantor

Soprano Alto

Tenor Bass

Organ

6

f

Man.

Kris

-

Si

Kris

-

Ped.

Man.

to'y na - bu - hay.

to'y na - bu - hay.

Si Kris - to

na - ma - tay.

Si

Kris - to'y na - bu - hay.

na - ma - tay.

na - ma- tay.

Si

ay

Ped.

Si Kris - to

Gt.

ay

ay

Si Kris - to f

Si Kris - to

f

f

f

CANTOR with BASSES

Trmpt.

with CONGREGATION

Man.

ay

ba - ba - lik sa wa -

30 12

ff

Si

Kris - to

ff

kas ng

Kris - to

ba - ba - lik

sa

ay

ba - ba - lik

sa

wa - kas ng

ff

-

pa - na

hon.

wa - kas ng

pa - na

-

hon.

rit.

ff

pa - na - hon.

ay

Si

rit.

Ped.

Dakilang Amen Moderato maestoso ( q = c.90 )

Cantor

Soprano Alto

Tenor Bass

Organ

f

A

a - men.

A

with CONGREGATION

Trmpt.

f

A

a - men.

-

men,

Man.

men,

f

-

-

men,

a - men.

f

Ped.

A

-

Man.

31 6

A

- men, a

-

Ped.

- men, a

-

-

ff

ff

men.

men.

-

men,

-

men,

men,

a - men, a

Man.

a - men. A

a - men. A

-

-

- men,

ff

Ped.

-

men, a

rit.

a

-

ff

men.

A

-

men, a

A

men, a

A

-

men.

12

A

-

men.

men.

rit.

-

32

Ama Namin

Voices

Organ

Andante ( q = c.67 )

mf

Sw.

mf espress.

12

Mo,

lu - pa pa-ra ng sa

la - ngit.

17

ka - nin sa a - raw -

a - raw.

At pa

Big

-

-

yan

Sun - din ang lo - ob

Mo po ka - mi nga - yon

Ped.

Ma - pa - sa - a-min ang ka - ha - ri - an Mo,

di - to sa

Sam- ba - hin ang Nga - lan Mo,

Sw.

Ch.

A - ma na - min, su - ma - sa - la - ngit Ka,

7

CANTOR. CHOIR and CONGREGATION

ng a- ming ka-

ta - wa - rin Mo ka - mi

sa

a- ming ma- nga sa - la,

pa - ra

33

22

nang

pag - pa - pa - ta - wad

na - min

sa nag - ka

27

ming

-

ka - sa - la sa

a - min.

i - pa - hin - tu - lot sa tuk - so,

at i - ad - ya

cresc.

dim.

ma,

sa la - hat

ng ma - sa

f

ka - mi

mf

-

sa

-

h'wag Mo

po

f

sa la - hat ng ma- sa

ff

sa-

-

ma.

ka -

f

mf unis.

f

cresc.

cresc.

Mo

33

mf unis.

At

dim.

f

poco cresc.

poco cresc.

34

Aklamasyon sa Ama Namin Andante ( q = c. 67 )

Cantor

Soprano Alto

Tenor Bass

Organ

5

f

ti - an,

ti - an,

Sa - pag - kat

sa 'yo

f

Sa - pag - kat

sa 'yo

nag - mu - mu - la

nag - mu - mu - la

ang ka -pang -ya - ri - han

ang ka -pang -ya - ri - han

at kal - wal - ha -

at kal - wal - ha -

f

f with CONGREGATION

Ped.

ff

mag - pa - sa - wa-lang hang - gan. ff

mag - pa - sa - wa-lang hang - gan.

ff

A

-

A

-

men.

A

-

men.

men.

A

ff

-

men.

35

Kordero Ng Diyos

Voices

Organ

Pedal

CANTOR

Andante religioso ( q. = ca. 42 )

mp espress.

Kor - de - ro ng Diyos na nag - a - a - lis

Sw.

mp legato espress.

mf legato

san li - bu- tan,

with CONGREGATION

Ma - a - wa Ka, ma - a - wa Ka

mf legato


mf legato

ng ma - nga ka - sa - la -nan ng

sa

a

-

a

-

mp

min.

Kor - de -ro ng Diyos na nag-

min.

CANTOR

sa

6

Sw.

mp

36 With CONGREGATION

a - a - lis

ng ma - nga ka-sa - la- nan ng san-li-bu - tan,

mf legato

12


18

min.

mf legato

CANTOR

Kor - de - ro ngDiyos na nag - a

sa

a

-

cresc.

mf

-

a

mf legato


sa

-

a - lis

ng ma - nga ka - sa - la - nan ng


I-

I-

min.

