Kellner Rondeau

Rondeau in A Major VII.

II.

1

3

David Kellner (1670–1748)

1

4

4

1

3 0 0 0                                     1     3  1   4

3

          

5

      

9

           1  

      3

               2

1

       



3



         

       3





4

4

2



 



4-2

1 3

       4

3

    

    

BII6

4

   

  

© Bradford Werner, 2016. All Rights Reserved. TAB Edition & Lesson Video Available at thisisclassicalguitar.com



BII6

2 1 4-2                    3 3

          

25

4

2

1

14

19

2

3



 

     0 1

     



                                 

29

  1      

33

   

       

38

4

3

2        

42

3

    

47

2 1

4





          4 2

     2 1

1

   



4

   

4

   1

      3



     

4

1

 



 4

3

    

2

1

      1

2

      3

                     

2-0

                                         



52



Comments - Bar 2 - The C# could also be nicely fingered with the 1st finger in a hinge barre. - Bar 7 - The low E might sound better up one octave but the open string is worth the technical ease. - Bar 7 could be fingered in 7th position with the F# on the 5th string but the shift is equally difficult.

© Bradford Werner, 2016. All Rights Reserved. TAB Edition & Lesson Video Available at thisisclassicalguitar.com

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