37 23

pag - ka - lo - ob Nin - yo

pag - ka - lo - ob Nin - yo

sa

a - min

sa

a - min

28

p

ang

ang

ka - pa - ya - pa

-

-

poco rall.

ka - pa - ya - pa

poco rall.

an.

an.

mp

That in all things, God may be glorified!!! August 28, 2007

Mary Crowned With Living Light

38

ENTRANCE HYMN

Words from the Stanbrook Abbey Additional words by Jean C. Arevalo

Organ

Moderato semplice ( q = ca.100 )

f

Man.

7


Ped.

ALL VOICES

13

19

In our fal - len race, Hea- ven sings your praise,

© Copyright 2007 by Alejandro D. Consolacion II Published/Owned by the Manila Cathedral-Basilica Photocopying this copyright material is ILLEGAL.

Word. all.

Free from sha - dow, you Ma - ry mag - ni - fies

Mys - te - ry of Fa - ther, Son and

ref - lect your name

Tem - ple of the Lord, Lift us when we fall,

Shel - ter of the Mo - ther of us

li - ving light, of our God,

Place of peace and ho - li - ness, Who were named, u - pon the Cross

1. Ma - ry, crowned with 2. Vir - gin Mo - ther

(Choir and Congregation) mf

sin - less life, Ho - ly Ghost,

ple - ni - tude of grace. through e - ter - nal days.

25

f broaden

Ma - ry crowned with

f broaden

li - ving light, li - ving light,

Hand - maid of

His Son,

36

the

Lord,

Cho - sen

Mo - ther

30

of

Sa - viour of

us

all.

1.

Ma - ry, Mo - ther

of

His Son,

Cho - sen from us

all.

1.

man.

39

40

2.

41

all.

2.

45

48

rit.

Remember, O Mary Immaculate

41

OFFERTORY HYMN

Text based on St. Bernard's Memorare Paraphrased by Msgr. Nestor Cerbo


Allegro e legato semplice ( q = ca.130 )

Organ

mf

7

Ped.

CANTOR or MALE VOICES

mf fluidly

1. Re - mem - ber,

13

ne

you

-

con - fi - dence,

Im - ma - cu - late

Mo - ther

to

ver

was

humb

-

ly

known,

come,

Im - ma - cu - late

we

ry

it

-

that

Ma

Vir - gin,

O

such great

that

a - ny - one

Im - ma - cu - late

who comes

to

Vir - gin,

be -

42

19

pro - tec - tion

was left

your

fore you

we

stand,

cresc. 25

32

course to you.

pray

for

pray for

O

sor- row- ful.

ted.

us

who have

us

who

con - ceived with - out

sin,

pray for

us,

re -

re -

Ma - ry

have

O

as - sis -

yet

cresc.

-

sin,

Ma - ry con - ceived with - out

un

sin - ful

With Choir

43

39

pray

for

pray

44

1.

us.

48

1.

2.

2.

2. With

Holy Mother Of Our Savior

44

COMMUNION HYMN Words by Jean C. Arevalo

Voices

Moderato e dolce ( q = ca. 85 )

Organ


Mo - ther of our

10

beau - ty

and the grace

15

Bles

bes - towed on

are

you,

you.

Ho - ly Mo - ther of our

a - mong

all

wo - men,

is

your

Ho - ly

Oh how great

in you,

From

Spi - rit dwells

sed

the

-

Sa - vior,

mf sempre legato

5

SOPRANOS mf dolce and ALTOS

Sa - viour,

God had cho- sen you.

21

O

Bles - sed

vir - gin,

your

31

Mo

- ther

of

your faith

is

e - ver - las - ting,

heart

God,

re - mai - ning e - ver

O

Bles - sed

-

cu - late.

Lead

us with your

Ma - ry,

2nd time to

gen - tle hand

to

ry,

Ma -

Im - ma

Im - ma -cu - late

45

Ma - ry,

26

Christ,

His On - ly

46

36

Son.

we

2. Ho - ly Mo - ther of our

41

Sa - vior,

SOPRANOS and ALTOS mf

ask

your in - ter - ces - sion,

Come and help your

chil - dren,

who

46

seek

From


you,

51

ALL VOICES

to rise from shame.

a - mong

Ped.

all

Sa - viour,

Bles

wo - men,

-

sed

are

you.

God had cho - sen

56

Christ,

47

His

On

-

ly

Son.

60

rall.

Holy Mary, Now We Crown You

48

FINAL HYMN Text by Melvin Farrell, S.S.


FANFARE Stately ( q = ca. 80 )

Organ

4

Solo Tpt. f

Ped.

7

11

fff

cresc.

19

15

ff

mf

OPTIONAL INTRO

49

VERSE 1 (Choir and congregation)

f

23

Andante ( q = 90 ) ALL VOICES

1. Glo - rious Queen, look down in kind - ness, while be - fore your throne we stand,

29

Watch our

homes and guard our land.

35

No - ble Vir - gin,

f

may our tri - bute

win your love

Bring God's bles- sing to your chil - dren,

Ho - ly Ma ry, now we crown you,

Ho - nored Queen of

and

gain us grace.

all our race;

mf

VERSE 2 (Choir only, in harmony)

41

2. Gate

f

of

Hea - ven,

(Organ doubles voices)

you were Mo - ther

to

the

King

of

heav'n

dim.

and earth;

dim.

50

45

mf poco cresc.

Now,

be Mo - ther

to to

your sub - jects, your

In

our

souls,

give

Je - sus

birth.

mf poco cresc.

49

Ho - ly

Ma - ry,

53

f

now

we

crown you,

Ho

Vir - gin,

may

our

tri - bute

f

of

all

f

61

race;

win

your

love

and

gain

us

grace.

cresc.

our

FANFARE 2

57

- nored Queen

No - ble

cresc.

66

3. Queen

of

f

while

Mold

our hearts

74

CHOIR SOPRANOS

Ho

-

ly

No

Ma - ry,

ble Vir - gin,

No - ble Vir - gin,

we

crown you,

may our tri - bute

Ho - nored

your love and

win your love and

all

our

Largamente

ff

gain us grace.

us grace.

ff

A

race;

A

ff

-

men.

-

men.

race;

Queen of

a - bove.

our

all

gain

Queen of

Ho - nored

homes

our

our tri - bute win

may

reach

God's love,

now

we

-

Till

of

His glo - ry

gran - deur

now we crown you,

78

speaks the

Ho - ly Ma - ry, ALL OTHER VOICES

seek

to

cre - a - tion

Ped.

70

Man - kind,

51

VERSE 3 (Choir and Congregation) f ALL VOICES

that in all things God may be glorified!!! October 2007

commissioned by the Manila Cathedral-Basilica for the 2nd Pipe Organ Festival

MISA INMACULADA CONCEPCION version for Cantor, Congregation (Unison) and Keyboard

Panginoon, Maawa Ka Voices

Keyboard

Moderato ( q = c. 108 )

p legato

Pa

-


mp

Ka.

Pa

-


-

wa

Ka.

Pa

Fm

Eb9

15

-

wa

Ma

-

-

Ab/G

a

Fm7

wa

-

wa

Gsus

Kris

Cm

Cm/Bb

3

-

© Copyright 2007 Alejandro D. Consolacion II Published/owned by the Manila Cathedral-Basilica Photocopying this copyright material is ILLEGAL.

to,

Ab

mf

sa

a

Fm7

ma - a

G

ngi - no - on, ma -

G

-

mf espress.

Fm9/D

Ka

CANTOR

min.

Ka,

23

with CONGREGATION

a

Ab

Cm/Bb

Cm Cm

cresc.

8

ALEJANDRO D. CONSOLACION II

CANTOR

-

Eb/G

wa

2nd time to

-

-

G

cresc.

Ka.

56

29

Kris

-

ma

G/F

35

a

-

to,

Fm

wa

Ab

Ka.

Ma - a

wa

a

-

-

Fm7

-

ma -

G

G7

to,

sa

Gsus4

G

Ka

-

Cm9

-

Fm7

min.

min.

Cm

Kris Fm/D

Cm

47

Ka.

wa

with CONGREGATION

43

-

dim.

p

a

Eb9

Ab9

-

57

Papuri Sa Diyos Voices

Keyboard


ANTIPHON

pu - ri

Eb

sa Diyos

sa

Eb/d

Eb

sa

22

an.

Eb

mf marcato

Diyos

sa

Ka - i - ta - a - san

Ab

Eb/G

cresc.

Cm7

at sa

Eb/Bb

lu -

pa'y

Fm

ka

-

Ab

Pa -

pa -

Pa -

Bb7

Ab/Eb

Gm7

cresc.

Db/F


lu - pa'y

mf

Eb

Cm/Bb

Eb/d

2.

Eb

14

pu - ri

Ab/Eb

ka - i - ta - a - san, at sa

Cm7

Eb

Bb/Eb

mp

1.

mf marcato

6

CANTOR AND CONGREGATION

ya

-

Bb4

Eb9/Bb Fm/Bb

pa -

CANTOR

1. At

CANTOR

2. Pa - ngi -

Ab/C Eb Bb Eb Bb/D Eb

Bb/Eb

Ab/Eb

sa

58

30

lu -

pa'y

ka - pa - ya - pa - an

no - ong Diyos, Eb

mf

Ha - ri ng

Ab/Eb

ong

Bb7

44

na - min,

nak.

He - su -

Ab/C

-

na -

Eb/Bb

sam - ba

Pa

-

ngi - no

-

f with CONGREGATION

kris - to,

min,

Ka

na - min,

ong

Bb

Eb

f with CONGREGATION

Si - na

Ka

Ab/C

Pa - ngi - no Eb

Pi - nu - pu - ri

Eb

may ma - bu - ting ka - lo - o - ban.

La - ngit, Diyos A - mang Ma - ka - pang - ya - ri - han sa la - hat.

Ab/Eb

37

sa ma - nga ta - ong

bug - tong

na

A -

Di - na

-

ra - ngal

Db/F

Ka

Ni - lu - lu - wal -

Diyos,

Kor - de

-

Bb Cm Gm Ab Cm

f

51

ha - ti

ro

Ka

ng

na - min,

Pi - na - sa - sa- la - ma - tan

Ka

A -

ma,

Diyos,

A - nak

ng

59

na - min

cresc.

da - hil

f

A -

Gm Ab Fm7 Ab/G Eb/G

58

sa

da - ki

-

la

Mong

kal - wal

nak

ng

-

ha

ti - an.

ff

-

ff

A -

ma.

Ab Bb/D Fm7 Bb Eb Ab/G

64

mf marcato

to ANTIPHON

to ANTIPHON

Eb Bb

Ab/C

Bb/D Ab/C Eb

Eb

60

70

Andantino ( q. = c. 52 )

p

CANTOR

I - kaw

Ebm

Bbm/Eb

p legato

Ebm

Db/Eb

Ebm

Bbm/Eb

76

Ebm

Ebm

Abm/Eb

Ebm Ebm/Db

Cb

Db/Eb

a - min,

sa

Abm

ma - a - wa Ka

Ebm/Bb

ng ma -

Ebm

with CONGREGATION

nga ka - sa - la - nan ng san - li - bu - tan, Ma - a - wa Ka sa

Ebm

na nag - a - a - lis

Db7/Eb

CANTOR

a - min.

I-

Ebm

with CONGREGATION

82

mf

kaw na nag - a - a - lis

Ebm Db/Eb

ng ma - nga ka - sa - la - nan ng san - li - bu- tan. Tang - ga - pin mo ang a - ming ka - hi - li ngan,

Ebm

Ebm

88

Db/Eb

Ebm

Abm

Cb/Gb

mf

I - kaw na na - lu - luk - lok

cresc.

Db/Eb Ebm

Ebm/Gb

Ebm/Bb

CANTOR

pin mo ang a - ming ka - hi - li - ngan.

Abm

tang - ga -

ff

sa ka - nan ng A - ma,

Ebm

Ebm

Db/Eb

Ebm

ma -

95

CANTOR

mp rall.

with CONGREGATION

a - wa Ka

sa

a - min,

Ebm

mf marcato

1.

Ab/Eb

110

la - mang ang

118

ang

ka

-

Pa - ngi - no - on.

ta

-

as

-

ta - a - san.

Fm7

Bbsus4

Bb

CANTOR

mf

2.

cresc.

3. Sa - pag - kat

mf

I - kaw

Eb

Eb/Bb

Cm7

Ka - sa - ma

O He - su - kris - to

Eb/D

- mang,

Eb

mf

f with CONGREGATION

la - mang ang ba - nal,

I - kaw la

Eb/Bb

Cm/Bb Fm7 Bb7 Eb Db Bb7

f

Bbmsus4

Eb Eb

Bb/Eb

min.

Cb/F

a -

mp

I - kaw

Ma - a - wa Ka sa

Ebm


Eb

Cb/F

mf

a - min.

Cb/F

102

ma - a - wa Ka sa

61


Cm7

San - to,

Gm Ab

Bb7

Cm

f

62

sa

Ka

-

ng

Diyos

lu - wal

-

ha - ti - an

ng

Diyos

A - ma,

A -

Cm Gm Ab Fm7

men,

A - ma,

A

-

men.

Eb/G Fm7 Bb7 Eb Ab Ab/G

140

Eb

147

pu - ri

Bb7

Bb/D

Ab/C

Eb

sa

Diyos

sa

ka - i - ta

CANTOR and CONGREGATION mf

Pa -

Eb

mf marcato

FINAL ANTIPHON

Ab/C

Bb/D

-

a - san,

at sa

lu - pa'y

ka - pa - ya -

Fm7 Eb/D Ab/C Eb/Bb Eb Db/Ab

63

153

pa -

an.

159

lu

-

pa'y

ka

-

sa

Diyos

sa

Ka - i -

ta

pa

-

ya

-

pa

-

Eb/G Ab Eb/Bb Ab/Bb

167

an.

174

a -

men,

Fm7

a - san

at sa

mf marcato

men,

Fm/Eb

Ab/C Eb Bb/D

Eb Bb/D Ab/C Eb Ab

-

Eb

A-

Eb/D Ab/C Eb/Bb

Fm7

cresc.

Eb

Pa - pu - ri

Db7 Ab Bb

a -

Eb4/G

men,

Db7

64

180

Keyboard

Cb

Eb9


ff

Eb

sfz

1.

2.

Eb Bb/Eb Ab/C Eb/Bb

lu

-

ia,

Eb

13

Al - le - lu

Db

Bb7

-

ia,

al - le

Eb/D

Eb

al - le

Cm7

ia,

-

Eb/Bb

Db

lu - ia, Cm7

-

lu

Ab/C

al - le

Eb/Bb Eb/G

Ab

Al - le -

Eb

-

ia. Eb

-

lu

Bb7

Bb7

CANTOR

al - le - lu -

Eb/D

mf marcato

Alleluia

6

A - men!

Voices

-

ia. Eb

65

21

CANTOR and CONGREGATION

Al - le - lu

Db/Eb

27

ia,

al - le

-

-

Al - le - lu

ia.

Eb

-

34

lu

Fm7

pa

-

Bb7

-

Gm

ta - ong

Ab

ia,

-

-

to 2nd ending

al - le - lu - ia,

Nag

-

al -

Gm7

Fm7

"Ma -

Ab

wi - ka ang Pa - ngi - no - on,

nag - ti - ti - pon sa

Eb/D Cm7

ia.

lad ang ma - nga

le

CANTOR

Eb

Cm7

40

-

-

Fm7 Gm7

al

Eb/G

Eb

Ab Bb7

le

lu - ia,

Bb7

Eb

lu

-

Fm7 Eb/Bb Eb/G Ab

Db/Bb

A - king Nga - lan."

Eb/G

Al - le -

66

44

lu - ia.

Absus4

Fm7

Keyboard

Fm7

lu

-

ia.

Bb7

Eb

no

-

14

ong Diyos

na

San

-

to,

San

-

an

Mo.

to.

Pa -ngi -

Db

la - ngit at


lu - pa Fm7

Ho - sa - na, ho - sa - na

Absus4

Bbm

-

E/G#

Db/C

Gb

Db

ka - lu - wal - ha - ti

to,

Gb

ng

ma - ka -pang - ya - ri - han, Na - pu - pu - no ang

C#

-

Db

CANTOR

San

-

Santo

7

le

Triumphantly ( q = c. 115 )

Voices

Al - le

Bb7

Eb/G

2nd ending

Ab7

Db

sa

67

21

ka

Gbm

-

Ab7

sa - na,

sa

Nga - lan

sa

ka

sa

ka

-

i - ta

a

ng

-

i - ta

C#

-

-

a - san.

-

Pa - ngi - no -

-

Bbm

on. Absus4

-

Gbm

Ab

Gb

CANTOR

i - ta - a - san. Pi - nag - pa - la

E/G#

Ab/Db

Gbm

-

ho - sa - na

Db

Ab

Ho -

sa - na

ka

Gbm

Fm7

40


na - pa - ri - ri - to

sa

Db

Ab

34

i - ta - a - san. Ho - sa - na, ho - sa - na

28

ang

san. Db

Ab

Ho - sa - na,

Db

ho -

68

Misteryo ng Pananampalataya / Dakilang Amen

Voices

CONGREGATION

Si Kris - to ay na - ma- tay. A men, a - men.

Si Kris - to ay na - ma- tay. Si A men, a - men. A -

Keyboard

bu - hay. men.

Si A

Kris -

-

to'y men, a

Si A

Kris - to ay men,

Si A

Kris - to -

Kris - to'y na men, a -

CANTOR

CONGREGATION

kas ng pa - na - hon. - men, a men.

na - bu - hay. men.

12

CONGREGATION 7

CANTOR

CANTOR

ay men,

ba - ba - lik sa a - men. A

ba - ba - lik sa a - men, a

wa - kas ng pa - na - hon. men, a men.

wa -

69

Ama Namin


Voices

Keyboard

Bbm9

Bbm

F/Bb

F/Bb

11

Ab7

16

yon

DbM7

Bb/D

Bb

di - to sa

Eb

a - raw

-

Fmsus4

Ebmsus4

Big

-

F

Ebm

a - raw.

At Ebm/C

Mo po ka - mi nga -

Bb

yan

Cm

la - ngit.

Bbm

EbM7

Bbm9

Ma - pa - sa - a - min ang ka - ha - ri - an Mo,

Bb/D

lu - pa pa - ra ng sa

ng a - ming ka - ka - nin sa

Sun - din ang lo - ob Mo,

Ebm7Bb

Nga - lan Mo.

Bbm

Sam - ba - hin ang

Bbm9

la - ngit Ka,

Ebm7/Bb

Fsus4/Bb

A - ma na - min, su - ma - sa -

6


pa

Bb/D

-

ta wa - rin Mo ka Asus4

A7

70

20

mi

sa

pa - ra nang pag - pa - pa -ta - wad na-min

a - ming ma - nga sa - la,

C

F

Dm

26

h'wag Mo

po

ka - ming

Bb/F

Dm7

Eb9

i - pa - hin - tu - lot

sa

sa

Ebm9

Eb/Bb

tuk -

la - hat

-

sa

-

a - min.

At

ng ma - sa

Ebm/Bb

so,

at

Eb/G

-

sa - ma,

sa

Dm7

Gm

F/A

Eb/G

Ebm/Gb

la -

i - ad -

ma. Bb

sa nag - ka - ka - sa - la sa

ng ma - sa

Bb/D

Gm

hat

34

Eb/G

Bb#4

ka - mi

Mo

Bb9

30

ya

Bb

Aklamasyon sa Ama Namin


Voices

Keyboard

Eb/F

F7

Bb9

Bbaug

pa - sa - wa - lang hang - gan.

Bb/F

sa 'yo nag - mu -mu - la ang ka - pang - ya - ri - han at kal - wal - ha - ti - an,

Sa - pag - kat

6


A

Eb

F7

-

Keyboard

Bb/A

Eb/G

mag -

A

Eb/Bb

men,

Eb/Bb

Bb

-

men.

Ebm7

Bb

Kordero Ng Diyos

Andante religioso ( q. = ca. 42 )

Voices

71

CANTOR

Kor - de - ro ng Diyos na nag - a

Ebm

Abm/Eb

Ebm

Abm

Eb

Db/Eb

Eb

-

a - lis

ng ma -

Db/Eb

72

nga ka - sa - la - nan ng


Eb

Gb

Ma - a - wa Ka,

ma - a - wa Ka

Db

1. 10

min.

Ebm

Kor -

Ab7

15


20

an.

Eb

Bb

Eb

Ab/Eb

Eb9

-

Fm7

Ab/Eb

Kor - de - ro ng Diyos na nag - a

ka - lo - ob Nin - yo

Eb

Ab

-

Ab

a - min

Cb

a - lis

Eb/Bb

ang

Fm7

ka - pa - ya - pa

Eb/Bb

-

Ab/Bb

Eb2

ng ma - nga ka - sa - la- nan ng

Abm

-

Ebm

Ab

Eb/G

Bb7

Eb/G

-

Cb

Fm

sa

a

Ab/Eb

I - pag

min.

CONGREGATION

Eb/Gb

Eb/G

Abm

CANTOR

sa

Bb

2.

CONGREGATION

5

That in all things, God may be glorified!!! August 28, 2007

73

Mary Crowned with Living Light ENTRANCE HYMN Words Wordsfrom from Stanbrook Stanbrook Abbey Abbey Additional words by byJean JeanC. C.Arevalo Arrevalo additional words


Moderato semplice ( q = 100 ) Bb

Voice

Keyboard

Gm/F

ho - li - ness,

pon

Bb

Bbaug

Db

Ab

Mys - te - ry

us

all.

Fa - ther, Son and

Free from sha - dow, you Ma - ry mag - ni - fies

Eb

li

ving light,

© Copyright 2007 by Alejandro D. Consolacion II Published/owned by Manila Cathedral-Basilica Photocopying this copyright material is ILLEGAL.

Cm7

F7

Hand - maid of the

C7

Bb/D

F/Eb

Lord,

Cho - sen Mo - ther

F7

grace. days.

Eb

ple - ni - tude of through e - ter - nal

Bb9/D

Hea - ven sings your

F9

-

Gm

ref - lect Your name

Dm

In our fal - len

sin - less life, Ho - ly Ghost,

Ab

the Word.

Ebm7

of

of

peace and

Gb/Bb

Who were named, u -

Place of

of

Ma - ry crowned with

D/F#

the Lord, we fall,

F

Mo - ther

race, praise,

D

Shel - ter

Bb

Tem - ple of Lift us when

F/C

F

li - ving light, of our God,

Db

Eb

C/E

the Cross,

17

Gm

Gm/F

12

Gm

1. Ma - ry crowned with 2. Vir - gin Mo - ther

6

F/A

Bb/D

Eb

of His Son,

74 23

Bb/F

Sa - viour

F7

Bb

all.

Ma - ry, Mo - ther

of

us

Eb

Bb/D

F/Eb

Eb

Bb

Cho - sen

from us

all.

F7

of His Son,

Bb/F

Remember O Mary, Immaculate OFFERTORY HYMN

Text “Memorare” Textbased based on on St. St. Bernard’s Bernad's "Memorare" Paraphased ParaphrasedbybyMsgr. Msgr.Nestor NestorCerbo Cerbo


Allgro e legato semplice ( q = 130 )

Verse 1

D

Re - mem -ber

G/B

A/C#

D

a - ny - one

who comes

Vir - gin,

that ne

G/B

G/B

A/C#

to

your

D

ver

was

it

known,

was left

A7

that

D

un - as - sis -

O

G/B

G/B

D

pro - tec - tion

A

-

2.

D

Im - ma - cu - late

Ma - ry

14

2.

1.

7

1.

ted.

D7

O

75

22

G

A7

D7

course to you.

G/B

us,

O

A7

D

us.

for

such

great

D

come.

A

G/B

pray

Verse 2

Mo -

ther,

to

A

be - fore

we

humb

you

you

A

Vir - gin,

G/B

G

With

D

for

Im - ma - cu - late

D

re -

C

Im - ma - cu - late

con - fi - dence,

G/B

Bm7

who have

Em7

us

F#m7

sin,

with - out

D

pray

con - ceived

ry

A/G

Em7

-

G/B

pray for

Ma

C

sin,

G

Bm7

48

42

35

F#m7

Ma - ry con - ceived with - out

29

A/G

-

ly

D

we

stand,

76

54

G

A7

sin - ful

yet

D

D7

sor - row - ful.

D

O

Refrain

us.

Holy Mother of our Saviour COMMUNION HYMN

Words by Jean C. Arevalo


Moderato e dolce = ( q = 85 )

Verse 1

great

Ab

is

Cm

your

Cm

Bles

Db

sed

are

you,

Bbsus7

be -stowed on

you.

dwells

in you,

Bb7

from

Ab

a - mong

Bb/D

Mo - ther of our

Oh,how

Eb

Ho - ly

Eb/G

Bb7

Bb

Fm7

C/G

Spi - rit

the

-

Ab/C

Ab

and the grace

Cm/Bb

Sa - viour,

Cm

Fm

Gm7

beau - ty

Sa - viour,

11

Eb/G

Bb/D


6

Eb

Gm7

Cm

all

wo - men,

77

Refrain

16

O

Gsus4

G7

mai - ning e

- ver vir - gin,

your

your faith

is

e - ver - las - ting,

Bb

Bb7/Ab

re -

Gb

im - ma - cu - late.

heart

Eb/G

O

Bles - sed

2nd time to

Ma - ry,

Mo

Abm

Bb7

Eb

Christ, His On - ly

Fm

Db7

- ther

of

Bb

Ab

and help

your

Gm7

gen - tle hand

Eb/G

Cm

Db

chil - dren,

who

to

Cm/Bb

Sa - viour,

Cm

Cm

Mo - ther of our

Come

Bb/D

Ho - ly

Eb/G

us with your

Verse 2 Eb

Lead

Ab

God,

Son.

Eb/G

your in - ter - ces - sion,

Abdim

Fm

Ma - ry,

ask

Bles - sed

Ab

F

Cm

Ebm

Eb/G

you.

37

Ab

32

Eb

God had cho - sen

27

Bb7

22

Fm

seek

we

to rise from

78 42

Ho - ly

Mo

Bb/D

- ther of

Bb

Sa

from

Eb

Cm7

sed

are

Fm7

Bb

God

had

-

wo - men,

Eb/G

you.

Eb/Bb

cho - sen

Ab

Abdim

Eb

Christ,

His

On

-

ly

Son.

Coda

Fm

Bles

all

- viour,

a - mong

Faug

Ab

Fm

Eb/G

you,

our

Cm

50

Eb

shame.

46

Bb

Holy Mary, Now We Crown You FINAL HYMN

Words by Melvin Farell, S.S.


Andante ( q = 90 ) F

Bb/D

1. Glo - rious 2. Gate of 3. Queen of

Queen, look Hea - ven Man - kind,

C

F

F/A

down you while

in kind - ness, were Mo - ther, cre - a - tion

Bb

while be - fore to the King speaks the gran -

your of deur

G/B

throne heav'n of

C

we stand, and earth. God's love.

79

5

Bring Now Mold

C/E

F

God's bles - sing be Mo - ther our hearts to

to to seek

- dren, - jects, - ry

Watch In 'til

our our we

your chil your sub His glo

Bb

F/A

Bb

homes souls reach

and give our

F/C

C7

F

F/Eb

guard our land. Je - sus birth. home a - bove.

Refrain

Bb/D

Ho

Eb

-

ly

Ma

13

Dm

9

A/C#

Bb/D

No - ble

Vir

-

ry,

Eb

Bb

now

we

Cm7

gin,

may

our

tri

Ho - nored Queen of

all

D

Eb

bute

win

your

love

Gm7

-

Dm7

F

Gm

crown you,

-

F7

C7

F

our

race;

F

Bb

and

gain

us

grace.

that in all things God may be glorified!!! October 2007

SELECTED SACRED WORKS OF ALEJANDRO D. CONSOLACION II CHURCH ANTHEMS

May God Guide Each Step

IRU0L[HGYRLFHVRUJDQ

Aba Ginoong Maria

O Salutaris Hostia

IRU0L[HGYRLFHVXQDFFRPSDQLHG

Alleluia

IRU0L[HGYRLFHVXQDFFRPSDQLHG

Pater Noster

Ave Regina Coelorum

IRU0L[HGYRLFHVXQDFFRPSDQLHG IRU66$$XQDFFRPSDQLHG Version for mixed voices is different for treble voices

IRU7UHEOHYRLFHVVWULQJV

Behold the Wood of the Cross

Pange Lingua

IRU0L[HGYRLFHVNH\ERDUG

Dona Nobis Pacem

IRUSDUWFKRLUSLDQRRURUFKHVWUD

IRU0L[HGYRLFHVXQDFFRPSDQLHG IRU66$XQDFFRPSDQLHG

Regina Coeli

Cantate Domino

IRU0L[HGYRLFHVXQDFFRPSDQLHG IRU66$RUJDQ

IRU6$7%NH\ERDUGRURUFKHVWUD IRU66$NH\ERDUGRURUFKHVWUD Materials for orchestra is suitable for both versions

IRU7UHEOHYRLFHVVWULQJV

Salve Regina

IRU66$$XQDFFRPSDQLHG

Christ our Light

Sing to the Lord

Child’s Prayer

Tantum Ergo

IRU7UHEOHYRLFHV

IRU6$NH\ERDUG

IRU6$7%XQDFFRPSDQLHG

*RGRI,Q¿QLWH&RPSDVVLRQ

Veni Creator Spiritus

IRU6$7%RUJDQRUVWULQJVDQGKDUS IRU66$RUJDQ

IRU6$7%XQDFFRPSDQLHG

I Will Magnify Thee, O God and my King

Kyrie

IRU6$7%RUJDQRURUFKHVWUD IRU66$RUJDQRURUFKHVWUD Materials for orchestra is suitable for both versions

IRU0L[HGYRLFHVRUJDQ

MUSIC FOR THE EUCHARIST AND SERVICES IRU6$7%RU66$SLDQRRURUFKHVWUD

Misa ng Pagbabalik-loob

Let Christ Into Your Life

IRU8SSHUYRLFHVSLDQR

IRU6$NH\ERDUGRURUFKHVWUD

Worship the Lord in Beauty of Holiness

Mass of St. Scholastica

IRU66$SLDQRRURUFKHVWUD IRU6$7%SLDQRRURUFKHVWUD

Lord God, our Father

IRU6$7%XQDFFRPSDQLHG IRU66$RUJDQ

Music for the Holy Eucharist, No. 1

IRU6$7%RUJDQRURUFKHVWUD IRU66$RUJDQRURUFKHVWUD Materials for orchestra is suitable for both versions

IRU&RQJUHJDWLRQRUJDQ

Music for the Holy Eucharist, No. 2 IRU&RQJUHJDWLRQRUJDQ

Lord Jesus, Sun of Righteousness

Nuct Dimitiis

Mary’s Lullay

Te Deum

IRU0L[HGYRLFHVRUJDQ

IRU0L[HGYRLFHVRUJDQRUVWULQJV

IRU6ROR%DULWRQHDQG&KRLURUJDQ IRU0L[HGYRLFHVZLWKEUDVVSHUFXVVLRQVDQGRUJDQRURUFKHVWUD

For Inquiries: Alejandro D. Consolacion II (+63915) 861-8013 / (+63920) 920-2289 (+63922) 825-5326 / (+63922) 837-5326 [email protected]

ALEJANDRO D. CONSOLACION II enjoys his dual career as Organist and Composer. He studied piano under the tutelage of J. Greg Zuniega. Professor Armando Salarza also contributed to his musicianship as his pipe organ teacher. He studied composition under Manuel Maramba, OSB and Dr. Jonas Baes at the St. Scholastica’s College, where he was a recipient of the Sister Baptista Battig Music Scholarship. AJ, as Consolacion is fondly called, is regularly invited to write music for the International Bamboo Organ Festival, the San Agustin Music Festival and the National Music Competition for
Cathedral-Basilica of the Immaculate Conception MANILA METROPOLITAN CATHEDRAL-BASILICA Cabildo cor. Beaterio, Intramuros, Manila Tel.: 527.1796, 527.3889, 528.3876 Fax: 536.0192 Mobile: 0917.400.9131, 0928.743.0067 E-mail: [email protected], [email protected] www.manilacathedral.org

Misa Immaculada Concepcion

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